Beruflich Dokumente
Kultur Dokumente
..............................................................................Julia Izquierdo
TABLE OF CONTENTS
Writers Block - Jade Sterling Simon
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If you are of the regular Modern Corsair audience and or subscribers, welcome
to another issue. But before the time stream flows us onwards we need to talk.
No, you did nothing wrong. (Except tampering in your own past just to keep
that trinket) We want you to know that we are looking to bring on a new bunch
of writers into the bright future of the Corsair. Now, if youre a creative sort you
may be wondering what took us so long to invite you. Sorry about that. It was
disrupted by anachronistic Huns. We though we mentioned it at the christening
of the nineteenth emperor of New England. Regardless we want you. We want
submissions from you. And heres how this can work: do you write fiction, poetry, essays, non-fiction, reviews, or have you ever in general organized words
so that on lookers might drive meaning from these shapes? If so you can submit
work to:
themoderncorsair@gmail.com
and well get back to you about if and when you can expect to see your labor in
are magazine. You can also feel free to send us comments or questions any time.
Just put what youre submitting in the subject line of the e-mail. You can also
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with prompts. We hope to hear from a lot of you.
Allons-y!
WRITERS BLOCK
Jade Sterling Simon
I should have known this would happen. It happened every time our publisher
set guidelines for a new story. All production comes to a grinding halt.
Alright, I started, so for the new book in The Forest Folk series, I was thinking there should be a love triangle between Rahva, Velocity and Half-tail. I think
that would create some conflict as the pack fights to maintain their hold on Minxs
territory. Arthur was silent for a moment as he pondered my idea. When he finally
broke the silence his eyes were alive with a glint of wicked delight.
Yeah, thats good. And then Rahva and Velocity kill each other in a fight to
the death for Half-tails affection. Little do they know Half-tail wants neither of them
and is really interested in his rival pack leader Minx, who is insulted by this desires
and kills him as well.
I was shaking my head before he even finished. Arthur, that kills off all the
main characters. Our publisher wants
To hell with what the publisher wants! His voice had always been gruff and
intimidating and having lived with the man since childhood I was accustomed to the
harshness of his tone, but every now and then his outburst would catch me off guard
and make my heart jump rope with my stomach.
Im not writing one damn word. Why in hell do they insist on making changes and more importantly, why are you putting up with it? You know as well as I do
that guidelines are just a fancy word for restrictions. I sighed in frustration.
He was right, of course. It was our story so youd think wed have the right to write it
however we see fit. But when youre a writer working through a publisher thats willing to publish your work without some kind of upfront fee its in your best interest to
follow their guidelines. From a cynical perspective it was similar to being in a cage,
the best way to get what you need is to follow the rules whoever has the key. Arthur
knew about cages, and hated them. I was about eight years old when he broke free
of his. He was tired of watching me get hurt and once I was safe, he stuck around.
As we spent more time together he told me stories. Some were to help me sleep and
others were for simple amusement. I was so taken with his tales I picked up a pencil one day and began casting his whispered words within my school notebooks. He
awakened my passion for writing.
By the time I was in college many of the stories had received substantial reviews in local papers and magazines. And although my grandparents supported
my craft they were concerned that Arthur might be having a dark influence on my
writing. And while it was true that whenever Arthur had a hand in the writing process the plot more often than not took a dark turn, it always felt real to me, more
human. My grandparents on the other hand felt the two of us spent too much time
together and thought it would do m-- us some good to separate. So they signed us
up for counseling sessions, thinking it might make the process easier somehow. It
did not, because to Arthur, they were just trying to put him back into the cage.
During our meetings, Dr. Holtz attempted to convince me I no longer needed Arthur and that it was time for me to let him go. I remember looking at him question-
ingly and saying, You speak as if Arthur is something I conjured up one night after
a really bad dream.
Dr. Holtz stared at me over the rim his glasses and asked in what I believed
to be a sarcastic tone Isnt that the way it usually starts, Rena? I didnt appreciate
what he was suggesting. It was thanks to Arthur that my life had improved as much
as it had. It was his ideas that gave me the material needed to write an essay worthy
of a full ride scholarship to Berkley State University. The doctor leaned forward in
his chair, adjusting his eye wear. Where is Arthur by the way?
Hes not coming, I said nonchalantly.
