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edial and 'inal
0n the phonology of some .ast Asian languages, especially )hinese, the syllable structure is
expanded to include an additional, optional segment #nown as a medial, which is located between
the onset (often termed the initial in this context and the rime. $he medial is normally a glide
consonant, but reconstructions of >ld )hinese generally include liquid medials (:r: in modern
reconstructions, :l: in older versions, and many reconstructions of 7iddle )hinese include a medial
contrast between :i: and :?:, where the :i: functions phonologically as a glide rather than as part of the
nucleus. 0n addition, many reconstructions of both >ld and 7iddle )hinese include complex medials
such as :r?:, :?i:, :?w: and :?wi:. $he medial groups phonologically with the rime rather than the onset,
and the combination of medial and rime is collectively #nown as the 'inal.
!ome linguists, especially when discussing the modern )hinese varieties, use the terms "final" and
"rime:rhyme" interchangeably. 0n historical )hinese phonology, however, the distinction between
"final" (including the medial and "rime" (not including the medial is important in understanding
the rime dictionaries and rime tables that form the primary sources for 7iddle )hinese, and as a
result most authors distinguish the two according to the above definition.
$one
0n most languages, the pitch or pitch contour in which a syllable is pronounced conveys shades of
meaning such as emphasis or surprise, or distinguishes a statement from a question. 0n tonal
languages, however, the pitch affects the basic lexical meaning (e.g. "cat" vs. "dog" or grammatical
meaning (e.g. past vs. present. 0n some languages, only the pitch itself (e.g. high vs. low has this
effect, while in others, especially .ast Asian languages such as )hinese, $hai or Fietnamese, the
shape or contour (e.g. level vs. rising vs. falling also needs to be distinguished.
(ei4)t
A )ea/y syllable is generally one with a branching rime, i.e. it is either a closed syllable that ends in
a consonant, or a syllable with a branching nucleus, i.e. a long vowel or diphthong. $he name is a
metaphor, based on the nucleus or coda having lines that branch in a tree diagram.
0n some languages, heavy syllables include both FF (branching nucleus and F) (branching rime
syllables, contrasted with F, which is a li4)t syllable. 0n other languages, only FF syllables are
considered heavy, while both F) and F syllables are light. !ome languages distinguish a third type
of super)ea/y syllable, which consists of FF) syllables (with both a branching nucleus and rime
or F)) syllables (with a coda consisting of two or more consonants or both.
0n moraic theory, heavy syllables are said to have two moras, while light syllables are said to have
one and superheavy syllables are said to have three. Napanese phonology is generally described
this way.
7any languages forbid superheavy syllables, while a significant number forbid any heavy syllable.
!ome languages strive for consonant syllable weight/ for example, in stressed, non2final syllables
in 0talian, short vowels co2occur with closed syllables while long vowels co2occur with open syllables,
so that all such syllables are heavy (not light or superheavy.
$he difference between heavy and light frequently determines which syllables receive stress ; this is
the case in 6atin andArabic, for example. $he system of poetic meter in many classical languages,
such as )lassical 8ree#, )lassical 6atin, >ld $amil and !ans#rit, is based on syllable weight rather
than stress (so2called quantitative rhythm or quantitative meter.