Psycho Killer

PSYCHO PSYCHO PSYCHO PSYCHO PSYCHO
KILLER KILLER KILLER KILLER KILLER

wr i t t en by wr i t t en by wr i t t en by wr i t t en by wr i t t en by
Andr ew Kevi n Wal ker Andr ew Kevi n Wal ker Andr ew Kevi n Wal ker Andr ew Kevi n Wal ker Andr ew Kevi n Wal ker
APR 17, 2011 APR 17, 2011 APR 17, 2011 APR 17, 2011 APR 17, 2011
SECOND DRAFT SECOND DRAFT SECOND DRAFT SECOND DRAFT SECOND DRAFT
DIRECTOR'S NOTE: DIRECTOR'S NOTE: DIRECTOR'S NOTE: DIRECTOR'S NOTE: DIRECTOR'S NOTE:
Much of t he vi ol ence i n t hi s f i l mwi l l be i mpl i ed r at her Much of t he vi ol ence i n t hi s f i l mwi l l be i mpl i ed r at her Much of t he vi ol ence i n t hi s f i l mwi l l be i mpl i ed r at her Much of t he vi ol ence i n t hi s f i l mwi l l be i mpl i ed r at her Much of t he vi ol ence i n t hi s f i l mwi l l be i mpl i ed r at her
t han seen, t aki ng pl ace of f scr een, par t i al l y obscur ed or t han seen, t aki ng pl ace of f scr een, par t i al l y obscur ed or t han seen, t aki ng pl ace of f scr een, par t i al l y obscur ed or t han seen, t aki ng pl ace of f scr een, par t i al l y obscur ed or t han seen, t aki ng pl ace of f scr een, par t i al l y obscur ed or
out of f r ame. The st or y' s i nt ense suspense and i mmer si ng out of f r ame. The st or y' s i nt ense suspense and i mmer si ng out of f r ame. The st or y' s i nt ense suspense and i mmer si ng out of f r ame. The st or y' s i nt ense suspense and i mmer si ng out of f r ame. The st or y' s i nt ense suspense and i mmer si ng
st r uct ur e wor ks i n ser vi ce of char act er . Dar kness i s st r uct ur e wor ks i n ser vi ce of char act er . Dar kness i s st r uct ur e wor ks i n ser vi ce of char act er . Dar kness i s st r uct ur e wor ks i n ser vi ce of char act er . Dar kness i s st r uct ur e wor ks i n ser vi ce of char act er . Dar kness i s
bal anced by l i ght ; good ar r i ves t o bat t l e evi l . bal anced by l i ght ; good ar r i ves t o bat t l e evi l . bal anced by l i ght ; good ar r i ves t o bat t l e evi l . bal anced by l i ght ; good ar r i ves t o bat t l e evi l . bal anced by l i ght ; good ar r i ves t o bat t l e evi l .
FADE IN: FADE IN: FADE IN: FADE IN: FADE IN:
POINT-OF-VIEW: POINT-OF-VIEW: POINT-OF-VIEW: POINT-OF-VIEW: POINT-OF-VIEW:
NI GHT. We' r e dr i vi ng a si zabl e, ol d LUXURY SEDAN, l ooki ng. . . NI GHT. We' r e dr i vi ng a si zabl e, ol d LUXURY SEDAN, l ooki ng. . . NI GHT. We' r e dr i vi ng a si zabl e, ol d LUXURY SEDAN, l ooki ng. . . NI GHT. We' r e dr i vi ng a si zabl e, ol d LUXURY SEDAN, l ooki ng. . . NI GHT. We' r e dr i vi ng a si zabl e, ol d LUXURY SEDAN, l ooki ng. . .
THROUGH A WI NDSHI ELD: t o t he l ong, l onel y ROADWAY ahead, l i t THROUGH A WI NDSHI ELD: t o t he l ong, l onel y ROADWAY ahead, l i t THROUGH A WI NDSHI ELD: t o t he l ong, l onel y ROADWAY ahead, l i t THROUGH A WI NDSHI ELD: t o t he l ong, l onel y ROADWAY ahead, l i t THROUGH A WI NDSHI ELD: t o t he l ong, l onel y ROADWAY ahead, l i t
by our car ' s HEADLI GHTS. OUR EYES seemsensi t i ve t o br i ght by our car ' s HEADLI GHTS. OUR EYES seemsensi t i ve t o br i ght by our car ' s HEADLI GHTS. OUR EYES seemsensi t i ve t o br i ght by our car ' s HEADLI GHTS. OUR EYES seemsensi t i ve t o br i ght by our car ' s HEADLI GHTS. OUR EYES seemsensi t i ve t o br i ght
l i ght , as evi denced by t he GLARE and br i ef l i ght - t r ai l s l i ght , as evi denced by t he GLARE and br i ef l i ght - t r ai l s l i ght , as evi denced by t he GLARE and br i ef l i ght - t r ai l s l i ght , as evi denced by t he GLARE and br i ef l i ght - t r ai l s l i ght , as evi denced by t he GLARE and br i ef l i ght - t r ai l s
caused by t he HEADLI GHTS of t he onl y ot her car t o pass goi ng caused by t he HEADLI GHTS of t he onl y ot her car t o pass goi ng caused by t he HEADLI GHTS of t he onl y ot her car t o pass goi ng caused by t he HEADLI GHTS of t he onl y ot her car t o pass goi ng caused by t he HEADLI GHTS of t he onl y ot her car t o pass goi ng
t he ot her way. ( OUR POV wi l l al ways be accompani ed by t he t he ot her way. ( OUR POV wi l l al ways be accompani ed by t he t he ot her way. ( OUR POV wi l l al ways be accompani ed by t he t he ot her way. ( OUR POV wi l l al ways be accompani ed by t he t he ot her way. ( OUR POV wi l l al ways be accompani ed by t he
f ai nt RI NGI NG of TI NNI TUS i n our ear s. ) f ai nt RI NGI NG of TI NNI TUS i n our ear s. ) f ai nt RI NGI NG of TI NNI TUS i n our ear s. ) f ai nt RI NGI NG of TI NNI TUS i n our ear s. ) f ai nt RI NGI NG of TI NNI TUS i n our ear s. )
ROLL CREDI TS over POV. Endl ess st r et ch of ROAD. DARKNESS ROLL CREDI TS over POV. Endl ess st r et ch of ROAD. DARKNESS ROLL CREDI TS over POV. Endl ess st r et ch of ROAD. DARKNESS ROLL CREDI TS over POV. Endl ess st r et ch of ROAD. DARKNESS ROLL CREDI TS over POV. Endl ess st r et ch of ROAD. DARKNESS
beyond. Our HUMMI NG TI RES. Seems we coul d dr i ve f or ever . beyond. Our HUMMI NG TI RES. Seems we coul d dr i ve f or ever . beyond. Our HUMMI NG TI RES. Seems we coul d dr i ve f or ever . beyond. Our HUMMI NG TI RES. Seems we coul d dr i ve f or ever . beyond. Our HUMMI NG TI RES. Seems we coul d dr i ve f or ever .
IN THE SEDAN -- IN MOTION IN THE SEDAN -- IN MOTION IN THE SEDAN -- IN MOTION IN THE SEDAN -- IN MOTION IN THE SEDAN -- IN MOTION
" We" ar e a whi t e mal e, br oad- shoul der ed, wi t h l ong, gr eyi ng " We" ar e a whi t e mal e, br oad- shoul der ed, wi t h l ong, gr eyi ng " We" ar e a whi t e mal e, br oad- shoul der ed, wi t h l ong, gr eyi ng " We" ar e a whi t e mal e, br oad- shoul der ed, wi t h l ong, gr eyi ng " We" ar e a whi t e mal e, br oad- shoul der ed, wi t h l ong, gr eyi ng
br own hai r , but t hr oughout t hi s ent i r e st or y, " We" wi l l br own hai r , but t hr oughout t hi s ent i r e st or y, " We" wi l l br own hai r , but t hr oughout t hi s ent i r e st or y, " We" wi l l br own hai r , but t hr oughout t hi s ent i r e st or y, " We" wi l l br own hai r , but t hr oughout t hi s ent i r e st or y, " We" wi l l
most l y be shot f r ombehi nd or f r omt he neck down, because most l y be shot f r ombehi nd or f r omt he neck down, because most l y be shot f r ombehi nd or f r omt he neck down, because most l y be shot f r ombehi nd or f r omt he neck down, because most l y be shot f r ombehi nd or f r omt he neck down, because
our FACE WI LL NEVER BE FULLY REVEALED. " We" ar e PSYCHO our FACE WI LL NEVER BE FULLY REVEALED. " We" ar e PSYCHO our FACE WI LL NEVER BE FULLY REVEALED. " We" ar e PSYCHO our FACE WI LL NEVER BE FULLY REVEALED. " We" ar e PSYCHO our FACE WI LL NEVER BE FULLY REVEALED. " We" ar e PSYCHO
KILLER. About mi d- 40' s. I n dar k TRENCH COAT. KILLER. About mi d- 40' s. I n dar k TRENCH COAT. KILLER. About mi d- 40' s. I n dar k TRENCH COAT. KILLER. About mi d- 40' s. I n dar k TRENCH COAT. KILLER. About mi d- 40' s. I n dar k TRENCH COAT.
Meat y hands on t he wheel . FI NGERNAI LS r agged, di r t y. Meat y hands on t he wheel . FI NGERNAI LS r agged, di r t y. Meat y hands on t he wheel . FI NGERNAI LS r agged, di r t y. Meat y hands on t he wheel . FI NGERNAI LS r agged, di r t y. Meat y hands on t he wheel . FI NGERNAI LS r agged, di r t y.
PK has a l ar ge BANDAGE on t he back of hi s l ef t hand. PK has a l ar ge BANDAGE on t he back of hi s l ef t hand. PK has a l ar ge BANDAGE on t he back of hi s l ef t hand. PK has a l ar ge BANDAGE on t he back of hi s l ef t hand. PK has a l ar ge BANDAGE on t he back of hi s l ef t hand.
I N THE REARVI EWMI RROR: PK wear s MI RRORED avi at or SUNGLASSES. I N THE REARVI EWMI RROR: PK wear s MI RRORED avi at or SUNGLASSES. I N THE REARVI EWMI RROR: PK wear s MI RRORED avi at or SUNGLASSES. I N THE REARVI EWMI RROR: PK wear s MI RRORED avi at or SUNGLASSES. I N THE REARVI EWMI RROR: PK wear s MI RRORED avi at or SUNGLASSES.
ON THE DASHBOARD, t he SPEEDOMETER NEEDLE i s l ocked at 55mph. ON THE DASHBOARD, t he SPEEDOMETER NEEDLE i s l ocked at 55mph. ON THE DASHBOARD, t he SPEEDOMETER NEEDLE i s l ocked at 55mph. ON THE DASHBOARD, t he SPEEDOMETER NEEDLE i s l ocked at 55mph. ON THE DASHBOARD, t he SPEEDOMETER NEEDLE i s l ocked at 55mph.
On t he passenger seat , besi de empt y COFFEE CUPS, FAST FOOD On t he passenger seat , besi de empt y COFFEE CUPS, FAST FOOD On t he passenger seat , besi de empt y COFFEE CUPS, FAST FOOD On t he passenger seat , besi de empt y COFFEE CUPS, FAST FOOD On t he passenger seat , besi de empt y COFFEE CUPS, FAST FOOD
WRAPPERS, and a " Denver Ti mes" PAPER wi t h " I NTERSTATE MURDER WRAPPERS, and a " Denver Ti mes" PAPER wi t h " I NTERSTATE MURDER WRAPPERS, and a " Denver Ti mes" PAPER wi t h " I NTERSTATE MURDER WRAPPERS, and a " Denver Ti mes" PAPER wi t h " I NTERSTATE MURDER WRAPPERS, and a " Denver Ti mes" PAPER wi t h " I NTERSTATE MURDER
SPREE" headl i ne, PK r eaches t o gr ab one of SEVERAL SPREE" headl i ne, PK r eaches t o gr ab one of SEVERAL SPREE" headl i ne, PK r eaches t o gr ab one of SEVERAL SPREE" headl i ne, PK r eaches t o gr ab one of SEVERAL SPREE" headl i ne, PK r eaches t o gr ab one of SEVERAL
pr escr i pt i on PI LL BOTTLES, pops t he CAP, pour s PI LLS out . . . pr escr i pt i on PI LL BOTTLES, pops t he CAP, pour s PI LLS out . . . pr escr i pt i on PI LL BOTTLES, pops t he CAP, pour s PI LLS out . . . pr escr i pt i on PI LL BOTTLES, pops t he CAP, pour s PI LLS out . . . pr escr i pt i on PI LL BOTTLES, pops t he CAP, pour s PI LLS out . . .
Al l di f f er ent COLORED PI LLS whi ch Psycho Ki l l er gr abs and Al l di f f er ent COLORED PI LLS whi ch Psycho Ki l l er gr abs and Al l di f f er ent COLORED PI LLS whi ch Psycho Ki l l er gr abs and Al l di f f er ent COLORED PI LLS whi ch Psycho Ki l l er gr abs and Al l di f f er ent COLORED PI LLS whi ch Psycho Ki l l er gr abs and
br i ngs t o hi s MOUTH - - r emember , daunt i ng t hough t he br i ngs t o hi s MOUTH - - r emember , daunt i ng t hough t he br i ngs t o hi s MOUTH - - r emember , daunt i ng t hough t he br i ngs t o hi s MOUTH - - r emember , daunt i ng t hough t he br i ngs t o hi s MOUTH - - r emember , daunt i ng t hough t he
chal l enge may seem, PSYCHO KI LLER' S FACE WI LL NEVER BE chal l enge may seem, PSYCHO KI LLER' S FACE WI LL NEVER BE chal l enge may seem, PSYCHO KI LLER' S FACE WI LL NEVER BE chal l enge may seem, PSYCHO KI LLER' S FACE WI LL NEVER BE chal l enge may seem, PSYCHO KI LLER' S FACE WI LL NEVER BE
SEEN - - gobbl i ng pi l l s, chewi ng some, swal l owi ng. SEEN - - gobbl i ng pi l l s, chewi ng some, swal l owi ng. SEEN - - gobbl i ng pi l l s, chewi ng some, swal l owi ng. SEEN - - gobbl i ng pi l l s, chewi ng some, swal l owi ng. SEEN - - gobbl i ng pi l l s, chewi ng some, swal l owi ng.
CUT TO: CUT TO: CUT TO: CUT TO: CUT TO:
EXT. HIGHWAY -- FURTHER ON -- NIGHT EXT. HIGHWAY -- FURTHER ON -- NIGHT EXT. HIGHWAY -- FURTHER ON -- NIGHT EXT. HIGHWAY -- FURTHER ON -- NIGHT EXT. HIGHWAY -- FURTHER ON -- NIGHT
Psycho Ki l l er ' s br ake l i ght s FLASH, t he sedan sl owi ng. Psycho Ki l l er ' s br ake l i ght s FLASH, t he sedan sl owi ng. Psycho Ki l l er ' s br ake l i ght s FLASH, t he sedan sl owi ng. Psycho Ki l l er ' s br ake l i ght s FLASH, t he sedan sl owi ng. Psycho Ki l l er ' s br ake l i ght s FLASH, t he sedan sl owi ng.
Ther e' s a spar t an REST AREA ahead, of f t o t he r i ght . . . Ther e' s a spar t an REST AREA ahead, of f t o t he r i ght . . . Ther e' s a spar t an REST AREA ahead, of f t o t he r i ght . . . Ther e' s a spar t an REST AREA ahead, of f t o t he r i ght . . . Ther e' s a spar t an REST AREA ahead, of f t o t he r i ght . . .
PSYCHO KILLER'S POV: PSYCHO KILLER'S POV: PSYCHO KILLER'S POV: PSYCHO KILLER'S POV: PSYCHO KILLER'S POV:
THRU THE WI NDSHI ELD, Psycho Ki l l er ' s i nt er est ed i n a CAR THRU THE WI NDSHI ELD, Psycho Ki l l er ' s i nt er est ed i n a CAR THRU THE WI NDSHI ELD, Psycho Ki l l er ' s i nt er est ed i n a CAR THRU THE WI NDSHI ELD, Psycho Ki l l er ' s i nt er est ed i n a CAR THRU THE WI NDSHI ELD, Psycho Ki l l er ' s i nt er est ed i n a CAR
par ked i n t he r est ar ea, a coupl e hundr ed f eet f r omt he r oad. par ked i n t he r est ar ea, a coupl e hundr ed f eet f r omt he r oad. par ked i n t he r est ar ea, a coupl e hundr ed f eet f r omt he r oad. par ked i n t he r est ar ea, a coupl e hundr ed f eet f r omt he r oad. par ked i n t he r est ar ea, a coupl e hundr ed f eet f r omt he r oad.
Under FLI CKERI NG LI GHT f r oma f al t er i ng SODI UM- VAPOR STREET Under FLI CKERI NG LI GHT f r oma f al t er i ng SODI UM- VAPOR STREET Under FLI CKERI NG LI GHT f r oma f al t er i ng SODI UM- VAPOR STREET Under FLI CKERI NG LI GHT f r oma f al t er i ng SODI UM- VAPOR STREET Under FLI CKERI NG LI GHT f r oma f al t er i ng SODI UM- VAPOR STREET
LAMP, a MAN i s bent at t he l ef t f r ont wheel - wel l , changi ng LAMP, a MAN i s bent at t he l ef t f r ont wheel - wel l , changi ng LAMP, a MAN i s bent at t he l ef t f r ont wheel - wel l , changi ng LAMP, a MAN i s bent at t he l ef t f r ont wheel - wel l , changi ng LAMP, a MAN i s bent at t he l ef t f r ont wheel - wel l , changi ng
a f l at . He l ooks over as PK ACCELERATES, movi ng on. a f l at . He l ooks over as PK ACCELERATES, movi ng on. a f l at . He l ooks over as PK ACCELERATES, movi ng on. a f l at . He l ooks over as PK ACCELERATES, movi ng on. a f l at . He l ooks over as PK ACCELERATES, movi ng on.
ON THE ROADWAY ON THE ROADWAY ON THE ROADWAY ON THE ROADWAY ON THE ROADWAY
J ust past t he r est ar ea, hi dden by f or est ' s edge, PK' s sedan J ust past t he r est ar ea, hi dden by f or est ' s edge, PK' s sedan J ust past t he r est ar ea, hi dden by f or est ' s edge, PK' s sedan J ust past t he r est ar ea, hi dden by f or est ' s edge, PK' s sedan J ust past t he r est ar ea, hi dden by f or est ' s edge, PK' s sedan
pul l s t o t he si de of t he r oad. St ops. LI GHTS OUT. pul l s t o t he si de of t he r oad. St ops. LI GHTS OUT. pul l s t o t he si de of t he r oad. St ops. LI GHTS OUT. pul l s t o t he si de of t he r oad. St ops. LI GHTS OUT. pul l s t o t he si de of t he r oad. St ops. LI GHTS OUT.
2. 2. 2. 2. 2.
IN PSYCHO KILLER'S CAR IN PSYCHO KILLER'S CAR IN PSYCHO KILLER'S CAR IN PSYCHO KILLER'S CAR IN PSYCHO KILLER'S CAR
Psycho Ki l l er t osses hi s sungl asses ont o t he f r ont dash. Psycho Ki l l er t osses hi s sungl asses ont o t he f r ont dash. Psycho Ki l l er t osses hi s sungl asses ont o t he f r ont dash. Psycho Ki l l er t osses hi s sungl asses ont o t he f r ont dash. Psycho Ki l l er t osses hi s sungl asses ont o t he f r ont dash.
I N THE REARVI EW: we gl i mpse PK' s f l i nt y, deep- set EYES. I N THE REARVI EW: we gl i mpse PK' s f l i nt y, deep- set EYES. I N THE REARVI EW: we gl i mpse PK' s f l i nt y, deep- set EYES. I N THE REARVI EW: we gl i mpse PK' s f l i nt y, deep- set EYES. I N THE REARVI EW: we gl i mpse PK' s f l i nt y, deep- set EYES.
He br eat hes deepl y, st eadi l y. On t he r oad t o t he l ef t , He br eat hes deepl y, st eadi l y. On t he r oad t o t he l ef t , He br eat hes deepl y, st eadi l y. On t he r oad t o t he l ef t , He br eat hes deepl y, st eadi l y. On t he r oad t o t he l ef t , He br eat hes deepl y, st eadi l y. On t he r oad t o t he l ef t ,
anot her VEHI CLE zooms by. . . i t s r ed t ai l l i ght s gr owi ng anot her VEHI CLE zooms by. . . i t s r ed t ai l l i ght s gr owi ng anot her VEHI CLE zooms by. . . i t s r ed t ai l l i ght s gr owi ng anot her VEHI CLE zooms by. . . i t s r ed t ai l l i ght s gr owi ng anot her VEHI CLE zooms by. . . i t s r ed t ai l l i ght s gr owi ng
qui ckl y smal l er as i t ' s goi ng, goi ng, gone. qui ckl y smal l er as i t ' s goi ng, goi ng, gone. qui ckl y smal l er as i t ' s goi ng, goi ng, gone. qui ckl y smal l er as i t ' s goi ng, goi ng, gone. qui ckl y smal l er as i t ' s goi ng, goi ng, gone.
Psycho Ki l l er but t ons hi s t r ench coat up t o hi s neck. Psycho Ki l l er but t ons hi s t r ench coat up t o hi s neck. Psycho Ki l l er but t ons hi s t r ench coat up t o hi s neck. Psycho Ki l l er but t ons hi s t r ench coat up t o hi s neck. Psycho Ki l l er but t ons hi s t r ench coat up t o hi s neck.
He r eaches under t he f r ont passenger seat , t aki ng out a He r eaches under t he f r ont passenger seat , t aki ng out a He r eaches under t he f r ont passenger seat , t aki ng out a He r eaches under t he f r ont passenger seat , t aki ng out a He r eaches under t he f r ont passenger seat , t aki ng out a
hef t y, pl i abl e RUBBER OBJ ECT. . . hef t y, pl i abl e RUBBER OBJ ECT. . . hef t y, pl i abl e RUBBER OBJ ECT. . . hef t y, pl i abl e RUBBER OBJ ECT. . . hef t y, pl i abl e RUBBER OBJ ECT. . .
WE ARE BEHI ND Psycho Ki l l er as he pul l s on t hi s t hi ck MASK WE ARE BEHI ND Psycho Ki l l er as he pul l s on t hi s t hi ck MASK WE ARE BEHI ND Psycho Ki l l er as he pul l s on t hi s t hi ck MASK WE ARE BEHI ND Psycho Ki l l er as he pul l s on t hi s t hi ck MASK WE ARE BEHI ND Psycho Ki l l er as he pul l s on t hi s t hi ck MASK
of vul cani zed, OLI VE- DRAB RUBBER; f ul l y encasi ng hi s head. of vul cani zed, OLI VE- DRAB RUBBER; f ul l y encasi ng hi s head. of vul cani zed, OLI VE- DRAB RUBBER; f ul l y encasi ng hi s head. of vul cani zed, OLI VE- DRAB RUBBER; f ul l y encasi ng hi s head. of vul cani zed, OLI VE- DRAB RUBBER; f ul l y encasi ng hi s head.
PK' s hands r each back t o yank t wo r i bbed, r ubber STRAPS PK' s hands r each back t o yank t wo r i bbed, r ubber STRAPS PK' s hands r each back t o yank t wo r i bbed, r ubber STRAPS PK' s hands r each back t o yank t wo r i bbed, r ubber STRAPS PK' s hands r each back t o yank t wo r i bbed, r ubber STRAPS
f ur t her t hr ough t hei r BUCKLES, ci nchi ng t he mask t i ght . f ur t her t hr ough t hei r BUCKLES, ci nchi ng t he mask t i ght . f ur t her t hr ough t hei r BUCKLES, ci nchi ng t he mask t i ght . f ur t her t hr ough t hei r BUCKLES, ci nchi ng t he mask t i ght . f ur t her t hr ough t hei r BUCKLES, ci nchi ng t he mask t i ght .
ON THE ROADSIDE -- MOMENTS LATER ON THE ROADSIDE -- MOMENTS LATER ON THE ROADSIDE -- MOMENTS LATER ON THE ROADSIDE -- MOMENTS LATER ON THE ROADSIDE -- MOMENTS LATER
PK st eps f r omt he car , i n WORK BOOTS and baggy WORK PANTS. PK st eps f r omt he car , i n WORK BOOTS and baggy WORK PANTS. PK st eps f r omt he car , i n WORK BOOTS and baggy WORK PANTS. PK st eps f r omt he car , i n WORK BOOTS and baggy WORK PANTS. PK st eps f r omt he car , i n WORK BOOTS and baggy WORK PANTS.
FOLLOW: as he wal ks back t o open t he sedan' s t r unk. FOLLOW: as he wal ks back t o open t he sedan' s t r unk. FOLLOW: as he wal ks back t o open t he sedan' s t r unk. FOLLOW: as he wal ks back t o open t he sedan' s t r unk. FOLLOW: as he wal ks back t o open t he sedan' s t r unk.
We HEAR hi mr oot i ng t hr ough heavy METAL TOOLS. We HEAR hi mr oot i ng t hr ough heavy METAL TOOLS. We HEAR hi mr oot i ng t hr ough heavy METAL TOOLS. We HEAR hi mr oot i ng t hr ough heavy METAL TOOLS. We HEAR hi mr oot i ng t hr ough heavy METAL TOOLS.
IN THE REST AREA IN THE REST AREA IN THE REST AREA IN THE REST AREA IN THE REST AREA
The unf or t unat e, 20- somet hi ng MOTORI ST st r uggl es t o l oosen The unf or t unat e, 20- somet hi ng MOTORI ST st r uggl es t o l oosen The unf or t unat e, 20- somet hi ng MOTORI ST st r uggl es t o l oosen The unf or t unat e, 20- somet hi ng MOTORI ST st r uggl es t o l oosen The unf or t unat e, 20- somet hi ng MOTORI ST st r uggl es t o l oosen
a l ug nut wi t h hi s TI RE I RON, gr unt i ng. a l ug nut wi t h hi s TI RE I RON, gr unt i ng. a l ug nut wi t h hi s TI RE I RON, gr unt i ng. a l ug nut wi t h hi s TI RE I RON, gr unt i ng. a l ug nut wi t h hi s TI RE I RON, gr unt i ng.
MOTORI ST MOTORI ST MOTORI ST MOTORI ST MOTORI ST
God DAMN i t ! God DAMN i t ! God DAMN i t ! God DAMN i t ! God DAMN i t !
As he r i ses, we now see hi s young WI FE t hr ough t he open car As he r i ses, we now see hi s young WI FE t hr ough t he open car As he r i ses, we now see hi s young WI FE t hr ough t he open car As he r i ses, we now see hi s young WI FE t hr ough t he open car As he r i ses, we now see hi s young WI FE t hr ough t he open car
wi ndow, l yi ng on t he f r ont seat , ar mdr aped over her eyes. wi ndow, l yi ng on t he f r ont seat , ar mdr aped over her eyes. wi ndow, l yi ng on t he f r ont seat , ar mdr aped over her eyes. wi ndow, l yi ng on t he f r ont seat , ar mdr aped over her eyes. wi ndow, l yi ng on t he f r ont seat , ar mdr aped over her eyes.
MOTORI ST' S WI FE MOTORI ST' S WI FE MOTORI ST' S WI FE MOTORI ST' S WI FE MOTORI ST' S WI FE
Ar e you okay? Ar e you okay? Ar e you okay? Ar e you okay? Ar e you okay?
Yeah, I ' mf i ne, babe. I t ' s j ust . . . Yeah, I ' mf i ne, babe. I t ' s j ust . . . Yeah, I ' mf i ne, babe. I t ' s j ust . . . Yeah, I ' mf i ne, babe. I t ' s j ust . . . Yeah, I ' mf i ne, babe. I t ' s j ust . . .
t hey t weak t hese bol t s on so t i ght . t hey t weak t hese bol t s on so t i ght . t hey t weak t hese bol t s on so t i ght . t hey t weak t hese bol t s on so t i ght . t hey t weak t hese bol t s on so t i ght .
They use a r at chet gun. They use a r at chet gun. They use a r at chet gun. They use a r at chet gun. They use a r at chet gun.
Mot or i st wi pes sweat f r omhi s f or ehead, squi nt i ng up at t he Mot or i st wi pes sweat f r omhi s f or ehead, squi nt i ng up at t he Mot or i st wi pes sweat f r omhi s f or ehead, squi nt i ng up at t he Mot or i st wi pes sweat f r omhi s f or ehead, squi nt i ng up at t he Mot or i st wi pes sweat f r omhi s f or ehead, squi nt i ng up at t he
ERRATI C LI GHT. We can HEAR t he SOUND of FOOTSTEPS gr owi ng ERRATI C LI GHT. We can HEAR t he SOUND of FOOTSTEPS gr owi ng ERRATI C LI GHT. We can HEAR t he SOUND of FOOTSTEPS gr owi ng ERRATI C LI GHT. We can HEAR t he SOUND of FOOTSTEPS gr owi ng ERRATI C LI GHT. We can HEAR t he SOUND of FOOTSTEPS gr owi ng
cl oser , LOUDER. Mot or i st not i ces, t ur ns. . . cl oser , LOUDER. Mot or i st not i ces, t ur ns. . . cl oser , LOUDER. Mot or i st not i ces, t ur ns. . . cl oser , LOUDER. Mot or i st not i ces, t ur ns. . . cl oser , LOUDER. Mot or i st not i ces, t ur ns. . .
Psycho Ki l l er wal ks st r ai ght at Mot or i st . Her e i s PK seen Psycho Ki l l er wal ks st r ai ght at Mot or i st . Her e i s PK seen Psycho Ki l l er wal ks st r ai ght at Mot or i st . Her e i s PK seen Psycho Ki l l er wal ks st r ai ght at Mot or i st . Her e i s PK seen Psycho Ki l l er wal ks st r ai ght at Mot or i st . Her e i s PK seen
i n f ul l ; a hor r i f i c, bl ack- cl ad vi si on - - i n hi s f r eaki sh, i n f ul l ; a hor r i f i c, bl ack- cl ad vi si on - - i n hi s f r eaki sh, i n f ul l ; a hor r i f i c, bl ack- cl ad vi si on - - i n hi s f r eaki sh, i n f ul l ; a hor r i f i c, bl ack- cl ad vi si on - - i n hi s f r eaki sh, i n f ul l ; a hor r i f i c, bl ack- cl ad vi si on - - i n hi s f r eaki sh,
sensor y- depr i vi ng MASK wi t h GOGGLE- LI KE, YELLOWLENSED sensor y- depr i vi ng MASK wi t h GOGGLE- LI KE, YELLOWLENSED sensor y- depr i vi ng MASK wi t h GOGGLE- LI KE, YELLOWLENSED sensor y- depr i vi ng MASK wi t h GOGGLE- LI KE, YELLOWLENSED sensor y- depr i vi ng MASK wi t h GOGGLE- LI KE, YELLOWLENSED
EYEPI ECES and a wi de, ver t i cal l y- not ched MUZZLE/ GAG ser vi ng EYEPI ECES and a wi de, ver t i cal l y- not ched MUZZLE/ GAG ser vi ng EYEPI ECES and a wi de, ver t i cal l y- not ched MUZZLE/ GAG ser vi ng EYEPI ECES and a wi de, ver t i cal l y- not ched MUZZLE/ GAG ser vi ng EYEPI ECES and a wi de, ver t i cal l y- not ched MUZZLE/ GAG ser vi ng
as vi ci ous maw - - l i ke some f ear some, got hi c monst r osi t y. as vi ci ous maw - - l i ke some f ear some, got hi c monst r osi t y. as vi ci ous maw - - l i ke some f ear some, got hi c monst r osi t y. as vi ci ous maw - - l i ke some f ear some, got hi c monst r osi t y. as vi ci ous maw - - l i ke some f ear some, got hi c monst r osi t y.
3. 3. 3. 3. 3.
Wi t h PK' s BREATHI NG HEARD and hi s vi si on f i l t er ed THROUGH Wi t h PK' s BREATHI NG HEARD and hi s vi si on f i l t er ed THROUGH Wi t h PK' s BREATHI NG HEARD and hi s vi si on f i l t er ed THROUGH Wi t h PK' s BREATHI NG HEARD and hi s vi si on f i l t er ed THROUGH Wi t h PK' s BREATHI NG HEARD and hi s vi si on f i l t er ed THROUGH
THE MASK' S ROUND LENSES: t he t er r i f i ed Mot or i st backs away. . . THE MASK' S ROUND LENSES: t he t er r i f i ed Mot or i st backs away. . . THE MASK' S ROUND LENSES: t he t er r i f i ed Mot or i st backs away. . . THE MASK' S ROUND LENSES: t he t er r i f i ed Mot or i st backs away. . . THE MASK' S ROUND LENSES: t he t er r i f i ed Mot or i st backs away. . .
IN THE REST AREA IN THE REST AREA IN THE REST AREA IN THE REST AREA IN THE REST AREA
Psycho Ki l l er advances, br i ngi ng a SLEDGEHAMMER pendul um- Psycho Ki l l er advances, br i ngi ng a SLEDGEHAMMER pendul um- Psycho Ki l l er advances, br i ngi ng a SLEDGEHAMMER pendul um- Psycho Ki l l er advances, br i ngi ng a SLEDGEHAMMER pendul um- Psycho Ki l l er advances, br i ngi ng a SLEDGEHAMMER pendul um-
l i ke f r ombehi nd hi s back. l i ke f r ombehi nd hi s back. l i ke f r ombehi nd hi s back. l i ke f r ombehi nd hi s back. l i ke f r ombehi nd hi s back.
No. . . NO. . . ! No. . . NO. . . ! No. . . NO. . . ! No. . . NO. . . ! No. . . NO. . . !
The Mot or i st backs agai nst t he car , TOPPLI NG t he j ack. . . The Mot or i st backs agai nst t he car , TOPPLI NG t he j ack. . . The Mot or i st backs agai nst t he car , TOPPLI NG t he j ack. . . The Mot or i st backs agai nst t he car , TOPPLI NG t he j ack. . . The Mot or i st backs agai nst t he car , TOPPLI NG t he j ack. . .
IN THE CAR IN THE CAR IN THE CAR IN THE CAR IN THE CAR
The car LURCHES vi ol ent l y. Mot or i st ' s Wi f e si t s upr i ght . The car LURCHES vi ol ent l y. Mot or i st ' s Wi f e si t s upr i ght . The car LURCHES vi ol ent l y. Mot or i st ' s Wi f e si t s upr i ght . The car LURCHES vi ol ent l y. Mot or i st ' s Wi f e si t s upr i ght . The car LURCHES vi ol ent l y. Mot or i st ' s Wi f e si t s upr i ght .
Char l i e?! Char l i e?! Char l i e?! Char l i e?! Char l i e?!
OUTSIDE THE CAR OUTSIDE THE CAR OUTSIDE THE CAR OUTSIDE THE CAR OUTSIDE THE CAR
Psycho Ki l l er ' s hef t i ng t he sl edgehammer i n bot h hands, Psycho Ki l l er ' s hef t i ng t he sl edgehammer i n bot h hands, Psycho Ki l l er ' s hef t i ng t he sl edgehammer i n bot h hands, Psycho Ki l l er ' s hef t i ng t he sl edgehammer i n bot h hands, Psycho Ki l l er ' s hef t i ng t he sl edgehammer i n bot h hands,
SWI NGI NG i t up i n a wi de ar ch t owar ds Mot or i st ' s head. . . ! SWI NGI NG i t up i n a wi de ar ch t owar ds Mot or i st ' s head. . . ! SWI NGI NG i t up i n a wi de ar ch t owar ds Mot or i st ' s head. . . ! SWI NGI NG i t up i n a wi de ar ch t owar ds Mot or i st ' s head. . . ! SWI NGI NG i t up i n a wi de ar ch t owar ds Mot or i st ' s head. . . !
Mot or i st ' s Wi f e r eact s, l et t i ng out a pi er ci ng SCREAM. Mot or i st ' s Wi f e r eact s, l et t i ng out a pi er ci ng SCREAM. Mot or i st ' s Wi f e r eact s, l et t i ng out a pi er ci ng SCREAM. Mot or i st ' s Wi f e r eact s, l et t i ng out a pi er ci ng SCREAM. Mot or i st ' s Wi f e r eact s, l et t i ng out a pi er ci ng SCREAM.
Psycho Ki l l er t ur ns t o l ook at her . Psycho Ki l l er t ur ns t o l ook at her . Psycho Ki l l er t ur ns t o l ook at her . Psycho Ki l l er t ur ns t o l ook at her . Psycho Ki l l er t ur ns t o l ook at her .
On t he ot her si de of t he car , Mot or i st ' s Wi f e shoves t he On t he ot her si de of t he car , Mot or i st ' s Wi f e shoves t he On t he ot her si de of t he car , Mot or i st ' s Wi f e shoves t he On t he ot her si de of t he car , Mot or i st ' s Wi f e shoves t he On t he ot her si de of t he car , Mot or i st ' s Wi f e shoves t he
passenger door open, f al l i ng t o t he gr ound. . . passenger door open, f al l i ng t o t he gr ound. . . passenger door open, f al l i ng t o t he gr ound. . . passenger door open, f al l i ng t o t he gr ound. . . passenger door open, f al l i ng t o t he gr ound. . .
She scr ambl es up, hyst er i cal , f l eei ng. She scr ambl es up, hyst er i cal , f l eei ng. She scr ambl es up, hyst er i cal , f l eei ng. She scr ambl es up, hyst er i cal , f l eei ng. She scr ambl es up, hyst er i cal , f l eei ng.
ACROSS THE REST AREA ACROSS THE REST AREA ACROSS THE REST AREA ACROSS THE REST AREA ACROSS THE REST AREA
Mot or i st ' s Wi f e r uns al ong t he t r ee l i ne, cr yi ng out , Mot or i st ' s Wi f e r uns al ong t he t r ee l i ne, cr yi ng out , Mot or i st ' s Wi f e r uns al ong t he t r ee l i ne, cr yi ng out , Mot or i st ' s Wi f e r uns al ong t he t r ee l i ne, cr yi ng out , Mot or i st ' s Wi f e r uns al ong t he t r ee l i ne, cr yi ng out ,
headi ng back t owar ds t he hi ghway, gl anci ng over her shoul der . headi ng back t owar ds t he hi ghway, gl anci ng over her shoul der . headi ng back t owar ds t he hi ghway, gl anci ng over her shoul der . headi ng back t owar ds t he hi ghway, gl anci ng over her shoul der . headi ng back t owar ds t he hi ghway, gl anci ng over her shoul der .
Psycho Ki l l er st r i des af t er , Mot or i st ' s cor pse l ef t behi nd. Psycho Ki l l er st r i des af t er , Mot or i st ' s cor pse l ef t behi nd. Psycho Ki l l er st r i des af t er , Mot or i st ' s cor pse l ef t behi nd. Psycho Ki l l er st r i des af t er , Mot or i st ' s cor pse l ef t behi nd. Psycho Ki l l er st r i des af t er , Mot or i st ' s cor pse l ef t behi nd.
Mot or i st ' s Wi f e r uns headl ong, st umbl es. . . Mot or i st ' s Wi f e r uns headl ong, st umbl es. . . Mot or i st ' s Wi f e r uns headl ong, st umbl es. . . Mot or i st ' s Wi f e r uns headl ong, st umbl es. . . Mot or i st ' s Wi f e r uns headl ong, st umbl es. . .
She f al l s t o t he gr ound, TUMBLI NG. She f al l s t o t he gr ound, TUMBLI NG. She f al l s t o t he gr ound, TUMBLI NG. She f al l s t o t he gr ound, TUMBLI NG. She f al l s t o t he gr ound, TUMBLI NG.
Psycho Ki l l er advances, sl edgehammer hel d. Psycho Ki l l er advances, sl edgehammer hel d. Psycho Ki l l er advances, sl edgehammer hel d. Psycho Ki l l er advances, sl edgehammer hel d. Psycho Ki l l er advances, sl edgehammer hel d.
Mot or i st ' s Wi f e st r uggl es t o her f eet . . . Mot or i st ' s Wi f e st r uggl es t o her f eet . . . Mot or i st ' s Wi f e st r uggl es t o her f eet . . . Mot or i st ' s Wi f e st r uggl es t o her f eet . . . Mot or i st ' s Wi f e st r uggl es t o her f eet . . .
Runni ng, t ear s st r eami ng down her f ace. Runni ng, t ear s st r eami ng down her f ace. Runni ng, t ear s st r eami ng down her f ace. Runni ng, t ear s st r eami ng down her f ace. Runni ng, t ear s st r eami ng down her f ace.
Mot or i st ' s Wi f e makes i t t o t he hi ghway' s medi an, r unni ng Mot or i st ' s Wi f e makes i t t o t he hi ghway' s medi an, r unni ng Mot or i st ' s Wi f e makes i t t o t he hi ghway' s medi an, r unni ng Mot or i st ' s Wi f e makes i t t o t he hi ghway' s medi an, r unni ng Mot or i st ' s Wi f e makes i t t o t he hi ghway' s medi an, r unni ng
back t owar ds HEADLI GHTS comi ng t hi s way. Sal vat i on. back t owar ds HEADLI GHTS comi ng t hi s way. Sal vat i on. back t owar ds HEADLI GHTS comi ng t hi s way. Sal vat i on. back t owar ds HEADLI GHTS comi ng t hi s way. Sal vat i on. back t owar ds HEADLI GHTS comi ng t hi s way. Sal vat i on.
Hel p. . . hel p me. . . ! ! Hel p. . . hel p me. . . ! ! Hel p. . . hel p me. . . ! ! Hel p. . . hel p me. . . ! ! Hel p. . . hel p me. . . ! !
CONTI NUED CONTI NUED CONTI NUED CONTI NUED CONTI NUED
4. 4. 4. 4. 4.
I t ' s a bi g r i g TRUCK comi ng f ast . Mot or i st ' s Wi f e waves her I t ' s a bi g r i g TRUCK comi ng f ast . Mot or i st ' s Wi f e waves her I t ' s a bi g r i g TRUCK comi ng f ast . Mot or i st ' s Wi f e waves her I t ' s a bi g r i g TRUCK comi ng f ast . Mot or i st ' s Wi f e waves her I t ' s a bi g r i g TRUCK comi ng f ast . Mot or i st ' s Wi f e waves her
ar ms f r ant i cal l y, r unni ng i nt o t he r oadway. ar ms f r ant i cal l y, r unni ng i nt o t he r oadway. ar ms f r ant i cal l y, r unni ng i nt o t he r oadway. ar ms f r ant i cal l y, r unni ng i nt o t he r oadway. ar ms f r ant i cal l y, r unni ng i nt o t he r oadway.
Hel p, pl ease! ! Hel p, pl ease! ! Hel p, pl ease! ! Hel p, pl ease! ! Hel p, pl ease! !
Psycho Ki l l er l oses si ght of Mot or i st ' s Wi f e as t he t r uck Psycho Ki l l er l oses si ght of Mot or i st ' s Wi f e as t he t r uck Psycho Ki l l er l oses si ght of Mot or i st ' s Wi f e as t he t r uck Psycho Ki l l er l oses si ght of Mot or i st ' s Wi f e as t he t r uck Psycho Ki l l er l oses si ght of Mot or i st ' s Wi f e as t he t r uck
HEADLI GHTS BLOWOUT hi s vi si on, but onl y moment ar i l y. HEADLI GHTS BLOWOUT hi s vi si on, but onl y moment ar i l y. HEADLI GHTS BLOWOUT hi s vi si on, but onl y moment ar i l y. HEADLI GHTS BLOWOUT hi s vi si on, but onl y moment ar i l y. HEADLI GHTS BLOWOUT hi s vi si on, but onl y moment ar i l y.
Mot or i st ' s Wi f e i s i n t he vehi cl e' s headl i ght s now. The Mot or i st ' s Wi f e i s i n t he vehi cl e' s headl i ght s now. The Mot or i st ' s Wi f e i s i n t he vehi cl e' s headl i ght s now. The Mot or i st ' s Wi f e i s i n t he vehi cl e' s headl i ght s now. The Mot or i st ' s Wi f e i s i n t he vehi cl e' s headl i ght s now. The
r umbl i ng t r uck HONKS i t s HORN, whi ch ECHOES acr oss t he ni ght . r umbl i ng t r uck HONKS i t s HORN, whi ch ECHOES acr oss t he ni ght . r umbl i ng t r uck HONKS i t s HORN, whi ch ECHOES acr oss t he ni ght . r umbl i ng t r uck HONKS i t s HORN, whi ch ECHOES acr oss t he ni ght . r umbl i ng t r uck HONKS i t s HORN, whi ch ECHOES acr oss t he ni ght .
Mot or i st ' s Wi f e gi ves a hopef ul sob, movi ng t o t he shoul der , Mot or i st ' s Wi f e gi ves a hopef ul sob, movi ng t o t he shoul der , Mot or i st ' s Wi f e gi ves a hopef ul sob, movi ng t o t he shoul der , Mot or i st ' s Wi f e gi ves a hopef ul sob, movi ng t o t he shoul der , Mot or i st ' s Wi f e gi ves a hopef ul sob, movi ng t o t he shoul der ,
out of t he t r uck' s pat h. out of t he t r uck' s pat h. out of t he t r uck' s pat h. out of t he t r uck' s pat h. out of t he t r uck' s pat h.
Behi nd, Psycho Ki l l er br i ngs t he sl edgehammer back and Behi nd, Psycho Ki l l er br i ngs t he sl edgehammer back and Behi nd, Psycho Ki l l er br i ngs t he sl edgehammer back and Behi nd, Psycho Ki l l er br i ngs t he sl edgehammer back and Behi nd, Psycho Ki l l er br i ngs t he sl edgehammer back and
THROWS i t f or war d i nt o t he ai r wi t h of al l hi s mi ght . . . THROWS i t f or war d i nt o t he ai r wi t h of al l hi s mi ght . . . THROWS i t f or war d i nt o t he ai r wi t h of al l hi s mi ght . . . THROWS i t f or war d i nt o t he ai r wi t h of al l hi s mi ght . . . THROWS i t f or war d i nt o t he ai r wi t h of al l hi s mi ght . . .
Ahead, t he r umbl i ng 18- wheel er ' s HI GH BEAMS come on as t he Ahead, t he r umbl i ng 18- wheel er ' s HI GH BEAMS come on as t he Ahead, t he r umbl i ng 18- wheel er ' s HI GH BEAMS come on as t he Ahead, t he r umbl i ng 18- wheel er ' s HI GH BEAMS come on as t he Ahead, t he r umbl i ng 18- wheel er ' s HI GH BEAMS come on as t he
TRUCK DRI VER' S peer i ng out i n conf usi on at Mot or i st ' s Wi f e. TRUCK DRI VER' S peer i ng out i n conf usi on at Mot or i st ' s Wi f e. TRUCK DRI VER' S peer i ng out i n conf usi on at Mot or i st ' s Wi f e. TRUCK DRI VER' S peer i ng out i n conf usi on at Mot or i st ' s Wi f e. TRUCK DRI VER' S peer i ng out i n conf usi on at Mot or i st ' s Wi f e.
Psycho Ki l l er st ops. Psycho Ki l l er st ops. Psycho Ki l l er st ops. Psycho Ki l l er st ops. Psycho Ki l l er st ops.
The sl edgehammer ' s SPI NNI NG i n a hi gh ar ch. . . The sl edgehammer ' s SPI NNI NG i n a hi gh ar ch. . . The sl edgehammer ' s SPI NNI NG i n a hi gh ar ch. . . The sl edgehammer ' s SPI NNI NG i n a hi gh ar ch. . . The sl edgehammer ' s SPI NNI NG i n a hi gh ar ch. . .
Mot or i st ' s Wi f e st i l l r uns. Mot or i st ' s Wi f e st i l l r uns. Mot or i st ' s Wi f e st i l l r uns. Mot or i st ' s Wi f e st i l l r uns. Mot or i st ' s Wi f e st i l l r uns.
Oh God, pl ease, st op. . . ! Oh God, pl ease, st op. . . ! Oh God, pl ease, st op. . . ! Oh God, pl ease, st op. . . ! Oh God, pl ease, st op. . . !
The sl edgehammer EMBEDS i n t he t r uck' s WI NDSHI ELD - - The sl edgehammer EMBEDS i n t he t r uck' s WI NDSHI ELD - - The sl edgehammer EMBEDS i n t he t r uck' s WI NDSHI ELD - - The sl edgehammer EMBEDS i n t he t r uck' s WI NDSHI ELD - - The sl edgehammer EMBEDS i n t he t r uck' s WI NDSHI ELD - -
SHATTERI NG t he SAFETY GLASS i nst ant l y! SHATTERI NG t he SAFETY GLASS i nst ant l y! SHATTERI NG t he SAFETY GLASS i nst ant l y! SHATTERI NG t he SAFETY GLASS i nst ant l y! SHATTERI NG t he SAFETY GLASS i nst ant l y!
The SHRI EK of BRAKES i s deaf eni ng as. . . The SHRI EK of BRAKES i s deaf eni ng as. . . The SHRI EK of BRAKES i s deaf eni ng as. . . The SHRI EK of BRAKES i s deaf eni ng as. . . The SHRI EK of BRAKES i s deaf eni ng as. . .
The swer vi ng bi g r i g J ACK- KNI FES, t i r es bel chi ng smoke whi l e The swer vi ng bi g r i g J ACK- KNI FES, t i r es bel chi ng smoke whi l e The swer vi ng bi g r i g J ACK- KNI FES, t i r es bel chi ng smoke whi l e The swer vi ng bi g r i g J ACK- KNI FES, t i r es bel chi ng smoke whi l e The swer vi ng bi g r i g J ACK- KNI FES, t i r es bel chi ng smoke whi l e
t he dr i ver ' s cab t wi st s one way and t he huge GASOLI NE TANKER t he dr i ver ' s cab t wi st s one way and t he huge GASOLI NE TANKER t he dr i ver ' s cab t wi st s one way and t he huge GASOLI NE TANKER t he dr i ver ' s cab t wi st s one way and t he huge GASOLI NE TANKER t he dr i ver ' s cab t wi st s one way and t he huge GASOLI NE TANKER
i t ' s haul i ng goes si de- ski ddi ng shar pl y ont o t he shoul der . . . i t ' s haul i ng goes si de- ski ddi ng shar pl y ont o t he shoul der . . . i t ' s haul i ng goes si de- ski ddi ng shar pl y ont o t he shoul der . . . i t ' s haul i ng goes si de- ski ddi ng shar pl y ont o t he shoul der . . . i t ' s haul i ng goes si de- ski ddi ng shar pl y ont o t he shoul der . . .
The t hunder i ng GAS TANKER i s TOPPLI NG OVER now as. . . The t hunder i ng GAS TANKER i s TOPPLI NG OVER now as. . . The t hunder i ng GAS TANKER i s TOPPLI NG OVER now as. . . The t hunder i ng GAS TANKER i s TOPPLI NG OVER now as. . . The t hunder i ng GAS TANKER i s TOPPLI NG OVER now as. . .
Mot or i st ' s Wi f e i s CRUSHED beneat h! Mot or i st ' s Wi f e i s CRUSHED beneat h! Mot or i st ' s Wi f e i s CRUSHED beneat h! Mot or i st ' s Wi f e i s CRUSHED beneat h! Mot or i st ' s Wi f e i s CRUSHED beneat h!
Psycho Ki l l er i s mer el y backi ng away mi d- r oad as t he Psycho Ki l l er i s mer el y backi ng away mi d- r oad as t he Psycho Ki l l er i s mer el y backi ng away mi d- r oad as t he Psycho Ki l l er i s mer el y backi ng away mi d- r oad as t he Psycho Ki l l er i s mer el y backi ng away mi d- r oad as t he
t er r i bl e, cacophonous wr eck unf ol ds bef or e hi m; as i f he t er r i bl e, cacophonous wr eck unf ol ds bef or e hi m; as i f he t er r i bl e, cacophonous wr eck unf ol ds bef or e hi m; as i f he t er r i bl e, cacophonous wr eck unf ol ds bef or e hi m; as i f he t er r i bl e, cacophonous wr eck unf ol ds bef or e hi m; as i f he
wer e unconcer ned t hat i t ever coul d have r eached hi m. wer e unconcer ned t hat i t ever coul d have r eached hi m. wer e unconcer ned t hat i t ever coul d have r eached hi m. wer e unconcer ned t hat i t ever coul d have r eached hi m. wer e unconcer ned t hat i t ever coul d have r eached hi m.