This is the third session hes missed this month. You know, its very difficult
to make progress without the both of you being present, he sighed and scribbled
something onto his clipboard. I shrugged and said, He says hes tired of talking to
you. You give him headaches and make difficult for him to write. He says all his best
ideas manifest on the days he doesnt see you.
If the doctor was offended by my statement, he didnt show it. He simply looked up
from his clipboard with a cocked eyebrow and said, Hold on, I thought you were
the writer of the two.
I shrugged again and replied, Its a team effort. But most of the creativity
comes from him. I just put it on paper.
But youre the only one credited as the author.
Arthur doesnt really like the spotlight. He prefers to stay behind the scenes.
As long as his work gets published hes content. So, I take the public credit.
I thought you were the shy one?
And you wonder why Arthur doesnt like coming here; you dont seem to
listen very well. I dont like confrontation. He helps me in those situations. Arthur is
fearless. Hes the most intimidating person I know. Its not that he fears public situations, hes just doesnt like crowds, which is exactly what you find at public readings.
Crowds make him anxious and when hes anxious he is liable to hurt somebody.
Thus, I handle situations of that nature. Our relationship may seem... complex,
but have no doubt that its necessary. My grandparents mean well but they do not
understand, and neither do you doctor. For all your knowledge you could not begin
to fathom the workings of my mind, let alone Arthurs. That being said, Im inclined
to inform you that this will be our last secession. Its been... interesting, but it doesnt
sit right with me allowing my grandparents spend their retirement funds on a problem you cant comprehend and need not fix.
As I grabbed my purse and started for the door Dr. Holtz called after me with a
question, Is... there more to this relationship than youre telling me, Rena? I mean...
is there something Ive overlooked in this story? I smiled knowingly as I turned
back to address him.
You mean are we in love with one another? I suppose that would make it easier to understand why we refuse to part ways despite the concern it seems to be causing everybody else. But thats just it, isnt it? Its everybody else who seems perplexed
or uneasy about our union. Arthur and I are not uneasy, we are not confused, and
while we are closer than most could ever hope to understand, no, we are not in love.
We are simply two people playing necessary roles in each others lives. With those
final words I exited his office for the last time.
Although the desire to save my grandparents retirement money did influence
my decision to end our meetings with the doctor, it was Arthur who made the initial
call to end what he classified as an invasion of our lives. I also stopped mentioning
Arthur to my grandparents so they wouldnt get any more ideas. To enforce this
further, Arthur stopped coming around when I was in their presence. He even attempted to come up with lighthearted stories so they wouldnt suspect we still collaborated, although those stories were never as good as the ones he wrote naturally.
However, since my grandparents stopped hearing about Arthur they accepted the
darker plots as just another part of my personality.
Three years and two successfully published novels later, here I am telling Arthur once again that sometimes to get things done you have to follow someone elses
rules.
Trust me, of I can put up with it, so can you, I told him. He turns back to the
laptop in a huff drumming his fingers upon the keys with a snort.
Course you can put up with. You dont seem to mind publishers dictating our
every move.
I wasnt talking about the publisher, I retorted swiftly and regretted the words
even swifter. If it were possible, Arthurs neck shouldve snapped considering the
force he used to send a glare my direction.
And just what are you implying? I gave another sigh. If I couldnt get past his
stubbornness wed never get this story done in time.
Hey, a voice called from outside my study. The owner of the voice, my fianc,
entered surveying the room. Hows it comin?
Not great, got writers block again. My publisher doesnt want me killing off
too many major characters, so I have to scrap my original idea and come up with a
new one.
Well I know youll come up with something, you always do. But its getting
late so why dont you get some sleep. Youll be able to think better in the morning.
Alright, Ill be up soon, I just need to save what I have on my laptop.
Sure thing, he turned to exit but stopped suddenly and rotated back to me.
Uh... Honey, were you talking to someone before I came in here?
I broke into a confused smile, Of course not baby, the only person in the room
is me.
He chuckles with embarrassment, unconsciously massaging the back of his
neck. Yeah, crazy I know. Guess its late for me too, huh?
Go on upstairs, Hun. Ill be up shortly, I told him.
He gave nod accompanied with a sheepish smile and left the room.
I started to shut down the computer, then thought better of it and left it running on the desk. Just in case one of us got some inspiration in the middle of the
night.
can make an impressive demo album for Gretta, then she can get a record deal and he can
get his job back. So the majority of the film is Gretta and Dan trying to prove to all the
naysayers that they can record an amazing album in the streets of New York.
