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Astro Magick Essentials

by Frater Akenu
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Content
Introduction..........................................................................................................5
Planets..................................................................................................................6
Moon ...............................................................................................................6
Mars.................................................................................................................6
Mercury............................................................................................................6
Jupiter..............................................................................................................6
Venus................................................................................................................6
Saturn...............................................................................................................7
Sun...................................................................................................................7
Planetary days.......................................................................................................7
Chaldean sequence...............................................................................................8
First Maic! nu"#er........................................................................................$
Saturn%s Maic! square..................................................................................&'
Calculatin the Maic!al nu"#ers................................................................&2
Jupiter%s square...............................................................................................&(
Mars% square...................................................................................................&5
Sun%s Maic! square......................................................................................&6
Venus% square.................................................................................................&$
Mercury%s square............................................................................................2'
Moon%s square................................................................................................22
Planetary hours...................................................................................................2(
Creatin a sinature o) the spirit........................................................................25
First contact *ith the spirit.................................................................................2$
+hen planetary hours are needed .....................................................................('
Sacred Cha"#er ,itual.......................................................................................('
Maician%s na"e ................................................................................................(&
Meanin #ehind the na"e .............................................................................(&
-i.in the li)e ...............................................................................................(&
/ou are *ho you #elie.e you are ..................................................................(&
0o* to o#tain your Maic!al na"e .............................................................(2
Si"ple "ethod o) sel)1in.ocation .................................................................(2
2eneral 3stro Maic! ritual ..............................................................................((
4lac! "irror creation..........................................................................................(5
+hat is a #lac! "irror...................................................................................(5
+hat do I need to create "y o*n #lac! "irror5...........................................(5
3lternati.es....................................................................................................(5
3nother alternati.e is the Caliostro%s "irror6..............................................(6
Fluid condenser..............................................................................................(6
Charin the #lac! "irror..................................................................................(6
(
First scryin e.ocation6 3nael............................................................................(7
+ho is 3nael..................................................................................................(7
First scryin e.ocation...................................................................................(7
7.ocation o) a speci)ic spirit into the "irror .....................................................(8
8
Introduction
3stro Maic! is a #eauti)ul "edie.al9renaissance art: usin si"ple
astroloy as its set o) correspondences and sy"#olis". Many #eauti)ul
talis"ans: a"ulets and Maic! squares ha.e spa*n )ro" this art: un)ortunately
the *ay o) the creation o) these is nearly )orotten.
-et "e #rea! one "ore oath o) silence: let "e once aain spea! out
loud: let "e tell you ho* those talis"ans and squares *ere created: let "e share
and teach essentials o) 3stro Maic!. 7ssentials you "iht !no* )ro" printed
ta#les #ut you ne.er !ne* ho* to create the" on your o*n. -et "e tell you
*hy the nu"#er o) Saturn is &5: let "e tell you ho* to calculate it and ho* to
calculate the *hole square. ;his is the essence o) 3stro Maic!.
5
Image 1: Heptagon
Planets
;here are 7 planets in 3stro Maic!: these are planets o) a so called
Chaldean sequence. +e *ill learn "ore a#out this sequence later: )or no* let%s
tal! a#out #asic area o) in)luence o) these planets.
Moon
First planet *e *ill spea! a#out is Moon: also called -una. -una is
co""only associated *ith Mother 2oddess in paanis" and re)erences a
"otherly lo.e and e.erythin )e"inine. Moon Maic! is related to )ertility:
protection and di.ination. Metal o) the Moon is sil.er: color is *hite.
Mars
Mars is the od o) *ar: sy"#ol o) "asculinity: o) challenes and o)
.ictory. Mars Maic! is a co"#at Maic!: Maic! to attac! and conquer:
Maic! to hurt and *ound #ut in ter"s o) o))ense #ein the #est de)ense it is
also a Maic! o) protection. Metal o) Mars is iron: rese"#lin *eapons )ro"
iron or steel: color is red.
Mercury
Mercury: the "essener o) 2od: the )astest o) the": Mercury is a
"aster o) co""unication and o) in)or"ation: Maic! o) Mercury is )or
channelin and in)or"ation atherin: occult sy"#ols are also considered as
Mercurial )or their in)or"ation .alue: )or that reason Mercury can also #e used
)or di.ination: drea" recall: "e"ory i"pro.e"ent: anythin associated *ith
the "ental sphere. Mercury is a hy#rid so it contains all colors o) the rain#o*.
Jupiter
Jupiter: the ruler o) ods. Jupiterian Maic! is associated *ith *ealth:
riches: ain: cooperation: si"ply *ith #usiness. Jupiter%s "etal is tin: its color is
#lue.
Venus
Venus is associated *ith )e"ininity: #eauty: relationships <#oth
6
)riendly and inti"ate=: lo.e: se>uality. Metal o) Venus is copper: color is reen.
Saturn
Saturn is ;he Jude: he ends thins *hether they are ood and #ad:
usually #y introducin the opposite to the process. 0e is .ery ?ud"ental and
doesn%t hold any sides: his solely purpose is to #rin ?ustice. Saturnian Maic!
is .ery po*er)ul #ut also .ery danerous: a Maician should thin! t*ice #e)ore
usin Saturnian )orces: #e al*ays sure that in the end you are really not part o)
the pro#le" a)ter all #e)ore you try to call Saturn to sol.e it: the solution could
#e your punish"ent. Metal o) Saturn is lead: color is #lac!.
Sun
Sun is ;he Father: it is associated *ith authority: pride: success: #ut not
*ith spoon1)eedin as in case o) the Moon. Motherly lo.e is *ithout e>ceptions
#ut )atherly )iure e>pects so"ethin in return. Sun Maic! can teach you ho*
to sol.e your o*n pro#le"s instead o) #lindly o.er1protectin you: i.in you
the hihest i)ts o) all: the e>perience. Color o) Sun is yello* or orane: "etal
is old.
Planetary days
;here are 7 planets and 7 days in the *ee!: each planet is associated
*ith one day. It is i"portant to "e"ori@e this association so later *e can deri.e
the Chaldean sequence )ro" it. Chaldean sequence is crucial )or calculatin
planets% nu"#ers and Maic! squares. /ou could consider this "e"ori@ation as
a hard one: #ut you *ill see that *ith a )ollo*in cheat it%s a piece o) ca!e.
-et%s start *ith Monday: Monday <Moon%s day= is associated *ith a
Moon: )ro" no* on you *ill !no* this so there is no need )or re"e"#erin.
Ae>t one is Friday. Bsually durin Friday nihts younsters are oin outside to
ha.e )un: Friday <Freya%s day= is associated *ith Venus. Saturday <Saturn%s day=
is associated *ith Saturn and Sunday is associated *ith Sun. Ao* only three
days are "issin.
