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PERFECT
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MAY 2014
50 STORM CATCHER
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41 TRAVELING
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23 PHOTO CHALLENGE
24 MY PROJECT
PRO 700 DX
PRO 330 DX
SUPER
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An Alaskan
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42 SOFTWARE WORKSHOP
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80 DSLR TEST
SUPER
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ALLOY
This
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Nikon D3300
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8 EDITORS LETTER
10 SHOWCASE
94 TIME EXPOSURE
98 BACKSTORY
POPULAR PHOTOGRAPHY (ISSN 1542-0337) (USPS 504-890), May 2014, Volume 78, Issue 5, is
published monthly by Bonnier Corporation, 2 Park Ave., New York, NY 10016. Periodicals postage paid
at New York, NY and additional mailing offices. Authorized periodicals postage by the Post Office Department, Ottawa, Canada, and for payment in cash. POSTMASTER: Send address changes to Popular
Photography, P.O. Box 420235, Palm Coast, FL 32142-0235; www.PopPhoto.com/cs. If the postal
service alerts us that your magazine is undeliverable, we have no further obligation unless we receive
a corrected address within one year. Publications Mail Agreement No. 40052054. Return undeliverable Canadian addresses to: IMEX, P.O. Box 25542, London, ON N6C 6B2. SUBSCRIPTION SERVICES:
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NEWSSTAND AND SUBSCRIBER COVERS: DAVID ARKY (X-RAY), MITCH DOBROWNER (STORM); THIS PAGE: BRAD JENKINS (PENGUINS); DARREN MOORE (SEASCAPE). PREVIOUS PAGE: TOM SMITH (ORANGE);
ANDREW S. GERACI/DISTRICT 7 MEDIA (CITYSCAPE); ANDREW WATSON (BEACH CHAIRS); HAROLD ROSS (TREE); STAN HORACZEK (GROUP PORTRAIT); MITCH DOBROWNER (LANDSCAPE); PETER KOLONIA (STUDIO)
PROFESSIONAL
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EDITORS LETTER
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THIS PRODUCT
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Accessories Built In
High end cinema cameras often require thousands of
dollars of extra accessories to make them work, however
the Blackmagic Cinema Camera includes accessories you
need built in! You get a large 5 inch monitor, super fast SSD RAW recorder
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OUR ROUNDUP OF FLASH MODIFIERS
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WE WANT THIS
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Nikons new flagship
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Panasonic Lumix GH4
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4K FORAY
The GH4
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KILLER COMPACT
The next evolution of an unusual sensor
INSIDE TECH
3-Layer Dip
> Getty Images
now allows
low-resolution
photos to be
embedded on
noncommercial
websites and
social media for
free. The photos
will have no
watermark, but
will be locked
in the Getty
Embedded
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SP 150-600mm
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NEW CONVERT
Fotodiox puts an ND
flter in a converter
WE LOVE lens adapters
anything that gives old glass
new life is OK in our book. The
Fotodiox Pro Vizelex ND Throttle
adapter will let you mount your
Canon EF or EF-S glass on a
Sony E-mount ILC camera such
as the Alpha 6000, and keep
infinity focus. Heres the twist:
Its blue ring houses a variable
neutral-density filter, letting
you control the amount
of light that reaches
the sensor without
affecting color or
depth of field.
The catch?
With no electronic
contacts, the adapter
loses you autofocus
and automatic
> The
BIGGER IS BETTER
Sonys waterproof smartphone gets an upgrade
National
Press
Photographers
Association
awarded
Miami Herald
photographer
Al Diaz the
NPPA
Humanitarian
Award for
assisting in a
roadside
emergency
before fulfilling
his duties as a
photographer.
> The
Chinese
government
ordered Nikon
to stop selling
the D600 in
China after
the World
Consumer
Rights Day
television
program
reported on
defects in
the cameras.
Nikon will
cease sales
of the D600
and offer free
repairs.
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RAW Revise
Nikon Capture NX-D (Beta)
THE LOWDOWN
SIX NEW BRIGHT EYES
Olympus filed patents for six new wideangle lenses with maximum apertures
close to f/1, four of them in Micro
Four Thirds mounts. They include two
12.7mm designs (f/1.05 and f/0.95),
plus a 14.27mm and 13.99mm, both at
f/1. Its too soon to say whether theyll
come to market, but the news could
mean a bright future for Olys lens
line and competition for Voigtlnders
Nokton 17.5mm f/0.95 for MFT.
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TWO SIZES
FIT ALL
> Flickrs
six-year
partnership
with Getty
Images has
come to an
end, but
Getty told its
contributors
from Flickr
that their
contracts
remain
unchanged.
FLASH MOD
PHOTOGRAPHY IS ALL about light, and when the sun doesnt
give you enough, you bring your own. But not all light is created
equal, so how do you make it do what you want? These flash
modifiers will help make your light softer, reach farther, change
color, or simply just look better.
Designed for the built-in flash on APS-C Canon and Nikon DSLRs, the
Safari claims to extend the range of your cameras flash, useful with
lenses longer than 100mm. It mounts to the cameras hot-shoe.
These gels work with the Spinlight 360 system to color the light from
your flash unit. Included are 20 gels, two clear disks, and a clear storage
case that doubles as a modifier when filled with translucent objects.
$399
> Giottos
has launched
a new line
of tripods.
The Air series
offers four
kit options,
ranging from
2.4 to 3.3
pounds, with
prices from
$250 to $465.
> Time named
Makati City,
Philippines, the
Selfiest City
in the World,
determining
that there
are 258
selfie-takers
per 100,000
people in the
Philippines
financial
capital. It
ranked first
among 100
selfie-obsessed
cities.
> Leicas
newest limited
edition camera
sees Playboy
and Hello Kitty
joining forces
to celebrate
anniversaries.
The $1,264
Leica C sports
a picture of a
winking Hello
Kitty wearing
the famous
bunny ears.
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SD SPEED
CHAMP
SanDisks new SD cards
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WHEN IT comes to storage,
bigger and faster is usually
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SanDisk pushes the boundaries
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Designed to handle the
rigors of 4K video capture,
the new SanDisk cards have
a maximum write speed of
250MBps and a maximum read
speed of 280MBps, though its
unlikely youll ever reach that
theoretical limit. A 16GB card
will run $75, street, while a
64GB version will go for $245.
