383

B I B L I O G R A F I J A B I B L I O G R A P H Y
1. Albers, J. Interaction of Color, Yale University Press, New Haven, 1971.
2. Alberti, L. B. On Painting, Penguin Books, London, 1972.
3. Alexander, Ch. The Pattern language, Oxford University Press, N.Y., 1977.,
4. The Timeless Way of Building, Oxford University Press, N.Y., 1979.
5. Arnheim, R. Visual Thinking, University of California Press, Berkley, 1969., srpski prijevod, Beograd, 1985.
6. Pikasova Gernika, Geneza jedne slike, Zamak kulture, 11/74.
7. The Dynamics of Architectural Form, University of California Press, Berkeley, 1977.
8. Assunto, R. Die Theorie des schnen in Mittelalter, Dumont Kln, 1963., srpski prijevod, Beograd, 1975.
9. Bain, G. Celtic art, the methods of construction, Constable, London, 1977.
10. Bakhtiar, L. Sufi, expressions of the mystic quest, Thames and Hudson, London, 1976.
11. Barthes, R. La chambre claire, Note sur la photographie, Edition du Seuil, Paris, 1980.
12. Baxandall, M. Painting and Experience in fifteenth century Italy, Oxford University Press, London, 1972.
13. Patterns of Intention, On the Historical Explanation of Pictures, Yale University Press, New Haven, 1985.
14. Begbeider, O. Lexique des Symboles Zodiaque, 1969.
15. Belting, H. Giovanni Bellini: Piet, Ikone und Bilderzlung in der venezianischen Malerei, Fisher Verlag, Frankfurt, 1965.
16. Berger, R. Decouverte de la peinture, La guide du Livre de Fanconnires, Lausanne, 1958.
17. Bernstein, L. The Unanswered Question, Six Talk at Harvard, Harvard University Press, Cambridge, 1976.
18. Bouleau, Ch. La geometrie secrte des peintres, Charpentes, Seuil, Paris, 1963.
19. Bowler, B. The word as image, Studio Vista, London, 1970.
20. Briggs, J. Fractals, The Patterns of Chaos, Discovering a new Aesthetic of Art, Science and Nature, Thames and Hudson,
London, 1992.
21. Burckardt, T. Principes et methodes de lart sacre, Dervy Livres, Paris, 1976.
22. Cahill, J. Chinese Painting, A. Skira, Genve, 1995.
23. Cain, M. P. Art and the Unified Field, Moderrn Science And Vedic Science, Vol 2; No 3, MIU, Fairfield, 1988.
24. Callen, A. Techniques of the Impressionists, Tiger Books International, London, 1993.
25. Capra, F. The Web of life; Mre`a `ivota, Liberata, Zagreb, 1998.
26. Charpentier, L. The Mysteries of Chartres Cathedral, Thorsons Publishers, Wellingborogh, 1972.
27. Chevalier, J. i Gheerbrandt, A. Dictionnaire des Symboles, R. Laffort, Paris 1969; Rje~nik simbola, Matica hrvatska, Zagreb, 1983.
28. Cole, A. Perspective, Dorling Kindersley Book, London, 1992.
29. Coomaraswamy, A. K. The transformation of Nature in Art, Dover, New York, 1934.
30. Cowen, P. Rose Windows, Thames and Hudson, London, 1979.
31. Critchlow, K. Islamic Pattern, An analytical and cosmological approach, Thames and Hudson, London, 1976.
32. Damjanov, J. Vizualni jezik i likovna umjetnost, [K, Zagreb, 1991.
33. Pogled i slika; Eye Movements and Pictures, Hermes, Zagreb, 1996.
34. Damjanov, J., Janda, D. i Ba~i}, M. Jezik i umjetnost, Pitanja 1/2, Zagreb, 1980.
35. Damjanov, J., Janda, D. Likovna kultura, Pokrajinski zavod za izdavanje ud`benika, Novi Sad, 1988.
36. DArcy W. Thompson, On Groth and Form, Cambridge University Press, 1984.
37. Farbenkarte DIN 6164
38. Egenes, T. A. The Place of The Veda in the thought of M. M. Y., A Historical and textual analysis, University of Virginia, 1985.;
Mjesto Veda u misli Maharishi Mahesh Yogija, Zagreb, 1996.
