POET

Vln. I
Vln. II
Vla.
Vc.
I
p
have two noos es
Andante q = 100
1584
p
Andante q = 100
p
p
p
POET
Vln. I
Vln. II
Vla.
Vc.
both weaved from let ters and poems re ceived and sent.
1589
3 3 3
201
POET
Vln. I
Vln. II
Vla.
Vc.
They con tain your dreams, your
Moderato q = 120
1595
Moderato q = 120
POET
Vln. I
Vln. II
Vla.
Vc.
faith, your scent; I
f
share one with you, my po et my
1600
f
f
f
f
c
c
c
c
c
202
POET
Vln. I
Vln. II
Vla.
Vc.
friend,
mp
with the que ries; What is life,
f
if but the bru tal
1605
p f
p f
p f
p f
POET
Vln. I
Vln. II
Vla.
Vc.
ma trix of a lone ness: and what is Love,
ff
rit. Andante q = 100
1608
ff
rit. Andante q = 100
ff
ff
ff
c c
3
4
c c
3
4
c c
3
4
c c
3
4
c c
3
4
3
4
3
4
3
4
3
4
3
4
203
POET
Vln. I
Vln. II
Vla.
Vc.
if not worth dy ing for?
1612
POET
Vln. I
Vln. II
Vla.
Vc.
what is Love,
pp
rit.
1617
ppp
rit.
mp p
mp p
mp p
204
MUSE
POET
Vln. II
Vla.
Vc.
ad lib.
When
p
you talk of
Meno mosso q = 76
rit. Adagio q = 69
A tempo q = 69
1625
if not
pp
worth dy ing for?
pp
Meno mosso q = 76
rit. Adagio q = 69 A tempo q = 69
pp
pp
MUSE
Vln. I
Vln. II
Vla.
Vc.
su i cide I trem ble and hide the ra zor blades; when you talk of
1632
pp
pp
pp
pp
c
5
4
c
5
4
c
5
4
c
5
4
c
5
4
5
4
c
5
4
5
4
c
5
4
5
4
c
5
4
5
4
c
5
4
5
4
c
5
4
3
3
The MUSE is now
on the verge of tears
3
3
205
MUSE
Vln. I
Vln. II
Vla.
Vc.
love I shiv er and sharp en the knives...
1635
POET
1638
POET
1639
MUSE
Vln. II
Vla.
Vc.
Horn
p
ets crash a gainst the
A tempo q = 69
1640
pp mp
A tempo q = 69
pp p
p
5
4
3
4
c
5
4
3
4
c
5
4
3
4
c
5
4
3
4
c
5
4
3
4
c
3
2
5
4
3
2
5
4
3
2
5
4
3
2
5
4
Who did you think you were messin' with, buttboy?
I am that I am!
Now, sweet child, if you would, I have
universes to attend to.
So put up your damn rhymes, pull up your
meta-phors, and get your presumptuous ass to bed!
The POET exits. The MUSE is silent. After a few
moments, the POET stomps back onstage
I love you, So fuck of! The POET exits again
206
MUSE
Vln. II
Vla.
Vc.
win dow glass in an ef fort to es scape the night:
1642
MUSE
Vln. I
Vln. II
Vla.
Vc.
mf
I blow out the can
p
dle and pull the
1644
p
mf p
mf p
mf p
5
4
c
3
2
5
4
c
3
2
5
4
c
3
2
5
4
c
3
2
3
2
c
3
2
c
3
2
c
3
2
c
3
2
c
3
207
MUSE
Vln. I
Vln. II
Vla.
Vc.
cov ers ov er my head...
1646
p
mp
p
p
MUSE
Vln. I
Vln. II
Vla.
Vc.
1648
3
2
c
3
2
c
3
2
c
3
2
c
3
2
c
c
5
4
c
5
4
c
5
4
c
5
4
c
5
4
3
How do you say no to a dying man?
208
Vln. I
Vln. II
Vla.
Vc.
mf p
1650
mf mp
mf p
mf p
Vln. I
Vln. II
Vla.
Vc.
pp
rit.
1653
p
pp
pp
Vln. I
Vln. II
Vla.
Vc.
1656
pp
5
4
c
5
4
c
5
4
c
5
4
c
5
4
5
4
5
4
5
4
Lights fade on the MUSE
3 3
209
POET
Vln. I
Vla.
Vc.
I
p
miss all my old
q = 69
1660
mp
q = 69
p
p
POET
Vln. I
Vln. II
Vla.