This is where the title of the film comes into play. Dan is getting a second chance or
a second time to find a new musical hit and prove to the record company that he isnt just
some washed up executive with a one hit wonder
under his belt.
Gretta on the other hand is getting a second
chance at being able to actually be in the spotlight
rather than be in the shadows of her famous musician boyfriend. She has a clean slate to start out with
and essentially has another opportunity to begin
again. Get it?
So, for the most part, I loved this
movie. Begin Again is filled with a ton of
really great original songs written specifically for the movie performed by Keira
Knightley, Adam Levine and also Cee-Lo
Green. The story was mildly cheesey but
not a full wheel of cheese. Probably just
a few slices. Adam Levine did a great job
in his acting debut playing a douchey
musician who stops caring about the
meaning of the music and starts doing it
for the fame, but its totally okay because
the songs that Adam Levine sang for the movie are totally dope. If you havent found your
summer jam yet, I definitely recommend No One Else Like You. Even though he didnt
sing at all, Mark Ruffalo did a wonderful job in this movie as well. The only person that I
had a slight Ariana Grandes Problem with was Keira Knightley. Im not saying the Keira Knightley cant sing, it is just that her singing voice does not match her face at all. For
example, if you had no idea that Zooey Deschanel sang in a band, but you heard a song by
them on the radio, you would probably be able to recognize that the girl singing is in fact,
Zooey Deschanel. However, Keira Knightley does that thing in this movie where British
people sing without an accent and it totally threw me off. Again, she sang great, its just her
voice was not what I was imagining. But other than that, this movie was very enjoyable
and had all around good vibes. I will give Begin Again 3.5 Cee-Lo Greens out of 5. Just be
warned, you will get Lost Stars stuck in your head after watching this movie.
there is no Pokmon, no Disney pet, no Minion that can even come close Catbugs
adorableness. If you disagree with me then you can make like a tree and stop reading
this article because trees cant read.
Alright, back to the love thing. If you follow Adventure Time, then you may know
that Finn the Human doesnt have the best of luck when it comes to the dating scene.
I mean, he is only 15 years old and is already trying to find true love. When I was
15, I was too busy discovering the Internet and trying to keep my MySpace game on
point. Chris has the same thing going on with his
feelings for Beth but its a little different because
he is a few years older than Finn. Im not saying
that there is an age limit when you are allowed
to actually fall in love but when youre older you
begin to understand the world a little bit more.
What does all this have to do about time? Not
only is Bravest Warriors set in the future, but also
the idea of time is something that is precious to
Chris. Chris and Beth grew up together and have
had many awesome memories together and attempting to make their friendship anything more
than what it is might taint their relationship forever and Chris does not want that to
happen. Chris values the time he does have with Beth and
understands that it should not be
taken for granted.
So, if you are a college-educated student who still watches cartoons on a daily basis, then you will absolutely love Bravest Warriors. Bravest Warriors has the
perfect combination of humor, drama, and heart blended into a visually appetizing
smoothie of colors and shapes. Your first instinct when watching this series is to
compare it to Adventure Time, which is totally fine, but you will notice that Bravest
Warriors is geared toward a more mature audience. Not as a mature audience such
as South Park but more like The Simpsons. You can still watch it with your little
cousin who loves Adventure Time, but they might drop a few asses here and there.
With that being said, I am just going to have to pull an Anthony Fantano reviewing
a Death Grips album and give Bravest Warriors five sticker pets out of five. Probably
the best thing about Bravest Warriors is that the entire series is available to watch
entirely for free on Cartoon Hangovers Youtube channel. So if you have an hour to
kill, you can watch the entire first season no biggie.
What a joke? What a joke to think that Wordsworth words were not full
of apprehension within the dilemma of time. He wrote completely of a time
remembered, in the matter of sets of images that were produced by the perspective on nature. While William Blake was able to exaggerate the process of
nature under the matter that was there changing before the minuscule and the
absolute.But this is beginning to sound like a paper, that will be dealing with
the works of two great English writers
or poets, and that is not my purpose;
my intention is to interpolate from
the English literary tradition, an ideal
network, that was serving an understanding of the phenomenal percept,
in truth, on nature: To her fair works
did Nature link/The human soul that
through me ran; (Wordsworth, Anthology of Poetry) To then placing the
post-modern novel written by Aravind Adiga, White Tiger, side to side.
