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From the course description:
In this section of Cultural Studies and non-Western World Literature students will read, engage, and analyze non-Western cultural production in its relationship with the West. Though an object of analysis since Goethe, can the concept of “World Literature” truly encompass the diverse array of aesthetic production and sign systems used across the world? Do the concept “Literature” and the use of the alphabet already pre-suppose a certain kind of translation into Western norms? How do non-Western texts consciously (or unconsciously) push back against these very limitations?
From the course description:
In this section of Cultural Studies and non-Western World Literature students will read, engage, and analyze non-Western cultural production in its relationship with the West. Though an object of analysis since Goethe, can the concept of “World Literature” truly encompass the diverse array of aesthetic production and sign systems used across the world? Do the concept “Literature” and the use of the alphabet already pre-suppose a certain kind of translation into Western norms? How do non-Western texts consciously (or unconsciously) push back against these very limitations?
From the course description:
In this section of Cultural Studies and non-Western World Literature students will read, engage, and analyze non-Western cultural production in its relationship with the West. Though an object of analysis since Goethe, can the concept of “World Literature” truly encompass the diverse array of aesthetic production and sign systems used across the world? Do the concept “Literature” and the use of the alphabet already pre-suppose a certain kind of translation into Western norms? How do non-Western texts consciously (or unconsciously) push back against these very limitations?
Instructor: Paul Worley Office: Coulter 409 Email: pmworley@wcu.edu Website: www.paulmworley.com Office Hours: 11:10-12:00 M/F; 2:30-3:30 W; and by appointment
I. Rationale/Purpose In this section of Cultural Studies and non-Western World Literature students will read, engage, and analyze non-Western cultural production in its relationship with the West. Though an object of analysis since Goethe, can the concept of World Literature truly encompass the diverse array of aesthetic production and sign systems used across the world? Do the concept Literature and the use of the alphabet already pre-suppose a certain kind of translation into Western norms? How do non-Western texts consciously (or unconsciously) push back against these very limitations?
II. Course Aims and Objectives: Students enrolled in the course will: Be able to identify the tensions within non-Western literary texts of World Literature Compare the approaches and forms of resistance present within these works Demonstrate how these works appropriate Western ways of knowing for non-Western ends Evaluate the political possibilities of these aesthetic interventions Produce an original, hybrid creative work that explores these topics, as well as a critical reflection on how mechanisms of cultural dialogue and cultural appropriation function
III. Course Materials
Required Texts: Rental Davis, Paul, et. al. The Bedford Anthology of World Literature: The Modern World, 1650-The Present. Boston: Bedford/St. Martins, 2009.
Supplemental for purchase in bookstore Neruda, Pablo. Canto General. Berkeley: U of California P, 1991. Yahgulanaas, Michael Nicoll. Red: A Haida Manga. Canada: Douglas and McIntyre, 2010.
Additional readings available online through my website
2 IV. Faculty Expectations of Students/Course Policies
Statement on Accommodations for students with disabilities:
Office of Disability Services
Accommodations for Students with Disabilities: Western Carolina University is committed to providing equal educational opportunities for students with documented disabilities and/or medical conditions. Students who require reasonable accommodations must identify themselves as having a disability and/or medical condition and provide current diagnostic documentation to the Office of Disability Services. All information is confidential. Please contact the Office of Disability Services at (828) 227-3886 or come by Suite 135 Killian Annex for an appointment.
Student Support Services
Student Support Services provides support to students who are either first-generation, low-income or those who have disclosed a disability with: academic advising, mentoring, one-on-one tutorial support, and workshops focused on career, financial aid and graduate school preparation. You may contact SSS at (828) 227-7127 or email sssprogram@wcu.edu for more information. SSS is located in the Killian Annex, room 138.