+ednesday is in the "iddle o) the *or! *ee!: that%s *hy it is
associated *ith Mercury: the one in the "iddle. Mercury has #oth "ale and
)e"ale qualities and is associated *ith all colors o) rain#o*: that%s *hy he is in
the "iddle: that%s *hy he is associated *ith +ednesday.
7
I don%t ha.e any hac!s )or )ollo*in days: at least not *ithout the prior
!no*lede o) Aorse "ytholoy: so ?ust re"e"#er that ;uesday #elons to Mars
and ;hursday is the day o) Jupiter: these are #asically only t*o planetary days
you really ha.e to re"e"#er.
Day Planet
Monday Moon
;uesday Mars
+ednesday Mercury
;hursday Jupiter
Friday Venus
Saturday Saturn
Sunday Sun
Table 1: Planetary days
Chaldean sequence
+e ha.e already tal!ed a#out #asic "eanins o) planets in 3stro
Maic! and also their relation to the days. Planetary days are a *ay that
Scandina.ians: 2er"ans and Celts used: )or so"e strane reason it is also a
*ay ho* to deri.e the Chaldean sequence: the sequence o) planets in the order
as used #y Chaldeans: Chaldean Maic! is currently considered one o) the
oldest 3stro Maic!al concepts in the *orld. Chaldean sequence *ill allo* us
to ain planetary nu"#ers and recreate Maic! squares. ;his *ay you *ill )ind
out that these are not ?ust rando" nu"#ers: #ut they indeed do ha.e their
"eanins. 4ut #e)ore that happens: *e need the sequence.
;o ain the Chaldean sequence: *e *ill dra* a heptara" <star *ith 7
points= and on each point *e *ill place one planet. +e *ill start *ith Moon on
the top: then *e *ill )ollo* the line to the riht and there *e *ill place the ne>t
planet: Mars. ;hen *e *ill aain )ollo* the lines and place there Mercury:
Jupiter... si"ply the rest o) planets in the *ee!%s order. ;hen i) *e o in the
cloc!*ise circle around the heptara" <not )ollo*in the lines: #ut )ollo*in
the circle=: *e *ill et the Chaldean sequence.
8
I) *e started )ro" Moon: then Chaldean sequence is Moon, Saturn,
Jupiter, Mars, Sun, Venus and Mercury. I) *e started )ro" Saturn <*hich
*e *ill ha.e to do any*ay=: it *ould #e Saturn, Jupiter, Mars, Sun, Venus,
Mercury, Moon. Startin )ro" Saturn is i"portant )or deri.in a nu"#er o)
ro*s and colu"ns )or Maic! squares and their associated Maic! nu"#ers.
First Magick number
7ach planet has ( Maic! nu"#ers. First Maic! nu"#er is the
nu"#er o) ro*s and colu"ns a Maic! square has to ha.e: "ini"u" nu"#er is
( <you cannot "a!e a Maic! square *ith 2 ro*s and colu"ns=. So startin
*ith Saturn: Maic! nu"#ers are as )ollo*s6
$
Image 2: Heptagram with Chaldean sequence
Planet First number
Saturn (
Jupiter 8
Mars 5
Sun 6
Venus 7
Mercury 8
Moon $
Table 2: First planetary Magic numbers
3s *e ha.e said: *e need the )irst Maic! nu"#er to )ind out ho*
"any colu"ns and ro*s should the planetary square ha.e. So the Saturn square
has ( colu"ns and ( ro*s: Jupiter square has 8 ro*s and 8 colu"ns: etc.
Maic square is a square *here each line: colu"n or diaonal line
contains nu"#ers *hich su" is sa"e )or all lines: colu"ns and diaonal lines:
this su" is another Maic! nu"#er o) the planet: "ore a#out it later.
Saturn's Magick square
For the )irst square *e *ill use a Sia"ese "ethod o) creation. Sia"ese
"ethod is ood )or e.ery odd nu"#ered square <*ith odd nu"#er o) colu"ns
and ro*s=. 7.en nu"#ered squares are a #it harder to create: #ut nothin *e
could not do.
;he Sia"ese "ethod is to start in the top "iddle cell <top ro*: cell in
the "iddle= *ith the )irst nu"#er <&=: then you continue oin up and to the
riht: )illin each cell *ith the ne>t nu"#er in the sequence. I) there is no ro*
a#o.e your current ro*: you o to the #otto" ro* and i) there is no colu"ns on
the riht o) your colu"n: you o to the )irst colu"n. I) the ne>t cell in the
sequence is already occupied: you o one ro* do*n.
&'
Creation of the Saturn's Magick Square
&
Table !: First number placed
&
2
Table ": #econd number added
,e"e"#er: *e ha.e to o one up and one to the riht: #ecause there
*as no ro* to "o.e to: *e *ent to the #otto" ro*. For the ne>t nu"#er *e
*ill ha.e to o to the )irst colu"n <the le)t one=: then *e *ill ha.e to o one
ro* do*n #ecause ne>t cell in the sequence is occupied #y nu"#er &. 4y usin
this "ethod *e *ill et a )ollo*in Maic! square6
8 & 6
( 5 7
8 $ 2
Table $: #aturn%s Magic square
Ao* that *e ha.e a )inished Maic! square let%s tal! a#out t*o
re"ainin Maic! nu"#ers. First nu"#er can #e deri.ed #y addin all nu"#ers
in the square toether <$C8C7C6C5C8C(C2C&=: *hich in this case is 45 <second
Maic! nu"#er=. +e *ill et the third and )inal Maic! nu"#er i) *e di.ide
the second nu"#er #y the nu"#er o) ro*s <(=. 85 di.ided #y ( is 15: so in this
case su" o) each ro*: colu"ns or diaonal should #e &5. -et%s try it6
8 C & C 6 D &5
( C 5 C 7 D &5
8 C $ C 2 D &5
&&
;hose *ere the ro*s: no* let%s calculate the colu"ns6
8 C ( C 8 D &5
& C 5 C $ D &5
6 C 7 C 2 D &5
Ao* *e ha.e calculated the ro*s and colu"ns: there is ?ust one thin
le)t to .eri)y our desired outco"e: the su" o) diaonals6
8 C 5 C 2 D &5
8 C 5 C 6 D &5
So our square truly is a Maic! square. 4ut a square you can
traditionally )ind loo!s a #it di))erently. It loo!s li!e this6
8 $ 2
( 5 7
8 & 6
Table &: Traditional Magic square o' #aturn
I) you loo! closely: you *ill )ind out that the traditional square also
uses Sia"ese "ethod: #ut a #it di))erent .ariation: it starts in the #otto" ro*
and then oes one ro* do*n instead o) up )or each iteration. I"portant part is
that the su" o) the *hole square is the second Maic! nu"#er and the su" o)
each ro*: colu"n or diaonal is the third Maic! nu"#er. For each Maic!
square I *ill sho* "y *ay and the traditional .ariation and co"pare the" to
sho* you the di))erences. I) you choose to use "y .ariation or the traditional
one: is up to you.
