British Forum for Ethnomusicology

Back Matter
Source: British Journal of Ethnomusicology, Vol. 5 (1996)
Published by: British Forum for Ethnomusicology
Stable URL: http://www.jstor.org/stable/3060889
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British Journal of
M usic Educ ation
British
Journal
of M usic Educ ation aims
to
provide c lear,
stimulating
andreadable
ac c ounts of c urrent issues in music
educ ation worldwide. In
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Notes to c ontributors
Submissions shouldbe sent to: Editors, British Journal of Ethnomusic ology,
Centre of M usic Studies,
Sc hool of Oriental andAf ric an Studies, Thomhaugh St., London WC1H OXG. Order of
pref erenc e
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and
ref erredto in the text. Authors must
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to
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dardof all illustrative materials; the editors will advise on the
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Ref erenc es c ited shouldbe within the text, listing
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and
page number, e.g. (Blac king 1973: 52); where an author's name has
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to date and
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by
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distinguishedas, e.g., 1987a and 1987b. Avoid the
expressions op.c it.
andloc .c it..
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given
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alphabetic ally by
author and
c hronologic ally
f or eac h author, using
the
style shown below. Please
give authors' f ull names, the
publisher's
name
f or books, and
prec ise pages
of artic les or
c hapters. (See f urther "Notes on
style" below.)
Blac king,
John & Keali'inohomoku, Joann W., ed. (1979) The
perf orming
arts: music and danc e. The
Hague: M outon.
Jairazbhoy, Nazir (1977) "The
'objec tive' and subjec tive
view in music
transc ription."
Ethnomusic ology 21.2: 263-73.
Keali'inohomoku, Joann W. (1979) "Culture
c hange: f unc tional and
dysf unc tional expressions
of
danc e, a f orm of af f ec tive c ulture." In John
Blac king
& Joann W. Keali'inohomoku (ed.) The
perf orming
arts: music anddanc e, pp.
47-64. The
Hague:
M outon.
A
f ull-page f igure may
not
normally
exc eed 200mm x 125mm. A list of
c aptions
must be
provided on separate sheets. Authors must obtain
approval,
bef ore submission, f or
reproduc tion
of
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All
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Notes on
style
It wouldbe helpf ul
if c ontributors were to bear in mindthe
f ollowing points:
1. Quotations: Use double
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single
within
quotations.
2.
Figures: All
f igures, tables, c harts andmusic al
examples
should be ref erredto as
"f igures"
and
numbered
suc c essively.
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CHIM E
d
7^^^^^y
JOURNAL OF THEEUROPEAN FOUNDATION
v^1 ^
FOR CHINESEM USIC RESEARCH
* A
pioneering
initiative in
music ology.
Explores
one of the world's
biggest
andmost
f asc inating
music c ultures.
Intendedto
please
sc holars and
general
lovers of
Chinese andAsian music alike.
* Shouldbe c onsulted
by everyone
who wants to
keep
abreast of
developments
in Chinese music researc h.
FROM THECONTENTS OF CHIM ENO. 9
(Autumn 1996):
Barbara M ittler New M usic f rom Hong
Kong
andTaiwan
Deng
Wei Creative Variation in Traditional
Pipa
M usic
Zhu
Yongzhong
&
Kevin Stuart Ritual
Village Songs
f rom East
Qinghai
A.Sc himmelpenninc k Chinese Folk
Singers
in
Jiangsu Provinc e (II)
Glen Saunders Qu
Xiaosong's opera
'The Death of
Oedipus' (+
interview)
Linda Jaivin Hou
Dejian
andthe Rise of
Pop
M usic in Taiwan in the 70s
Tan Hwee San
Report
on Chime
M eeting 'East Asian Voic es,' Rotterdam
Frank Kouwenhoven 'Oral Literature in M odem China'
Workshop, Copenhagen
Stephen Jones The Han
Tang
Yuehf u Tour of
Europe,
1996
Plus some 40
pages
of book- and
CD-reviews, annouiic ements on
projec ts, institutions,
public ations, meetings, c omposers &
perf ormers.
The Journal
appears twic e a
year. Annual
subsc ription (inc l. postage):
Individuals UK ? 16 (DFL 50) EDITORS:
Institutions UK ? 20 (DFL
60) Frank Kouwenhovef
Students UK ? 13 (DFL
42) Antoinet
Sc himmelpenninc k
CHIM E
Foundation,
P.O. Box
11092, 2301 EB Leiden, Holland. Phone: +31.71.5133.974 /
5133123. Fax: +31.71.5123183. E-mail: <c hime@worldac c ess.nl>. Readers in UK c an send
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