39. Eigen, M., Winkler R. Das Spiel Naturgesetze steuern den Zufall, Serie Piper, Mnchen, 1985.
40. Florenskij, P. Ikonostas, Moskva, 1979., Jasen, Nik{i}, 1990.
41. Focillon, H. Vie des Formes, Eloye de la main; @ivot oblika, Pohvala ruci, Kultura, Beograd, 1964.
42. Francastel, P. Peinture et societ, Gallimard, Paris, 1965. Studije u sociologiji umetnosti, Nolit, Beograd 1974.
43. Frankl, P. Principles of Architectural History, The MIT Press, 1973.
44. Franz, von M. L. Time, Rhythm and Repose, Thames and Hudson, London, 1978.
45. Gage, J. Colour and Culture, Thames and Hudson, London, 1993.
46. Ghyka, M. The Geometry of Art and Life, Dover, London, 1987.
47. Gibson, J. J. The Perception of the Visual World, Houghton Mifflin, Boston, 1950.
48. The Senses Considered as Perceptual Systems, Houghton Mifflin, Boston, 1966.
49. Gombrich, E. H. The Sense of Order, Phaidon, Oxford, 1979.
50. The Image and the Eye, Phaidon, London, 1982.
51.Guidoni, E. Arte e Urbanistica in Toscana 1000-1315, Bulzoni, Roma, 1970.
52. Il campo di Siena, Multigrafica, Roma, 1971.
53. Hambidge, J. The Elements of Dynamic Simmetry, Dover, New York, 1967.
54. Hamvas, B. Ksei mvek melankolija, Vigilia, Budapest, 1987.
385
113. Rawson P. Drawing, Oxford University Press, London, 1969.
114. The art of Tantra, Thames and Hudson, London, 1973.
115. Rawson P., Legeza, L. Tao, The Eastern Philosophy of Time and Change, Avon, New York, 1973.
116. Ritz, S. The church, The supreme creation of the Past, Present and Future, The New Jerusalem of the Book of Revelation,
the everlasting temple of Santo Stefano Rotondo in Rome, Private edition, Roma, Via della Pilotta 25.
117. Rogers, L. R. Sculpture, Oxford University Press, London, 1969.
118. Safadi, Y. H. Islamic calligraphy, Thames and Hudson, London, 1978.
119. Sauerlnder, W. Die Naumburger Stifterfiguren, Rckblick und Fragen, 1989.
120. Scharfstein, B. A. Of Birds, Beats and other Artists, An Essay on the Universality of Art, New York University Press,
New York, 1988.
121. Schwaller de Lubicz, R. S. The Temple in Man, The Secrets of Ancient Egypt, Autumn Press, 1977.
122. Solso, R. L. Cognition and the Visual Arts, MIT Press, Cambridge, 1994.
123. Stevens, P. S. Patterns in Nature, Atalantic, Little Brown Books, Toronto, 1974.
124. Stojanovi}, D. Film kao prevazila`enje jezika, Beograd, 1975.
125. Swillens, P. T. A. Johannes Vermeer, Spectrum Publisher, Utrecht, 1950.
126. [imat, M. Tri crte`a pripisana Francescu Guardiju, Studije muzeja Mimara 7, Zagreb, 1991.
127. Tolnay, Ch. The Art and Thought of Michelangelo, Pantheon Books New York, 1964.
128. Michelange, Flammarion, Paris, 1970.
129. Uspenski, B. A O semiotike ikoni, Tartu, 1971; Nolit, Beograd, 1979.
130. Vstu sutra Upanisad The Essence of Form in Sacred Art, Motilal Banarsidas, Delhi, 1986.
131. Vatsyayan, K. Kalatattvakosa, A lexicon of fundamental concepts of Indian arts, Vol I, II, Indira Gandhi National Centre for Arts, Delhi, 1992.
132. Wehlte, K. Werkstofe und Techniken der Malerei, Ravensburg, 1967.
133. Weyl, H. Symmetry, Princeton University Press, Princeton, 1982.
134. Witkover, R. Art and Architecture in Italy, 1600-1750, Penguin Books, London, 1958.
135. Wlfflin, H. Das Erklren von Kunstwerken, Tuma~enje umjetni~kih djela, u Ideal, Forma, Simbol, Institut za povijest umjetnosti Zagreb, 1995.