Calculating the Magickal numbers
3ddin all nu"#ers in the square can #e quite trou#leso"e: so let "e
sho* you a #it )aster *ay.
&2
I) *e "ultiply the nu"#er o) ro*s #y the nu"#er o) colu"ns: *e *ill
et the nu"#er o) cells <e. . ( > ( D $=: that "eans there *ill #e nu"#ers & E $.
I) *e su" the lo*est and hihest nu"#er <&C$=: "ultiply it #y the
count o) nu"#ers in the *hole square <$= and di.ide it #y 2 <al*ays 2=: *e *ill
et the second Maic! nu"#er.
<&C$=F$92 D 85. Ao* all *e need to do is to di.ide #y the nu"#er o)
ro*s to et the third Maic! nu"#er: &5.
Jupiter's square
First Maic! nu"#er o) Jupiter is 4: that "eans there *ill #e &6
nu"#ers. 4y usin our )or"ula <&C&6=F&692 *e can )ind out that second
Maic! nu"#er is 136, di.idin #y 8 <nu"#er o) ro*s= i.es as third Maic!al
nu"#er 34.
Gdd nu"#ered squares are a #it *orse <and easier at the sa"e ti"e=
than e.en nu"#ered squares: Jupiter has an e.en nu"#ered square di.ida#le #y
8: *hich "eans *e can use the palindro"ic "ethod.
First o) all *e *ill prepare t*o squares *ith the sequence o) nu"#ers
<second one *ill #e re.ersed=.
& 2 ( 8
5 6 7 8
$ &' && &2
&( &8 &5 &6
Table (: First table 'or )upiter square
&6 &5 &8 &(
&2 && &' $
8 7 6 5
8 ( 2 &
Table *: +e,ersed table 'or )upiter square
&(
-ow that we ha,e our two tables. it%s time to put them together into the Magic
square. 'or that we need a palindromic pattern. this is called a cross
palindromic square:
& ' ' &
' & & '
' & & '
& ' ' &
Table /: Cross palindromic square
Ao* *e can start "eshin our ta#les toether. +here there is & in the
palindro"e: *e *ill use nu"#er )ro" the )irst ta#le. +here there is ': *e *ill
use nu"#er )ro" the re.ersed ta#le.
& &5 &8 8
&2 6 7 $
8 &' && 5
&( ( 2 &6
Table 10: Finished square o' )upiter
Su" o) each ro*: colu"ns or diaonal should #e (8: let%s chec! it6
&C&5C&8C8D(8
&2C6C7C$D(8
8C&'C&&C5D(8
&(C(C2C&6D(8
Colu"ns6
&C&2C8C&(D(8
&5C6C&'C(D(8
&8C7C&&C2D(8
8C$C5C&6D(8
&8
Hiaonals6
&C6C&&C&6D(8
&(C&'C7C8D(8
3s you can see: this "ethod *ords nicely <all "ethods I a" oin to
sho* you *or! as intended=.
8 &8 &5 &
$ 7 6 &2
5 && &' 8
&6 2 ( &(
Table 11: Traditional )upiter%s square
;raditional square is once aain di))erent. /ou can see that the sa"e
palindro"ic "ethod *as used: ?ust the )irst square started )ro" the riht and not
)ro" the le)t as in "y case: this chane a))ected the re.ersed square as *ell.
Mars' square
First nu"#er6 5
Second nu"#er6 325
;hird nu"#er6 65
Bsin Sia"ese "ethod6
&7 28 & 8 &5
2( 5 7 &8 &6
8 6 &( 2' 22
&' &2 &$ 2& (
&& &8 25 2 $
Table 12: Mars% Magic square
&5
&& 28 7 2' (
8 &2 25 8 &6
&7 5 &( 2& $
&' &8 & &8 22
2( 6 &$ 2 &5
Table 1!: Traditional square o' Mars
In the traditional square o) Mars a Sia"ese "ethod is still used: #ut
no* *e are startin at the second ro* )ro" the #otto": oin do*n and riht as
in case o) traditional square )or Saturn and each ti"e *e )ind )illed cell: *e o
2 cells do*n instead o) &.
Sun's Magick square
First nu"#er6 6
Second nu"#er6 <&C(6=F(692 D 666
;hird nu"#er6 111
Ao*: *e cannot use the palindro"e "ethod #ecause 6 is not di.ida#le
#y 8. +e can cheat and turn our e.en nu"#ered square into odd nu"#ered #y
the -BI "ethod. Ao* I a" not oin to e>plain the *hole "ethod #ecause *e
don%t need it )or this #oo!: let%s ?ust ta!e a loo! at the )ollo*in cheat1sheet
ta#le6
- - -
- B -
B - B
Table 1": 123 table cheat4sheet 'or #un%s square
/ou can notice the ta#le contains letters - and B and has ( ro*s and (
colu"ns. It contains t*o lines o) - and one line o) B: *ith t*o "iddle cells
#ein s*itched in second and third ro*.
7ach letter represents 8 nu"#ers: the *ay ho* to *rite do*n these
&6
nu"#ers is as )ollo*s6
I) the letter is -: you start )irst nu"#er in the upper riht corner: second
oes to the lo*er le)t corner: third oes to the lo*er riht corner and the last
one oes to the upper le)t corner: this "a!es a pattern that partially rese"#les
the - letter.
I) the letter is B: you start in the upper le)t corner: then you o to the
lo*er le)t corner: then lo*er riht corner and )inally upper riht corner. ;his
pattern )ully rese"#les the B letter.
;o si"pli)y the understand o) the -BI "ethod: here is a raphical
depiction )or si"ple understandin6
Ao* that our ta#le is trans)or"ed into odd ta#le: *e can use the
Sia"ese "ethod6
&7
Image !: 123 method
8 &
2 (
Table 1$: #iamese method. 'irst step 'or #un%s square
8 &
2 (
5 8
6 7
Table 1&: #iamese method: #econd step 'or the #un%s square
!2 2/ " 1 2" 21
!0 !1 2 ! 22 2!
12 / 1( 20 2* 2$
10 11 1* 1/ 2& 2(
1! 1& !& !! $ *
1" 1$ !" !$ & (
Table 1(: Finished #un%s square using #iamese and 123 methods
Su" o) each ro*: colu"n or diaonal is &&&: *hich "eans this is a
Maic! square.
