Ferrer Ferran

Pinocchio
Symphonic Suite
Concert Band

Line Art

 Copyright 2010 by Ibermsica

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Biography & Program note

Ferrer Ferran was born in 1966, in Valencia, Spain. When he was only fifteen years old, he had
already graduated as a pianist and percussionist. He also obtained diplomas in the fields of chamber
music and accompaniment. He received a degree in composition and conducting from the Royal
Academy of Music in Great Britain.
Ferran has performed all over Spain as a soloist, together with chamber ensembles, and accompanying
great international soloists. He works with a number of Spanish symphony orchestras. Furthermore,
he is active as a composer, pianist, conductor, and teacher at the Conservatorio Superior de Msica
de Valencia in Spain. Ferran specialises in composition and accompaniment.

Ferrer Ferran

He has written many compositions, inter alia for ensemble, choir, chamber orchestra,
and symphonic wind orchestra the premires have mostly been performed by renowned
ensembles. Various works from Ferrans pen have been selected as test pieces for important
contests and festivals. He has won various composition awards and accolades as well, such as the
one given by Juventudes Musicales de Espaa (Young Musicians of Spain). He also won a number
of prizes in Corciano (Italy).
Ferrans compositions have been released by publishing houses in Spain, France, and the
Netherlands. Since 2002, his works have been published under the label Ibermsica.

Pinocchio
The Adventures of Pinocchio by Italian author Carlo Collodi is considered a classic of childrens literature and has spawned many
derivative works of art. Spanish composer Ferrer Ferrans symphonic suite is a musical version of the story. It takes us through
the mischievous adventures of Pinocchio, a wooden marionette who finally becomes a real boy with a loving heart.
Collodis novel has received a great deal of critical attention; whether seen as a political allegory or a satire on the strict
education of the times. Most critics would agree with Italian philosopher Benedetto Croce:The wood out of which Pinocchio is
carved is humanity itself. It is a fable of human life; a forceful struggle between good and evil, sin and repentance, temptation,
easiness, generosity, selfishness and altruism.
This suite consists of four movements:
I. Pinocchio, Geppetto and the Talking Cricket
II. The Fairy with Turquoise Hair
III. The Field of Miracles
IV. The Land of Toys, The Terrible Dogfish, Finally He Becomes a Boy
The clarity of scene and rich colours are just spectacular. Ferrans music is dramatic, passionate, intense, sweet, fascinating,
and reflective. Each movement of the work is accompanied by a short text for a better understanding of the development and
therefore a better performance.

I. Pinocchio, Geppetto and the Talking Cricket

Bar 1: Always remember that true magic lies in our hearts
Bar 7: Once upon a time a kind old woodcarver named Geppetto carved a new wooden puppet.
Bar 13: But not just any new puppet; a puppet like no other.
Bar 21: This is the way the story of Pinocchio begins.
Bar 25: Pinocchio talks and is able to move on his own. He is a puppet with a loving heart
Bar 32: and feelings.
Bar 36: Pinocchio is a lively, happy-go-lucky puppet boy with a simple wish: to become a real boy.
Bar 42: His youthful innocence gets him involved in all kinds of astonishing adventures.The Talking Cricket, his guardian angel and conscience
keeps a watchful eye on him.

II. The Fairy with Turquoise Hair

Bar 1: The Fairy with Turquoise Hair protects Pinocchio.
Bar 12: Pinocchio is upset. Hes always drawn into frightening adventures.
Bar 16: But the Fairy is always by his side.
Bar 21: Pinocchio thinks of his father. He misses him very much.
Bar 29: Unfortunately, he hasnt learnt his lesson well enough. His friends again tempt him into making the wrong choices.
Bar 34: And the Fairy rescues him once more.
Bar 37: The Turquoise Fairy is so kind to him that he would wish her to be his beloved mother.
Bar 62: Pinocchio regrets what he has done. He is not a bad boy, but temptation easily overrides his good intentions.
Bar 78: Feeling sorry for him, the Fairy helps him and forgives him.

III. The Field of Miracles

Bar 1: As Pinocchio hurries homewards, he meets a fox and a cat.
Bar 15: The two malevolent scoundrels hatch a plot, telling Pinocchio that if he plants his gold coins in the Field of Miracles, they will grow
into a money tree.
Bar 38: Off they all go to the Field of Miracles.
Bar 57: Pinocchio is greatly frightened. Two bandits try to rob him and to murder him.
Bar 75: He escapes with the assistance of the Fairy, and promises her to study and to behave himself.
Bar 80: The Fairy promises him that, on the morrow, he will cease to be a marionette and become a boy.
Bar 84: A queer sound can be heard, soft as a little bell, and muffled like the buzz of a trumpet.
Bar 85: A wagon arrives. It is drawn by twelve pairs of donkeys.
Bar 112: Once more Pinocchio is tempted by his best friend, Lampwick, into accompanying him to the Land of Toys. He agrees, forgetting all
promises to the Fairy.