136. Zimmer, H. Artistic Form and Yoga in the Sacred Images of India, Oxford University Press, Delhi, 1984.
384
55. Maja, Medio, Budapest, 1994.
56. Scientia Sacra, Ceres, Zagreb, 1994.
57. Hilderbrandt, A. The Problem of Form in Painting and Sculpture, Stechert and Co., New York, 1932.
58. Hoyle, F. From Stonehenge to Modern Cosmology, London, 1972.
59. Huyghe, R. Dialogue avec le Visible; Discovery of Art, Thames and Hudson, London, 1959.
60. Formes et Forces, Flammarion, Paris, 1971.
61. Itten, J. Kunst der Farbe, Ravensburg, 1970.
62. Janda, D. Umjetnost (u: Marksizam i socijalisti~ko samoupravljanje 1) [K, Zagreb, 1986.
63. Januszczak, W. Techniques of the Worlds Great Painters, Chartweil Books, London, 1980.
64. Joedicke, J. Raum und Form in der Architechtur, Space and Form in Architecture, Karl Krmer Verlag, Stuttgart, 1985.
65. Kandinsky, V. Rckblick, Klein Verlag, Baden-Baden, 1955.
66. Punkt und Linie zu Flche Beitrag zur Analyse der malerischen Elemente, Benteli Verlag, Bern, 1964.
67. Kepes, Gy. Language of Vision, P. Theobald, Chicago, 1944.
68. Structure in Art and in Science,Studio Vista, London, 1965.
69. The New Landscape, P. Theobald, Chicago, 1967.
70. Kernyi, K. Labyrinth - Studien, Labyrinthos als linien Reflex ennet mythologischen Idee, Rhein Verlag, Zrich, 1950.
71. Key, W. B. Sublimal Seduction, New American Library, New York, 1972.
72. Klee, P. Notebooks 1, The Thinking Eye, Lund Humphries, London, 1961.
73. Notebooks 2, The nature of Nature, Lund Humphries, London, 1970.
74. Kramrisch, S. The Hindu Temple I, II, University of Calcutta, 1946.
75. Kranz, S. R. Fisher: The Designe continuum, Reinhold, New York, 1966.
76. Kubler, G. The Shape of Time, Yale University Press, New Haven, 1962.
77. Kubovy, M. The Psychology of Perspective and Renaissance Art, Cambridge University Press, 1986.
78. Kppers, H. Farben Atlas, Dumont, Kln, 1978.
79. Langer, K. S. Feeling and Form, Scribners Sons, New York.
80. Lao Ce, Tao Te King, Prosveta, Beograd, 1964.; Tericum, Budapest, 1994.
81. Lao Tzu, Tao Teh Ching, Shambhala, Boston, 1989.
82. Lawlor, R. Sacred Geometry, Thames and Hudson, Dover, New York, 1977.
83. Le Corbusier. Modulor 1,2, Harvard University Press, Cambridge 1966.
84. Ledit, Ch. J. A lOrient de France, tetraktys, 1976.
85. Lotman, J. Semiotika filma, Institut za film, Beograd.
86. Lowry, B. The Visual Experience, An introduction to art, Abrams, New York, 1963.
87. Lundquist, J. M. The Temple, Meeting place of Heaven and Earth, Thames and Hudson, London, 1993.
88. Maclagan, D. Creation mythes, Mans introduction to the world, Thames and Hudson, London, 1977.
89. Maharishis Absolute Theory of Education, Age of Enlightement Publication, India, 4, 1996.
90. Maertens, H. Der Optische Maasstab, Berlin, 1884.
91. Maljevi~, K. Die gegenstandlose Welt, Bauhausbcher XI, Florian Kupferberg Verlag, Mainz/Berlin, 1980.
92. March, L. L. Steadman, P. The Geometry of Environment, Riha, 1975.
93. Marcolli, A. Teoria del campo, Sansoni, Firenze, 1971.
94. Mc Luhan, M. Parker H. Through the Vanishing Point, Harper Colophon Books, New York, 1969.
95. Meder, I. Dien Handzeichnung, ihre Technik und Entwicklung, Wien, 1919.
96. Meek, H. A. Guarino Guarini, and his architecture, Yale University Press, New Haven, 1988.
97. Meister Eckhart Expositio Libri Generis, A Teremts knyvnek magyarzata, Helikon, Budapest.
98. Miksic, J. Borobudur, Priplus, Singapore, 1990.
99. Moholy Nagy, L. Von Material zu Architectur, Bauhausbcher XIV, Florian Kupferberg Verlag, Mainz/Berlin, 1968.
100. Mondrian, P. Prirodna i apstraktna zbilja u Seuphor, M. Piet Mondrian, Paris/New York/Amsterdam, 1956.
101. Munsell, A. H. A Grammar of Color, Van Nostrand Reinhold Co., New York, 1969.
102. Nader, T. Human Phisiology, Expression of the Veda and Vedic Literature, Maharishi Vedic University, Vlodrop, 1993.
103. Norbert-Schultz, K. Existence, Space Architecture, Studio Vista London, 1971; Egzistencija, prostor, arhitektura, Gra|evinska knjiga, Beograd, 1975.