Writing and Learning Commons (WaLC)
The Writing and Learning Commons (WaLC), located in BELK 207, provides free small-group course tutoring, one- on-one writing tutoring and academic skills consultations, and online writing and learning resources for all students. All tutoring sessions take place in the WaLC or in designated classrooms on campus. To schedule tutoring appointments, log in to TutorTrac from the WaLC homepage (walc.wcu.edu) or call 828-227-2274. Distance students and students taking classes at Biltmore Park are encouraged to use Smarthinking and the WaLCs online resources. Students may also take advantage of writing tutoring offered at the Biltmore Park campus on certain days of the week; call 828-227-2274 or log in to TutorTrac and select Biltmore Park Writing Tutoring for availabilities.
Statement on Academic Integrity (including plagiarism):
Academic Integrity Policy
"I will practice personal and academic integrity" WCU Community Creed
Western Carolina University (WCU) strives to achieve the highest standards of scholarship and integrity. Any violation of the Academic Integrity Policy is a serious offense because it threatens the quality of scholarship and undermines the integrity of the community. Any violation of the Academic Integrity Policy is a violation of the Code of Student Conduct (see dsce.wcu.edu for more information).
Violations of the Academic Integrity Policy include: Cheating - Using or attempting to use unauthorized materials, information, or study aids in any academic exercise. Plagiarism - Representing the words or ideas of someone else as ones own in any academic exercise. Note: WCU instructors reserve the right to use plagiarism prevention software (such as SafeAssignment.com), library resources, as well as Google, Yahoo, and/or other Internet search engines to determine whether or not student papers have been plagiarized. With plagiarism prevention software, instructors may upload student papers into a searchable database or teach students how to upload their own work as part of the course requirements. Fabrication - Creating and/or falsifying information or citation in any academic exercise. Facilitation - Helping or attempting to help someone to commit a violation of the Academic Integrity Policy in any academic exercise (e.g. allowing another to copy information during an examination)
Faculty members have the right to determine the appropriate sanction(s) for violations of the Academic Integrity Policy within their courses, up to and including a final grade of F in the course. Students will be notified, in 3 writing, of any Academic Integrity Policy allegation and have the right to respond to the allegation. The full text of the WCU Academic Integrity Policy, Process, and the Faculty Reporting Form can be found online at: academicintegrity.wcu.edu. Please visit studysmart.wcu.edu for further information.
Attendance Policy: M/W/F: Regular class attendance and participation are expectations for this course. Upon a students fifth (5th) absence, the students final course grade will be lowered one full letter grade (e.g., from A to B, B to C, etc.). Upon an sixth (6th) absence, the student will fail the course automatically.
The only excused absences under this policy are those absences described as excused within University policy. Those situations are: 1) bona fide medical emergencies (with documentation); 2) death of an immediate family member (with documentation); 3) pre-arranged religious observance; 4) participation in a University event sanctioned by the Chancellor to promote the university. Two of these situations (3 and 4) are foreseeable, and would require advanced notice, documentation, and coordination with the instructor in order to qualify as excused and not be counted against the numbers outlined in this policy. Students should consult the University Catalog (http://catalog.wcu.edu/) for details regarding the Universitys General Attendance Policy and University Excused Absences.
Statement on late and/or makeup assignments: Assignments submitted the course meeting following a given due date will be docked a full letter grade. In fairness to students who submitted work on time, assignments submitted up to a week late will be given no better than a C (75). Assignments are not accepted after they are a week late, and will be given an F and numerical grade of (0). Assignments that are simply not submitted will received an F with a numerical grade of (0). Furthermore, you will only be allowed to turn in one late assignment (and only if I say its OK to do so); any subsequent late work will not be accepted. You will not be able to pass this class unless you complete all assignments.
I will not accept any final draft of an assignment sent to me via e-mail. If you are having trouble with an assignment, please speak to me as soon as possible.
Statement of expectations for participation/classroom behavior: Participation: Active participation is a key component of this course. Please do not bring food to class as this will inhibit your moving about and communicating your thoughts and opinions to others. It is expected that students will be mindful and respectful of each other at all times, particularly when expressing opposing viewpoints on a given topic.
Laptops/Cellphones: Please refrain from using your cellphones and laptops in class unless otherwise explicitly told to do so by the instructor. Should cellphone use become a problem you will be asked to leave.