&8
6 (2 ( (8 (5 &
7 && 27 28 8 ('
&$ &8 &6 &5 2( 28
&8 2' 22 2& &7 &(
25 2$ &' $ 26 &2
(6 5 (( 8 2 (&
Table 1*: Traditional square o' #un
/ou can see that "y square and the traditional square are co"pletely
di))erent. ;hey #oth are Maic! squares o) Sun: it%s ?ust that I still *asn%t a#le to
)iure out *hat "ethod *as used to calculate this square: it%s the only square
*here I don%t ha.e any clue: sorry )or the incon.enience.
Venus' square
First nu"#er6
Second nu"#er6 1225
;hird nu"#er6 15
(' ($ 88 & &' &$ 28
(8 87 7 $ &8 27 2$
86 6 8 &7 26 (5 (7
5 &8 &6 25 (8 (6 85
&( &5 28 (( 82 88 8
2& 2( (2 8& 8( ( &2
22 (& 8' 8$ 2 && 2'
Table 1/: 5enus% square created by #iamese method
&$
22 87 &6 8& &' (5 8
5 2( 88 &7 82 && 2$
(' 6 28 8$ &8 (6 &2
&( (& 7 25 8( &$ (7
(8 &8 (2 & 26 88 2'
2& ($ 8 (( 2 27 85
86 &5 8' $ (8 ( 28
Table 20: Traditional 5enus% square created with a ,ariation o' #iamese method
Mercury's square
First nu"#er6 !
Second nu"#er6 2"!"
;hird nu"#er6 26"
& & ' ' ' ' & &
& & ' ' ' ' & &
' ' & & & & ' '
' ' & & & & ' '
' ' & & & & ' '
' ' & & & & ' '
& & ' ' ' ' & &
& & ' ' ' ' & &
Table 21: Palindromic table 'or Mercury
2'
& 2 62 6& 6' 5$ 7 8
$ &' 58 5( 52 5& &5 &6
88 87 &$ 2' 2& 22 82 8&
8' ($ 27 28 2$ (' (8 ((
(2 (& (5 (6 (7 (8 26 25
28 2( 8( 88 85 86 &8 &7
8$ 5' &8 &( &2 && 55 56
57 58 6 5 8 ( 6( 68
Table 22: Finished square o' Mercury
8 58 5$ 5 8 62 6( &
8$ &5 &8 52 5( && &' 56
8& 2( 22 88 85 &$ &8 88
(2 (8 (5 2$ 28 (8 ($ 25
8' 26 27 (7 (6 (' (& ((
&7 87 86 2' 2& 8( 82 28
$ 55 58 &2 &( 5& 5' &6
68 2 ( 6& 6' 6 7 57
Table 2!: Traditional square o' Mercury
/ou can notice that the author o) the oriinal square once aain started
in the top riht corner and *rote to the le)t: instead o) startin in the le)t upper
corner and oin to the riht: #ut there is another strane thin: so"e nu"#ers
do not "atch. ;he reason is that the author has also used a di))erent palindro"e.
/ou can use any palindro"ic trans)or"ation ta#le and the result *ill still #e a
Maic! square: ?ust )or a co"pletion reason: here is a palindro"e used #y the
oriinal author6
2&
& ' ' & & ' ' &
' & & ' ' & & '
' & & ' ' & & '
& ' ' & & ' ' &
& ' ' & & ' ' &
' & & ' ' & & '
' & & ' ' & & '
& ' ' & & ' ' &
Table 2": 6riginal palindromic table 'or Mercury%s Magic square
So: *hy did the author used this palindro"e instead o) the one I a"
usin5 Mine is easier: riht5 Aot really: our author *as pro#a#ly too
co")orta#le: so he ?ust used Jupiter%s palindro"ic ta#le 8 ti"es li!e a tile: i) you
ta!e closer loo!: you *ill see this6
Jupiter
Palindro"e
Jupiter
Palindro"e
Jupiter
Palindro"e
Jupiter
Palindro"e
Table 2$: )upiter%s palindrome tiled into Mercury%s palindrome
Moon's square
First nu"#er6 #
Second nu"#er6 3321
;hird nu"#er6 36#
So: *e ha.e )inally ot to the last square: )ortunately it *ill #e quic!:
a)ter all it%s the odd nu"#ered square and *e already !no* that )or the odd
nu"#ered squares there is the Sia"ese "ethod.
22
87 58 6$ 8' & &2 2( (8 85
57 68 7$ $ && 22 (( 88 86
67 78 8 &' 2& (2 8( 58 56
77 7 &8 2' (& 82 5( 55 66
6 &7 &$ (' 8& 52 6( 65 76
&6 27 2$ 8' 5& 62 68 75 5
26 28 ($ 5' 6& 72 78 8 &5
(6 (8 8$ 6' 7& 7( ( &8 25
(7 88 5$ 7' 8& 2 &( 28 (5
Table 2&: Moon%s square: #iamese method
(7 78 2$ 7' 2& 62 &( 58 5
6 (8 7$ (' 7& 22 6( &8 86
87 7 ($ 8' (& 72 2( 55 &5
&6 88 8 8' 8& (2 68 28 56
57 &7 8$ $ 8& 7( (( 65 25
26 58 &8 5' & 82 78 (8 66
67 27 5$ &' 5& 2 8( 75 (5
(6 68 &$ 6' && 52 ( 88 76
77 28 6$ 2' 6& &2 5( 8 85
Table 2(: Traditional square o' Moon: #iamese method. a bit di''erent rules
Planetary hours
So"e 3stro Maicians use planetary hours )or the planet related *or!.
Gnce aain "ost o) the" don%t !no* ho* the deri.e the planetary hours ta#le:
stealin a ri"oire )ro" such a person is li!e stealin all the Maic! )ro"
the": so let%s ta!e a loo! ho* to deri.e the ta#le.
7ach day has &2 day hours and &2 niht hours: each day starts *ith the
)irst hour #ein the hour o) the day <e.. Moon on Monday=: the rest o) the
2(
hours o)&&'& the day are ?ust the Chaldean sequence: so e.. the second daily
hour o) Monday *ill #e Saturn: etc.
