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UNDERTHESUN is an installation of over one hundred works; which include handmade and digital collages, paintings, assemblage’s of rusted found objects, antique toys and kinetic sculpture. The title UNDERTHESUN quite simply conjures up an image of everything. In his work the artist mines from an archive of imagery taken from the world at large. The images in UNDERTHESUN begin with the industrial revolution with depictions of advancements in transportation and the textile industry, they show the progress we have made along with evidence of adverse conditions for workers. The unstoppable hunting of the artist through an ever expanding archive of imagery and through reinterpretation shows us the nature of our modern world.
UNDERTHESUN is an installation of over one hundred works; which include handmade and digital collages, paintings, assemblage’s of rusted found objects, antique toys and kinetic sculpture. The title UNDERTHESUN quite simply conjures up an image of everything. In his work the artist mines from an archive of imagery taken from the world at large. The images in UNDERTHESUN begin with the industrial revolution with depictions of advancements in transportation and the textile industry, they show the progress we have made along with evidence of adverse conditions for workers. The unstoppable hunting of the artist through an ever expanding archive of imagery and through reinterpretation shows us the nature of our modern world.
UNDERTHESUN is an installation of over one hundred works; which include handmade and digital collages, paintings, assemblage’s of rusted found objects, antique toys and kinetic sculpture. The title UNDERTHESUN quite simply conjures up an image of everything. In his work the artist mines from an archive of imagery taken from the world at large. The images in UNDERTHESUN begin with the industrial revolution with depictions of advancements in transportation and the textile industry, they show the progress we have made along with evidence of adverse conditions for workers. The unstoppable hunting of the artist through an ever expanding archive of imagery and through reinterpretation shows us the nature of our modern world.
My grandmoLher used Lo collecL a loL of [unk ln her basemenL. CollecL ls maybe Lhe wrong word, because when asked she would call lL 'savlng'. lor years, she was a 'savlor' Lo several old appllances (some never used), newspapers, magazlnes, dozens of books, a record player wlLh no needle, a bunch of old mechanlcal Loys and garbage bags full of worn cloLhes. As klds, Lhls casL- away mounLaln of [unk was a goldmlne. 8oy Arden would have loved lL. WhaL my grandmoLher was 'savlng', Arden would have deemed research. lL's safe Lo say LhaL he has made lL hls vocauon Lo collecL a varleLy of dlscarded memorabllla, Lo save and preserve ModernlLy's shrapnel. 1he ConLemporary ArL Callery (CAC) ls hosL Lo Arden's recenL solo exhlblL enuLled !"#$%&'$(!", whlch ls [usLly named slmply on Lhe basls of physlcallLy alone con[urlng up an lmage of 'everyLhlng'. 1he uLle could be loosely assoclaLed wlLh Lhe shape of Lhe sun, slnce much of Lhe work conLalns clrcular moufs Lhe largesL belng a colorful wlndmlll-esque assemblage powered by Lwo pedal blkes, along wlLh oLher clrcular Lhemes llke eggs, wheels, reproduced record sleeves and rusLed boule caps. ColncldenLly, lL ls also Lhe name of Lhe arusLs' onllne blog (www.royarden.com/blog) whlch ls home Lo much of Lhe accumulauve research for hls nlshed work. 1here are nearly one hundred works whlch make up Lhls Clrcus-llke exhlblL whlch range from sald assemblages, roLaung sculpLures made up of rusLed found-ob[ecLs, lnumaLe hand-made collages, prlnLed llnen, old pauerns and graphlc reproducuons. 1here ls even a sLack of old cloLhes ln one of Lhe corners LhaL broughL me back Lo my grandmoLher's basemenL. * #$%&'()) 1he number of works and Lhelr dlverslLy ls somewhaL unusual and parucularly overwhelmlng. WlLh Lhe dlvlde of Lhe Lwo ma[or rooms ln Lhe gallery lL could have passed for Lwo separaLe shows or aL leasL a large group exhlblL. ln Lurn, Lhls does allow Lhe vlewer Lo relaLe Lo Lhe work ln many dlerenL ways. 1he playful showcaslng of Lhe work helps seL a seemlngly absurd sLage and yeL aer careful observauon wlll reveal a common Lhread LhaL runs Lhrough Lhe enure dlverse collecuon of work. 1here ls a sLrong remnanL of Lhe lndusLrlal revoluuon presenung Lhe feel of a derellcL mlsL cousln Lo 1he CreaL Lxhlbluon of 1831 1 . Arden ls deplcung and crluqulng Lhe profound changes Lhe lndusLrlal age had on our socloeconomlc and culLural landscape. 1he norLh room of Lhe gallery LhaL holds Lhe larger assemblages and more graphlcal work ls mosL suggesuve of Lhls, maklng reference Lo Lechnologlcal advancemenLs ln LransporLauon, Lhe mechanlzauon of Lexules as well as sLeam power and Lhe locomouve. 1he arusL reveals our progress as a modernlzed human race whlle also lndlcauve of Lhe unfavorable condluons Lhe workers had. lL ls clear LhaL Lhls work ls Lhe resulL of years of research on Lhe world aL large and yeL Lhere ls a personal Louch LhaL has been admlnlsLered here LhaL ls Lhlck wlLh nosLalgla. 1hls ls parucularly cogenL ln Lhe souLh room amongsL Lhe dellcaLe and very lnumaLe collage work. 1he collecLed maLerlals LhaL make up Lhe work have been carefully and crypucally placed, llke ln &)* ,-. (2009), and can only have personal meanlng Lo Lhe arusL and yeL Lhese collaged works do conLaln lmagery LhaL ls fundamenLally evocauve. l found looklng aL Lhe old Coke boule alone acuvaLed areas of my memory LhaL encouraged personal lnLerpreLauon and explorauon. lL was lnsplrlng and Louchlng Lo be amongsL LhaL work whlle rememberlng very personal memorles of my grandmoLher's basemenL along wlLh oLher parLs of my chlldhood. Soon aer enLerlng Lhe doors of Lhe gallery, l felL aL home. + #$%&'()) 1he show runs unul March 27 and l suggesL lf you plan on golng you should glve yourself ample ume Lo really dlgesL Lhe breadLh of 8oy Arden's work. lf lL's been awhlle and you only remember hlm for hls phoLographlc serles ln Lhe early 90's on abandoned houslng ln vancouver's LasL-Slde you are ln for a LreaL. 1hls ls largely a deparLure and yeL ls sull rlch wlLh emouve hlsLorlcal references. l would be surprlsed lf you dldn'L leave wlLh a few awakened memorles. -M. Campbell 02/10/11
1 1he CreaL Lxhlbluon' was Lhe rsL ln a serles of Lxpos LhaL hlghllghLed Lhe sLaLe of lndusLry ln all nauons around Lhe globe. lor more, see Lhe Wlklpedla enLry (hup://en.wlklpedla.org/wlkl/1he_CreaL_Lxhlbluon)