For by placing the texts side to side,
what becomes apparent is the meaning
of the English tradition itself and the
loss of the romantic as time has passed in between them. What has become the
truth of nature has come by way of sculpting away at the ideal of nature, created by a limit explored by Wordsworth, down to the absence of the ideal by this
very process of de-absolutization in time.
In Wordsworths Lines Written in Early Spring (1798), Wordsworth writes,
If this belief from heaven be sent, /If such be Natures holy plan, /Have I not
reason to lament/What man has made of man? (Wordsworth, Anthology of
Poetry) Wordsworth in this poem gives Nature a mega-soul. The birds around
him that are making him joyful have thoughts, and the flowers around him act
to him as if they were there for him or for-us. He has a feeling of shame towards
man because his pity has him sad from the fact that man has not made man in
the image of Nature. Perhaps he thought man was so ugly that he blamed the
parents for having produced his ugly generation. But that is most likely not the
case. If the text is read symptomatically, we get to interpret Wordsworth words
as a believer in the transcendental given in Nature. (That is the reason why he
gives nature a capital N). It is not solely what has been given to-us that man
does not take as a principle for his fellow man, the problem lies in that for this
sort of idealism, Wordsworth exaggerates nature to the point of making nature a moral entity. The factual experience that Wordsworth is going through is
based off the Human soul that through him ran; and what exactly is the Human soul? Why is it that it was not already given to him? How did it decide to
run through him?
Wordsworth did carry a few lines within his thought from Milton. That
is, he retained a value of belief in Miltons thought. Milton owed most of his
thought to the Christian Tradition, and did not obscure from the loss of origin.
Here the very idea of an a priori disposed humanity to an all-around perfect
origin is mythological at the wrong time. For example, in dealing with his discourse on Miltons political thought, Benjamin Myers writes: I say that Miltons
account should relativize heresybut it is important to ask whether Milton
in fact achieves the degree of religious relativization that he is pursuing. If the
underlying basis of a free society is the practice of individual religious choice,
what then becomes of those who refuse to engage in this practice? What becomes of Roman Catholics, who simply refuse to become heretics in Miltons
(positive) sensethat is, they refuse to make the individual conscience the
locus of religious authority? In Miltons conception of English society, such persons are clearly excluded: their refusal of individualistic choice is tantamount to
a repudiation of the entire social order, so that the possibility of their toleration
by the state cannot even be entertained. In other words, Miltons relativization
of heresy, if carried out as a social program, would lead to precisely the same
impasse as Lockes theory of toleration: the practice of subjective Protestant
piety gives rise to the right to toleration, but the resulting construction necessarily excludes those who do not practice such piety, or who practice the wrong
kind. For all its uniqueness, then, Miltons reinvention of heresy finally leads to
the same place as the Lockean theory. Although Miltons conception [End Page
390] of society is much more radical and fissiparous than Lockes, Milton still
supplies the political architecture for his own radicalized ideal of a Protestant
confessional state. (Myers) The beginning of Miltons Paradise Lost begins as
follows:
Of Mans First Disobedience, and the Fruit
Of that Forbidden Tree, whose mortal tast
Brought Death into the World, and all our woe,
With loss of Eden, till one greater Man
Restore us, and regain the blissful Seat,
Sing Heavnly Muse, that on the secret top
Of Oreb, or of Sinai, didst inspire
That Shepherd, who first taught the chosen Seed,
In the Beginning how the Heavns and Earth
Rose out of Chaos: Or if Sion Hill
Delight thee more, and Siloas Brook that flowd
Fast by the Oracle of God; I thence
Invoke thy aid to my adventrous Song,
That with no middle flight intends to soar
Above th Aonian Mount, while it pursues
Things unattempted yet in Prose or Rhime.
(Milton)
We should ask Milton, what is mans necessary obedience? Not only to
ask him that but to grab him and invite him to a party with the Ancient Greeks
and Homer. Without the existence of that forbidden tree, the possibility of responsibility is unthinkable to Adam and Eve, while Eves decision enhances the
development of the meaning on fate, she is the proper model of the difference
between Reason and the Necessity of Contingency (63 Meillassoux).