The t anker t r uck SMASHES TREES i n i t s pat h as i t goes The t anker t r uck SMASHES TREES i n i t s pat h as i t goes The t anker t r uck SMASHES TREES i n i t s pat h as i t goes The t anker t r uck SMASHES TREES i n i t s pat h as i t goes The t anker t r uck SMASHES TREES i n i t s pat h as i t goes
CRASHI NG i nt o t he woods, seemi ngl y unst oppabl e, t i l l . . . CRASHI NG i nt o t he woods, seemi ngl y unst oppabl e, t i l l . . . CRASHI NG i nt o t he woods, seemi ngl y unst oppabl e, t i l l . . . CRASHI NG i nt o t he woods, seemi ngl y unst oppabl e, t i l l . . . CRASHI NG i nt o t he woods, seemi ngl y unst oppabl e, t i l l . . .
The TANKER EXPLODES! A massi ve FI REBALL r i ses! The TANKER EXPLODES! A massi ve FI REBALL r i ses! The TANKER EXPLODES! A massi ve FI REBALL r i ses! The TANKER EXPLODES! A massi ve FI REBALL r i ses! The TANKER EXPLODES! A massi ve FI REBALL r i ses!
On t he r oad, Psycho Ki l l er st ands SI LHOUETTED by t he FLAMES. On t he r oad, Psycho Ki l l er st ands SI LHOUETTED by t he FLAMES. On t he r oad, Psycho Ki l l er st ands SI LHOUETTED by t he FLAMES. On t he r oad, Psycho Ki l l er st ands SI LHOUETTED by t he FLAMES. On t he r oad, Psycho Ki l l er st ands SI LHOUETTED by t he FLAMES.
5. 5. 5. 5. 5.
INSERT TITLE against BLACK: "PSYCHO INSERT TITLE against BLACK: "PSYCHO INSERT TITLE against BLACK: "PSYCHO INSERT TITLE against BLACK: "PSYCHO INSERT TITLE against BLACK: "PSYCHO
KILLER" KILLER" KILLER" KILLER" KILLER"
EXT. REST AREA -- NIGHT EXT. REST AREA -- NIGHT EXT. REST AREA -- NIGHT EXT. REST AREA -- NIGHT EXT. REST AREA -- NIGHT
INSIDE MOTORIST'S CAR INSIDE MOTORIST'S CAR INSIDE MOTORIST'S CAR INSIDE MOTORIST'S CAR INSIDE MOTORIST'S CAR
Psycho Ki l l er t hr ows open t he gl ove compar t ment . Psycho Ki l l er t hr ows open t he gl ove compar t ment . Psycho Ki l l er t hr ows open t he gl ove compar t ment . Psycho Ki l l er t hr ows open t he gl ove compar t ment . Psycho Ki l l er t hr ows open t he gl ove compar t ment .
He r i f l es t hr ough, scavengi ng. He t akes a POCKET KNI FE. He r i f l es t hr ough, scavengi ng. He t akes a POCKET KNI FE. He r i f l es t hr ough, scavengi ng. He t akes a POCKET KNI FE. He r i f l es t hr ough, scavengi ng. He t akes a POCKET KNI FE. He r i f l es t hr ough, scavengi ng. He t akes a POCKET KNI FE.
BESIDE THE CAR BESIDE THE CAR BESIDE THE CAR BESIDE THE CAR BESIDE THE CAR
Psycho Ki l l er pul l s open a SUI TCASE, dumpi ng t he cont ent s, Psycho Ki l l er pul l s open a SUI TCASE, dumpi ng t he cont ent s, Psycho Ki l l er pul l s open a SUI TCASE, dumpi ng t he cont ent s, Psycho Ki l l er pul l s open a SUI TCASE, dumpi ng t he cont ent s, Psycho Ki l l er pul l s open a SUI TCASE, dumpi ng t he cont ent s,
most l y CLOTHI NG, whi ch he qui ckl y ki cks t hr ough. most l y CLOTHI NG, whi ch he qui ckl y ki cks t hr ough. most l y CLOTHI NG, whi ch he qui ckl y ki cks t hr ough. most l y CLOTHI NG, whi ch he qui ckl y ki cks t hr ough. most l y CLOTHI NG, whi ch he qui ckl y ki cks t hr ough.
On t he ot her si de of t he car , Psycho Ki l l er r ol l s Mot or i st ' s On t he ot her si de of t he car , Psycho Ki l l er r ol l s Mot or i st ' s On t he ot her si de of t he car , Psycho Ki l l er r ol l s Mot or i st ' s On t he ot her si de of t he car , Psycho Ki l l er r ol l s Mot or i st ' s On t he ot her si de of t he car , Psycho Ki l l er r ol l s Mot or i st ' s
cor pse over . PK kneel s, t aki ng t he man' s WALLET. cor pse over . PK kneel s, t aki ng t he man' s WALLET. cor pse over . PK kneel s, t aki ng t he man' s WALLET. cor pse over . PK kneel s, t aki ng t he man' s WALLET. cor pse over . PK kneel s, t aki ng t he man' s WALLET.
Then, Psycho Ki l l er f i nger s pool ed BLOOD. Then, Psycho Ki l l er f i nger s pool ed BLOOD. Then, Psycho Ki l l er f i nger s pool ed BLOOD. Then, Psycho Ki l l er f i nger s pool ed BLOOD. Then, Psycho Ki l l er f i nger s pool ed BLOOD.
On t he si de of t he car , PK f i nger - pai nt s t he oval shape of On t he si de of t he car , PK f i nger - pai nt s t he oval shape of On t he si de of t he car , PK f i nger - pai nt s t he oval shape of On t he si de of t he car , PK f i nger - pai nt s t he oval shape of On t he si de of t he car , PK f i nger - pai nt s t he oval shape of
an EYE, addi ng an upsi dedown PENTAGRAM as t he I RI S. an EYE, addi ng an upsi dedown PENTAGRAM as t he I RI S. an EYE, addi ng an upsi dedown PENTAGRAM as t he I RI S. an EYE, addi ng an upsi dedown PENTAGRAM as t he I RI S. an EYE, addi ng an upsi dedown PENTAGRAM as t he I RI S.
EXT. MOTEL -- NIGHT EXT. MOTEL -- NIGHT EXT. MOTEL -- NIGHT EXT. MOTEL -- NIGHT EXT. MOTEL -- NIGHT
On a qui et , smal l t own avenue, Psycho Ki l l er ' s sedan sl ows On a qui et , smal l t own avenue, Psycho Ki l l er ' s sedan sl ows On a qui et , smal l t own avenue, Psycho Ki l l er ' s sedan sl ows On a qui et , smal l t own avenue, Psycho Ki l l er ' s sedan sl ows On a qui et , smal l t own avenue, Psycho Ki l l er ' s sedan sl ows
as i t passes a smal l MOTEL wi t h neon " VACANCY" SI GN l i t . as i t passes a smal l MOTEL wi t h neon " VACANCY" SI GN l i t . as i t passes a smal l MOTEL wi t h neon " VACANCY" SI GN l i t . as i t passes a smal l MOTEL wi t h neon " VACANCY" SI GN l i t . as i t passes a smal l MOTEL wi t h neon " VACANCY" SI GN l i t .
ON A NEARBY STREET ON A NEARBY STREET ON A NEARBY STREET ON A NEARBY STREET ON A NEARBY STREET
Psycho Ki l l er ' s car t ur ns a cor ner . I t par al l el par ks Psycho Ki l l er ' s car t ur ns a cor ner . I t par al l el par ks Psycho Ki l l er ' s car t ur ns a cor ner . I t par al l el par ks Psycho Ki l l er ' s car t ur ns a cor ner . I t par al l el par ks Psycho Ki l l er ' s car t ur ns a cor ner . I t par al l el par ks
hal f way down t he bl ock on t hi s dar k st r eet . CRI CKETS CHI RP. hal f way down t he bl ock on t hi s dar k st r eet . CRI CKETS CHI RP. hal f way down t he bl ock on t hi s dar k st r eet . CRI CKETS CHI RP. hal f way down t he bl ock on t hi s dar k st r eet . CRI CKETS CHI RP. hal f way down t he bl ock on t hi s dar k st r eet . CRI CKETS CHI RP.
Psycho Ki l l er get s out , no l onger masked nor i n t r ench coat . Psycho Ki l l er get s out , no l onger masked nor i n t r ench coat . Psycho Ki l l er get s out , no l onger masked nor i n t r ench coat . Psycho Ki l l er get s out , no l onger masked nor i n t r ench coat . Psycho Ki l l er get s out , no l onger masked nor i n t r ench coat .
He l ooks ar ound. He get s a SUI TCASE f r omt he back seat . He l ooks ar ound. He get s a SUI TCASE f r omt he back seat . He l ooks ar ound. He get s a SUI TCASE f r omt he back seat . He l ooks ar ound. He get s a SUI TCASE f r omt he back seat . He l ooks ar ound. He get s a SUI TCASE f r omt he back seat .
Psycho Ki l l er car r i es hi s sui t case t o t he MOTEL he dr ove by. Psycho Ki l l er car r i es hi s sui t case t o t he MOTEL he dr ove by. Psycho Ki l l er car r i es hi s sui t case t o t he MOTEL he dr ove by. Psycho Ki l l er car r i es hi s sui t case t o t he MOTEL he dr ove by. Psycho Ki l l er car r i es hi s sui t case t o t he MOTEL he dr ove by.
INT. MOTEL, FRONT DESK -- NIGHT INT. MOTEL, FRONT DESK -- NIGHT INT. MOTEL, FRONT DESK -- NIGHT INT. MOTEL, FRONT DESK -- NIGHT INT. MOTEL, FRONT DESK -- NIGHT
Psycho Ki l l er si gns t he mot el ' s REGI STER whi l e t he dr owsy, Psycho Ki l l er si gns t he mot el ' s REGI STER whi l e t he dr owsy, Psycho Ki l l er si gns t he mot el ' s REGI STER whi l e t he dr owsy, Psycho Ki l l er si gns t he mot el ' s REGI STER whi l e t he dr owsy, Psycho Ki l l er si gns t he mot el ' s REGI STER whi l e t he dr owsy,
el der l y OWNER i n a Hawai i an shi r t count s $50 i n cash. el der l y OWNER i n a Hawai i an shi r t count s $50 i n cash. el der l y OWNER i n a Hawai i an shi r t count s $50 i n cash. el der l y OWNER i n a Hawai i an shi r t count s $50 i n cash. el der l y OWNER i n a Hawai i an shi r t count s $50 i n cash.
ROOM " 9, " on t he end, has i t s " DO NOT DI STURB" SI GN on. ROOM " 9, " on t he end, has i t s " DO NOT DI STURB" SI GN on. ROOM " 9, " on t he end, has i t s " DO NOT DI STURB" SI GN on. ROOM " 9, " on t he end, has i t s " DO NOT DI STURB" SI GN on. ROOM " 9, " on t he end, has i t s " DO NOT DI STURB" SI GN on.
6. 6. 6. 6. 6.
INT. PSYCHO KILLER'S MOTEL ROOM -- NIGHT INT. PSYCHO KILLER'S MOTEL ROOM -- NIGHT INT. PSYCHO KILLER'S MOTEL ROOM -- NIGHT INT. PSYCHO KILLER'S MOTEL ROOM -- NIGHT INT. PSYCHO KILLER'S MOTEL ROOM -- NIGHT
TV' s ON i n t hi s cheap MOTEL ROOM, showi ng an ear nest , Cabl e TV' s ON i n t hi s cheap MOTEL ROOM, showi ng an ear nest , Cabl e TV' s ON i n t hi s cheap MOTEL ROOM, showi ng an ear nest , Cabl e TV' s ON i n t hi s cheap MOTEL ROOM, showi ng an ear nest , Cabl e TV' s ON i n t hi s cheap MOTEL ROOM, showi ng an ear nest , Cabl e
News ANCHORMAN. News ANCHORMAN. News ANCHORMAN. News ANCHORMAN. News ANCHORMAN.
( As i t wi l l be wi t h al l NEWS t hr oughout , a TI CKER spews ( As i t wi l l be wi t h al l NEWS t hr oughout , a TI CKER spews ( As i t wi l l be wi t h al l NEWS t hr oughout , a TI CKER spews ( As i t wi l l be wi t h al l NEWS t hr oughout , a TI CKER spews ( As i t wi l l be wi t h al l NEWS t hr oughout , a TI CKER spews
endl ess i nf o- bi t es whi l e bi g, gar i sh, bl ock- l et t er ed SEGMENT endl ess i nf o- bi t es whi l e bi g, gar i sh, bl ock- l et t er ed SEGMENT endl ess i nf o- bi t es whi l e bi g, gar i sh, bl ock- l et t er ed SEGMENT endl ess i nf o- bi t es whi l e bi g, gar i sh, bl ock- l et t er ed SEGMENT endl ess i nf o- bi t es whi l e bi g, gar i sh, bl ock- l et t er ed SEGMENT
TI TLES al t er nat e bet ween " MURDER I N THE HEARTLAND, " TI TLES al t er nat e bet ween " MURDER I N THE HEARTLAND, " TI TLES al t er nat e bet ween " MURDER I N THE HEARTLAND, " TI TLES al t er nat e bet ween " MURDER I N THE HEARTLAND, " TI TLES al t er nat e bet ween " MURDER I N THE HEARTLAND, "
" I NTERSTATE KI LLER, " " BODY COUNT: 15, " et c. ) " I NTERSTATE KI LLER, " " BODY COUNT: 15, " et c. ) " I NTERSTATE KI LLER, " " BODY COUNT: 15, " et c. ) " I NTERSTATE KI LLER, " " BODY COUNT: 15, " et c. ) " I NTERSTATE KI LLER, " " BODY COUNT: 15, " et c. )
ANCHORMAN ( V. O. ) ANCHORMAN ( V. O. ) ANCHORMAN ( V. O. ) ANCHORMAN ( V. O. ) ANCHORMAN ( V. O. )
( f r omTELEVI SI ON) ( f r omTELEVI SI ON) ( f r omTELEVI SI ON) ( f r omTELEVI SI ON) ( f r omTELEVI SI ON)
I t i s day f i ve of a wave of t er r or I t i s day f i ve of a wave of t er r or I t i s day f i ve of a wave of t er r or I t i s day f i ve of a wave of t er r or I t i s day f i ve of a wave of t er r or
and sudden and unexpect ed vi ol ence and sudden and unexpect ed vi ol ence and sudden and unexpect ed vi ol ence and sudden and unexpect ed vi ol ence and sudden and unexpect ed vi ol ence
t hat l i t er al l y has a st r angl ehol d on t hat l i t er al l y has a st r angl ehol d on t hat l i t er al l y has a st r angl ehol d on t hat l i t er al l y has a st r angl ehol d on t hat l i t er al l y has a st r angl ehol d on
t he Amer i can publ i c. t he Amer i can publ i c. t he Amer i can publ i c. t he Amer i can publ i c. t he Amer i can publ i c.
IN THE ROOM'S BATHROOM IN THE ROOM'S BATHROOM IN THE ROOM'S BATHROOM IN THE ROOM'S BATHROOM IN THE ROOM'S BATHROOM
Psycho Ki l l er , i n mask, st ar es I N THE BATHROOM MI RROR. Psycho Ki l l er , i n mask, st ar es I N THE BATHROOM MI RROR. Psycho Ki l l er , i n mask, st ar es I N THE BATHROOM MI RROR. Psycho Ki l l er , i n mask, st ar es I N THE BATHROOM MI RROR. Psycho Ki l l er , i n mask, st ar es I N THE BATHROOM MI RROR.
ANCHORMAN ( O. S. , V. O. ) ANCHORMAN ( O. S. , V. O. ) ANCHORMAN ( O. S. , V. O. ) ANCHORMAN ( O. S. , V. O. ) ANCHORMAN ( O. S. , V. O. )
Acr oss si x st at es, at l east 15 Acr oss si x st at es, at l east 15 Acr oss si x st at es, at l east 15 Acr oss si x st at es, at l east 15 Acr oss si x st at es, at l east 15
vi ct i ms have met t hei r f at e at t he vi ct i ms have met t hei r f at e at t he vi ct i ms have met t hei r f at e at t he vi ct i ms have met t hei r f at e at t he vi ct i ms have met t hei r f at e at t he
hands of t he bl ood- t hi r st y ki l l er hands of t he bl ood- t hi r st y ki l l er hands of t he bl ood- t hi r st y ki l l er hands of t he bl ood- t hi r st y ki l l er hands of t he bl ood- t hi r st y ki l l er
many ar e cal l i ng t he Sat ani c Sl asher . many ar e cal l i ng t he Sat ani c Sl asher . many ar e cal l i ng t he Sat ani c Sl asher . many ar e cal l i ng t he Sat ani c Sl asher . many ar e cal l i ng t he Sat ani c Sl asher .
LOOKI NG UPON hi msel f , i n hi s di st ur bi ng mask. LOOKI NG UPON hi msel f , i n hi s di st ur bi ng mask. LOOKI NG UPON hi msel f , i n hi s di st ur bi ng mask. LOOKI NG UPON hi msel f , i n hi s di st ur bi ng mask. LOOKI NG UPON hi msel f , i n hi s di st ur bi ng mask.
We HEAR hi s BREATHI NG and t he SOUND of RI NGI NG i n hi s ear s. We HEAR hi s BREATHI NG and t he SOUND of RI NGI NG i n hi s ear s. We HEAR hi s BREATHI NG and t he SOUND of RI NGI NG i n hi s ear s. We HEAR hi s BREATHI NG and t he SOUND of RI NGI NG i n hi s ear s. We HEAR hi s BREATHI NG and t he SOUND of RI NGI NG i n hi s ear s.
ANCHORMAN ( O. S. , V. O. ) ANCHORMAN ( O. S. , V. O. ) ANCHORMAN ( O. S. , V. O. ) ANCHORMAN ( O. S. , V. O. ) ANCHORMAN ( O. S. , V. O. )
Cal i f or ni a, Nevada, Ut ah and Ar i zona, Cal i f or ni a, Nevada, Ut ah and Ar i zona, Cal i f or ni a, Nevada, Ut ah and Ar i zona, Cal i f or ni a, Nevada, Ut ah and Ar i zona, Cal i f or ni a, Nevada, Ut ah and Ar i zona,
as wel l as New Mexi co and Col or ado, as wel l as New Mexi co and Col or ado, as wel l as New Mexi co and Col or ado, as wel l as New Mexi co and Col or ado, as wel l as New Mexi co and Col or ado,
have seen a t r ai l of bodi es. . . have seen a t r ai l of bodi es. . . have seen a t r ai l of bodi es. . . have seen a t r ai l of bodi es. . . have seen a t r ai l of bodi es. . .
di smember ment s, decapi t at i ons and di smember ment s, decapi t at i ons and di smember ment s, decapi t at i ons and di smember ment s, decapi t at i ons and di smember ment s, decapi t at i ons and
mut i l at i ons. mut i l at i ons. mut i l at i ons. mut i l at i ons. mut i l at i ons.
IN THE BATHROOM IN THE BATHROOM IN THE BATHROOM IN THE BATHROOM IN THE BATHROOM
Psycho Ki l l er r ear s back and SLAMS hi s head i nt o t he Psycho Ki l l er r ear s back and SLAMS hi s head i nt o t he Psycho Ki l l er r ear s back and SLAMS hi s head i nt o t he Psycho Ki l l er r ear s back and SLAMS hi s head i nt o t he Psycho Ki l l er r ear s back and SLAMS hi s head i nt o t he
mi r r or - - SPLI NTERI NG t he gl ass! mi r r or - - SPLI NTERI NG t he gl ass! mi r r or - - SPLI NTERI NG t he gl ass! mi r r or - - SPLI NTERI NG t he gl ass! mi r r or - - SPLI NTERI NG t he gl ass!
Pol i ce now conf i r mt hat sat ani c Pol i ce now conf i r mt hat sat ani c Pol i ce now conf i r mt hat sat ani c Pol i ce now conf i r mt hat sat ani c Pol i ce now conf i r mt hat sat ani c
symbol s and gr aphi c sl ur s wer e l ef t symbol s and gr aphi c sl ur s wer e l ef t symbol s and gr aphi c sl ur s wer e l ef t symbol s and gr aphi c sl ur s wer e l ef t symbol s and gr aphi c sl ur s wer e l ef t
at t he scenes of t he mur der s, of t en at t he scenes of t he mur der s, of t en at t he scenes of t he mur der s, of t en at t he scenes of t he mur der s, of t en at t he scenes of t he mur der s, of t en
wr i t t en i n t he vi ct i ms' bl ood. wr i t t en i n t he vi ct i ms' bl ood. wr i t t en i n t he vi ct i ms' bl ood. wr i t t en i n t he vi ct i ms' bl ood. wr i t t en i n t he vi ct i ms' bl ood.
Psycho Ki l l er r eaches t o t ear t he bandage of f t he back of Psycho Ki l l er r eaches t o t ear t he bandage of f t he back of Psycho Ki l l er r eaches t o t ear t he bandage of f t he back of Psycho Ki l l er r eaches t o t ear t he bandage of f t he back of Psycho Ki l l er r eaches t o t ear t he bandage of f t he back of
hi s l ef t hand, r eveal i ng wor ds TATTOOED: " NO MERCY. " hi s l ef t hand, r eveal i ng wor ds TATTOOED: " NO MERCY. " hi s l ef t hand, r eveal i ng wor ds TATTOOED: " NO MERCY. " hi s l ef t hand, r eveal i ng wor ds TATTOOED: " NO MERCY. " hi s l ef t hand, r eveal i ng wor ds TATTOOED: " NO MERCY. "
7. 7. 7. 7. 7.
IN THE MOTEL ROOM IN THE MOTEL ROOM IN THE MOTEL ROOM IN THE MOTEL ROOM IN THE MOTEL ROOM
I n t he next hour , we wi l l t ake you I n t he next hour , we wi l l t ake you I n t he next hour , we wi l l t ake you I n t he next hour , we wi l l t ake you I n t he next hour , we wi l l t ake you
i nsi de t he ki l l er ' s mi nd as we speak i nsi de t he ki l l er ' s mi nd as we speak i nsi de t he ki l l er ' s mi nd as we speak i nsi de t he ki l l er ' s mi nd as we speak i nsi de t he ki l l er ' s mi nd as we speak
wi t h sever al exper t s on t he wi t h sever al exper t s on t he wi t h sever al exper t s on t he wi t h sever al exper t s on t he wi t h sever al exper t s on t he
psychol ogy of mass mur der er s. . . psychol ogy of mass mur der er s. . . psychol ogy of mass mur der er s. . . psychol ogy of mass mur der er s. . . psychol ogy of mass mur der er s. . .
Masked Psycho Ki l l er cr osses t o t he WI NDOW, openi ng t he Masked Psycho Ki l l er cr osses t o t he WI NDOW, openi ng t he Masked Psycho Ki l l er cr osses t o t he WI NDOW, openi ng t he Masked Psycho Ki l l er cr osses t o t he WI NDOW, openi ng t he Masked Psycho Ki l l er cr osses t o t he WI NDOW, openi ng t he
cl osed cur t ai ns j ust a sl i ver , peer i ng out . ( NEWS cont i nues cl osed cur t ai ns j ust a sl i ver , peer i ng out . ( NEWS cont i nues cl osed cur t ai ns j ust a sl i ver , peer i ng out . ( NEWS cont i nues cl osed cur t ai ns j ust a sl i ver , peer i ng out . ( NEWS cont i nues cl osed cur t ai ns j ust a sl i ver , peer i ng out . ( NEWS cont i nues
dr oni ng, HEARD i n t he B. G. of t hese next f ew scenes. ) dr oni ng, HEARD i n t he B. G. of t hese next f ew scenes. ) dr oni ng, HEARD i n t he B. G. of t hese next f ew scenes. ) dr oni ng, HEARD i n t he B. G. of t hese next f ew scenes. ) dr oni ng, HEARD i n t he B. G. of t hese next f ew scenes. )
AT THE ROOM'S DESK -- LATER NIGHT AT THE ROOM'S DESK -- LATER NIGHT AT THE ROOM'S DESK -- LATER NIGHT AT THE ROOM'S DESK -- LATER NIGHT AT THE ROOM'S DESK -- LATER NIGHT
Psycho Ki l l er ' s hands open Mot or i st ' s WALLET. Psycho Ki l l er ' s hands open Mot or i st ' s WALLET. Psycho Ki l l er ' s hands open Mot or i st ' s WALLET. Psycho Ki l l er ' s hands open Mot or i st ' s WALLET. Psycho Ki l l er ' s hands open Mot or i st ' s WALLET.
PK t akes out CREDI T CARDS and t he DRI VER' S LI CENSE, set t i ng PK t akes out CREDI T CARDS and t he DRI VER' S LI CENSE, set t i ng PK t akes out CREDI T CARDS and t he DRI VER' S LI CENSE, set t i ng PK t akes out CREDI T CARDS and t he DRI VER' S LI CENSE, set t i ng PK t akes out CREDI T CARDS and t he DRI VER' S LI CENSE, set t i ng
t hemasi de. He t akes out some MONEY. He f i nger s t hr ough a t hemasi de. He t akes out some MONEY. He f i nger s t hr ough a t hemasi de. He t akes out some MONEY. He f i nger s t hr ough a t hemasi de. He t akes out some MONEY. He f i nger s t hr ough a t hemasi de. He t akes out some MONEY. He f i nger s t hr ough a
f ew RECEI PTS and a DRY- CLEANI NG TI CKET. f ew RECEI PTS and a DRY- CLEANI NG TI CKET. f ew RECEI PTS and a DRY- CLEANI NG TI CKET. f ew RECEI PTS and a DRY- CLEANI NG TI CKET. f ew RECEI PTS and a DRY- CLEANI NG TI CKET.
He pul l s out a cl ear PHOTO HOLDER, f anni ng t hr ough i t ; He pul l s out a cl ear PHOTO HOLDER, f anni ng t hr ough i t ; He pul l s out a cl ear PHOTO HOLDER, f anni ng t hr ough i t ; He pul l s out a cl ear PHOTO HOLDER, f anni ng t hr ough i t ; He pul l s out a cl ear PHOTO HOLDER, f anni ng t hr ough i t ;
st udyi ng BUSI NESS CARDS and some PHOTOGRAPHS. . . st udyi ng BUSI NESS CARDS and some PHOTOGRAPHS. . . st udyi ng BUSI NESS CARDS and some PHOTOGRAPHS. . . st udyi ng BUSI NESS CARDS and some PHOTOGRAPHS. . . st udyi ng BUSI NESS CARDS and some PHOTOGRAPHS. . .
CLOSE ON: PHOTOS of Mot or i st . . . of Mot or i st and Wi f e posed CLOSE ON: PHOTOS of Mot or i st . . . of Mot or i st and Wi f e posed CLOSE ON: PHOTOS of Mot or i st . . . of Mot or i st and Wi f e posed CLOSE ON: PHOTOS of Mot or i st . . . of Mot or i st and Wi f e posed CLOSE ON: PHOTOS of Mot or i st . . . of Mot or i st and Wi f e posed
on some t r opi cal beach. . . PHOTOS of t hemwi t h f ami l y and on some t r opi cal beach. . . PHOTOS of t hemwi t h f ami l y and on some t r opi cal beach. . . PHOTOS of t hemwi t h f ami l y and on some t r opi cal beach. . . PHOTOS of t hemwi t h f ami l y and on some t r opi cal beach. . . PHOTOS of t hemwi t h f ami l y and
f r i ends; smi l i ng and al i ve, f r ozen i n t i me. ( Li nger on t he f r i ends; smi l i ng and al i ve, f r ozen i n t i me. ( Li nger on t he f r i ends; smi l i ng and al i ve, f r ozen i n t i me. ( Li nger on t he f r i ends; smi l i ng and al i ve, f r ozen i n t i me. ( Li nger on t he f r i ends; smi l i ng and al i ve, f r ozen i n t i me. ( Li nger on t he
humani t y of t hese t wo who we' ve so cal l ousl y sl ai n. ) humani t y of t hese t wo who we' ve so cal l ousl y sl ai n. ) humani t y of t hese t wo who we' ve so cal l ousl y sl ai n. ) humani t y of t hese t wo who we' ve so cal l ousl y sl ai n. ) humani t y of t hese t wo who we' ve so cal l ousl y sl ai n. )
ON THE BED ON THE BED ON THE BED ON THE BED ON THE BED
Psycho Ki l l er t hr ows open hi s SUI TCASE, t osses t he wal l et i n. Psycho Ki l l er t hr ows open hi s SUI TCASE, t osses t he wal l et i n. Psycho Ki l l er t hr ows open hi s SUI TCASE, t osses t he wal l et i n. Psycho Ki l l er t hr ows open hi s SUI TCASE, t osses t he wal l et i n. Psycho Ki l l er t hr ows open hi s SUI TCASE, t osses t he wal l et i n.
He t akes t wo t omes of THE ENCYCLOPEDI A BRI TANNI CA out of t he He t akes t wo t omes of THE ENCYCLOPEDI A BRI TANNI CA out of t he He t akes t wo t omes of THE ENCYCLOPEDI A BRI TANNI CA out of t he He t akes t wo t omes of THE ENCYCLOPEDI A BRI TANNI CA out of t he He t akes t wo t omes of THE ENCYCLOPEDI A BRI TANNI CA out of t he
sui t case, pl aci ng t hemon t he bed. VOLUMES " N" and " T. " sui t case, pl aci ng t hemon t he bed. VOLUMES " N" and " T. " sui t case, pl aci ng t hemon t he bed. VOLUMES " N" and " T. " sui t case, pl aci ng t hemon t he bed. VOLUMES " N" and " T. " sui t case, pl aci ng t hemon t he bed. VOLUMES " N" and " T. "
PK t akes out a snub- nosed, ni ckel - pl at ed REVOLVER and sawed- PK t akes out a snub- nosed, ni ckel - pl at ed REVOLVER and sawed- PK t akes out a snub- nosed, ni ckel - pl at ed REVOLVER and sawed- PK t akes out a snub- nosed, ni ckel - pl at ed REVOLVER and sawed- PK t akes out a snub- nosed, ni ckel - pl at ed REVOLVER and sawed-
of f SHOTGUN ( wi t h l eat her SHOULDER STRAP) , put s t hembesi de of f SHOTGUN ( wi t h l eat her SHOULDER STRAP) , put s t hembesi de of f SHOTGUN ( wi t h l eat her SHOULDER STRAP) , put s t hembesi de of f SHOTGUN ( wi t h l eat her SHOULDER STRAP) , put s t hembesi de of f SHOTGUN ( wi t h l eat her SHOULDER STRAP) , put s t hembesi de
t he books. He t akes out a ZI P- LOCK BAGGI E of a f ew CREDI T t he books. He t akes out a ZI P- LOCK BAGGI E of a f ew CREDI T t he books. He t akes out a ZI P- LOCK BAGGI E of a f ew CREDI T t he books. He t akes out a ZI P- LOCK BAGGI E of a f ew CREDI T t he books. He t akes out a ZI P- LOCK BAGGI E of a f ew CREDI T
CARDS, CREDI T SLI PS and some CASH, t osses i t on t he bed. CARDS, CREDI T SLI PS and some CASH, t osses i t on t he bed. CARDS, CREDI T SLI PS and some CASH, t osses i t on t he bed. CARDS, CREDI T SLI PS and some CASH, t osses i t on t he bed. CARDS, CREDI T SLI PS and some CASH, t osses i t on t he bed.
He t akes out a ZI P- LOCK of a dozen or so col or f ul PI LLS. He t akes out a ZI P- LOCK of a dozen or so col or f ul PI LLS. He t akes out a ZI P- LOCK of a dozen or so col or f ul PI LLS. He t akes out a ZI P- LOCK of a dozen or so col or f ul PI LLS. He t akes out a ZI P- LOCK of a dozen or so col or f ul PI LLS.
Psycho Ki l l er yanks down hi s mask' s t hi ck, sal i va- sl i ck GAG Psycho Ki l l er yanks down hi s mask' s t hi ck, sal i va- sl i ck GAG Psycho Ki l l er yanks down hi s mask' s t hi ck, sal i va- sl i ck GAG Psycho Ki l l er yanks down hi s mask' s t hi ck, sal i va- sl i ck GAG Psycho Ki l l er yanks down hi s mask' s t hi ck, sal i va- sl i ck GAG
so he may gobbl e down t hese l ast f ew of hi s menager i e of so he may gobbl e down t hese l ast f ew of hi s menager i e of so he may gobbl e down t hese l ast f ew of hi s menager i e of so he may gobbl e down t hese l ast f ew of hi s menager i e of so he may gobbl e down t hese l ast f ew of hi s menager i e of
PI LLS, chewi ng t hem, gnashi ng, swal l owi ng t hemdr y. PI LLS, chewi ng t hem, gnashi ng, swal l owi ng t hemdr y. PI LLS, chewi ng t hem, gnashi ng, swal l owi ng t hemdr y. PI LLS, chewi ng t hem, gnashi ng, swal l owi ng t hemdr y. PI LLS, chewi ng t hem, gnashi ng, swal l owi ng t hemdr y.
IN THE MOTEL ROOM -- LATER NIGHT IN THE MOTEL ROOM -- LATER NIGHT IN THE MOTEL ROOM -- LATER NIGHT IN THE MOTEL ROOM -- LATER NIGHT IN THE MOTEL ROOM -- LATER NIGHT
Psycho Ki l l er , masked, i s back at t he f r ont wi ndow, peeki ng Psycho Ki l l er , masked, i s back at t he f r ont wi ndow, peeki ng Psycho Ki l l er , masked, i s back at t he f r ont wi ndow, peeki ng Psycho Ki l l er , masked, i s back at t he f r ont wi ndow, peeki ng Psycho Ki l l er , masked, i s back at t he f r ont wi ndow, peeki ng
out f or a l ong moment . He shut s t he cur t ai n. He cr osses, out f or a l ong moment . He shut s t he cur t ai n. He cr osses, out f or a l ong moment . He shut s t he cur t ai n. He cr osses, out f or a l ong moment . He shut s t he cur t ai n. He cr osses, out f or a l ong moment . He shut s t he cur t ai n. He cr osses,
pi cki ng up hi s sawed- of f shot gun f r omt he bed. pi cki ng up hi s sawed- of f shot gun f r omt he bed. pi cki ng up hi s sawed- of f shot gun f r omt he bed. pi cki ng up hi s sawed- of f shot gun f r omt he bed. pi cki ng up hi s sawed- of f shot gun f r omt he bed.
Psycho Ki l l er ent er s t he r oom' s CLOSET. Psycho Ki l l er ent er s t he r oom' s CLOSET. Psycho Ki l l er ent er s t he r oom' s CLOSET. Psycho Ki l l er ent er s t he r oom' s CLOSET. Psycho Ki l l er ent er s t he r oom' s CLOSET.
8. 8. 8. 8. 8.
IN THE CLOSET IN THE CLOSET IN THE CLOSET IN THE CLOSET IN THE CLOSET
Psycho Ki l l er pul l s t he st r i ng t o t ur n ON t he bar e BULB Psycho Ki l l er pul l s t he st r i ng t o t ur n ON t he bar e BULB Psycho Ki l l er pul l s t he st r i ng t o t ur n ON t he bar e BULB Psycho Ki l l er pul l s t he st r i ng t o t ur n ON t he bar e BULB Psycho Ki l l er pul l s t he st r i ng t o t ur n ON t he bar e BULB
above, t hen shut s t he door . He pr oceeds t o kneel down on above, t hen shut s t he door . He pr oceeds t o kneel down on above, t hen shut s t he door . He pr oceeds t o kneel down on above, t hen shut s t he door . He pr oceeds t o kneel down on above, t hen shut s t he door . He pr oceeds t o kneel down on
t he f l oor of t hi s, not sur pr i si ngl y, cr amped space. t he f l oor of t hi s, not sur pr i si ngl y, cr amped space. t he f l oor of t hi s, not sur pr i si ngl y, cr amped space. t he f l oor of t hi s, not sur pr i si ngl y, cr amped space. t he f l oor of t hi s, not sur pr i si ngl y, cr amped space.
PK l ays down, cur l i ng f et al , shot gun hel d, t o awai t sl umber . PK l ays down, cur l i ng f et al , shot gun hel d, t o awai t sl umber . PK l ays down, cur l i ng f et al , shot gun hel d, t o awai t sl umber . PK l ays down, cur l i ng f et al , shot gun hel d, t o awai t sl umber . PK l ays down, cur l i ng f et al , shot gun hel d, t o awai t sl umber .
EXT. MOTEL -- MORNING EXT. MOTEL -- MORNING EXT. MOTEL -- MORNING EXT. MOTEL -- MORNING EXT. MOTEL -- MORNING
BI RDS SI NG. A f ew CARS and PEDESTRI ANS pass. A br i ght , BI RDS SI NG. A f ew CARS and PEDESTRI ANS pass. A br i ght , BI RDS SI NG. A f ew CARS and PEDESTRI ANS pass. A br i ght , BI RDS SI NG. A f ew CARS and PEDESTRI ANS pass. A br i ght , BI RDS SI NG. A f ew CARS and PEDESTRI ANS pass. A br i ght ,
peacef ul day bur geons out si de t he mot el PK chose, whi l e. . . peacef ul day bur geons out si de t he mot el PK chose, whi l e. . . peacef ul day bur geons out si de t he mot el PK chose, whi l e. . . peacef ul day bur geons out si de t he mot el PK chose, whi l e. . . peacef ul day bur geons out si de t he mot el PK chose, whi l e. . .
IN THE MOTEL ROOM CLOSET IN THE MOTEL ROOM CLOSET IN THE MOTEL ROOM CLOSET IN THE MOTEL ROOM CLOSET IN THE MOTEL ROOM CLOSET
A t empest r i ses i n Psycho Ki l l er ' s subconsci ous mi nd as he A t empest r i ses i n Psycho Ki l l er ' s subconsci ous mi nd as he A t empest r i ses i n Psycho Ki l l er ' s subconsci ous mi nd as he A t empest r i ses i n Psycho Ki l l er ' s subconsci ous mi nd as he A t empest r i ses i n Psycho Ki l l er ' s subconsci ous mi nd as he
l ays wr i t hi ng spasmodi cal l y i n hi s sl eep; per chance t o. . . l ays wr i t hi ng spasmodi cal l y i n hi s sl eep; per chance t o. . . l ays wr i t hi ng spasmodi cal l y i n hi s sl eep; per chance t o. . . l ays wr i t hi ng spasmodi cal l y i n hi s sl eep; per chance t o. . . l ays wr i t hi ng spasmodi cal l y i n hi s sl eep; per chance t o. . .
DREAM / PSYCHO KILLER'S VISION OF HADES DREAM / PSYCHO KILLER'S VISION OF HADES DREAM / PSYCHO KILLER'S VISION OF HADES DREAM / PSYCHO KILLER'S VISION OF HADES DREAM / PSYCHO KILLER'S VISION OF HADES
Mad TRUMPETS BLARE over a vast vi si on of HELL wher e hundr eds Mad TRUMPETS BLARE over a vast vi si on of HELL wher e hundr eds Mad TRUMPETS BLARE over a vast vi si on of HELL wher e hundr eds Mad TRUMPETS BLARE over a vast vi si on of HELL wher e hundr eds Mad TRUMPETS BLARE over a vast vi si on of HELL wher e hundr eds
of best i al DEMONS i nhabi t a sur r eal , ni ght mar e l andscape of best i al DEMONS i nhabi t a sur r eal , ni ght mar e l andscape of best i al DEMONS i nhabi t a sur r eal , ni ght mar e l andscape of best i al DEMONS i nhabi t a sur r eal , ni ght mar e l andscape of best i al DEMONS i nhabi t a sur r eal , ni ght mar e l andscape
under BLACK CLOUDS. under BLACK CLOUDS. under BLACK CLOUDS. under BLACK CLOUDS. under BLACK CLOUDS.
A f r enzi ed bacchanal i a seet hes acr oss t he bar r en, bl ackened A f r enzi ed bacchanal i a seet hes acr oss t he bar r en, bl ackened A f r enzi ed bacchanal i a seet hes acr oss t he bar r en, bl ackened A f r enzi ed bacchanal i a seet hes acr oss t he bar r en, bl ackened A f r enzi ed bacchanal i a seet hes acr oss t he bar r en, bl ackened
gr ound and beneat h and amongst t he bar e, gnar l ed l i mbs of gr ound and beneat h and amongst t he bar e, gnar l ed l i mbs of gr ound and beneat h and amongst t he bar e, gnar l ed l i mbs of gr ound and beneat h and amongst t he bar e, gnar l ed l i mbs of gr ound and beneat h and amongst t he bar e, gnar l ed l i mbs of
gi ant BLACK TREES. At ever y t ur n, gr uesome DEMON hor des of gi ant BLACK TREES. At ever y t ur n, gr uesome DEMON hor des of gi ant BLACK TREES. At ever y t ur n, gr uesome DEMON hor des of gi ant BLACK TREES. At ever y t ur n, gr uesome DEMON hor des of gi ant BLACK TREES. At ever y t ur n, gr uesome DEMON hor des of
hal f - man/ hal f - beast cr eat ur es l or d over MORTALS. A RI VER of hal f - man/ hal f - beast cr eat ur es l or d over MORTALS. A RI VER of hal f - man/ hal f - beast cr eat ur es l or d over MORTALS. A RI VER of hal f - man/ hal f - beast cr eat ur es l or d over MORTALS. A RI VER of hal f - man/ hal f - beast cr eat ur es l or d over MORTALS. A RI VER of
mol t en MAGMA di vi des t he l andscape. FI RES r aze t he mol t en MAGMA di vi des t he l andscape. FI RES r aze t he mol t en MAGMA di vi des t he l andscape. FI RES r aze t he mol t en MAGMA di vi des t he l andscape. FI RES r aze t he mol t en MAGMA di vi des t he l andscape. FI RES r aze t he
mount ai nous, vol cani c hor i zon. mount ai nous, vol cani c hor i zon. mount ai nous, vol cani c hor i zon. mount ai nous, vol cani c hor i zon. mount ai nous, vol cani c hor i zon.
A THUNDER CLAP dr aws t he at t ent i on of many of t he squeal i ng, A THUNDER CLAP dr aws t he at t ent i on of many of t he squeal i ng, A THUNDER CLAP dr aws t he at t ent i on of many of t he squeal i ng, A THUNDER CLAP dr aws t he at t ent i on of many of t he squeal i ng, A THUNDER CLAP dr aws t he at t ent i on of many of t he squeal i ng,
shr i eki ng Hel l - beast s, who t ur n and l ook t o t he " heavens. " shr i eki ng Hel l - beast s, who t ur n and l ook t o t he " heavens. " shr i eki ng Hel l - beast s, who t ur n and l ook t o t he " heavens. " shr i eki ng Hel l - beast s, who t ur n and l ook t o t he " heavens. " shr i eki ng Hel l - beast s, who t ur n and l ook t o t he " heavens. "
I N THE BLACK SKI ES ABOVE: a gr eat , MOLTEN ORANGE GLOW I N THE BLACK SKI ES ABOVE: a gr eat , MOLTEN ORANGE GLOW I N THE BLACK SKI ES ABOVE: a gr eat , MOLTEN ORANGE GLOW I N THE BLACK SKI ES ABOVE: a gr eat , MOLTEN ORANGE GLOW I N THE BLACK SKI ES ABOVE: a gr eat , MOLTEN ORANGE GLOW
appear s f r omwi t hi n t he r oi l i ng cl ouds. CLOUDS PART as. . . appear s f r omwi t hi n t he r oi l i ng cl ouds. CLOUDS PART as. . . appear s f r omwi t hi n t he r oi l i ng cl ouds. CLOUDS PART as. . . appear s f r omwi t hi n t he r oi l i ng cl ouds. CLOUDS PART as. . . appear s f r omwi t hi n t he r oi l i ng cl ouds. CLOUDS PART as. . .
PSYCHO KI LLER descends sl owl y ( i n MASK and shi r t l ess) , ar ms PSYCHO KI LLER descends sl owl y ( i n MASK and shi r t l ess) , ar ms PSYCHO KI LLER descends sl owl y ( i n MASK and shi r t l ess) , ar ms PSYCHO KI LLER descends sl owl y ( i n MASK and shi r t l ess) , ar ms PSYCHO KI LLER descends sl owl y ( i n MASK and shi r t l ess) , ar ms
out st r et ched wi t h SLEDGEHAMMER and AX i n hi s hands. out st r et ched wi t h SLEDGEHAMMER and AX i n hi s hands. out st r et ched wi t h SLEDGEHAMMER and AX i n hi s hands. out st r et ched wi t h SLEDGEHAMMER and AX i n hi s hands. out st r et ched wi t h SLEDGEHAMMER and AX i n hi s hands.
He i s hel d al of t as i f by f or ce of di vi ni t y. He i s hel d al of t as i f by f or ce of di vi ni t y. He i s hel d al of t as i f by f or ce of di vi ni t y. He i s hel d al of t as i f by f or ce of di vi ni t y. He i s hel d al of t as i f by f or ce of di vi ni t y.
Fol l owi ng t he l evi t at i ng Psycho Ki l l er , bur ni ng HUMAN BEI NGS Fol l owi ng t he l evi t at i ng Psycho Ki l l er , bur ni ng HUMAN BEI NGS Fol l owi ng t he l evi t at i ng Psycho Ki l l er , bur ni ng HUMAN BEI NGS Fol l owi ng t he l evi t at i ng Psycho Ki l l er , bur ni ng HUMAN BEI NGS Fol l owi ng t he l evi t at i ng Psycho Ki l l er , bur ni ng HUMAN BEI NGS
begi n t o f al l f r omt he cl ouds - - WOMEN, MEN and CHI LDREN, begi n t o f al l f r omt he cl ouds - - WOMEN, MEN and CHI LDREN, begi n t o f al l f r omt he cl ouds - - WOMEN, MEN and CHI LDREN, begi n t o f al l f r omt he cl ouds - - WOMEN, MEN and CHI LDREN, begi n t o f al l f r omt he cl ouds - - WOMEN, MEN and CHI LDREN,
cl ot hed but af l ame - - wai l i ng and f l ai l i ng hel pl essl y. . . cl ot hed but af l ame - - wai l i ng and f l ai l i ng hel pl essl y. . . cl ot hed but af l ame - - wai l i ng and f l ai l i ng hel pl essl y. . . cl ot hed but af l ame - - wai l i ng and f l ai l i ng hel pl essl y. . . cl ot hed but af l ame - - wai l i ng and f l ai l i ng hel pl essl y. . .
To be consumed by t he r agi ng LAVA RI VER bel ow. To be consumed by t he r agi ng LAVA RI VER bel ow. To be consumed by t he r agi ng LAVA RI VER bel ow. To be consumed by t he r agi ng LAVA RI VER bel ow. To be consumed by t he r agi ng LAVA RI VER bel ow.
Fi r st a f ew of t hese newl y DAMNED HUMANS t umbl e i n f r omt he Fi r st a f ew of t hese newl y DAMNED HUMANS t umbl e i n f r omt he Fi r st a f ew of t hese newl y DAMNED HUMANS t umbl e i n f r omt he Fi r st a f ew of t hese newl y DAMNED HUMANS t umbl e i n f r omt he Fi r st a f ew of t hese newl y DAMNED HUMANS t umbl e i n f r omt he
hol e i n hel l ' s sky, t hen DOZENS. . . t hen HUNDREDS, whi l e hol e i n hel l ' s sky, t hen DOZENS. . . t hen HUNDREDS, whi l e hol e i n hel l ' s sky, t hen DOZENS. . . t hen HUNDREDS, whi l e hol e i n hel l ' s sky, t hen DOZENS. . . t hen HUNDREDS, whi l e hol e i n hel l ' s sky, t hen DOZENS. . . t hen HUNDREDS, whi l e
t her e r i ses up a gr eat , i nhuman CHEER f r omt he mi ni ons bel ow. t her e r i ses up a gr eat , i nhuman CHEER f r omt he mi ni ons bel ow. t her e r i ses up a gr eat , i nhuman CHEER f r omt he mi ni ons bel ow. t her e r i ses up a gr eat , i nhuman CHEER f r omt he mi ni ons bel ow. t her e r i ses up a gr eat , i nhuman CHEER f r omt he mi ni ons bel ow.
Levi t at i ng Psycho Ki l l er bows hi s head t o acknowl edge t hei r Levi t at i ng Psycho Ki l l er bows hi s head t o acknowl edge t hei r Levi t at i ng Psycho Ki l l er bows hi s head t o acknowl edge t hei r Levi t at i ng Psycho Ki l l er bows hi s head t o acknowl edge t hei r Levi t at i ng Psycho Ki l l er bows hi s head t o acknowl edge t hei r
l audi ng. Fl ashes of CRI MSON LI GHTNI NG l ance t he sky. l audi ng. Fl ashes of CRI MSON LI GHTNI NG l ance t he sky. l audi ng. Fl ashes of CRI MSON LI GHTNI NG l ance t he sky. l audi ng. Fl ashes of CRI MSON LI GHTNI NG l ance t he sky. l audi ng. Fl ashes of CRI MSON LI GHTNI NG l ance t he sky.
9. 9. 9. 9. 9.
EXT./INT. HARDWARE MEGA-STORE -- DAY EXT./INT. HARDWARE MEGA-STORE -- DAY EXT./INT. HARDWARE MEGA-STORE -- DAY EXT./INT. HARDWARE MEGA-STORE -- DAY EXT./INT. HARDWARE MEGA-STORE -- DAY
MUZAK i s HEARD as we FOLLOWPsycho Ki l l er , pushi ng a MUZAK i s HEARD as we FOLLOWPsycho Ki l l er , pushi ng a MUZAK i s HEARD as we FOLLOWPsycho Ki l l er , pushi ng a MUZAK i s HEARD as we FOLLOWPsycho Ki l l er , pushi ng a MUZAK i s HEARD as we FOLLOWPsycho Ki l l er , pushi ng a
SHOPPI NG CART, i nt o a busy WAREHOUSE- STYLE HARDWARE STORE. SHOPPI NG CART, i nt o a busy WAREHOUSE- STYLE HARDWARE STORE. SHOPPI NG CART, i nt o a busy WAREHOUSE- STYLE HARDWARE STORE. SHOPPI NG CART, i nt o a busy WAREHOUSE- STYLE HARDWARE STORE. SHOPPI NG CART, i nt o a busy WAREHOUSE- STYLE HARDWARE STORE.
Psycho Ki l l er STUDI ES t he SHOPPERS ar ound hi m. They ar e Psycho Ki l l er STUDI ES t he SHOPPERS ar ound hi m. They ar e Psycho Ki l l er STUDI ES t he SHOPPERS ar ound hi m. They ar e Psycho Ki l l er STUDI ES t he SHOPPERS ar ound hi m. They ar e Psycho Ki l l er STUDI ES t he SHOPPERS ar ound hi m. They ar e
obl i vi ous t o hi s at t ent i ons. WORKERS and DAY- LABORERS pass. obl i vi ous t o hi s at t ent i ons. WORKERS and DAY- LABORERS pass. obl i vi ous t o hi s at t ent i ons. WORKERS and DAY- LABORERS pass. obl i vi ous t o hi s at t ent i ons. WORKERS and DAY- LABORERS pass. obl i vi ous t o hi s at t ent i ons. WORKERS and DAY- LABORERS pass.
An at t r act i ve YOUNG COUPLE car r i es CANS of PAI NT. An at t r act i ve YOUNG COUPLE car r i es CANS of PAI NT. An at t r act i ve YOUNG COUPLE car r i es CANS of PAI NT. An at t r act i ve YOUNG COUPLE car r i es CANS of PAI NT. An at t r act i ve YOUNG COUPLE car r i es CANS of PAI NT.