Recording: No student may record, tape, or photograph any classroom activity without the express written consent of the instructor. Students may not make audio or video recordings of course activities except students permitted to record as an approved accommodation. Recordings of class may not be posted publicly (online or otherwise) or distributed to individuals who are not students in the course without the express permission of the faculty member and of any students who are recorded.
Statement on participation in on-line course evaluations: You are highly encouraged to participate in the university-sanctioned evaluation of this course. The dates for this semester are November 9-December 6.
Statement of use of special programs or services: As part of its design, at different points in the semester this course may make use of social media. Students are therefore required to have a Twitter account (twitter.com). Student privacy is a priority, so students may opt to have an anonymous Twitter handle if they so choose. Other programs such a Blackboard will be utilized as appropriate. 4
Inclement weather policy: In the event of inclement weather please pay attention to University announcements regarding cancellation of class or closure while maintaining an accurate assessment of your personal situation. If you live off campus and do not feel you can safely make it to/from campus, do not come.
V. Grading Procedures: Required: [You should indicate your grading scale, relative weight and brief description of all major assignments, and primary methods of assessment. A statement should be included indicating how the grading/assessment meets the course objectives stated above.]
Percentage of Grade Students Score Essay 1 10% Essay 2 15% Final Project 20% Mid-Term Exam 15% Final Exam 20% Participation and Homework 20% Final Grade:
Essays and Final Project More specific information about the design of these assignments will be distributed at a later date. The first essay will be an analysis of an image or images, and how these intersect with course readings. The second essay will be a comparative analysis of works read in class. The third will involve your translating a scene from Nerudas Canto general into a comic with a theoretical critical reflection and the presentation of the piece during the final days of the semester. Each paper will be between 2-3 full pages (circa 500-750 words), double-spaced, in Times New Roman 12 point font. Papers are exercises in critical thinking where you will read texts, analyze them, and draw conclusions based on supporting evidence that you will assemble. As always, papers at every stage should follow MLA format and documentation, be free of errors in spelling and grammar, and by typed. As stated below, plagiarism is not tolerated.
Exams More specific information about exam design will be distributed at a later date. The Midterm and Final Exams gauge your knowledge of, retention of, and engagement with the material.
Participation and Homework You are expected to attend class and actively participate in discussion by coming prepared, having read the days reading, bringing your book, and by asking and responding to questions. This is a discussion-based course, so if I have to call on you, you are not actively participating!
Any daily pop quizzes done in class will be allocated here.
As part of this, you will be asked to do a brief presentation having to do with the course reading introducing what you feel are the relevant/salient topics from the days reading. These will be brief (10-15 minutes), require you to make use of PowerPoint, and formulate 3-4 questions around which the class will base its discussion. You are more than welcome to guide the discussion where you would like to see it go! This assignment is half of the participation grade.
Grading and Quality Point System*
Grade Interpretation Quality Points per Grade Interpretation Quality Points per Semester Hour Semester Hour
A+ Excellent 4.0 I Incomplete [ -- ] A Excellent 4.0 IP In Progress [ -- ] A- 3.67 S Satisfactory [ -- ] B+ 3.33 U Unsatisfactory [ -- ] 5 B Good 3.0 W Withdrawal [ -- ] B- 2.67 AU Audit [ -- ] C+ 2.33 NC No Credit [ -- ] C Satisfactory 2.0 C- 1.67 D+ 1.33 D Poor 1.0 D- .67 F Failure 0
* See Graduate Catalog for the graduate level grading system.
The grades of A+, A, A-, B+, B, B-, C+, C, C-, D+, D, D- and F indicate gradations in quality from Excellent to Failure. Please note that a C- grade is less than satisfactory and may not meet particular program and/or course requirements.
Composition-Condition Marks. A student whose written work in any course fails to meet acceptable standards will be assigned a composition-condition (CC) mark by the instructor on the final grade report. All undergraduates who receive two CC grades prior to the semester in which they complete 110 hours at Western Carolina University are so notified by the registrar and are required to pass English 300 or English 401 before they will be eligible for graduation. This course must be taken within two semesters of receiving the second CC and must be passed with a grade of C (2.0) or better.