$our Monday %uesday &ednes
day
%'ursd
ay
Friday Saturda
y
Sunday
1 Moon Mars Mercury Jupiter Venus Saturn Sun
2 Saturn Sun Moon Mars Mercury Jupiter Venus
( Jupiter Venus Saturn Sun Moon Mars Mercury
8 Mars Mercury Jupiter Venus Saturn Sun Moon
5 Sun Moon Mars Mercury Jupiter Venus Saturn
6 Venus Saturn Sun Moon Mars Mercury Jupiter
7 Mercury Jupiter Venus Saturn Sun Moon Mars
8 Moon Mars Mercury Jupiter Venus Saturn Sun
$ Saturn Sun Moon Mars Mercury Jupiter Venus
&' Jupiter Venus Saturn Sun Moon Mars Mercury
&8& Mars Mercury Jupiter Venus Saturn Sun Moon
&2 Sun Moon Mars Mercury Jupiter Venus Saturn
1(ni)'t* Venus Saturn Sun Moon Mars Mercury Jupiter
2 Mercury Jupiter Venus Saturn Sun Moon Mars
( Moon Mars Mercury Jupiter Venus Saturn Sun
8 Saturn Sun Moon Mars Mercury Jupiter Venus
5 Jupiter Venus Saturn Sun Moon Mars Mercury
6 Mars Mercury Jupiter Venus Saturn Sun Moon
7 Sun Moon Mars Mercury Jupiter Venus Saturn
8 Venus Saturn Sun Moon Mars Mercury Jupiter
$ Mercury Jupiter Venus Saturn Sun Moon Mars
&' Moon Mars Mercury Jupiter Venus Saturn Sun
&& Saturn Sun Moon Mars Mercury Jupiter Venus
&2 Jupiter Venus Saturn Sun Moon Mars Mercury
Table 2*: Planetary hours
28
Co""on *or! *ith planetary hours is as )ollo*s: )irst planetary hour
starts *ith the sunrise and last ends *ith the sunset. Aiht hours are )ro" the
sunset to sunrise.
Ao* let%s say that sunrise starts at 76&' 3M and sunset is at 56&' PM.
;hat "eans the day is &' hours lon. So i) *e ta!e the nu"#er o) hours o) the
day: "ultiply it #y 6' to et the a"ount o) "inutes: then *e can di.ide it #y &2
to )ind out ho* lon one planetary hour is. &'F6' is 6'': di.ision #y &2 i.es
us result 5': that "eans each planetary hour o) the day is 5' "inutes lon. So
on Monday )irst planetary hour <Moon= starts at 76&' and ends at 86'': second
starts at 86'' and ends at 865': etc. Ao* )or the niht hours: niht *ill #e loner
<&8= hours: *hich *ill i.e us 7' "inutes )or each hour.
So"e people pre)er a si"ple syste" o) calculation: *here )irst hour
starts at 6 3M and last hour o) the day ends at 6 PM: no "atter *hat e>ternal
conditions are. ;hat "eans that niht hours *ould #e )ro" 6 PM to 6 3M.
I personally pre)er not to count *ith planetary hours. I) I need an e>tra
punch: I *ill do the #iddin durin the sunrise: *hen the planet o) the day is
"ost in)luential.
Creating a signature of the spirit.
;o create a sinature o) a spirit: you )irstly ha.e to trans)or" letters o)
its na"e into nu"#ers. ;his is usual in 0e#re*: #ut *hy to put 0e#re* *here
0e#re* isn%t5
1 2 3 4 5 6 ! #
3 4 C H 7 F 2 0 I
J J - M A G P K ,
S ; B V + I / L
Table 2/: 1etter trans'ormation table
+e can use the ta#le a#o.e to trans)or" the na"e o) a spirit into a
sequence o) nu"#ers. -et%s use Pos"iol: "y e>a"ple )ro" pre.ious #oo!
na"ed Maic!al #oo!. Pos"iol *as a Venusian spirit suited )or searchin )or
25
lon lost )riends. +e *ill use the ta#le a#o.e to translate Pos"iol%s na"e into
nu"#ers and then *e *ill use the Venus square to ain the sinature <this is a
"ethod used #y 3rippa=.
Pos"iol <PD7:GD6:SD&:MD8:ID$:GD6:-D(=. 4y usin the ta#le a#o.e
*e ot a )ollo*in sequence o) nu"#ers )or Pos"iol6 7:6:&:8:$:6:(.
Pos"iol *as depicted as a Venusian spirit: so *e *ill use the square o)
Venus )or the sinature. +e *ill start *ith a circle at nu"#er 7: then *e *ill
dra* a line to nu"#er 6: )ro" 6 to & and this *ay *e *ill continue up to
nu"#er ( *here *e *ill "a!e the endin dash: this is a "ethod standardly used
#y 3rippa and "any others.
;here are o) course "ore *ays ho* to trans)or" letters into nu"#ers:
oin )ro" si"ple 3D&: 4D2: up to the .arious 7nlish .ersions o) 0e#re*
2e"atria: a .ery si"ple .ersion o) 7nlish 2e"atria can #e o#tained e.. )ro"
this "ethod6
26
Image ": Posmiol signature 'rom 5enus square
+etter Value
3 &
4 2
C (
H 8
7 5
F 6
2 7
0 8
I $
J &'
J 2'
- ('
M 8'
A 5'
G 6'
P 7'
K 8'
, $'
S &''
; 2''
B (''
V 8''
+ 5''
I 6''
/ 7''
L 8''
Table !0: #imple 7nglish 8ematria
27
In case you use this ta#le and you run into nu"#ers too #i )or a
square you are *or!in *ith: si"ply reduce @eros in the nu"#er: till it "atches.
So 8'' #eco"es 8' and i) it is still not enouh: then it #eco"es 8.
I) *e used this ta#le )or our sinature o) Pos"iol: it *ould loo! li!e
this6
PD7':GD6':SD&'':MD8':ID$:GD6':-D('.
2reatest nu"#er in the Venus square is 8$: so *e ha.e to shorten all
nu"#ers reater than 8$6
PD7:GD6:SD&':MD8':ID$:GD6:-D('.
9uic note about the gematric table: 3s I ha.e said: the idea
oriinally co"es )ro" 0e#re* and there are "any .ersions o) 2e"atria )or
7nlish: one I a" usin is the "ost si"ilar to the nu"eroloy ta#le *e used
#e)ore. Aotice that i) you o"it all @eros: then nu"#ers "atch #et*een the
28
Image $: Posmiol%s signature: second ,ersion
2e"atria and the oriinal nu"eroloy ta#le: other syste"s are #ased on
orderin the alpha#et #ased on the 0e#re* and then associate *ith the nu"#ers
as *e did in our ta#le: it loo!s "ore 0e#re*: #ut less loical )or -atin alpha#et.
First contact with the spirit
So: *e ha.e our pantacle: there is a sinature o) the spirit on the )ront
side and a Maic! square on #ac! <*e can use a paper and cut out the sinature
#e)ore dra*in the square on the other side=.
&. Position the pantacle .ertically at the heiht o) your eyes <you
can strap it on the *all=: the sinature should #e )acin you.