A st ooped, ELDERLY MAN shuf f l es al ong, squi nt i ng at hi s LI ST. A st ooped, ELDERLY MAN shuf f l es al ong, squi nt i ng at hi s LI ST. A st ooped, ELDERLY MAN shuf f l es al ong, squi nt i ng at hi s LI ST. A st ooped, ELDERLY MAN shuf f l es al ong, squi nt i ng at hi s LI ST. A st ooped, ELDERLY MAN shuf f l es al ong, squi nt i ng at hi s LI ST.
A FATHER wal ks wi t h hi s f i ve- year - ol d SON, hol di ng t he boy' s A FATHER wal ks wi t h hi s f i ve- year - ol d SON, hol di ng t he boy' s A FATHER wal ks wi t h hi s f i ve- year - ol d SON, hol di ng t he boy' s A FATHER wal ks wi t h hi s f i ve- year - ol d SON, hol di ng t he boy' s A FATHER wal ks wi t h hi s f i ve- year - ol d SON, hol di ng t he boy' s
hand. The boy t ur ns hi s head t o st ar e at Psycho Ki l l er . . . hand. The boy t ur ns hi s head t o st ar e at Psycho Ki l l er . . . hand. The boy t ur ns hi s head t o st ar e at Psycho Ki l l er . . . hand. The boy t ur ns hi s head t o st ar e at Psycho Ki l l er . . . hand. The boy t ur ns hi s head t o st ar e at Psycho Ki l l er . . .
IN THE HARDWARE STORE IN THE HARDWARE STORE IN THE HARDWARE STORE IN THE HARDWARE STORE IN THE HARDWARE STORE
The ki d keeps st ar i ng back as Fat her , unawar e, l eads hi m The ki d keeps st ar i ng back as Fat her , unawar e, l eads hi m The ki d keeps st ar i ng back as Fat her , unawar e, l eads hi m The ki d keeps st ar i ng back as Fat her , unawar e, l eads hi m The ki d keeps st ar i ng back as Fat her , unawar e, l eads hi m
away. Psycho Ki l l er goes, pushi ng hi s car t . away. Psycho Ki l l er goes, pushi ng hi s car t . away. Psycho Ki l l er goes, pushi ng hi s car t . away. Psycho Ki l l er goes, pushi ng hi s car t . away. Psycho Ki l l er goes, pushi ng hi s car t .
IN THE TOOL AISLE -- MOMENTS LATER IN THE TOOL AISLE -- MOMENTS LATER IN THE TOOL AISLE -- MOMENTS LATER IN THE TOOL AISLE -- MOMENTS LATER IN THE TOOL AISLE -- MOMENTS LATER
FOLLOWas Psycho Ki l l er gui des t he car t down t hi s ai sl e. FOLLOWas Psycho Ki l l er gui des t he car t down t hi s ai sl e. FOLLOWas Psycho Ki l l er gui des t he car t down t hi s ai sl e. FOLLOWas Psycho Ki l l er gui des t he car t down t hi s ai sl e. FOLLOWas Psycho Ki l l er gui des t he car t down t hi s ai sl e.
Al l manner of TOOLS hang di spl ayed. Al l manner of TOOLS hang di spl ayed. Al l manner of TOOLS hang di spl ayed. Al l manner of TOOLS hang di spl ayed. Al l manner of TOOLS hang di spl ayed.
LOOKI NG OVER t he capt i vat i ng choi ces; HAMMERS, SAWS, LOOKI NG OVER t he capt i vat i ng choi ces; HAMMERS, SAWS, LOOKI NG OVER t he capt i vat i ng choi ces; HAMMERS, SAWS, LOOKI NG OVER t he capt i vat i ng choi ces; HAMMERS, SAWS, LOOKI NG OVER t he capt i vat i ng choi ces; HAMMERS, SAWS,
PI CKAXES, SHOVELS and bi g PRUNI NG SHEARS. I n t hi s cont ext , PI CKAXES, SHOVELS and bi g PRUNI NG SHEARS. I n t hi s cont ext , PI CKAXES, SHOVELS and bi g PRUNI NG SHEARS. I n t hi s cont ext , PI CKAXES, SHOVELS and bi g PRUNI NG SHEARS. I n t hi s cont ext , PI CKAXES, SHOVELS and bi g PRUNI NG SHEARS. I n t hi s cont ext ,
t hr ough these eyes, al l appear si ni st er and l et hal . t hr ough these eyes, al l appear si ni st er and l et hal . t hr ough these eyes, al l appear si ni st er and l et hal . t hr ough these eyes, al l appear si ni st er and l et hal . t hr ough these eyes, al l appear si ni st er and l et hal .
IN THE TOOL AISLE IN THE TOOL AISLE IN THE TOOL AISLE IN THE TOOL AISLE IN THE TOOL AISLE
Psycho Ki l l er ' s hands choose a l ar ge MACHETE, unsheat hi ng Psycho Ki l l er ' s hands choose a l ar ge MACHETE, unsheat hi ng Psycho Ki l l er ' s hands choose a l ar ge MACHETE, unsheat hi ng Psycho Ki l l er ' s hands choose a l ar ge MACHETE, unsheat hi ng Psycho Ki l l er ' s hands choose a l ar ge MACHETE, unsheat hi ng
i t . PK gr unt s, put s i t back. He t akes down a SLEDGEHAMMER, i t . PK gr unt s, put s i t back. He t akes down a SLEDGEHAMMER, i t . PK gr unt s, put s i t back. He t akes down a SLEDGEHAMMER, i t . PK gr unt s, put s i t back. He t akes down a SLEDGEHAMMER, i t . PK gr unt s, put s i t back. He t akes down a SLEDGEHAMMER,
t est i ng i t s bal ance, t hen pl aces i t i n t he shoppi ng car t . t est i ng i t s bal ance, t hen pl aces i t i n t he shoppi ng car t . t est i ng i t s bal ance, t hen pl aces i t i n t he shoppi ng car t . t est i ng i t s bal ance, t hen pl aces i t i n t he shoppi ng car t . t est i ng i t s bal ance, t hen pl aces i t i n t he shoppi ng car t .
IN THE PLUMBING AISLE IN THE PLUMBING AISLE IN THE PLUMBING AISLE IN THE PLUMBING AISLE IN THE PLUMBING AISLE
Psycho Ki l l er pul l s a 3- f oot l engt h of COPPER PI PE f r oma Psycho Ki l l er pul l s a 3- f oot l engt h of COPPER PI PE f r oma Psycho Ki l l er pul l s a 3- f oot l engt h of COPPER PI PE f r oma Psycho Ki l l er pul l s a 3- f oot l engt h of COPPER PI PE f r oma Psycho Ki l l er pul l s a 3- f oot l engt h of COPPER PI PE f r oma
shel f , f eel i ng i t s sol i di t y. Pl aces i t i nt o hi s car t . shel f , f eel i ng i t s sol i di t y. Pl aces i t i nt o hi s car t . shel f , f eel i ng i t s sol i di t y. Pl aces i t i nt o hi s car t . shel f , f eel i ng i t s sol i di t y. Pl aces i t i nt o hi s car t . shel f , f eel i ng i t s sol i di t y. Pl aces i t i nt o hi s car t .
EXT. HARDWARE MEGA-STORE PARKING LOT -- MOMENTS LATER EXT. HARDWARE MEGA-STORE PARKING LOT -- MOMENTS LATER EXT. HARDWARE MEGA-STORE PARKING LOT -- MOMENTS LATER EXT. HARDWARE MEGA-STORE PARKING LOT -- MOMENTS LATER EXT. HARDWARE MEGA-STORE PARKING LOT -- MOMENTS LATER
Psycho Ki l l er car r i es hi s pur chases, ar r i ves at hi s sedan, Psycho Ki l l er car r i es hi s pur chases, ar r i ves at hi s sedan, Psycho Ki l l er car r i es hi s pur chases, ar r i ves at hi s sedan, Psycho Ki l l er car r i es hi s pur chases, ar r i ves at hi s sedan, Psycho Ki l l er car r i es hi s pur chases, ar r i ves at hi s sedan,
whi ch i s par ked i n a f ar cor ner of t he LOT, away f r omot her whi ch i s par ked i n a f ar cor ner of t he LOT, away f r omot her whi ch i s par ked i n a f ar cor ner of t he LOT, away f r omot her whi ch i s par ked i n a f ar cor ner of t he LOT, away f r omot her whi ch i s par ked i n a f ar cor ner of t he LOT, away f r omot her
vehi cl es. He uses a key t o open t he t r unk. . . vehi cl es. He uses a key t o open t he t r unk. . . vehi cl es. He uses a key t o open t he t r unk. . . vehi cl es. He uses a key t o open t he t r unk. . . vehi cl es. He uses a key t o open t he t r unk. . .
I NSI DE THE TRUNK: a wi de- eyed WOMAN' S FACE gr eet s us wi t h a I NSI DE THE TRUNK: a wi de- eyed WOMAN' S FACE gr eet s us wi t h a I NSI DE THE TRUNK: a wi de- eyed WOMAN' S FACE gr eet s us wi t h a I NSI DE THE TRUNK: a wi de- eyed WOMAN' S FACE gr eet s us wi t h a I NSI DE THE TRUNK: a wi de- eyed WOMAN' S FACE gr eet s us wi t h a
si l ent scr eam; a r ot t i ng, pl ast i c- wr apped, SEVERED HEAD. si l ent scr eam; a r ot t i ng, pl ast i c- wr apped, SEVERED HEAD. si l ent scr eam; a r ot t i ng, pl ast i c- wr apped, SEVERED HEAD. si l ent scr eam; a r ot t i ng, pl ast i c- wr apped, SEVERED HEAD. si l ent scr eam; a r ot t i ng, pl ast i c- wr apped, SEVERED HEAD.
FLI ES BUZZ. FLI ES BUZZ. FLI ES BUZZ. FLI ES BUZZ. FLI ES BUZZ.
10. 10. 10. 10. 10.
The head l i es amongst PK' s al r eady pl ent i f ul col l ect i on of The head l i es amongst PK' s al r eady pl ent i f ul col l ect i on of The head l i es amongst PK' s al r eady pl ent i f ul col l ect i on of The head l i es amongst PK' s al r eady pl ent i f ul col l ect i on of The head l i es amongst PK' s al r eady pl ent i f ul col l ect i on of
HARDWARE I MPLEMENTS of deat h, some bl oodi ed. HARDWARE I MPLEMENTS of deat h, some bl oodi ed. HARDWARE I MPLEMENTS of deat h, some bl oodi ed. HARDWARE I MPLEMENTS of deat h, some bl oodi ed. HARDWARE I MPLEMENTS of deat h, some bl oodi ed.
Psycho Ki l l er t osses i n what he j ust bought , shut s t he t r unk. Psycho Ki l l er t osses i n what he j ust bought , shut s t he t r unk. Psycho Ki l l er t osses i n what he j ust bought , shut s t he t r unk. Psycho Ki l l er t osses i n what he j ust bought , shut s t he t r unk. Psycho Ki l l er t osses i n what he j ust bought , shut s t he t r unk.
INT. PSYCHO KILLER'S CAR -- IN MOTION INT. PSYCHO KILLER'S CAR -- IN MOTION INT. PSYCHO KILLER'S CAR -- IN MOTION INT. PSYCHO KILLER'S CAR -- IN MOTION INT. PSYCHO KILLER'S CAR -- IN MOTION
Psycho Ki l l er st ops f or a RED LI GHT i n a commer ci al ar ea. Psycho Ki l l er st ops f or a RED LI GHT i n a commer ci al ar ea. Psycho Ki l l er st ops f or a RED LI GHT i n a commer ci al ar ea. Psycho Ki l l er st ops f or a RED LI GHT i n a commer ci al ar ea. Psycho Ki l l er st ops f or a RED LI GHT i n a commer ci al ar ea.
Acr oss t he I NTERSECTI ON, a POLI CE CAR st ops. Acr oss t he I NTERSECTI ON, a POLI CE CAR st ops. Acr oss t he I NTERSECTI ON, a POLI CE CAR st ops. Acr oss t he I NTERSECTI ON, a POLI CE CAR st ops. Acr oss t he I NTERSECTI ON, a POLI CE CAR st ops.
PK WATCHES t he pol i ce car as t he t r af f i c l i ght t ur ns gr een. PK WATCHES t he pol i ce car as t he t r af f i c l i ght t ur ns gr een. PK WATCHES t he pol i ce car as t he t r af f i c l i ght t ur ns gr een. PK WATCHES t he pol i ce car as t he t r af f i c l i ght t ur ns gr een. PK WATCHES t he pol i ce car as t he t r af f i c l i ght t ur ns gr een.
The TWO MALE OFFI CERS l ook over as t hey dr i ve past . The TWO MALE OFFI CERS l ook over as t hey dr i ve past . The TWO MALE OFFI CERS l ook over as t hey dr i ve past . The TWO MALE OFFI CERS l ook over as t hey dr i ve past . The TWO MALE OFFI CERS l ook over as t hey dr i ve past .
Psycho Ki l l er LOOKS t o hi s DRI VER' S SI DE MI RROR: eyei ng t he Psycho Ki l l er LOOKS t o hi s DRI VER' S SI DE MI RROR: eyei ng t he Psycho Ki l l er LOOKS t o hi s DRI VER' S SI DE MI RROR: eyei ng t he Psycho Ki l l er LOOKS t o hi s DRI VER' S SI DE MI RROR: eyei ng t he Psycho Ki l l er LOOKS t o hi s DRI VER' S SI DE MI RROR: eyei ng t he
squad car , t i l l i t ' s gone amongst ot her t r af f i c. squad car , t i l l i t ' s gone amongst ot her t r af f i c. squad car , t i l l i t ' s gone amongst ot her t r af f i c. squad car , t i l l i t ' s gone amongst ot her t r af f i c. squad car , t i l l i t ' s gone amongst ot her t r af f i c.
EXT. SHOPPING CENTER PARKING LOT -- DAY EXT. SHOPPING CENTER PARKING LOT -- DAY EXT. SHOPPING CENTER PARKING LOT -- DAY EXT. SHOPPING CENTER PARKING LOT -- DAY EXT. SHOPPING CENTER PARKING LOT -- DAY
Psycho Ki l l er ' s sedan cr ui ses t hr ough, choosi ng a par ki ng Psycho Ki l l er ' s sedan cr ui ses t hr ough, choosi ng a par ki ng Psycho Ki l l er ' s sedan cr ui ses t hr ough, choosi ng a par ki ng Psycho Ki l l er ' s sedan cr ui ses t hr ough, choosi ng a par ki ng Psycho Ki l l er ' s sedan cr ui ses t hr ough, choosi ng a par ki ng
space acr oss f r oma " PHAR- MART" DRUG STORE i n t hi s MI NI - MALL. space acr oss f r oma " PHAR- MART" DRUG STORE i n t hi s MI NI - MALL. space acr oss f r oma " PHAR- MART" DRUG STORE i n t hi s MI NI - MALL. space acr oss f r oma " PHAR- MART" DRUG STORE i n t hi s MI NI - MALL. space acr oss f r oma " PHAR- MART" DRUG STORE i n t hi s MI NI - MALL.
INT. PHAR-MART PHARMACY -- DAY INT. PHAR-MART PHARMACY -- DAY INT. PHAR-MART PHARMACY -- DAY INT. PHAR-MART PHARMACY -- DAY INT. PHAR-MART PHARMACY -- DAY
FOLLOWPsycho Ki l l er as he wal ks t owar ds t he back of t he FOLLOWPsycho Ki l l er as he wal ks t owar ds t he back of t he FOLLOWPsycho Ki l l er as he wal ks t owar ds t he back of t he FOLLOWPsycho Ki l l er as he wal ks t owar ds t he back of t he FOLLOWPsycho Ki l l er as he wal ks t owar ds t he back of t he
st or e. He sl ows, l ooki ng ahead t o wher e. . . st or e. He sl ows, l ooki ng ahead t o wher e. . . st or e. He sl ows, l ooki ng ahead t o wher e. . . st or e. He sl ows, l ooki ng ahead t o wher e. . . st or e. He sl ows, l ooki ng ahead t o wher e. . .
I n t he " APOTHECARY" ar ea, an at t r act i ve, mi ddl e- aged f emal e I n t he " APOTHECARY" ar ea, an at t r act i ve, mi ddl e- aged f emal e I n t he " APOTHECARY" ar ea, an at t r act i ve, mi ddl e- aged f emal e I n t he " APOTHECARY" ar ea, an at t r act i ve, mi ddl e- aged f emal e I n t he " APOTHECARY" ar ea, an at t r act i ve, mi ddl e- aged f emal e
PHARMACI ST ki ndl y expl ai ns a BOTTLE of PI LLS t o an OLD WOMAN PHARMACI ST ki ndl y expl ai ns a BOTTLE of PI LLS t o an OLD WOMAN PHARMACI ST ki ndl y expl ai ns a BOTTLE of PI LLS t o an OLD WOMAN PHARMACI ST ki ndl y expl ai ns a BOTTLE of PI LLS t o an OLD WOMAN PHARMACI ST ki ndl y expl ai ns a BOTTLE of PI LLS t o an OLD WOMAN
acr oss t he phar macy COUNTER. Behi nd Phar maci st , a bur l y, acr oss t he phar macy COUNTER. Behi nd Phar maci st , a bur l y, acr oss t he phar macy COUNTER. Behi nd Phar maci st , a bur l y, acr oss t he phar macy COUNTER. Behi nd Phar maci st , a bur l y, acr oss t he phar macy COUNTER. Behi nd Phar maci st , a bur l y,
apr oned, MALE CO- WORKER f i l l s pr escr i pt i ons. apr oned, MALE CO- WORKER f i l l s pr escr i pt i ons. apr oned, MALE CO- WORKER f i l l s pr escr i pt i ons. apr oned, MALE CO- WORKER f i l l s pr escr i pt i ons. apr oned, MALE CO- WORKER f i l l s pr escr i pt i ons.
EXT. PHARMACY, PARKING LOT -- DAY EXT. PHARMACY, PARKING LOT -- DAY EXT. PHARMACY, PARKING LOT -- DAY EXT. PHARMACY, PARKING LOT -- DAY EXT. PHARMACY, PARKING LOT -- DAY
Psycho Ki l l er cl i mbs i nt o hi s car , st ar t s i t . Psycho Ki l l er cl i mbs i nt o hi s car , st ar t s i t . Psycho Ki l l er cl i mbs i nt o hi s car , st ar t s i t . Psycho Ki l l er cl i mbs i nt o hi s car , st ar t s i t . Psycho Ki l l er cl i mbs i nt o hi s car , st ar t s i t .
He dr i ves, headi ng ar ound t he f ar end of t he mal l . He dr i ves, headi ng ar ound t he f ar end of t he mal l . He dr i ves, headi ng ar ound t he f ar end of t he mal l . He dr i ves, headi ng ar ound t he f ar end of t he mal l . He dr i ves, headi ng ar ound t he f ar end of t he mal l .
BEHIND THE MALL BEHIND THE MALL BEHIND THE MALL BEHIND THE MALL BEHIND THE MALL
PK' s car passes t he mal l st or es' REAR ENTRANCES and PK' s car passes t he mal l st or es' REAR ENTRANCES and PK' s car passes t he mal l st or es' REAR ENTRANCES and PK' s car passes t he mal l st or es' REAR ENTRANCES and PK' s car passes t he mal l st or es' REAR ENTRANCES and
over f l owi ng DUMPSTERS t o hi s l ef t , and a handf ul of PARKED over f l owi ng DUMPSTERS t o hi s l ef t , and a handf ul of PARKED over f l owi ng DUMPSTERS t o hi s l ef t , and a handf ul of PARKED over f l owi ng DUMPSTERS t o hi s l ef t , and a handf ul of PARKED over f l owi ng DUMPSTERS t o hi s l ef t , and a handf ul of PARKED
CARS t o t he r i ght . He sl ows as he passes. . . CARS t o t he r i ght . He sl ows as he passes. . . CARS t o t he r i ght . He sl ows as he passes. . . CARS t o t he r i ght . He sl ows as he passes. . . CARS t o t he r i ght . He sl ows as he passes. . .
A DOOR wi t h " PHAR- MART" st enci l ed acr oss i t . A DOOR wi t h " PHAR- MART" st enci l ed acr oss i t . A DOOR wi t h " PHAR- MART" st enci l ed acr oss i t . A DOOR wi t h " PHAR- MART" st enci l ed acr oss i t . A DOOR wi t h " PHAR- MART" st enci l ed acr oss i t .
FURTHER ON FURTHER ON FURTHER ON FURTHER ON FURTHER ON
Psycho Ki l l er chooses a par ki ng spot away f r omot her car s, Psycho Ki l l er chooses a par ki ng spot away f r omot her car s, Psycho Ki l l er chooses a par ki ng spot away f r omot her car s, Psycho Ki l l er chooses a par ki ng spot away f r omot her car s, Psycho Ki l l er chooses a par ki ng spot away f r omot her car s,
pul l i ng f or war d and BACKI NG I N. pul l i ng f or war d and BACKI NG I N. pul l i ng f or war d and BACKI NG I N. pul l i ng f or war d and BACKI NG I N. pul l i ng f or war d and BACKI NG I N.
11. 11. 11. 11. 11.
THRU THE WINDSHIELD -- PSYCHO KILLER'S POV: THRU THE WINDSHIELD -- PSYCHO KILLER'S POV: THRU THE WINDSHIELD -- PSYCHO KILLER'S POV: THRU THE WINDSHIELD -- PSYCHO KILLER'S POV: THRU THE WINDSHIELD -- PSYCHO KILLER'S POV:
Fr omt hi s di st ance, Psycho Ki l l er can obser ve t he " Phar - Fr omt hi s di st ance, Psycho Ki l l er can obser ve t he " Phar - Fr omt hi s di st ance, Psycho Ki l l er can obser ve t he " Phar - Fr omt hi s di st ance, Psycho Ki l l er can obser ve t he " Phar - Fr omt hi s di st ance, Psycho Ki l l er can obser ve t he " Phar -
Mar t " backdoor , as wel l as car s par ked adj acent f r omi t . Mar t " backdoor , as wel l as car s par ked adj acent f r omi t . Mar t " backdoor , as wel l as car s par ked adj acent f r omi t . Mar t " backdoor , as wel l as car s par ked adj acent f r omi t . Mar t " backdoor , as wel l as car s par ked adj acent f r omi t .
PK' s POV l ooks down t o. . . PK' s POV l ooks down t o. . . PK' s POV l ooks down t o. . . PK' s POV l ooks down t o. . . PK' s POV l ooks down t o. . .
The CLOCK on t he car ' s dashboar d. " 3:34 pm. " The CLOCK on t he car ' s dashboar d. " 3:34 pm. " The CLOCK on t he car ' s dashboar d. " 3:34 pm. " The CLOCK on t he car ' s dashboar d. " 3:34 pm. " The CLOCK on t he car ' s dashboar d. " 3:34 pm. "
We can make out Psycho Ki l l er ' s f or m, obscur ed by We can make out Psycho Ki l l er ' s f or m, obscur ed by We can make out Psycho Ki l l er ' s f or m, obscur ed by We can make out Psycho Ki l l er ' s f or m, obscur ed by We can make out Psycho Ki l l er ' s f or m, obscur ed by
r ef l ect i ons on t he car wi ndows, as he sl umps l ow. r ef l ect i ons on t he car wi ndows, as he sl umps l ow. r ef l ect i ons on t he car wi ndows, as he sl umps l ow. r ef l ect i ons on t he car wi ndows, as he sl umps l ow. r ef l ect i ons on t he car wi ndows, as he sl umps l ow.
DISSOLVE TO: DISSOLVE TO: DISSOLVE TO: DISSOLVE TO: DISSOLVE TO:
THRU WINDSHIELD -- PSYCHO KILLER'S POV: THRU WINDSHIELD -- PSYCHO KILLER'S POV: THRU WINDSHIELD -- PSYCHO KILLER'S POV: THRU WINDSHIELD -- PSYCHO KILLER'S POV: THRU WINDSHIELD -- PSYCHO KILLER'S POV:
RADI O' S ON. PK WATCHES Phar - Mar t ' s backdoor . The RADI O' S ON. PK WATCHES Phar - Mar t ' s backdoor . The RADI O' S ON. PK WATCHES Phar - Mar t ' s backdoor . The RADI O' S ON. PK WATCHES Phar - Mar t ' s backdoor . The RADI O' S ON. PK WATCHES Phar - Mar t ' s backdoor . The
at t r act i ve Phar maci st comes out . She l i ght s a ci gar et t e, at t r act i ve Phar maci st comes out . She l i ght s a ci gar et t e, at t r act i ve Phar maci st comes out . She l i ght s a ci gar et t e, at t r act i ve Phar maci st comes out . She l i ght s a ci gar et t e, at t r act i ve Phar maci st comes out . She l i ght s a ci gar et t e,
cr ossi ng t o get i nt o her near by CAR, an ol der 4- DOOR. cr ossi ng t o get i nt o her near by CAR, an ol der 4- DOOR. cr ossi ng t o get i nt o her near by CAR, an ol der 4- DOOR. cr ossi ng t o get i nt o her near by CAR, an ol der 4- DOOR. cr ossi ng t o get i nt o her near by CAR, an ol der 4- DOOR.
RADI O REPORTER ( V. O. ) RADI O REPORTER ( V. O. ) RADI O REPORTER ( V. O. ) RADI O REPORTER ( V. O. ) RADI O REPORTER ( V. O. )
( f r omRADI O) ( f r omRADI O) ( f r omRADI O) ( f r omRADI O) ( f r omRADI O)
. . . f or est f i r e nor t h of Ki t Car son, . . . f or est f i r e nor t h of Ki t Car son, . . . f or est f i r e nor t h of Ki t Car son, . . . f or est f i r e nor t h of Ki t Car son, . . . f or est f i r e nor t h of Ki t Car son,
Col or ado, yest er day mor ni ng. Col or ado Col or ado, yest er day mor ni ng. Col or ado Col or ado, yest er day mor ni ng. Col or ado Col or ado, yest er day mor ni ng. Col or ado Col or ado, yest er day mor ni ng. Col or ado
St at e Pol i ce di scover ed t he bodi es of St at e Pol i ce di scover ed t he bodi es of St at e Pol i ce di scover ed t he bodi es of St at e Pol i ce di scover ed t he bodi es of St at e Pol i ce di scover ed t he bodi es of
Char l es and Paul a Wi l son, of Denver , Char l es and Paul a Wi l son, of Denver , Char l es and Paul a Wi l son, of Denver , Char l es and Paul a Wi l son, of Denver , Char l es and Paul a Wi l son, of Denver ,
al ong wi t h t he r emai ns of t he dr i ver al ong wi t h t he r emai ns of t he dr i ver al ong wi t h t he r emai ns of t he dr i ver al ong wi t h t he r emai ns of t he dr i ver al ong wi t h t he r emai ns of t he dr i ver
of t he gasol i ne t anker t r uck, whose of t he gasol i ne t anker t r uck, whose of t he gasol i ne t anker t r uck, whose of t he gasol i ne t anker t r uck, whose of t he gasol i ne t anker t r uck, whose
i dent i t y has not yet been r el eased. i dent i t y has not yet been r el eased. i dent i t y has not yet been r el eased. i dent i t y has not yet been r el eased. i dent i t y has not yet been r el eased.
Psycho Ki l l er WATCHES as Phar maci st dr i ves of f . Psycho Ki l l er WATCHES as Phar maci st dr i ves of f . Psycho Ki l l er WATCHES as Phar maci st dr i ves of f . Psycho Ki l l er WATCHES as Phar maci st dr i ves of f . Psycho Ki l l er WATCHES as Phar maci st dr i ves of f .
Dashboar d CLOCK r eads, " 4:59 pm. " Dashboar d CLOCK r eads, " 4:59 pm. " Dashboar d CLOCK r eads, " 4:59 pm. " Dashboar d CLOCK r eads, " 4:59 pm. " Dashboar d CLOCK r eads, " 4:59 pm. "
RADI O REPORTER ( V. O. ) RADI O REPORTER ( V. O. ) RADI O REPORTER ( V. O. ) RADI O REPORTER ( V. O. ) RADI O REPORTER ( V. O. )
Thi s br i ngs t he number of known Thi s br i ngs t he number of known Thi s br i ngs t he number of known Thi s br i ngs t he number of known Thi s br i ngs t he number of known
vi ct i ms of t he I nt er st at e Ki l l er t o vi ct i ms of t he I nt er st at e Ki l l er t o vi ct i ms of t he I nt er st at e Ki l l er t o vi ct i ms of t he I nt er st at e Ki l l er t o vi ct i ms of t he I nt er st at e Ki l l er t o
at l east 20. Monday' s Nat i onal Mega- at l east 20. Monday' s Nat i onal Mega- at l east 20. Monday' s Nat i onal Mega- at l east 20. Monday' s Nat i onal Mega- at l east 20. Monday' s Nat i onal Mega-
J ackpot number s ar e 9, 11, 53. . . J ackpot number s ar e 9, 11, 53. . . J ackpot number s ar e 9, 11, 53. . . J ackpot number s ar e 9, 11, 53. . . J ackpot number s ar e 9, 11, 53. . .
PK WATCHES as Phar maci st ' s CAR r et ur ns, comi ng ar ound f r om PK WATCHES as Phar maci st ' s CAR r et ur ns, comi ng ar ound f r om PK WATCHES as Phar maci st ' s CAR r et ur ns, comi ng ar ound f r om PK WATCHES as Phar maci st ' s CAR r et ur ns, comi ng ar ound f r om PK WATCHES as Phar maci st ' s CAR r et ur ns, comi ng ar ound f r om
t he ot her end of t he st r i p mal l . She dr i ves r i ght past t he ot her end of t he st r i p mal l . She dr i ves r i ght past t he ot her end of t he st r i p mal l . She dr i ves r i ght past t he ot her end of t he st r i p mal l . She dr i ves r i ght past t he ot her end of t he st r i p mal l . She dr i ves r i ght past
Psycho Ki l l er ' s car , but she does not l ook t hi s di r ect i on. Psycho Ki l l er ' s car , but she does not l ook t hi s di r ect i on. Psycho Ki l l er ' s car , but she does not l ook t hi s di r ect i on. Psycho Ki l l er ' s car , but she does not l ook t hi s di r ect i on. Psycho Ki l l er ' s car , but she does not l ook t hi s di r ect i on.
ANGRY MAN ( V. O. ) ANGRY MAN ( V. O. ) ANGRY MAN ( V. O. ) ANGRY MAN ( V. O. ) ANGRY MAN ( V. O. )
. . . haven' t caught t hi s guy al r eady? . . . haven' t caught t hi s guy al r eady? . . . haven' t caught t hi s guy al r eady? . . . haven' t caught t hi s guy al r eady? . . . haven' t caught t hi s guy al r eady?
He' s out t her e r unni ng ar ound! Use He' s out t her e r unni ng ar ound! Use He' s out t her e r unni ng ar ound! Use He' s out t her e r unni ng ar ound! Use He' s out t her e r unni ng ar ound! Use
mor e cops. . . cal l out t he Nat i onal mor e cops. . . cal l out t he Nat i onal mor e cops. . . cal l out t he Nat i onal mor e cops. . . cal l out t he Nat i onal mor e cops. . . cal l out t he Nat i onal
Guar d, what ever t hey' ve got t o do! Guar d, what ever t hey' ve got t o do! Guar d, what ever t hey' ve got t o do! Guar d, what ever t hey' ve got t o do! Guar d, what ever t hey' ve got t o do!
PK LOOKS down at t he t i me agai n; " 6:03 pm. " Then. . . PK LOOKS down at t he t i me agai n; " 6:03 pm. " Then. . . PK LOOKS down at t he t i me agai n; " 6:03 pm. " Then. . . PK LOOKS down at t he t i me agai n; " 6:03 pm. " Then. . . PK LOOKS down at t he t i me agai n; " 6:03 pm. " Then. . .
12. 12. 12. 12. 12.
Near t he phar macy' s backdoor , Phar maci st r et ur ns her car t o Near t he phar macy' s backdoor , Phar maci st r et ur ns her car t o Near t he phar macy' s backdoor , Phar maci st r et ur ns her car t o Near t he phar macy' s backdoor , Phar maci st r et ur ns her car t o Near t he phar macy' s backdoor , Phar maci st r et ur ns her car t o
a par ki ng space. She get s out , smoki ng, COFFEE i n hand. a par ki ng space. She get s out , smoki ng, COFFEE i n hand. a par ki ng space. She get s out , smoki ng, COFFEE i n hand. a par ki ng space. She get s out , smoki ng, COFFEE i n hand. a par ki ng space. She get s out , smoki ng, COFFEE i n hand.
TALK RADI O HOST ( V. O. ) TALK RADI O HOST ( V. O. ) TALK RADI O HOST ( V. O. ) TALK RADI O HOST ( V. O. ) TALK RADI O HOST ( V. O. )
Yeah, geni us, and put up r oadbl ocks Yeah, geni us, and put up r oadbl ocks Yeah, geni us, and put up r oadbl ocks Yeah, geni us, and put up r oadbl ocks Yeah, geni us, and put up r oadbl ocks
al l on t he maj or hi ghways. . . st ar t al l on t he maj or hi ghways. . . st ar t al l on t he maj or hi ghways. . . st ar t al l on t he maj or hi ghways. . . st ar t al l on t he maj or hi ghways. . . st ar t
r andoml y sear chi ng car s? I t ' s a bi g r andoml y sear chi ng car s? I t ' s a bi g r andoml y sear chi ng car s? I t ' s a bi g r andoml y sear chi ng car s? I t ' s a bi g r andoml y sear chi ng car s? I t ' s a bi g
count r y out t her e, i n case you hadn' t count r y out t her e, i n case you hadn' t count r y out t her e, i n case you hadn' t count r y out t her e, i n case you hadn' t count r y out t her e, i n case you hadn' t
not i ced. Look at t he D. C. Sni per . not i ced. Look at t he D. C. Sni per . not i ced. Look at t he D. C. Sni per . not i ced. Look at t he D. C. Sni per . not i ced. Look at t he D. C. Sni per .
Those shoot i ngs went on f or t hr ee Those shoot i ngs went on f or t hr ee Those shoot i ngs went on f or t hr ee Those shoot i ngs went on f or t hr ee Those shoot i ngs went on f or t hr ee
weeks. That was i n one ci t y. These weeks. That was i n one ci t y. These weeks. That was i n one ci t y. These weeks. That was i n one ci t y. These weeks. That was i n one ci t y. These
ar e r andomki l l i ngs acr oss ei ght ar e r andomki l l i ngs acr oss ei ght ar e r andomki l l i ngs acr oss ei ght ar e r andomki l l i ngs acr oss ei ght ar e r andomki l l i ngs acr oss ei ght
st at es and count i ng. Thi s guy, t he st at es and count i ng. Thi s guy, t he st at es and count i ng. Thi s guy, t he st at es and count i ng. Thi s guy, t he st at es and count i ng. Thi s guy, t he
Sl asher , i f i t even i s j ust one guy. . . Sl asher , i f i t even i s j ust one guy. . . Sl asher , i f i t even i s j ust one guy. . . Sl asher , i f i t even i s j ust one guy. . . Sl asher , i f i t even i s j ust one guy. . .
Phar maci st uses KEYS t o open t he " Phar - Mar t " door , t akes one Phar maci st uses KEYS t o open t he " Phar - Mar t " door , t akes one Phar maci st uses KEYS t o open t he " Phar - Mar t " door , t akes one Phar maci st uses KEYS t o open t he " Phar - Mar t " door , t akes one Phar maci st uses KEYS t o open t he " Phar - Mar t " door , t akes one
l ast dr ag, t osses her ci gar et t e and di sappear s i nsi de. l ast dr ag, t osses her ci gar et t e and di sappear s i nsi de. l ast dr ag, t osses her ci gar et t e and di sappear s i nsi de. l ast dr ag, t osses her ci gar et t e and di sappear s i nsi de. l ast dr ag, t osses her ci gar et t e and di sappear s i nsi de.
TALK RADI O HOST ( V. O. ) TALK RADI O HOST ( V. O. ) TALK RADI O HOST ( V. O. ) TALK RADI O HOST ( V. O. ) TALK RADI O HOST ( V. O. )
He' s l i ke a nat ur al di sast er . . . and He' s l i ke a nat ur al di sast er . . . and He' s l i ke a nat ur al di sast er . . . and He' s l i ke a nat ur al di sast er . . . and He' s l i ke a nat ur al di sast er . . . and
God have mer cy on anyone i n hi s pat h. God have mer cy on anyone i n hi s pat h. God have mer cy on anyone i n hi s pat h. God have mer cy on anyone i n hi s pat h. God have mer cy on anyone i n hi s pat h.
INT. WHITE ROOM -- DAY INT. WHITE ROOM -- DAY INT. WHITE ROOM -- DAY INT. WHITE ROOM -- DAY INT. WHITE ROOM -- DAY
Psycho Ki l l er ' s MASKED f ace sl ams WHI TE LI NOLEUM FLOOR, hi s Psycho Ki l l er ' s MASKED f ace sl ams WHI TE LI NOLEUM FLOOR, hi s Psycho Ki l l er ' s MASKED f ace sl ams WHI TE LI NOLEUM FLOOR, hi s Psycho Ki l l er ' s MASKED f ace sl ams WHI TE LI NOLEUM FLOOR, hi s Psycho Ki l l er ' s MASKED f ace sl ams WHI TE LI NOLEUM FLOOR, hi s
mout h spewi ng bl ood- f l ecked spi t t l e, hi s gag hangi ng l oose. mout h spewi ng bl ood- f l ecked spi t t l e, hi s gag hangi ng l oose. mout h spewi ng bl ood- f l ecked spi t t l e, hi s gag hangi ng l oose. mout h spewi ng bl ood- f l ecked spi t t l e, hi s gag hangi ng l oose. mout h spewi ng bl ood- f l ecked spi t t l e, hi s gag hangi ng l oose.
A TRUNCHEON swi ngs down - - BASHI NG Psycho Ki l l er ' s head! A TRUNCHEON swi ngs down - - BASHI NG Psycho Ki l l er ' s head! A TRUNCHEON swi ngs down - - BASHI NG Psycho Ki l l er ' s head! A TRUNCHEON swi ngs down - - BASHI NG Psycho Ki l l er ' s head! A TRUNCHEON swi ngs down - - BASHI NG Psycho Ki l l er ' s head!
I n t hi s cel l - l i ke r oomof WHI TE CONCRETE WALLS, Psycho I n t hi s cel l - l i ke r oomof WHI TE CONCRETE WALLS, Psycho I n t hi s cel l - l i ke r oomof WHI TE CONCRETE WALLS, Psycho I n t hi s cel l - l i ke r oomof WHI TE CONCRETE WALLS, Psycho I n t hi s cel l - l i ke r oomof WHI TE CONCRETE WALLS, Psycho
Ki l l er l i es STRAI GHTJ ACKETED whi l e TWO Kaf ka- esque GUARDS, Ki l l er l i es STRAI GHTJ ACKETED whi l e TWO Kaf ka- esque GUARDS, Ki l l er l i es STRAI GHTJ ACKETED whi l e TWO Kaf ka- esque GUARDS, Ki l l er l i es STRAI GHTJ ACKETED whi l e TWO Kaf ka- esque GUARDS, Ki l l er l i es STRAI GHTJ ACKETED whi l e TWO Kaf ka- esque GUARDS,
i n Haz- Mat UNI FORMS and wei r d GAS- MASKS, ar e beat i ng hi m i n Haz- Mat UNI FORMS and wei r d GAS- MASKS, ar e beat i ng hi m i n Haz- Mat UNI FORMS and wei r d GAS- MASKS, ar e beat i ng hi m i n Haz- Mat UNI FORMS and wei r d GAS- MASKS, ar e beat i ng hi m i n Haz- Mat UNI FORMS and wei r d GAS- MASKS, ar e beat i ng hi m
r epeat edl y wi t h heavy, bl ack BATONS. r epeat edl y wi t h heavy, bl ack BATONS. r epeat edl y wi t h heavy, bl ack BATONS. r epeat edl y wi t h heavy, bl ack BATONS. r epeat edl y wi t h heavy, bl ack BATONS.
Psycho Ki l l er cur l s i nt o a bal l . They st ar t KI CKI NG hi m. Psycho Ki l l er cur l s i nt o a bal l . They st ar t KI CKI NG hi m. Psycho Ki l l er cur l s i nt o a bal l . They st ar t KI CKI NG hi m. Psycho Ki l l er cur l s i nt o a bal l . They st ar t KI CKI NG hi m. Psycho Ki l l er cur l s i nt o a bal l . They st ar t KI CKI NG hi m.
Psycho Ki l l er manages t o get t o hi s knees, st i l l bowed. Psycho Ki l l er manages t o get t o hi s knees, st i l l bowed. Psycho Ki l l er manages t o get t o hi s knees, st i l l bowed. Psycho Ki l l er manages t o get t o hi s knees, st i l l bowed. Psycho Ki l l er manages t o get t o hi s knees, st i l l bowed.
They' r e KI CKI NG hi mover and over agai n. They' r e KI CKI NG hi mover and over agai n. They' r e KI CKI NG hi mover and over agai n. They' r e KI CKI NG hi mover and over agai n. They' r e KI CKI NG hi mover and over agai n.
One st eel - t oed KI CK CRACKS t he LENSES of PK' s MASK! One st eel - t oed KI CK CRACKS t he LENSES of PK' s MASK! One st eel - t oed KI CK CRACKS t he LENSES of PK' s MASK! One st eel - t oed KI CK CRACKS t he LENSES of PK' s MASK! One st eel - t oed KI CK CRACKS t he LENSES of PK' s MASK!
BEHIND THE STRIP MALL -- NIGHT BEHIND THE STRIP MALL -- NIGHT BEHIND THE STRIP MALL -- NIGHT BEHIND THE STRIP MALL -- NIGHT BEHIND THE STRIP MALL -- NIGHT
PK abr upt l y awakens f r omdr eami ng, i n DARKNESS. PK abr upt l y awakens f r omdr eami ng, i n DARKNESS. PK abr upt l y awakens f r omdr eami ng, i n DARKNESS. PK abr upt l y awakens f r omdr eami ng, i n DARKNESS. PK abr upt l y awakens f r omdr eami ng, i n DARKNESS.
He hol ds hi s head, r uns hi s f i nger s t hr ough hi s gr easy hai r . He hol ds hi s head, r uns hi s f i nger s t hr ough hi s gr easy hai r . He hol ds hi s head, r uns hi s f i nger s t hr ough hi s gr easy hai r . He hol ds hi s head, r uns hi s f i nger s t hr ough hi s gr easy hai r . He hol ds hi s head, r uns hi s f i nger s t hr ough hi s gr easy hai r .
FEMALE RADI O HOST ( V. O. ) FEMALE RADI O HOST ( V. O. ) FEMALE RADI O HOST ( V. O. ) FEMALE RADI O HOST ( V. O. ) FEMALE RADI O HOST ( V. O. )
. . . how some peopl e say t hat t hi s . . . how some peopl e say t hat t hi s . . . how some peopl e say t hat t hi s . . . how some peopl e say t hat t hi s . . . how some peopl e say t hat t hi s
wor l d i s goi ng t o Hel l i n a hand wor l d i s goi ng t o Hel l i n a hand wor l d i s goi ng t o Hel l i n a hand wor l d i s goi ng t o Hel l i n a hand wor l d i s goi ng t o Hel l i n a hand
basket ? We' r e al l doomed. I t ' s a basket ? We' r e al l doomed. I t ' s a basket ? We' r e al l doomed. I t ' s a basket ? We' r e al l doomed. I t ' s a basket ? We' r e al l doomed. I t ' s a
f ami l i ar r ef r ai n, amI r i ght ? f ami l i ar r ef r ai n, amI r i ght ? f ami l i ar r ef r ai n, amI r i ght ? f ami l i ar r ef r ai n, amI r i ght ? f ami l i ar r ef r ai n, amI r i ght ?
13. 13. 13. 13. 13.
Dashboar d CLOCK says i t ' s " 8:41 pm. " Dashboar d CLOCK says i t ' s " 8:41 pm. " Dashboar d CLOCK says i t ' s " 8:41 pm. " Dashboar d CLOCK says i t ' s " 8:41 pm. " Dashboar d CLOCK says i t ' s " 8:41 pm. "
No act i vi t y under t he LI GHTS of t he REAR LOT. FEWER CARS. No act i vi t y under t he LI GHTS of t he REAR LOT. FEWER CARS. No act i vi t y under t he LI GHTS of t he REAR LOT. FEWER CARS. No act i vi t y under t he LI GHTS of t he REAR LOT. FEWER CARS. No act i vi t y under t he LI GHTS of t he REAR LOT. FEWER CARS.
Mor e i mpor t ant l y, Phar maci st ' s car i s st i l l t her e. Mor e i mpor t ant l y, Phar maci st ' s car i s st i l l t her e. Mor e i mpor t ant l y, Phar maci st ' s car i s st i l l t her e. Mor e i mpor t ant l y, Phar maci st ' s car i s st i l l t her e. Mor e i mpor t ant l y, Phar maci st ' s car i s st i l l t her e.
You know what . . . t hey' r e wr ong. Dead You know what . . . t hey' r e wr ong. Dead You know what . . . t hey' r e wr ong. Dead You know what . . . t hey' r e wr ong. Dead You know what . . . t hey' r e wr ong. Dead
wr ong. Because we ar e al r eady t her e, wr ong. Because we ar e al r eady t her e, wr ong. Because we ar e al r eady t her e, wr ong. Because we ar e al r eady t her e, wr ong. Because we ar e al r eady t her e,
l adi es and gent l emen. I f t hi s wor l d l adi es and gent l emen. I f t hi s wor l d l adi es and gent l emen. I f t hi s wor l d l adi es and gent l emen. I f t hi s wor l d l adi es and gent l emen. I f t hi s wor l d
we' r e l i vi ng i n i sn' t Hel l , t hen you we' r e l i vi ng i n i sn' t Hel l , t hen you we' r e l i vi ng i n i sn' t Hel l , t hen you we' r e l i vi ng i n i sn' t Hel l , t hen you we' r e l i vi ng i n i sn' t Hel l , t hen you
t el l me what i s. We' ve got war and t el l me what i s. We' ve got war and t el l me what i s. We' ve got war and t el l me what i s. We' ve got war and t el l me what i s. We' ve got war and
f ami ne and genoci de over t her e. . . f ami ne and genoci de over t her e. . . f ami ne and genoci de over t her e. . . f ami ne and genoci de over t her e. . . f ami ne and genoci de over t her e. . .
BENEATH THE FRONT PASSENGER SEAT, Psycho Ki l l er ' s hand BENEATH THE FRONT PASSENGER SEAT, Psycho Ki l l er ' s hand BENEATH THE FRONT PASSENGER SEAT, Psycho Ki l l er ' s hand BENEATH THE FRONT PASSENGER SEAT, Psycho Ki l l er ' s hand BENEATH THE FRONT PASSENGER SEAT, Psycho Ki l l er ' s hand
r eaches ar ound, f eel i ng f or hi s MASK hi dden her e. r eaches ar ound, f eel i ng f or hi s MASK hi dden her e. r eaches ar ound, f eel i ng f or hi s MASK hi dden her e. r eaches ar ound, f eel i ng f or hi s MASK hi dden her e. r eaches ar ound, f eel i ng f or hi s MASK hi dden her e.
. . . we' ve got mur der and r ape over . . . we' ve got mur der and r ape over . . . we' ve got mur der and r ape over . . . we' ve got mur der and r ape over . . . we' ve got mur der and r ape over
her e. Pol l ut ed wat er . . . pol l ut ed her e. Pol l ut ed wat er . . . pol l ut ed her e. Pol l ut ed wat er . . . pol l ut ed her e. Pol l ut ed wat er . . . pol l ut ed her e. Pol l ut ed wat er . . . pol l ut ed
ai r . . . pol l ut ed mi nds. ai r . . . pol l ut ed mi nds. ai r . . . pol l ut ed mi nds. ai r . . . pol l ut ed mi nds. ai r . . . pol l ut ed mi nds.
Psycho Ki l l er get s out , l ooks ar ound, mask hel d. Psycho Ki l l er get s out , l ooks ar ound, mask hel d. Psycho Ki l l er get s out , l ooks ar ound, mask hel d. Psycho Ki l l er get s out , l ooks ar ound, mask hel d. Psycho Ki l l er get s out , l ooks ar ound, mask hel d.
He goes t o open t he t r unk, t akes out a CROWBAR. He cl oses He goes t o open t he t r unk, t akes out a CROWBAR. He cl oses He goes t o open t he t r unk, t akes out a CROWBAR. He cl oses He goes t o open t he t r unk, t akes out a CROWBAR. He cl oses He goes t o open t he t r unk, t akes out a CROWBAR. He cl oses
t he t r unk, st ar t s wal ki ng t owar ds Phar maci st ' s car , wat chf ul . t he t r unk, st ar t s wal ki ng t owar ds Phar maci st ' s car , wat chf ul . t he t r unk, st ar t s wal ki ng t owar ds Phar maci st ' s car , wat chf ul . t he t r unk, st ar t s wal ki ng t owar ds Phar maci st ' s car , wat chf ul . t he t r unk, st ar t s wal ki ng t owar ds Phar maci st ' s car , wat chf ul .
AT PHARMACIST'S CAR AT PHARMACIST'S CAR AT PHARMACIST'S CAR AT PHARMACIST'S CAR AT PHARMACIST'S CAR
Psycho Ki l l er t r i es t he door s on t he dr i ver ' s si de, f i ndi ng Psycho Ki l l er t r i es t he door s on t he dr i ver ' s si de, f i ndi ng Psycho Ki l l er t r i es t he door s on t he dr i ver ' s si de, f i ndi ng Psycho Ki l l er t r i es t he door s on t he dr i ver ' s si de, f i ndi ng Psycho Ki l l er t r i es t he door s on t he dr i ver ' s si de, f i ndi ng
t heml ocked. He moves ar ound t o t he passenger si de. t heml ocked. He moves ar ound t o t he passenger si de. t heml ocked. He moves ar ound t o t he passenger si de. t heml ocked. He moves ar ound t o t he passenger si de. t heml ocked. He moves ar ound t o t he passenger si de.
PK SHOVES t he cr owbar ' s nar r ow, cl oven end i nt o t he back PK SHOVES t he cr owbar ' s nar r ow, cl oven end i nt o t he back PK SHOVES t he cr owbar ' s nar r ow, cl oven end i nt o t he back PK SHOVES t he cr owbar ' s nar r ow, cl oven end i nt o t he back PK SHOVES t he cr owbar ' s nar r ow, cl oven end i nt o t he back
passenger door ' s r ear seam. TWI STI NG and WRENCHI NG t he passenger door ' s r ear seam. TWI STI NG and WRENCHI NG t he passenger door ' s r ear seam. TWI STI NG and WRENCHI NG t he passenger door ' s r ear seam. TWI STI NG and WRENCHI NG t he passenger door ' s r ear seam. TWI STI NG and WRENCHI NG t he
cr owbar , PK wi dens t he seam, seeki ng t he i nner l at ch. cr owbar , PK wi dens t he seam, seeki ng t he i nner l at ch. cr owbar , PK wi dens t he seam, seeki ng t he i nner l at ch. cr owbar , PK wi dens t he seam, seeki ng t he i nner l at ch. cr owbar , PK wi dens t he seam, seeki ng t he i nner l at ch.
FROM ACROSS THE LOT FROM ACROSS THE LOT FROM ACROSS THE LOT FROM ACROSS THE LOT FROM ACROSS THE LOT
We ar e t he onl y wi t nesses as Psycho Ki l l er sl i ps i nt o t he We ar e t he onl y wi t nesses as Psycho Ki l l er sl i ps i nt o t he We ar e t he onl y wi t nesses as Psycho Ki l l er sl i ps i nt o t he We ar e t he onl y wi t nesses as Psycho Ki l l er sl i ps i nt o t he We ar e t he onl y wi t nesses as Psycho Ki l l er sl i ps i nt o t he
backseat of Phar maci st ' s car , pul l i ng t he door shut . backseat of Phar maci st ' s car , pul l i ng t he door shut . backseat of Phar maci st ' s car , pul l i ng t he door shut . backseat of Phar maci st ' s car , pul l i ng t he door shut . backseat of Phar maci st ' s car , pul l i ng t he door shut .