The quoting on Milton may have nothing to do with Wordsworth politics,
but to narrow their points of connection, we must look at the influence between
both of their thought. It is said by Mathew Arnold that the shifting of our world
comes between Hebraism and Hellenism and in 18th century England there
was a scrambling of values and this did not exclude Wordsworth -: Puritanism, which has been so great a power in the English nation, and in the strongest
part of the English nation, was originally the reaction, in the seventeenth century, of the conscience and moral sense of our race, against the moral indifference
and lax rule of conduct which in the sixteenth century came in with the Renascence. It was a reaction of Hebraism against Hellenism; and it powerfully manifested itself, as was natural, in a people with much of what we call a Hebraising
turn, with a signal affinity for the bent which was the master-bent of Hebrew
life. (Arnold) Arnold, English writer as well, came after Wordsworth and was
considered a Victorian. Matthew Arnold agreed, that Wordsworth was limited
by the knowledge he was disposed to, and Wordsworth had plenty to say on
feelings. If this is so, the origin dreamt of by Milton passed down to the romantics was a violent reach. The English around this time were going through revolutionary times, and hard times during Wordsworths time. It may not be far
from the symptom of the texts. And this is a borderline of disbelief: knowledge
was beginning to gain a different value by the sciences. It has had no restraints
on its devolution in truth, thus a new origin must have been sought at the cost
(Satan as the protagonist) of prior origins in the world.
So, what happens when there is no sense of belief in the non-colloquial sense? Belief as the possibility of knowledge from principle and, or, fact in
thought. Loss of belief in fiction is crucial and that is what Wordsworth feared,
but he did not place himself as the creator of all the world in reaction to this
effect like Milton did. Lucy is Wordsworth anti-muse do to what was mentioned in the last paragraph. Wordsworth did not take on the Greek gods and
there influence, and for that reason he introduces to the English tradition a
Hebraic structure. Among the mountains did I feel/The joy of my desire; /And
she I cherishd turnd her wheel/Beside an English fire. (Wordsworth Bartleby)
: and alongside this line we can put another line on Lucy to show the influence
of a transcendental value of nature without the specificity of Wordsworths
thought placed on the knowledge of the Christian tradition for after all, his
truths were contesting were in an attempt to transvaluate those Christian morals that were limiting the world -: Thus Nature spake -- The work was done
--/How soon my Lucys race was run!/She died, and left to me/This heath, this
tied to the coop. (110 Adiga) Not to mention, his speech on the Rooster Coop
came after a reaction (on the body). His dignity had arisen by the circumstance
placed on him by his masters, and was given the blame for the death of a child
on the road: his truth was based off his suffering, his belief in that India functions in a specific way comes from his belief in his name White Tiger, and his
interpolation within capitalist groundsor, in the fucking joke, the worlds
greatest democracy (107 Adiga).
Belief here takes the same route it
did for Wordsworthexcept that
for Wordsworth, he actually was
aware of the access to the belief
in the imagination, and Balrams
imagination cannot be other than
to be plastered by the necessary
condition of reality. The abstract
within India, is in the favor of the
rich; but not for Balram the child,
or the White Tiger who, takes on
a metaphoric name that serves his
abstract identity, because the conditions in the structure of (concrete) nature maintain the truth
on the play of reactive forces within this specific context in India. We could say
that belief relayed an identity unknown to Balram.
And right now I can quickly relay a few metaphors, traditional ones
to be exactsuch as, the constant use of the term wind in Mexican lyrics
(in general), and running down the phantom pipelines of history through the
Aztec and Mayan texts in particular. In the mariachi tradition, we may listen
to the meaning of the word, as a debasement on an original home. By consequence of the modification and reattachment, the listener begins to listen to the
cries of a man who has been abandoned by his lover; or in other cases, the cry is
of a nostalgic ambivalence, a constant torture, which pervades within the rush
of blank time. These music lyrics are usually heard in the mariachi, but also
rancheras and contemporary folk. The so called tradition which means that
under time as flux, necessity has demanded from artists, tacticians and thinkers, a production of forceful structures which are only called structures because
formed in front of the judge, the more distant but not less risky play is able
to become a possibility, in close proximity to the oppressor. We become avatars,
for we take ourselves to be already absent. As Octavio Paz said, The Aztec religion is full of great sinful gods Quetzalcoatl is the major example who grow
weak and abandon their believers, in the same way that Christians sometimes
deny God. (56 Paz)
The capacity of art lies in the victory that goes beyond the law, the system
of judgement and God. That by these things it may be called a pure corruption; this kind of power supplements the subject(s), and subjective value from
historical time given to (an) object(s), that were believed, or thought to have
no utility, thus the power being supplemented, is the one where a possibility
of ignorance narrowed the limits on mortality, and consequently leads to what
philosopher Ray Brassier has called Mimetic phenomenon (146 Brassier) in
his essay titled The Thanatosis of Enlightenment. The unlimited post-romantic tremor from the system of a Wordsworth, Coleridge, Blake. Produces a conflict in the worker, and an advantage towards their masters. The conflict moves
within a dyad of decision in thought.
