MUAR 392, Section 001

Recordings (Under Course Reserves)

CD1
1. Blind Lemon Jefferson, Matchbox Blues (1927), country blues
2. Bessie Smith, Back Water Blues (1927), classic blues
3. Robert Johnson, Cross Road Blues (1938), country blues
4. B. B. King, Three OClock Blues (1951), urban blues
5. Louis Jordan, Choo-Choo-Ch-Boogie (1946), rhythm and blues
6. Wynonie Harris, Good Rockin Tonight (1948), rhythm and blues
7. Larry Henseley, Matchbox Blues (1934), country/hillbilly blues
8. Bob Wills, Steel Guitar Rag (1936), Western swing
9. Hank Williams, Move It on Over (1947), country
10. Hank Williams, Ill Never Get Out of This World Alive (1952), country
11. Clara Ward, How I Got Over (1950), gospel
12. Golden Gate Quartet, The Golden Gate Gospel Train (1937), gospel (quartet)
13. Soul Stirrers w/Sam Cooke, How Far Am I from Canaan? (1952), gospel (quartet)
14. Don Azpiazu, El Manisero (Peanut Vendor) (1930), pop (Latin)
15. Fred Astaire, Cheek to Cheek (1935), pop
16. Billie Holiday, They Cant Take That Away from Me (1937), pop (jazz)
17. Duke Ellington, Take the A Train (1941), pop (jazz)
18. Tony Bennett, Stranger in Paradise (1954), pop
19. Darrell Glenn, Crying in the Chapel (1953), country
20. The Orioles, Crying in the Chapel (1953), rhythm and blues (doo-wop)
21. Chords, Sh-Boom (1954), rhythm and blues (doo-wop)
22. Crew Cuts, Sh Boom (1954), pop
23. Bo Diddley, Bo Diddley (1955), rhythm and blues, or rock n roll
24. Fats Domino, Im Walkin (1956), rhythm and blues, or rock n roll
25. Little Richard, Long Tall Sally (1956), rhythm and blues, or rock n roll
26. Chuck Berry, School Day (1957), rhythm and blues, or rock n roll
27. Joe Turner, Shake, Rattle, and Roll (1954), rhythm and blues, or rock n roll
28. Bill Haley, Shake, Rattle, and Roll (1954), rock n roll
29. Willie Mae Thornton, Hound Dog (1952), rhythm and blues
30. Elvis Presley, Hound Dog (1956), rock n roll
31. Buddy Holly, Peggy Sue (1957), rock n roll
32. Richie Valens, La Bamba (1958), pop-styled rock n roll
33. Little Richard, Tutti Frutti (1955), rhythm and blues, or rock n roll
34. Pat Boone, Tutti Frutti (1956), pop-styled rock n roll
35. Drifters There Goes My Baby (1959), rhythm and blues (doo-wop)
36. Frankie Avalon, Venus (1959), pop
37. Chuck Berry, Sweet Little Sixteen (1958), rock n roll
38. Beach Boys, Surfin U.S.A. (!963), surf
39. Ventures, Walk Dont Run (1960), surf
40. Shirelles, Will You Love Me Tomorrow? (1961), girl group
41. Ike and Tina Turner, River DeepMountain High (1966), pop-rock
42. The Beach Boys, Good Vibrations (1966), pop-rock
43. Peter, Paul, and Mary, Dont Think Twice, Its Alright (1963), folk

CD2
44. Bob Dylan, Mr. Tambourine Man (1965), folk, or folk-rock
45. The Byrds, Mr. Tambourine Man (1965), folk-rock
46. Crosby, Stills, Nash, and Young, Ohio (1970), folk-rock
47. James Brown, Please, Please, Please (1956), rhythm and blues
48. Ray Charles, Whatd I Say (Parts 1 and 2) (1959), rhythm and blues, or soul
49. The Impressions, Amen (1963), rhythm and blues, or soul
50. Supremes, Where Did Our Love Go? (1964), soul (Motown)
51. Wilson Pickett, In the Midnight Hour (1965), soul (Southern)
52. Aretha Franklin, Respect (1967), soul (Southern)
53. The Temptations, My Girl (1965), soul (Motown)
54. The Beatles, I Want to Hold Your Hand (1964), pop-rock
55. The Beatles, Norwegian Wood (1965) British invasion, or pop-rock
56. The Beatles, A Day in the Life (1967), psychedelic
57. Buddy Holly, Not Fade Away (1957), rock n roll
58. The Rolling Stones, Not Fade Away (1963), blues-rock
59. The Rolling Stones, Jumpin Jack Flash (1968) hard rock
60. The Who, My Generation (1965), British invasion
61. The Kinks, You Really Got Me (1964), British invasion
62. Cream, Crossroads (1968), blues-rock
63. Paul Revere and the Raiders, Kicks (1966), bubblegum
64. Jimi Hendrix, Red House (1967), blues-rock, or psychedelic rock
65. Muddy Waters, Hoochie Coochie Man (1954), Chicago blues
66. The Allman Bros., Hoochie Coochie Band (1970), blues-rock
67. The Doors, Light My Fire (1967), psychedelic
68. Grateful Dead, Dark Star (excerpts) (1969), psychedelic
69. Bob Dylan, All Along the Watchtower (1968), country-rock, or folk-rock
70. Jimi Hendrix, All Along the Watchtower (1968), psychedelic
71. Santana, Black Magic Woman (1970) psychedelic
72. Frank Zappa w/The Mothers, The Return of the Son of Monster Magnet (1966), avant-garde rock
73. Eagles, Lyin Eyes (1975), country-rock
74. The Band, The Weight (1968), country-rock
75. The Allman Bros., Ramblin Man (1973), country-rock, or Southern rock
76. Charlie Daniels Band, The Souths Gonna Do It (1975), Southern rock, or country-rock
77. Lynyrd Skynyrd, Sweet Home Alabama (1974), Southern rock, or country-rock
78. Blood, Sweat, and Tears, Spinning Wheel (1968), jazz-rock