IN PHARMACIST'S CAR -- PSYCHO KILLER'S POV: IN PHARMACIST'S CAR -- PSYCHO KILLER'S POV: IN PHARMACIST'S CAR -- PSYCHO KILLER'S POV: IN PHARMACIST'S CAR -- PSYCHO KILLER'S POV: IN PHARMACIST'S CAR -- PSYCHO KILLER'S POV:
PEERI NG f r omhi s hi di ng pl ace i n t he back of t he woman' s PEERI NG f r omhi s hi di ng pl ace i n t he back of t he woman' s PEERI NG f r omhi s hi di ng pl ace i n t he back of t he woman' s PEERI NG f r omhi s hi di ng pl ace i n t he back of t he woman' s PEERI NG f r omhi s hi di ng pl ace i n t he back of t he woman' s
car , f i l t er ed THRU HI S MASK' S LENSES: PK WATCHES t he Phar - car , f i l t er ed THRU HI S MASK' S LENSES: PK WATCHES t he Phar - car , f i l t er ed THRU HI S MASK' S LENSES: PK WATCHES t he Phar - car , f i l t er ed THRU HI S MASK' S LENSES: PK WATCHES t he Phar - car , f i l t er ed THRU HI S MASK' S LENSES: PK WATCHES t he Phar -
Mar t door . A f ew MALE and FEMALE EMPLOYEES exi t . Mar t door . A f ew MALE and FEMALE EMPLOYEES exi t . Mar t door . A f ew MALE and FEMALE EMPLOYEES exi t . Mar t door . A f ew MALE and FEMALE EMPLOYEES exi t . Mar t door . A f ew MALE and FEMALE EMPLOYEES exi t .
Psycho Ki l l er OBSERVES as t hey say goodbyes. They j oke and Psycho Ki l l er OBSERVES as t hey say goodbyes. They j oke and Psycho Ki l l er OBSERVES as t hey say goodbyes. They j oke and Psycho Ki l l er OBSERVES as t hey say goodbyes. They j oke and Psycho Ki l l er OBSERVES as t hey say goodbyes. They j oke and
shar e a l augh, goi ng t hei r separ at e ways. shar e a l augh, goi ng t hei r separ at e ways. shar e a l augh, goi ng t hei r separ at e ways. shar e a l augh, goi ng t hei r separ at e ways. shar e a l augh, goi ng t hei r separ at e ways.
14. 14. 14. 14. 14.
IN PHARMACIST'S CAR -- PSYCHO KILLER'S POV: IN PHARMACIST'S CAR -- PSYCHO KILLER'S POV: IN PHARMACIST'S CAR -- PSYCHO KILLER'S POV: IN PHARMACIST'S CAR -- PSYCHO KILLER'S POV: IN PHARMACIST'S CAR -- PSYCHO KILLER'S POV:
LOOKI NG OUT st i l l , at t hat backdoor . Fi nal l y, t he door LOOKI NG OUT st i l l , at t hat backdoor . Fi nal l y, t he door LOOKI NG OUT st i l l , at t hat backdoor . Fi nal l y, t he door LOOKI NG OUT st i l l , at t hat backdoor . Fi nal l y, t he door LOOKI NG OUT st i l l , at t hat backdoor . Fi nal l y, t he door
opens and Phar maci st comes out . She' s accompani ed by t he opens and Phar maci st comes out . She' s accompani ed by t he opens and Phar maci st comes out . She' s accompani ed by t he opens and Phar maci st comes out . She' s accompani ed by t he opens and Phar maci st comes out . She' s accompani ed by t he
bur l y, mal e CO- WORKER we saw her wi t h bef or e. Phar maci st bur l y, mal e CO- WORKER we saw her wi t h bef or e. Phar maci st bur l y, mal e CO- WORKER we saw her wi t h bef or e. Phar maci st bur l y, mal e CO- WORKER we saw her wi t h bef or e. Phar maci st bur l y, mal e CO- WORKER we saw her wi t h bef or e. Phar maci st
car r i es a DEPOSI T BAG, uses her keys t o LOCK UP. car r i es a DEPOSI T BAG, uses her keys t o LOCK UP. car r i es a DEPOSI T BAG, uses her keys t o LOCK UP. car r i es a DEPOSI T BAG, uses her keys t o LOCK UP. car r i es a DEPOSI T BAG, uses her keys t o LOCK UP.
Ducki ng t o keep f r ombei ng seen, Psycho Ki l l er WATCHES as Co- Ducki ng t o keep f r ombei ng seen, Psycho Ki l l er WATCHES as Co- Ducki ng t o keep f r ombei ng seen, Psycho Ki l l er WATCHES as Co- Ducki ng t o keep f r ombei ng seen, Psycho Ki l l er WATCHES as Co- Ducki ng t o keep f r ombei ng seen, Psycho Ki l l er WATCHES as Co-
Wor ker wal ks Phar maci st t o her car . They' r e so near ; j ust Wor ker wal ks Phar maci st t o her car . They' r e so near ; j ust Wor ker wal ks Phar maci st t o her car . They' r e so near ; j ust Wor ker wal ks Phar maci st t o her car . They' r e so near ; j ust Wor ker wal ks Phar maci st t o her car . They' r e so near ; j ust
on t he ot her si de of t he wi ndow now. They chat a moment , on t he ot her si de of t he wi ndow now. They chat a moment , on t he ot her si de of t he wi ndow now. They chat a moment , on t he ot her si de of t he wi ndow now. They chat a moment , on t he ot her si de of t he wi ndow now. They chat a moment ,
t hen Co- Wor ker at l ast says goodni ght , wal ki ng away. t hen Co- Wor ker at l ast says goodni ght , wal ki ng away. t hen Co- Wor ker at l ast says goodni ght , wal ki ng away. t hen Co- Wor ker at l ast says goodni ght , wal ki ng away. t hen Co- Wor ker at l ast says goodni ght , wal ki ng away.
IN THE FRONT SEAT IN THE FRONT SEAT IN THE FRONT SEAT IN THE FRONT SEAT IN THE FRONT SEAT
Phar maci st get s i n, pl aci ng t he bank deposi t bag besi de her . Phar maci st get s i n, pl aci ng t he bank deposi t bag besi de her . Phar maci st get s i n, pl aci ng t he bank deposi t bag besi de her . Phar maci st get s i n, pl aci ng t he bank deposi t bag besi de her . Phar maci st get s i n, pl aci ng t he bank deposi t bag besi de her .
She put s her keys i n t he i gni t i on, l ooki ng up at Co- Wor ker , She put s her keys i n t he i gni t i on, l ooki ng up at Co- Wor ker , She put s her keys i n t he i gni t i on, l ooki ng up at Co- Wor ker , She put s her keys i n t he i gni t i on, l ooki ng up at Co- Wor ker , She put s her keys i n t he i gni t i on, l ooki ng up at Co- Wor ker ,
who i s now dr i vi ng of f i n hi s own car . Phar maci st waves. who i s now dr i vi ng of f i n hi s own car . Phar maci st waves. who i s now dr i vi ng of f i n hi s own car . Phar maci st waves. who i s now dr i vi ng of f i n hi s own car . Phar maci st waves. who i s now dr i vi ng of f i n hi s own car . Phar maci st waves.
Phar maci st l et s out a t i r ed si gh. She di gs her CI GARETTES Phar maci st l et s out a t i r ed si gh. She di gs her CI GARETTES Phar maci st l et s out a t i r ed si gh. She di gs her CI GARETTES Phar maci st l et s out a t i r ed si gh. She di gs her CI GARETTES Phar maci st l et s out a t i r ed si gh. She di gs her CI GARETTES
f r omher PURSE, pl aces one bet ween her l i ps. f r omher PURSE, pl aces one bet ween her l i ps. f r omher PURSE, pl aces one bet ween her l i ps. f r omher PURSE, pl aces one bet ween her l i ps. f r omher PURSE, pl aces one bet ween her l i ps.
Phar maci st ' s f i nger pr esses t he car ' s LI GHTER. Phar maci st ' s f i nger pr esses t he car ' s LI GHTER. Phar maci st ' s f i nger pr esses t he car ' s LI GHTER. Phar maci st ' s f i nger pr esses t he car ' s LI GHTER. Phar maci st ' s f i nger pr esses t he car ' s LI GHTER.
Phar maci st put s her head back agai nst her headr est , Phar maci st put s her head back agai nst her headr est , Phar maci st put s her head back agai nst her headr est , Phar maci st put s her head back agai nst her headr est , Phar maci st put s her head back agai nst her headr est ,
wai t i ng f or t he l i ght er . She i s compl et el y obl i vi ous as. . . wai t i ng f or t he l i ght er . She i s compl et el y obl i vi ous as. . . wai t i ng f or t he l i ght er . She i s compl et el y obl i vi ous as. . . wai t i ng f or t he l i ght er . She i s compl et el y obl i vi ous as. . . wai t i ng f or t he l i ght er . She i s compl et el y obl i vi ous as. . .
Ver y sl owl y, si l ent l y, Psycho Ki l l er ' s masked vi sage r i ses Ver y sl owl y, si l ent l y, Psycho Ki l l er ' s masked vi sage r i ses Ver y sl owl y, si l ent l y, Psycho Ki l l er ' s masked vi sage r i ses Ver y sl owl y, si l ent l y, Psycho Ki l l er ' s masked vi sage r i ses Ver y sl owl y, si l ent l y, Psycho Ki l l er ' s masked vi sage r i ses
behi nd her ; j ust over her r i ght shoul der . behi nd her ; j ust over her r i ght shoul der . behi nd her ; j ust over her r i ght shoul der . behi nd her ; j ust over her r i ght shoul der . behi nd her ; j ust over her r i ght shoul der .
PK' s yel l ow- goggl ed eyes l ook upon her . PK' s yel l ow- goggl ed eyes l ook upon her . PK' s yel l ow- goggl ed eyes l ook upon her . PK' s yel l ow- goggl ed eyes l ook upon her . PK' s yel l ow- goggl ed eyes l ook upon her .
INT. PHAR-MART PHARMACY -- NIGHT INT. PHAR-MART PHARMACY -- NIGHT INT. PHAR-MART PHARMACY -- NIGHT INT. PHAR-MART PHARMACY -- NIGHT INT. PHAR-MART PHARMACY -- NIGHT
Backdoor opens. Masked Psycho Ki l l er ent er s, cr owbar i n Backdoor opens. Masked Psycho Ki l l er ent er s, cr owbar i n Backdoor opens. Masked Psycho Ki l l er ent er s, cr owbar i n Backdoor opens. Masked Psycho Ki l l er ent er s, cr owbar i n Backdoor opens. Masked Psycho Ki l l er ent er s, cr owbar i n
hand, l eavi ng Phar maci st ' s keys i n t he l ock. hand, l eavi ng Phar maci st ' s keys i n t he l ock. hand, l eavi ng Phar maci st ' s keys i n t he l ock. hand, l eavi ng Phar maci st ' s keys i n t he l ock. hand, l eavi ng Phar maci st ' s keys i n t he l ock.
SECURITY CAMERA POV: SECURITY CAMERA POV: SECURITY CAMERA POV: SECURITY CAMERA POV: SECURITY CAMERA POV:
FUZZY VI DEO: capt ur es Psycho Ki l l er as he passes. FUZZY VI DEO: capt ur es Psycho Ki l l er as he passes. FUZZY VI DEO: capt ur es Psycho Ki l l er as he passes. FUZZY VI DEO: capt ur es Psycho Ki l l er as he passes. FUZZY VI DEO: capt ur es Psycho Ki l l er as he passes.
A t wi t t er i ng ALARM i s HEARD begi nni ng t o SOUND. A t wi t t er i ng ALARM i s HEARD begi nni ng t o SOUND. A t wi t t er i ng ALARM i s HEARD begi nni ng t o SOUND. A t wi t t er i ng ALARM i s HEARD begi nni ng t o SOUND. A t wi t t er i ng ALARM i s HEARD begi nni ng t o SOUND.
IN THE PHARMACY SECTION -- MOMENTS LATER IN THE PHARMACY SECTION -- MOMENTS LATER IN THE PHARMACY SECTION -- MOMENTS LATER IN THE PHARMACY SECTION -- MOMENTS LATER IN THE PHARMACY SECTION -- MOMENTS LATER
ALARM cont i nues. Psycho Ki l l er SMASHES a gl ass DRUG CABI NET. ALARM cont i nues. Psycho Ki l l er SMASHES a gl ass DRUG CABI NET. ALARM cont i nues. Psycho Ki l l er SMASHES a gl ass DRUG CABI NET. ALARM cont i nues. Psycho Ki l l er SMASHES a gl ass DRUG CABI NET. ALARM cont i nues. Psycho Ki l l er SMASHES a gl ass DRUG CABI NET.
He gr abs and over t ur ns a WASTEBASKET. He gr abs and over t ur ns a WASTEBASKET. He gr abs and over t ur ns a WASTEBASKET. He gr abs and over t ur ns a WASTEBASKET. He gr abs and over t ur ns a WASTEBASKET.
He begi ns t hr owi ng PRESCRI PTI ON BOTTLES and PLASTI C BAGS He begi ns t hr owi ng PRESCRI PTI ON BOTTLES and PLASTI C BAGS He begi ns t hr owi ng PRESCRI PTI ON BOTTLES and PLASTI C BAGS He begi ns t hr owi ng PRESCRI PTI ON BOTTLES and PLASTI C BAGS He begi ns t hr owi ng PRESCRI PTI ON BOTTLES and PLASTI C BAGS
f ul l of al l ki nds of PI LLS i nt o t he wast ebasket . f ul l of al l ki nds of PI LLS i nt o t he wast ebasket . f ul l of al l ki nds of PI LLS i nt o t he wast ebasket . f ul l of al l ki nds of PI LLS i nt o t he wast ebasket . f ul l of al l ki nds of PI LLS i nt o t he wast ebasket .
BEHIND THE PHARMACY COUNTER BEHIND THE PHARMACY COUNTER BEHIND THE PHARMACY COUNTER BEHIND THE PHARMACY COUNTER BEHIND THE PHARMACY COUNTER
Psycho Ki l l er cr owbar s open a l ar ge, padl ocked DRAWER. Psycho Ki l l er cr owbar s open a l ar ge, padl ocked DRAWER. Psycho Ki l l er cr owbar s open a l ar ge, padl ocked DRAWER. Psycho Ki l l er cr owbar s open a l ar ge, padl ocked DRAWER. Psycho Ki l l er cr owbar s open a l ar ge, padl ocked DRAWER.
He begi ns gat her i ng t he bagged PRESCRI PTI ONS f r omwi t hi n. He begi ns gat her i ng t he bagged PRESCRI PTI ONS f r omwi t hi n. He begi ns gat her i ng t he bagged PRESCRI PTI ONS f r omwi t hi n. He begi ns gat her i ng t he bagged PRESCRI PTI ONS f r omwi t hi n. He begi ns gat her i ng t he bagged PRESCRI PTI ONS f r omwi t hi n.
Above, on t he wal l , t her e i s a PHOTOGRAPH. . . Above, on t he wal l , t her e i s a PHOTOGRAPH. . . Above, on t he wal l , t her e i s a PHOTOGRAPH. . . Above, on t he wal l , t her e i s a PHOTOGRAPH. . . Above, on t he wal l , t her e i s a PHOTOGRAPH. . .
15. 15. 15. 15. 15.
A f r amed PHOTO of t he smi l i ng, mi ddl e- aged PHARMACI ST; A f r amed PHOTO of t he smi l i ng, mi ddl e- aged PHARMACI ST; A f r amed PHOTO of t he smi l i ng, mi ddl e- aged PHARMACI ST; A f r amed PHOTO of t he smi l i ng, mi ddl e- aged PHARMACI ST; A f r amed PHOTO of t he smi l i ng, mi ddl e- aged PHARMACI ST;
" BARBARA, Your Fr i endl y and Pr of essi onal Dr uggi st . " " BARBARA, Your Fr i endl y and Pr of essi onal Dr uggi st . " " BARBARA, Your Fr i endl y and Pr of essi onal Dr uggi st . " " BARBARA, Your Fr i endl y and Pr of essi onal Dr uggi st . " " BARBARA, Your Fr i endl y and Pr of essi onal Dr uggi st . "
EXT. BEHIND THE MINI-MALL -- NIGHT EXT. BEHIND THE MINI-MALL -- NIGHT EXT. BEHIND THE MINI-MALL -- NIGHT EXT. BEHIND THE MINI-MALL -- NIGHT EXT. BEHIND THE MINI-MALL -- NIGHT
IN THE PHARMACIST'S CAR IN THE PHARMACIST'S CAR IN THE PHARMACIST'S CAR IN THE PHARMACIST'S CAR IN THE PHARMACIST'S CAR
Bar bar a t he phar maci st l i es spr awl ed acr oss t he backseat , Bar bar a t he phar maci st l i es spr awl ed acr oss t he backseat , Bar bar a t he phar maci st l i es spr awl ed acr oss t he backseat , Bar bar a t he phar maci st l i es spr awl ed acr oss t he backseat , Bar bar a t he phar maci st l i es spr awl ed acr oss t he backseat ,
her head t wi st ed at an unnat ur al angl e. Eyes open. her head t wi st ed at an unnat ur al angl e. Eyes open. her head t wi st ed at an unnat ur al angl e. Eyes open. her head t wi st ed at an unnat ur al angl e. Eyes open. her head t wi st ed at an unnat ur al angl e. Eyes open.
A bl oody, upsi dedown PENTAGRAM i s car ved i nt o her f or ehead. A bl oody, upsi dedown PENTAGRAM i s car ved i nt o her f or ehead. A bl oody, upsi dedown PENTAGRAM i s car ved i nt o her f or ehead. A bl oody, upsi dedown PENTAGRAM i s car ved i nt o her f or ehead. A bl oody, upsi dedown PENTAGRAM i s car ved i nt o her f or ehead.
INT. MOTOR COURT ROOM -- NIGHT INT. MOTOR COURT ROOM -- NIGHT INT. MOTOR COURT ROOM -- NIGHT INT. MOTOR COURT ROOM -- NIGHT INT. MOTOR COURT ROOM -- NIGHT
CLOSE- ON: a br i ght , candy- col or ed assor t ment of PI LLS. CLOSE- ON: a br i ght , candy- col or ed assor t ment of PI LLS. CLOSE- ON: a br i ght , candy- col or ed assor t ment of PI LLS. CLOSE- ON: a br i ght , candy- col or ed assor t ment of PI LLS. CLOSE- ON: a br i ght , candy- col or ed assor t ment of PI LLS.
HUNDREDS of PI LLS and DOZENS of PI LL BOTTLES ar e sor t ed on HUNDREDS of PI LLS and DOZENS of PI LL BOTTLES ar e sor t ed on HUNDREDS of PI LLS and DOZENS of PI LL BOTTLES ar e sor t ed on HUNDREDS of PI LLS and DOZENS of PI LL BOTTLES ar e sor t ed on HUNDREDS of PI LLS and DOZENS of PI LL BOTTLES ar e sor t ed on
t he BED. PK' s cl osed SUI TCASE i s near , wi t h Phar maci st ' s t he BED. PK' s cl osed SUI TCASE i s near , wi t h Phar maci st ' s t he BED. PK' s cl osed SUI TCASE i s near , wi t h Phar maci st ' s t he BED. PK' s cl osed SUI TCASE i s near , wi t h Phar maci st ' s t he BED. PK' s cl osed SUI TCASE i s near , wi t h Phar maci st ' s
pur se and t he deposi t bag on t op, t hei r cont ent s, i ncl udi ng pur se and t he deposi t bag on t op, t hei r cont ent s, i ncl udi ng pur se and t he deposi t bag on t op, t hei r cont ent s, i ncl udi ng pur se and t he deposi t bag on t op, t hei r cont ent s, i ncl udi ng pur se and t he deposi t bag on t op, t hei r cont ent s, i ncl udi ng
CASH and CREDI T CARD SLI PS, spi l l ed out . TV i s ON. CASH and CREDI T CARD SLI PS, spi l l ed out . TV i s ON. CASH and CREDI T CARD SLI PS, spi l l ed out . TV i s ON. CASH and CREDI T CARD SLI PS, spi l l ed out . TV i s ON. CASH and CREDI T CARD SLI PS, spi l l ed out . TV i s ON.
FEMALE REPORTER ( V. O. ) FEMALE REPORTER ( V. O. ) FEMALE REPORTER ( V. O. ) FEMALE REPORTER ( V. O. ) FEMALE REPORTER ( V. O. )
( f r omO. S. TELEVI SI ON) ( f r omO. S. TELEVI SI ON) ( f r omO. S. TELEVI SI ON) ( f r omO. S. TELEVI SI ON) ( f r omO. S. TELEVI SI ON)
Ther e ar e ways f or you t o pr ot ect Ther e ar e ways f or you t o pr ot ect Ther e ar e ways f or you t o pr ot ect Ther e ar e ways f or you t o pr ot ect Ther e ar e ways f or you t o pr ot ect
your sel f f r ombecomi ng t he Sat ani c your sel f f r ombecomi ng t he Sat ani c your sel f f r ombecomi ng t he Sat ani c your sel f f r ombecomi ng t he Sat ani c your sel f f r ombecomi ng t he Sat ani c
Sl asher ' s next vi ct i m. For exampl e. . . Sl asher ' s next vi ct i m. For exampl e. . . Sl asher ' s next vi ct i m. For exampl e. . . Sl asher ' s next vi ct i m. For exampl e. . . Sl asher ' s next vi ct i m. For exampl e. . .
Psycho Ki l l er ' s at t he cur t ai ned WI NDOW, peeki ng out . Psycho Ki l l er ' s at t he cur t ai ned WI NDOW, peeki ng out . Psycho Ki l l er ' s at t he cur t ai ned WI NDOW, peeki ng out . Psycho Ki l l er ' s at t he cur t ai ned WI NDOW, peeki ng out . Psycho Ki l l er ' s at t he cur t ai ned WI NDOW, peeki ng out .
He i s, as i s hi s cust omwhen al one, masked. He i s, as i s hi s cust omwhen al one, masked. He i s, as i s hi s cust omwhen al one, masked. He i s, as i s hi s cust omwhen al one, masked. He i s, as i s hi s cust omwhen al one, masked.
When you' r e out , especi al l y at ni ght , When you' r e out , especi al l y at ni ght , When you' r e out , especi al l y at ni ght , When you' r e out , especi al l y at ni ght , When you' r e out , especi al l y at ni ght ,
al ways r emai n awar e of your al ways r emai n awar e of your al ways r emai n awar e of your al ways r emai n awar e of your al ways r emai n awar e of your
sur r oundi ngs. Look ar ound. sur r oundi ngs. Look ar ound. sur r oundi ngs. Look ar ound. sur r oundi ngs. Look ar ound. sur r oundi ngs. Look ar ound.
LOOKI NG OUT t hr ough a 2ND FLOOR BALCONY r ai l i ng, t o t hi s LOOKI NG OUT t hr ough a 2ND FLOOR BALCONY r ai l i ng, t o t hi s LOOKI NG OUT t hr ough a 2ND FLOOR BALCONY r ai l i ng, t o t hi s LOOKI NG OUT t hr ough a 2ND FLOOR BALCONY r ai l i ng, t o t hi s LOOKI NG OUT t hr ough a 2ND FLOOR BALCONY r ai l i ng, t o t hi s
di l api dat ed MOTOR COURT MOTEL' S PARKI NG LOT bel ow. di l api dat ed MOTOR COURT MOTEL' S PARKI NG LOT bel ow. di l api dat ed MOTOR COURT MOTEL' S PARKI NG LOT bel ow. di l api dat ed MOTOR COURT MOTEL' S PARKI NG LOT bel ow. di l api dat ed MOTOR COURT MOTEL' S PARKI NG LOT bel ow.
A dr unk COUPLE cr osses. A r ust y VAN i s par ki ng. A dr unk COUPLE cr osses. A r ust y VAN i s par ki ng. A dr unk COUPLE cr osses. A r ust y VAN i s par ki ng. A dr unk COUPLE cr osses. A r ust y VAN i s par ki ng. A dr unk COUPLE cr osses. A r ust y VAN i s par ki ng.
And when you' r e home at ni ght , l ock And when you' r e home at ni ght , l ock And when you' r e home at ni ght , l ock And when you' r e home at ni ght , l ock And when you' r e home at ni ght , l ock
your door s. Leave t he l i ght s on. your door s. Leave t he l i ght s on. your door s. Leave t he l i ght s on. your door s. Leave t he l i ght s on. your door s. Leave t he l i ght s on.
And cal l t he pol i ce i f you see any And cal l t he pol i ce i f you see any And cal l t he pol i ce i f you see any And cal l t he pol i ce i f you see any And cal l t he pol i ce i f you see any
suspi ci ous act i vi t y. suspi ci ous act i vi t y. suspi ci ous act i vi t y. suspi ci ous act i vi t y. suspi ci ous act i vi t y.
IN THE MOTOR COURT ROOM IN THE MOTOR COURT ROOM IN THE MOTOR COURT ROOM IN THE MOTOR COURT ROOM IN THE MOTOR COURT ROOM
Psycho Ki l l er backs f r omt he wi ndow, cr osses t he r oom. Psycho Ki l l er backs f r omt he wi ndow, cr osses t he r oom. Psycho Ki l l er backs f r omt he wi ndow, cr osses t he r oom. Psycho Ki l l er backs f r omt he wi ndow, cr osses t he r oom. Psycho Ki l l er backs f r omt he wi ndow, cr osses t he r oom.
The TV shows a bosomy FEMALE REPORTER i n l ow cut bl ouse. The TV shows a bosomy FEMALE REPORTER i n l ow cut bl ouse. The TV shows a bosomy FEMALE REPORTER i n l ow cut bl ouse. The TV shows a bosomy FEMALE REPORTER i n l ow cut bl ouse. The TV shows a bosomy FEMALE REPORTER i n l ow cut bl ouse.
16. 16. 16. 16. 16.
What ki nd of act i vi t y? I f you see What ki nd of act i vi t y? I f you see What ki nd of act i vi t y? I f you see What ki nd of act i vi t y? I f you see What ki nd of act i vi t y? I f you see
someone l ur ki ng i n a nei ghbor ' s yar d, someone l ur ki ng i n a nei ghbor ' s yar d, someone l ur ki ng i n a nei ghbor ' s yar d, someone l ur ki ng i n a nei ghbor ' s yar d, someone l ur ki ng i n a nei ghbor ' s yar d,
f or exampl e; especi al l y i f t hey' r e f or exampl e; especi al l y i f t hey' r e f or exampl e; especi al l y i f t hey' r e f or exampl e; especi al l y i f t hey' r e f or exampl e; especi al l y i f t hey' r e
wear i ng a mask or car r yi ng any sor t wear i ng a mask or car r yi ng any sor t wear i ng a mask or car r yi ng any sor t wear i ng a mask or car r yi ng any sor t wear i ng a mask or car r yi ng any sor t
of weapon or f ar mi mpl ement . of weapon or f ar mi mpl ement . of weapon or f ar mi mpl ement . of weapon or f ar mi mpl ement . of weapon or f ar mi mpl ement .
IN THE BATHROOM -- LATER NIGHT IN THE BATHROOM -- LATER NIGHT IN THE BATHROOM -- LATER NIGHT IN THE BATHROOM -- LATER NIGHT IN THE BATHROOM -- LATER NIGHT
Psycho Ki l l er ' s on t he ot her si de of t he t r ansl ucent gl ass Psycho Ki l l er ' s on t he ot her si de of t he t r ansl ucent gl ass Psycho Ki l l er ' s on t he ot her si de of t he t r ansl ucent gl ass Psycho Ki l l er ' s on t he ot her si de of t he t r ansl ucent gl ass Psycho Ki l l er ' s on t he ot her si de of t he t r ansl ucent gl ass
of t he SHOWER DOORS, st andi ng under t he spr ay of hot wat er . of t he SHOWER DOORS, st andi ng under t he spr ay of hot wat er . of t he SHOWER DOORS, st andi ng under t he spr ay of hot wat er . of t he SHOWER DOORS, st andi ng under t he spr ay of hot wat er . of t he SHOWER DOORS, st andi ng under t he spr ay of hot wat er .
IN THE SHOWER IN THE SHOWER IN THE SHOWER IN THE SHOWER IN THE SHOWER
Psycho Ki l l er j ust st ands under t he shower ' s f l ow, head Psycho Ki l l er j ust st ands under t he shower ' s f l ow, head Psycho Ki l l er j ust st ands under t he shower ' s f l ow, head Psycho Ki l l er j ust st ands under t he shower ' s f l ow, head Psycho Ki l l er j ust st ands under t he shower ' s f l ow, head
bowed, l ong hai r hi di ng hi s f eat ur es. Hi s nakedness af f or ds bowed, l ong hai r hi di ng hi s f eat ur es. Hi s nakedness af f or ds bowed, l ong hai r hi di ng hi s f eat ur es. Hi s nakedness af f or ds bowed, l ong hai r hi di ng hi s f eat ur es. Hi s nakedness af f or ds bowed, l ong hai r hi di ng hi s f eat ur es. Hi s nakedness af f or ds
us our f i r st vi ew of t he myr i ad TATTOOS cover i ng hi s upper us our f i r st vi ew of t he myr i ad TATTOOS cover i ng hi s upper us our f i r st vi ew of t he myr i ad TATTOOS cover i ng hi s upper us our f i r st vi ew of t he myr i ad TATTOOS cover i ng hi s upper us our f i r st vi ew of t he myr i ad TATTOOS cover i ng hi s upper
body: st r ange, ar chai c SYMBOLS, WORDS i n LATI N, UPSI DE- DOWN body: st r ange, ar chai c SYMBOLS, WORDS i n LATI N, UPSI DE- DOWN body: st r ange, ar chai c SYMBOLS, WORDS i n LATI N, UPSI DE- DOWN body: st r ange, ar chai c SYMBOLS, WORDS i n LATI N, UPSI DE- DOWN body: st r ange, ar chai c SYMBOLS, WORDS i n LATI N, UPSI DE- DOWN
CROSSES on bot h f or ear ms and UPSI DE- DOWN PENTAGRAMS on hi s CROSSES on bot h f or ear ms and UPSI DE- DOWN PENTAGRAMS on hi s CROSSES on bot h f or ear ms and UPSI DE- DOWN PENTAGRAMS on hi s CROSSES on bot h f or ear ms and UPSI DE- DOWN PENTAGRAMS on hi s CROSSES on bot h f or ear ms and UPSI DE- DOWN PENTAGRAMS on hi s
shoul der s. ( He wear s l ong sl eeve shi r t s f or t he same r eason shoul der s. ( He wear s l ong sl eeve shi r t s f or t he same r eason shoul der s. ( He wear s l ong sl eeve shi r t s f or t he same r eason shoul der s. ( He wear s l ong sl eeve shi r t s f or t he same r eason shoul der s. ( He wear s l ong sl eeve shi r t s f or t he same r eason
he cover s " No Mer cy" on hi s l ef t hand wi t h a bandage. ) he cover s " No Mer cy" on hi s l ef t hand wi t h a bandage. ) he cover s " No Mer cy" on hi s l ef t hand wi t h a bandage. ) he cover s " No Mer cy" on hi s l ef t hand wi t h a bandage. ) he cover s " No Mer cy" on hi s l ef t hand wi t h a bandage. )
Acr oss hi s back, BAPHOMET, t he f r i ght eni ng Sabbat i c Goat or Acr oss hi s back, BAPHOMET, t he f r i ght eni ng Sabbat i c Goat or Acr oss hi s back, BAPHOMET, t he f r i ght eni ng Sabbat i c Goat or Acr oss hi s back, BAPHOMET, t he f r i ght eni ng Sabbat i c Goat or Acr oss hi s back, BAPHOMET, t he f r i ght eni ng Sabbat i c Goat or
Goat of Mendes, i s depi ct ed wi t h al l t he det ai l of an Ol d Goat of Mendes, i s depi ct ed wi t h al l t he det ai l of an Ol d Goat of Mendes, i s depi ct ed wi t h al l t he det ai l of an Ol d Goat of Mendes, i s depi ct ed wi t h al l t he det ai l of an Ol d Goat of Mendes, i s depi ct ed wi t h al l t he det ai l of an Ol d
Wor l d et chi ng. The wi nged, hal f - humanoi d/ hal f - goat , wi t h a Wor l d et chi ng. The wi nged, hal f - humanoi d/ hal f - goat , wi t h a Wor l d et chi ng. The wi nged, hal f - humanoi d/ hal f - goat , wi t h a Wor l d et chi ng. The wi nged, hal f - humanoi d/ hal f - goat , wi t h a Wor l d et chi ng. The wi nged, hal f - humanoi d/ hal f - goat , wi t h a
bur ni ng t or ch j ut t i ng up f r ombet ween t wo huge hor ns on i t s bur ni ng t or ch j ut t i ng up f r ombet ween t wo huge hor ns on i t s bur ni ng t or ch j ut t i ng up f r ombet ween t wo huge hor ns on i t s bur ni ng t or ch j ut t i ng up f r ombet ween t wo huge hor ns on i t s bur ni ng t or ch j ut t i ng up f r ombet ween t wo huge hor ns on i t s
goat head, si t s cr oss- l egged, ar ms posed as i f conj ur i ng. goat head, si t s cr oss- l egged, ar ms posed as i f conj ur i ng. goat head, si t s cr oss- l egged, ar ms posed as i f conj ur i ng. goat head, si t s cr oss- l egged, ar ms posed as i f conj ur i ng. goat head, si t s cr oss- l egged, ar ms posed as i f conj ur i ng.
Many r aw, ul cer ous SORES and CUTS cover Psycho Ki l l er ' s Many r aw, ul cer ous SORES and CUTS cover Psycho Ki l l er ' s Many r aw, ul cer ous SORES and CUTS cover Psycho Ki l l er ' s Many r aw, ul cer ous SORES and CUTS cover Psycho Ki l l er ' s Many r aw, ul cer ous SORES and CUTS cover Psycho Ki l l er ' s
upper body and l egs. As he sl owl y t ur ns, keepi ng hi s head upper body and l egs. As he sl owl y t ur ns, keepi ng hi s head upper body and l egs. As he sl owl y t ur ns, keepi ng hi s head upper body and l egs. As he sl owl y t ur ns, keepi ng hi s head upper body and l egs. As he sl owl y t ur ns, keepi ng hi s head
bowed, put t i ng hi s back t o t he wat er , we can now see. . . bowed, put t i ng hi s back t o t he wat er , we can now see. . . bowed, put t i ng hi s back t o t he wat er , we can now see. . . bowed, put t i ng hi s back t o t he wat er , we can now see. . . bowed, put t i ng hi s back t o t he wat er , we can now see. . .
A l ar ge ver si on of t he " Evi l Eye; " t he EYE wi t h i t UPSI DE- A l ar ge ver si on of t he " Evi l Eye; " t he EYE wi t h i t UPSI DE- A l ar ge ver si on of t he " Evi l Eye; " t he EYE wi t h i t UPSI DE- A l ar ge ver si on of t he " Evi l Eye; " t he EYE wi t h i t UPSI DE- A l ar ge ver si on of t he " Evi l Eye; " t he EYE wi t h i t UPSI DE-
DOWN PENTAGRAM PUPI L, i s t at t ooed acr oss hi s chest . DOWN PENTAGRAM PUPI L, i s t at t ooed acr oss hi s chest . DOWN PENTAGRAM PUPI L, i s t at t ooed acr oss hi s chest . DOWN PENTAGRAM PUPI L, i s t at t ooed acr oss hi s chest . DOWN PENTAGRAM PUPI L, i s t at t ooed acr oss hi s chest .
" SOLVE" i s t at t ooed t he l engt h of hi s r i ght , i nner - f or ear m. " SOLVE" i s t at t ooed t he l engt h of hi s r i ght , i nner - f or ear m. " SOLVE" i s t at t ooed t he l engt h of hi s r i ght , i nner - f or ear m. " SOLVE" i s t at t ooed t he l engt h of hi s r i ght , i nner - f or ear m. " SOLVE" i s t at t ooed t he l engt h of hi s r i ght , i nner - f or ear m.
" COAGULA" r uns down hi s l ef t , i nner - f or ear m. " COAGULA" r uns down hi s l ef t , i nner - f or ear m. " COAGULA" r uns down hi s l ef t , i nner - f or ear m. " COAGULA" r uns down hi s l ef t , i nner - f or ear m. " COAGULA" r uns down hi s l ef t , i nner - f or ear m.
The bend of each of hi s i nner ar ms i s ext ensi vel y br ui sed The bend of each of hi s i nner ar ms i s ext ensi vel y br ui sed The bend of each of hi s i nner ar ms i s ext ensi vel y br ui sed The bend of each of hi s i nner ar ms i s ext ensi vel y br ui sed The bend of each of hi s i nner ar ms i s ext ensi vel y br ui sed
and mar ked by an i ncr edi bl e number of ol d NEEDLE SCARS and and mar ked by an i ncr edi bl e number of ol d NEEDLE SCARS and and mar ked by an i ncr edi bl e number of ol d NEEDLE SCARS and and mar ked by an i ncr edi bl e number of ol d NEEDLE SCARS and and mar ked by an i ncr edi bl e number of ol d NEEDLE SCARS and
mor e r ecent , scabr ous TRACK- MARKS f est er i ng al ong t he mor e r ecent , scabr ous TRACK- MARKS f est er i ng al ong t he mor e r ecent , scabr ous TRACK- MARKS f est er i ng al ong t he mor e r ecent , scabr ous TRACK- MARKS f est er i ng al ong t he mor e r ecent , scabr ous TRACK- MARKS f est er i ng al ong t he
pr omi nent vei ns. pr omi nent vei ns. pr omi nent vei ns. pr omi nent vei ns. pr omi nent vei ns.
INT. MOTOR COURT ROOM -- LATER NIGHT INT. MOTOR COURT ROOM -- LATER NIGHT INT. MOTOR COURT ROOM -- LATER NIGHT INT. MOTOR COURT ROOM -- LATER NIGHT INT. MOTOR COURT ROOM -- LATER NIGHT
Shi r t l ess, but masked, Psycho Ki l l er si t s i n t he r oom' s DESK Shi r t l ess, but masked, Psycho Ki l l er si t s i n t he r oom' s DESK Shi r t l ess, but masked, Psycho Ki l l er si t s i n t he r oom' s DESK Shi r t l ess, but masked, Psycho Ki l l er si t s i n t he r oom' s DESK Shi r t l ess, but masked, Psycho Ki l l er si t s i n t he r oom' s DESK
CHAI R at t he f oot of t he BED, usi ng a l ar ge METAL FI LE on CHAI R at t he f oot of t he BED, usi ng a l ar ge METAL FI LE on CHAI R at t he f oot of t he BED, usi ng a l ar ge METAL FI LE on CHAI R at t he f oot of t he BED, usi ng a l ar ge METAL FI LE on CHAI R at t he f oot of t he BED, usi ng a l ar ge METAL FI LE on
t he 3- f oot l engt h COPPER PI PE he acqui r ed. TV i s ON. t he 3- f oot l engt h COPPER PI PE he acqui r ed. TV i s ON. t he 3- f oot l engt h COPPER PI PE he acqui r ed. TV i s ON. t he 3- f oot l engt h COPPER PI PE he acqui r ed. TV i s ON. t he 3- f oot l engt h COPPER PI PE he acqui r ed. TV i s ON.
17. 17. 17. 17. 17.
TV NEWS REPORTER ( V. O. ) TV NEWS REPORTER ( V. O. ) TV NEWS REPORTER ( V. O. ) TV NEWS REPORTER ( V. O. ) TV NEWS REPORTER ( V. O. )
. . . Manson and " t he Fami l y, " as t he . . . Manson and " t he Fami l y, " as t he . . . Manson and " t he Fami l y, " as t he . . . Manson and " t he Fami l y, " as t he . . . Manson and " t he Fami l y, " as t he
Cul t member s cal l ed t hemsel ves, Cul t member s cal l ed t hemsel ves, Cul t member s cal l ed t hemsel ves, Cul t member s cal l ed t hemsel ves, Cul t member s cal l ed t hemsel ves,
ki l l ed 7 peopl e i n t he i nf amous Tat e- ki l l ed 7 peopl e i n t he i nf amous Tat e- ki l l ed 7 peopl e i n t he i nf amous Tat e- ki l l ed 7 peopl e i n t he i nf amous Tat e- ki l l ed 7 peopl e i n t he i nf amous Tat e-
LaBi anca mur der s of 1969. Messages LaBi anca mur der s of 1969. Messages LaBi anca mur der s of 1969. Messages LaBi anca mur der s of 1969. Messages LaBi anca mur der s of 1969. Messages
wer e l ef t wr i t t en on t he wal l s i n wer e l ef t wr i t t en on t he wal l s i n wer e l ef t wr i t t en on t he wal l s i n wer e l ef t wr i t t en on t he wal l s i n wer e l ef t wr i t t en on t he wal l s i n
bl ood. To t hi s day, Char l es Manson bl ood. To t hi s day, Char l es Manson bl ood. To t hi s day, Char l es Manson bl ood. To t hi s day, Char l es Manson bl ood. To t hi s day, Char l es Manson
i s hel d i n a Cal i f or ni a pr i son. i s hel d i n a Cal i f or ni a pr i son. i s hel d i n a Cal i f or ni a pr i son. i s hel d i n a Cal i f or ni a pr i son. i s hel d i n a Cal i f or ni a pr i son.
PK' s f i l i ng one end of t he pi pe, shar peni ng i t at an angl e, PK' s f i l i ng one end of t he pi pe, shar peni ng i t at an angl e, PK' s f i l i ng one end of t he pi pe, shar peni ng i t at an angl e, PK' s f i l i ng one end of t he pi pe, shar peni ng i t at an angl e, PK' s f i l i ng one end of t he pi pe, shar peni ng i t at an angl e,
l i ke t he poi nt ed t i p of a hypoder mi c needl e enl ar ged. l i ke t he poi nt ed t i p of a hypoder mi c needl e enl ar ged. l i ke t he poi nt ed t i p of a hypoder mi c needl e enl ar ged. l i ke t he poi nt ed t i p of a hypoder mi c needl e enl ar ged. l i ke t he poi nt ed t i p of a hypoder mi c needl e enl ar ged.
Devi l wor shi p was al so a mot i ve 20 Devi l wor shi p was al so a mot i ve 20 Devi l wor shi p was al so a mot i ve 20 Devi l wor shi p was al so a mot i ve 20 Devi l wor shi p was al so a mot i ve 20
year s ago, when t eenager Ri char d year s ago, when t eenager Ri char d year s ago, when t eenager Ri char d year s ago, when t eenager Ri char d year s ago, when t eenager Ri char d
Leonar d Reeves commi t t ed t he gr i sl y Leonar d Reeves commi t t ed t he gr i sl y Leonar d Reeves commi t t ed t he gr i sl y Leonar d Reeves commi t t ed t he gr i sl y Leonar d Reeves commi t t ed t he gr i sl y
ki l l i ngs at Chr i st ' s Cr oss Chur ch i n ki l l i ngs at Chr i st ' s Cr oss Chur ch i n ki l l i ngs at Chr i st ' s Cr oss Chur ch i n ki l l i ngs at Chr i st ' s Cr oss Chur ch i n ki l l i ngs at Chr i st ' s Cr oss Chur ch i n
Har r i sbur g, Pennsyl vani a. Reeves Har r i sbur g, Pennsyl vani a. Reeves Har r i sbur g, Pennsyl vani a. Reeves Har r i sbur g, Pennsyl vani a. Reeves Har r i sbur g, Pennsyl vani a. Reeves
mur der ed t hi r t een host ages i nsi de t he mur der ed t hi r t een host ages i nsi de t he mur der ed t hi r t een host ages i nsi de t he mur der ed t hi r t een host ages i nsi de t he mur der ed t hi r t een host ages i nsi de t he
chur ch, i ncl udi ng a pr i est , whi l e chur ch, i ncl udi ng a pr i est , whi l e chur ch, i ncl udi ng a pr i est , whi l e chur ch, i ncl udi ng a pr i est , whi l e chur ch, i ncl udi ng a pr i est , whi l e
per f or mi ng what aut hor i t i es descr i bed per f or mi ng what aut hor i t i es descr i bed per f or mi ng what aut hor i t i es descr i bed per f or mi ng what aut hor i t i es descr i bed per f or mi ng what aut hor i t i es descr i bed
as a r i t ual i st i c Bl ack Mass. as a r i t ual i st i c Bl ack Mass. as a r i t ual i st i c Bl ack Mass. as a r i t ual i st i c Bl ack Mass. as a r i t ual i st i c Bl ack Mass.
Psycho Ki l l er l ooks up a moment , bat hed i n cat hode- r ay t ube Psycho Ki l l er l ooks up a moment , bat hed i n cat hode- r ay t ube Psycho Ki l l er l ooks up a moment , bat hed i n cat hode- r ay t ube Psycho Ki l l er l ooks up a moment , bat hed i n cat hode- r ay t ube Psycho Ki l l er l ooks up a moment , bat hed i n cat hode- r ay t ube
LI GHT, t he TV doubl y r ef l ect ed i n t he l enses of hi s mask. LI GHT, t he TV doubl y r ef l ect ed i n t he l enses of hi s mask. LI GHT, t he TV doubl y r ef l ect ed i n t he l enses of hi s mask. LI GHT, t he TV doubl y r ef l ect ed i n t he l enses of hi s mask. LI GHT, t he TV doubl y r ef l ect ed i n t he l enses of hi s mask.
Af t er near l y 15 year s on Deat h Row at Af t er near l y 15 year s on Deat h Row at Af t er near l y 15 year s on Deat h Row at Af t er near l y 15 year s on Deat h Row at Af t er near l y 15 year s on Deat h Row at
t he Feder al Det ent i on Cent er i n t he Feder al Det ent i on Cent er i n t he Feder al Det ent i on Cent er i n t he Feder al Det ent i on Cent er i n t he Feder al Det ent i on Cent er i n
Phi l adel phi a, Reeves was ki l l ed Phi l adel phi a, Reeves was ki l l ed Phi l adel phi a, Reeves was ki l l ed Phi l adel phi a, Reeves was ki l l ed Phi l adel phi a, Reeves was ki l l ed
dur i ng an escape at t empt . I t was i n dur i ng an escape at t empt . I t was i n dur i ng an escape at t empt . I t was i n dur i ng an escape at t empt . I t was i n dur i ng an escape at t empt . I t was i n
t he mi d- sevent i es t hat sel f - t he mi d- sevent i es t hat sel f - t he mi d- sevent i es t hat sel f - t he mi d- sevent i es t hat sel f - t he mi d- sevent i es t hat sel f -
pr ocl ai med sat ani st , Davi d Ber kowi t z, pr ocl ai med sat ani st , Davi d Ber kowi t z, pr ocl ai med sat ani st , Davi d Ber kowi t z, pr ocl ai med sat ani st , Davi d Ber kowi t z, pr ocl ai med sat ani st , Davi d Ber kowi t z,
cal l i ng hi msel f " The Son of Sam, " cal l i ng hi msel f " The Son of Sam, " cal l i ng hi msel f " The Son of Sam, " cal l i ng hi msel f " The Son of Sam, " cal l i ng hi msel f " The Son of Sam, "
t er r or i zed al l of New Yor k Ci t y. . . t er r or i zed al l of New Yor k Ci t y. . . t er r or i zed al l of New Yor k Ci t y. . . t er r or i zed al l of New Yor k Ci t y. . . t er r or i zed al l of New Yor k Ci t y. . .
INT. MOTOR COURT ROOM -- NIGHT INT. MOTOR COURT ROOM -- NIGHT INT. MOTOR COURT ROOM -- NIGHT INT. MOTOR COURT ROOM -- NIGHT INT. MOTOR COURT ROOM -- NIGHT
Psycho Ki l l er ' s back at t he wi ndow, peer i ng out . Psycho Ki l l er ' s back at t he wi ndow, peer i ng out . Psycho Ki l l er ' s back at t he wi ndow, peer i ng out . Psycho Ki l l er ' s back at t he wi ndow, peer i ng out . Psycho Ki l l er ' s back at t he wi ndow, peer i ng out .
Psycho Ki l l er ' s bent over t he DESK, st udyi ng a wor n ROAD MAP. Psycho Ki l l er ' s bent over t he DESK, st udyi ng a wor n ROAD MAP. Psycho Ki l l er ' s bent over t he DESK, st udyi ng a wor n ROAD MAP. Psycho Ki l l er ' s bent over t he DESK, st udyi ng a wor n ROAD MAP. Psycho Ki l l er ' s bent over t he DESK, st udyi ng a wor n ROAD MAP.
The " N" BOOK of t he ENCYCLOPEDI A i s open, f ace- down, near by. The " N" BOOK of t he ENCYCLOPEDI A i s open, f ace- down, near by. The " N" BOOK of t he ENCYCLOPEDI A i s open, f ace- down, near by. The " N" BOOK of t he ENCYCLOPEDI A i s open, f ace- down, near by. The " N" BOOK of t he ENCYCLOPEDI A i s open, f ace- down, near by.
CLOSE- UP ON: PK' s j agged- nai l ed pi nki e f i nger f ol l ows one CLOSE- UP ON: PK' s j agged- nai l ed pi nki e f i nger f ol l ows one CLOSE- UP ON: PK' s j agged- nai l ed pi nki e f i nger f ol l ows one CLOSE- UP ON: PK' s j agged- nai l ed pi nki e f i nger f ol l ows one CLOSE- UP ON: PK' s j agged- nai l ed pi nki e f i nger f ol l ows one
ROADWAY on t he MAP f r om" COLORADO" i nt o. . . " KANSAS. " ROADWAY on t he MAP f r om" COLORADO" i nt o. . . " KANSAS. " ROADWAY on t he MAP f r om" COLORADO" i nt o. . . " KANSAS. " ROADWAY on t he MAP f r om" COLORADO" i nt o. . . " KANSAS. " ROADWAY on t he MAP f r om" COLORADO" i nt o. . . " KANSAS. "
Ever yt hi ng' s put away. Ever yt hi ng' s put away. Ever yt hi ng' s put away. Ever yt hi ng' s put away. Ever yt hi ng' s put away.
18. 18. 18. 18. 18.
Ther e' s j ust PK' s cl osed sui t case on t he bed. TV' s ON, Ther e' s j ust PK' s cl osed sui t case on t he bed. TV' s ON, Ther e' s j ust PK' s cl osed sui t case on t he bed. TV' s ON, Ther e' s j ust PK' s cl osed sui t case on t he bed. TV' s ON, Ther e' s j ust PK' s cl osed sui t case on t he bed. TV' s ON,
MUTED, i t s LI GHT t he onl y i l l umi nat i on. . . Except LI GHT MUTED, i t s LI GHT t he onl y i l l umi nat i on. . . Except LI GHT MUTED, i t s LI GHT t he onl y i l l umi nat i on. . . Except LI GHT MUTED, i t s LI GHT t he onl y i l l umi nat i on. . . Except LI GHT MUTED, i t s LI GHT t he onl y i l l umi nat i on. . . Except LI GHT
l eaki ng f r omt he cl osed CLOSET. l eaki ng f r omt he cl osed CLOSET. l eaki ng f r omt he cl osed CLOSET. l eaki ng f r omt he cl osed CLOSET. l eaki ng f r omt he cl osed CLOSET.
INSIDE THE SMALL CLOSET INSIDE THE SMALL CLOSET INSIDE THE SMALL CLOSET INSIDE THE SMALL CLOSET INSIDE THE SMALL CLOSET
Psycho Ki l l er i s asl eep, masked, seat ed on t he f l oor wi t h Psycho Ki l l er i s asl eep, masked, seat ed on t he f l oor wi t h Psycho Ki l l er i s asl eep, masked, seat ed on t he f l oor wi t h Psycho Ki l l er i s asl eep, masked, seat ed on t he f l oor wi t h Psycho Ki l l er i s asl eep, masked, seat ed on t he f l oor wi t h
hi s back t o t he wal l , knees pul l ed up agai nst hi s chest . hi s back t o t he wal l , knees pul l ed up agai nst hi s chest . hi s back t o t he wal l , knees pul l ed up agai nst hi s chest . hi s back t o t he wal l , knees pul l ed up agai nst hi s chest . hi s back t o t he wal l , knees pul l ed up agai nst hi s chest .