In addition, SanDisks
new 128GB microSD card
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classification, a requirement for
shooting 4K video on microSD
cameras like the GoPro Hero3.
128MB
128GB
SOURCE: SanDisk
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PH
2014 Sony Electronics Inc. The Sony logo is a trademark of Sony. All rights reserved. Reproduction in whole or in part without written permission is prohibited.
All other trademarks are trademarks of their respective owners.
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OT
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AP
The Sony 7R is the worlds lightest full frame interchangeable lens camera thats so small,
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24
26
YOUR BEST ANIMAL PAIRS
32
PHOTO CHALLENGE
STARRY
NIGHT
A reader looks up
and shoots for the stars
DOUGLAS CROFT
POPPHOTO.COM
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SHARE * MY PROJECT
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Mark Meyer
(www.
photo-mark.
com) is an
editorial and
commercial
pro based in
Anchorage.
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SHARE * I, PHOTOGRAPHER
POET PORTRAITIST
Nancy Crampton has immortalized
generations of literary lions
Nancy
Crampton
(www.nancy
crampton.
com) is
the house
photographer at
the 92nd
Street Ys
Unterberg
Poetry
Center in
New York
City and
author of
Writers
(Quantuck
Lane Press,
2005). See
a gallery of
her work at
PopPhoto.
com/
Crampton.
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Suzanne Trottier captured these Irish steeds with a Nikon D70 and 18200mm f/3.55.6G VR
Nikkor at 120mm, freezing their flowing manes with an exposure of 1/1250 sec at f/7.1, ISO 800.
A New Love
From painter
to photographer
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WRITE TO US!
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SHARE * LETTERS
Still Shooting
HOW TO CONTACT US
Address your questions or
comments on editorial
content to Popular
Photography, 2 Park Avenue,
New York, NY 10016; e-mail,
PopPhoto@bonniercorp.com.
Published letters may be
edited for length and clarity.
We regret that we cannot
answer all letters. Editorial
contributions sent by mail
must include return postage
and will be handled with
reasonable care; however, we
assume no responsibility for
return or safety of
photographs, disks, or
manuscripts.
SUBSCRIPTIONS
Visit PopPhoto.com/cs for all
subscription inquiries, call us
at 800-876-6636, or email
us at popularphotography@
emailcustomerservice.com.
REPRINTS AND
EPRINTS
For Reprints email reprints@
bonniercorp.com.
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Flash Decoder
Flash head
set to 100mm
GN = 160
Flash head
set to 28mm
GN = 100
From the
No Free
Lunch Dept.:
A zooming
flash head
set to cover
a longer lens
will provide a
higher guide
number, and
hence allow
greater flash
distance
but the flash
may be
inadequate
in angular
coverage.
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Where
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14mm f/2.8
Ultra-wide angle of view on both full frame and APS-C cameras
Since 1979, ROKINON lenses and optics have
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Two of a Kind
Want to
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contests.
JASON LANIER, 39, PHOTOGRAPHER, MURRIETA, CA The Kruger National Park in South Africa is like visiting Jurassic Park.Its going
back in time.I searched and followed this herd of elephants for a while until I found an opening in the brush, wanting to capture
them in a natural frame. When the adult elephant came to protect the baby and started flapping its ears it made for a powerful
image. Shooting in Africa is not like shooting in a zoo. Its real,raw, and dangerous. TECH INFO: Nikon D700 with 28300mm f/3.55.6
VR Zoom-Nikkor lens at 50mm; 1/1000 sec at f/11, ISO 400. Minor edits in Adobe Photoshop Lightroom 2; sepia filter added in Photoshop CS3.
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Take your music
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BRAD JENKINS, 75,
BERNARDSVILLE, NJ,
RETIRED
On a November
morning during a
24-day photo safari
put together by Joseph
Van Os, we landed
on the beach of South
Georgia islands St.
Andrews Bay, home
to more then 300,000
king penguins.
Walking the beach, I
saw the chicks were
all in groups, like a
nursery.There were
usually some adults
with them, and I
wanted to capture
them together. By
9 a.m., 6070 mph
katabatic gusts blasted
sand across the beach,
and we had to leave.
What a memorable
experience.
TECH INFO: Canon
EOS 5D Mark II with
100400mm f/4.55.6L
Canon EF IS lens at
170mm; 1/100 sec at
f/22, ISO 320. Minor
edits in Lightroom 5 and
Photoshop CS6.
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HOW
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40
41
MASTER ADOBE CAMERA RAW
42
46
CREATIVE THINKING
X-RAY ARTIST
Turn industrial X-rays into something fun
WHEN YOU see really cool X-ray
DAVID ARKY
David Arkys
image of
a tripodmounted
Canon EOS-1D
X and Sigma
50500mm
f/4.56.3,
shot for us, is
a composite
of four X-rays
with exposure
times varying
from 30 sec
to 7 minutes.
POPPHOTO.COM
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Above, left:
Levi Strauss
used Arkys
composite
of some 30
X-rays for a
Dockers ad
compaign.
Above, right:
The artist
stands in
an X-ray
exposure
vault, using
a plumb
bob to align
the subject
and camera
(in X-ray
jargon, the
generator).
THAT TRIPOD COLLAR on your big, heavy telephoto or tele-zoom lens isnt just for
affixing the lens to a tripod. It can also help save you from some very expensive grief.
If you carry a camera with a big lens via a strap mounted to the camera body, the weight
of the lens can bend or even break the cameras lensmount flanges. Its much better to
carry the rig on a strap with a tripod-mount fitting (such as a BlackRapid) attached to
the lens collar. (Some very large lenses have actual neckstrap lugs for the same reason.)
Another nice thing about the collar: its tripod platform can be positioned so as to rest on
the palm of your left hand when youre using the (correct) under-the-lens grip, for stable
handheld shooting. Is the tripod collar an extra-cost accessory for your lens? Buy it!
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Light Blaster
Laugh Line
QUICK TIP
DOM REED
30-SECOND SOFTWARE
BEFORE
AFTER
Put some
humor in
your photos
Reed shot
with a Canon
EOS 5D
Mark II and
an 50mm
f/1.2L Canon
EF lens,
exposing for
1/200 sec at
f/11, ISO 50.
For more of
his zany selfportraits, go
to idrinklead
paint.com.