1. The Miltonian model mimes the web of the western conviction on truth
and purity. To put it in a more concrete way, (or at least, to try to), the structure
which always already interferes with the virtualization of the origin of humans
as value, and the actualization of truth as full-sense by historical time. Not nature, not natural history, for it proceeds regardless of whether anyone belongs
to it or not. (Brassier 147)
2. Necessary action at the cost of poverty, and death. What is meant by to
live, can evolve into to die so.
Balram changes signatures by the trace of his ex-teacher. Balram is himself
a victim of the new jungle. At the same time to return to White Tiger Balrams will to power is shown when making friends at a bookshop in a servants
market. The conversation became possible by the glimpse of a free mouth in a
possible democratic space. I raised my head to the sky and whistled. Amazing how much money they have, I said, aloud, yet as if talking to myself. And
yet they treat us like animals. (128 Adiga) The storekeeper remains stunned.
Balram is beginning to act on his courage, and there is where he becomes the
White tiger out of necessity; the non-liberated spaces of the universal servant.
Adiga here, is not human, a freak, pervert of Nature, spotted in society by its
otherness.
A nonromantic demand, leads to the invariance of the human in the
event. Miltons belief that he was not any animal due to his dogmatic view on
the world, lead to speaking on absurdity in on the sticky temptation of poetry,
for, not being simply a thing, the animal is not closed and inscrutable to us. The
animal opens before me a depth that attracts me and is familiar to me. And, [I]
n a sense, I know this depth: it is my own. It is also that which is farthest removed from me, that which deserves the name depth, which means that which
is unfathomable to me. But this too is poetry (22 Bataille) Wordsworths
thought enables a reduction in naturalism. But where romanticism fails, Latin
American poet and writer, Bolano prevails. A romantic dog (or, a non-romantic
White Tiger), what else can he be as a Latin American but a dog who dreams.
A non-romantic demand is what gives (transcendental) Nihilism its purpose if
any novelty in the point of intersection between origins of civilizations is to be
a fortiori created and produced. Like the white tiger, who stands out in a space
where others are base. The same applies to the duration based off value in time
for Quetzalcoatl, not intending to find a similarity between cultures as the logic of identity always tempts one - like Miltons Satan -, but raising a dead god
into a concept like Nietzsche did with Dionysus and the crucified, raising play,
out above what is determined as society. It is said Mexicans are sons and daughters of corruption. What about India? Mexican texts are not any kind of myths,
they conserved knowledge by story, the first technicians of what science fiction
has ever offered, and perhaps, the first creators of philosophy fiction.
Works Cited
Adiga, Aravind. The White Tiger.
Arnold, Mathew. http://ebooks.adelaide.edu.au/a/arnold/matthew/culture-and
anarchy/chapter4.html. Last updated
Wednesday, March 12, 2014 at 12:59
Bataille, George. Theory of Religion. New York: Zone Books, 1992. Print.
Benjamin Myers. Following the Way Which Is Called Heresy: Milton and the Heretical Imperative. Journal of the History of Ideas 69.3 (2008): 375-393. Project MUSE. Web. 14 May. 2014. <http://muse.jhu.edu/>.
Brassier, Ray, and Christian Kerslake, eds. Origins and Ends of the Mind Philosophical
Essays on Psychoanalysis. Leuven University Press, 2007. Print.
Gill, Stephen, Wordsworth and the Victorians (Oxford, 1998).
Meillassoux, Quentin. After Finitude An Essay on the Necessity of Contingency. New York:
Continuum International Publishing Group, 2009. Print.
Meillassoux, Quentin (2007). Subtraction and Contraction. Collapse :63-107.
Milton, John. Complete Poems. Vol. IV. The Harvard Classics. New York: P.F. Collier & Son,
190914; Bartleby.com,
2001. www.bartleby.com/4/. [Date of Printout].
Paz, Octavio. The Labyrinth of Solitude. New York: Grove Press, 1994. Print.