DREAM / INNER SANCTUM OF HIS INFERNAL MAJESTY - ETERNAL NIGHT DREAM / INNER SANCTUM OF HIS INFERNAL MAJESTY - ETERNAL NIGHT DREAM / INNER SANCTUM OF HIS INFERNAL MAJESTY - ETERNAL NIGHT DREAM / INNER SANCTUM OF HIS INFERNAL MAJESTY - ETERNAL NIGHT DREAM / INNER SANCTUM OF HIS INFERNAL MAJESTY - ETERNAL NIGHT
Masked Psycho Ki l l er ent er s a gi ant , f i er y THRONE ROOM of Masked Psycho Ki l l er ent er s a gi ant , f i er y THRONE ROOM of Masked Psycho Ki l l er ent er s a gi ant , f i er y THRONE ROOM of Masked Psycho Ki l l er ent er s a gi ant , f i er y THRONE ROOM of Masked Psycho Ki l l er ent er s a gi ant , f i er y THRONE ROOM of
awesome di mensi on. He car r i es hi s sl edgehammer and pi ckax. awesome di mensi on. He car r i es hi s sl edgehammer and pi ckax. awesome di mensi on. He car r i es hi s sl edgehammer and pi ckax. awesome di mensi on. He car r i es hi s sl edgehammer and pi ckax. awesome di mensi on. He car r i es hi s sl edgehammer and pi ckax.
Whi r l i ng pi l l ar s of FLAME r i se and f al l al ongsi de t he pat h Whi r l i ng pi l l ar s of FLAME r i se and f al l al ongsi de t he pat h Whi r l i ng pi l l ar s of FLAME r i se and f al l al ongsi de t he pat h Whi r l i ng pi l l ar s of FLAME r i se and f al l al ongsi de t he pat h Whi r l i ng pi l l ar s of FLAME r i se and f al l al ongsi de t he pat h
he t r eads. HELLI SH WI NDS howl . he t r eads. HELLI SH WI NDS howl . he t r eads. HELLI SH WI NDS howl . he t r eads. HELLI SH WI NDS howl . he t r eads. HELLI SH WI NDS howl .
Psycho Ki l l er cl i mbs STAI RS hewn i nt o t he anci ent bl ack Psycho Ki l l er cl i mbs STAI RS hewn i nt o t he anci ent bl ack Psycho Ki l l er cl i mbs STAI RS hewn i nt o t he anci ent bl ack Psycho Ki l l er cl i mbs STAI RS hewn i nt o t he anci ent bl ack Psycho Ki l l er cl i mbs STAI RS hewn i nt o t he anci ent bl ack
st one of t hi s pl ace. At t he t op of t hese st ai r s, he i s now st one of t hi s pl ace. At t he t op of t hese st ai r s, he i s now st one of t hi s pl ace. At t he t op of t hese st ai r s, he i s now st one of t hi s pl ace. At t he t op of t hese st ai r s, he i s now st one of t hi s pl ace. At t he t op of t hese st ai r s, he i s now
al one, st eppi ng f or war d i nt o. . . al one, st eppi ng f or war d i nt o. . . al one, st eppi ng f or war d i nt o. . . al one, st eppi ng f or war d i nt o. . . al one, st eppi ng f or war d i nt o. . .
The cent er of vast PENTAGRAM, whi ch GLOWS a bl ood- r ed, The cent er of vast PENTAGRAM, whi ch GLOWS a bl ood- r ed, The cent er of vast PENTAGRAM, whi ch GLOWS a bl ood- r ed, The cent er of vast PENTAGRAM, whi ch GLOWS a bl ood- r ed, The cent er of vast PENTAGRAM, whi ch GLOWS a bl ood- r ed,
ETHEREAL GLOWand cont ai ns el abor at e, occul t symbol s. ETHEREAL GLOWand cont ai ns el abor at e, occul t symbol s. ETHEREAL GLOWand cont ai ns el abor at e, occul t symbol s. ETHEREAL GLOWand cont ai ns el abor at e, occul t symbol s. ETHEREAL GLOWand cont ai ns el abor at e, occul t symbol s.
Psycho Ki l l er st ands bef or e a t ower i ng WALL of FLAMES Psycho Ki l l er st ands bef or e a t ower i ng WALL of FLAMES Psycho Ki l l er st ands bef or e a t ower i ng WALL of FLAMES Psycho Ki l l er st ands bef or e a t ower i ng WALL of FLAMES Psycho Ki l l er st ands bef or e a t ower i ng WALL of FLAMES
st or i es hi gh. He t hr ows hi s t ool s f or war d. . . st or i es hi gh. He t hr ows hi s t ool s f or war d. . . st or i es hi gh. He t hr ows hi s t ool s f or war d. . . st or i es hi gh. He t hr ows hi s t ool s f or war d. . . st or i es hi gh. He t hr ows hi s t ool s f or war d. . .
The BLOOD DRENCHED sl edgehammer and pi ckax hi t t he gr ound. The BLOOD DRENCHED sl edgehammer and pi ckax hi t t he gr ound. The BLOOD DRENCHED sl edgehammer and pi ckax hi t t he gr ound. The BLOOD DRENCHED sl edgehammer and pi ckax hi t t he gr ound. The BLOOD DRENCHED sl edgehammer and pi ckax hi t t he gr ound.
Psycho Ki l l er bows l ow, i n humi l i t y, speaki ng wi t h an Psycho Ki l l er bows l ow, i n humi l i t y, speaki ng wi t h an Psycho Ki l l er bows l ow, i n humi l i t y, speaki ng wi t h an Psycho Ki l l er bows l ow, i n humi l i t y, speaki ng wi t h an Psycho Ki l l er bows l ow, i n humi l i t y, speaki ng wi t h an
el oquence he does not possess i n r eal l i f e. el oquence he does not possess i n r eal l i f e. el oquence he does not possess i n r eal l i f e. el oquence he does not possess i n r eal l i f e. el oquence he does not possess i n r eal l i f e.
PSYCHO KI LLER PSYCHO KI LLER PSYCHO KI LLER PSYCHO KI LLER PSYCHO KI LLER
Al l t hat I di d. . . al l was done i n Al l t hat I di d. . . al l was done i n Al l t hat I di d. . . al l was done i n Al l t hat I di d. . . al l was done i n Al l t hat I di d. . . al l was done i n
your name, al mi ght y Di abol us. Angel your name, al mi ght y Di abol us. Angel your name, al mi ght y Di abol us. Angel your name, al mi ght y Di abol us. Angel your name, al mi ght y Di abol us. Angel
of t he Bot t oml ess Pi t . Let me si t at of t he Bot t oml ess Pi t . Let me si t at of t he Bot t oml ess Pi t . Let me si t at of t he Bot t oml ess Pi t . Let me si t at of t he Bot t oml ess Pi t . Let me si t at
your l ef t hand. Let me ser ve you. . . your l ef t hand. Let me ser ve you. . . your l ef t hand. Let me ser ve you. . . your l ef t hand. Let me ser ve you. . . your l ef t hand. Let me ser ve you. . .
t i l l beyond t he end of et er ni t y. t i l l beyond t he end of et er ni t y. t i l l beyond t he end of et er ni t y. t i l l beyond t he end of et er ni t y. t i l l beyond t he end of et er ni t y.
He l i f t s hi s head, FLAMES REFLECTED i n hi s MASK' S " EYES. " He l i f t s hi s head, FLAMES REFLECTED i n hi s MASK' S " EYES. " He l i f t s hi s head, FLAMES REFLECTED i n hi s MASK' S " EYES. " He l i f t s hi s head, FLAMES REFLECTED i n hi s MASK' S " EYES. " He l i f t s hi s head, FLAMES REFLECTED i n hi s MASK' S " EYES. "
ABOVE, t he CURTAI N of FI RE l essens enough so t hat a COLOSSUS ABOVE, t he CURTAI N of FI RE l essens enough so t hat a COLOSSUS ABOVE, t he CURTAI N of FI RE l essens enough so t hat a COLOSSUS ABOVE, t he CURTAI N of FI RE l essens enough so t hat a COLOSSUS ABOVE, t he CURTAI N of FI RE l essens enough so t hat a COLOSSUS
can be seen wi t hi n, t er r i f yi ng t o behol d; Hi s I nf er nal can be seen wi t hi n, t er r i f yi ng t o behol d; Hi s I nf er nal can be seen wi t hi n, t er r i f yi ng t o behol d; Hi s I nf er nal can be seen wi t hi n, t er r i f yi ng t o behol d; Hi s I nf er nal can be seen wi t hi n, t er r i f yi ng t o behol d; Hi s I nf er nal
Maj est y, a r ed- f l eshed monst r osi t y SI LHOUETTED i n hel l f i r e, Maj est y, a r ed- f l eshed monst r osi t y SI LHOUETTED i n hel l f i r e, Maj est y, a r ed- f l eshed monst r osi t y SI LHOUETTED i n hel l f i r e, Maj est y, a r ed- f l eshed monst r osi t y SI LHOUETTED i n hel l f i r e, Maj est y, a r ed- f l eshed monst r osi t y SI LHOUETTED i n hel l f i r e,
hi s pi er ci ngl y EMBEROUS EYES peer i ng out f r ombeneat h an hi s pi er ci ngl y EMBEROUS EYES peer i ng out f r ombeneat h an hi s pi er ci ngl y EMBEROUS EYES peer i ng out f r ombeneat h an hi s pi er ci ngl y EMBEROUS EYES peer i ng out f r ombeneat h an hi s pi er ci ngl y EMBEROUS EYES peer i ng out f r ombeneat h an
al most beaut i f ul , mul t i - t i er ed col l ect i on of HORNS cur l i ng al most beaut i f ul , mul t i - t i er ed col l ect i on of HORNS cur l i ng al most beaut i f ul , mul t i - t i er ed col l ect i on of HORNS cur l i ng al most beaut i f ul , mul t i - t i er ed col l ect i on of HORNS cur l i ng al most beaut i f ul , mul t i - t i er ed col l ect i on of HORNS cur l i ng
out war d and upwar d f r omhi s hoar y head. out war d and upwar d f r omhi s hoar y head. out war d and upwar d f r omhi s hoar y head. out war d and upwar d f r omhi s hoar y head. out war d and upwar d f r omhi s hoar y head.
BELOW, Psycho Ki l l er st ands. He l ooks down t o see hi s hands BELOW, Psycho Ki l l er st ands. He l ooks down t o see hi s hands BELOW, Psycho Ki l l er st ands. He l ooks down t o see hi s hands BELOW, Psycho Ki l l er st ands. He l ooks down t o see hi s hands BELOW, Psycho Ki l l er st ands. He l ooks down t o see hi s hands
ar e now t he cl awed, i nhuman HANDS of a DEMON. ar e now t he cl awed, i nhuman HANDS of a DEMON. ar e now t he cl awed, i nhuman HANDS of a DEMON. ar e now t he cl awed, i nhuman HANDS of a DEMON. ar e now t he cl awed, i nhuman HANDS of a DEMON.
Psycho Ki l l er r eaches up t o TEAR OFF hi s MASK. . . Psycho Ki l l er r eaches up t o TEAR OFF hi s MASK. . . Psycho Ki l l er r eaches up t o TEAR OFF hi s MASK. . . Psycho Ki l l er r eaches up t o TEAR OFF hi s MASK. . . Psycho Ki l l er r eaches up t o TEAR OFF hi s MASK. . .
He' s become a monst r ous DEMON - - scal y- ski nned, wi t h best i al He' s become a monst r ous DEMON - - scal y- ski nned, wi t h best i al He' s become a monst r ous DEMON - - scal y- ski nned, wi t h best i al He' s become a monst r ous DEMON - - scal y- ski nned, wi t h best i al He' s become a monst r ous DEMON - - scal y- ski nned, wi t h best i al
eyes and smal l HORNS pr ot r udi ng f r omhi s f or ehead. He eyes and smal l HORNS pr ot r udi ng f r omhi s f or ehead. He eyes and smal l HORNS pr ot r udi ng f r omhi s f or ehead. He eyes and smal l HORNS pr ot r udi ng f r omhi s f or ehead. He eyes and smal l HORNS pr ot r udi ng f r omhi s f or ehead. He
t hr ows hi s head back, FANGS bar ed, gi vi ng a t r i umphant ROAR! t hr ows hi s head back, FANGS bar ed, gi vi ng a t r i umphant ROAR! t hr ows hi s head back, FANGS bar ed, gi vi ng a t r i umphant ROAR! t hr ows hi s head back, FANGS bar ed, gi vi ng a t r i umphant ROAR! t hr ows hi s head back, FANGS bar ed, gi vi ng a t r i umphant ROAR!
19. 19. 19. 19. 19.
EXT. FREEWAY -- DAY EXT. FREEWAY -- DAY EXT. FREEWAY -- DAY EXT. FREEWAY -- DAY EXT. FREEWAY -- DAY
Amongst OTHER TRAFFI C, Psycho Ki l l er ' s car passes a Amongst OTHER TRAFFI C, Psycho Ki l l er ' s car passes a Amongst OTHER TRAFFI C, Psycho Ki l l er ' s car passes a Amongst OTHER TRAFFI C, Psycho Ki l l er ' s car passes a Amongst OTHER TRAFFI C, Psycho Ki l l er ' s car passes a
" Welcome to KANSAS" SI GN f eat ur i ng a l ar ge SUNFLOWER. " Welcome to KANSAS" SI GN f eat ur i ng a l ar ge SUNFLOWER. " Welcome to KANSAS" SI GN f eat ur i ng a l ar ge SUNFLOWER. " Welcome to KANSAS" SI GN f eat ur i ng a l ar ge SUNFLOWER. " Welcome to KANSAS" SI GN f eat ur i ng a l ar ge SUNFLOWER.
EXT. KANSAS ROADWAY -- DAY EXT. KANSAS ROADWAY -- DAY EXT. KANSAS ROADWAY -- DAY EXT. KANSAS ROADWAY -- DAY EXT. KANSAS ROADWAY -- DAY
Not f ar f r oma smal l GAS STATI ON i n t he mi ddl e of f l at , Not f ar f r oma smal l GAS STATI ON i n t he mi ddl e of f l at , Not f ar f r oma smal l GAS STATI ON i n t he mi ddl e of f l at , Not f ar f r oma smal l GAS STATI ON i n t he mi ddl e of f l at , Not f ar f r oma smal l GAS STATI ON i n t he mi ddl e of f l at ,
desol at e, r oadsi de nowher e, under boundl ess bl ue sky, Psycho desol at e, r oadsi de nowher e, under boundl ess bl ue sky, Psycho desol at e, r oadsi de nowher e, under boundl ess bl ue sky, Psycho desol at e, r oadsi de nowher e, under boundl ess bl ue sky, Psycho desol at e, r oadsi de nowher e, under boundl ess bl ue sky, Psycho
Ki l l er ' s i n a PHONE BOOTH. Ki l l er ' s i n a PHONE BOOTH. Ki l l er ' s i n a PHONE BOOTH. Ki l l er ' s i n a PHONE BOOTH. Ki l l er ' s i n a PHONE BOOTH.
( i nt o PHONE) ( i nt o PHONE) ( i nt o PHONE) ( i nt o PHONE) ( i nt o PHONE)
Thi s i s The New Yor k Ti mes? I want Thi s i s The New Yor k Ti mes? I want Thi s i s The New Yor k Ti mes? I want Thi s i s The New Yor k Ti mes? I want Thi s i s The New Yor k Ti mes? I want
t o put i n a cl assi f i ed ad. t o put i n a cl assi f i ed ad. t o put i n a cl assi f i ed ad. t o put i n a cl assi f i ed ad. t o put i n a cl assi f i ed ad.
( l i st ens) ( l i st ens) ( l i st ens) ( l i st ens) ( l i st ens)
Sunday. How much i s i t f or Sunday? Sunday. How much i s i t f or Sunday? Sunday. How much i s i t f or Sunday? Sunday. How much i s i t f or Sunday? Sunday. How much i s i t f or Sunday?
A nat i onal ad. A nat i onal ad. A nat i onal ad. A nat i onal ad. A nat i onal ad.
IN THE PHONE BOOTH IN THE PHONE BOOTH IN THE PHONE BOOTH IN THE PHONE BOOTH IN THE PHONE BOOTH
PK, wi t h hi s back t o us, i s on t he PHONE. TRAFFI C passes. PK, wi t h hi s back t o us, i s on t he PHONE. TRAFFI C passes. PK, wi t h hi s back t o us, i s on t he PHONE. TRAFFI C passes. PK, wi t h hi s back t o us, i s on t he PHONE. TRAFFI C passes. PK, wi t h hi s back t o us, i s on t he PHONE. TRAFFI C passes.
Psycho Ki l l er hol ds a wr i nkl ed CREDI T SLI P. Psycho Ki l l er hol ds a wr i nkl ed CREDI T SLI P. Psycho Ki l l er hol ds a wr i nkl ed CREDI T SLI P. Psycho Ki l l er hol ds a wr i nkl ed CREDI T SLI P. Psycho Ki l l er hol ds a wr i nkl ed CREDI T SLI P.
Fi ve hundr ed and f or t y dol l ar s. Wi l l Fi ve hundr ed and f or t y dol l ar s. Wi l l Fi ve hundr ed and f or t y dol l ar s. Wi l l Fi ve hundr ed and f or t y dol l ar s. Wi l l Fi ve hundr ed and f or t y dol l ar s. Wi l l
you t ake a cr edi t car d number ? you t ake a cr edi t car d number ? you t ake a cr edi t car d number ? you t ake a cr edi t car d number ? you t ake a cr edi t car d number ?
The f i r st l i ne i s, " M N O. " The f i r st l i ne i s, " M N O. " The f i r st l i ne i s, " M N O. " The f i r st l i ne i s, " M N O. " The f i r st l i ne i s, " M N O. "
PK' s SUNGLASSES REFLECT t he r oad and di st ant vani shi ng poi nt . PK' s SUNGLASSES REFLECT t he r oad and di st ant vani shi ng poi nt . PK' s SUNGLASSES REFLECT t he r oad and di st ant vani shi ng poi nt . PK' s SUNGLASSES REFLECT t he r oad and di st ant vani shi ng poi nt . PK' s SUNGLASSES REFLECT t he r oad and di st ant vani shi ng poi nt .
Capi t al M, space, capi t al N, space, Capi t al M, space, capi t al N, space, Capi t al M, space, capi t al N, space, Capi t al M, space, capi t al N, space, Capi t al M, space, capi t al N, space,
capi t al O. Under t hat . . . " To t hose capi t al O. Under t hat . . . " To t hose capi t al O. Under t hat . . . " To t hose capi t al O. Under t hat . . . " To t hose capi t al O. Under t hat . . . " To t hose
who al so shar e f ai t h. Seeki ng our who al so shar e f ai t h. Seeki ng our who al so shar e f ai t h. Seeki ng our who al so shar e f ai t h. Seeki ng our who al so shar e f ai t h. Seeki ng our
mut ual f r i end. " mut ual f r i end. " mut ual f r i end. " mut ual f r i end. " mut ual f r i end. "
( pause) ( pause) ( pause) ( pause) ( pause)
" Need hel p. Pl ease r epl y. " That ' s " Need hel p. Pl ease r epl y. " That ' s " Need hel p. Pl ease r epl y. " That ' s " Need hel p. Pl ease r epl y. " That ' s " Need hel p. Pl ease r epl y. " That ' s
i t . That ' s what i t needs t o say. i t . That ' s what i t needs t o say. i t . That ' s what i t needs t o say. i t . That ' s what i t needs t o say. i t . That ' s what i t needs t o say.
EXT. KANSAS ROADWAY -- LATE DAY EXT. KANSAS ROADWAY -- LATE DAY EXT. KANSAS ROADWAY -- LATE DAY EXT. KANSAS ROADWAY -- LATE DAY EXT. KANSAS ROADWAY -- LATE DAY
Wi t h t he sun bl azi ng l ow i n t he sky, Psycho Ki l l er ' s sedan Wi t h t he sun bl azi ng l ow i n t he sky, Psycho Ki l l er ' s sedan Wi t h t he sun bl azi ng l ow i n t he sky, Psycho Ki l l er ' s sedan Wi t h t he sun bl azi ng l ow i n t he sky, Psycho Ki l l er ' s sedan Wi t h t he sun bl azi ng l ow i n t he sky, Psycho Ki l l er ' s sedan
dr i ves a st r et ch of FOUR- LANE BLACKTOP t hr ough t he pl ai ns. dr i ves a st r et ch of FOUR- LANE BLACKTOP t hr ough t he pl ai ns. dr i ves a st r et ch of FOUR- LANE BLACKTOP t hr ough t he pl ai ns. dr i ves a st r et ch of FOUR- LANE BLACKTOP t hr ough t he pl ai ns. dr i ves a st r et ch of FOUR- LANE BLACKTOP t hr ough t he pl ai ns.
IN PSYCHO KILLER'S CAR -- IN MOTION IN PSYCHO KILLER'S CAR -- IN MOTION IN PSYCHO KILLER'S CAR -- IN MOTION IN PSYCHO KILLER'S CAR -- IN MOTION IN PSYCHO KILLER'S CAR -- IN MOTION
FROM BEHI ND, we' r e l ooki ng over Psycho Ki l l er ' s shoul der as FROM BEHI ND, we' r e l ooki ng over Psycho Ki l l er ' s shoul der as FROM BEHI ND, we' r e l ooki ng over Psycho Ki l l er ' s shoul der as FROM BEHI ND, we' r e l ooki ng over Psycho Ki l l er ' s shoul der as FROM BEHI ND, we' r e l ooki ng over Psycho Ki l l er ' s shoul der as
he dr i ves. We can see hi s SUNGLASSES i n t he REARVI EWMI RROR. he dr i ves. We can see hi s SUNGLASSES i n t he REARVI EWMI RROR. he dr i ves. We can see hi s SUNGLASSES i n t he REARVI EWMI RROR. he dr i ves. We can see hi s SUNGLASSES i n t he REARVI EWMI RROR. he dr i ves. We can see hi s SUNGLASSES i n t he REARVI EWMI RROR.
Far ahead, a HI GHWAY PATROL CAR t ur ns ont o an ON- RAMP. Far ahead, a HI GHWAY PATROL CAR t ur ns ont o an ON- RAMP. Far ahead, a HI GHWAY PATROL CAR t ur ns ont o an ON- RAMP. Far ahead, a HI GHWAY PATROL CAR t ur ns ont o an ON- RAMP. Far ahead, a HI GHWAY PATROL CAR t ur ns ont o an ON- RAMP.
I t speeds up, t r avel i ng r oughl y par al l el unt i l . . . I t speeds up, t r avel i ng r oughl y par al l el unt i l . . . I t speeds up, t r avel i ng r oughl y par al l el unt i l . . . I t speeds up, t r avel i ng r oughl y par al l el unt i l . . . I t speeds up, t r avel i ng r oughl y par al l el unt i l . . .
20. 20. 20. 20. 20.
The Hi ghway Pat r ol Cr own Vi ct or i a mer ges, behi nd PK' s sedan. The Hi ghway Pat r ol Cr own Vi ct or i a mer ges, behi nd PK' s sedan. The Hi ghway Pat r ol Cr own Vi ct or i a mer ges, behi nd PK' s sedan. The Hi ghway Pat r ol Cr own Vi ct or i a mer ges, behi nd PK' s sedan. The Hi ghway Pat r ol Cr own Vi ct or i a mer ges, behi nd PK' s sedan.
I N THE REARVI EWMI RROR: t he Kansas Hi ghway Pat r ol car I N THE REARVI EWMI RROR: t he Kansas Hi ghway Pat r ol car I N THE REARVI EWMI RROR: t he Kansas Hi ghway Pat r ol car I N THE REARVI EWMI RROR: t he Kansas Hi ghway Pat r ol car I N THE REARVI EWMI RROR: t he Kansas Hi ghway Pat r ol car
mat ches Psycho Ki l l er ' s speed, a f ew car l engt hs back. mat ches Psycho Ki l l er ' s speed, a f ew car l engt hs back. mat ches Psycho Ki l l er ' s speed, a f ew car l engt hs back. mat ches Psycho Ki l l er ' s speed, a f ew car l engt hs back. mat ches Psycho Ki l l er ' s speed, a f ew car l engt hs back.
A PATROLMAN' s at t he wheel . A PATROLMAN' s at t he wheel . A PATROLMAN' s at t he wheel . A PATROLMAN' s at t he wheel . A PATROLMAN' s at t he wheel .
Psycho Ki l l er dr i ves f or t he l ongest t i me ( obscur ed by t he Psycho Ki l l er dr i ves f or t he l ongest t i me ( obscur ed by t he Psycho Ki l l er dr i ves f or t he l ongest t i me ( obscur ed by t he Psycho Ki l l er dr i ves f or t he l ongest t i me ( obscur ed by t he Psycho Ki l l er dr i ves f or t he l ongest t i me ( obscur ed by t he
sedan' s wi ndows) , not l ooki ng back. The Cr own Vi c r emai ns sedan' s wi ndows) , not l ooki ng back. The Cr own Vi c r emai ns sedan' s wi ndows) , not l ooki ng back. The Cr own Vi c r emai ns sedan' s wi ndows) , not l ooki ng back. The Cr own Vi c r emai ns sedan' s wi ndows) , not l ooki ng back. The Cr own Vi c r emai ns
r i ght behi nd, keepi ng pace. r i ght behi nd, keepi ng pace. r i ght behi nd, keepi ng pace. r i ght behi nd, keepi ng pace. r i ght behi nd, keepi ng pace.
ON THE DASHBOARD, t he " CRUI SE CONTROL" i s l i t . ON THE DASHBOARD, t he " CRUI SE CONTROL" i s l i t . ON THE DASHBOARD, t he " CRUI SE CONTROL" i s l i t . ON THE DASHBOARD, t he " CRUI SE CONTROL" i s l i t . ON THE DASHBOARD, t he " CRUI SE CONTROL" i s l i t .
The speedomet er needl e' s l ocked i n j ust under " 65. " The speedomet er needl e' s l ocked i n j ust under " 65. " The speedomet er needl e' s l ocked i n j ust under " 65. " The speedomet er needl e' s l ocked i n j ust under " 65. " The speedomet er needl e' s l ocked i n j ust under " 65. "
I N THE REARVI EWMI RROR: t he st oi c Pat r ol man. I N THE REARVI EWMI RROR: t he st oi c Pat r ol man. I N THE REARVI EWMI RROR: t he st oi c Pat r ol man. I N THE REARVI EWMI RROR: t he st oi c Pat r ol man. I N THE REARVI EWMI RROR: t he st oi c Pat r ol man.
Psycho Ki l l er ' s l ef t hand comes of f t he st eer i ng wheel , Psycho Ki l l er ' s l ef t hand comes of f t he st eer i ng wheel , Psycho Ki l l er ' s l ef t hand comes of f t he st eer i ng wheel , Psycho Ki l l er ' s l ef t hand comes of f t he st eer i ng wheel , Psycho Ki l l er ' s l ef t hand comes of f t he st eer i ng wheel ,
f l i cki ng t he TURN I NDI CATOR up. f l i cki ng t he TURN I NDI CATOR up. f l i cki ng t he TURN I NDI CATOR up. f l i cki ng t he TURN I NDI CATOR up. f l i cki ng t he TURN I NDI CATOR up.
ON THE DASH, t he RI GHT TURN ARROWBLI NKS, t i cki ng. ON THE DASH, t he RI GHT TURN ARROWBLI NKS, t i cki ng. ON THE DASH, t he RI GHT TURN ARROWBLI NKS, t i cki ng. ON THE DASH, t he RI GHT TURN ARROWBLI NKS, t i cki ng. ON THE DASH, t he RI GHT TURN ARROWBLI NKS, t i cki ng.
Psycho Ki l l er ' s car eases over ont o t he shoul der . Psycho Ki l l er ' s car eases over ont o t he shoul der . Psycho Ki l l er ' s car eases over ont o t he shoul der . Psycho Ki l l er ' s car eases over ont o t he shoul der . Psycho Ki l l er ' s car eases over ont o t he shoul der .
Psycho Ki l l er st ops t he sedan, wat chi ng as Pat r ol man passes Psycho Ki l l er st ops t he sedan, wat chi ng as Pat r ol man passes Psycho Ki l l er st ops t he sedan, wat chi ng as Pat r ol man passes Psycho Ki l l er st ops t he sedan, wat chi ng as Pat r ol man passes Psycho Ki l l er st ops t he sedan, wat chi ng as Pat r ol man passes
t o t he l ef t , dr i vi ng i nt o t he di st ance, but t hen. . . t o t he l ef t , dr i vi ng i nt o t he di st ance, but t hen. . . t o t he l ef t , dr i vi ng i nt o t he di st ance, but t hen. . . t o t he l ef t , dr i vi ng i nt o t he di st ance, but t hen. . . t o t he l ef t , dr i vi ng i nt o t he di st ance, but t hen. . .
The Cr own Vi c' s BRAKE LI GHTS BRI GHTEN. Pat r ol man U- t ur ns. The Cr own Vi c' s BRAKE LI GHTS BRI GHTEN. Pat r ol man U- t ur ns. The Cr own Vi c' s BRAKE LI GHTS BRI GHTEN. Pat r ol man U- t ur ns. The Cr own Vi c' s BRAKE LI GHTS BRI GHTEN. Pat r ol man U- t ur ns. The Cr own Vi c' s BRAKE LI GHTS BRI GHTEN. Pat r ol man U- t ur ns.
Psycho Ki l l er r eaches i nt o hi s pocket , t akes out hi s Psycho Ki l l er r eaches i nt o hi s pocket , t akes out hi s Psycho Ki l l er r eaches i nt o hi s pocket , t akes out hi s Psycho Ki l l er r eaches i nt o hi s pocket , t akes out hi s Psycho Ki l l er r eaches i nt o hi s pocket , t akes out hi s
REVOLVER. He conceal s i t j ust under hi s r i ght t hi gh. REVOLVER. He conceal s i t j ust under hi s r i ght t hi gh. REVOLVER. He conceal s i t j ust under hi s r i ght t hi gh. REVOLVER. He conceal s i t j ust under hi s r i ght t hi gh. REVOLVER. He conceal s i t j ust under hi s r i ght t hi gh.
The Cr own Vi c passes i n t he opposi t e di r ect i on. The Cr own Vi c passes i n t he opposi t e di r ect i on. The Cr own Vi c passes i n t he opposi t e di r ect i on. The Cr own Vi c passes i n t he opposi t e di r ect i on. The Cr own Vi c passes i n t he opposi t e di r ect i on.
I N THE MI RROR: Pat r ol man negot i at es anot her U- t ur n. . . I N THE MI RROR: Pat r ol man negot i at es anot her U- t ur n. . . I N THE MI RROR: Pat r ol man negot i at es anot her U- t ur n. . . I N THE MI RROR: Pat r ol man negot i at es anot her U- t ur n. . . I N THE MI RROR: Pat r ol man negot i at es anot her U- t ur n. . .
Comi ng ar ound t o par k behi nd PK' s sedan, LI GHTS FLASHI NG. Comi ng ar ound t o par k behi nd PK' s sedan, LI GHTS FLASHI NG. Comi ng ar ound t o par k behi nd PK' s sedan, LI GHTS FLASHI NG. Comi ng ar ound t o par k behi nd PK' s sedan, LI GHTS FLASHI NG. Comi ng ar ound t o par k behi nd PK' s sedan, LI GHTS FLASHI NG.
The squar e- j awed HI GHWAY PATROLMAN, 35, get s out of hi s car . The squar e- j awed HI GHWAY PATROLMAN, 35, get s out of hi s car . The squar e- j awed HI GHWAY PATROLMAN, 35, get s out of hi s car . The squar e- j awed HI GHWAY PATROLMAN, 35, get s out of hi s car . The squar e- j awed HI GHWAY PATROLMAN, 35, get s out of hi s car .
He l ooks i mposi ng i n hi s i mmacul at e UNI FORM. He t akes of f He l ooks i mposi ng i n hi s i mmacul at e UNI FORM. He t akes of f He l ooks i mposi ng i n hi s i mmacul at e UNI FORM. He t akes of f He l ooks i mposi ng i n hi s i mmacul at e UNI FORM. He t akes of f He l ooks i mposi ng i n hi s i mmacul at e UNI FORM. He t akes of f
hi s SUNGLASSES, adj ust i ng hi s t r ooper HAT as he appr oaches. hi s SUNGLASSES, adj ust i ng hi s t r ooper HAT as he appr oaches. hi s SUNGLASSES, adj ust i ng hi s t r ooper HAT as he appr oaches. hi s SUNGLASSES, adj ust i ng hi s t r ooper HAT as he appr oaches. hi s SUNGLASSES, adj ust i ng hi s t r ooper HAT as he appr oaches.
He pr esses hi s r i ght hand t o t he r ear , dr i ver ' s si de panel , He pr esses hi s r i ght hand t o t he r ear , dr i ver ' s si de panel , He pr esses hi s r i ght hand t o t he r ear , dr i ver ' s si de panel , He pr esses hi s r i ght hand t o t he r ear , dr i ver ' s si de panel , He pr esses hi s r i ght hand t o t he r ear , dr i ver ' s si de panel ,
st ayi ng cl ose t o t he car , bends t o l ook i n. . . st ayi ng cl ose t o t he car , bends t o l ook i n. . . st ayi ng cl ose t o t he car , bends t o l ook i n. . . st ayi ng cl ose t o t he car , bends t o l ook i n. . . st ayi ng cl ose t o t he car , bends t o l ook i n. . .
21. 21. 21. 21. 21.
THRU THE WI NDOWS: PK' s SUI TCASE i s on t he back seat amongst THRU THE WI NDOWS: PK' s SUI TCASE i s on t he back seat amongst THRU THE WI NDOWS: PK' s SUI TCASE i s on t he back seat amongst THRU THE WI NDOWS: PK' s SUI TCASE i s on t he back seat amongst THRU THE WI NDOWS: PK' s SUI TCASE i s on t he back seat amongst
many f ast f ood BAGS, WRAPPERS and empt y SODA CUPS. Ther e' s many f ast f ood BAGS, WRAPPERS and empt y SODA CUPS. Ther e' s many f ast f ood BAGS, WRAPPERS and empt y SODA CUPS. Ther e' s many f ast f ood BAGS, WRAPPERS and empt y SODA CUPS. Ther e' s many f ast f ood BAGS, WRAPPERS and empt y SODA CUPS. Ther e' s
CLOTHI NG on t he f l oor , spi l l i ng f r ompl ast i c GROCERY BAGS. CLOTHI NG on t he f l oor , spi l l i ng f r ompl ast i c GROCERY BAGS. CLOTHI NG on t he f l oor , spi l l i ng f r ompl ast i c GROCERY BAGS. CLOTHI NG on t he f l oor , spi l l i ng f r ompl ast i c GROCERY BAGS. CLOTHI NG on t he f l oor , spi l l i ng f r ompl ast i c GROCERY BAGS.
Pat r ol man l et s t he heel of hi s l ef t hand r est on hi s gun as Pat r ol man l et s t he heel of hi s l ef t hand r est on hi s gun as Pat r ol man l et s t he heel of hi s l ef t hand r est on hi s gun as Pat r ol man l et s t he heel of hi s l ef t hand r est on hi s gun as Pat r ol man l et s t he heel of hi s l ef t hand r est on hi s gun as
he ar r i ves at t he dr i ver ' s wi ndow, whi ch PK r ol l s down. he ar r i ves at t he dr i ver ' s wi ndow, whi ch PK r ol l s down. he ar r i ves at t he dr i ver ' s wi ndow, whi ch PK r ol l s down. he ar r i ves at t he dr i ver ' s wi ndow, whi ch PK r ol l s down. he ar r i ves at t he dr i ver ' s wi ndow, whi ch PK r ol l s down.
PATROLMAN PATROLMAN PATROLMAN PATROLMAN PATROLMAN
Af t er noon, si r . What exact l y seems Af t er noon, si r . What exact l y seems Af t er noon, si r . What exact l y seems Af t er noon, si r . What exact l y seems Af t er noon, si r . What exact l y seems
t o be t he pr obl em? t o be t he pr obl em? t o be t he pr obl em? t o be t he pr obl em? t o be t he pr obl em?
Pr obl em? Pr obl em? Pr obl em? Pr obl em? Pr obl em?
You pul l ed over j ust t hen, when I was You pul l ed over j ust t hen, when I was You pul l ed over j ust t hen, when I was You pul l ed over j ust t hen, when I was You pul l ed over j ust t hen, when I was
behi nd you. Maybe you' r e havi ng behi nd you. Maybe you' r e havi ng behi nd you. Maybe you' r e havi ng behi nd you. Maybe you' r e havi ng behi nd you. Maybe you' r e havi ng
engi ne t r oubl e, i s t hat i t ? engi ne t r oubl e, i s t hat i t ? engi ne t r oubl e, i s t hat i t ? engi ne t r oubl e, i s t hat i t ? engi ne t r oubl e, i s t hat i t ?
No. No. No. No. No.
THRU WI NDSHI ELD: t her e' s anot her CAR comi ng t he opposi t e way. THRU WI NDSHI ELD: t her e' s anot her CAR comi ng t he opposi t e way. THRU WI NDSHI ELD: t her e' s anot her CAR comi ng t he opposi t e way. THRU WI NDSHI ELD: t her e' s anot her CAR comi ng t he opposi t e way. THRU WI NDSHI ELD: t her e' s anot her CAR comi ng t he opposi t e way.
I ' mt i r ed. Thought I shoul d. . . r est . I ' mt i r ed. Thought I shoul d. . . r est . I ' mt i r ed. Thought I shoul d. . . r est . I ' mt i r ed. Thought I shoul d. . . r est . I ' mt i r ed. Thought I shoul d. . . r est .
ON THE ROADSIDE ON THE ROADSIDE ON THE ROADSIDE ON THE ROADSIDE ON THE ROADSIDE
What br i ngs you t o Col by? What br i ngs you t o Col by? What br i ngs you t o Col by? What br i ngs you t o Col by? What br i ngs you t o Col by?
Passi ng t hr ough. Passi ng t hr ough. Passi ng t hr ough. Passi ng t hr ough. Passi ng t hr ough.
Sur e. Okay. I ' d l i ke t o t ake a l ook Sur e. Okay. I ' d l i ke t o t ake a l ook Sur e. Okay. I ' d l i ke t o t ake a l ook Sur e. Okay. I ' d l i ke t o t ake a l ook Sur e. Okay. I ' d l i ke t o t ake a l ook
at your l i cense and r egi st r at i on. at your l i cense and r egi st r at i on. at your l i cense and r egi st r at i on. at your l i cense and r egi st r at i on. at your l i cense and r egi st r at i on.
I ' l l . . . have t o f i nd t hem. I ' l l . . . have t o f i nd t hem. I ' l l . . . have t o f i nd t hem. I ' l l . . . have t o f i nd t hem. I ' l l . . . have t o f i nd t hem.
I ' l l be r i ght her e. I ' l l be r i ght her e. I ' l l be r i ght her e. I ' l l be r i ght her e. I ' l l be r i ght her e.
Pat r ol man l ooks up t o see t he appr oachi ng car . . . Pat r ol man l ooks up t o see t he appr oachi ng car . . . Pat r ol man l ooks up t o see t he appr oachi ng car . . . Pat r ol man l ooks up t o see t he appr oachi ng car . . . Pat r ol man l ooks up t o see t he appr oachi ng car . . .
Anot her HI GHWAY PATROL CAR, st oppi ng acr oss t he r oadway. Anot her HI GHWAY PATROL CAR, st oppi ng acr oss t he r oadway. Anot her HI GHWAY PATROL CAR, st oppi ng acr oss t he r oadway. Anot her HI GHWAY PATROL CAR, st oppi ng acr oss t he r oadway. Anot her HI GHWAY PATROL CAR, st oppi ng acr oss t he r oadway.
Anot her OFFI CER, i n HAT and SUNGLASSES, i s at t he wheel . Anot her OFFI CER, i n HAT and SUNGLASSES, i s at t he wheel . Anot her OFFI CER, i n HAT and SUNGLASSES, i s at t he wheel . Anot her OFFI CER, i n HAT and SUNGLASSES, i s at t he wheel . Anot her OFFI CER, i n HAT and SUNGLASSES, i s at t he wheel .
Pat r ol man smi l es. He wal ks t o t he r ear of Psycho Ki l l er ' s Pat r ol man smi l es. He wal ks t o t he r ear of Psycho Ki l l er ' s Pat r ol man smi l es. He wal ks t o t he r ear of Psycho Ki l l er ' s Pat r ol man smi l es. He wal ks t o t he r ear of Psycho Ki l l er ' s Pat r ol man smi l es. He wal ks t o t he r ear of Psycho Ki l l er ' s
sedan, keepi ng an eye on PK. He keys t he RADI O MI C on hi s sedan, keepi ng an eye on PK. He keys t he RADI O MI C on hi s sedan, keepi ng an eye on PK. He keys t he RADI O MI C on hi s sedan, keepi ng an eye on PK. He keys t he RADI O MI C on hi s sedan, keepi ng an eye on PK. He keys t he RADI O MI C on hi s
shoul der , t ur ni ng a knob on t he WALKI E TALKI E on hi s hi p. shoul der , t ur ni ng a knob on t he WALKI E TALKI E on hi s hi p. shoul der , t ur ni ng a knob on t he WALKI E TALKI E on hi s hi p. shoul der , t ur ni ng a knob on t he WALKI E TALKI E on hi s hi p. shoul der , t ur ni ng a knob on t he WALKI E TALKI E on hi s hi p.
22. 22. 22. 22. 22.
( i nt o UNI FORM MI C) ( i nt o UNI FORM MI C) ( i nt o UNI FORM MI C) ( i nt o UNI FORM MI C) ( i nt o UNI FORM MI C)
Wher e you headi ng, l ady? Wher e you headi ng, l ady? Wher e you headi ng, l ady? Wher e you headi ng, l ady? Wher e you headi ng, l ady?
IN THE 2ND PATROL CAR IN THE 2ND PATROL CAR IN THE 2ND PATROL CAR IN THE 2ND PATROL CAR IN THE 2ND PATROL CAR
Pat r ol woman, J ANE THORNE, 30, wear y, pr et t y even i n her Pat r ol woman, J ANE THORNE, 30, wear y, pr et t y even i n her Pat r ol woman, J ANE THORNE, 30, wear y, pr et t y even i n her Pat r ol woman, J ANE THORNE, 30, wear y, pr et t y even i n her Pat r ol woman, J ANE THORNE, 30, wear y, pr et t y even i n her
manni sh uni f or m( i ncl udi ng NECKTI E) , speaks i nt o her RADI O manni sh uni f or m( i ncl udi ng NECKTI E) , speaks i nt o her RADI O manni sh uni f or m( i ncl udi ng NECKTI E) , speaks i nt o her RADI O manni sh uni f or m( i ncl udi ng NECKTI E) , speaks i nt o her RADI O manni sh uni f or m( i ncl udi ng NECKTI E) , speaks i nt o her RADI O
MI C. Thei r back and f or t h i s somewhat cl i pped, busi nessl i ke. MI C. Thei r back and f or t h i s somewhat cl i pped, busi nessl i ke. MI C. Thei r back and f or t h i s somewhat cl i pped, busi nessl i ke. MI C. Thei r back and f or t h i s somewhat cl i pped, busi nessl i ke. MI C. Thei r back and f or t h i s somewhat cl i pped, busi nessl i ke.
J ANE J ANE J ANE J ANE J ANE
( i nt o RADI O MI C) ( i nt o RADI O MI C) ( i nt o RADI O MI C) ( i nt o RADI O MI C) ( i nt o RADI O MI C)
Home. What about you? Home. What about you? Home. What about you? Home. What about you? Home. What about you?
PATROLMAN ( V. O. ) PATROLMAN ( V. O. ) PATROLMAN ( V. O. ) PATROLMAN ( V. O. ) PATROLMAN ( V. O. )
( f r omPOLI CE RADI O) ( f r omPOLI CE RADI O) ( f r omPOLI CE RADI O) ( f r omPOLI CE RADI O) ( f r omPOLI CE RADI O)
Wel l , my mot her al ways sai d I Wel l , my mot her al ways sai d I Wel l , my mot her al ways sai d I Wel l , my mot her al ways sai d I Wel l , my mot her al ways sai d I
shoul dn' t j udge a book by i t s cover . . . shoul dn' t j udge a book by i t s cover . . . shoul dn' t j udge a book by i t s cover . . . shoul dn' t j udge a book by i t s cover . . . shoul dn' t j udge a book by i t s cover . . .
Pat r ol man wat ches t he sedan. Pat r ol man wat ches t he sedan. Pat r ol man wat ches t he sedan. Pat r ol man wat ches t he sedan. Pat r ol man wat ches t he sedan.
But I ' mguessi ng I ' l l be r unni ng t hi s But I ' mguessi ng I ' l l be r unni ng t hi s But I ' mguessi ng I ' l l be r unni ng t hi s But I ' mguessi ng I ' l l be r unni ng t hi s But I ' mguessi ng I ' l l be r unni ng t hi s
gent l eman i n on dr ug char ges i n al l gent l eman i n on dr ug char ges i n al l gent l eman i n on dr ug char ges i n al l gent l eman i n on dr ug char ges i n al l gent l eman i n on dr ug char ges i n al l
of about t hr ee mi nut es. of about t hr ee mi nut es. of about t hr ee mi nut es. of about t hr ee mi nut es. of about t hr ee mi nut es.
J ANE ( V. O. ) J ANE ( V. O. ) J ANE ( V. O. ) J ANE ( V. O. ) J ANE ( V. O. )
( f r omWALKI E TALKI E) ( f r omWALKI E TALKI E) ( f r omWALKI E TALKI E) ( f r omWALKI E TALKI E) ( f r omWALKI E TALKI E)
I know your momwoul dn' t have t ol d I know your momwoul dn' t have t ol d I know your momwoul dn' t have t ol d I know your momwoul dn' t have t ol d I know your momwoul dn' t have t ol d
you t hat , si nce you can' t r ead and you t hat , si nce you can' t r ead and you t hat , si nce you can' t r ead and you t hat , si nce you can' t r ead and you t hat , si nce you can' t r ead and
she woul dn' t l i ke t o hur t your she woul dn' t l i ke t o hur t your she woul dn' t l i ke t o hur t your she woul dn' t l i ke t o hur t your she woul dn' t l i ke t o hur t your
f eel i ngs. Need me t o st i ck ar ound? f eel i ngs. Need me t o st i ck ar ound? f eel i ngs. Need me t o st i ck ar ound? f eel i ngs. Need me t o st i ck ar ound? f eel i ngs. Need me t o st i ck ar ound?
A CAR and TRUCK zoomby bet ween hi mand J ane. A CAR and TRUCK zoomby bet ween hi mand J ane. A CAR and TRUCK zoomby bet ween hi mand J ane. A CAR and TRUCK zoomby bet ween hi mand J ane. A CAR and TRUCK zoomby bet ween hi mand J ane.
No. I ' ve got i t . No. I ' ve got i t . No. I ' ve got i t . No. I ' ve got i t . No. I ' ve got i t .
IN JANE'S PATROL CAR IN JANE'S PATROL CAR IN JANE'S PATROL CAR IN JANE'S PATROL CAR IN JANE'S PATROL CAR
J ane t akes of f sungl asses, l ooki ng over at t he sedan. J ane t akes of f sungl asses, l ooki ng over at t he sedan. J ane t akes of f sungl asses, l ooki ng over at t he sedan. J ane t akes of f sungl asses, l ooki ng over at t he sedan. J ane t akes of f sungl asses, l ooki ng over at t he sedan.
Al l she can r eal l y see of t he dr i ver of t he sedan i s a DARK Al l she can r eal l y see of t he dr i ver of t he sedan i s a DARK Al l she can r eal l y see of t he dr i ver of t he sedan i s a DARK Al l she can r eal l y see of t he dr i ver of t he sedan i s a DARK Al l she can r eal l y see of t he dr i ver of t he sedan i s a DARK
FI GURE si nce he' s t ur ned away and bent f or war d. FI GURE si nce he' s t ur ned away and bent f or war d. FI GURE si nce he' s t ur ned away and bent f or war d. FI GURE si nce he' s t ur ned away and bent f or war d. FI GURE si nce he' s t ur ned away and bent f or war d.
We al l know what ' s goi ng on out t her e. We al l know what ' s goi ng on out t her e. We al l know what ' s goi ng on out t her e. We al l know what ' s goi ng on out t her e. We al l know what ' s goi ng on out t her e.
Go home, J ane. Cook me a meat l oaf , Go home, J ane. Cook me a meat l oaf , Go home, J ane. Cook me a meat l oaf , Go home, J ane. Cook me a meat l oaf , Go home, J ane. Cook me a meat l oaf ,
what do you say? what do you say? what do you say? what do you say? what do you say?
23. 23. 23. 23. 23.
Um, sor r y, honey, I ' l l be sl eepi ng by Um, sor r y, honey, I ' l l be sl eepi ng by Um, sor r y, honey, I ' l l be sl eepi ng by Um, sor r y, honey, I ' l l be sl eepi ng by Um, sor r y, honey, I ' l l be sl eepi ng by
t he t i me you get i n. Tel l you what t he t i me you get i n. Tel l you what t he t i me you get i n. Tel l you what t he t i me you get i n. Tel l you what t he t i me you get i n. Tel l you what
t hough, I ' l l l eave you a pi zza coupon t hough, I ' l l l eave you a pi zza coupon t hough, I ' l l l eave you a pi zza coupon t hough, I ' l l l eave you a pi zza coupon t hough, I ' l l l eave you a pi zza coupon
by t he phone. What ar e t he pl at es? by t he phone. What ar e t he pl at es? by t he phone. What ar e t he pl at es? by t he phone. What ar e t he pl at es? by t he phone. What ar e t he pl at es?
( of t he sedan) ( of t he sedan) ( of t he sedan) ( of t he sedan) ( of t he sedan)
Ut ah. Ut ah. Ut ah. Ut ah. Ut ah.
Run ' emyet ? Run ' emyet ? Run ' emyet ? Run ' emyet ? Run ' emyet ?
About t o, i f you l et me go do my j ob. About t o, i f you l et me go do my j ob. About t o, i f you l et me go do my j ob. About t o, i f you l et me go do my j ob. About t o, i f you l et me go do my j ob.
Oh, and by t he way. . . I can r ead. Oh, and by t he way. . . I can r ead. Oh, and by t he way. . . I can r ead. Oh, and by t he way. . . I can r ead. Oh, and by t he way. . . I can r ead.
And wi t h pr act i ce you' l l get bet t er And wi t h pr act i ce you' l l get bet t er And wi t h pr act i ce you' l l get bet t er And wi t h pr act i ce you' l l get bet t er And wi t h pr act i ce you' l l get bet t er
and bet t er . See you. Love you. and bet t er . See you. Love you. and bet t er . See you. Love you. and bet t er . See you. Love you. and bet t er . See you. Love you.
Love you t oo. Love you t oo. Love you t oo. Love you t oo. Love you t oo.
J ane smi l es, put t i ng t he car i n gear and DRI VI NG. She J ane smi l es, put t i ng t he car i n gear and DRI VI NG. She J ane smi l es, put t i ng t he car i n gear and DRI VI NG. She J ane smi l es, put t i ng t he car i n gear and DRI VI NG. She J ane smi l es, put t i ng t he car i n gear and DRI VI NG. She
accel er at es, l ooki ng i n t he SI DE MI RROR. accel er at es, l ooki ng i n t he SI DE MI RROR. accel er at es, l ooki ng i n t he SI DE MI RROR. accel er at es, l ooki ng i n t he SI DE MI RROR. accel er at es, l ooki ng i n t he SI DE MI RROR.
I N THE MI RROR: Pat r ol man wal ks back t o t he sedan. I N THE MI RROR: Pat r ol man wal ks back t o t he sedan. I N THE MI RROR: Pat r ol man wal ks back t o t he sedan. I N THE MI RROR: Pat r ol man wal ks back t o t he sedan. I N THE MI RROR: Pat r ol man wal ks back t o t he sedan.
J ane l ooks ahead, dr i vi ng. She' s uncer t ai n, i l l at ease. J ane l ooks ahead, dr i vi ng. She' s uncer t ai n, i l l at ease. J ane l ooks ahead, dr i vi ng. She' s uncer t ai n, i l l at ease. J ane l ooks ahead, dr i vi ng. She' s uncer t ai n, i l l at ease. J ane l ooks ahead, dr i vi ng. She' s uncer t ai n, i l l at ease.