Vc.
lov ers, where ev er they lay bleed ing be neath
mf
the grass,
1664
mf
p mf
mf
mf
5
4
c
5
4
c
5
4
c
5
4
c
3
2
3
2
3
2
3
2
3
2
Lights up on the POET, who is writing again for the rst time since
the beginning of the piece. He seems dilligent, as if under a deadline.
Final Exchange: Ten Million Angels
3 3 3 3 3 3 3 3 3
3
3 3 3 3 3 3 3 3 3 3 3 3
210
POET
Vln. I
Vln. II
Vla.
Vc.
I
p
would take them all once a gain in my
1667
mp
p mf p
p
p
POET
Vln. I
Vln. II
Vla.
Vc.
arms and tell them that it is not that
1669
3
2
c
3
2
c
3
2
c
3
2
c
3
2
c
5
4
5
4
5
4
5
4
5
4
3
3
3
3
3 3 3 3 3 3 3 3 3 3
3
3
3
3
3 3 3 3 3 3 3 3
3 3
3
3
3
211
POET
Vln. I
Vln. II
Vla.
Vc.
bad,
mf
that it will all be all
1671
mf
mf
mf
mf
POET
Vln. I
Vln. II
Vla.
Vc.
right;
p
death af ter all seems so un reach a ble to the
1673
mp
p
p
p
5
4
c
5
4
c
5
4
c
5
4
c
5
4
c
3
4
3
4
3
4
3
4
3
4
3 3 3 3 3 3 3 3 3
3
3 3 3 3 3 3 3 3 3 3 3 3 3 3
212
POET
Vln. I
Vln. II
Vla.
Vc.
liv ing, so tem po rar y as
mf
though it were but a mis take,
1677
mf
mf
mf
mf
POET
Cym.
Vln. I
Vln. II
Vla.
Vc.
a dream that will fade back in to the re
1681
pp f
ff
ff
ff
c
c
c
c
c
c
3
3 3
3 3
3 3 3 3 3 3 3 3
3
3
3 3
3
3
3
213
POET
Vln. I
Vln. II
Vla.
Vc.
al i ty of th sun ny morn.
pp
1684
pp
p
p
Vln. II
Vla.
Vc.
1687
pp
MUSE
Vln. I
Vln. II
Vla.
Vc.
In
pp
rit. Largo q = 58
1690
p
rit. Largo q = 58
pp
pp
5
4
c
5
4
c
5
4
c
5
4
c
5
4
c
3 3
3 3
3
The MUSE enters. He somehow looks older now, as if he's
just reached the summit of a climb he had grossly underestimated.
When he sings, the POET does now look up from his writing.
pizz.
3 3
3 3 3
214
MUSE
Vln. I
Vla.
Vc.
death per haps our song is sweet, but liv
mp
ing lends us nim ble
1694
mf
mp
mp
MUSE
Vln. I
Vla.
Vc.
feet with which to glide on bor rowed wings, some min or trips, a few
pp
good things,
rit.
1697
p
rit.
pp
pp
MUSE
Vln. I
Vla.
Vc.
then
mp
back a gain to Heav en's
A tempo q = 58
1700
pp mp
A tempo q = 58
mp
mp
c
5
4
c
c
5
4
c
c
5
4
c
c
5
4
c
arco
215
MUSE
POET
Cym.
Vln. I
Vln. II
Vla.
Vc.
teat, our souls con ceived, our lives re plete.
mf
1703
But
f
for the
mf
mf
POET
Cym.
Vln. I
Vln. II
Vla.
Vc.
love of mor tal man would I sail to ward that prom ised land, while trum pets blare and
1706
f
f
f
f
f
216
POET
Vln. I
Vln. II
Vla.
Vc.
ser aphs sings; we nd this pa gan king, at home
ff
on just this spot of
1708
ff
ff
ff
ff
POET
Vln. I
Vln. II
Vla.
Vc.
sand but for the love of mor tal
rit.
1711
rit.
6
8
6
8
6
8
6
8
6
8
gliss.
6
217
MUSE
POET
Vln. I
Vln. II
Vla.
Vc.
Mon
mf
a mi, the ros es are wilt ing a
Andante q. = 76
1714
man.
mf
Andante q. = 76
mf
mf
mf
MUSE
Vln. I
Vln. II
Vla.
Vc.
gain, we ne ver seem to bur y them fast e
1717
6
8
6
8
6
8
6
8
6
8
6
8
3
3 3 3 3 3
3
3
3 3 3 3 3 3
3
3
218
MUSE
Vln. I
Vln. II
Vla.