CD3
79. Miles Davis, Miles Runs the Voodoo Down (1969), jazz fusion
80. Simon and Garfunkel, Kathys Song (1965), folk, or singer-songwriter
81. Carole King, So Far Away (1971), singer-songwriter
82. Joni Mitchell, Help Me (1974), singer-songwriter
83. Tracy Chapman, Fast Car (1988), singer-songwriter
84. Billy Joel, We Didnt Start the Fire (1989), singer-songwriter, or 80s mainstream
85. Tori Amos, Icicle (1993), singer-songwriter
86. James Brown, Papas Got a Brand New Bag (1965), funk, or soul
87. Sly and the Family Stone, Thank You (Falettinme Be Mice Elf Agin) (1970), funk
88. Al Green , Lets Stay Together (1971), soul
89. The OJays, Love Train (1973), soul (Philadelphia)
90. Kool and the Gang, Funky Stuff (1973), funk
91. Stevie Wonder, Superstition (1972), soul, or funk
92. Parliament, Flash Light (1978), funk
93. Yes, Roundabout (1972), progressive rock, or art rock
94. Pink Floyd, Money (1973), progressive rock, or art rock
95. David Bowie, Space Oddity (1968), glam rock
96. Queen, Bohemian Rhapsody (1975), glam rock
97. Bon Jovi, Livin on a Prayer (1986), glam, or heavy-metal, or hard-rock
98. Cream, Sunshine of Your Love (1967), blues-rock, or hard rock
99. Boston, More Than a Feeling (1976), hard rock
100. Jake Holmes, Dazed and Confused (1967), folk-rock, or psychedelic rock
101. Led Zeppelin, Dazed and Confused (1969), hard rock, or heavy metal
102. Black Sabbath, Paranoid (1970/1971), heavy metal
103. Judas Priest, Victim of Changes (1976), heavy metal

CD4
104. Alice Cooper, Schools Out (1972), hard rock, or heavy metal
105. Metallica, Master of Puppets (1986), heavy metal
106. Eagles, Hotel California (1976), mid-70s mainstream
107. The Maytals, If You Act This Way (1964), ska
108. Bob Marley and the Wailers, I Shot the Sheriff (1973), reggae
109. The Specials, Concrete Jungle (1979), ska
110. Wayne Smith, Under the Sleng Teng (1985), reggae, or dancehall
111. Velvet Underground, Heroin (1966), New York underground, or pre-punk
112. New York Dolls, Personality Crisis (1973), punk
113. The Sex Pistols, God Save the Queen (1977), punk
114. Dead Kennedys, Kill the Poor (1980), hardcore punk
115. Devo, Jocko Homo (1976), new wave
116. Elvis Costello and the Attractions, Radio Radio (1978), new wave
117 & 118. Donna Summer, Love to Love You Baby (1975), disco (Euro-disco)
119. The Trammps, Disco Inferno (1977), disco (R&B disco)
120. Chic, Good Times (1979), disco (R&B disco)
121. Prince, Little Red Corvette (1982), early 80s mainstream
122. Bruce Springsteen, Born in the U.S.A. (1984), singer-songwriter, early 80s mainstream
123. Madonna, Papa Dont Preach (1986), early 80s mainstream
124. U2, With or Without You (1987), 80s mainstream
125. Youssou NDour (w/Peter Gabriel), Shakin the Tree (1989), World Beat
126. Sugarhill Gang, Rappers Delight (1979), rap, or hip-hop
127. Grandmaster Flash, The Message (1982), rap, or hip-hop
128. (0:00-1:31) Salt-N-Pepa, Expression (Half-Step) (1989), rap, or hip-hop
129. (1:32-3:08) Public Enemy, 911 Is a Joke (1990), rap, or, hip-hop
130. N.W.A., Express Yourself (1988), gangsta rap
131. Snoop Doggy Dogg, Who Am I (Whats My Name) (1993), gangsta rap
132. Notorious B. I. G., Mo Money, Mo Problems (1997), hip-hop, rap
133. Lauryn Hill, (1998), Doo-Wop (That Thing), hip-hop, rap, R&B
(Notice that "Love to Love you Baby" occupies two tracks (14 & 15), while
"Expression (Half-Step)" and "911 Is a Joke" split track #25)

CD5
134. Hsker D, Could You Be the One? (1987), alternative, or post-punk
135. R.E.M., Radio Free Europe (1983), 80s alternative, or 80s mainstream (?)
136. Morrissey, Everyday Is Like Sunday (1988), alternative, or post-punk
137. Mission, Wasteland (1986), gothic
138. Ministry, Stigmata (1988), industrial
139. Nine Inch Nails, Mr. Self Destruct (1994), industrial
140. Nirvana, Smells Like Teen Spirit (1991), alternative, or grunge
141. Smashing Pumpkins, Bullet with Butterfly Wings (1995), alternative
142 Roni Size, Timestretch (1994), drum n bass, or electronica
143. Tricky, Overcome (1995), trip hop, or electronica
144. Dave Mathews Band, So Much to Say (1996), jam band/90s mainstream
145. Rage Against the Machine, Testify (1999), rap-metal
146. Erykah Badu, Appletree (1997), R&B
147. Moby, Body Rock (1999), techno