J ane' s Cr own Vi c BRAKES ont o t he shoul der . J ane' s Cr own Vi c BRAKES ont o t he shoul der . J ane' s Cr own Vi c BRAKES ont o t he shoul der . J ane' s Cr own Vi c BRAKES ont o t he shoul der . J ane' s Cr own Vi c BRAKES ont o t he shoul der .
Looki ng i n her r ear vi ew mi r r or , J ane consi der s. Looki ng i n her r ear vi ew mi r r or , J ane consi der s. Looki ng i n her r ear vi ew mi r r or , J ane consi der s. Looki ng i n her r ear vi ew mi r r or , J ane consi der s. Looki ng i n her r ear vi ew mi r r or , J ane consi der s.
J ane makes a U- t ur n, dr i vi ng back. . . J ane makes a U- t ur n, dr i vi ng back. . . J ane makes a U- t ur n, dr i vi ng back. . . J ane makes a U- t ur n, dr i vi ng back. . . J ane makes a U- t ur n, dr i vi ng back. . .
She pul l s t o t he shoul der behi nd Pat r ol man' s vehi cl e. She pul l s t o t he shoul der behi nd Pat r ol man' s vehi cl e. She pul l s t o t he shoul der behi nd Pat r ol man' s vehi cl e. She pul l s t o t he shoul der behi nd Pat r ol man' s vehi cl e. She pul l s t o t he shoul der behi nd Pat r ol man' s vehi cl e.
THRU THE WI NDSHI ELD: Pat r ol man speaks t o t he sedan' s dr i ver . THRU THE WI NDSHI ELD: Pat r ol man speaks t o t he sedan' s dr i ver . THRU THE WI NDSHI ELD: Pat r ol man speaks t o t he sedan' s dr i ver . THRU THE WI NDSHI ELD: Pat r ol man speaks t o t he sedan' s dr i ver . THRU THE WI NDSHI ELD: Pat r ol man speaks t o t he sedan' s dr i ver .
J ane TYPES on t he KEYBOARD of her dash- mount ed LAPTOP wi t h J ane TYPES on t he KEYBOARD of her dash- mount ed LAPTOP wi t h J ane TYPES on t he KEYBOARD of her dash- mount ed LAPTOP wi t h J ane TYPES on t he KEYBOARD of her dash- mount ed LAPTOP wi t h J ane TYPES on t he KEYBOARD of her dash- mount ed LAPTOP wi t h
one hand, pi cks up her RADI O MI C wi t h t he ot her . one hand, pi cks up her RADI O MI C wi t h t he ot her . one hand, pi cks up her RADI O MI C wi t h t he ot her . one hand, pi cks up her RADI O MI C wi t h t he ot her . one hand, pi cks up her RADI O MI C wi t h t he ot her .
( i nt o RADI O MI C) ( i nt o RADI O MI C) ( i nt o RADI O MI C) ( i nt o RADI O MI C) ( i nt o RADI O MI C)
Di spat ch, t hi s i s car 14. Di spat ch, t hi s i s car 14. Di spat ch, t hi s i s car 14. Di spat ch, t hi s i s car 14. Di spat ch, t hi s i s car 14.
24. 24. 24. 24. 24.
DI SPATCHER ( V. O. ) DI SPATCHER ( V. O. ) DI SPATCHER ( V. O. ) DI SPATCHER ( V. O. ) DI SPATCHER ( V. O. )
( f r omPOLI CE RADI O) ( f r omPOLI CE RADI O) ( f r omPOLI CE RADI O) ( f r omPOLI CE RADI O) ( f r omPOLI CE RADI O)
Go ahead, 14. Go ahead, 14. Go ahead, 14. Go ahead, 14. Go ahead, 14.
I ' mwi t h car 48 on t hat 10- 81. Can I ' mwi t h car 48 on t hat 10- 81. Can I ' mwi t h car 48 on t hat 10- 81. Can I ' mwi t h car 48 on t hat 10- 81. Can I ' mwi t h car 48 on t hat 10- 81. Can
you hel p me br i ng up t he l at est you hel p me br i ng up t he l at est you hel p me br i ng up t he l at est you hel p me br i ng up t he l at est you hel p me br i ng up t he l at est
bul l et i n on t he i nt er st at e homi ci des? bul l et i n on t he i nt er st at e homi ci des? bul l et i n on t he i nt er st at e homi ci des? bul l et i n on t he i nt er st at e homi ci des? bul l et i n on t he i nt er st at e homi ci des?
Di dn' t Denver f or war d a l i st of Di dn' t Denver f or war d a l i st of Di dn' t Denver f or war d a l i st of Di dn' t Denver f or war d a l i st of Di dn' t Denver f or war d a l i st of
st ol en vehi cl e pl at es f r om- - ? st ol en vehi cl e pl at es f r om- - ? st ol en vehi cl e pl at es f r om- - ? st ol en vehi cl e pl at es f r om- - ? st ol en vehi cl e pl at es f r om- - ?
THRU THE WI NDSHI ELD: Pat r ol man' s suddenl y pul l ed down THRU THE WI NDSHI ELD: Pat r ol man' s suddenl y pul l ed down THRU THE WI NDSHI ELD: Pat r ol man' s suddenl y pul l ed down THRU THE WI NDSHI ELD: Pat r ol man' s suddenl y pul l ed down THRU THE WI NDSHI ELD: Pat r ol man' s suddenl y pul l ed down
agai nst t he sedan' s open wi ndow, st r uggl i ng, t r yi ng t o dr aw agai nst t he sedan' s open wi ndow, st r uggl i ng, t r yi ng t o dr aw agai nst t he sedan' s open wi ndow, st r uggl i ng, t r yi ng t o dr aw agai nst t he sedan' s open wi ndow, st r uggl i ng, t r yi ng t o dr aw agai nst t he sedan' s open wi ndow, st r uggl i ng, t r yi ng t o dr aw
hi s gun. A l oud POP! POP! i s HEARD! Pat r ol man j er ks hi s gun. A l oud POP! POP! i s HEARD! Pat r ol man j er ks hi s gun. A l oud POP! POP! i s HEARD! Pat r ol man j er ks hi s gun. A l oud POP! POP! i s HEARD! Pat r ol man j er ks hi s gun. A l oud POP! POP! i s HEARD! Pat r ol man j er ks
backwar ds, st agger ed t o hi s knees. backwar ds, st agger ed t o hi s knees. backwar ds, st agger ed t o hi s knees. backwar ds, st agger ed t o hi s knees. backwar ds, st agger ed t o hi s knees.
NO! ! NO! ! NO! ! NO! ! NO! !
J ane t hr ows her door open, j umpi ng out as. . . J ane t hr ows her door open, j umpi ng out as. . . J ane t hr ows her door open, j umpi ng out as. . . J ane t hr ows her door open, j umpi ng out as. . . J ane t hr ows her door open, j umpi ng out as. . .
The sedan ROARS i nt o REVERSE - - SLAMMI NG Pat r ol man' s car ! The sedan ROARS i nt o REVERSE - - SLAMMI NG Pat r ol man' s car ! The sedan ROARS i nt o REVERSE - - SLAMMI NG Pat r ol man' s car ! The sedan ROARS i nt o REVERSE - - SLAMMI NG Pat r ol man' s car ! The sedan ROARS i nt o REVERSE - - SLAMMI NG Pat r ol man' s car !
J ane' s dr awi ng her . 357 MagnumREVOLVER when Pat r ol man' s car J ane' s dr awi ng her . 357 MagnumREVOLVER when Pat r ol man' s car J ane' s dr awi ng her . 357 MagnumREVOLVER when Pat r ol man' s car J ane' s dr awi ng her . 357 MagnumREVOLVER when Pat r ol man' s car J ane' s dr awi ng her . 357 MagnumREVOLVER when Pat r ol man' s car
i s sent CRASHI NG backwar ds i nt o her car , BLOWS her AI RBAG. . . i s sent CRASHI NG backwar ds i nt o her car , BLOWS her AI RBAG. . . i s sent CRASHI NG backwar ds i nt o her car , BLOWS her AI RBAG. . . i s sent CRASHI NG backwar ds i nt o her car , BLOWS her AI RBAG. . . i s sent CRASHI NG backwar ds i nt o her car , BLOWS her AI RBAG. . .
J ane' s open door SLAMS her t o t he gr ound! J ane' s open door SLAMS her t o t he gr ound! J ane' s open door SLAMS her t o t he gr ound! J ane' s open door SLAMS her t o t he gr ound! J ane' s open door SLAMS her t o t he gr ound!
Ahead, t he sedan' s t i r es t hr ow smoke as i t ' s PEELI NG OUT. . . Ahead, t he sedan' s t i r es t hr ow smoke as i t ' s PEELI NG OUT. . . Ahead, t he sedan' s t i r es t hr ow smoke as i t ' s PEELI NG OUT. . . Ahead, t he sedan' s t i r es t hr ow smoke as i t ' s PEELI NG OUT. . . Ahead, t he sedan' s t i r es t hr ow smoke as i t ' s PEELI NG OUT. . .
J ane r i ses, r ai si ng her weapon and FI RI NG - - BLAM! BLAM! J ane r i ses, r ai si ng her weapon and FI RI NG - - BLAM! BLAM! J ane r i ses, r ai si ng her weapon and FI RI NG - - BLAM! BLAM! J ane r i ses, r ai si ng her weapon and FI RI NG - - BLAM! BLAM! J ane r i ses, r ai si ng her weapon and FI RI NG - - BLAM! BLAM!
J ane' s BULLETS BLOWHOLES i n Psycho Ki l l er ' s wi ndows - - J ane' s BULLETS BLOWHOLES i n Psycho Ki l l er ' s wi ndows - - J ane' s BULLETS BLOWHOLES i n Psycho Ki l l er ' s wi ndows - - J ane' s BULLETS BLOWHOLES i n Psycho Ki l l er ' s wi ndows - - J ane' s BULLETS BLOWHOLES i n Psycho Ki l l er ' s wi ndows - -
MI SSI NG BY I NCHES! Psycho Ki l l er ' s speedi ng of f . . . MI SSI NG BY I NCHES! Psycho Ki l l er ' s speedi ng of f . . . MI SSI NG BY I NCHES! Psycho Ki l l er ' s speedi ng of f . . . MI SSI NG BY I NCHES! Psycho Ki l l er ' s speedi ng of f . . . MI SSI NG BY I NCHES! Psycho Ki l l er ' s speedi ng of f . . .
J ane st r i des f or war d, SHOOTI NG t i l l her gun' s empt y! J ane st r i des f or war d, SHOOTI NG t i l l her gun' s empt y! J ane st r i des f or war d, SHOOTI NG t i l l her gun' s empt y! J ane st r i des f or war d, SHOOTI NG t i l l her gun' s empt y! J ane st r i des f or war d, SHOOTI NG t i l l her gun' s empt y!
The sedan' s gone. Psycho Ki l l er ' s made hi s escape. The sedan' s gone. Psycho Ki l l er ' s made hi s escape. The sedan' s gone. Psycho Ki l l er ' s made hi s escape. The sedan' s gone. Psycho Ki l l er ' s made hi s escape. The sedan' s gone. Psycho Ki l l er ' s made hi s escape.
J ane r ushes t o Pat r ol man as he col l apses back ont o t he J ane r ushes t o Pat r ol man as he col l apses back ont o t he J ane r ushes t o Pat r ol man as he col l apses back ont o t he J ane r ushes t o Pat r ol man as he col l apses back ont o t he J ane r ushes t o Pat r ol man as he col l apses back ont o t he
r oadway, cl ut chi ng hi s BLOODY t hr oat . r oadway, cl ut chi ng hi s BLOODY t hr oat . r oadway, cl ut chi ng hi s BLOODY t hr oat . r oadway, cl ut chi ng hi s BLOODY t hr oat . r oadway, cl ut chi ng hi s BLOODY t hr oat .
Oh, God. . . Mi ke. . . ! Oh, God. . . Mi ke. . . ! Oh, God. . . Mi ke. . . ! Oh, God. . . Mi ke. . . ! Oh, God. . . Mi ke. . . !
J ane f al l s t o her knees besi de her husband, t r yi ng J ane f al l s t o her knees besi de her husband, t r yi ng J ane f al l s t o her knees besi de her husband, t r yi ng J ane f al l s t o her knees besi de her husband, t r yi ng J ane f al l s t o her knees besi de her husband, t r yi ng
desper at el y t o hel p st emt he f l ow of BLOOD f r omt he gunshot desper at el y t o hel p st emt he f l ow of BLOOD f r omt he gunshot desper at el y t o hel p st emt he f l ow of BLOOD f r omt he gunshot desper at el y t o hel p st emt he f l ow of BLOOD f r omt he gunshot desper at el y t o hel p st emt he f l ow of BLOOD f r omt he gunshot
wounds i n hi s neck, pl aci ng bot h her hands over hi s. . . wounds i n hi s neck, pl aci ng bot h her hands over hi s. . . wounds i n hi s neck, pl aci ng bot h her hands over hi s. . . wounds i n hi s neck, pl aci ng bot h her hands over hi s. . . wounds i n hi s neck, pl aci ng bot h her hands over hi s. . .
Keep. . . keep pr essur e on i t ! Keep. . . keep pr essur e on i t ! Keep. . . keep pr essur e on i t ! Keep. . . keep pr essur e on i t ! Keep. . . keep pr essur e on i t !
( mor e) ( mor e) ( mor e) ( mor e) ( mor e)
25. 25. 25. 25. 25.
J ANE ( CONT. ) J ANE ( CONT. ) J ANE ( CONT. ) J ANE ( CONT. ) J ANE ( CONT. )
10- 49! 10- 49! Shot s f i r ed. . . 10- 49! 10- 49! Shot s f i r ed. . . 10- 49! 10- 49! Shot s f i r ed. . . 10- 49! 10- 49! Shot s f i r ed. . . 10- 49! 10- 49! Shot s f i r ed. . .
Tr ooper i s down! Shoot er i s Tr ooper i s down! Shoot er i s Tr ooper i s down! Shoot er i s Tr ooper i s down! Shoot er i s Tr ooper i s down! Shoot er i s
east bound. . . east bound on 28! Mi l e east bound. . . east bound on 28! Mi l e east bound. . . east bound on 28! Mi l e east bound. . . east bound on 28! Mi l e east bound. . . east bound on 28! Mi l e
mar ker 79! We need t hat ambul ance, mar ker 79! We need t hat ambul ance, mar ker 79! We need t hat ambul ance, mar ker 79! We need t hat ambul ance, mar ker 79! We need t hat ambul ance,
pl ease! I t ' s Mi chael ! pl ease! I t ' s Mi chael ! pl ease! I t ' s Mi chael ! pl ease! I t ' s Mi chael ! pl ease! I t ' s Mi chael !
Pat r ol man' s eyes ar e wi de, hi s bl oody mout h maki ng onl y Pat r ol man' s eyes ar e wi de, hi s bl oody mout h maki ng onl y Pat r ol man' s eyes ar e wi de, hi s bl oody mout h maki ng onl y Pat r ol man' s eyes ar e wi de, hi s bl oody mout h maki ng onl y Pat r ol man' s eyes ar e wi de, hi s bl oody mout h maki ng onl y
gur gl i ng sounds. J ane keeps her hands pr essed over hi s. gur gl i ng sounds. J ane keeps her hands pr essed over hi s. gur gl i ng sounds. J ane keeps her hands pr essed over hi s. gur gl i ng sounds. J ane keeps her hands pr essed over hi s. gur gl i ng sounds. J ane keeps her hands pr essed over hi s.
I ' mher e, honey. I t ' s me. . . i t ' s I ' mher e, honey. I t ' s me. . . i t ' s I ' mher e, honey. I t ' s me. . . i t ' s I ' mher e, honey. I t ' s me. . . i t ' s I ' mher e, honey. I t ' s me. . . i t ' s
J ane. J ust . . . j ust hang on. . . don' t J ane. J ust . . . j ust hang on. . . don' t J ane. J ust . . . j ust hang on. . . don' t J ane. J ust . . . j ust hang on. . . don' t J ane. J ust . . . j ust hang on. . . don' t
t r y t o t al k. They' r e comi ng. t r y t o t al k. They' r e comi ng. t r y t o t al k. They' r e comi ng. t r y t o t al k. They' r e comi ng. t r y t o t al k. They' r e comi ng.
They' r e on t hei r way. Pl ease, j ust They' r e on t hei r way. Pl ease, j ust They' r e on t hei r way. Pl ease, j ust They' r e on t hei r way. Pl ease, j ust They' r e on t hei r way. Pl ease, j ust
hang on. . . you hear me. . . ?! hang on. . . you hear me. . . ?! hang on. . . you hear me. . . ?! hang on. . . you hear me. . . ?! hang on. . . you hear me. . . ?!
J ane' s eyes ar e f i l l i ng wi t h t ear s. J ane' s eyes ar e f i l l i ng wi t h t ear s. J ane' s eyes ar e f i l l i ng wi t h t ear s. J ane' s eyes ar e f i l l i ng wi t h t ear s. J ane' s eyes ar e f i l l i ng wi t h t ear s.
Fr ombot h di r ect i ons, CARS and TRUCKS ar e hal t i ng. Fr ombot h di r ect i ons, CARS and TRUCKS ar e hal t i ng. Fr ombot h di r ect i ons, CARS and TRUCKS ar e hal t i ng. Fr ombot h di r ect i ons, CARS and TRUCKS ar e hal t i ng. Fr ombot h di r ect i ons, CARS and TRUCKS ar e hal t i ng.
PEOPLE ar e l ooki ng. . . get t i ng out f r omt hei r vehi cl es. PEOPLE ar e l ooki ng. . . get t i ng out f r omt hei r vehi cl es. PEOPLE ar e l ooki ng. . . get t i ng out f r omt hei r vehi cl es. PEOPLE ar e l ooki ng. . . get t i ng out f r omt hei r vehi cl es. PEOPLE ar e l ooki ng. . . get t i ng out f r omt hei r vehi cl es.
Mi ke, pl ease! Don' t . . . don' t . . . Mi ke, pl ease! Don' t . . . don' t . . . Mi ke, pl ease! Don' t . . . don' t . . . Mi ke, pl ease! Don' t . . . don' t . . . Mi ke, pl ease! Don' t . . . don' t . . .
Her husband' s f adi ng, cl osi ng hi s eyes, whi l e t he puddl e of Her husband' s f adi ng, cl osi ng hi s eyes, whi l e t he puddl e of Her husband' s f adi ng, cl osi ng hi s eyes, whi l e t he puddl e of Her husband' s f adi ng, cl osi ng hi s eyes, whi l e t he puddl e of Her husband' s f adi ng, cl osi ng hi s eyes, whi l e t he puddl e of
BLOOD beneat h hi mand J ane sl owl y wi dens. BLOOD beneat h hi mand J ane sl owl y wi dens. BLOOD beneat h hi mand J ane sl owl y wi dens. BLOOD beneat h hi mand J ane sl owl y wi dens. BLOOD beneat h hi mand J ane sl owl y wi dens.
FADE TO BLACK FADE TO BLACK FADE TO BLACK FADE TO BLACK FADE TO BLACK
INT. HOSPITAL, EMERGENCY ROOM WAITING AREA -- NIGHT INT. HOSPITAL, EMERGENCY ROOM WAITING AREA -- NIGHT INT. HOSPITAL, EMERGENCY ROOM WAITING AREA -- NIGHT INT. HOSPITAL, EMERGENCY ROOM WAITING AREA -- NIGHT INT. HOSPITAL, EMERGENCY ROOM WAITING AREA -- NIGHT
I n t he WAI TI NG ROOM, J ane' s seat ed i n one cor ner , st i l l i n I n t he WAI TI NG ROOM, J ane' s seat ed i n one cor ner , st i l l i n I n t he WAI TI NG ROOM, J ane' s seat ed i n one cor ner , st i l l i n I n t he WAI TI NG ROOM, J ane' s seat ed i n one cor ner , st i l l i n I n t he WAI TI NG ROOM, J ane' s seat ed i n one cor ner , st i l l i n
uni f or m, hat on t he t abl e besi de her . She' s bowed wi t h her uni f or m, hat on t he t abl e besi de her . She' s bowed wi t h her uni f or m, hat on t he t abl e besi de her . She' s bowed wi t h her uni f or m, hat on t he t abl e besi de her . She' s bowed wi t h her uni f or m, hat on t he t abl e besi de her . She' s bowed wi t h her
head i n her hands, whi ch ar e bl oodi ed t o t he wr i st s. head i n her hands, whi ch ar e bl oodi ed t o t he wr i st s. head i n her hands, whi ch ar e bl oodi ed t o t he wr i st s. head i n her hands, whi ch ar e bl oodi ed t o t he wr i st s. head i n her hands, whi ch ar e bl oodi ed t o t he wr i st s.
An OLDER MAN comes t o pl ace a hand on J ane' s shoul der . An OLDER MAN comes t o pl ace a hand on J ane' s shoul der . An OLDER MAN comes t o pl ace a hand on J ane' s shoul der . An OLDER MAN comes t o pl ace a hand on J ane' s shoul der . An OLDER MAN comes t o pl ace a hand on J ane' s shoul der .
J ane l ooks up wi t h eyes r ed f r omcr yi ng. The man, J ANE' S J ane l ooks up wi t h eyes r ed f r omcr yi ng. The man, J ANE' S J ane l ooks up wi t h eyes r ed f r omcr yi ng. The man, J ANE' S J ane l ooks up wi t h eyes r ed f r omcr yi ng. The man, J ANE' S J ane l ooks up wi t h eyes r ed f r omcr yi ng. The man, J ANE' S
FATHER, gr ey- hai r ed, sal t - of - t he- ear t h guy, si t s besi de her . FATHER, gr ey- hai r ed, sal t - of - t he- ear t h guy, si t s besi de her . FATHER, gr ey- hai r ed, sal t - of - t he- ear t h guy, si t s besi de her . FATHER, gr ey- hai r ed, sal t - of - t he- ear t h guy, si t s besi de her . FATHER, gr ey- hai r ed, sal t - of - t he- ear t h guy, si t s besi de her .
Dad. Dad. . . he' s. . . he' s gone. Dad. Dad. . . he' s. . . he' s gone. Dad. Dad. . . he' s. . . he' s gone. Dad. Dad. . . he' s. . . he' s gone. Dad. Dad. . . he' s. . . he' s gone.
J ane' s f at her t akes her i n hi s ar ms. J ane' s f at her t akes her i n hi s ar ms. J ane' s f at her t akes her i n hi s ar ms. J ane' s f at her t akes her i n hi s ar ms. J ane' s f at her t akes her i n hi s ar ms.
J ane bur i es her f ace agai nst hi m, cr yi ng. J ane bur i es her f ace agai nst hi m, cr yi ng. J ane bur i es her f ace agai nst hi m, cr yi ng. J ane bur i es her f ace agai nst hi m, cr yi ng. J ane bur i es her f ace agai nst hi m, cr yi ng.
She wr aps her ar ms ar ound her dad, bal l i ng her bl ood- st ai ned She wr aps her ar ms ar ound her dad, bal l i ng her bl ood- st ai ned She wr aps her ar ms ar ound her dad, bal l i ng her bl ood- st ai ned She wr aps her ar ms ar ound her dad, bal l i ng her bl ood- st ai ned She wr aps her ar ms ar ound her dad, bal l i ng her bl ood- st ai ned
hands i nt o f i st s as her body i s wr acked by sobs. hands i nt o f i st s as her body i s wr acked by sobs. hands i nt o f i st s as her body i s wr acked by sobs. hands i nt o f i st s as her body i s wr acked by sobs. hands i nt o f i st s as her body i s wr acked by sobs.
EXT. KANSAS FREEWAY -- DAWN EXT. KANSAS FREEWAY -- DAWN EXT. KANSAS FREEWAY -- DAWN EXT. KANSAS FREEWAY -- DAWN EXT. KANSAS FREEWAY -- DAWN
Thr ee PATROL CARS, LI GHTS FLASHI NG, zoomal ong a f ar of f Thr ee PATROL CARS, LI GHTS FLASHI NG, zoomal ong a f ar of f Thr ee PATROL CARS, LI GHTS FLASHI NG, zoomal ong a f ar of f Thr ee PATROL CARS, LI GHTS FLASHI NG, zoomal ong a f ar of f Thr ee PATROL CARS, LI GHTS FLASHI NG, zoomal ong a f ar of f
r oadway, agai nst t he hor i zon' s pr omi se of mor ni ng. r oadway, agai nst t he hor i zon' s pr omi se of mor ni ng. r oadway, agai nst t he hor i zon' s pr omi se of mor ni ng. r oadway, agai nst t he hor i zon' s pr omi se of mor ni ng. r oadway, agai nst t he hor i zon' s pr omi se of mor ni ng.
26. 26. 26. 26. 26.
INT. JANE'S HOUSE, MASTER BEDROOM -- MORNING INT. JANE'S HOUSE, MASTER BEDROOM -- MORNING INT. JANE'S HOUSE, MASTER BEDROOM -- MORNING INT. JANE'S HOUSE, MASTER BEDROOM -- MORNING INT. JANE'S HOUSE, MASTER BEDROOM -- MORNING
J ane gasps awake i n BED, as i f f r oma ni ght mar e, sweat y. J ane gasps awake i n BED, as i f f r oma ni ght mar e, sweat y. J ane gasps awake i n BED, as i f f r oma ni ght mar e, sweat y. J ane gasps awake i n BED, as i f f r oma ni ght mar e, sweat y. J ane gasps awake i n BED, as i f f r oma ni ght mar e, sweat y.
She si t s up, l ooki ng ar ound t hi s r oomof her modest home. She si t s up, l ooki ng ar ound t hi s r oomof her modest home. She si t s up, l ooki ng ar ound t hi s r oomof her modest home. She si t s up, l ooki ng ar ound t hi s r oomof her modest home. She si t s up, l ooki ng ar ound t hi s r oomof her modest home.
Mor ni ng l i ght st r eams i n t hr ough t he hal f - shut bl i nds. Mor ni ng l i ght st r eams i n t hr ough t he hal f - shut bl i nds. Mor ni ng l i ght st r eams i n t hr ough t he hal f - shut bl i nds. Mor ni ng l i ght st r eams i n t hr ough t he hal f - shut bl i nds. Mor ni ng l i ght st r eams i n t hr ough t he hal f - shut bl i nds.
VOI CES can be HEARD. J ane get s up, i n T- SHI RT and J EANS. VOI CES can be HEARD. J ane get s up, i n T- SHI RT and J EANS. VOI CES can be HEARD. J ane get s up, i n T- SHI RT and J EANS. VOI CES can be HEARD. J ane get s up, i n T- SHI RT and J EANS. VOI CES can be HEARD. J ane get s up, i n T- SHI RT and J EANS.
INT. JANE'S HOUSE, LIVING ROOM -- MORNING INT. JANE'S HOUSE, LIVING ROOM -- MORNING INT. JANE'S HOUSE, LIVING ROOM -- MORNING INT. JANE'S HOUSE, LIVING ROOM -- MORNING INT. JANE'S HOUSE, LIVING ROOM -- MORNING
J ane ar r i ves f r omt he hal l way t o see Fat her speaki ng wi t h a J ane ar r i ves f r omt he hal l way t o see Fat her speaki ng wi t h a J ane ar r i ves f r omt he hal l way t o see Fat her speaki ng wi t h a J ane ar r i ves f r omt he hal l way t o see Fat her speaki ng wi t h a J ane ar r i ves f r omt he hal l way t o see Fat her speaki ng wi t h a
STATE TROOPER st andi ng i n t he open f r ont SCREEN DOOR. STATE TROOPER st andi ng i n t he open f r ont SCREEN DOOR. STATE TROOPER st andi ng i n t he open f r ont SCREEN DOOR. STATE TROOPER st andi ng i n t he open f r ont SCREEN DOOR. STATE TROOPER st andi ng i n t he open f r ont SCREEN DOOR.
Ther e' s anot her TROOPER out si de on t he PORCH. Fat her and Ther e' s anot her TROOPER out si de on t he PORCH. Fat her and Ther e' s anot her TROOPER out si de on t he PORCH. Fat her and Ther e' s anot her TROOPER out si de on t he PORCH. Fat her and Ther e' s anot her TROOPER out si de on t he PORCH. Fat her and
t he Tr ooper st op t al ki ng when t he Tr ooper sees J ane. t he Tr ooper st op t al ki ng when t he Tr ooper sees J ane. t he Tr ooper st op t al ki ng when t he Tr ooper sees J ane. t he Tr ooper st op t al ki ng when t he Tr ooper sees J ane. t he Tr ooper st op t al ki ng when t he Tr ooper sees J ane.
J ane gi ves a quest i oni ng l ook. J ane gi ves a quest i oni ng l ook. J ane gi ves a quest i oni ng l ook. J ane gi ves a quest i oni ng l ook. J ane gi ves a quest i oni ng l ook.
The Tr ooper sol emnl y shakes hi s head. The Tr ooper sol emnl y shakes hi s head. The Tr ooper sol emnl y shakes hi s head. The Tr ooper sol emnl y shakes hi s head. The Tr ooper sol emnl y shakes hi s head.
STATE TROOPER STATE TROOPER STATE TROOPER STATE TROOPER STATE TROOPER
He headed sout h, t owar ds Dodge Ci t y. He headed sout h, t owar ds Dodge Ci t y. He headed sout h, t owar ds Dodge Ci t y. He headed sout h, t owar ds Dodge Ci t y. He headed sout h, t owar ds Dodge Ci t y.
Abandoned t he sedan. He. . . Abandoned t he sedan. He. . . Abandoned t he sedan. He. . . Abandoned t he sedan. He. . . Abandoned t he sedan. He. . .
( mi ser abl e pause) ( mi ser abl e pause) ( mi ser abl e pause) ( mi ser abl e pause) ( mi ser abl e pause)
We f ound anot her vi ct i m. A woman. We f ound anot her vi ct i m. A woman. We f ound anot her vi ct i m. A woman. We f ound anot her vi ct i m. A woman. We f ound anot her vi ct i m. A woman.
He t ook her I D, ever yt hi ng. No way He t ook her I D, ever yt hi ng. No way He t ook her I D, ever yt hi ng. No way He t ook her I D, ever yt hi ng. No way He t ook her I D, ever yt hi ng. No way
t o i dent i f y her yet , so. . . t her e' s no t o i dent i f y her yet , so. . . t her e' s no t o i dent i f y her yet , so. . . t her e' s no t o i dent i f y her yet , so. . . t her e' s no t o i dent i f y her yet , so. . . t her e' s no
t el l i ng what he' s dr i vi ng now. t el l i ng what he' s dr i vi ng now. t el l i ng what he' s dr i vi ng now. t el l i ng what he' s dr i vi ng now. t el l i ng what he' s dr i vi ng now.
J ane l eans back agai nst t he hal l way wal l , despai r i ng. J ane l eans back agai nst t he hal l way wal l , despai r i ng. J ane l eans back agai nst t he hal l way wal l , despai r i ng. J ane l eans back agai nst t he hal l way wal l , despai r i ng. J ane l eans back agai nst t he hal l way wal l , despai r i ng.
INT. CHURCH (COLBY, KANSAS) -- DAY INT. CHURCH (COLBY, KANSAS) -- DAY INT. CHURCH (COLBY, KANSAS) -- DAY INT. CHURCH (COLBY, KANSAS) -- DAY INT. CHURCH (COLBY, KANSAS) -- DAY
The CHURCH i s packed; many uni f or med TROOPERS and POLI CE The CHURCH i s packed; many uni f or med TROOPERS and POLI CE The CHURCH i s packed; many uni f or med TROOPERS and POLI CE The CHURCH i s packed; many uni f or med TROOPERS and POLI CE The CHURCH i s packed; many uni f or med TROOPERS and POLI CE
OFFI CERS. J ane, i n UNI FORM, i s at t he al t ar LECTERN. OFFI CERS. J ane, i n UNI FORM, i s at t he al t ar LECTERN. OFFI CERS. J ane, i n UNI FORM, i s at t he al t ar LECTERN. OFFI CERS. J ane, i n UNI FORM, i s at t he al t ar LECTERN. OFFI CERS. J ane, i n UNI FORM, i s at t he al t ar LECTERN.
You do t hi s j ob because you' ve You do t hi s j ob because you' ve You do t hi s j ob because you' ve You do t hi s j ob because you' ve You do t hi s j ob because you' ve
dedi cat ed your sel f t o hel pi ng peopl e. dedi cat ed your sel f t o hel pi ng peopl e. dedi cat ed your sel f t o hel pi ng peopl e. dedi cat ed your sel f t o hel pi ng peopl e. dedi cat ed your sel f t o hel pi ng peopl e.
Pr ot ect i ng peopl e. . . somet i mes f r om Pr ot ect i ng peopl e. . . somet i mes f r om Pr ot ect i ng peopl e. . . somet i mes f r om Pr ot ect i ng peopl e. . . somet i mes f r om Pr ot ect i ng peopl e. . . somet i mes f r om
t hemsel ves. t hemsel ves. t hemsel ves. t hemsel ves. t hemsel ves.
Behi nd her , a l ar ge PHOTO of J ANE' S HUSBAND, MI KE, i s Behi nd her , a l ar ge PHOTO of J ANE' S HUSBAND, MI KE, i s Behi nd her , a l ar ge PHOTO of J ANE' S HUSBAND, MI KE, i s Behi nd her , a l ar ge PHOTO of J ANE' S HUSBAND, MI KE, i s Behi nd her , a l ar ge PHOTO of J ANE' S HUSBAND, MI KE, i s
di spl ayed amongst FLOWERS, near t he cl osed COFFI N. di spl ayed amongst FLOWERS, near t he cl osed COFFI N. di spl ayed amongst FLOWERS, near t he cl osed COFFI N. di spl ayed amongst FLOWERS, near t he cl osed COFFI N. di spl ayed amongst FLOWERS, near t he cl osed COFFI N.
That was my husband. He' d have gi ven That was my husband. He' d have gi ven That was my husband. He' d have gi ven That was my husband. He' d have gi ven That was my husband. He' d have gi ven
you hi s l ast dol l ar and t he shi r t of f you hi s l ast dol l ar and t he shi r t of f you hi s l ast dol l ar and t he shi r t of f you hi s l ast dol l ar and t he shi r t of f you hi s l ast dol l ar and t he shi r t of f
hi s back. He coul dn' t possi bl y have hi s back. He coul dn' t possi bl y have hi s back. He coul dn' t possi bl y have hi s back. He coul dn' t possi bl y have hi s back. He coul dn' t possi bl y have
been best f r i end t o as many guys as been best f r i end t o as many guys as been best f r i end t o as many guys as been best f r i end t o as many guys as been best f r i end t o as many guys as
sai d he was t hei r best f r i end. We sai d he was t hei r best f r i end. We sai d he was t hei r best f r i end. We sai d he was t hei r best f r i end. We sai d he was t hei r best f r i end. We
met i n Cadet School , 8 year s ago. He met i n Cadet School , 8 year s ago. He met i n Cadet School , 8 year s ago. He met i n Cadet School , 8 year s ago. He met i n Cadet School , 8 year s ago. He
pi cked me as hi s t r ai ni ng par t ner pi cked me as hi s t r ai ni ng par t ner pi cked me as hi s t r ai ni ng par t ner pi cked me as hi s t r ai ni ng par t ner pi cked me as hi s t r ai ni ng par t ner
bef or e anyone el se had a chance t o. bef or e anyone el se had a chance t o. bef or e anyone el se had a chance t o. bef or e anyone el se had a chance t o. bef or e anyone el se had a chance t o.
I was t he onl y woman i n t he pr ogr am I was t he onl y woman i n t he pr ogr am I was t he onl y woman i n t he pr ogr am I was t he onl y woman i n t he pr ogr am I was t he onl y woman i n t he pr ogr am
t hat year . t hat year . t hat year . t hat year . t hat year .
27. 27. 27. 27. 27.
She r ef uses t o cr y, wi l l not al l ow her sel f t o. She r ef uses t o cr y, wi l l not al l ow her sel f t o. She r ef uses t o cr y, wi l l not al l ow her sel f t o. She r ef uses t o cr y, wi l l not al l ow her sel f t o. She r ef uses t o cr y, wi l l not al l ow her sel f t o.
He di dn' t t r eat me any di f f er ent l y He di dn' t t r eat me any di f f er ent l y He di dn' t t r eat me any di f f er ent l y He di dn' t t r eat me any di f f er ent l y He di dn' t t r eat me any di f f er ent l y
f r omanyone el se; di dn' t go out of f r omanyone el se; di dn' t go out of f r omanyone el se; di dn' t go out of f r omanyone el se; di dn' t go out of f r omanyone el se; di dn' t go out of
hi s way t r yi ng t o t r eat me l i ke j ust hi s way t r yi ng t o t r eat me l i ke j ust hi s way t r yi ng t o t r eat me l i ke j ust hi s way t r yi ng t o t r eat me l i ke j ust hi s way t r yi ng t o t r eat me l i ke j ust
one of t he guys. one of t he guys. one of t he guys. one of t he guys. one of t he guys.
We' ve been cadet s t oget her , par t ner s, We' ve been cadet s t oget her , par t ner s, We' ve been cadet s t oget her , par t ner s, We' ve been cadet s t oget her , par t ner s, We' ve been cadet s t oget her , par t ner s,
f r i ends, husband and wi f e. I . . . I f r i ends, husband and wi f e. I . . . I f r i ends, husband and wi f e. I . . . I f r i ends, husband and wi f e. I . . . I f r i ends, husband and wi f e. I . . . I
j ust don' t . . . j ust don' t . . . j ust don' t . . . j ust don' t . . . j ust don' t . . .
I don' t exact l y know what I ' m I don' t exact l y know what I ' m I don' t exact l y know what I ' m I don' t exact l y know what I ' m I don' t exact l y know what I ' m
supposed t o do wi t hout hi m. supposed t o do wi t hout hi m. supposed t o do wi t hout hi m. supposed t o do wi t hout hi m. supposed t o do wi t hout hi m.
INT. PSYCHIATRIST'S OFFICE -- MORNING INT. PSYCHIATRIST'S OFFICE -- MORNING INT. PSYCHIATRIST'S OFFICE -- MORNING INT. PSYCHIATRIST'S OFFICE -- MORNING INT. PSYCHIATRIST'S OFFICE -- MORNING
A smal l , cl i ni cal OFFI CE. J ane i s seat ed acr oss f r oman A smal l , cl i ni cal OFFI CE. J ane i s seat ed acr oss f r oman A smal l , cl i ni cal OFFI CE. J ane i s seat ed acr oss f r oman A smal l , cl i ni cal OFFI CE. J ane i s seat ed acr oss f r oman A smal l , cl i ni cal OFFI CE. J ane i s seat ed acr oss f r oman
ol der , mal e PSYCHI ATRI ST, l egs cr ossed, who hol ds a penci l . ol der , mal e PSYCHI ATRI ST, l egs cr ossed, who hol ds a penci l . ol der , mal e PSYCHI ATRI ST, l egs cr ossed, who hol ds a penci l . ol der , mal e PSYCHI ATRI ST, l egs cr ossed, who hol ds a penci l . ol der , mal e PSYCHI ATRI ST, l egs cr ossed, who hol ds a penci l .
PSYCHI ATRI ST PSYCHI ATRI ST PSYCHI ATRI ST PSYCHI ATRI ST PSYCHI ATRI ST
Ther e' s a pot ent i al , emot i onal Ther e' s a pot ent i al , emot i onal Ther e' s a pot ent i al , emot i onal Ther e' s a pot ent i al , emot i onal Ther e' s a pot ent i al , emot i onal
under cur r ent her e t hat we haven' t under cur r ent her e t hat we haven' t under cur r ent her e t hat we haven' t under cur r ent her e t hat we haven' t under cur r ent her e t hat we haven' t
t ouched upon yet . . . and t hat i s t ouched upon yet . . . and t hat i s t ouched upon yet . . . and t hat i s t ouched upon yet . . . and t hat i s t ouched upon yet . . . and t hat i s
Sur vi vor ' s Gui l t . I bel i eve i t ' s Sur vi vor ' s Gui l t . I bel i eve i t ' s Sur vi vor ' s Gui l t . I bel i eve i t ' s Sur vi vor ' s Gui l t . I bel i eve i t ' s Sur vi vor ' s Gui l t . I bel i eve i t ' s
i mpor t ant you' r e awar e of i t . As a i mpor t ant you' r e awar e of i t . As a i mpor t ant you' r e awar e of i t . As a i mpor t ant you' r e awar e of i t . As a i mpor t ant you' r e awar e of i t . As a
woman i n a pr edomi nant l y mal e woman i n a pr edomi nant l y mal e woman i n a pr edomi nant l y mal e woman i n a pr edomi nant l y mal e woman i n a pr edomi nant l y mal e
f i el d. . . a f i el d wher e over t f i el d. . . a f i el d wher e over t f i el d. . . a f i el d wher e over t f i el d. . . a f i el d wher e over t f i el d. . . a f i el d wher e over t
mascul i ni t y. . . an i nt i mi dat i ng mascul i ni t y. . . an i nt i mi dat i ng mascul i ni t y. . . an i nt i mi dat i ng mascul i ni t y. . . an i nt i mi dat i ng mascul i ni t y. . . an i nt i mi dat i ng
physi cal pr esence and even aggr essi ve physi cal pr esence and even aggr essi ve physi cal pr esence and even aggr essi ve physi cal pr esence and even aggr essi ve physi cal pr esence and even aggr essi ve
demeanor , can be consi der ed vi r t ues, demeanor , can be consi der ed vi r t ues, demeanor , can be consi der ed vi r t ues, demeanor , can be consi der ed vi r t ues, demeanor , can be consi der ed vi r t ues,
you may have al r eady been you may have al r eady been you may have al r eady been you may have al r eady been you may have al r eady been
exper i enci ng occasi onal f eel i ngs of exper i enci ng occasi onal f eel i ngs of exper i enci ng occasi onal f eel i ngs of exper i enci ng occasi onal f eel i ngs of exper i enci ng occasi onal f eel i ngs of
i nadequacy. Whet her you r ecogni ze i nadequacy. Whet her you r ecogni ze i nadequacy. Whet her you r ecogni ze i nadequacy. Whet her you r ecogni ze i nadequacy. Whet her you r ecogni ze
t hemas such or not . t hemas such or not . t hemas such or not . t hemas such or not . t hemas such or not .
J ane st ar es up at a CLOCK on t he wal l . J ane st ar es up at a CLOCK on t he wal l . J ane st ar es up at a CLOCK on t he wal l . J ane st ar es up at a CLOCK on t he wal l . J ane st ar es up at a CLOCK on t he wal l .
Whi ch coul d add f ur t her wei ght t o t he Whi ch coul d add f ur t her wei ght t o t he Whi ch coul d add f ur t her wei ght t o t he Whi ch coul d add f ur t her wei ght t o t he Whi ch coul d add f ur t her wei ght t o t he
emot i onal baggage you t ake away f r om emot i onal baggage you t ake away f r om emot i onal baggage you t ake away f r om emot i onal baggage you t ake away f r om emot i onal baggage you t ake away f r om
havi ng been a wi t ness t o t he deat h of havi ng been a wi t ness t o t he deat h of havi ng been a wi t ness t o t he deat h of havi ng been a wi t ness t o t he deat h of havi ng been a wi t ness t o t he deat h of
your husband. A deat h f or whi ch you your husband. A deat h f or whi ch you your husband. A deat h f or whi ch you your husband. A deat h f or whi ch you your husband. A deat h f or whi ch you
seem, wr ongl y, t o be bl ami ng seem, wr ongl y, t o be bl ami ng seem, wr ongl y, t o be bl ami ng seem, wr ongl y, t o be bl ami ng seem, wr ongl y, t o be bl ami ng
your sel f , at l east i n par t . your sel f , at l east i n par t . your sel f , at l east i n par t . your sel f , at l east i n par t . your sel f , at l east i n par t .
The CLOCK TI CKS. Psychi at r i st t aps t he penci l on hi s knee. The CLOCK TI CKS. Psychi at r i st t aps t he penci l on hi s knee. The CLOCK TI CKS. Psychi at r i st t aps t he penci l on hi s knee. The CLOCK TI CKS. Psychi at r i st t aps t he penci l on hi s knee. The CLOCK TI CKS. Psychi at r i st t aps t he penci l on hi s knee.
The r eal i t y of t he si t uat i on. . . what The r eal i t y of t he si t uat i on. . . what The r eal i t y of t he si t uat i on. . . what The r eal i t y of t he si t uat i on. . . what The r eal i t y of t he si t uat i on. . . what
I hope t o hel p you come t o gr i ps I hope t o hel p you come t o gr i ps I hope t o hel p you come t o gr i ps I hope t o hel p you come t o gr i ps I hope t o hel p you come t o gr i ps
wi t h, i s. . . no mat t er how many t i mes wi t h, i s. . . no mat t er how many t i mes wi t h, i s. . . no mat t er how many t i mes wi t h, i s. . . no mat t er how many t i mes wi t h, i s. . . no mat t er how many t i mes
you r epl ay what happened back i n your you r epl ay what happened back i n your you r epl ay what happened back i n your you r epl ay what happened back i n your you r epl ay what happened back i n your
mi nd, t he out come i s i nescapabl e. mi nd, t he out come i s i nescapabl e. mi nd, t he out come i s i nescapabl e. mi nd, t he out come i s i nescapabl e. mi nd, t he out come i s i nescapabl e.
28. 28. 28. 28. 28.
PSYCHI ATRI ST ( CONT. ) PSYCHI ATRI ST ( CONT. ) PSYCHI ATRI ST ( CONT. ) PSYCHI ATRI ST ( CONT. ) PSYCHI ATRI ST ( CONT. )
You must f i nd a way t o begi n You must f i nd a way t o begi n You must f i nd a way t o begi n You must f i nd a way t o begi n You must f i nd a way t o begi n
accept i ng t hat . Addi t i onal l y, maybe accept i ng t hat . Addi t i onal l y, maybe accept i ng t hat . Addi t i onal l y, maybe accept i ng t hat . Addi t i onal l y, maybe accept i ng t hat . Addi t i onal l y, maybe
even mor e i mpor t ant l y, your chance even mor e i mpor t ant l y, your chance even mor e i mpor t ant l y, your chance even mor e i mpor t ant l y, your chance even mor e i mpor t ant l y, your chance
at . . . r evenge, f or l ack of a bet t er at . . . r evenge, f or l ack of a bet t er at . . . r evenge, f or l ack of a bet t er at . . . r evenge, f or l ack of a bet t er at . . . r evenge, f or l ack of a bet t er
wor d, i s gone. Vengeance i s not a wor d, i s gone. Vengeance i s not a wor d, i s gone. Vengeance i s not a wor d, i s gone. Vengeance i s not a wor d, i s gone. Vengeance i s not a
heal t hy f ant asy i n whi ch t o i ndul ge, heal t hy f ant asy i n whi ch t o i ndul ge, heal t hy f ant asy i n whi ch t o i ndul ge, heal t hy f ant asy i n whi ch t o i ndul ge, heal t hy f ant asy i n whi ch t o i ndul ge,
no mat t er how unavoi dabl y i t may no mat t er how unavoi dabl y i t may no mat t er how unavoi dabl y i t may no mat t er how unavoi dabl y i t may no mat t er how unavoi dabl y i t may
occupy your t hought s. Whi ch i s t o occupy your t hought s. Whi ch i s t o occupy your t hought s. Whi ch i s t o occupy your t hought s. Whi ch i s t o occupy your t hought s. Whi ch i s t o
say, t hat t hi ng you most desi r e i s say, t hat t hi ng you most desi r e i s say, t hat t hi ng you most desi r e i s say, t hat t hi ng you most desi r e i s say, t hat t hi ng you most desi r e i s
somet hi ng you can never at t ai n, so, somet hi ng you can never at t ai n, so, somet hi ng you can never at t ai n, so, somet hi ng you can never at t ai n, so, somet hi ng you can never at t ai n, so,
agai n. . . t he sooner you begi n t o agai n. . . t he sooner you begi n t o agai n. . . t he sooner you begi n t o agai n. . . t he sooner you begi n t o agai n. . . t he sooner you begi n t o
accept - - accept - - accept - - accept - - accept - -
Ar e we done? Ar e we done? Ar e we done? Ar e we done? Ar e we done?
( st ands) ( st ands) ( st ands) ( st ands) ( st ands)
We ar e, ar en' t we? Because i t ' s been We ar e, ar en' t we? Because i t ' s been We ar e, ar en' t we? Because i t ' s been We ar e, ar en' t we? Because i t ' s been We ar e, ar en' t we? Because i t ' s been
an hour . an hour . an hour . an hour . an hour .
Of f i cer Thor ne. . . Of f i cer Thor ne. . . Of f i cer Thor ne. . . Of f i cer Thor ne. . . Of f i cer Thor ne. . .
I ' mher e because t hi s was mandat or y. I ' mher e because t hi s was mandat or y. I ' mher e because t hi s was mandat or y. I ' mher e because t hi s was mandat or y. I ' mher e because t hi s was mandat or y.
I t ol d you. But , t he hour ' s over . . . I t ol d you. But , t he hour ' s over . . . I t ol d you. But , t he hour ' s over . . . I t ol d you. But , t he hour ' s over . . . I t ol d you. But , t he hour ' s over . . .
An hour i s bar el y a begi nni ng. An hour i s bar el y a begi nni ng. An hour i s bar el y a begi nni ng. An hour i s bar el y a begi nni ng. An hour i s bar el y a begi nni ng.
Though, I can i nf or myou r i ght now, Though, I can i nf or myou r i ght now, Though, I can i nf or myou r i ght now, Though, I can i nf or myou r i ght now, Though, I can i nf or myou r i ght now,
I wi l l be r ecommendi ng you cont i nue I wi l l be r ecommendi ng you cont i nue I wi l l be r ecommendi ng you cont i nue I wi l l be r ecommendi ng you cont i nue I wi l l be r ecommendi ng you cont i nue
t her apy. t her apy. t her apy. t her apy. t her apy.
Fi ne. I f t hey say I ' ve got t o. Fi ne. I f t hey say I ' ve got t o. Fi ne. I f t hey say I ' ve got t o. Fi ne. I f t hey say I ' ve got t o. Fi ne. I f t hey say I ' ve got t o.
Ot her wi se. . . wel l , t hanks. Goodbye. Ot her wi se. . . wel l , t hanks. Goodbye. Ot her wi se. . . wel l , t hanks. Goodbye. Ot her wi se. . . wel l , t hanks. Goodbye. Ot her wi se. . . wel l , t hanks. Goodbye.
EXT. HIGHWAY PATROL HQ, FIRING RANGE -- DAY EXT. HIGHWAY PATROL HQ, FIRING RANGE -- DAY EXT. HIGHWAY PATROL HQ, FIRING RANGE -- DAY EXT. HIGHWAY PATROL HQ, FIRING RANGE -- DAY EXT. HIGHWAY PATROL HQ, FIRING RANGE -- DAY
I n one t ar get - pr act i ce STALL, J ane, i n " THE PRETENDERS" I n one t ar get - pr act i ce STALL, J ane, i n " THE PRETENDERS" I n one t ar get - pr act i ce STALL, J ane, i n " THE PRETENDERS" I n one t ar get - pr act i ce STALL, J ane, i n " THE PRETENDERS" I n one t ar get - pr act i ce STALL, J ane, i n " THE PRETENDERS"
CONCERT T- SHI RT and J EANS, wear i ng GOGGLES and EAR CONCERT T- SHI RT and J EANS, wear i ng GOGGLES and EAR CONCERT T- SHI RT and J EANS, wear i ng GOGGLES and EAR CONCERT T- SHI RT and J EANS, wear i ng GOGGLES and EAR CONCERT T- SHI RT and J EANS, wear i ng GOGGLES and EAR
PROTECTI ON, f i r es her . 357 Magnum- - BLAM! BLAM! BLAM! PROTECTI ON, f i r es her . 357 Magnum- - BLAM! BLAM! BLAM! PROTECTI ON, f i r es her . 357 Magnum- - BLAM! BLAM! BLAM! PROTECTI ON, f i r es her . 357 Magnum- - BLAM! BLAM! BLAM! PROTECTI ON, f i r es her . 357 Magnum- - BLAM! BLAM! BLAM!