FILM IN LIGHTROOM
Plug-ins for Adobe Photoshop Lightroom can be great, but they can also
be frustrating since LR has to make a TIFF, costing you RAW flexibility.
To avoid going to a plug-in when you want to apply a more basic effect
such as an analog film simulation, try VSCOs Film 05 in LR 4 or 5. Load
the presets onto your system and select your camera brand, then the
film type you need. Next go to VSCO Film Toolkit set to choose from
modification presets. You can use those to go easier on the grain, say,
or bring back detail in the shadows.
Debbie Grossman
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SAVORING
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SAVANNAH
GO
SOUTH
History blossoms in
Savannahs byways
WINTHROPE HIERS
Winthrope
Hiers shot
these
houses
along the
400 block of
Savannahs
East Huntingdon Street
using a Sony
Cyber-shot
DSC-F828.
Exposure
unrecorded.
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SIMPLE
PHILIP RYAN
Creative
Clouds ACR
has all kinds
of cool
features;
we used the
interactive
histogram
to fix this
photoss
exposure.
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COMPLEX
Tip 1
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If you double-click on a
RAW file in Bridge, the
program will, by default,
run ACR within Photoshop.
To avoid opening that app
if it isnt necessary (or tying
it up if you need to work
on another image), run
ACR through Bridge. Go to
Bridges Preferences, then
check the box for DoubleClick Edits Camera Raw
Settings in Bridge. Click
OK. If you prefer to open
RAW files in Bridge only on
demand, you can highlight
your file or files and then
type Ctrl (Command) + R.
Tip 2
Tip 3
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Tip 4
Tip 5
Tip 6
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DARREN MOORE
DREAM
SCENE
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SIMPLE
WorldMags.net1
Conjure up some
Step
scenic magic
Moore
shot with
a tripodmounted
Nikon
D7000 and
1770mm
f/2.84
Sigma lens
with 10-stop
ND filter; 79
sec at f/11,
ISO 100.
COMPLEX
Step 2
Step 3
Step 4
C
To capture his
model as sharply
as possible Moore
used a Pixel
TW-282 wireless
camera trigger
(A). His 10-stop
72mm B+W Neutral
Density filter (B)
and Vanguard
Auctus Plus 283AT
tripod (C) allowed
the long 79-sec
exposure that
blurred the motion
of the surf.
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Final Step
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FOLLOW US ON
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Bonnie J. Cameron
Jason Barnette
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CHARLESTON, SC
Speedlight Workshop - September 19-21, 2014
Dave Allen
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D800
COOLPIX A
D610
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Howd you
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GALATIA,
KANSAS
Arm of God,
2009. Sony
Cyber-shot
DSC-R1, 1/4
sec at f/8,
ISO 160.
LAKE
POINSETT, SD
Previous
page: Storm
Over Field,
2010. Canon
EOS 5D Mark
II, 24105mm
f/4L Canon
lens; 1 sec at
f/8, ISO 100.
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NO. DAKOTA
& NEW
MEXICO
From top:
Rope Out,
Regan, ND,
2011. Canon
5D Mark II,
24105mm;
1/6 sec at
f/8, ISO 100.
Shiprock
and Cloud,
Navajo
Nation, 2013.
Sony R1; 20
sec at f/6.3,
ISO 160.
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NEAR
LAWNDALE,
MINNESOTA
Mushroom
Cloud, 2010.
Canon EOS
5D Mark II,
24105mm
f/4L Canon
EF lens; 5 sec
at f/5.6, ISO
160.
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D3300
a5000
Mirrorless
AF18-270mm F/3.5-6.3
DSC Camera
Di II VC (Vibration Compensation)
The ILCE-5000 includes refined capabilities in a pocketable size that makes it is easy to get beautiful pictures
almost anywhere. Features include exceptional image
quality from the large APS-C image sensor, fast focusing thanks to the BIONZ X processor and interchangeable lens capability. NFC enables single touch
image sharing with compatible mobile devices or direct
connection with Android and iOS devices via Wi-Fi.
Includes Nikon Inc. USA limited warranty. 2014 Nikon Inc
Camcorders
Vixia HF R52
Vixia HF G30
Powerfully Equipped
VIXIA HF G30 offers a Genuine Canon 20x HD Video Lens and 8-Blade Circular
Aperture for superb video quality and natural, beautiful background blur. The new
DIGIC DV 4 Image Processor enables recording in MP4 up to 35 Mbps and AVCHD
up to 28 Mbps and even simultaneously with Dual Recording thanks to two SDXC
memory card slots. A 3.5-inch OLED Touch Panel Display and Built-in Wi-Fi technology including remote control functionality via web browser are included. An optional
accessory adds GPS location data to video files.
The VIXIA HF R52 with built-in Wi-Fi and 57X zoom is all the
camcorder you need to preserve and share special moments
both big and small. Record up to 12 hours of video on the 32GB
internal flash drive, and enjoy extra storage capacity by recording directly to a removable SD card. Improved built-in Wi-Fi* with the new CameraAccess plus app makes it
easier than ever to share recorded video or live stream it on your Android or iOS device**, and even control the camcorder remotely.
Vixia Mini
The VIXIA HF R500 camcorder's giant 57x Advanced Zoom! Capture truly
impressive, amazingly realistic
Camcorders 1920 x 1080 Full HD video with the
Canon 3.28 Megapixel Full HD CMOS Image Sensor and DIGIC DV 4
Image Processor. Even the fastest moving subjects are rendered with
crisp detail thanks to 1080/60p recording in easy-to-share MP4 (35 Mbps)
and AVCHD Progressive (28 Mbps) formats, directly to a convenient, removable SD memory card. grounds.
The VIXIA mini is super slim and weighs approximately 5.6 ounces, so you can
capture beautiful, high-quality video and stills wherever you go. To match its outstanding image quality, the VIXIA mini features a built-in microphone to liven
and enhance your video with superb stereo sound. Get creative with
a genuine Canon f/2.8 fisheye lens for ultra-wide scenes, then switch to
Close-up mode simply by touching the screen.
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Human Errors. All credit cards gladly accepted without any additional charges. New Jersey Resident add 6% Sales Tax. Prices are subject to verifiable manufacturers price increases & decreases. Thank you for shopping with us. Fedex Saver shipping charges: minimum $9.95 under $100. Over $100 add $5.00
for every $500 increase. Caller or check website for further details. Ask for your shipping total. *Asterisk indicates price listed is after mfgs rebate. We appreciate your business every day! Prices Valid Thru Monthly Coverdate. Policy applies to all Beach Camera Advertisements. Shop on line 24 hours at our
website www.beachcamera.com. Thank you for shopping with Beach!
