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Gordon said he went to great lengths to capture most of the photographs, particularly the landscapes, which he described as "carefully composed" and utilizing "special natural lighting effects."
The young photographer said he favors early morning or late afternoon settings when the sun's light is diffused and does not make for sharp shadows.
Originaltitel
Robert Gordon Photographer The Scrantonian Sunday, 16 December 1976 The young photographer said he favors early morning or late afternoon settings when the sun's light is diffused and does not make for sharp shadows.
Gordon said he went to great lengths to capture most of the photographs, particularly the landscapes, which he described as "carefully composed" and utilizing "special natural lighting effects."
The young photographer said he favors early morning or late afternoon settings when the sun's light is diffused and does not make for sharp shadows.
Gordon said he went to great lengths to capture most of the photographs, particularly the landscapes, which he described as "carefully composed" and utilizing "special natural lighting effects."
The young photographer said he favors early morning or late afternoon settings when the sun's light is diffused and does not make for sharp shadows.
Another photo impression of Salisbury Photo of woman taken in Sparta, Greece City Native's Photo Impressions Of Europe to Open at JCC Exhibit By DAVE NlmOLAS Some 40 black and white photographs - representing just a portion d the impressions d a city native over five yean d travel through Europe- will be on display beginning Monday at the Jewish Cmnmunlty Center in Scranton. Robert Gordon, son d Edward Gordon d Scranton, will be featuredu part d the Community Center's artist recognition program. It will continue through June 17. 'lbephotographs, taken in such diverse countries as Italy, France, England, Wales, Greece and even in Pennsylvania, USA, are either Iarullcapes or portraits. While they differ in origin, they all possess a unique and often surrealistic quality which is evident from the examples accompanying this article. Gordon said he went to great lengths to capture most of the photographs, particularly the landscapes, which he described as "carefully composed" and utilizing "special natural lighting effects." 'lbe young photographer said he favors early morning or late afternoon settings when the sun's light is diffused and does not make for sharp shadows. For photo buffs, he said in photographing the tree in one of the accompanying photos he took a light meter reading only at the tree to set his lens aperture. That choice renders the building in the background slightly overexposed and makes it appear surrealistic. His portraits, which he always takes with the permission d the subject and yet manages to retain spontaneity, are perhaps more stark than his landscapes. Gordon, who shoots black and white film almost exclusively, called his works "classical." The artist has also gained fame in other photographic areas and saw rave reviews in European art circles for his contribution to "Monet at GiveI1LY" - a much lauded work published in mid-1975 in which he did the visual.testual presentation. He also received accolades for his black and white stills used to publicize "The Songs of Bllltis" scheduled to be released in Europe and the United States In March or April. The film is directed by David Hamilton, who Gordon described as a household word in France. The pair met by chance and Gordon spent two months in St. Tropez photographing the making of the movie. His photographic works are contained in many public and private collections and have appeared in the New York Times and several prominent French magazines. A portfolio of some 20 photographs were recently purchased and are now on exhibit in'a permanent collection at the Biblitheque Nationale, which is the French equivalent of the U.S. Library of Congress. , FurtherexhibitsareplannedforFeb.11 to March 22 at the Pelham Art Center outside of New York City and at Rennes in France in June, 1977.