IV. The Land of Toys, The Terrible Dogfish, Finally He Becomes a Boy
Bar 1: This great land is entirely different from any other place in the world. It is a beautiful land; a land full of light.
Bar 11: It is composed entirely of boys. In the streets, there is such joy, such a racket. All the boys are playing.
Bar 47: Some boys laugh, shout for joy, whistle with happiness.
Bar 53: The squares are filled with canvas theatres, huge carousel horses and big wheels.
Bar 79: Within a short while, Pinocchio has become a donkey. He is thrown into the sea.
Bar 98: When the Fairy sees Pinocchio is about to drown, she sends a shoal of big fish to eat away all the donkey flesh.
Bar 107: They naturally come to the bones or rather, in this case, to the wood.
Bar 115: Happy to be a wooden puppet again, Pinocchio swims as hard as he can toward a white rock. High on this rock stands a little goat
beckoning the marionette to come to her.
Bar 126: He is almost halfway over, when suddenly a sea monster sticks its horrible head out of the water, showing three rows of gleaming teeth.
Bar 140: Pinocchio swims faster and faster. Alas! He is swallowed by the Terrible Dogfish.
Bar 148: Wandering through the stomach of the dogfish, he finally meets his beloved father. Oh, Father, dear Father! Have I found you at last?
Now I shall never, never leave you again!
Bar 167: Pinocchio and Geppetto try to run out of the dogfishs mouth and dive into the sea, but they fail.
Bar 175: They finally succeed in escaping on their second attempt. Lifting Geppetto onto his shoulders, Pinocchio swims swiftly away.
Bar 182: They reach land as soon as possible.
Bar 198: After saving his father, and behaving like a good boy, Pinocchio is rewarded. He dreams of his dear Fairy, and wishes she would forgive
him his mischief.
Bar 205: At that very moment, Pinocchio awakes and opens wide his eyes.
Bar 210: He sees that he is no longer a marionette, but that he has become a real boy!

Biografa & descripcin de la obra

Ferrer Ferran naci en Valencia, Espaa, en 1966. A los quince aos ya haba terminado sus
estudios de pianista y percusionista. Luego, obtuvo diplomas en el campo de msica de cmara y
acompaamiento, adems de ser licenciado en composicin y direccin por The Royal Academy of
Music de Gran Bretaa.
Ferrer Ferran ha dado conciertos por toda Espaa, en calidad de solista, con diferentes conjuntos
de cmara, pero tambin como acompaante de grandes solistas internacionales, y ha trabajado
con varias orquestas sinfnicas espaolas. Asimismo, es compositor, pianista, director y docente en
el Conservatorio Superior de Msica de Valencia, donde est especializado en las asignaturas de
composicin y acompaamiento.

Ferrer Ferran

En su haber tiene numerosas composiciones para conjuntos musicales, coro, orquesta de cmara
y orquesta sinfnica de viento. Frecuentemente, sus obras son estrenadas por renombrados
conjuntos, y varias de ellas han sido seleccionadas como piezas obligadas en importantes
concursos y festivales. Ferrer Ferran ha recibido mucho reconocimiento y diversos premios por
sus composiciones, entre ellos, el de Juventudes Musicales de Espaa. En algunas ocasiones gan
premios en Corciano (Italia).
Sus composiciones han sido publicadas por editoriales en Espaa, Francia y Holanda. Desde 2002,
sus obras son editadas por Ibermsica.

Pinocchio
Las Aventuras de Pinocho, gran clsico de la literatura infantil, fue escrito por Carlo Collodi. Ferrer Ferran describe este
fantstico cuento en forma de suite sinfnica, tratando de trasladar a la imaginacin, todas las aventuras, las proezas y las
travesuras de esta simptica marioneta que logra convertirse en nio al demostrar su puro y bondadoso corazn.
La novela de Collodi Las Aventuras de Pinocho ha sido interpretada desde diferentes puntos de vista. Unos han credo
ver en esta obra una reivindicacin poltica; otros han tratado de ver en ella una crtica contra los sistemas pedaggicos
autoritarios. Pero Benedetto Croce deca : La Madera en que est tallado Pinocho es la humanidad... Pinocho es la fbula
de la vida humana, del bien y del mal, de los errores y de los arrepentimientos, del ceder a las tentaciones y los caprichos, as
como del resistir y volver a levantarse, de la prudencia, de los impulsos altruistas y generosos.
Esta suite se compone de cuatro movimientos :
I.- Pinocho, Geppetto y el Grillo que habla.
II.- La Bella Nia de los Cabellos Turquesa.
III.- El Monte de los Milagros.
IV.- El Pas de los Juguetes. El Tiburn. Ya es un Nio.
Una obra rica en color, juguetona y simptica, dramtica por momentos y apasionada por otros, dulce y melanclica. La
partitura esta acompaada de unas citas, facilitando, al intrprete, el entendimiento del desarrollo induciendo as una mejor
interpretacin.
Esta composicin de Ferrer Ferran est dedicada a todos los nios que necesiten de esta magia para que vivan con ilusin
y sean muy felices.