5 SUPER
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PROJECTS
HIGH-SPEED
TIME-LAPSE
PINHOLE
LIGHT PAINTING
PHOTO BOOTH
POPPHOTO.COM
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PROJECT ONE
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Freeze
High-Speed
Action
TOM SMITH
hanks to an electronic ashs ability to produce instantaneous bursts of light lasting about 1/15,000
sec or shorter, most photographers can capture a moving subject with absolute sharpness in ways that
the human eye cant see. Tom Smith, a 15-year-old from Lytham, England, did just that when he set up
two off-camera accessory ashes in his Lancashire kitchen to capture this orange plunging into a sh tank.
While Smith timed the ash rings using his own reexes (and lots of trial and error), electronic ash trigger
kits make it much easier to photograph balloon pops, BB pellets ying through apples, or whatever else you
can dream up. These kits work with sound cues (like a balloons pop) or infrared beams with controllers that
let you ne tune ash rings to the millisecond in order to capture action at its most perfect peak.
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THE SETUP
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C
E
KRIS HOLLAND/MAFIC STUDIOS
F
A
B
STOP-ACTION ON A TABLETOP A typical strategy for capturing a fruit splash involves a darkened
room and a tripod-mounted camera (A) with its shutter held open by a remote shutter release
(B). The photographer then drops the fruit into a tank, breaking an infrared beam (C) cast by an
infrared transmitter/receiving sensor (D). When the beam is broken, an electronic controller
(E) fires two hardwired flash units (F) after a user-set delay measured in milliseconds.
2
Collect your gear.
STEP
WHAT IT TAKES
1
Pick a subject.
STEP
STEP
3 set.
Build your
STEP
Fire away.
ACTION
STOPPERS
The Cognisys
StopShot
flash
controller
uses infrared
beams to let
you set to the
millisecond
exactly when
a flash fires.
A sturdy
tripod, like
Manfrottos
new MK190X
PRO3, is a
must.
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5 later.
Fix things
STEP
PROJECT TWO
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Make a Time-Lapse
Sequence
Speed up the world
with loads of timed shots
60
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1down!
Size it
4it up.
Power
STEP
STEP
or 1920x1080.
5 camera.
Set the
2out.
Time it
STEP
STEP
3
OK, guesstimate it.
STEP
WHAT IT TAKES
You may already have everything you
need for a basic time-lapse shoot;
plenty of recent camerasincluding
numerous point-and-shootshave
built-in intervalometers.
A simple guideline: For slowmoving subjects, use longer intervals, for faster moving subjects,
shorter intervals. For a time-lapse
of changes to a tree over a month,
you might want to use an interval
of a full day. For an hours worth
of that morning-blooming plant,
maybe 1 frame a second.
LONG-HAUL
SHOOTING
An accessory
battery grip
lets you
take longer
sequences.
Or power
the camera
with an AC
adapter from
a wall plug
or portable
AC supply.
And the new
Nikon D5300
has a built-in
intervalomer.
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STEP
Put em together.
PROJECT THREE
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Take Pinhole
Photos
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1 basics.
Learn the
4exposure.
Figure
STEP
STEP
5 the look.
Exploit
STEP
2 pinhole.
Make your
STEP
STEP
Or buy a pinhole.
WHAT IT TAKES
Once you procure a pinhole camera (whether you buy one, build
one, or make an accessory for
your DSLR), shooting pinhole is
just a matter of nding the right
subject and guring exposure.
TINY LENSES
Toy
cameras
such as the
Lomo Diana
Multi-Pinhole
Operator are
inexpensive
options.
A pinhole
cap like the
Lenox Laser
transforms
a film or
digital SLR
into a pinhole
camera.
Andrew
Watson used
a wood-andbrass camera
from Zero
Image.
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STEP
Do it with flm.
PROJECT FOUR
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Paint with
Light
he popular technique called painting with light treats your cameras lm or sensor as a blank, black
canvas on which you paint in your subject by applying light something like the way artists apply paint
to a white canvas. One of the wonderful things about light painting, says Harold Ross, who painted
this idyllic scene, is that it can transform the mundane into something greater. Most light paintings are in
one of two styles. You can illuminate your subject with a handheld light source, applying light to bring out its
color, shape, texture, and dimensions. Or, you can turn your light toward the camera, and move it to create line
drawings, patterns, or even words that become your subjects. Light paintings can be done outdoors after dark,
or indoors in a darkened room, and your light source can be broad (LED panel) or focused (LED ashlight).
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THE SETUP
B
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NIGHT LIGHTS Harold Ross used multiple exposures for his finished image, but you can
make successful paintings in long single exposures. In twilight, Ross made ambient-light
exposures for the water and background with a CamboWide RS body with Phase One P45+
digital back (A). In full darkness, he opened the shutter and painted with two attached 10x10inch LED panels (B), making separate exposures for each element. Later, he merged the
exposures in Adobe Photoshop CC.
Scout locations.
WHAT IT TAKES
A monumental light-painted
photograph like this one takes
plenty of preparation and multiple exposures. But you can try it
on a smaller scale as long as you
have a dark subject.
Use a camera that lets you manually set long exposures, a tripod,
and a remote release. For painting
big scenes, use a large, soft light
and a portable battery to power it.
And wear black!
LIGHT
IT UP
A batterypowered LED
like Interfits
Matinee
LED 1000,
or the Dorcy
spotlight
make good
painters. A
Bosch digital
IR distance
measuring
tool can help
find focusing
distance in
the dark.
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PROJECT FIVE
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Build a Photo
Booth
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ure, you could have a company haul in a boxy little photo booth for your
next party. Or, for about the same amount of money (or less), you can get
everything you need to set up a full-on portrait station worthy of your guests
fancy duds. As an added bonus, most of it is gear that will be useful in other types
of photographyand you may have all or most of it already. Our web editor, Stan
Horaczek, who set up these festive photo shoots, told us how.
A photo booth is a basic studio setup using a clean backdrop, a large light
source, and as many props as you allow. It gives your guests room for bigger group
shots and produces far better results than those charming-but-crummy photo strips.