Vc.
nough... The ros es are dy ing one
p
by one, you and I, we
1720
p
p
p
p
MUSE
Vln. I
Vln. II
Vla.
Vc.
die
f
slow e nough
p
to watch them:
mf
rit.
1724
f p
rit.
f p
f p
f p
2
4
2
4
6
8
2
4
2
4
6
8
2
4
2
4
6
8
2
4
2
4
6
8
2
4
2
4
6
8
The POET puts down his pencil and raises his head
3 3 3 3 3 3
3 3
3
3
3 3 3 3
3
3
219
MUSE
Vln. I
Vln. II
Vla.
Vc.
we should learn nev er to plant in some thing shal low as
A tempo q. = 76
1727
mf
A tempo q. = 76
mf
mf
mf
MUSE
POET
Vln. I
Vln. II
Vla.
Vc.
love.
f
Andante q = 108
1730
I
mp
drew your bod y in the shape I
f p
Andante q = 108
f p
f p
f p
6
8
3
4
6
8
3
4
6
8
3
4
6
8
3
4
6
8
3
4
3
4
3
4
3
4
3
4
3
4
3
4
3 3 3 3 3 3
3
220
POET
Vln. I
Vln. II
Vla.
Vc.
want ed but did not know how to make it move,
1735
mp
POET
Vln. I
Vln. II
Vla.
Vc.
I knew your bod y in that shape too
1739
f p
f p
f p
f p
221
POET
Vln. I
Vln. II
Vla.
Vc.
but nev er knew how to make it re spond;
1743
mp p
mp p mp
mp
POET
Vln. I
Vln. II
Vla.
Vc.
my pen cil moves too quick ly sketch ing things I did not want
f
to see!
1747
f
f
p
f
p f
3
3 3 3
3
3 3
3
3
3
3
3
222
POET
Cym.
Vln. I
Vln. II
Vla.
Vc.
Adagio q = 69
1751
f
Adagio q = 69
ff pp
ff
pp
ff pp
ff pp
MUSE
W.Ch.
Vln. I
Vln. II
Vla.
Vc.
The
pp
rain is here af ter a long ab sence.
1758
p
ppp
ppp
ppp
ppp
c
c
c
c
c
c
There is LIGHTINING and gentle THUNDER.
They BOTH listen as the rain begins to fall.
3
3
3
3
3
3 3
3
223
POET
Vln. I
Vln. II
Vla.
Vc.
It
p
soothes the nak ed esh of the streets and stones wash
mf
es leaves clean and
1767
mf
mf
mf
mf
POET
Tamb.
Vln. I
Vln. II
Vla.
Vc.
makes cats rest less in their lair, where it touch
p
es me I am cleansed:
f
it rins es my
1771
f
p f
p f
p f
p f
3
g
liss.
3
224
POET
Tamb.
Vln. I
Vln. II
Vla.
Vc.
hair and soft ens my brow bur row ing in to the well of my thoughts,
mp
1775
p
p
p
p
POET
Tri.
Vln. I
Vln. II
Vla.
Vc.
it brings to light
f
the ow ers of ap proach ing spring,
rit.
1779
f
rit.
fp f
fp f
fp
f fp f
3
4
3
4
3
4
3
4
3
4
3
4
3 3 3
225
POET
Tri.
Vln. I
Vln. II
Vla.
Vc.
bloom
pp
ing in the gard ens where the dust of my past has been a bat
f
ed, the
pp
rain has re
Meno mosso q = 58
1784
p
Meno mosso q = 58
pp f ppp
pp
f ppp
pp
f
ppp
pp f ppp
MUSE
POET
Gong
Vln. I
Vln. II
Vla.
Vc.
You
pp
are a mil lion miles a
rit.
1791
turned: I am bar ren no more.
pp
rit.
c
c
c
c
c
c
3
2
c
3
4
3
2
c
3
4
3
2
c
3
4
3
2
c
3
4
3
2
c
3
4
3
2
c
3
4
3
2
c
3
4
3
3
226
MUSE
POET
Vln. I
Vln. II
Vla.
Vc.
way--- your eve
mf
ry breath brings me clos er to your lips:
Adagio q = 69
1796
mf
Adagio q = 69
mf
mf
mf
MUSE
Vln. I
Vln. II
Vla.
Vc.
we
p
are the por tals of the Un know a ble, you
f
and I.