I.- Pinocchio, Geppetto and the Talking Cricket

(I.- Pinocho, Geppetto y el Grillo que habla)
M-1:
...y la magia la llevamos siempre en el corazn.
M-7:
Geppetto, un dulce carpintero esculpa una marioneta ms.
M-13: sta no era una ms. Tena algo especial, algo diferente.
M-21: Aqu comienza el cuento de Pinocho, una marioneta muy buena.
M-25: Pinocho habla, se mueve, tiene corazn
M-32: ...y tambin sentimientos.
M-36: Su carcter siempre es positivo, un nio con muchas ganas de vivir y de ser nio.
M-42: Es tan nio que de travesuras se llena su vida. El Grillo que habla ser su ngel de la Guarda.
II.- The Fairy with Turquoise Hair
(II.- La Bella Nia de los Cabellos Turquesa)
M-1:
A Pinocho lo protega La Bella Nia de los Cabellos Turquesa.
M-12: Pinocho era inquieto, siempre se vea atrapado en alguna nueva travesura.
M-16: Pero el Hada invariablemente estaba a su lado.
M-21: Pinocho siempre recordaba a su padre Geppetto y lo echaba de menos.
M-29: Pero Pinocho no escarmentaba y provocado por sus amigos iniciaba de nuevo otra travesura
M-34: ...y all, de nuevo, apareca el Hada para ayudar al querido Pinocho.
M-37: Pinocho vio en La Bella Nia de los Cabellos Turquesa tan dulce persona, que soaba con que sta fuera su querida Mam.
M-62: Pinocho nunca haca las cosas con maldad. Tena un buen corazn.
M-78: El Hada, al ver la buena fe de Pinocho, siempre lo ayudaba y lo perdonaba.
III.- The Field of Miracles
(III.- El Monte de los Milagros)
M-1:
El Zorro y el Gato, dos granujas de cuidado!
M-15: stos engaaron a Pinocho hacindole sembrar cuatro monedas en El Monte de los Milagros.
M-38: All estaba El Monte de los Milagros.
M-57: Pinocho estaba atemorizado..., fue atracado y golpeado.
M-75: El Hada le ayudo a escarparse. Pinocho le prometi convertirse en un muchacho dcil y obediente.
M-80: Maana ya no sers una marioneta, te transformars en un nio!.
M-84: Se pudo or un sonido de cascabeles y un repique de trompeta.
M-85: Lleg el carro conducido por doce parejas de pequeos burros.
M-112: Una vez ms, Pinocho fue tentado de nuevo por su amigo Lucignolo, invitndolo al Pas de los Juguetes.
IV.- The Land of Toys. The Terrible Dogfish. Finally He Becomes a Boy
(IV.- El Pas de los Juguetes. El Tiburn. ya es un Nio)
M-1:
Este pas no se pareca a ningn otro del mundo. Era hermoso y con mucha luz.
M-11: Todos eran nios. En la calle slo se vea alegra y alboroto. Todos jugaban.
M-47: Algunos rean, otros gritaban, otros silbaban.
M-53: En todas las plazas se vean pequeos teatros de tela, grandes tiovivos y norias.
M-79: Pinocho despus de convertirse en un burro es arrojado al mar.
M-98: El Hada cuando vio que estaba en peligro de ahogarse, mand una manada de peces para que lo devorara.
M-107: Claro, hasta que llegaron al hueso..., o mejor dicho, a la madera.
M-115: Nadaba con todas sus fuerzas para llegar a un peasco donde haba una bella cabrita que lo llamaba.
M-126: De repente vio salir del agua una horrible cabeza de monstruo marino con tres hileras de colmillos.
M-140: Pinocho, por muy rpido que nadara, no consigui que el monstruo no lo alcanzara. ste se lo trag.
M-148: Cual fue la sorpresa que recorriendo el gran cuerpo del tiburn, all encontr a su querido Pap: Por fin te he encontrado!,
Ahora no te abandonar ms, nunca ms!.
M-167: Subieron por la boca para dar el gran salto
M-175: ...y despus de varios intentos fallidos, Pinocho con su padre montado a su espalda pudieron escapar.
M-182: Nadaron velozmente hasta llegar a la playa ms cercana.
M-198: Pinocho, tras salvar a su Pap, tuvo un bonito sueo: el Hada le perdonaba todas sus travesuras.
M-205: El sueo termin y Pinocho se despert con unos ojos enormes
M-210: Pinocho ya no era una marioneta de madera, se haba convertido en un nio como todos los dems.