Pick a camera.
WHAT IT TAKES
<RXQHHGDOLJKWPRGLHUWKDWZLOO
cover the entire backdrop and
make everyone look good, even
in a big group shot. A 7-foot paraEROLFXPEUHOODLQUHHFWLYHZKLWH
placed about seven feet from the
background and slightly behind the
FDPHUDWRWKHULJKWZLOODWWHU
Pick a background.
$VKRHPRXQWDVKZLWKD
sync cable can typically dish
out enough light to pull this
off, but a dedicated studio
strobe is ideal. Because it doesnt
use batteries, it will recycle more
reliably throughout the night. And
its modeling light will help out the
cameras AF system.
TRAVELING
STUDIO
A Westcott
7-foot
parabolic
umbrella with
a Bowens
Gemini 400Rx
monolight
makes a
good setup
for a photo
booth. Youll
also need
a seamless
backdrop
holder like
the Impact
Background
Support
System.
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Go auto.
The portrait station can run on autopilot if you set-up a wireless trigger
like a Pocket Wizard and let guests
UHWKHVKXWWHUWKHPVHOYHV$YRLGD
wired remote releasea cord is an
accident waiting to happen. It may
also help to have someone overseeing operationsand interactions.
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LIGHTS,
CAMERA
Freelance
photographer
Ben Ritter
directs the
action at
Refinery29s
Manhattan
studio; at
right, his
resulting
image.
68 POPULAR PHOTOGRAPHY MAY 2014
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FASHION PHOTOGRAPHY is no
longer the sole province of glossy
magazines, as blogs and retailers produce and publish highly
stylized work. Even for a relatively
small operation such as the website Refnery29, which combines
lifestyle content with a designer
clothing store, producing a shoot
can require as many as eight
pairs of hands. The company
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G
C
D
ON SET
The photographer (A)
composes, the
fashion
assistant (B)
preps clothes,
makeup (C)
and hair (D) do
touch-ups, the
style director
(E) checks her
notes, and the
photo editor
(F) reviews
shots while the
model (G)
poses. The
stylist? Shes
off-set pulling
clothes for the
next model.
B
E
A PHOTOGRAPHER
Ben Ritter
zWhat he does:
A freelance
photographer, he
takes responsibility for the energy
on the set: Were
just trying to have a good time and
we want that to translate.
zPotential challenge: This time,
Ritter worked sans assistant. But
he shoots for Refinery29 often
enough that he knows what he
needs to do, and enjoys the chance
to handle lighting on his own.
zFavorite part of the job: Working with great people with great
attitudes, and turning that energy
into fun pictures.
D HAIR STYLIST
Adam
Maclay
zWhat he does:
As a freelance
hairstylist, Maclay
comes to the
set ready to
collaborate with the art director,
makeup artist, stylist, and photographer to reflect the shoots concept
in the models hair.
zPotential challenge: Keeping the
model calm and confident.
zFavorite part of the job: Maclay
says he enjoys having the opportunity to create, change peoples lives,
and give them a new feeling about
themselves. And, he adds, all that
happens through hair itself.
70 POPULAR PHOTOGRAPHY MAY 2014
B FASHION ASSISTANT
Rachel
Besser
E STYLE DIRECTOR
Connie
Wang
Wang produces
Refinery29s
personal style
content. The concept of the shoot is hers, and she
is here to translate it into pictures.
zPotential challenge: Keeping
fashion grounded in realityreaders visit the site for what she calls
the service element, and she
ensures that whats shown doesnt
get too aspirational or out there.
zFavorite part of the job:
Im usually in front of my
computer all day, so I like how collaborative photo shoots are."
C MAKEUP ARTIST
Clarissa
Luna
A freelancer,
Luna arrives early
to unpack and
prepare. She
focuses on making the contouring
of her makeup work with the lighting the photographer has set up.
zPotential challenge: The toughest part is making sure everybody
is happy. You have to remember to
let go of what you want and work
as a team, says Luna.
zFavorite part of the job: She likes
the unusual intimacy of the situation and getting to know the model
as she does the makeup.
F PHOTO EDITOR
Julia Finch
WorldMags.net
STYLIST
(NOT PICTURED)
Jen Steele
G MODEL
Kelly
Bourdet
zWhat she
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DSLR TEST: NIKON D3300
80
83
ILC TEST
WI-FI
WINNER
An updated ILC
with a viewfinder gets
some nice new stuff
SAMSUNG
NX30
20.3MP
APS-C-sized
CMOS sensor
Articulating,
3.0-inch,
1,037,000-dot
AMOLED touch
screen
2,360,000-dot
LCD EVF
$999, street,
with 1855mm
f/3.55.6 lens
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AMATEUR
SAMSUNG NX30
PRO
OK/AF point
selection
button
Video record
button
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POPPHOTO.COM
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TEST
SAMSUNG NX30
For info
on how we
test our
cameras,
visit our
website at
PopPhoto.
com/
reviews.
IMAGE QUALITY
EXCELLENT
POOR
EXCELLENT
RESOLUTION
ISO 200
2560 EXCELLENT
1500
2000
2500
3000
3500
POOR
4000
EXCELLENT
COLOR ACCURACY
EXCELLENT 5.6
HIGH
EXCELLENT
NOISE
AT ISO
EXTREMELY LOW 1.0
100
200
LOW 1.6
400
LOW 1.6
800
In the Field
1600
LOW 1.6
3200
If you want
an EVF, the
NX30 is the
best camera
Samsung
offers.
ISO 100400
6400
eUNACCEPTABLE 4.6
12,800
eUNACCEPTABLE 6.9
3.0
2.5
2.0
UNACCEPTABLE
12,800
1.5
1.0
0.5
EXTREMELY LOW
HIGHLIGHT/SHADOW DETAIL
HIGH
LOW
EXTREMELY HIGH
CONTRAST
HIGH
LOW
EXTREMELY HIGH
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POPPHOTO.COM
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develop your
creative skills
at the
learning
center
Scan and go
straight to
video here
create
great
theater at
Start the action sooner
with same day
shipping by 8PM
Scan for your
home theater
options here
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SPECIFICATIONS
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SAMSUNG NX30
Fans of
plastic
cameras
should take
note that
you can
get a Holga
29mm f/8
lens in the
NX mount.
We tried one
during our
field test
and found
all the same
lo-fi charm
weve come
to expect
from Holga
images.
