2 This Professional Development webshop for Educators is suitable for primary generalist and middle school teachers.
Curriculum into the Classroom Suggestions: Flying Arts Alliance uses aspects of the current curriculum for Queensland, QSAs Essential Learnings, as guideline for integrating this workshop knowledge into the curriculum, as well as aspects from the draft Australian National Curriculum: The Arts.
Queensland Studies Authority: Essential Learnings Ways of Working: Create and shape art works by combining, organising and/or modifying arts elements to express personal ideas, feelings and experiences Follow guidelines to apply safe practices
Knowledge and Understanding: Visual Art involves using visual arts elements, concepts, processes and forms (2D and 3D) to express ideas, considering particular audiences and particular purposes, through images and objects.
Australian National Curriculum: The Arts (DRAFT) F-2 Making 2.1 Look at and imagine images, objects, patterns and forms
3-4 Making 4.2 Investigate and experiment with the qualities of different media and techniques to develop intended effects
5-6 Making 6.2 Select and use different media and techniques to explore visual arts ideas
7-8 Making 8.1 Explore ideas for visual arts-making that relate to their own background and experience
9-10 Making 10.4 Investigate and explore the perspectives on and in the arts' practices of other artists in relation to their own ideas about design, symbols, objects and spaces
3 Learning Intention To inform generalist teachers on the Colour wheel and to understand colour mixing and colour theory
Workshop Outline: The demonstration will cover showing colour mixing and colour choices that children can use to create dynamic images, learning the fundamentals' of design and balance, and foundational knowledge of colour theory.
Purpose and Objectives: To help the teachers understand colour mixing and processes looking at colour bias
Key Ideas & Concepts: Showing a simple colour bias wheel the use of tone colour and shapes showing textured surface to work on and how effective the outcome is
Skills & Techniques Used: Foundational skills Acrylic painting techniques The pitfalls and advantages of painting
Materials List: Atelier Acrylics: 6 colours plus Titanium white and Ivory black o Lemon yellow o Cadmium yellow light o Cadmium red light o Quinacridone Magenta o Cobalt Turquoise light o French Ultramarine Blue Synthetic or Taklon brushes Watercolour paper or canvas
You can buy your art materials from School Art Supplies www.schoolartsupplies.com.au Based in Brisbane however will deliver to regional and remote Queensland. Catalogue downloadable online www.schoolartsupplies.com.au, or call 38486000 and ask for a printed catalogue.
Terminology Hue: is colour eg. red - yellow - blue Chroma: is Saturation or intensity of hue
4 Tint: Hue mixed with white Shade: Hue mixed with black Tone: Hue mixed with grey ( I also use the word tone describing the variation of tones from white through the greys to black) You can also create tone mixing hue with it's complementary Undertone: The colour of pigment in a thin film as it appears to it's TOP or Mass tone straight from the tube Tinting Strength: A measure of the ability of a pigment to tint with white. Transparency: The ability of a pigment because of it's thin film consistency to create another colour when placed over a colour. Eg a violet can be obtained with a transparent red over a transparent blue or vise versa Opaque or opacity: Opposite to Transparent eg. an opaque red will cover up any previous colour layers. Temperature: A colloquial term used by artists to indicate the colour relative to red (warm) or blue (cold)
The Colour Wheel There are many variations of colours in the market. Colour choice is a personal choice. Different colours appeal to us all. My theory is that our personal colouring dictates our selection. We are either Summer, Autumn, Spring or Winter colouring and because of this we gravitate to those colours that suit our complexion and colours we prefer to wear.
Primary colours: red, yellow, blue mixing 2 of these Primaries makes Secondary colours: such as red+ yellow = orange yellow + blue = green blue + red = purple
These secondary colours are called complimentary colours
Complimentary colour: is the combination of the other 2 primaries
Example Warm and Cool Colours: Warm colour wheel: using Ultramarine Blue, Cadmium red, Cadmium yellow Cool colour wheel: using Turquoise Blue, Light Magenta and Lemon yellow
Hints and Tips about colour 1. Squint to see the tone. 2.Keep colour choices to a limited palette 3.Always set your palette out the same way every time you paint. There are 2 ways you can choose from a. Setting the colours from white, yellows, reds, browns, greens, blues ,black( if using). Right handed person White starting from right. Left handed person white starting from left.
5 b. Rectangle palette white in left corner yellows to reds browns to the right. From White lay out greens through to blues to bottom left corner. Either layout allows the artist to mix freely in center of palette. 4.Colour also is a tone. Be aware of this. You can look through a red tinted cellophane or glass and this will allow you to see tones eliminating the actual colour. 5. Composition is important so make sure focal point is not at edge of painting. Keep within the ratio of thirds. Golden mean principal. 6. Don't mix too many colours together. This creates mud. 7. When buying tubes of colour the manufacturer usually uses symbols of O for transparent O for opaque and O for semi Transparent. 8. Each Blue has violet or green undertone(leaning) on the colour wheel. Each Red has Violet or Orange leaning and Yellow orange or green leaning. This understanding takes a while to see and analyze. 9.The purer the colour the mixing is pure. Turquoise Blue (green shade) and Lemon yellow(green shade) pretty green Using French Ultramarine (red shade) and Cad Yellow Deep( Red shade) creates dirty green 10. Add textured surface to create interest to a painting. You can scrape away with plastic tools or use a sponge. You can splatter. 11. Use a spray bottle of water to keep paint damp or retarder to slow drying down.
Suggested Links to Curriculum History: Research about the origins of the colour wheel and colour theory: 1666 Sir Isaac Netwon 1770 Harris 1810 Goethe
Links Colour Mixing & Paints in General, Julie Duell, 20 March 2008 http://artintegrity.wordpress.com/2008/03/20/11-your-art-stories-here/
Color Matters http://www.colormatters.com/
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Color Theory Art & Design http://www.artyfactory.com/color_theory/color_theory.htm
Color Theory & Mixing http://www.wetcanvas.com/ArtSchool/Color/ColorTheory/
Resources Flying Arts Teaching Resources http://www.flyingarts.org.au/Teaching-Resources-pg20723.html
Flying Arts Webshop Video presentations & resources http://www.flyingarts.org.au/Flying-Arts-Webcast-Services-pg16497.html
Art Supplies Art Suppliers: School Art Supplies www.schoolartsupplies.com.au
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8 Cool & Warm Colour Wheels
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TRANSPARENT & OPAQUE
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ACKNOWLEDGEMENTS Educator Resource Notes created by Chrissy Dwyer, Education & Professional Development Program Coordinator
We would love to receive your feedback on how helpful these resource notes have been in assisting you implement this workshop content into your classroom, email program@flyingarts.org.au or call 07 3216 1322
www.flyingarts.org.au +61 7 3216 1322 info@flyingarts.org.au PO BOX 263 Fortitude Valley QLD 4006
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