104. Panofsky, E. Meaning in the Visual Arts, Penguin Books, London, 1955.
105. Passanti, M. Nel mondo magico di Guarino Guarini, Toso, Torino, 1963.
106. Pejakovi}, M. Broj iz svjetlosti, Matica Hrvatska, Zagreb, 1978,
107. Pennington, G. Die Tafeln von Chartres, Die gnostische Schau des Westens, Walter Verlag, Solothurn, 1994.
108. Petitot-Cocorde, J. Saint Georges, Remargues sur lspace pitural.
109. Poga~nik, M. A hidden Pathway through Venice, 1986.
110. Pogny, F. Szobrszat s festszet az pitmuvszetben, Mszaki knyvkiad, Budapest, 1959.
111. Terek s utck mvszete, Mszaki knyvkiad, Budapest, 1960.
112. Purce, J. The Mystic Spiral, Journey of the Soul, Avon, New York, 1974.
387
Jadranka Damjanov, izvanredni profesor na Odsjeku za povijest umjetnosti Filozofskog fakulteta u Zagrebu. Od 1958. do 1985.
godine predavala je likovnu umjetnost u srednjoj koli. Doktorirala je 1963. godine s temom Problem naivnog u suvremenoj umjetnosti.
Metodiku povijesti umjetnosti predaje na Filozofskom fakultetu od 1965. godine.
Osim niza ~lanaka, autor je poznatih srednjokolskih ud`benika: Likovna umjetnost I, kolska knjiga, Zagreb, 1971.
(21 izdanje), Likovna umjetnost 2, kolska knjiga, Zagreb, 1972. (11 izdanja), zajedno s Dubravkom Jandom i Marcelom Ba~i}em
Likovna umetnost, Pokrajinski zavod za izdavanje ud`benika, Novi Sad, 1975., zajedno s Dubravkom Jandom Likovna kultura, Pokrajinski
zavod za izdavanje ud`benika, Novi Sad, 1988., te niza priru~nika, kao to su Likovna umjetnost 1, 2, i 3 i Metodi~ki priru~nik, Zavod za
unapre|enje kolstva Hrvatske, Zagreb, 1967./1969./1970. Zajedno s Ksenijom Raduli} napisala je kolski leksikon Umjetnost, Panorama,
Zagreb, 1966. Vodila je istra`ivanje u sklopu UNESCO-a zajedno s Dubravkom Jandom i Veliborom Jerbi}em, koje je objavljeno pod
naslovom Kulturni sadr`aji u obrazovanju djece i omladine, Zavod za kulturu Hrvatske, Zagreb, 1977. Knjigu Vizualni jezik i likovna
umjetnost, kolska knjiga, Zagreb, objavila je 1991. godine. Potom slijedi istra`ivanje i knjiga Pogled i slika, est djela hrvatskog modernog
slikarstva u dostignu}ima eksperimentalne estetike, Hermes, Zagreb, 1996. godine. Od 1992. godine, zajedno sa studentima, vodi
Slobodnu kolu radioni~kog tipa za svestrano upoznavanje likovno-umjetni~kih djela u Centru za kulturu i obrazovanje Zagreb. Godine
1998. dobila je dr`avnu nagradu Ivan Filipovi} za znanstveni rad.
Jadranka Damjanov, associate professor in Methodology of Art History at the Faculty of Arts, University of Zagreb has been
teaching at that faculty since 1965. She taught art at secondary school from 1958. till 1985. Her doctors degree she won in
1963 with the thesis The Problem of Naivity in Modern Art. Beside numerous articles she has published several secondary school
handbooks about art appreciation and history of art (one of in 21 editions). She did research for UNESCO together with
Dubravka Janda and Velibor Jerbi} which was published under the title Cultural Contents in the Education of Children and Youth,
in Paris 1976. Her university handbook Visual Language and Visual Art was published in 1991. After that follow the research and
the book Eye movements and Pictures, Six Paintings of Croatian Modern Art in the Achievements of Experimental Aesthetics,
published in 1996 (also in English). Since 1992. she has been leading together with students a workshop-based free school for
comprehensive studies of art at Centre of culture and Education Zagreb. For scientific work she received a state awarde in 1998.
386
388
CIP - Katalogizacija u publikaciji
Nacionalna i sveu~ili{na knji`nica, Zagreb
UDK 7(075.4)
DAMJANOV, Jadranka
Umjetnost avantura : bilje`nica = Art
adventure : notebook / Jadranka Damjanov
; [fotografije Dubravka Janda... [et
al.] ; crte`i Mario Pavlovi}]. - Zagreb
: Hermes, 1998. - XXVI, 388 str. :
ilustr. (djelomice u bojama) ; 28 cm
Tekst usporedo na hrv. i engl. jeziku.
- Bibliografija: str. 384-385.
ISBN 953-6246-14-7
980810014