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AMATEUR
Dollar
Sense
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NIKON D3300
PRO
NIKONS BUDGET
DSLR DELIVERS
NIKON D3300
WHATS HOT
Excellent image quality up to ISO 400
WHATS NOT
No headphone out for video monitoring
WHO ITS FOR
Budget-minded DSLR shooters
80 POPULAR PHOTOGRAPHY MAY 2014
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noise test, the D3300 garnered a
Low or better rating up to ISO 400,
after which the noise increased
rapidly. While the T5i achieved a
Low or better rating up to ISO 800,
and didnt reach Unacceptable
noise levels until ISO 12,800, the
D3300 landed in Unacceptable
range by ISO 3200.
This may have more to do with
Nikons defaults for automatic
noise reduction in RAW conversion than the actual RAW sensor
output. But we regard the manufacturers default as its standard
for the camera and always use
the provided softwares defaults
for our tests. That said, one would
expect more noise here, since the
Nikon has signifcantly more pixels
packed into nearly the same APSC-sized sensor area.
When shopping for cameras in
The D3300
can make
some very
nice video,
but there
isnt any
headphone
output, so
you cant
monitor the
audio while
shooting
video.
TEST RESULTS
IMAGE QUALITY
ISO 100400
EXCELLENT
POOR
EXCELLENT
RESOLUTION
ISO 100
2725 EXCELLENT
1500
2000
2500
3000
3500
POOR
4000
EXCELLENT
COLOR ACCURACY
EXCELLENT 6.4
HIGH
EXCELLENT
NOISE
AT ISO
EXTREMELY LOW 1.1
100
200
LOW 1.9
400
MODERATE 2.9
800
MODERATE 2.7
1600
eUNACCEPTABLE 3.6
3200
eUNACCEPTABLE 4.4
6400
eUNACCEPTABLE 6.4
12,800
UNACCEPTABLE 10.6
3.0
2.5
25,600
2.0
1.5
UNACCEPTABLE
1.0
0.5
EXTREMELY LOW
HIGHLIGHT/SHADOW DETAIL
EXTREMELY HIGH
LOW
EXTREMELY HIGH
CONTRAST
EXT. FAST
VERY HIGH
LOW
EXTREMELY HIGH
AF SPEED
TIME (SECONDS)
0.2
0.4
0.6
0.8
1.0
1.2
EXT. SLOW
1.16
1.4
1.6
12
BRIGHT
WorldMags.net
(LIGHT LEVEL)
DIM
SPECIFICATIONS
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NIKON D3300
In the Field
Though the D3300 is a bit smaller
than the D3200, the overall feel
and button layout is very similar.
The camera still feels quite stable
in the hand. Theres only one command wheel, so you must hold
down the exposure-compensation
button when in manual. Nikon
clearly assumes that most D3300
owners will use full auto or one of
the priority shooting modes. While
this may well be true, we still
prefer a camera that has two command dials, especially when you
can assign exposure comp to one
of them when in a priority mode.
Movie recording got an upgrade
to 1920x1080p at 60 frames per
second, from the D3200s 30 fps.
We expect that non-pros will be
plenty happy with the footage
82 POPULAR PHOTOGRAPHY MAY 2014
In addition
to its lone
command
wheel, the
D3300 has
only one
memory card
slot. If you
want fancier
controls and
a second
card slot
youll have
to move up
to a pricier
DSLR body.
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Big Deal
AMATEUR
THE WORLDS
LONGEST TELE-ZOOM
PRO
4.15 in.
DAN BRACAGLIA
13.68 in.
10.24 in.
2.19 in.
SPECIFICATIONS
0.88 in.
TEST RESULTS
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The fullframe
Tamron
150600mm
comes in
Canon,
Nikon,
and Sony
mounts, but
the latter
version
lacks
Vibration
Compensation, since
image
stabilization
is built into
Sony DSLR
bodies.
150
MM
200
MM
300
MM
KEY
WorldMags.net
800-947-9980
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Powershot S120
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Class 10
Class 10
Class 4 Extreme Pro
Ultra Extreme Extrm Pro Micro
600x 633x
233x Elite 200x 400x 600x 30MBs 80MBs 95MBs 45MBs 40MBs 94MBs Micro Backup
280MBs
8GB 18.95 22.95 8.95 12.95 9.95 18.38 21.95
Delkin
16GB 22.95 34.95 17.95 14.95 15.95 17.95 28.95 15.95 27.95
37.95
7495
49.95
129.95
39.95
Delkin
-UHS2
Extreme Pro
CFast 2.0 memory card NEW!
t FFUTUIFEFNBOETPG
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60GB .......$649.95
128GB 179.95
256GB
399.95
4GB
8GB
16GB
32GB
Delkin Kingston
Pro
Micro
Class
Class 4
10
Mobility
7.95
9.95
6.95
13.95
11.94
24.95
21.95
Sandisk
Std
Micro
Class Class
4
4
5.95
7.49
6.95
7.95
11.95 11.95
19.95 21.95
32GB
64GB
120GB .. $1,199.95
Kingston
Lexar
Sandisk
Sony
Sandisk
Class 10
Class 10
Class 10
Class 10
Class 4 Extreme Pro
Micro
600x 633x
233x Elite 200x 400x 600x 30MBs 80MBs 95MBs 45MBs 40MBs 94MBs Micro Backup 280MBs
64GB 79.95 89.95 59.95 52.95 41.87 59.95 89.95 62.95 79.95 98.95 86.95 39.95 69.95 39.95 59.99
244.95
N Series
125MBs
99.95
189.95
Sony
S Series
168MBs
180MBs
199.95
199.95
307.95
Hands-on demos
Convenient free parking
available
CT-3481
Model
AT-3421
CT-3561
Page 2
20
Mega
Pixels
Lumix DMC-FZ70
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Mega
Pixels
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12
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Ball Head Capacity
Max.
Height
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Weight
SKU #
Price
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$199.95
$249.95
$289.95
$299.95
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$479.95
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16
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'-3'MBTI 169.95
'-3'MBTI 299.95
'-3'MBTI 499.95
3'3JOH'MBTI 249.95
43'3JOH'MBTI4FU 559.95
5'5XJO'MBTI 449.95
45'5XJO'MBTI4FU 739.95
Zuiko 4/3 System Digital Lenses
'JTIFZF&% 799.99
.BDSP&%
229.95
.BDSP&%
499.95
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2,499.95
&% 6,999.95
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799.95
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999.95
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249.95
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279.95
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&$Y5FMFDPOWFSUFS 479.95
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WorldMags.net
800-947-9980
212-444-6666
Fax:
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Page 3
052014
$50
REBATE!