2. Sit co")orta#ly )e* )eet )ro" the pantacle: a@in at it. Hurin
this process you should #e a#le to clear your "ind o) any side thouhts. Si"ply
i) so"e thouht appears: ?ust ad"it its e>istence and reain )ocus on the
sinature.
(. 3)ter 2' "inutes o) doin so: close your eyes and passi.ely
o#ser.e *hat co"es in: do so )or 2' "inutes: then *rite do*n your notes and
repeat the *hole process one "ore ti"e.
Hurin this process you *ill et a lot o) use)ul insihts reardin the
spirit and *or!in *ith it. /ou can also )ind out *hether the spirit *ants to
"a!e contact *ith you or not <a .ision o) an o#stacle "iht appear=. I) you do
this e>ercise *ith one and the sa"e spirit e.ery day )or one *ee!: you *ill
notice your .isions are "ore .i.id and "ore descripti.e e.ery day you do so:
that%s the sin o) #einnin "ore accusto"ed to the said entity. It can also
happen that this spirit *ill i.e you a ne* sinature )or you to use: i) that%s the
case then dra* the ne* sinature as soon as you can and use it )ro" no* on to
contact the spirit.
2$
When planetary hours are needed
+e ha.e already said that I a" not a #i )an o) planetary hours: the
Maic! itsel) is "uch stroner *hen *e per)or" it at the sunrise on the day o) a
selected planet: so *hat are hours ood )or5
;here are ti"es *hen you cannot a))ord to *ait )or a speci)ic day:
there "iht #e so"e illness: health issues: danerous situations: and you ha.e to
deal *ith the" as soon as possi#le. In that case *aitin )or 7 hours is still #ad:
#ut not as #ad as *aitin a )ull *ee! as you *ould ha.e to do in the case o)
planetary days.
It is also ood to "ention *hen to use the calculation o) hours #ased
on sunrise and sunset and *hen to stic! *ith the 63M to 6PM scenario.
Sunrise to sunset *ill al*ays pac! "ore po*er: #ut there are ti"es
*hen *e si"ply don%t !no*: *e don%t ha.e ti"e to loo! )or the in)or"ation:
*hen *e do not ha.e a suita#le equip"ent )or it. +hen that%s the case: then *e
are )ree to stic! *ith the 63M to 6PM. Gr *e ca si"ply al*ays use it: there)ore
acco""odatin to this "ethod #etter and earnin a stroner punch )or your use
than *hen s*itchin #et*een these t*o "ethods.
Sacred Chamer !itual
&. Stand still and ta!e )e* deep #reaths. Visuali@e a#out &)t *ide or# o)
*hite liht a#out & or 2 )eet a#o.e your head.
2. Point at the or# *ith your inde> )iner and say6 MCro*n a#o.e "y head:
JetherM.
(. Visuali@e a ray o) the *hite liht descendin throuh your #ody do*n to
the core o) 7arth *hile uidin it *ith your inde> )iner.
8. Say6 MJindo" under "y )eet: Mal!uthM.
5. Gpen your ar"s li!e you are *elco"in so"eone and durin openin
your ar"s: .isuali@e the ray o) the liht #eco"in thic!er and thic!er till
it co.ers the *hole roo" or space around you. Hurin this say M;hrouh
the *orldsM.
6. +hen you are )inished: standin *ith your hands *ide open: say M4ac!
to the 3da" Jad"onM.
('
Magician's name
Many o) you "iht ha.e heard a#out a Maician%s na"e or Maic!al
na"e. Is it so"ethin i"portant5 +hat does it really "ean5
Meaning behind the name
;here is this old #elie) that i) *e !no* the real na"e o) so"e entity:
*e can control it. ;here are "any "yths co"in )ro" 7ypt *here people
)ound real na"e o) their deities and )orced these deities to i.e the"
i""ortality: so in that case a !no*lede o) the na"e "eant po*er.
4ut *hat *ould #e the use o) one%s Maic!al na"e5 Maic!al na"e is
the na"e o) the 0iher Sel): that part o) you responsi#le )or Maic!. Jno*in
the na"e o) your 0iher Sel) re)ers to the a#ility to control the 0S. 4ut it also
has a "uch "ore pra"atic use.
Living the life
+e are hu"ans *ith all ad.antaes and disad.antaes o) #ein such
*ay. So"eti"es *e lie: so"eti"es *e don%t e.en !no* *hat *e *ant: "ost o)
the ti"e *e ha.e to do thins *e hate. Most o) the ti"e *e are short1sihted
a#out our *ishes.
;ry to thin!: *hat *ould happen i) anythin *e *ished )or *ould
instantly "ani)est5 Indi.idual thins *ould #e reat: #ut "ost o) the ti"e the
result *ould turn aainst us. For this reason *e need a split #et*een "undane
and "etaphysical: "aterial and spiritual: li)e and Maic!.
Bsin the Maician%s na"e allo*s us to "a!e a split #et*een the t*o:
i.in us a #etter a#ility to control *hether *e *ish to use Maic! or not. 4ut
there are also "ore ad.antaes
ou are !ho you believe you are
Maic!al na"e isn%t ?ust the sy"#ol *ithout "eanin. ;he na"e re)ers
to ;he Maician. ;he Maician is a person *ho !no*s Maic!: *ho li.es it.
Maician *ill al*ays !no* *hat to do: Maician *ill ne.er panic: Maician
*ill ne.er lose the control. Aa"e o) the 0S leads to the 0S and )or that can #e
(&
used )or a sort o) a sel)9in.ocation. Hurin sel)9in.ocation you te"porarily
o#tain qualities o) your ideal Maic!al Sel). ;his includes unhu"an
concentration: clear "ind: cal" reactions: a"a@in i"aination: increased
a#ility to .isuali@e and also "uch #etter spiritual authority <in ter"s o)
e.ocations=.
"o! to obtain your Magickal name
/ou can al*ays try so"e order clai"in they *ill re.eal your
Maic!al na"e: #ut *ell: it%s hard to )ind authenticity in the "odern *orld. So
you can al*ays scry /our na"e )or yoursel). Heep "editation: a))ir"ations
#e)ore drea"s or e.en auto"atic *ritin can help you re.eal your na"e. /ou
can also use the "ethod used )or creatin ne* *ords in Guranian 4ar#arian:
scra##les.