Wordsworth, William. English Poetry II: From Collins to Fitzgerald. Vol. XLI. The Harvard Classics. New York: P.F. Collier
& Son, 190914; Bartleby.com, 2001.www.bartleby.com/41/. [Date of Printout].
Wordsworth, William. Poetry foundation. Lines Written in Early Spring. The Longman Anthology of Poetry (Pearson,
2006)
Before you read this I want you to think for a second on what a video game is
to you. What do you like about them? Dislike? Do you even play video games that
much? Or even care
about them? Well for me
I grew up surrounded
by video game players.
Playing everything from
Atari to the Genesis to
the PlayStation, NES, Super NES, Nintendo 64
and so on. The theme for
this issue as you know
is time so I figured why
not go through the history of the Video Game
and just where its going.
First off, what is
the first video game and when exactly did Video Game become a thing? For those
of you thinking Pong, like I did, you may actually be surprised. Computer technology flourished early in the 1940s with strong development in the Artificial Intelligence department of technology with smarter computers. Then one of the earliest
known video games came in 1951 from a computer, you may laugh all you want
at the name, called the Nimrod which played a math game called Nim. This was a
very easy program compared to the sophisticated stuff we have now but hey it was a
start then. Next in line in 1958 came a game made by physicist William Higinbotham called Tennis for two. This was viewed on an oscilloscope and actually played
with controls that looked like a switch to a freaking nuclear warhead. This became
a good source of entertainment for visitors of the Brookhaven National Laboratory.
Next in 1962 came Spacewar the first computer video game to be sold nationally as a test program on the PDP-1 computer. This game had two space ships shoot-
ered porn.
Anyway, soon after followed
other things like the Super Nintendo, Sega Genesis, and eventually the PlayStation. But before we
continue Ill back it up a bit and
take a look at how the games are
following suit with their consoles.
First games began to get a little
more than the arcade games of
the past in the early 80s Legend of
Zelda brought to light the idea of
adventure to games and yes kicked major freaking ass along with my personal favorite Metroid in 1986. There were also the early that brought adventure to fame. Metal
Gear also started, and we all know where those lead to. Also on the list were First
Person Shooters like Spasim, Doom, and Wolfenstein which gave action adventure
a hell of a lot of fun. Doom especially creeped the shit out of the 6 year old me. One
last one was Tomb Raider because come on guys, its fucking Tomb Raider. Whats
not to love about exploring ancient ruins with two Desert Eagles in each hand?
However, jumping and climbing in the originals was freaking hard. Perhaps
the most important part that has grown in games over the generations is story.
Games compared to 70s have writers and people who make a world of amazement.
I especially loved the little story snippets in the Silent Hill franchise with puzzles
that often delved into the stories
of individuals with horrid pasts
or were executed convicts like in
Silent Hill 2s Dead Men Hanging
from a Tree puzzle. My personal
favorite was Ico and the world that
game had. To many this game was
an amazing story that even Guillermo Del Toro even found to be
magnificent. This game even became a novel which I found to be
a fantastic read. Of course the one
thing that needs to be mentioned
is what makes a game a game, the gameplay we all so love. When I think of totally
revolutionary gameplay I think of Shadow of the Colossus. I mean seriously you are
taking down monsters you have to freaking climb to kill. Not only that, but the way
the Wander was hit by shock waves and could lose his balance made the gameplay
amazing for its time.
Now lets get to how Consoles and games are today. Games today are amazing
in every sense and aspect that makes them.
With ever advancing technology games now look like extremely cinematic and
even boast an amazing music score. Games like Journey and Rain with a truly artistic look and such simplicity and an amazing music score to boast made them stand
as pieces of art. The new Tomb Raider made the origin story of Lara Croft something
really cool from taking a scared young girl to become a hardened survivor. Plus
the team made their own freaking instrument for Tomb Raider! Metal Gear Sold
V pushes the bar on every level. One of the most iconic franchises taking things so
many levels up with both great looking story and gameplay. When I saw the E3 trailer for MGSV I literally orgasmed in my pants slightly. Other releases like No Mans
Sky and ABZU add much more of an artistic flare to games. The Evil Within is even
bringing back Survival Horror roots back to life. Even The Order 1886, Destiny, and
BloodBorne are looking great
and so much beyond whats been done in the past. Games now are becoming more
than games boast such a cinematic feel that produces tears in my eyes. Hopefully, it
can be something taken more seriously and be considered much more artistic because the effort in games now is astounding.