Meno mosso q = 60
1801
p f pp
Meno mosso q = 60
p f pp
p f pp
p f p
3
4
2
4
3
4
2
4
3
4
2
4
3
4
2
4
3
4
2
4
3
4
2
4
2
4
3
4
2
4
c
3
4
2
4
3
4
2
4
c
3
4
2
4
3
4
2
4
c
3
4
2
4
3
4
2
4
c
3
4
2
4
3
4
2
4
c
3
4
3 3
3 3
3
3
3
3
227
POET
Vln. I
Vln. II
Vla.
Vc.
accel.
1807
mp
accel.
mp
mp
mp
POET
Vln. I
Vln. II
Vla.
Vc.
If
mf
you
mf
do not al
Andante q = 76
1812
f mf
Andante q = 76
f mf
f mf
f mf
3
4
3
4
3
4
3
4
3
4
Treasure the Unknown,
for it is the only thing that is pure...!
3
3 3
3
5
3 3
3 3
3 3
228
POET
Vln. I
Vln. II
Vla.
Vc.
read y know it, young po et, then trust
mp
my words, that
1815
p
p
p
p
POET
Vln. I
Vln. II
Vla.
Vc.
I
f
am with you now and will nev er be a
1818
f
f
f
f
2
4
3
4
2
4
2
4
3
4
2
4
2
4
3
4
2
4
2
4
3
4
2
4
2
4
3
4
2
4
2
4
3
4
2
4
3
4
2
4
3
4
2
4
3
4
2
4
3
4
2
4
3
4
2
4
3
4
2
4
3
4
2
4
3
4
2
4
3
4
3
229
POET
Vln. I
Vln. II
Vla.
Vc.
part from you--- which is big
p
ger than, but in clu sive of the fact that I de
1821
p
p
p
p
POET
Vln. I
Vln. II
Vla.
Vc.
mand un lim it ed ac
f
cess--- or at least rst rights of re fu sal--
rit. A tempo q = 76
1825
f
rit. A tempo q = 76
f
f
f
3
4
2
4
3
4
2
4
3
4
2
4
3
4
2
4
3
4
2
4
3 3
3 3
230
POET
Sogo
Vln. I
Vln. II
Vla.
Vc.
to your deep est re ces
p
ses and the
1829
p
p
p
p
p
POET
Sogo
Vln. I
Vln. II
Vla.
Vc.
Pre cious Child that we have be got.
f
rit.
1834
f
rit.
f
f
f
f
3
3
3
231
MUSE
Tri.
Cym.
Sogo
Vln. I
Vln. II
Vla.
Vc.
We
p
make love as we al ways have where we al ways
Largo q = 58
1839
p
Largo q = 58
p
p
p ppp
p ppp
p ppp
p ppp
MUSE
Vln. I
Vln. II
Vla.
Vc.
have, and those who have al ways scorned us con tin ue, as we con tin ue in
1845
c
5
4
c
5
4
c
5
4
c
5
4
c
5
4
c
5
4
c
5
4
c
5
4
5
4
c
3
2
5
4
5
4
c
3
2
5
4
5
4
c
3
2
5
4
5
4
c
3
2
5
4
5
4
c
3
2
5
4
3
3
3
232
MUSE
Vln. I
Vln. II
Vla.
Vc.
si lence, our e mo tions pure as sweat, our voic es speak ing
1848
MUSE
POET
Cym.
Vln. I
Vln. II
Vla.
Vc.
loud ly with in
f
us.
1851
ff pp
f ppp mf
f pp
f pp
f pp
5
4
3
4
3
4
c
5
4
3
4
3
4
c
5
4
3
4
3
4
c
5
4
3
4
3
4
c
5
4
3
4
3
4
c
c
3
4
c
3
4
c
3
4
c
3
4
c
3
4
c
3
4
c
3
4
Humbly, we took pride in this,
that two men stood and bravely kissed,
oblivious to voice or st,
enraptured in this simple bliss.
233
MUSE
POET
Cym.
Vln. I
Vln. II
Vla.
Vc.
Love
f
has come to wake the dead,
p
let souls re joice
f
and ll the
Andante q = 100
1857
Love
f
has come to wake the dead,
p
let souls re joice
f
and ll the
f
Andante q = 100
f p f
f p f
f p f
f p f
3
4
3
4
3
4
3
4
3
4
3
4
3
4
3
3
3
234
MUSE
POET
Vln. I
Vln. II
Vla.