J ane l ower s t he r evol ver , opens i t , qui ckl y and exper t l y J ane l ower s t he r evol ver , opens i t , qui ckl y and exper t l y J ane l ower s t he r evol ver , opens i t , qui ckl y and exper t l y J ane l ower s t he r evol ver , opens i t , qui ckl y and exper t l y J ane l ower s t he r evol ver , opens i t , qui ckl y and exper t l y
r el oadi ng wi t h a SPEED LOADER. She r ai ses t he gun, SHOOTS. . . r el oadi ng wi t h a SPEED LOADER. She r ai ses t he gun, SHOOTS. . . r el oadi ng wi t h a SPEED LOADER. She r ai ses t he gun, SHOOTS. . . r el oadi ng wi t h a SPEED LOADER. She r ai ses t he gun, SHOOTS. . . r el oadi ng wi t h a SPEED LOADER. She r ai ses t he gun, SHOOTS. . .
Far down t he r ange, wher e THREE paper FI GURE- TARGETS hang Far down t he r ange, wher e THREE paper FI GURE- TARGETS hang Far down t he r ange, wher e THREE paper FI GURE- TARGETS hang Far down t he r ange, wher e THREE paper FI GURE- TARGETS hang Far down t he r ange, wher e THREE paper FI GURE- TARGETS hang
si de by si de, t he cent er t ar get ( i t s chest al r eady shr edded) si de by si de, t he cent er t ar get ( i t s chest al r eady shr edded) si de by si de, t he cent er t ar get ( i t s chest al r eady shr edded) si de by si de, t he cent er t ar get ( i t s chest al r eady shr edded) si de by si de, t he cent er t ar get ( i t s chest al r eady shr edded)
r ecei ves a dead cent er HEAD SHOT. r ecei ves a dead cent er HEAD SHOT. r ecei ves a dead cent er HEAD SHOT. r ecei ves a dead cent er HEAD SHOT. r ecei ves a dead cent er HEAD SHOT.
I n t he st al l , J ane ai ms l ef t - - BLAM! I n t he st al l , J ane ai ms l ef t - - BLAM! I n t he st al l , J ane ai ms l ef t - - BLAM! I n t he st al l , J ane ai ms l ef t - - BLAM! I n t he st al l , J ane ai ms l ef t - - BLAM!
The l ef t t ar get r ecei ves a per f ect HEAD SHOT. The l ef t t ar get r ecei ves a per f ect HEAD SHOT. The l ef t t ar get r ecei ves a per f ect HEAD SHOT. The l ef t t ar get r ecei ves a per f ect HEAD SHOT. The l ef t t ar get r ecei ves a per f ect HEAD SHOT.
J ane ai ms r i ght - - BLAM! J ane ai ms r i ght - - BLAM! J ane ai ms r i ght - - BLAM! J ane ai ms r i ght - - BLAM! J ane ai ms r i ght - - BLAM!
29. 29. 29. 29. 29.
The r i ght t ar get l i kewi se t akes a SKULL SHOT, f ol l owed by. . . The r i ght t ar get l i kewi se t akes a SKULL SHOT, f ol l owed by. . . The r i ght t ar get l i kewi se t akes a SKULL SHOT, f ol l owed by. . . The r i ght t ar get l i kewi se t akes a SKULL SHOT, f ol l owed by. . . The r i ght t ar get l i kewi se t akes a SKULL SHOT, f ol l owed by. . .
THREE HOLES down i t s chest i n a r ul er - st r ai ght l i ne; l i ke THREE HOLES down i t s chest i n a r ul er - st r ai ght l i ne; l i ke THREE HOLES down i t s chest i n a r ul er - st r ai ght l i ne; l i ke THREE HOLES down i t s chest i n a r ul er - st r ai ght l i ne; l i ke THREE HOLES down i t s chest i n a r ul er - st r ai ght l i ne; l i ke
t he but t ons of a sui t . Dead sol i d per f ect shot s. t he but t ons of a sui t . Dead sol i d per f ect shot s. t he but t ons of a sui t . Dead sol i d per f ect shot s. t he but t ons of a sui t . Dead sol i d per f ect shot s. t he but t ons of a sui t . Dead sol i d per f ect shot s.
EXT. JANE'S HOUSE -- NIGHT EXT. JANE'S HOUSE -- NIGHT EXT. JANE'S HOUSE -- NIGHT EXT. JANE'S HOUSE -- NIGHT EXT. JANE'S HOUSE -- NIGHT
BLI NKI NG FI REFLI ES f l ut t er . Ther e' s an ol d, r ed, Chevy BLI NKI NG FI REFLI ES f l ut t er . Ther e' s an ol d, r ed, Chevy BLI NKI NG FI REFLI ES f l ut t er . Ther e' s an ol d, r ed, Chevy BLI NKI NG FI REFLI ES f l ut t er . Ther e' s an ol d, r ed, Chevy BLI NKI NG FI REFLI ES f l ut t er . Ther e' s an ol d, r ed, Chevy
PI CKUP wi t h har d- t op CAMPER SHELL on t he dr i veway. PI CKUP wi t h har d- t op CAMPER SHELL on t he dr i veway. PI CKUP wi t h har d- t op CAMPER SHELL on t he dr i veway. PI CKUP wi t h har d- t op CAMPER SHELL on t he dr i veway. PI CKUP wi t h har d- t op CAMPER SHELL on t he dr i veway.
INT. JANE'S HOUSE, BEDROOM -- NIGHT INT. JANE'S HOUSE, BEDROOM -- NIGHT INT. JANE'S HOUSE, BEDROOM -- NIGHT INT. JANE'S HOUSE, BEDROOM -- NIGHT INT. JANE'S HOUSE, BEDROOM -- NIGHT
J ane' s MAGNUM PI STOL and neat l y f ol ded TROOPER UNI FORM ar e J ane' s MAGNUM PI STOL and neat l y f ol ded TROOPER UNI FORM ar e J ane' s MAGNUM PI STOL and neat l y f ol ded TROOPER UNI FORM ar e J ane' s MAGNUM PI STOL and neat l y f ol ded TROOPER UNI FORM ar e J ane' s MAGNUM PI STOL and neat l y f ol ded TROOPER UNI FORM ar e
on t he bed besi de a smal l SUI TCASE. J ane comes t o l ay down on t he bed besi de a smal l SUI TCASE. J ane comes t o l ay down on t he bed besi de a smal l SUI TCASE. J ane comes t o l ay down on t he bed besi de a smal l SUI TCASE. J ane comes t o l ay down on t he bed besi de a smal l SUI TCASE. J ane comes t o l ay down
a l ong r ange RI FLE ( w/ SCOPE) and a SHOTGUN. a l ong r ange RI FLE ( w/ SCOPE) and a SHOTGUN. a l ong r ange RI FLE ( w/ SCOPE) and a SHOTGUN. a l ong r ange RI FLE ( w/ SCOPE) and a SHOTGUN. a l ong r ange RI FLE ( w/ SCOPE) and a SHOTGUN.
FATHER FATHER FATHER FATHER FATHER
Whenever you put t hat uni f or mon. . . Whenever you put t hat uni f or mon. . . Whenever you put t hat uni f or mon. . . Whenever you put t hat uni f or mon. . . Whenever you put t hat uni f or mon. . .
you mi ght as wel l be anot her per son. you mi ght as wel l be anot her per son. you mi ght as wel l be anot her per son. you mi ght as wel l be anot her per son. you mi ght as wel l be anot her per son.
Fat her ' s seat ed, aggr avat ed. J ane begi ns packi ng CLOTHI NG. Fat her ' s seat ed, aggr avat ed. J ane begi ns packi ng CLOTHI NG. Fat her ' s seat ed, aggr avat ed. J ane begi ns packi ng CLOTHI NG. Fat her ' s seat ed, aggr avat ed. J ane begi ns packi ng CLOTHI NG. Fat her ' s seat ed, aggr avat ed. J ane begi ns packi ng CLOTHI NG.
TV pl ays i n t he B. G. , MUTED, showi ng " SATANI C SLASHER" news. TV pl ays i n t he B. G. , MUTED, showi ng " SATANI C SLASHER" news. TV pl ays i n t he B. G. , MUTED, showi ng " SATANI C SLASHER" news. TV pl ays i n t he B. G. , MUTED, showi ng " SATANI C SLASHER" news. TV pl ays i n t he B. G. , MUTED, showi ng " SATANI C SLASHER" news.
A f ew MARKSMAN TROPHI ES ar e on t he dr esser besi de t he TV. A f ew MARKSMAN TROPHI ES ar e on t he dr esser besi de t he TV. A f ew MARKSMAN TROPHI ES ar e on t he dr esser besi de t he TV. A f ew MARKSMAN TROPHI ES ar e on t he dr esser besi de t he TV. A f ew MARKSMAN TROPHI ES ar e on t he dr esser besi de t he TV.
A bi g pi ece of your . . . your hear t and A bi g pi ece of your . . . your hear t and A bi g pi ece of your . . . your hear t and A bi g pi ece of your . . . your hear t and A bi g pi ece of your . . . your hear t and
soul bel ongs t o t he K. H. P. That ' s soul bel ongs t o t he K. H. P. That ' s soul bel ongs t o t he K. H. P. That ' s soul bel ongs t o t he K. H. P. That ' s soul bel ongs t o t he K. H. P. That ' s
who you ar e, J ane. Who you' ve al ways who you ar e, J ane. Who you' ve al ways who you ar e, J ane. Who you' ve al ways who you ar e, J ane. Who you' ve al ways who you ar e, J ane. Who you' ve al ways
been. . . been. . . been. . . been. . . been. . .
Look who' s t al ki ng. Look who' s t al ki ng. Look who' s t al ki ng. Look who' s t al ki ng. Look who' s t al ki ng.
Yeah, wel l , t hen you know I ' m Yeah, wel l , t hen you know I ' m Yeah, wel l , t hen you know I ' m Yeah, wel l , t hen you know I ' m Yeah, wel l , t hen you know I ' m
speaki ng f r omexper i ence. speaki ng f r omexper i ence. speaki ng f r omexper i ence. speaki ng f r omexper i ence. speaki ng f r omexper i ence.
Ther e i s such a t hi ng as di sappear i ng Ther e i s such a t hi ng as di sappear i ng Ther e i s such a t hi ng as di sappear i ng Ther e i s such a t hi ng as di sappear i ng Ther e i s such a t hi ng as di sappear i ng
i nt o t hat uni f or m. Or t hi nki ng i t ' s i nt o t hat uni f or m. Or t hi nki ng i t ' s i nt o t hat uni f or m. Or t hi nki ng i t ' s i nt o t hat uni f or m. Or t hi nki ng i t ' s i nt o t hat uni f or m. Or t hi nki ng i t ' s
some ki nd of a sui t of ar mor , whi ch some ki nd of a sui t of ar mor , whi ch some ki nd of a sui t of ar mor , whi ch some ki nd of a sui t of ar mor , whi ch some ki nd of a sui t of ar mor , whi ch
i s i sn' t . i s i sn' t . i s i sn' t . i s i sn' t . i s i sn' t .
I ' l l be back soon, I pr omi se. I t ook I ' l l be back soon, I pr omi se. I t ook I ' l l be back soon, I pr omi se. I t ook I ' l l be back soon, I pr omi se. I t ook I ' l l be back soon, I pr omi se. I t ook
pr ovi si onal l eave; t wo weeks. pr ovi si onal l eave; t wo weeks. pr ovi si onal l eave; t wo weeks. pr ovi si onal l eave; t wo weeks. pr ovi si onal l eave; t wo weeks.
Mi ke' s dyi ng wasn' t your f aul t . Mi ke' s dyi ng wasn' t your f aul t . Mi ke' s dyi ng wasn' t your f aul t . Mi ke' s dyi ng wasn' t your f aul t . Mi ke' s dyi ng wasn' t your f aul t .
J ane keeps packi ng, t r yi ng t o i gnor e. J ane keeps packi ng, t r yi ng t o i gnor e. J ane keeps packi ng, t r yi ng t o i gnor e. J ane keeps packi ng, t r yi ng t o i gnor e. J ane keeps packi ng, t r yi ng t o i gnor e.
Ther e' s not hi ng you coul d have done Ther e' s not hi ng you coul d have done Ther e' s not hi ng you coul d have done Ther e' s not hi ng you coul d have done Ther e' s not hi ng you coul d have done
t hat woul d have changed anyt hi ng. t hat woul d have changed anyt hi ng. t hat woul d have changed anyt hi ng. t hat woul d have changed anyt hi ng. t hat woul d have changed anyt hi ng.
Not hi ng you coul d have done Not hi ng you coul d have done Not hi ng you coul d have done Not hi ng you coul d have done Not hi ng you coul d have done
di f f er ent l y woul d have saved hi m. di f f er ent l y woul d have saved hi m. di f f er ent l y woul d have saved hi m. di f f er ent l y woul d have saved hi m. di f f er ent l y woul d have saved hi m.
30. 30. 30. 30. 30.
I know. I know. I know. I know. I know.
So, what t hen? I mean, you do So, what t hen? I mean, you do So, what t hen? I mean, you do So, what t hen? I mean, you do So, what t hen? I mean, you do
r eal i ze i t ' s cr azy, what you' r e doi ng? r eal i ze i t ' s cr azy, what you' r e doi ng? r eal i ze i t ' s cr azy, what you' r e doi ng? r eal i ze i t ' s cr azy, what you' r e doi ng? r eal i ze i t ' s cr azy, what you' r e doi ng?
He' s not t he one I ' mt r yi ng t o save. He' s not t he one I ' mt r yi ng t o save. He' s not t he one I ' mt r yi ng t o save. He' s not t he one I ' mt r yi ng t o save. He' s not t he one I ' mt r yi ng t o save.
Al r i ght ? I mean, si nce. . . si nce f our Al r i ght ? I mean, si nce. . . si nce f our Al r i ght ? I mean, si nce. . . si nce f our Al r i ght ? I mean, si nce. . . si nce f our Al r i ght ? I mean, si nce. . . si nce f our
days ago. . . f our days t hat have f el t days ago. . . f our days t hat have f el t days ago. . . f our days t hat have f el t days ago. . . f our days t hat have f el t days ago. . . f our days t hat have f el t
l i ke a l i f et i me, I ' ve t hought about l i ke a l i f et i me, I ' ve t hought about l i ke a l i f et i me, I ' ve t hought about l i ke a l i f et i me, I ' ve t hought about l i ke a l i f et i me, I ' ve t hought about
one t hi ng. That shot . The shot I one t hi ng. That shot . The shot I one t hi ng. That shot . The shot I one t hi ng. That shot . The shot I one t hi ng. That shot . The shot I
had, and what I woul dn' t gi ve t o have had, and what I woul dn' t gi ve t o have had, and what I woul dn' t gi ve t o have had, and what I woul dn' t gi ve t o have had, and what I woul dn' t gi ve t o have
i t back. Because you' r e r i ght . . . i t back. Because you' r e r i ght . . . i t back. Because you' r e r i ght . . . i t back. Because you' r e r i ght . . . i t back. Because you' r e r i ght . . .
not hi ng' l l br i ng Mi ke back. So not hi ng' l l br i ng Mi ke back. So not hi ng' l l br i ng Mi ke back. So not hi ng' l l br i ng Mi ke back. So not hi ng' l l br i ng Mi ke back. So
what ' s l ef t ? Anot her shot . Anot her what ' s l ef t ? Anot her shot . Anot her what ' s l ef t ? Anot her shot . Anot her what ' s l ef t ? Anot her shot . Anot her what ' s l ef t ? Anot her shot . Anot her
chance. J ust one bul l et . . . coul d chance. J ust one bul l et . . . coul d chance. J ust one bul l et . . . coul d chance. J ust one bul l et . . . coul d chance. J ust one bul l et . . . coul d
save however many l i ves; and Mi ke save however many l i ves; and Mi ke save however many l i ves; and Mi ke save however many l i ves; and Mi ke save however many l i ves; and Mi ke
r est s i n peace; and maybe. . . maybe I r est s i n peace; and maybe. . . maybe I r est s i n peace; and maybe. . . maybe I r est s i n peace; and maybe. . . maybe I r est s i n peace; and maybe. . . maybe I
get t o sl eep at ni ght . get t o sl eep at ni ght . get t o sl eep at ni ght . get t o sl eep at ni ght . get t o sl eep at ni ght .
You' l l never f i nd hi m. You' l l never f i nd hi m. You' l l never f i nd hi m. You' l l never f i nd hi m. You' l l never f i nd hi m.
I don' t have t o f i nd hi m. Sooner or I don' t have t o f i nd hi m. Sooner or I don' t have t o f i nd hi m. Sooner or I don' t have t o f i nd hi m. Sooner or I don' t have t o f i nd hi m. Sooner or
l at er hi s l uck' l l r un out . . . he' l l l at er hi s l uck' l l r un out . . . he' l l l at er hi s l uck' l l r un out . . . he' l l l at er hi s l uck' l l r un out . . . he' l l l at er hi s l uck' l l r un out . . . he' l l
get boxed i n. Wher ever t hat happens, get boxed i n. Wher ever t hat happens, get boxed i n. Wher ever t hat happens, get boxed i n. Wher ever t hat happens, get boxed i n. Wher ever t hat happens,
al l I want i s a chance t o cat ch up al l I want i s a chance t o cat ch up al l I want i s a chance t o cat ch up al l I want i s a chance t o cat ch up al l I want i s a chance t o cat ch up
wi t h t he hunt i ng par t y. wi t h t he hunt i ng par t y. wi t h t he hunt i ng par t y. wi t h t he hunt i ng par t y. wi t h t he hunt i ng par t y.
J ane, l i st en. . . J ane, l i st en. . . J ane, l i st en. . . J ane, l i st en. . . J ane, l i st en. . .
Dad, I ' msor r y, but I ' mdone t al ki ng. Dad, I ' msor r y, but I ' mdone t al ki ng. Dad, I ' msor r y, but I ' mdone t al ki ng. Dad, I ' msor r y, but I ' mdone t al ki ng. Dad, I ' msor r y, but I ' mdone t al ki ng.
You know me. Tel l me agai n not t o You know me. Tel l me agai n not t o You know me. Tel l me agai n not t o You know me. Tel l me agai n not t o You know me. Tel l me agai n not t o
go. Thi nk t hat ' l l st op me? go. Thi nk t hat ' l l st op me? go. Thi nk t hat ' l l st op me? go. Thi nk t hat ' l l st op me? go. Thi nk t hat ' l l st op me?
Fat her st ands, mi ser abl e. Fat her st ands, mi ser abl e. Fat her st ands, mi ser abl e. Fat her st ands, mi ser abl e. Fat her st ands, mi ser abl e.
You won' t have any aut hor i t y, You won' t have any aut hor i t y, You won' t have any aut hor i t y, You won' t have any aut hor i t y, You won' t have any aut hor i t y,
obvi ousl y, but keep your gun and obvi ousl y, but keep your gun and obvi ousl y, but keep your gun and obvi ousl y, but keep your gun and obvi ousl y, but keep your gun and
badge on you at al l t i mes. Poi nt l ess badge on you at al l t i mes. Poi nt l ess badge on you at al l t i mes. Poi nt l ess badge on you at al l t i mes. Poi nt l ess badge on you at al l t i mes. Poi nt l ess
as i t i s, what you' r e doi ng, I ' l l as i t i s, what you' r e doi ng, I ' l l as i t i s, what you' r e doi ng, I ' l l as i t i s, what you' r e doi ng, I ' l l as i t i s, what you' r e doi ng, I ' l l
admi t . . . i f I wer e you, I bel i eve I ' d admi t . . . i f I wer e you, I bel i eve I ' d admi t . . . i f I wer e you, I bel i eve I ' d admi t . . . i f I wer e you, I bel i eve I ' d admi t . . . i f I wer e you, I bel i eve I ' d
al so need t o f i nd t hat out f or mysel f . al so need t o f i nd t hat out f or mysel f . al so need t o f i nd t hat out f or mysel f . al so need t o f i nd t hat out f or mysel f . al so need t o f i nd t hat out f or mysel f .
Fat her exi t s. J ane i s r egr et f ul , but keeps packi ng. Fat her exi t s. J ane i s r egr et f ul , but keeps packi ng. Fat her exi t s. J ane i s r egr et f ul , but keeps packi ng. Fat her exi t s. J ane i s r egr et f ul , but keeps packi ng. Fat her exi t s. J ane i s r egr et f ul , but keeps packi ng.
31. 31. 31. 31. 31.
EXT. JANE'S HOUSE -- DAWN EXT. JANE'S HOUSE -- DAWN EXT. JANE'S HOUSE -- DAWN EXT. JANE'S HOUSE -- DAWN EXT. JANE'S HOUSE -- DAWN
J ane ( i n ci vi l i an cl ot hes, as she wi l l al ways be unl ess J ane ( i n ci vi l i an cl ot hes, as she wi l l al ways be unl ess J ane ( i n ci vi l i an cl ot hes, as she wi l l al ways be unl ess J ane ( i n ci vi l i an cl ot hes, as she wi l l al ways be unl ess J ane ( i n ci vi l i an cl ot hes, as she wi l l al ways be unl ess
ot her wi se not ed) packs i t ems i n t he f r ont passenger si de of ot her wi se not ed) packs i t ems i n t he f r ont passenger si de of ot her wi se not ed) packs i t ems i n t he f r ont passenger si de of ot her wi se not ed) packs i t ems i n t he f r ont passenger si de of ot her wi se not ed) packs i t ems i n t he f r ont passenger si de of
t he ol d, r ed, Chevy PI CKUP wi t h camper shel l . She wal ks t he ol d, r ed, Chevy PI CKUP wi t h camper shel l . She wal ks t he ol d, r ed, Chevy PI CKUP wi t h camper shel l . She wal ks t he ol d, r ed, Chevy PI CKUP wi t h camper shel l . She wal ks t he ol d, r ed, Chevy PI CKUP wi t h camper shel l . She wal ks
ar ound, get s behi nd t he wheel . Beat . Then, qui et l y. . . ar ound, get s behi nd t he wheel . Beat . Then, qui et l y. . . ar ound, get s behi nd t he wheel . Beat . Then, qui et l y. . . ar ound, get s behi nd t he wheel . Beat . Then, qui et l y. . . ar ound, get s behi nd t he wheel . Beat . Then, qui et l y. . .
Our Fat her , who ar t i n Heaven, Our Fat her , who ar t i n Heaven, Our Fat her , who ar t i n Heaven, Our Fat her , who ar t i n Heaven, Our Fat her , who ar t i n Heaven,
hal l owed be t hy name. Thy ki ngdom hal l owed be t hy name. Thy ki ngdom hal l owed be t hy name. Thy ki ngdom hal l owed be t hy name. Thy ki ngdom hal l owed be t hy name. Thy ki ngdom
come, t hy wi l l be done. . . on ear t h as come, t hy wi l l be done. . . on ear t h as come, t hy wi l l be done. . . on ear t h as come, t hy wi l l be done. . . on ear t h as come, t hy wi l l be done. . . on ear t h as
i t i s i n Heaven. Gi ve us t hi s day i t i s i n Heaven. Gi ve us t hi s day i t i s i n Heaven. Gi ve us t hi s day i t i s i n Heaven. Gi ve us t hi s day i t i s i n Heaven. Gi ve us t hi s day
our dai l y br ead, and f or gi ve us our our dai l y br ead, and f or gi ve us our our dai l y br ead, and f or gi ve us our our dai l y br ead, and f or gi ve us our our dai l y br ead, and f or gi ve us our
t r espasses. . . t r espasses. . . t r espasses. . . t r espasses. . . t r espasses. . .
EXT. KANSAS INTERSTATE -- DAY EXT. KANSAS INTERSTATE -- DAY EXT. KANSAS INTERSTATE -- DAY EXT. KANSAS INTERSTATE -- DAY EXT. KANSAS INTERSTATE -- DAY
J ane' s pi ckup changes l anes on t he busy FREEWAY. J ane' s pi ckup changes l anes on t he busy FREEWAY. J ane' s pi ckup changes l anes on t he busy FREEWAY. J ane' s pi ckup changes l anes on t he busy FREEWAY. J ane' s pi ckup changes l anes on t he busy FREEWAY.
Di st ant OI L WELLS dot t he boundl ess pl ai ns. Di st ant OI L WELLS dot t he boundl ess pl ai ns. Di st ant OI L WELLS dot t he boundl ess pl ai ns. Di st ant OI L WELLS dot t he boundl ess pl ai ns. Di st ant OI L WELLS dot t he boundl ess pl ai ns.
IN JANE'S PICKUP -- IN MOTION IN JANE'S PICKUP -- IN MOTION IN JANE'S PICKUP -- IN MOTION IN JANE'S PICKUP -- IN MOTION IN JANE'S PICKUP -- IN MOTION
J ane' s on her CELL PHONE. A POLI CE SCANNER and GPS DEVI CE J ane' s on her CELL PHONE. A POLI CE SCANNER and GPS DEVI CE J ane' s on her CELL PHONE. A POLI CE SCANNER and GPS DEVI CE J ane' s on her CELL PHONE. A POLI CE SCANNER and GPS DEVI CE J ane' s on her CELL PHONE. A POLI CE SCANNER and GPS DEVI CE
ar e mount ed on t he dash. Her LAPTOP COMPUTER i s open on t he ar e mount ed on t he dash. Her LAPTOP COMPUTER i s open on t he ar e mount ed on t he dash. Her LAPTOP COMPUTER i s open on t he ar e mount ed on t he dash. Her LAPTOP COMPUTER i s open on t he ar e mount ed on t he dash. Her LAPTOP COMPUTER i s open on t he
passenger seat , al ong wi t h r ubber band wr apped FI LES. passenger seat , al ong wi t h r ubber band wr apped FI LES. passenger seat , al ong wi t h r ubber band wr apped FI LES. passenger seat , al ong wi t h r ubber band wr apped FI LES. passenger seat , al ong wi t h r ubber band wr apped FI LES.
( i nt o CELL PHONE) ( i nt o CELL PHONE) ( i nt o CELL PHONE) ( i nt o CELL PHONE) ( i nt o CELL PHONE)
I have our case f i l es f r omTopeka, I have our case f i l es f r omTopeka, I have our case f i l es f r omTopeka, I have our case f i l es f r omTopeka, I have our case f i l es f r omTopeka,
yes. I n t he spi r i t of cooper at i on, yes. I n t he spi r i t of cooper at i on, yes. I n t he spi r i t of cooper at i on, yes. I n t he spi r i t of cooper at i on, yes. I n t he spi r i t of cooper at i on,
maybe you' l l l et me t ake a l ook at maybe you' l l l et me t ake a l ook at maybe you' l l l et me t ake a l ook at maybe you' l l l et me t ake a l ook at maybe you' l l l et me t ake a l ook at
what you' ve got on t he Ki t Car son what you' ve got on t he Ki t Car son what you' ve got on t he Ki t Car son what you' ve got on t he Ki t Car son what you' ve got on t he Ki t Car son
ki l l i ngs. I . . . ki l l i ngs. I . . . ki l l i ngs. I . . . ki l l i ngs. I . . . ki l l i ngs. I . . .
( l i st en) ( l i st en) ( l i st en) ( l i st en) ( l i st en)
Yes, wel l , I was hopi ng t hat as a Yes, wel l , I was hopi ng t hat as a Yes, wel l , I was hopi ng t hat as a Yes, wel l , I was hopi ng t hat as a Yes, wel l , I was hopi ng t hat as a
pr of essi onal cour t esy. . . pr of essi onal cour t esy. . . pr of essi onal cour t esy. . . pr of essi onal cour t esy. . . pr of essi onal cour t esy. . .
I s t her e someone el se I can speak t o? I s t her e someone el se I can speak t o? I s t her e someone el se I can speak t o? I s t her e someone el se I can speak t o? I s t her e someone el se I can speak t o?
EXT. GAS STATION -- DAY -- MONTAGE EXT. GAS STATION -- DAY -- MONTAGE EXT. GAS STATION -- DAY -- MONTAGE EXT. GAS STATION -- DAY -- MONTAGE EXT. GAS STATION -- DAY -- MONTAGE
J ane t al ks on her phone whi l e wat chi ng FREEWAY TRAFFI C pass. J ane t al ks on her phone whi l e wat chi ng FREEWAY TRAFFI C pass. J ane t al ks on her phone whi l e wat chi ng FREEWAY TRAFFI C pass. J ane t al ks on her phone whi l e wat chi ng FREEWAY TRAFFI C pass. J ane t al ks on her phone whi l e wat chi ng FREEWAY TRAFFI C pass.
Her pi ckup i s at t he GAS PUMPS behi nd her . Fr omt he l ook of Her pi ckup i s at t he GAS PUMPS behi nd her . Fr omt he l ook of Her pi ckup i s at t he GAS PUMPS behi nd her . Fr omt he l ook of Her pi ckup i s at t he GAS PUMPS behi nd her . Fr omt he l ook of Her pi ckup i s at t he GAS PUMPS behi nd her . Fr omt he l ook of
di scour agement on her f ace, she' s havi ng no l uck. di scour agement on her f ace, she' s havi ng no l uck. di scour agement on her f ace, she' s havi ng no l uck. di scour agement on her f ace, she' s havi ng no l uck. di scour agement on her f ace, she' s havi ng no l uck.
EXT. ROADSIDE REST AREA -- DAY -- MONTAGE EXT. ROADSIDE REST AREA -- DAY -- MONTAGE EXT. ROADSIDE REST AREA -- DAY -- MONTAGE EXT. ROADSIDE REST AREA -- DAY -- MONTAGE EXT. ROADSIDE REST AREA -- DAY -- MONTAGE
FAMI LI ES l unch at PI CNI C TABLES. J ane' s at one t abl e, on FAMI LI ES l unch at PI CNI C TABLES. J ane' s at one t abl e, on FAMI LI ES l unch at PI CNI C TABLES. J ane' s at one t abl e, on FAMI LI ES l unch at PI CNI C TABLES. J ane' s at one t abl e, on FAMI LI ES l unch at PI CNI C TABLES. J ane' s at one t abl e, on
her cel l phone, wi t h FAST FOOD and LAPTOP bef or e her . The her cel l phone, wi t h FAST FOOD and LAPTOP bef or e her . The her cel l phone, wi t h FAST FOOD and LAPTOP bef or e her . The her cel l phone, wi t h FAST FOOD and LAPTOP bef or e her . The her cel l phone, wi t h FAST FOOD and LAPTOP bef or e her . The
LAPTOP SCREEN shows SATANI C SLASHER HEADLI NES. Agai n, LAPTOP SCREEN shows SATANI C SLASHER HEADLI NES. Agai n, LAPTOP SCREEN shows SATANI C SLASHER HEADLI NES. Agai n, LAPTOP SCREEN shows SATANI C SLASHER HEADLI NES. Agai n, LAPTOP SCREEN shows SATANI C SLASHER HEADLI NES. Agai n,
j udgi ng by her demeanor , she' s r ecei vi ng no cooper at i on. j udgi ng by her demeanor , she' s r ecei vi ng no cooper at i on. j udgi ng by her demeanor , she' s r ecei vi ng no cooper at i on. j udgi ng by her demeanor , she' s r ecei vi ng no cooper at i on. j udgi ng by her demeanor , she' s r ecei vi ng no cooper at i on.
LATER... LATER... LATER... LATER... LATER...
Di f f er ent FAMI LI ES at ot her t abl es. A MAN wal ks hi s DOG. Di f f er ent FAMI LI ES at ot her t abl es. A MAN wal ks hi s DOG. Di f f er ent FAMI LI ES at ot her t abl es. A MAN wal ks hi s DOG. Di f f er ent FAMI LI ES at ot her t abl es. A MAN wal ks hi s DOG. Di f f er ent FAMI LI ES at ot her t abl es. A MAN wal ks hi s DOG.
32. 32. 32. 32. 32.
J ane' s at her same t abl e, st i l l on her phone, maki ng a J ane' s at her same t abl e, st i l l on her phone, maki ng a J ane' s at her same t abl e, st i l l on her phone, maki ng a J ane' s at her same t abl e, st i l l on her phone, maki ng a J ane' s at her same t abl e, st i l l on her phone, maki ng a
not at i on i n a spi r al - bound NOTEBOOK, her f r ust r at i on not at i on i n a spi r al - bound NOTEBOOK, her f r ust r at i on not at i on i n a spi r al - bound NOTEBOOK, her f r ust r at i on not at i on i n a spi r al - bound NOTEBOOK, her f r ust r at i on not at i on i n a spi r al - bound NOTEBOOK, her f r ust r at i on
gr owi ng. She hangs up i n di sgust . gr owi ng. She hangs up i n di sgust . gr owi ng. She hangs up i n di sgust . gr owi ng. She hangs up i n di sgust . gr owi ng. She hangs up i n di sgust .
INT. JANE'S PICKUP -- IN MOTION -- LATE DAY -- MONTAGE INT. JANE'S PICKUP -- IN MOTION -- LATE DAY -- MONTAGE INT. JANE'S PICKUP -- IN MOTION -- LATE DAY -- MONTAGE INT. JANE'S PICKUP -- IN MOTION -- LATE DAY -- MONTAGE INT. JANE'S PICKUP -- IN MOTION -- LATE DAY -- MONTAGE
Lat e day. J ane dr i ves, wear i l y st i l l wor ki ng t he phone. Lat e day. J ane dr i ves, wear i l y st i l l wor ki ng t he phone. Lat e day. J ane dr i ves, wear i l y st i l l wor ki ng t he phone. Lat e day. J ane dr i ves, wear i l y st i l l wor ki ng t he phone. Lat e day. J ane dr i ves, wear i l y st i l l wor ki ng t he phone.
. . . anyt hi ng woul d be hel pf ul . Any . . . anyt hi ng woul d be hel pf ul . Any . . . anyt hi ng woul d be hel pf ul . Any . . . anyt hi ng woul d be hel pf ul . Any . . . anyt hi ng woul d be hel pf ul . Any
i nf or mat i on at al l on t he Sl asher i nf or mat i on at al l on t he Sl asher i nf or mat i on at al l on t he Sl asher i nf or mat i on at al l on t he Sl asher i nf or mat i on at al l on t he Sl asher
ki l l i ngs i n Las Vegas, or . . . ki l l i ngs i n Las Vegas, or . . . ki l l i ngs i n Las Vegas, or . . . ki l l i ngs i n Las Vegas, or . . . ki l l i ngs i n Las Vegas, or . . .
( l i st ens, di spi r i t ed) ( l i st ens, di spi r i t ed) ( l i st ens, di spi r i t ed) ( l i st ens, di spi r i t ed) ( l i st ens, di spi r i t ed)
Let me l eave my number , i n case you Let me l eave my number , i n case you Let me l eave my number , i n case you Let me l eave my number , i n case you Let me l eave my number , i n case you
change your mi nd. I t ' s 785- 555- 1322. change your mi nd. I t ' s 785- 555- 1322. change your mi nd. I t ' s 785- 555- 1322. change your mi nd. I t ' s 785- 555- 1322. change your mi nd. I t ' s 785- 555- 1322.
Yeah, t hanks. Thanks f or not hi ng. Yeah, t hanks. Thanks f or not hi ng. Yeah, t hanks. Thanks f or not hi ng. Yeah, t hanks. Thanks f or not hi ng. Yeah, t hanks. Thanks f or not hi ng.
J ane shut s t he phone, t hr ows i t asi de. J ane shut s t he phone, t hr ows i t asi de. J ane shut s t he phone, t hr ows i t asi de. J ane shut s t he phone, t hr ows i t asi de. J ane shut s t he phone, t hr ows i t asi de.
( t o PHONE) ( t o PHONE) ( t o PHONE) ( t o PHONE) ( t o PHONE)
I hat e you al l . I hat e you al l . I hat e you al l . I hat e you al l . I hat e you al l .
ON THE FREEWAY -- END MONTAGE ON THE FREEWAY -- END MONTAGE ON THE FREEWAY -- END MONTAGE ON THE FREEWAY -- END MONTAGE ON THE FREEWAY -- END MONTAGE
J ane' s pi ckup r oar s past a l ar ge SI GN whi ch announces: J ane' s pi ckup r oar s past a l ar ge SI GN whi ch announces: J ane' s pi ckup r oar s past a l ar ge SI GN whi ch announces: J ane' s pi ckup r oar s past a l ar ge SI GN whi ch announces: J ane' s pi ckup r oar s past a l ar ge SI GN whi ch announces:
" Welcome to MISSOURI, The Show Me State. " " Welcome to MISSOURI, The Show Me State. " " Welcome to MISSOURI, The Show Me State. " " Welcome to MISSOURI, The Show Me State. " " Welcome to MISSOURI, The Show Me State. "
INT. JANE'S MOTEL ROOM - NIGHT INT. JANE'S MOTEL ROOM - NIGHT INT. JANE'S MOTEL ROOM - NIGHT INT. JANE'S MOTEL ROOM - NIGHT INT. JANE'S MOTEL ROOM - NIGHT
The BED i s cover ed i n t he Psycho Ki l l er r el at ed cont ent s of The BED i s cover ed i n t he Psycho Ki l l er r el at ed cont ent s of The BED i s cover ed i n t he Psycho Ki l l er r el at ed cont ent s of The BED i s cover ed i n t he Psycho Ki l l er r el at ed cont ent s of The BED i s cover ed i n t he Psycho Ki l l er r el at ed cont ent s of
J ane' s FI LES: PHOTOCOPI ED pages f r omK. H. P. CASE FI LES, many J ane' s FI LES: PHOTOCOPI ED pages f r omK. H. P. CASE FI LES, many J ane' s FI LES: PHOTOCOPI ED pages f r omK. H. P. CASE FI LES, many J ane' s FI LES: PHOTOCOPI ED pages f r omK. H. P. CASE FI LES, many J ane' s FI LES: PHOTOCOPI ED pages f r omK. H. P. CASE FI LES, many
NEWSPAPER CLI PPI NGS f r omdi f f er ent st at es, and a US ROAD MAP NEWSPAPER CLI PPI NGS f r omdi f f er ent st at es, and a US ROAD MAP NEWSPAPER CLI PPI NGS f r omdi f f er ent st at es, and a US ROAD MAP NEWSPAPER CLI PPI NGS f r omdi f f er ent st at es, and a US ROAD MAP NEWSPAPER CLI PPI NGS f r omdi f f er ent st at es, and a US ROAD MAP
mar ked wi t h DOTS, MEASUREMENTS and NOTATI ONS. mar ked wi t h DOTS, MEASUREMENTS and NOTATI ONS. mar ked wi t h DOTS, MEASUREMENTS and NOTATI ONS. mar ked wi t h DOTS, MEASUREMENTS and NOTATI ONS. mar ked wi t h DOTS, MEASUREMENTS and NOTATI ONS.
CABLE NEWS ANCHOR ( O. S. , V. O. ) CABLE NEWS ANCHOR ( O. S. , V. O. ) CABLE NEWS ANCHOR ( O. S. , V. O. ) CABLE NEWS ANCHOR ( O. S. , V. O. ) CABLE NEWS ANCHOR ( O. S. , V. O. )
. . . di smember ed bodi es di scover ed 100 . . . di smember ed bodi es di scover ed 100 . . . di smember ed bodi es di scover ed 100 . . . di smember ed bodi es di scover ed 100 . . . di smember ed bodi es di scover ed 100
mi l es east of Kansas Ci t y. I n t he mi l es east of Kansas Ci t y. I n t he mi l es east of Kansas Ci t y. I n t he mi l es east of Kansas Ci t y. I n t he mi l es east of Kansas Ci t y. I n t he
t hr ee days si nce t hen, seven peopl e t hr ee days si nce t hen, seven peopl e t hr ee days si nce t hen, seven peopl e t hr ee days si nce t hen, seven peopl e t hr ee days si nce t hen, seven peopl e
have been ki l l ed i n t he st at e of have been ki l l ed i n t he st at e of have been ki l l ed i n t he st at e of have been ki l l ed i n t he st at e of have been ki l l ed i n t he st at e of
I l l i noi s al one. I l l i noi s al one. I l l i noi s al one. I l l i noi s al one. I l l i noi s al one.
J ane i s seat ed i n a CHAI R, f aci ng t he ar r ayed i nf or mat i on, J ane i s seat ed i n a CHAI R, f aci ng t he ar r ayed i nf or mat i on, J ane i s seat ed i n a CHAI R, f aci ng t he ar r ayed i nf or mat i on, J ane i s seat ed i n a CHAI R, f aci ng t he ar r ayed i nf or mat i on, J ane i s seat ed i n a CHAI R, f aci ng t he ar r ayed i nf or mat i on,
usi ng t he bed as a desk. She t ypes on on her l apt op. usi ng t he bed as a desk. She t ypes on on her l apt op. usi ng t he bed as a desk. She t ypes on on her l apt op. usi ng t he bed as a desk. She t ypes on on her l apt op. usi ng t he bed as a desk. She t ypes on on her l apt op.
CABLE NEWS ANCHOR ( V. O. ) CABLE NEWS ANCHOR ( V. O. ) CABLE NEWS ANCHOR ( V. O. ) CABLE NEWS ANCHOR ( V. O. ) CABLE NEWS ANCHOR ( V. O. )
Havi ng el uded t he massi ve man- hunt Havi ng el uded t he massi ve man- hunt Havi ng el uded t he massi ve man- hunt Havi ng el uded t he massi ve man- hunt Havi ng el uded t he massi ve man- hunt
whi ch f ol l owed t he deat h of a Kansas whi ch f ol l owed t he deat h of a Kansas whi ch f ol l owed t he deat h of a Kansas whi ch f ol l owed t he deat h of a Kansas whi ch f ol l owed t he deat h of a Kansas
St at e Tr ooper , i t ' s bel i eved by many St at e Tr ooper , i t ' s bel i eved by many St at e Tr ooper , i t ' s bel i eved by many St at e Tr ooper , i t ' s bel i eved by many St at e Tr ooper , i t ' s bel i eved by many
t hat t he Sl asher i s headi ng nor t h t hat t he Sl asher i s headi ng nor t h t hat t he Sl asher i s headi ng nor t h t hat t he Sl asher i s headi ng nor t h t hat t he Sl asher i s headi ng nor t h
t owar ds t he Canadi an bor der . t owar ds t he Canadi an bor der . t owar ds t he Canadi an bor der . t owar ds t he Canadi an bor der . t owar ds t he Canadi an bor der .
J ane l ooks up at t he TV NEWSCAST. J ane l ooks up at t he TV NEWSCAST. J ane l ooks up at t he TV NEWSCAST. J ane l ooks up at t he TV NEWSCAST. J ane l ooks up at t he TV NEWSCAST.
33. 33. 33. 33. 33.
ON TV: PHOTOS of t he l at est SEVEN VI CTI MS, most l y women, ON TV: PHOTOS of t he l at est SEVEN VI CTI MS, most l y women, ON TV: PHOTOS of t he l at est SEVEN VI CTI MS, most l y women, ON TV: PHOTOS of t he l at est SEVEN VI CTI MS, most l y women, ON TV: PHOTOS of t he l at est SEVEN VI CTI MS, most l y women,
above t he TI TLE: " BODY COUNT: 32, " i n bl ood- mot t l ed f ont . above t he TI TLE: " BODY COUNT: 32, " i n bl ood- mot t l ed f ont . above t he TI TLE: " BODY COUNT: 32, " i n bl ood- mot t l ed f ont . above t he TI TLE: " BODY COUNT: 32, " i n bl ood- mot t l ed f ont . above t he TI TLE: " BODY COUNT: 32, " i n bl ood- mot t l ed f ont .
CABLE NEWS ANCHOR ( V. O. ) CABLE NEWS ANCHOR ( V. O. ) CABLE NEWS ANCHOR ( V. O. ) CABLE NEWS ANCHOR ( V. O. ) CABLE NEWS ANCHOR ( V. O. )
Aut hor i t i es ar e caut i oni ng t hose Aut hor i t i es ar e caut i oni ng t hose Aut hor i t i es ar e caut i oni ng t hose Aut hor i t i es ar e caut i oni ng t hose Aut hor i t i es ar e caut i oni ng t hose
l i vi ng i n t he Nor t her n Mi dwest t hat l i vi ng i n t he Nor t her n Mi dwest t hat l i vi ng i n t he Nor t her n Mi dwest t hat l i vi ng i n t he Nor t her n Mi dwest t hat l i vi ng i n t he Nor t her n Mi dwest t hat
t he Sl asher may have al r eady cr ossed t he Sl asher may have al r eady cr ossed t he Sl asher may have al r eady cr ossed t he Sl asher may have al r eady cr ossed t he Sl asher may have al r eady cr ossed
i nt o Wi sconsi n or Mi chi gan. And i nt o Wi sconsi n or Mi chi gan. And i nt o Wi sconsi n or Mi chi gan. And i nt o Wi sconsi n or Mi chi gan. And i nt o Wi sconsi n or Mi chi gan. And
now. . . her e' s Mi ssy wi t h t he l at est now. . . her e' s Mi ssy wi t h t he l at est now. . . her e' s Mi ssy wi t h t he l at est now. . . her e' s Mi ssy wi t h t he l at est now. . . her e' s Mi ssy wi t h t he l at est
on t he Nat i onal Mega- J ackpot Lot t er y. on t he Nat i onal Mega- J ackpot Lot t er y. on t he Nat i onal Mega- J ackpot Lot t er y. on t he Nat i onal Mega- J ackpot Lot t er y. on t he Nat i onal Mega- J ackpot Lot t er y.
EXT. HIGHWAY -- MORNING EXT. HIGHWAY -- MORNING EXT. HIGHWAY -- MORNING EXT. HIGHWAY -- MORNING EXT. HIGHWAY -- MORNING
J ane' s t r uck j our neys on, past t he maj est i c ST. LOUI S ARCH. J ane' s t r uck j our neys on, past t he maj est i c ST. LOUI S ARCH. J ane' s t r uck j our neys on, past t he maj est i c ST. LOUI S ARCH. J ane' s t r uck j our neys on, past t he maj est i c ST. LOUI S ARCH. J ane' s t r uck j our neys on, past t he maj est i c ST. LOUI S ARCH.
EXT. F.B.I., SPRINGFIELD OFFICE -- DAY EXT. F.B.I., SPRINGFIELD OFFICE -- DAY EXT. F.B.I., SPRINGFIELD OFFICE -- DAY EXT. F.B.I., SPRINGFIELD OFFICE -- DAY EXT. F.B.I., SPRINGFIELD OFFICE -- DAY
J ane dr i ves i nt o a PARKI NG LOT, passi ng a SI GN f or t he J ane dr i ves i nt o a PARKI NG LOT, passi ng a SI GN f or t he J ane dr i ves i nt o a PARKI NG LOT, passi ng a SI GN f or t he J ane dr i ves i nt o a PARKI NG LOT, passi ng a SI GN f or t he J ane dr i ves i nt o a PARKI NG LOT, passi ng a SI GN f or t he
" Feder al Bur eau of I nvest i gat i on; Spr i ngf i el d, I l l i noi s. " " Feder al Bur eau of I nvest i gat i on; Spr i ngf i el d, I l l i noi s. " " Feder al Bur eau of I nvest i gat i on; Spr i ngf i el d, I l l i noi s. " " Feder al Bur eau of I nvest i gat i on; Spr i ngf i el d, I l l i noi s. " " Feder al Bur eau of I nvest i gat i on; Spr i ngf i el d, I l l i noi s. "
An i nnocuous, 4- st or y OFFI CE BUI LDI NG l i es ahead. An i nnocuous, 4- st or y OFFI CE BUI LDI NG l i es ahead. An i nnocuous, 4- st or y OFFI CE BUI LDI NG l i es ahead. An i nnocuous, 4- st or y OFFI CE BUI LDI NG l i es ahead. An i nnocuous, 4- st or y OFFI CE BUI LDI NG l i es ahead.
INT. F.B.I. BUILDING, 4TH FLOOR HALLWAY -- DAY INT. F.B.I. BUILDING, 4TH FLOOR HALLWAY -- DAY INT. F.B.I. BUILDING, 4TH FLOOR HALLWAY -- DAY INT. F.B.I. BUILDING, 4TH FLOOR HALLWAY -- DAY INT. F.B.I. BUILDING, 4TH FLOOR HALLWAY -- DAY
FBI AGENT RAMI REZ, so cool , handsome and wel l - dr essed t hat FBI AGENT RAMI REZ, so cool , handsome and wel l - dr essed t hat FBI AGENT RAMI REZ, so cool , handsome and wel l - dr essed t hat FBI AGENT RAMI REZ, so cool , handsome and wel l - dr essed t hat FBI AGENT RAMI REZ, so cool , handsome and wel l - dr essed t hat
he' d st ar i n some ot her ver si on of t hi s st or y, exi t s hi s he' d st ar i n some ot her ver si on of t hi s st or y, exi t s hi s he' d st ar i n some ot her ver si on of t hi s st or y, exi t s hi s he' d st ar i n some ot her ver si on of t hi s st or y, exi t s hi s he' d st ar i n some ot her ver si on of t hi s st or y, exi t s hi s
of f i ce. THREE SUBORDI NATE AGENTS t r ai l . of f i ce. THREE SUBORDI NATE AGENTS t r ai l . of f i ce. THREE SUBORDI NATE AGENTS t r ai l . of f i ce. THREE SUBORDI NATE AGENTS t r ai l . of f i ce. THREE SUBORDI NATE AGENTS t r ai l .
RAMI REZ RAMI REZ RAMI REZ RAMI REZ RAMI REZ
. . . l et Chi cago know. So l ong as . . . l et Chi cago know. So l ong as . . . l et Chi cago know. So l ong as . . . l et Chi cago know. So l ong as . . . l et Chi cago know. So l ong as
t hey' r e kept i n t he l oop, maybe t hey' r e kept i n t he l oop, maybe t hey' r e kept i n t he l oop, maybe t hey' r e kept i n t he l oop, maybe t hey' r e kept i n t he l oop, maybe
t hey' l l st ay out of our hai r . t hey' l l st ay out of our hai r . t hey' l l st ay out of our hai r . t hey' l l st ay out of our hai r . t hey' l l st ay out of our hai r .
Rami r ez l eads t he way, wal ki ng as f ast as he' s t al ki ng. Rami r ez l eads t he way, wal ki ng as f ast as he' s t al ki ng. Rami r ez l eads t he way, wal ki ng as f ast as he' s t al ki ng. Rami r ez l eads t he way, wal ki ng as f ast as he' s t al ki ng. Rami r ez l eads t he way, wal ki ng as f ast as he' s t al ki ng.
J ane comes hur r yi ng f r omdown t he hal l way t o cat ch t hem. J ane comes hur r yi ng f r omdown t he hal l way t o cat ch t hem. J ane comes hur r yi ng f r omdown t he hal l way t o cat ch t hem. J ane comes hur r yi ng f r omdown t he hal l way t o cat ch t hem. J ane comes hur r yi ng f r omdown t he hal l way t o cat ch t hem.
D. C. get s CC' d on ever yt hi ng, t hose D. C. get s CC' d on ever yt hi ng, t hose D. C. get s CC' d on ever yt hi ng, t hose D. C. get s CC' d on ever yt hi ng, t hose D. C. get s CC' d on ever yt hi ng, t hose
S. O. B. ' s. Ri ght now, I need t wo, S. O. B. ' s. Ri ght now, I need t wo, S. O. B. ' s. Ri ght now, I need t wo, S. O. B. ' s. Ri ght now, I need t wo, S. O. B. ' s. Ri ght now, I need t wo,
equal l y i mpor t ant t hi ngs br ought t o equal l y i mpor t ant t hi ngs br ought t o equal l y i mpor t ant t hi ngs br ought t o equal l y i mpor t ant t hi ngs br ought t o equal l y i mpor t ant t hi ngs br ought t o
me i n t he next 15 mi nut es. . . me i n t he next 15 mi nut es. . . me i n t he next 15 mi nut es. . . me i n t he next 15 mi nut es. . . me i n t he next 15 mi nut es. . .