EOS-6D DSLR
WorldMags.net
t7BSJ"OHMF5PVDITDSFFO-$%
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Price
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Pixels
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Page 4
Mega
Pixels
Hands-on demos
18
EOS-1Dx DSLR
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EOS-7D DSLR
t3FDPSE)%7JEFP t-$%
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#PEZ0OMZ #CAE7D ..................................................1499.00
Kit with 18-135mm IS #CAE7D18135 ......................1799.00
Kit with 28-135mm IS #CAE7D28135......................1699.00
22
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Rebates Expire 3-29-14
Mega
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EOS-70D DSLR
www.BandH.com
20
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MAP
Mail-in
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Final
Price
D3300 DSLR
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D610 DSLR
WorldMags.net
Price
Rebate
24
Mega
Pixels
Final Cost
D5300 DSLR
$300
REBATE!
t&91&&%*NBHF1SPDFTTPS
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24
Price
Rebate
Mega
Pixels
Final Cost
,JUXJUINN73** #
(
3
#NID53001855* ............... ................
,JUXJUINN73 #MBDL
#NID530018140 ............. $300 .....1096.95
D5200 ,JUXJUINN73 #NID52001855* .............. $150 ....... 746.95
D7100 DSLR
Up to $300
REBATE!
Up to $300
REBATE!
t.BHOFTJVN"MMPZ#PEZ
t.PJTUVSF3FTJTUBOU
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24
Price
Rebate
Mega
Pixels
Final Cost
t'9'PSNBU 'VMM'SBNF
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Rebates Expire 3-29-14
24
Price
Rebate
Mega
Pixels
Final Cost
D800 DSLR
$200
REBATE!
tYNN$.04'9'PSNBU4FOTPS
t-$%.POJUPS
t0QUJDBM-PX1BTT'JMUFS
t$'4%%VBM$BSE4MPUT
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36
Price
Rebate
Mega
Pixels
www.BandH.com
Final Cost
D4s DSLR
t'9GPSNBU GVMMGSBNF
$.044FOTPS
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16
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Pixels
Rebate
Final
D-Type AF Lenses
Price
("'4&%.JDSP
%
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$100396.95
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WorldMags.net
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AF LENSES
Six-Year Warranty
FLASHES
WorldMags.net
MN4-3DBNFSBT t Di-IIGPS%JHJUBM4-3T0OMZ t Di III for mirror-less cameras Only
DiGPSCPUIEJHJUBMBOE
C = Canon
Di-II
Di
Di
Di
Di-II
Di-II
Di-II
Di-II
Di-III
Di-II
Di
Di
Di
Di
Di
Di
Di
www.BandH.com
N = Nikon
P = Pentax
SM = Sony/Minolta
SE = Sony E Mount
SKU #
#TA602DI*
#TA9028M*
#TA9028VC*
#TA18035*
#TA102435*
#TA175028*
#TA175028*Q
#TA1820035*
#TA1820035S*
#TA18270*
#TA247028*
#TA287528*
#TA2830035XD*
#TA2830035*
#TA7020028*
#TA70300*
#TA2005005*
#TA14XP*
#TA2XP*
Available for
C, N, SM
C, N, P, SM
C, N, SM
C, N, SM
C, N, P, SM
C, N, P, SM
C, N
C, N, P, SM
SE
C, N, SM
C, N, SM
C, N, P, SM
C, P, SM
C, N
C, N, SM
C, N, SM
C, N, SM
C, N
C, N
Rebate
$20
$50
$100
$100
$100
Expires 3-31-14
Price
524.00
499.00
749.00
739.00
499.00
499.00
649.00
179.00**
739.00
399.00**
1199.00**
499.00
419.00
629.00
1399.00**
349.00**
949.00
224.00
254.00
AF LENSES
FX
DX
DX
DX
DX
FX
FX
Canon EOS
#TO10028PCAF
#TO101735CAF
#TO111628PCII
#TO12244DXC
#TO12284DXC
#TO1628FXC
#TO1735F4FXC
Nikon AF
#TO10028PNAF
#TO101735NAF
#TO111628PNII
#TO12284DXN
#TO1628FXN
#TO1735F4FXN
Price
489.00
669.00
599.00
399.00
549.00
699.00
549.00
Expires 3-31-14
** Price After Rebate
BandH.com/catalog
212-444-6633
Page 6
DC
DG
DC
DG
DG
DG
DG
DC
DG
DG
DG
DG
DG
DG
DG
DG
DG
DG
DC
DC
DC
DG
DC
DC
DC
DC
DC
DG
DG
DC
DG
DG
DG
DG
DG
DG
DG
DG
DG
DG
DG
DG
DG
Canon
#SI4528EXDCC
#SI835CA
#SI1028EXDCC
#SI1528DGCAF
#SI2018CAF
#SI2418MCAF
#SI2818MCAF
#SI3014DCHSMC
#SI3514C
#SI5014C
#SI5028MDGCAF
#SI7028MDGCA
#SI8514C
#SI10528MDGCE
#SI15028AMOC
#SI18028AMEOC
#SI30028DGCAF
#SI50045DGCAF
#SI8164556CA
#SI102045DCAF
#SI102035C
#SI122445C
#SI175028CA
#SI1770284DCC
#SI183518DCC
#SI1820035CQ
#SI1825035MC
#SI247028C
#SI24105C
#SI5015028CA
#SI505004563C
#SI7020028CQ
#SI703004SCAF
#SI703004DGCA
#SI7030045C
#SI120300C
#SI120400C
#SI150500C
#SI1.4XDGCAF
#SI2XDGCAF
#SIEF610STC
#SIEF610C
#SIEM140DGC
18-200mm f/3.5-6.3 DC II
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#SI4528EXDCN
#SI835NA
#SI1028EXDCN
#SI1528DGNAF
#SI2018NAF
#SI2418MNAF
#SI2818MNAF
#SI3014DCHSMN
#SI3514N
#SI5014N
#SI5028MDGNAF
#SI7028MDGNA
#SI8514N
#SI10528MDGNQ
#SI15028AMON
#SI18028AMEON
#SI30028DGNAF
#SI50045DGNAF
#SI8164556NI
#SI102045DNAF
#SI102035SN
#SI122445N
#SI175028NI
#SI1770284DCN
#SI183518DCN
#SI1820035NQ
#SI1825035MN
#SI247028NF
#SI24105N
#SI5015028NA
#SI505004563N
#SI7020028NI
#SI70300456N
#SI70300456AN
#SI7030045N
#SI120300N
#SI120400N
#SI150500N
#SI1.4XDGNAF
#SI2XDGNAF
#SIEF610STN
#SIEF610N
#SIEM140DGN
Pentax
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052014
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30 mm F2.8174.95
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Canon 85mm F1.2 .....1,299.00
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Canon 70-200mm F2.8 ...1,199
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Canon 100-400mm F4.5 ....1,199
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Exakta VX 1000......129.50
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Canon 24-70mm F2.8 ...899.95
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Leica M3.....................499.99
