Glory Come Down

Words and Music by: Jason Upton

2001 40 Psalms Music (Admin by EMI Christian Music Pub)

Verse 1:
6 1/3 4
Father listen to our earnest prayer
6 5/7 1
Jesus prayed it years ago
4

5
sus

That the glory You had given Him
4

3
sus

We would somehow come to know
6 1/3 4
Make us one according to Your plan
6 5/7 1
As in heaven it will be
4

5
sus

Fill us with the truth and righteousness
4

3
sus

You desire the world to see




Lines 1-4: Acts 1:4-5
Line 5: Philippians 2:2
Line 6: Matthew 6:9-13

Chorus: 2 Chronicles 5:13-14

Bridge: Acts 2:1-4

Chorus:
6 4 5/7 1


Let Your glory and honor
6 4

5
sus

Fall on our face
6 4

5/7 1


Ho- ly Fa- ther
4

5
sus
6
Rest in this place

Verse 2:
The church is sick in need of God alone
People we must seek His face
If well turn from our unrighteousness
Hell forgive our evil ways
May the eyes of God be on us here
Lord, revive us by Your grace
Holy Spirit be forever near
Saturate us in this place

Bridge:
6
Let the fire fall
5/7
Let the wind blow
1
Let the glory come down
WELCOME
This Lyric-Chord sheet uses the Nashville Number System (NNS)

It is an informal method of transcribing music by denoting the scale degree on which a chord is built. It
was developed by Neal Matthews, Jr.. in the late '50s and further developed by Charlie McCoy. It
resembles the Roman Numeral and figured bass systems traditionally used to transcribe a chord
progression. By writing chords as numbers, music may be transposed easily. As a simple system of
transcription, it can be used with only a rudimentary background in music theory.
Improvisation structures can be quickly explained using numbers and chord changes can be
communicated mid-song by holding up the corresponding number of fingers. The system is flexible, and
can be embellished to include more information (such as chord color or to denote a bass note in an
inverted chord).

For example in the key of C is labeled 1, 2, 3, etc. such that C=1, D=2, E=3, etc. Thus, the
chord progression C///F///G///C/// would correspond to 1///4///5///1/// in Nashville
notation, while G///C///D///G/// in the key of G would also become 1///4///5///1///.
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