Students must be familiar with the class attendance, withdrawal, and drop-add policies and procedures.
Assignments Note: Attending class without the book in which the reading is due or without having done the reading will result in a zero for homework and participation for that days class. You will not be eligible to pass this class unless you complete all assignments. Handwritten assignments at the college level are unacceptable. I will not accept handwritten work from you under any circumstances. Final drafts of essays will not be accepted unless I have seen and critiqued a preliminary draft of the essay.
VIII. Tentative Course Schedule May change to accommodate guest presenters & student needs
August 18 Introduction to the Course: Locating the World 20 Introduction: Is there a World Literature Part 1 https://nplusonemag.com/issue-17/the-intellectual-situation/world-lite/ 22 Introduction: Is there a World Literature Part 2 http://mason.gmu.edu/~ayadav/Goethe%20on%20World%20Literature.pdf; https://blogs.commons.georgetown.edu/engl-218-fall2010/files/Goethes-World-Literature-Paradigm-and- Contempor.pdf
Unit 1: Colonialism and Inequality 25 Popol vuh http://www.mesoweb.com/publications/Christenson/PopolVuh.pdf (skim the introduction, read pages 50-7) http://library.osu.edu/projects/popolwuj/ (online facsimile of the manuscript) 27 Equiano, 448-77 29 Equiano, 477-93 African American Folk Songs, 544-52 Assign Final Project
September 1 No Class 3 Neruda, biography, 1543-7 Neruda, A Lamp on Earth, The Heights of Macchu Picchu, 13-42 6 5 Neruda, The Conquistadors, 43-70
8 Conrad, Text in Context, 1154-9 Conrad, Heart of Darkness, 1159-82 10 Conrad, Heart of Darkness, 1182-1201 Kipling, The White Mans Burden, 1228-9 Williams, from An Open Letter, 1231-6 12 Conrad, Heart of Darkness, 1201-19 Achebe, An Image of Africa http://kirbyk.net/hod/image.of.africa.html Assign Images Essay
15 Achebe, Text in Context, 1597-1603 Achebe, Things Fall Apart, 1604-36 17 Achebe, Things Fall Apart, 1636-66 19 Images Assignment Due in Class
22 Achebe, Things Fall Apart, 1666-93 24 Draft Essay 1 Workshop 26 Mid-Term
Unit 2: Revolution, Postcolonialism, and Decolonization 29 Neruda, The Liberators, 71-110
October 1 Neruda, The Liberators, 110-47 3 Whittier, from Toussaint LOuverture, 726-7 Neruda, XXX: Toussaint LOuverture, 116-7
6 Marx and Engels, 1039-47 Chekov, 1247-50 8 Chekov, 1251-73 10 Chekov, 1273-89 Essay 1 Due
13 Fall Break 15 Fall Break 17 Fall Break
20 Colonization and Decolonization in India, 1225-7 Rao, 1241-2 Nehru, 1243-6 22 Tagore, 1290-1321 24 Tagore, 1321-40
27 Draft Essay 2 Workshop 29 Neruda, The Sand Betrayed, 149-202 31 Neruda, America,, Canto general de Chile, 203-35 Assign Final Project
Unit 3: Neocolonialism and Resistance November 3 Neruda, The Earths Name is Juan, Let the Woodcutter Awaken, 237-72 Essay 2 Due 5 Neruda, The Fugitive, The Flowers of Punitaqui, 273-318 7 Storyboard in class 7
10 Neruda, New Years Chorale 319-336 12 Neruda, The Great Ocean, 337-72 14 Neruda, I am, 373-400
17 Red: A Haida Manga rest of the semester Video 1: https://www.youtube.com/watch?v=POMbyPLhqRI
Video 2: https://www.youtube.com/watch?v=dBbLiEqUZ-g 19 Haida Manga 21 Haida Manga
24 Haida Manga 26 No class 28 No class
December 1 Final Projects 3 Final Projects 5 Final Projects
Final Exam: Wednesday, Dec 10 from 8:30-11:00 8 I have read and understood the course syllabus.
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