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Maxxum 7000.........49.95
Leica 50mm F2 Summicron R..349.50
Maxxum 700I.............119.95
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Maxxum 7D................299.99
Maxxum 5D..........199.95
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Nikkormat FT2...........119.94
Nikkormat FTN.......99.95
Minolta 50mm F1.7.........19.00
Nikon F2.....................119.99
Nikon F...................99.99
Minolta 80-200mm F4.5..69.00
Nikon F100.................199.99
Cambron, Gossen, Kenko, Sekonic, Minolta, Pentax, Nikon FA..............169.99
Minolta 5400HS...............79.00
Nikon FM10...............129.99
Polaris, Shepard, Soligor, Spectra, Wein, Etc. Nikon F3...............129.99
Maxxum 50mm F1.7 .......69.95
Nikon D40..................199.99
Nikon F5...............349.99
Nikon 50mm F1.4............69.00
Nikon N55....................66.99
Ansmann, BRNO, Canon, Cambron, Elinchrome, Gary Fong, Nikon D200..........499.99
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Nikon N8008................79.95
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Nikon SB600 ................269.00
Olympus OM1........99.99
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Olympus 70-210mm F4.5.......99.00
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Rolleicord V..........149.99
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Topcon super RE249.99
Panasonic 14-50mm F2.8....479.00
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Topcon UNI..................79.95
Voigtlander Bessa...599.99
Pentax 28-80mm F3.5.....39.00
Vitomatic II..................99.95
Voigtlander Bessamatic...129.99
Pentax 35-80mm F4........44.00
Vittesa......................99.95
Sigma 70mm F2.8.........379.00
Beseler, Durst, Fujimoto, KAISER, LPL, Omega, Etc. Yashica FX3............69.99
Yashica FR1..................69.95
Zeiss Contarex.........299.99
Sony 16-80mm F3.5......499.00
Zeiss Icarex................149.99
Enlarging Lenses & Darkroom Accessories.
Canon 5D.....999.00
Sony 55-200mm F4.........99.00
Nikon 35TI.....369.50
Large selection of papers available
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Nikon FM 3A.399.00
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(Kodak, Ilford, Fuji, Forte, Etc.) Contax Aria299.95
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Vivitar 283 Flash..................29.95
Exakta 66....999.99
Nikon D300........699.00
LARGE & MEDIUM FORMAT Leica M6.....999.99 Nikon D200....499.00 2X Teleconverter Extended Lens..29.95
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Olympus XA........79.99
Minolta 160.......69.99
Minolta 70........49.99
Canon 120.........79.99
Canon 105.........49.99
Leica minilux.....199.99
Contax T2.........199.99
Yashica T4.........99.99
Nikon lite touch...49.99
Konica 120.........49.99
Nikonos II.........99.99
Olympus 140........49.99
Pentax 115.........59.99
Minox GT...........199.99
Rollei 35..........129.99
Canon rebel X.......49.99
Minota 7000.........39.99
Petri V.............79.99
Exa.................69.99
Praktica TL.........69.99
Ricoh XRP...........99.99
Canon canonet.......49.99
Canon dial..........49.99
Canon P............239.99
Hasselblad x-pan...999.99
Mamiya 500 DTL......79.99
Leica c-lux.........299.99
Leica C1........... 199.99
Mamiya 7............699.99
Mamiya 645E.........199.99
Mamiya C220..........99.99
Yashicamat..........129.99
Minolta 70...........59.99
Minolta 9Xi..........149.99
Kodak C800............49.99
Samsung 170...........69.99
Pentax auto 110.......69.99
Nikon F100............169.99
Olympus IS.............79.99
Miranda FV.............99.99
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WorldMags.net
WorldMags.net
Our Gifted
Readers
Professionals
were not the only
photographers
featured in our
pages. Much like
today, we also used
appealing pictures
from our readers,
such as this Dutch
village scene
recorded by New Yorker Eugenia
Redka, an art teacher. She made
an exposure of 1/50 sec at f/6.5 on
daylight Kodachrome with a Kodak
35. Our editors admired the way
Redka handled the pattern and
various colors in this charming and
unpretentious shot.
Two-Faced Woman
Peter Gowland, noted for his
pin-up photos of young ladies
in bathing suits, altered his
approach to create this blackand-white harlequin effect.
He used a black background
and theatrical makeup on
model Barbara Osterman for
this unusual portrait. Gowland
shot with a 5x7-inch Marvel
view camera and a 14-inch
Commercial Ektar f/6.3 lens,
94 POPULAR PHOTOGRAPHY MAY 2014
60
YEARS
AGO
We featured
the wideangle Panon
camera, with
its 140-degree
angle of view.
WorldMags.net
Outdoor Silhouette
Readers were encouraged to try
different approaches to their
personal photography, evidenced
by this short feature on taking
outdoor silhouettes. The key is to
expose for the sky for an extreme
underexposure of your subject.
Contrast can be enhanced by
printing the picture on highcontrast (Grade 4 or 5) paper.
Harold Martin
POPPHOTO.COM
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BACKSTORY
WorldMags.net
New
Folk City
Morgan Silk captures a
steampunk Morris dancer
I DECIDED to explore British folk-
MORGAN SILK
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POPPHOTO.COM
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The moment when your lens opens your eyes.
This is the moment we work for.
// PERFECTION
MADE BY ZEISS
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