Vc.
bed as Heav en tucks its blank
mp
ets 'round and lifts our mat tress from the
rit.
1864
bed as Heav en tucks its blank
mp
ets 'round and lifts our mat tress from the
mp
rit.
mp
mp
mp
c
3
4
c
3
4
c
3
4
c
3
4
c
3
4
c
3
4
3
3
235
MUSE
POET
Cym.
Vln. I
Vln. II
Vla.
Vc.
ground: Love
pp
has come to shake the earth, to cleave her
A tempo q = 100
1869
ground: Love
pp
has come to shake the earth, to cleave her
mp pp
A tempo q = 100
pp
pp
pp
pp
3
3
236
MUSE
POET
Vln. I
Vln. II
Vla.
Vc.
thighs and give
f
her birth, ten
p
mil lion an gels ll the
1875
thighs and give
f
her birth, ten
p
mil lion an gels ll the
f p
f p
f p
f p
MUSE
POET
Tamb.
Vln. I
Vln. II
Vla.
Vc.
air to yank us up by ears and hair.
f
Love has come to
1880
air to yank us up by ears and hair.
f
Love has come to
f
f
f
f
f
c
3
4
c
3
4
c
3
4
c
3
4
c
3
4
c
3
4
c
3
4
3
3
237
MUSE
POET
Tamb.
Vln. I
Vln. II
Vla.
Vc.
end the drought with hearts like rain drops
1886
end the drought with hearts like rain drops
MUSE
POET
Tamb.
Vln. I
Vln. II
Vla.
Vc.
met ed out; I heard the ring, the n al
1889
met ed out; I heard the ring, the n al
2
4
3
4
2
4
3
4
2
4
3
4
2
4
3
4
2
4
3
4
2
4
3
4
2
4
3
4
238
MUSE
POET
Tamb.
Vln. I
Vln. II
Vla.
Vc.
bell, while I was bus y court ing
1892
bell, while I was bus y court ing
MUSE
POET
Tamb.
Vln. I
Vln. II
Vla.
Vc.
Hell. per haps this heav en we em
1895
Hell.
3
4
2
4
3
4
3
4
2
4
3
4
3
4
2
4
3
4
3
4
2
4
3
4
3
4
2
4
3
4
3
4
2
4
3
4
3
4
2
4
3
4
3
4
3
4
3
4
3
4
3
4
3
4
3
4
239
MUSE
POET
Vln. I
Vln. II
Vla.
Vc.
brace an gel ic face, where
1898
is two clear eyes, where
MUSE
POET
Vln. I
Vln. II
Vla.
Vc.
pas sion rides two skies of blue, com pas sion,
1901
pas sion rides two skies of blue, com pas sion,
pp
pp
pp
pp
240
MUSE
POET
Tamb.
Vln. I
Vln. II
Vla.
Vc.
joy,
f
and
p
sor row too, a
mp
1904
joy,
f
and
p
sor row too,
f mp
f pp
f pp
f pp
f pp
MUSE
POET
Vln. I
Vln. II
Vla.
Vc.
saint ly smile, up on a cleft and
1907
which
mp
dev il grins and
c
c
c
c
c
c
241
MUSE
POET
Vln. I
Vln. II
Vla.
Vc.
feath ered chin, a top
mf
a stout and no ble
1910
feath ered chin, a top
mf
a stout and no ble
mf
mf
mf
mf
MUSE
POET
Vln. I
Vln. II
Vla.
Vc.
breast which bids us suck at God's
ff
be hest;
1912
breast which bids us suck at God's
ff
be hest;
ff
ff
ff
ff
c
3
4
c
c
3
4
c
c
3
4
c
c
3
4
c
c
3
4
c
c
3
4
c
c
3
4
c
c
3
4
c
c
3
4
c
c
3
4
c
c
3
4
c
c
3
4
c
242
MUSE
POET
Vln. I
Vln. II
Vla.
Vc.
a
p
life a way from mor tal
rit. Adagio q = 69
1915
a
p
life a way from mor tal
pp
rit. Adagio q = 69
pp
pp
MUSE
POET
Vln. I
Vln. II
Vla.
Vc.
harm and
p
tucked a way 'tween
rit.
1923
harm as crushed are we by sage ly arms
mf
mp pp
rit.
mp pp
mp pp
pp mp pp
c
3
4
c
3
4
c
3
4
c
3
4
c
3
4
c
3
4
243
MUSE
POET
Vln. I
Vln. II
Vla.
Vc.