Ferrer Ferran

Pinocchio
Instrumentation

Full Score
Piccolo
Flute 1
Flute 2
Oboe 1
Oboe 2
English Horn
Bassoon 1
Bassoon 2
Double Bassoon *
Eb Clarinet
Bb Clarinet 1
Bb Clarinet 2
Bb Clarinet 3
Eb Alto Clarinet
Bb Bass Clarinet
Eb Contra Alto Clarinet *
Bb Contra Bass Clarinet *
Bb Soprano Saxophone *
Eb Alto Saxophone 1
Eb Alto Saxophone 2
Bb Tenor Saxophone 1
Bb Tenor Saxophone 2
Eb Baritone Saxophone
Bb Bass Saxophone *
F Horn 1
F Horn 2
F Horn 3
F Horn 4
Bb Flugel Horn 1
Bb Flugel Horn 2
Bb Trumpet 1
C Trumpet 1 (subst. for Bb Tpt. 1) *
Bb Trumpet 2
Bb Trumpet 3
Bb Trumpet 4
Trombone 1
Trombone 2
Trombone 3
Trombone 4
Euphonium 1
Euphonium 2
Bb Euphonium 1 &
Bb Euphonium 2 &
Bass 1, 2
Violoncello *
Double Bass
Harp
Piano
Timpani
Mallet Percussion 1
Mallet Percussion 2
Percussion 1
Percussion 2
Percussion 3

Eb Horn 1
Eb Horn 2
Eb Horn 3
Eb Horn 4
Bb Trombone 1 &
Bb Trombone 1 ?
Bb Trombone 2 &
Bb Trombone 2 ?
Bb Trombone 3 &
Bb Trombone 3 ?
Bb Trombone 4 &
Bb Trombone 4 ?
Bb Euphonium 1 &
Bb Euphonium 1 ?
Bb Euphonium 2 &
Bb Euphonium 2 ?
Eb Bass &
Eb Bass ?
Bb Bass &
Bb Bass ?

1
1
2
2
1
1
1
1
1
1
1
5
5
5
1
1
2
2
1
1
1
1
1
1
1
1
1
1
1
2
2
2
1
2
2
2
2
2
2
2
1
1
1
1
4
4
2
1
1
1
1
1
3
3
3

Partitura
Flautn
Flauta 1
Flauta 2
Oboe 1
Oboe 2
Corno ingls
Fagot 1
Fagot 2
Fagot contrabajo
Clarinete Mib
Clarinete 1
Clarinete 2
Clarinete 3
Clarinete contralto
Clarinete bajo
Clarinete contrabajo Mib
Clarinete contrabajo Sib
Saxofn soprano
Saxofn contralto 1
Saxofn contralto 2
Saxofn tenor 1
Saxofn tenor 2
Saxofn baritno
Saxofn bajo
Trompa 1
Trompa 2
Trompa 3
Trompa 4
Fliscorno 1
Fliscorno 2
Trompeta 1
Trompeta Do
Trompeta 2
Trompeta 3
Trompeta 4
Trombn 1
Trombn 2
Trombn 3
Trombn 4
Bombardino 1
Bombardino 2
Bombardino 1 Sib &
Bombardino 2 Sib &
Tuba 1, 2
Violoncelo
Contrabajo
Arpa
Piano
Timbales
Tclados 1
Tclados 2
Percusin 1
Percusin 2
Percusin 3

Additional Parts
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
2
2
2
2

Trompa Mib 1
Trompa Mib 2
Trompa Mib 3
Trompa Mib 4
Trombn 1 Sib &
Trombn 1 Sib ?
Trombn 2 Sib &
Trombn 2 Sib ?
Trombn 3 Sib &
Trombn 3 Sib ?
Trombn 4 Sib &
Trombn 4 Sib ?
Bombardino Sib 1 &
Bombardino Sib 1 ?
Bombardino Sib 2 &
Bombardino Sib 2 ?
Tuba Mib &
Tuba Mib ?
Tuba Sib &
Tuba Sib ?

* These parts do not appear in the score

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