Simple method of self#invocation
-et%s say you ha.e already scried your Maic!al na"e and you are
preparin )or a ritual. 3)ter the Sacred Cha"#er ,itual you are ready to o )or a
sel)9in.ocation: s*itchin )ro" your "undane to your Maic!al Sel). Close
your eyes and repeat )ollo*in *ords <acco"panied *ith the #est .isuali@ation
you are a#le o)=6
It%s the time 'or a switch. there is no need 'or a human in this operation.
man%s heart :ust stands in the path. animal mind :ust drags me away; It%s
the time to die and it%s the time to be reborn;
I wal the path in the shadows o' the ,alley o' dead; There is no grass.
there is no li'e; How dar and silent is this place;
I wal the path that leads to :ust one place;;; #ound o' my steps gets
thicer and thicer as I approach the <byss; =ith each step my
uncertainty raises. with each steps my heart cries more and more;
Choron>on sits on the edge o' the <byss. his red 'laming eyes shine to
the darness that is holding my heart; He smiles. his maniacal laugh
means he was waiting 'or me 'or this whole time; My heart nearly stops
as I am getting closer;
There is another pair o' eyes watching me. right behind the <byss. eyes
(2
that are clean. without any emotion. with a lac o' sympathy. these are
not eyes o' the human; I now the being staring at me. I tremble in 'ear
o' His power. I tremble in 'ear o' His nowledge; Choron>on is :ust a
shade. personi'ication o' <byss; -othing is real. :ust Him;
<s I stand on the edge. right ne?t to the Choron>on. I 'eel no 'ear o' the
demon. I am still staring at the eyes o' Him. the per'ection o' me. @your
Magickal name here];
)ust one more step and the 'all; It 'eels lie I am 'alling 'or eternity. as i'
there ne,er was any beginning. as i' there is no end o' this madness; I
eep 'alling and 'alling down the deep blac hole. ,oices and screams
dea'ening my ears. there is nothing to see. only the sense o' 'alling and
the tongue o' insanity to be heard;
Then I stand on the edge o' the <byss. I returned bac. as someone else;
Those distant memories o' being a human are tasteless. there is no
emotion needed to now. there is no real li'e in the illusion; I am not a
human. anymore;
#pirits o' 1ight and spirits o' Aarness. hear my ,oice and do as I say;
Come here to this place and do my =ill; I possess the powers o' 1i'e and
o' Aeath. I control winds and 'ire. I am the beginning and I am the
ending. e,erything that comes to this world comes through me; I; <m;
[your Magickal name here];
;here are "ore *ays o) achie.in the state o) "ind you *ill ha.e a)ter
this operation: you "iht also *ant to "odi)y this incantation a little #it. Feel
)ree to do so and en?oy its e))ects.
"eneral #stro Magick ritual
For a eneral ritual you *ill need a couple o) chairs <or a #ench=:
planetary square and )e* candles.
&. place the chairs #ehind your #ac!: these are "eant )or .isitin spirits. no
"atter *hat you hear or see durin the ritual: don%t turn #ac!: these
chairs "ust #e #ehind you the *hole ti"e.
2. place the planetary square in the )ront o) you so you can see it the *hole
ti"e.
((
(. -iht all the candle you *ant to use )or the en.iron"ent lihtin e>cept
one: place the unused candle riht ne>t to the square.
8. Ho the Sacred Cha"#er ritual <pae ('= and sel)1in.ocation <pae (2=
*e ha.e "entioned #e)ore: then use your hand to dra* a circle around
your *or!place <and around the chairs: as *ell=: turn cloc!*ise durin
the dra*in i) you li.e on northern he"isphere: counter1cloc!*ise i)
you li.e on southern he"isphere: a)ter returnin to the initial position
*hen closin the circle you are not allo*ed to turn #ac! any"ore. you
can also *al! around the circle a couple o) ti"es instead o) usin your
hand )or the dra*in.
5. ,ela>: #reathe deeply and a@e at the square: e>perience the po*er o)
the "o"ent.
6. 3)ter a couple o) "inutes say6 MSpirits o) ,planet name-: I ,your
Ma)ic.al name-: su""on you to this place: #e "y uests and ta!e a
seat: #e "y audience )or this ritual. Spirits o) ,planet name-: I su""on
you: co"e here and do "y #iddin.M
7. -iht the last re"ainin candle: this *ill represent the presence o)
spirits.
8. Gnce aain ta!e a #rea! and rela>: )eel the at"osphere: close your eyes
i) you *ill: di.e into the "o"ent: )eel as the air ets thic!er: don%t loo!
#ac! at any cost: let your ner.ousness to #uild up.
$. Spea! to the spirits you ha.e su""oned: tell the" your de"ands: tell
the" *hat you *ant )ro" the" and *hat they are supposed to do.
&'. Ma!e a pause aain: ?ust li!e #e)ore )eel the "o"ent. 3)ter that you are
ready )or the license to depart.
&&. MSpirits o) ,planet-: than! you )or participatin in this ritual. Ao* you
can return to your places: #rin no har" to "e or those I lo.e and do "y
#iddin the *ay I requested. I: ,your Ma)ic.al name-: a" releasin
you: you can o.M
&2. Put o)) the candle representin the spirits: no* the ritual is )inished and
you are )ree to turn around aain.
(8
$lack mirror creation
$hat is a black mirror
4lac! "irror is a di.ination tool used )or scryin. It can #e used )or
tellin )uture: seein past: distant places: per)or"in in.ocations and
e.ocations: distant healin or reality "anipulation.
May#e the )irst scryin "irror used *as the sur)ace o) a runnin *ater
<e.. a ri.er=. -ater a #lac! #o*l )illed *ith *ater *as used: #lac! re)lecti.e
sur)ace "a>i"i@in the e))ecti.eness o) the "irror.
+ater *as later replaced *ith a lass: *hich *as called a solid *ater
and "any people #elie.ed it has the sa"e spiritual qualities as the *ater.
$hat do % need to create my o!n black mirror&
picture )ra"e <round ones loo! #etter #ut it really doesn%t "atter=
#lac! "at spray paint
&. ,e"o.e the lass )ro" the picture )ra"e and spray paint it #lac! on one
side. Ma!e sure the sur)ace o) the paint is reular and there are no *ea!
spots: it "ust #e consistent.
2. 3)ter the paint dried: return the lass #ac! to the )ra"e: painted side
should #e on the #otto". ;his "a!es a nice re)lecti.e sur)ace on the top.
/ou can also a.oid paintin the #otto" side o) the lass #y puttin #lac!
colored paper inside the )ra"e: #ut the painted lass loo!s #etter.
'lternatives
+e already na"ed the ri.er%s sur)ace and #lac! #o*l )illed *ith *ater.
;hese are t*o alternati.es )or the #lac! "irror descri#ed here.