Love's own
pp
thighs: Yes,
Largo q = 58
1933
Yes,
pp
Largo q = 58
MUSE
POET
Vln. I
Vln. II
Vla.
Vc.
Heav en, this, I'll glad ly, die! Yes,
1939
Heav en, this, I'll glad ly, die! Yes,
pp
ppp
ppp
ppp
c
5
4
c
5
4
c
5
4
c
5
4
c
5
4
c
5
4
5
4
c
3
4
c
5
4
c
3
4
c
5
4
c
3
4
c
5
4
c
3
4
c
5
4
c
3
4
c
5
4
c
3
4
c
3 3
3
3
3 3 3 3 3 3 3 3 3 3 3 3
244
MUSE
POET
Vln. I
Vln. II
Vla.
Vc.
Heav en, this, I'll
1942
Heav en, this, I'll
MUSE
POET
Tamb.
Vln. I
Vln. II
Vla.
Vc.
glad ly, die! Yes,
f
Heav en,
1945
glad ly, die! Yes,
f
Heav en,
pp ff
f
f
f
f
c
3
4
5
4
c
c
3
4
5
4
c
c
3
4
5
4
c
c
3
4
5
4
c
c
3
4
5
4
c
c
3
4
5
4
c
c
5
4
3
2
5
4
c
5
4
3
2
5
4
c
5
4
3
2
5
4
c
5
4
3
2
5
4
c
5
4
3
2
5
4
c
5
4
3
2
5
4
c
5
4
3
2
5
4
3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3
3
245
MUSE
POET
Cym.
Gong
Vln. I
Vln. II
Vla.
Vc.
this, I'll glad ly, die!
pp
1949
this, I'll glad ly, die!
pp
ff
ppp
pp f
pp f
pp f
pp f
Vln. I
Vln. II
Vla.
Vc.
ppp
1957
ppp
ppp
ppp
5
4
c
5
4
c
5
4
c
5
4
c
5
4
c
5
4
c
5
4
c
5
4
c
3
2
3
2
3
2
3
2
For the rst time in the entire piece, the POET and the MUSE
look at each other, They freeze as the world around them melts
away with the falling rain until there is nothing left around them
but beautiful, empty space. The DANCERS enter and guide the
POET and MUSE very close to one another. While the two of
them are still locked in each other's gaze.
3
3
246
Vln. I
Vln. II
Vla.
Vc.
1962
Sogo
Vln. I
Vla.
Vc.
pp
1967
Sogo
Vln. I
Vln. II
Vla.
Vc.
mf
1971
mp
mp
mp
mp
c
c
c
c
The DANCERS undress the POET and MUSE.
Once they are both naked, the dancers exit.
3 3
3
pizz.
The POET and MUSE stand transxed and glorious
in each other's presence. They move closer still, and as
they almost make contact, the lights BLACK OUT.
arco
3 6
247
Sogo
Vln. I
Vln. II
Vla.
Vc.
ff
1974
ff
ff
ff
ff
Sogo
Vln. I
Vln. II
Vla.
Vc.
1977
3
6
3
6
3
6
3
3 6
3 3
6
3
248
Sogo
Vln. I
Vln. II
Vla.
Vc.
1980
Cym.
Sogo
Vln. I
Vln. II
Vla.
Vc.
mp
1982
3
4
c
3
4
c
3
4
c
3
4
c
3
4
c
3
4
c
3
3
3 3
3 3
3
6
3
6
6 6
3 3
3
3
6
6
249
Cym.
Vln. I
Vln. II
Vla.
Vc.
fff
Meno mosso q = 46
rit.
1985
fff
pp
fff pp
fff pp
fff
pp
Vln. I
Vln. II
Vla.
Vc.
fff
Adagio q = 69
rit.
1991
fff
fff
fff
c
3
4
c
c
3
4
c
c
3
4
c
c
3
4
c
c
3
4
c
5
4
c
5
4
c
5
4
c
5
4
c
3 3 5
5
3
3
3 3
250
Cym.
Gong
Vln. I
Vln. II
Vla.
Vc.
mp ff ff
Andante q = 104
1998
ff
mp fff pp
pp fff pp
pp fff pp
pp fff pp
Vln. I
Vln. II
Vla.
Vc.
fp fff
2005
fp fff
fp fff
fp fff
c
c
c
c
c
c
3
3
3 3
3
3 3
251
Vln. I
Vln. II
Vla.
Vc.
pp fff
2011
pp fff
pp fff
pp fff
3
3
3
3
252