So if youre someone who enjoys video games as much as I do, then please keep
being a bad ass and play. If your skeptical about games just try them there is much
more than meets the eye. Time has definitely taken games a great deal towards greatness. Now being apart of The Modern Corsair as its video game reviewer hopefully
I can bring all you readers great coverage of the games to come in the near future.
Now before this ends I want to say the one thing that has been on my mind since I
started all this. Sony where the hell is The Last Guardian!
some ones smoker aunt, there is a cognitive dissidence. This voice, the one
that I the listener connects to so well, on
such a primal level as it touched me in
the first age of confusion, and hormones
and emotion, is one of youth, and decent
and rebellion for my cause against the
suits, squares, fascists and morons in power. But you look at your idol, and it is like
looking in a mirror for the first time in sixty-five years. Where did my hair go?! What
are these spots? Im so weak, deaf and near sighted. That is an ugly way to realize the
reality of your life.
So- is it obvious that Im dragging my feet on this one? Because Im on the third
paragraph on this thing (it was, doubt if you will the seventh in the first draft) and
have yet to actually talk about the show. So here I go. Actually talking about it. Here
comes the actual intellectual response to a valuable artistic institution of the most successful sketch group in history.
It was good. If that is all you wanted to know before I tell you where you can see
this, there you are: the show was good, the jokes are still funny and they know more
about springing a joke (let alone punchline on a crowd) in such a way that the laughs
are never guarded and thus ultra-successful. If this is all you need to here, skip to
the end of this section to read about when and where to see the Monty Python Live
(Almost) taped at the O2 Arena. If youd like more, and are a Python fan like me
buckle in.
When the Pythons held the press conference months ago announcing that Eric
Idle would organize a reunion for their first united performance in forty years the
hype that followed was rabid. People on all sides voiced their shock, approval, confusion and disapproval. Why now? Said Idle Some idiot. One of the producers from the
Holy Grail, who had sued the group for upwards of a million pounds. One night at
the O2, 200,000 seats, wed make that back.
After the 1989 death of Graham Chapman the groups last moments collected
7/11/14
Hugo Ace
Returning to dust,
The deserted lands winds, refine,
Back to a time before its time.
When the value of life is lost
Life is worth nothing.
Living every day of life
As an investment for the future
Makes time.
For time has already been created
roaring wind
ice crackling
moaning
intolerable
weather spites
the last sinking sun
dullness
or was I dreaming
of dust or hunger
palimpsest scribbling skulking
peripheral memory
lucky for us time rubbed
our hides bit by morsel
equipoise
counterpoint
trespassing mulled
spondee
a dismantled sonnet
of us in heaven harping
eternal hymnals fingering
smiling the two us
in the church gallery
an epistle whistling
snow on the ground outside
apostate withered
gospel tinkling as if
it mattered how we once
were lovers soft safe
and numb - the dogs bark
and I am in Bruges in
a cathedral candle glow
the only heat
standing
have been
A Begotten Conscience
Nicholas Vasquez
With sand in his hand now blows into the celestial space.
Like pollen, specks of flaming sand fades into
The souls that animate into the cosmic beach that carries
The strong hold.
Now the conscience of the child falls
into the void.
The soft void he calls home holds the begotten ashes
That dashes from left-to-right transcending
his imagination.
His eyes now open to an ocean of maroon sand with
No end in sight.
With all his might he screams at clouds above that
Fly like doves ablazed.
CREDITS
The Modern Corsair for July - Issue Number 10
This issue was: Time
Excuse me sir, you cant be there, yea, you cant just cut to the front of the line. You have to wait in the
line to get a ticket to wait in the line to get a ticket to wait in the line to get a ticket to wait in the line
to get a ticket...
The next issue will be: Government
From this moment on, you and everybody else is free. No overbearing big brother, no shady goverment agents- you dismantled those the other day. Why dont you go out for a walk? Perhaps enjoy
some fresh air? Maybe plot to take over the world again? This time for the better, right?
Check out our subreddit at www.reddit.com/r/themoderncorsair
Send all entries, comments, or suggestions to
themoderncorsair@gmail.com. Wed be happy to hear from our readers.
Special thanks to:
The Stay Gallery
And the biggest thanks of all to:
You.
Not you as the reader of this magazine, specifically you as the human
reading this text in this moment. Keep on reading, beautiful person.