(5
'nother alternative is the Cagliostro's mirror(
1crystal lass is )illed *ith *ater and a candle is place #ehind it so the
)la"e is .isi#le throuh the sur)ace o) the lass. /ou then a@e into the )la"e to
o#tain .isions. ;his alternati.e is ood #ecause it doesn%t require "uch charin
)or the "irror to #e )unctional #ut enerally solid "irror is #etter )or
transportation and is ready to use anyti"e *hen it%s chared. Caliostro%s "irror
or any *ater #ased "irror "ust #e prepared and chared #e)ore the operation:
*astin the precious ti"es and it also tends to #eco"e annoyin o.er ti"e.
Fluid condenser
Many people use Maic!al )luid condensers: *hich si"pli)y charin
and "a!es it "ore sta#le <"irror *ithout condenser dischares )aster o.er ti"e
o) not #ein used=. Condensers are usually solid <edust o) old and sil.er
"i>ed toether= or there are )luid #ased condensers "ade )ro" the "i>ture o)
her#s. ;his one is usually applied on a piece o) paper hidden *ithin the "irror.
Charging the lack mirror
Ao* it%s ti"e to chare our "irror. ;he "irror: ?ust li!e any Maic!al
tool: "ust #e MyoursM: it "ust #eco"e a part o) your Sel). First part o) this
process is hidden in the creation o) the "irror: tools you cra)t *ith your o*n
hands ha.e a "uch #ier senti"ental .alue then thins you si"ply #uy and
"ore ti"e you spend *ith cra)tin and decoratin your ite"s: "ore .alua#le
these ite"s *ill #e )or you.
&. Put your "irror in the )ront o) yoursel): you can #e sittin: standin: the
"irror can #e on the ta#le: )loor: si"ply any*here. My personal
approach is to sit do*n and place the "irror on "y lap: that "a!es "e
"ore senti"ental )or "e.
2. Ao* it%s ti"e to let your "irror a#sor# your "anetic and
electro"anetic )luids. Place your riht hand ?ust closely a#o.e the
"irror: *a.in o.er the "irror as i) you *ere pettin its sur)ace <don%t
touch the sur)ace: ha.e your hand ?ust a#o.e it=. Hon%t "a!e the
"o.e"ent reular: use di))erent patterns: speed: play *ith it as i) you
*ere touchin your lo.er: #e !ind and entle.
(. Ho the M"irror pettin procedureM )or a#out 5 "inutes: then s*itch your
(6
hands and repeat the process )or another 5 "inutes *ith your le)t hand.
3)ter you are )inished you can put the "irror a*ay: *rap it in clothes or
*hate.er "ethod o) storin the "irror that you ha.e chosen.
8. ;his procedure should #e repeated e.ery day )or at least a *ee! #e)ore
you use the "irror )or the )irst ti"e. 3lso re"e"#er: "ore o)ten you
chare the "irror: "ore po*er)ul tool it #eco"es.
So"e o) you "iht )ind it a #it pro#le"atic to hold your hand a#o.e
the sur)ace )or 5 "inutes: i) your "irror has a thic! )ra"e: you can use it to
support your hand to ease the pain: #ut this shouldn%t #e the concern as you are
supposed to train your #ody: as *ell: Maician *ith a *ea! #ody has a *ea!
Maic!: as *ell.
First scrying e%ocation& #nael
$ho is 'nael
3nael is one o) anels o) Venus. 0e is associated *ith the Fire ele"ent
and he is called the "essener o) 2od. 3nael%s )ield o) *or! are .isions:
"essaes: predictions: si"ply contact *ith the di.ine. ;hat%s also *hy 3nael
should #e the )irst one to #e e.o!ed throuh a #lac! "irror.
First scrying evocation
Prepare your incantation. Ma!e sure you call 3nael a couple o) ti"es
and you as! hi" to #less the "irror to i.e you "essaes throuh hi".
Mirror should #e placed in an anle so you can see a re)lection o) your
)ace <scryin #o*ls and crystal #alls do not ha.e this require"ent=. /our
en.iron"ent should #e co"pletely dar! e>cept t*o candles placed on the sides
o) the "irror. Play around *ith the position o) the candles: your re)lection in the
"irror should #e neither too sharp nor too .aue. ;he reason is that your "ind
needs so"e re)erence point in the "irror to start *ith #ut ha.in too sharp
re)lection *ill #eat the idea and too .aue i"ae *on%t i.e you the sense o)
depth needed to success)ully operate the "irror.
Choose so"e point on the re)lection and o#ser.e it: repeat your
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incantation a couple o) ti"es out loud: then silently as *ell. /ou *ill )eel your
.ision ettin #lurry and distorted. Bsual re)le> is to re1)ocus to ain #ac! the
sharp i"ae: #ut you ha.e to a.oid this process so the lucidity can !ic! in.
I) you "anae to o#ser.e passi.ely *ithout re)ocusin the i"ae *ill
start loo!in sharp aain #ut the appearin )ace *ill #e co"pletely di))erent
)ro" your o*n: hope)ully that *ill #e 3nael. ;hen proceed as *e ha.e learned
#e)ore in the chapter descri#in #asic )or"at o) the rituals.
'%ocation of a specific spirit into the mirror
For the )ollo*in ritual you *ill need a pre1chared #lac! "irror: t*o
candles and t*o copies o) one pantacle. place one o) the pantacles under the
#lac! "irror and the second one on a place *here you can stare at it.
Per)or" the Sacred Cha"#er ritual and the sel)1in.ocation as
"entioned #e)ore: then cast the circle <"irror should #e inside the circle i) it is
placed on the ta#le: #ier #lac! "irror on the *all can #e outside the circle:
#ut in that case you ha.e to hold t*o lon candles in your hands=.
7>ecute the procedure *e ha.e "entioned in the section called First
contact *ith spirit <pae 2$=: a)ter you are )inished: a@e at your re)lection in
the "irror and say6
[Spirit name]. mighty spirit o' [planet]. I. [your Magickal name].
summon you to this place into this mirror; Bou. with powers o' Cdescribe powers
o' the spirit and as much in'ormation as you can rememberD. come to this place;
[Spirit name] I command you through your pantacle. I command you through
your planet [planet name] and its square; <ppear be'ore me; [Spirit name] you
are being called;
4asic list o) spirits
Ao* I a" i.in you the #asic list o) spirits you can use )or your
*or!ins. ;his list co"es )ro" the qa##alistic astrono"y.
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Planet $i)'est an)el Planetary spirit +o/est an)el
Saturn Laph!iel 3ratron Cassiel
Jupiter Lad!iel 4etor ;achiel
Mars Sa"ael Phale Sa"ael
Sun Michael Gch Michael
Venus 0aniel 0aeit 3nael
Mercury ,aphael Gphiel ,aphael
-una 2a#riel Phul 2a#riel
Table !1: Planetary spirits
($

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