( hol ds up LEFT hand) ( hol ds up LEFT hand) ( hol ds up LEFT hand) ( hol ds up LEFT hand) ( hol ds up LEFT hand)
The ent i r e f or ensi cs wor k- up on t he The ent i r e f or ensi cs wor k- up on t he The ent i r e f or ensi cs wor k- up on t he The ent i r e f or ensi cs wor k- up on t he The ent i r e f or ensi cs wor k- up on t he
Sl asher . . . Sl asher . . . Sl asher . . . Sl asher . . . Sl asher . . .
( hol ds up RI GHT hand) ( hol ds up RI GHT hand) ( hol ds up RI GHT hand) ( hol ds up RI GHT hand) ( hol ds up RI GHT hand)
And a chi cken sal ad sandwi ch. And a chi cken sal ad sandwi ch. And a chi cken sal ad sandwi ch. And a chi cken sal ad sandwi ch. And a chi cken sal ad sandwi ch.
Um, excuse me, Agent Rami r ez. . . ? Um, excuse me, Agent Rami r ez. . . ? Um, excuse me, Agent Rami r ez. . . ? Um, excuse me, Agent Rami r ez. . . ? Um, excuse me, Agent Rami r ez. . . ?
Rami r ez and subor di nat es st op, wai t i ng f or J ane. Rami r ez and subor di nat es st op, wai t i ng f or J ane. Rami r ez and subor di nat es st op, wai t i ng f or J ane. Rami r ez and subor di nat es st op, wai t i ng f or J ane. Rami r ez and subor di nat es st op, wai t i ng f or J ane.
Sor r y. . . I ' ve been l ooki ng f or you. Sor r y. . . I ' ve been l ooki ng f or you. Sor r y. . . I ' ve been l ooki ng f or you. Sor r y. . . I ' ve been l ooki ng f or you. Sor r y. . . I ' ve been l ooki ng f or you.
34. 34. 34. 34. 34.
And you ar e? And you ar e? And you ar e? And you ar e? And you ar e?
Of f i cer J ane Thor ne, of t he Kansas Of f i cer J ane Thor ne, of t he Kansas Of f i cer J ane Thor ne, of t he Kansas Of f i cer J ane Thor ne, of t he Kansas Of f i cer J ane Thor ne, of t he Kansas
St at e Pol i ce. I ' mt ol d you' r e St at e Pol i ce. I ' mt ol d you' r e St at e Pol i ce. I ' mt ol d you' r e St at e Pol i ce. I ' mt ol d you' r e St at e Pol i ce. I ' mt ol d you' r e
headi ng up t he Sl asher i nvest i gat i on. headi ng up t he Sl asher i nvest i gat i on. headi ng up t he Sl asher i nvest i gat i on. headi ng up t he Sl asher i nvest i gat i on. headi ng up t he Sl asher i nvest i gat i on.
As J ane t akes out her BADGE and shows i t . . . As J ane t akes out her BADGE and shows i t . . . As J ane t akes out her BADGE and shows i t . . . As J ane t akes out her BADGE and shows i t . . . As J ane t akes out her BADGE and shows i t . . .
May I . . . ? May I . . . ? May I . . . ? May I . . . ? May I . . . ?
Rami r ez t akes t he badge, bemused, hol ds i t f or hi s f el l ow Rami r ez t akes t he badge, bemused, hol ds i t f or hi s f el l ow Rami r ez t akes t he badge, bemused, hol ds i t f or hi s f el l ow Rami r ez t akes t he badge, bemused, hol ds i t f or hi s f el l ow Rami r ez t akes t he badge, bemused, hol ds i t f or hi s f el l ow
agent s t o al so exami ne bef or e handi ng i t back t o J ane. agent s t o al so exami ne bef or e handi ng i t back t o J ane. agent s t o al so exami ne bef or e handi ng i t back t o J ane. agent s t o al so exami ne bef or e handi ng i t back t o J ane. agent s t o al so exami ne bef or e handi ng i t back t o J ane.
I f you don' t mi nd, I ' d l i ke t o l ook I f you don' t mi nd, I ' d l i ke t o l ook I f you don' t mi nd, I ' d l i ke t o l ook I f you don' t mi nd, I ' d l i ke t o l ook I f you don' t mi nd, I ' d l i ke t o l ook
over your shoul der f or a day or t wo. over your shoul der f or a day or t wo. over your shoul der f or a day or t wo. over your shoul der f or a day or t wo. over your shoul der f or a day or t wo.
I r eal i ze i t ' s an unusual r equest . . . I r eal i ze i t ' s an unusual r equest . . . I r eal i ze i t ' s an unusual r equest . . . I r eal i ze i t ' s an unusual r equest . . . I r eal i ze i t ' s an unusual r equest . . .
Ar e you j oki ng? Ar e you j oki ng? Ar e you j oki ng? Ar e you j oki ng? Ar e you j oki ng?
Uh. . . no. I ' mpr et t y ser i ous, Uh. . . no. I ' mpr et t y ser i ous, Uh. . . no. I ' mpr et t y ser i ous, Uh. . . no. I ' mpr et t y ser i ous, Uh. . . no. I ' mpr et t y ser i ous,
act ual l y. act ual l y. act ual l y. act ual l y. act ual l y.
Wel l , I ' msor r y, ma' am, but we' ve got Wel l , I ' msor r y, ma' am, but we' ve got Wel l , I ' msor r y, ma' am, but we' ve got Wel l , I ' msor r y, ma' am, but we' ve got Wel l , I ' msor r y, ma' am, but we' ve got
our hands f ul l at t he moment , and I our hands f ul l at t he moment , and I our hands f ul l at t he moment , and I our hands f ul l at t he moment , and I our hands f ul l at t he moment , and I
sur el y don' t have t i me f or t hi s. sur el y don' t have t i me f or t hi s. sur el y don' t have t i me f or t hi s. sur el y don' t have t i me f or t hi s. sur el y don' t have t i me f or t hi s.
Rami r ez wal ks on, f el l ow agent s f ol l owi ng. Rami r ez wal ks on, f el l ow agent s f ol l owi ng. Rami r ez wal ks on, f el l ow agent s f ol l owi ng. Rami r ez wal ks on, f el l ow agent s f ol l owi ng. Rami r ez wal ks on, f el l ow agent s f ol l owi ng.
Maybe you hear d about t he pat r ol man Maybe you hear d about t he pat r ol man Maybe you hear d about t he pat r ol man Maybe you hear d about t he pat r ol man Maybe you hear d about t he pat r ol man
who was ki l l ed i n Col by, Kansas? who was ki l l ed i n Col by, Kansas? who was ki l l ed i n Col by, Kansas? who was ki l l ed i n Col by, Kansas? who was ki l l ed i n Col by, Kansas?
Rami r ez st ops. Rami r ez st ops. Rami r ez st ops. Rami r ez st ops. Rami r ez st ops.
He was my husband. I was t her e. . . He was my husband. I was t her e. . . He was my husband. I was t her e. . . He was my husband. I was t her e. . . He was my husband. I was t her e. . .
was wi t h hi mwhen. . . was wi t h hi mwhen. . . was wi t h hi mwhen. . . was wi t h hi mwhen. . . was wi t h hi mwhen. . .
( f al t er s, hol ds up FI LES) ( f al t er s, hol ds up FI LES) ( f al t er s, hol ds up FI LES) ( f al t er s, hol ds up FI LES) ( f al t er s, hol ds up FI LES)
I s i t so much t o ask. . . ? Hel p me I s i t so much t o ask. . . ? Hel p me I s i t so much t o ask. . . ? Hel p me I s i t so much t o ask. . . ? Hel p me I s i t so much t o ask. . . ? Hel p me
f i l l i n t he bl anks. f i l l i n t he bl anks. f i l l i n t he bl anks. f i l l i n t he bl anks. f i l l i n t he bl anks.
I f eel f or you. We al l her e. . . we' r e I f eel f or you. We al l her e. . . we' r e I f eel f or you. We al l her e. . . we' r e I f eel f or you. We al l her e. . . we' r e I f eel f or you. We al l her e. . . we' r e
sor r y f or your l oss. . . t he K. H. P. ' s sor r y f or your l oss. . . t he K. H. P. ' s sor r y f or your l oss. . . t he K. H. P. ' s sor r y f or your l oss. . . t he K. H. P. ' s sor r y f or your l oss. . . t he K. H. P. ' s
l oss. But wi t h due r espect , I don' t l oss. But wi t h due r espect , I don' t l oss. But wi t h due r espect , I don' t l oss. But wi t h due r espect , I don' t l oss. But wi t h due r espect , I don' t
appr eci at ed havi ng my ar mt wi st ed. appr eci at ed havi ng my ar mt wi st ed. appr eci at ed havi ng my ar mt wi st ed. appr eci at ed havi ng my ar mt wi st ed. appr eci at ed havi ng my ar mt wi st ed.
I ' mr equest i ng some assi st ance. I ' mr equest i ng some assi st ance. I ' mr equest i ng some assi st ance. I ' mr equest i ng some assi st ance. I ' mr equest i ng some assi st ance.
35. 35. 35. 35. 35.
I f you' ve got not hi ng t o of f er , a I f you' ve got not hi ng t o of f er , a I f you' ve got not hi ng t o of f er , a I f you' ve got not hi ng t o of f er , a I f you' ve got not hi ng t o of f er , a
si mpl e " f uck of f " wi l l do, Agent si mpl e " f uck of f " wi l l do, Agent si mpl e " f uck of f " wi l l do, Agent si mpl e " f uck of f " wi l l do, Agent si mpl e " f uck of f " wi l l do, Agent
Rami r ez. Save your " ma' am' s" f or Rami r ez. Save your " ma' am' s" f or Rami r ez. Save your " ma' am' s" f or Rami r ez. Save your " ma' am' s" f or Rami r ez. Save your " ma' am' s" f or
your mot her and your wi f e. your mot her and your wi f e. your mot her and your wi f e. your mot her and your wi f e. your mot her and your wi f e.
What ar e you even l ooki ng f or , What ar e you even l ooki ng f or , What ar e you even l ooki ng f or , What ar e you even l ooki ng f or , What ar e you even l ooki ng f or ,
Tr ooper ? Thi nki ng you' r e gonna show Tr ooper ? Thi nki ng you' r e gonna show Tr ooper ? Thi nki ng you' r e gonna show Tr ooper ? Thi nki ng you' r e gonna show Tr ooper ? Thi nki ng you' r e gonna show
up and J ohn- Wayne t he whol e si t uat i on up and J ohn- Wayne t he whol e si t uat i on up and J ohn- Wayne t he whol e si t uat i on up and J ohn- Wayne t he whol e si t uat i on up and J ohn- Wayne t he whol e si t uat i on
f or us, i s t hat i t ? f or us, i s t hat i t ? f or us, i s t hat i t ? f or us, i s t hat i t ? f or us, i s t hat i t ?
I ' ve got as much r i ght r unni ng t hi s I ' ve got as much r i ght r unni ng t hi s I ' ve got as much r i ght r unni ng t hi s I ' ve got as much r i ght r unni ng t hi s I ' ve got as much r i ght r unni ng t hi s
down as anybody. Mor e, act ual l y. down as anybody. Mor e, act ual l y. down as anybody. Mor e, act ual l y. down as anybody. Mor e, act ual l y. down as anybody. Mor e, act ual l y.
Thi nk so? The way I see i t , ar ound Thi nk so? The way I see i t , ar ound Thi nk so? The way I see i t , ar ound Thi nk so? The way I see i t , ar ound Thi nk so? The way I see i t , ar ound
her e t hat badge of your s mi ght as her e t hat badge of your s mi ght as her e t hat badge of your s mi ght as her e t hat badge of your s mi ght as her e t hat badge of your s mi ght as
wel l be gol d spr ay- pai nt ed car dboar d. wel l be gol d spr ay- pai nt ed car dboar d. wel l be gol d spr ay- pai nt ed car dboar d. wel l be gol d spr ay- pai nt ed car dboar d. wel l be gol d spr ay- pai nt ed car dboar d.
So t ake a ni ckl e' s wor t h of f r ee So t ake a ni ckl e' s wor t h of f r ee So t ake a ni ckl e' s wor t h of f r ee So t ake a ni ckl e' s wor t h of f r ee So t ake a ni ckl e' s wor t h of f r ee
advi ce. . . go home. advi ce. . . go home. advi ce. . . go home. advi ce. . . go home. advi ce. . . go home.
Rami r ez wal ks away. As he passes hi s subor di nat es. . . Rami r ez wal ks away. As he passes hi s subor di nat es. . . Rami r ez wal ks away. As he passes hi s subor di nat es. . . Rami r ez wal ks away. As he passes hi s subor di nat es. . . Rami r ez wal ks away. As he passes hi s subor di nat es. . .
One, a bl ack, f emal e agent ; AGENT BECKY COLLI NS, br i ef l y One, a bl ack, f emal e agent ; AGENT BECKY COLLI NS, br i ef l y One, a bl ack, f emal e agent ; AGENT BECKY COLLI NS, br i ef l y One, a bl ack, f emal e agent ; AGENT BECKY COLLI NS, br i ef l y One, a bl ack, f emal e agent ; AGENT BECKY COLLI NS, br i ef l y
meet s J ane' s gaze bef or e f ol l owi ng Rami r ez. meet s J ane' s gaze bef or e f ol l owi ng Rami r ez. meet s J ane' s gaze bef or e f ol l owi ng Rami r ez. meet s J ane' s gaze bef or e f ol l owi ng Rami r ez. meet s J ane' s gaze bef or e f ol l owi ng Rami r ez.
J ane i s l ef t cl ut chi ng her f i l es, pi ssed. J ane i s l ef t cl ut chi ng her f i l es, pi ssed. J ane i s l ef t cl ut chi ng her f i l es, pi ssed. J ane i s l ef t cl ut chi ng her f i l es, pi ssed. J ane i s l ef t cl ut chi ng her f i l es, pi ssed.
INT. CHAIN RESTAURANT -- LATE DAY INT. CHAIN RESTAURANT -- LATE DAY INT. CHAIN RESTAURANT -- LATE DAY INT. CHAIN RESTAURANT -- LATE DAY INT. CHAIN RESTAURANT -- LATE DAY
I n a busy r est aur ant bedecked wal l - t o- wal l i n ki t schy I n a busy r est aur ant bedecked wal l - t o- wal l i n ki t schy I n a busy r est aur ant bedecked wal l - t o- wal l i n ki t schy I n a busy r est aur ant bedecked wal l - t o- wal l i n ki t schy I n a busy r est aur ant bedecked wal l - t o- wal l i n ki t schy
Amer i cana, J ane' s seat ed i n a BOOTH. She' s got her nose i n Amer i cana, J ane' s seat ed i n a BOOTH. She' s got her nose i n Amer i cana, J ane' s seat ed i n a BOOTH. She' s got her nose i n Amer i cana, J ane' s seat ed i n a BOOTH. She' s got her nose i n Amer i cana, J ane' s seat ed i n a BOOTH. She' s got her nose i n
her l apt op as usual , poki ng her MEAL wi t h a f or k. her l apt op as usual , poki ng her MEAL wi t h a f or k. her l apt op as usual , poki ng her MEAL wi t h a f or k. her l apt op as usual , poki ng her MEAL wi t h a f or k. her l apt op as usual , poki ng her MEAL wi t h a f or k.
J ane pushes t he l apt op asi de, l ooki ng unhappi l y over her J ane pushes t he l apt op asi de, l ooki ng unhappi l y over her J ane pushes t he l apt op asi de, l ooki ng unhappi l y over her J ane pushes t he l apt op asi de, l ooki ng unhappi l y over her J ane pushes t he l apt op asi de, l ooki ng unhappi l y over her
bar el y t ouched f ood. She shoves i t away as wel l . She' s bar el y t ouched f ood. She shoves i t away as wel l . She' s bar el y t ouched f ood. She shoves i t away as wel l . She' s bar el y t ouched f ood. She shoves i t away as wel l . She' s bar el y t ouched f ood. She shoves i t away as wel l . She' s
sweat y, dr i nks I CED TEA. She put s her head back, eyes shut . sweat y, dr i nks I CED TEA. She put s her head back, eyes shut . sweat y, dr i nks I CED TEA. She put s her head back, eyes shut . sweat y, dr i nks I CED TEA. She put s her head back, eyes shut . sweat y, dr i nks I CED TEA. She put s her head back, eyes shut .
INT. RESTAURANT, WOMEN'S ROOM -- MOMENTS LATER INT. RESTAURANT, WOMEN'S ROOM -- MOMENTS LATER INT. RESTAURANT, WOMEN'S ROOM -- MOMENTS LATER INT. RESTAURANT, WOMEN'S ROOM -- MOMENTS LATER INT. RESTAURANT, WOMEN'S ROOM -- MOMENTS LATER
At t he SI NK, J ane spl ashes col d wat er on her f ace. She At t he SI NK, J ane spl ashes col d wat er on her f ace. She At t he SI NK, J ane spl ashes col d wat er on her f ace. She At t he SI NK, J ane spl ashes col d wat er on her f ace. She At t he SI NK, J ane spl ashes col d wat er on her f ace. She
t akes TOWELS f r omt he di spenser , wi pes her f ace. She t akes TOWELS f r omt he di spenser , wi pes her f ace. She t akes TOWELS f r omt he di spenser , wi pes her f ace. She t akes TOWELS f r omt he di spenser , wi pes her f ace. She t akes TOWELS f r omt he di spenser , wi pes her f ace. She
st udi es her sel f i n t he MI RROR. She' s pal e. Wor r i ed. st udi es her sel f i n t he MI RROR. She' s pal e. Wor r i ed. st udi es her sel f i n t he MI RROR. She' s pal e. Wor r i ed. st udi es her sel f i n t he MI RROR. She' s pal e. Wor r i ed. st udi es her sel f i n t he MI RROR. She' s pal e. Wor r i ed.
INT. MOTEL ROOM - NIGHT INT. MOTEL ROOM - NIGHT INT. MOTEL ROOM - NIGHT INT. MOTEL ROOM - NIGHT INT. MOTEL ROOM - NIGHT
Si l ence. CURTAI NS CLOSED. J ane' s seat ed on t he made BED, Si l ence. CURTAI NS CLOSED. J ane' s seat ed on t he made BED, Si l ence. CURTAI NS CLOSED. J ane' s seat ed on t he made BED, Si l ence. CURTAI NS CLOSED. J ane' s seat ed on t he made BED, Si l ence. CURTAI NS CLOSED. J ane' s seat ed on t he made BED,
st ar i ng f or t he l ongest t i me at t he r oom' s bad WALLPAPER. st ar i ng f or t he l ongest t i me at t he r oom' s bad WALLPAPER. st ar i ng f or t he l ongest t i me at t he r oom' s bad WALLPAPER. st ar i ng f or t he l ongest t i me at t he r oom' s bad WALLPAPER. st ar i ng f or t he l ongest t i me at t he r oom' s bad WALLPAPER.
36. 36. 36. 36. 36.
Ther e' s a st i ck- t ype PREGNANCY TEST on t he edge of t he si nk. Ther e' s a st i ck- t ype PREGNANCY TEST on t he edge of t he si nk. Ther e' s a st i ck- t ype PREGNANCY TEST on t he edge of t he si nk. Ther e' s a st i ck- t ype PREGNANCY TEST on t he edge of t he si nk. Ther e' s a st i ck- t ype PREGNANCY TEST on t he edge of t he si nk.
J ane ent er s, pi cks t he t est up, l ooks at i t . J ane ent er s, pi cks t he t est up, l ooks at i t . J ane ent er s, pi cks t he t est up, l ooks at i t . J ane ent er s, pi cks t he t est up, l ooks at i t . J ane ent er s, pi cks t he t est up, l ooks at i t .
She' s di st r essed by t he r esul t , sl owl y t akes a seat on t he She' s di st r essed by t he r esul t , sl owl y t akes a seat on t he She' s di st r essed by t he r esul t , sl owl y t akes a seat on t he She' s di st r essed by t he r esul t , sl owl y t akes a seat on t he She' s di st r essed by t he r esul t , sl owl y t akes a seat on t he
bat ht ub' s edge. She' s t r yi ng t o accept what she' s l ear ned, bat ht ub' s edge. She' s t r yi ng t o accept what she' s l ear ned, bat ht ub' s edge. She' s t r yi ng t o accept what she' s l ear ned, bat ht ub' s edge. She' s t r yi ng t o accept what she' s l ear ned, bat ht ub' s edge. She' s t r yi ng t o accept what she' s l ear ned,
l ooks at t he t est - st i ck agai n, pl aces i t back on t he si nk. l ooks at t he t est - st i ck agai n, pl aces i t back on t he si nk. l ooks at t he t est - st i ck agai n, pl aces i t back on t he si nk. l ooks at t he t est - st i ck agai n, pl aces i t back on t he si nk. l ooks at t he t est - st i ck agai n, pl aces i t back on t he si nk.
J ane bends f or war d, hol di ng her head i n her hands. J ane bends f or war d, hol di ng her head i n her hands. J ane bends f or war d, hol di ng her head i n her hands. J ane bends f or war d, hol di ng her head i n her hands. J ane bends f or war d, hol di ng her head i n her hands.
Her CELL PHONE st ar t s RI NGI NG O. S. Her CELL PHONE st ar t s RI NGI NG O. S. Her CELL PHONE st ar t s RI NGI NG O. S. Her CELL PHONE st ar t s RI NGI NG O. S. Her CELL PHONE st ar t s RI NGI NG O. S.
IN THE MOTEL BEDROOM IN THE MOTEL BEDROOM IN THE MOTEL BEDROOM IN THE MOTEL BEDROOM IN THE MOTEL BEDROOM
J ane comes t o t he bat hr oomdoor way, st eadyi ng her sel f . J ane comes t o t he bat hr oomdoor way, st eadyi ng her sel f . J ane comes t o t he bat hr oomdoor way, st eadyi ng her sel f . J ane comes t o t he bat hr oomdoor way, st eadyi ng her sel f . J ane comes t o t he bat hr oomdoor way, st eadyi ng her sel f .
She cr osses t o pi ck up t he RI NGI NG cel l phone. She cr osses t o pi ck up t he RI NGI NG cel l phone. She cr osses t o pi ck up t he RI NGI NG cel l phone. She cr osses t o pi ck up t he RI NGI NG cel l phone. She cr osses t o pi ck up t he RI NGI NG cel l phone.
Hel l o? Hel l o? Hel l o? Hel l o? Hel l o?
WOMAN' S VOI CE ( V. O. ) WOMAN' S VOI CE ( V. O. ) WOMAN' S VOI CE ( V. O. ) WOMAN' S VOI CE ( V. O. ) WOMAN' S VOI CE ( V. O. )
( f r omCELL PHONE) ( f r omCELL PHONE) ( f r omCELL PHONE) ( f r omCELL PHONE) ( f r omCELL PHONE)
Yeah, hel l o. I s t hi s Tr ooper Thor ne? Yeah, hel l o. I s t hi s Tr ooper Thor ne? Yeah, hel l o. I s t hi s Tr ooper Thor ne? Yeah, hel l o. I s t hi s Tr ooper Thor ne? Yeah, hel l o. I s t hi s Tr ooper Thor ne?
J ane Thor ne? J ane Thor ne? J ane Thor ne? J ane Thor ne? J ane Thor ne?
Who' s t hi s? Who' s t hi s? Who' s t hi s? Who' s t hi s? Who' s t hi s?
INT. JANE'S MOTEL ROOM -- LATER NIGHT INT. JANE'S MOTEL ROOM -- LATER NIGHT INT. JANE'S MOTEL ROOM -- LATER NIGHT INT. JANE'S MOTEL ROOM -- LATER NIGHT INT. JANE'S MOTEL ROOM -- LATER NIGHT
Someone' s KNOCKI NG. J ane opens t he door . Someone' s KNOCKI NG. J ane opens t he door . Someone' s KNOCKI NG. J ane opens t he door . Someone' s KNOCKI NG. J ane opens t he door . Someone' s KNOCKI NG. J ane opens t he door .
Agent Col l i ns st ands hol di ng a LAPTOP BAG and BRI EFCASE. Agent Col l i ns st ands hol di ng a LAPTOP BAG and BRI EFCASE. Agent Col l i ns st ands hol di ng a LAPTOP BAG and BRI EFCASE. Agent Col l i ns st ands hol di ng a LAPTOP BAG and BRI EFCASE. Agent Col l i ns st ands hol di ng a LAPTOP BAG and BRI EFCASE.
AGENT COLLI NS AGENT COLLI NS AGENT COLLI NS AGENT COLLI NS AGENT COLLI NS
Hey. Agent Becky Col l i ns. Hey. Agent Becky Col l i ns. Hey. Agent Becky Col l i ns. Hey. Agent Becky Col l i ns. Hey. Agent Becky Col l i ns.
Pl ease, come i n. . . Pl ease, come i n. . . Pl ease, come i n. . . Pl ease, come i n. . . Pl ease, come i n. . .
IN THE MOTEL ROOM -- MOMENTS LATER IN THE MOTEL ROOM -- MOMENTS LATER IN THE MOTEL ROOM -- MOMENTS LATER IN THE MOTEL ROOM -- MOMENTS LATER IN THE MOTEL ROOM -- MOMENTS LATER
Becky and J ane si t si de by si de, shar i ng t he smal l WRI TI NG Becky and J ane si t si de by si de, shar i ng t he smal l WRI TI NG Becky and J ane si t si de by si de, shar i ng t he smal l WRI TI NG Becky and J ane si t si de by si de, shar i ng t he smal l WRI TI NG Becky and J ane si t si de by si de, shar i ng t he smal l WRI TI NG
DESK. J ane has her f i l es. Col l i ns i s on her LAPTOP, f i r i ng DESK. J ane has her f i l es. Col l i ns i s on her LAPTOP, f i r i ng DESK. J ane has her f i l es. Col l i ns i s on her LAPTOP, f i r i ng DESK. J ane has her f i l es. Col l i ns i s on her LAPTOP, f i r i ng DESK. J ane has her f i l es. Col l i ns i s on her LAPTOP, f i r i ng
up GOOGLE EARTH. . . ZOOMI NG i n on t he Sout hwest er n U. S. up GOOGLE EARTH. . . ZOOMI NG i n on t he Sout hwest er n U. S. up GOOGLE EARTH. . . ZOOMI NG i n on t he Sout hwest er n U. S. up GOOGLE EARTH. . . ZOOMI NG i n on t he Sout hwest er n U. S. up GOOGLE EARTH. . . ZOOMI NG i n on t he Sout hwest er n U. S.
I ' d of f er you somet hi ng, but al l I I ' d of f er you somet hi ng, but al l I I ' d of f er you somet hi ng, but al l I I ' d of f er you somet hi ng, but al l I I ' d of f er you somet hi ng, but al l I
have i s a bucket of hal f - mel t ed i ce. have i s a bucket of hal f - mel t ed i ce. have i s a bucket of hal f - mel t ed i ce. have i s a bucket of hal f - mel t ed i ce. have i s a bucket of hal f - mel t ed i ce.
37. 37. 37. 37. 37.
( t ypi ng on LAPTOP) ( t ypi ng on LAPTOP) ( t ypi ng on LAPTOP) ( t ypi ng on LAPTOP) ( t ypi ng on LAPTOP)
Yeah, you def i ni t el y owe me a dr i nk, Yeah, you def i ni t el y owe me a dr i nk, Yeah, you def i ni t el y owe me a dr i nk, Yeah, you def i ni t el y owe me a dr i nk, Yeah, you def i ni t el y owe me a dr i nk,
because I f Rami r ez knew I was wal ki ng because I f Rami r ez knew I was wal ki ng because I f Rami r ez knew I was wal ki ng because I f Rami r ez knew I was wal ki ng because I f Rami r ez knew I was wal ki ng
you t hr ough t hi s. . . wel l . . . you t hr ough t hi s. . . wel l . . . you t hr ough t hi s. . . wel l . . . you t hr ough t hi s. . . wel l . . . you t hr ough t hi s. . . wel l . . .
( t r ai l s of f , pause) ( t r ai l s of f , pause) ( t r ai l s of f , pause) ( t r ai l s of f , pause) ( t r ai l s of f , pause)
Scr ew i t . Scr ew i t . Scr ew i t . Scr ew i t . Scr ew i t .
ON THE LAPTOP: GOOGLE EARTH ZOOMS i n on Sout her n Cal i f or ni a. ON THE LAPTOP: GOOGLE EARTH ZOOMS i n on Sout her n Cal i f or ni a. ON THE LAPTOP: GOOGLE EARTH ZOOMS i n on Sout her n Cal i f or ni a. ON THE LAPTOP: GOOGLE EARTH ZOOMS i n on Sout her n Cal i f or ni a. ON THE LAPTOP: GOOGLE EARTH ZOOMS i n on Sout her n Cal i f or ni a.
As we know. . . t he f i r st ki l l i ngs As we know. . . t he f i r st ki l l i ngs As we know. . . t he f i r st ki l l i ngs As we know. . . t he f i r st ki l l i ngs As we know. . . t he f i r st ki l l i ngs
wer e 16 days ago. Zabr i ski e Poi nt , wer e 16 days ago. Zabr i ski e Poi nt , wer e 16 days ago. Zabr i ski e Poi nt , wer e 16 days ago. Zabr i ski e Poi nt , wer e 16 days ago. Zabr i ski e Poi nt ,
Cal i f or ni a. Mot her and daught er . He Cal i f or ni a. Mot her and daught er . He Cal i f or ni a. Mot her and daught er . He Cal i f or ni a. Mot her and daught er . He Cal i f or ni a. Mot her and daught er . He
t ook t hei r car . Hi s f i r st vehi cl e. t ook t hei r car . Hi s f i r st vehi cl e. t ook t hei r car . Hi s f i r st vehi cl e. t ook t hei r car . Hi s f i r st vehi cl e. t ook t hei r car . Hi s f i r st vehi cl e.
ON THE LAPTOP: t he FI RST MURDER SI TE i s mar ked by a RED DOT ON THE LAPTOP: t he FI RST MURDER SI TE i s mar ked by a RED DOT ON THE LAPTOP: t he FI RST MURDER SI TE i s mar ked by a RED DOT ON THE LAPTOP: t he FI RST MURDER SI TE i s mar ked by a RED DOT ON THE LAPTOP: t he FI RST MURDER SI TE i s mar ked by a RED DOT
i n a r at her mount ai nous DESERT near t he CA/ NV bor der . i n a r at her mount ai nous DESERT near t he CA/ NV bor der . i n a r at her mount ai nous DESERT near t he CA/ NV bor der . i n a r at her mount ai nous DESERT near t he CA/ NV bor der . i n a r at her mount ai nous DESERT near t he CA/ NV bor der .
Col l i ns br i ngs up BLACK AND WHI TE, CRI ME SCENE PHOTOS. Col l i ns br i ngs up BLACK AND WHI TE, CRI ME SCENE PHOTOS. Col l i ns br i ngs up BLACK AND WHI TE, CRI ME SCENE PHOTOS. Col l i ns br i ngs up BLACK AND WHI TE, CRI ME SCENE PHOTOS. Col l i ns br i ngs up BLACK AND WHI TE, CRI ME SCENE PHOTOS.
He headed sout heast t o Deat h Val l ey He headed sout heast t o Deat h Val l ey He headed sout heast t o Deat h Val l ey He headed sout heast t o Deat h Val l ey He headed sout heast t o Deat h Val l ey
J unct i on. . . a t i ny pl ace. J unct i on. . . a t i ny pl ace. J unct i on. . . a t i ny pl ace. J unct i on. . . a t i ny pl ace. J unct i on. . . a t i ny pl ace.
Di smember ed a shopkeeper t her e. Di smember ed a shopkeeper t her e. Di smember ed a shopkeeper t her e. Di smember ed a shopkeeper t her e. Di smember ed a shopkeeper t her e.
ON THE LAPTOP: PHOTOS of t he sl ai n SHOPKEEPER. . . open, empt y ON THE LAPTOP: PHOTOS of t he sl ai n SHOPKEEPER. . . open, empt y ON THE LAPTOP: PHOTOS of t he sl ai n SHOPKEEPER. . . open, empt y ON THE LAPTOP: PHOTOS of t he sl ai n SHOPKEEPER. . . open, empt y ON THE LAPTOP: PHOTOS of t he sl ai n SHOPKEEPER. . . open, empt y
CASH REGI STER. . . PK' s EVI L EYE SYMBOL on t he wal l i n bl ood. CASH REGI STER. . . PK' s EVI L EYE SYMBOL on t he wal l i n bl ood. CASH REGI STER. . . PK' s EVI L EYE SYMBOL on t he wal l i n bl ood. CASH REGI STER. . . PK' s EVI L EYE SYMBOL on t he wal l i n bl ood. CASH REGI STER. . . PK' s EVI L EYE SYMBOL on t he wal l i n bl ood.
Si nce t he begi nni ng. . . he' s Si nce t he begi nni ng. . . he' s Si nce t he begi nni ng. . . he' s Si nce t he begi nni ng. . . he' s Si nce t he begi nni ng. . . he' s
scavengi ng. Money, cr edi t car ds, scavengi ng. Money, cr edi t car ds, scavengi ng. Money, cr edi t car ds, scavengi ng. Money, cr edi t car ds, scavengi ng. Money, cr edi t car ds,
cl ot hi ng. Sur vi vi ng. cl ot hi ng. Sur vi vi ng. cl ot hi ng. Sur vi vi ng. cl ot hi ng. Sur vi vi ng. cl ot hi ng. Sur vi vi ng.
J ane' s f i xat ed, poi nt s t o t he PHOTO of t he EVI L EYE SYMBOL. J ane' s f i xat ed, poi nt s t o t he PHOTO of t he EVI L EYE SYMBOL. J ane' s f i xat ed, poi nt s t o t he PHOTO of t he EVI L EYE SYMBOL. J ane' s f i xat ed, poi nt s t o t he PHOTO of t he EVI L EYE SYMBOL. J ane' s f i xat ed, poi nt s t o t he PHOTO of t he EVI L EYE SYMBOL.
I ' ve seen t hat bef or e. I ' ve seen t hat bef or e. I ' ve seen t hat bef or e. I ' ve seen t hat bef or e. I ' ve seen t hat bef or e.
He' s l ef t i t at al most ever y cr i me He' s l ef t i t at al most ever y cr i me He' s l ef t i t at al most ever y cr i me He' s l ef t i t at al most ever y cr i me He' s l ef t i t at al most ever y cr i me
scene. I t ' s l i ke hi s si gnat ur e. scene. I t ' s l i ke hi s si gnat ur e. scene. I t ' s l i ke hi s si gnat ur e. scene. I t ' s l i ke hi s si gnat ur e. scene. I t ' s l i ke hi s si gnat ur e.
The vi ct i ms he chooses. . . t her e ar e The vi ct i ms he chooses. . . t her e ar e The vi ct i ms he chooses. . . t her e ar e The vi ct i ms he chooses. . . t her e ar e The vi ct i ms he chooses. . . t her e ar e
t hose of pur e oppor t uni t y and t hose t hose of pur e oppor t uni t y and t hose t hose of pur e oppor t uni t y and t hose t hose of pur e oppor t uni t y and t hose t hose of pur e oppor t uni t y and t hose
he t akes somet hi ng speci f i c f r om. he t akes somet hi ng speci f i c f r om. he t akes somet hi ng speci f i c f r om. he t akes somet hi ng speci f i c f r om. he t akes somet hi ng speci f i c f r om.
Li ke t he phar maci st , i n Col or ado. Li ke t he phar maci st , i n Col or ado. Li ke t he phar maci st , i n Col or ado. Li ke t he phar maci st , i n Col or ado. Li ke t he phar maci st , i n Col or ado.
Yeah. He' s i nt o pai nki l l er s and Yeah. He' s i nt o pai nki l l er s and Yeah. He' s i nt o pai nki l l er s and Yeah. He' s i nt o pai nki l l er s and Yeah. He' s i nt o pai nki l l er s and
psychot r opi cs. Per cocet , Per codan, psychot r opi cs. Per cocet , Per codan, psychot r opi cs. Per cocet , Per codan, psychot r opi cs. Per cocet , Per codan, psychot r opi cs. Per cocet , Per codan,
OxyCot i n; i n l ar ge quant i t i es. OxyCot i n; i n l ar ge quant i t i es. OxyCot i n; i n l ar ge quant i t i es. OxyCot i n; i n l ar ge quant i t i es. OxyCot i n; i n l ar ge quant i t i es.
The gun shop. . . i n Nevada, was i t ? The gun shop. . . i n Nevada, was i t ? The gun shop. . . i n Nevada, was i t ? The gun shop. . . i n Nevada, was i t ? The gun shop. . . i n Nevada, was i t ?
38. 38. 38. 38. 38.
That he br oke i nt o af t er hour s. He' s That he br oke i nt o af t er hour s. He' s That he br oke i nt o af t er hour s. He' s That he br oke i nt o af t er hour s. He' s That he br oke i nt o af t er hour s. He' s
got at l east one pi st ol . A shot gun. got at l east one pi st ol . A shot gun. got at l east one pi st ol . A shot gun. got at l east one pi st ol . A shot gun. got at l east one pi st ol . A shot gun.
Pl ent y of ammo. And t he bad news. . . ? Pl ent y of ammo. And t he bad news. . . ? Pl ent y of ammo. And t he bad news. . . ? Pl ent y of ammo. And t he bad news. . . ? Pl ent y of ammo. And t he bad news. . . ?
The shop' s owner was a " col l ect or . " The shop' s owner was a " col l ect or . " The shop' s owner was a " col l ect or . " The shop' s owner was a " col l ect or . " The shop' s owner was a " col l ect or . "
Had a secr et st ash of hand gr enades, Had a secr et st ash of hand gr enades, Had a secr et st ash of hand gr enades, Had a secr et st ash of hand gr enades, Had a secr et st ash of hand gr enades,
now mi ssi ng. now mi ssi ng. now mi ssi ng. now mi ssi ng. now mi ssi ng.
J esus. J esus. J esus. J esus. J esus.
Oh yeah. Oh yeah. Oh yeah. Oh yeah. Oh yeah.
( l ooki ng i n her FI LES) ( l ooki ng i n her FI LES) ( l ooki ng i n her FI LES) ( l ooki ng i n her FI LES) ( l ooki ng i n her FI LES)
And t he l i br ar y? Cedar Ci t y, Ut ah. And t he l i br ar y? Cedar Ci t y, Ut ah. And t he l i br ar y? Cedar Ci t y, Ut ah. And t he l i br ar y? Cedar Ci t y, Ut ah. And t he l i br ar y? Cedar Ci t y, Ut ah.
He ki l l ed t he secur i t y guar d and a He ki l l ed t he secur i t y guar d and a He ki l l ed t he secur i t y guar d and a He ki l l ed t he secur i t y guar d and a He ki l l ed t he secur i t y guar d and a
l i br ar i an. . . l i br ar i an. . . l i br ar i an. . . l i br ar i an. . . l i br ar i an. . .
We' ve got sur vei l l ance f oot age. We' ve got sur vei l l ance f oot age. We' ve got sur vei l l ance f oot age. We' ve got sur vei l l ance f oot age. We' ve got sur vei l l ance f oot age.
ON THE LAPTOP: Col l i ns br i ngs up a br i ef CLI P of GRAI NY ON THE LAPTOP: Col l i ns br i ngs up a br i ef CLI P of GRAI NY ON THE LAPTOP: Col l i ns br i ngs up a br i ef CLI P of GRAI NY ON THE LAPTOP: Col l i ns br i ngs up a br i ef CLI P of GRAI NY ON THE LAPTOP: Col l i ns br i ngs up a br i ef CLI P of GRAI NY
( ni ght ) SECURI TY CAMERA VI DEO showi ng Psycho Ki l l er , masked, ( ni ght ) SECURI TY CAMERA VI DEO showi ng Psycho Ki l l er , masked, ( ni ght ) SECURI TY CAMERA VI DEO showi ng Psycho Ki l l er , masked, ( ni ght ) SECURI TY CAMERA VI DEO showi ng Psycho Ki l l er , masked, ( ni ght ) SECURI TY CAMERA VI DEO showi ng Psycho Ki l l er , masked,
SMASHI NG a PLATE GLASS WI NDOWwi t h an AX, ent er i ng. Cr eepy. SMASHI NG a PLATE GLASS WI NDOWwi t h an AX, ent er i ng. Cr eepy. SMASHI NG a PLATE GLASS WI NDOWwi t h an AX, ent er i ng. Cr eepy. SMASHI NG a PLATE GLASS WI NDOWwi t h an AX, ent er i ng. Cr eepy. SMASHI NG a PLATE GLASS WI NDOWwi t h an AX, ent er i ng. Cr eepy.
J ane wat ches, chi l l ed, as t he cl i p r epl ays i n SLOW- MOTI ON. J ane wat ches, chi l l ed, as t he cl i p r epl ays i n SLOW- MOTI ON. J ane wat ches, chi l l ed, as t he cl i p r epl ays i n SLOW- MOTI ON. J ane wat ches, chi l l ed, as t he cl i p r epl ays i n SLOW- MOTI ON. J ane wat ches, chi l l ed, as t he cl i p r epl ays i n SLOW- MOTI ON.
That ' s hi m. And her e' s t he Col or ado That ' s hi m. And her e' s t he Col or ado That ' s hi m. And her e' s t he Col or ado That ' s hi m. And her e' s t he Col or ado That ' s hi m. And her e' s t he Col or ado
dr ug st or e f oot age. Cabl e news i s dr ug st or e f oot age. Cabl e news i s dr ug st or e f oot age. Cabl e news i s dr ug st or e f oot age. Cabl e news i s dr ug st or e f oot age. Cabl e news i s
st i l l pl ayi ng i t on a l oop. . . st i l l pl ayi ng i t on a l oop. . . st i l l pl ayi ng i t on a l oop. . . st i l l pl ayi ng i t on a l oop. . . st i l l pl ayi ng i t on a l oop. . .
ON THE LAPTOP: Phar - Mar t SECURI TY FOOTAGE shows PK passi ng. ON THE LAPTOP: Phar - Mar t SECURI TY FOOTAGE shows PK passi ng. ON THE LAPTOP: Phar - Mar t SECURI TY FOOTAGE shows PK passi ng. ON THE LAPTOP: Phar - Mar t SECURI TY FOOTAGE shows PK passi ng. ON THE LAPTOP: Phar - Mar t SECURI TY FOOTAGE shows PK passi ng.
Wai t , back up a mi nut e. What di d he Wai t , back up a mi nut e. What di d he Wai t , back up a mi nut e. What di d he Wai t , back up a mi nut e. What di d he Wai t , back up a mi nut e. What di d he
want f r oma publ i c l i br ar y? want f r oma publ i c l i br ar y? want f r oma publ i c l i br ar y? want f r oma publ i c l i br ar y? want f r oma publ i c l i br ar y?
Wel l , i t t ook f our st r ai ght days of Wel l , i t t ook f our st r ai ght days of Wel l , i t t ook f our st r ai ght days of Wel l , i t t ook f our st r ai ght days of Wel l , i t t ook f our st r ai ght days of
i nvent or yi ng by t wo dozen agent s t o i nvent or yi ng by t wo dozen agent s t o i nvent or yi ng by t wo dozen agent s t o i nvent or yi ng by t wo dozen agent s t o i nvent or yi ng by t wo dozen agent s t o
f i nd out , but i t ' s no l ess a myst er y. f i nd out , but i t ' s no l ess a myst er y. f i nd out , but i t ' s no l ess a myst er y. f i nd out , but i t ' s no l ess a myst er y. f i nd out , but i t ' s no l ess a myst er y.
He t ook exact l y t wo books f r oma set He t ook exact l y t wo books f r oma set He t ook exact l y t wo books f r oma set He t ook exact l y t wo books f r oma set He t ook exact l y t wo books f r oma set
of encycl opedi as. Vol umes N and T. of encycl opedi as. Vol umes N and T. of encycl opedi as. Vol umes N and T. of encycl opedi as. Vol umes N and T. of encycl opedi as. Vol umes N and T.
N and T? N and T? N and T? N and T? N and T?
We' r e t r yi ng t o f i gur e what wor ds We' r e t r yi ng t o f i gur e what wor ds We' r e t r yi ng t o f i gur e what wor ds We' r e t r yi ng t o f i gur e what wor ds We' r e t r yi ng t o f i gur e what wor ds
st ar t i ng wi t h t hose l et t er s mi ght st ar t i ng wi t h t hose l et t er s mi ght st ar t i ng wi t h t hose l et t er s mi ght st ar t i ng wi t h t hose l et t er s mi ght st ar t i ng wi t h t hose l et t er s mi ght
have any. . . sat ani c si gni f i cance. have any. . . sat ani c si gni f i cance. have any. . . sat ani c si gni f i cance. have any. . . sat ani c si gni f i cance. have any. . . sat ani c si gni f i cance.
Then agai n, maybe he' s j ust scr ewi ng Then agai n, maybe he' s j ust scr ewi ng Then agai n, maybe he' s j ust scr ewi ng Then agai n, maybe he' s j ust scr ewi ng Then agai n, maybe he' s j ust scr ewi ng
wi t h our heads. wi t h our heads. wi t h our heads. wi t h our heads. wi t h our heads.
39. 39. 39. 39. 39.
AGENT COLLI NS ( CONT. ) AGENT COLLI NS ( CONT. ) AGENT COLLI NS ( CONT. ) AGENT COLLI NS ( CONT. ) AGENT COLLI NS ( CONT. )
( poi nt s at LAPTOP) ( poi nt s at LAPTOP) ( poi nt s at LAPTOP) ( poi nt s at LAPTOP) ( poi nt s at LAPTOP)
And so i t goes. He mar ches on. Thi s And so i t goes. He mar ches on. Thi s And so i t goes. He mar ches on. Thi s And so i t goes. He mar ches on. Thi s And so i t goes. He mar ches on. Thi s
i s t he f i r st ei ght days her e; i s t he f i r st ei ght days her e; i s t he f i r st ei ght days her e; i s t he f i r st ei ght days her e; i s t he f i r st ei ght days her e;
Cal i f or ni a, Nevada, Ut ah. . . Cal i f or ni a, Nevada, Ut ah. . . Cal i f or ni a, Nevada, Ut ah. . . Cal i f or ni a, Nevada, Ut ah. . . Cal i f or ni a, Nevada, Ut ah. . .
ON LAPTOP: a US MAP shows RED DOTS, each r epr esent i ng a ON LAPTOP: a US MAP shows RED DOTS, each r epr esent i ng a ON LAPTOP: a US MAP shows RED DOTS, each r epr esent i ng a ON LAPTOP: a US MAP shows RED DOTS, each r epr esent i ng a ON LAPTOP: a US MAP shows RED DOTS, each r epr esent i ng a
mur der si t e, t r ai l i ng one af t er anot her t hr ough Sout her n mur der si t e, t r ai l i ng one af t er anot her t hr ough Sout her n mur der si t e, t r ai l i ng one af t er anot her t hr ough Sout her n mur der si t e, t r ai l i ng one af t er anot her t hr ough Sout her n mur der si t e, t r ai l i ng one af t er anot her t hr ough Sout her n
Cal i f or ni a, i nt o Sout her n Nevada and t hen Cent r al Ut ah. . . Cal i f or ni a, i nt o Sout her n Nevada and t hen Cent r al Ut ah. . . Cal i f or ni a, i nt o Sout her n Nevada and t hen Cent r al Ut ah. . . Cal i f or ni a, i nt o Sout her n Nevada and t hen Cent r al Ut ah. . . Cal i f or ni a, i nt o Sout her n Nevada and t hen Cent r al Ut ah. . .
Four dead i n Las Vegas al one. Seems Four dead i n Las Vegas al one. Seems Four dead i n Las Vegas al one. Seems Four dead i n Las Vegas al one. Seems Four dead i n Las Vegas al one. Seems
l i ke a l i f et i me ago. And shows he' s l i ke a l i f et i me ago. And shows he' s l i ke a l i f et i me ago. And shows he' s l i ke a l i f et i me ago. And shows he' s l i ke a l i f et i me ago. And shows he' s
not avoi di ng al l t he bi g ci t i es. 14 not avoi di ng al l t he bi g ci t i es. 14 not avoi di ng al l t he bi g ci t i es. 14 not avoi di ng al l t he bi g ci t i es. 14 not avoi di ng al l t he bi g ci t i es. 14
t ot al dead by t he t i me he even t ot al dead by t he t i me he even t ot al dead by t he t i me he even t ot al dead by t he t i me he even t ot al dead by t he t i me he even
cr osses i nt o Ut ah. He' s zi ggi ng and cr osses i nt o Ut ah. He' s zi ggi ng and cr osses i nt o Ut ah. He' s zi ggi ng and cr osses i nt o Ut ah. He' s zi ggi ng and cr osses i nt o Ut ah. He' s zi ggi ng and
zaggi ng, but i t doesn' t t ake a geni us zaggi ng, but i t doesn' t t ake a geni us zaggi ng, but i t doesn' t t ake a geni us zaggi ng, but i t doesn' t t ake a geni us zaggi ng, but i t doesn' t t ake a geni us
t o see he' s headi ng east . And t hen t o see he' s headi ng east . And t hen t o see he' s headi ng east . And t hen t o see he' s headi ng east . And t hen t o see he' s headi ng east . And t hen
her e, of cour se. . . he made hi s her e, of cour se. . . he made hi s her e, of cour se. . . he made hi s her e, of cour se. . . he made hi s her e, of cour se. . . he made hi s
i nf amous det our . Tr ue sout h. . . i nf amous det our . Tr ue sout h. . . i nf amous det our . Tr ue sout h. . . i nf amous det our . Tr ue sout h. . . i nf amous det our . Tr ue sout h. . .
ON THE LAPTOP: ZOOMI NG I N on t he RED DOT wher e Ut ah, ON THE LAPTOP: ZOOMI NG I N on t he RED DOT wher e Ut ah, ON THE LAPTOP: ZOOMI NG I N on t he RED DOT wher e Ut ah, ON THE LAPTOP: ZOOMI NG I N on t he RED DOT wher e Ut ah, ON THE LAPTOP: ZOOMI NG I N on t he RED DOT wher e Ut ah,
Col or ado, Ar i zona and New Mexi co al l shar e a bor der . Col or ado, Ar i zona and New Mexi co al l shar e a bor der . Col or ado, Ar i zona and New Mexi co al l shar e a bor der . Col or ado, Ar i zona and New Mexi co al l shar e a bor der . Col or ado, Ar i zona and New Mexi co al l shar e a bor der .
Col l i ns t ypes, br i ngs up. . . Col l i ns t ypes, br i ngs up. . . Col l i ns t ypes, br i ngs up. . . Col l i ns t ypes, br i ngs up. . . Col l i ns t ypes, br i ngs up. . .
A B+WPHOTO of t he FOUR POI NTS MARKER. The monument ' s l ar ge A B+WPHOTO of t he FOUR POI NTS MARKER. The monument ' s l ar ge A B+WPHOTO of t he FOUR POI NTS MARKER. The monument ' s l ar ge A B+WPHOTO of t he FOUR POI NTS MARKER. The monument ' s l ar ge A B+WPHOTO of t he FOUR POI NTS MARKER. The monument ' s l ar ge
" X, " desi gnat i ng t he poi nt wher e Ut ah, Col or ado, Ar i zona and " X, " desi gnat i ng t he poi nt wher e Ut ah, Col or ado, Ar i zona and " X, " desi gnat i ng t he poi nt wher e Ut ah, Col or ado, Ar i zona and " X, " desi gnat i ng t he poi nt wher e Ut ah, Col or ado, Ar i zona and " X, " desi gnat i ng t he poi nt wher e Ut ah, Col or ado, Ar i zona and
New Mexi co meet , i s st r ewn wi t h t he r emai ns of a di smember ed New Mexi co meet , i s st r ewn wi t h t he r emai ns of a di smember ed New Mexi co meet , i s st r ewn wi t h t he r emai ns of a di smember ed New Mexi co meet , i s st r ewn wi t h t he r emai ns of a di smember ed New Mexi co meet , i s st r ewn wi t h t he r emai ns of a di smember ed
FEMALE CORPSE; di scar ded speci f i cal l y so t hat t he pi eces - - FEMALE CORPSE; di scar ded speci f i cal l y so t hat t he pi eces - - FEMALE CORPSE; di scar ded speci f i cal l y so t hat t he pi eces - - FEMALE CORPSE; di scar ded speci f i cal l y so t hat t he pi eces - - FEMALE CORPSE; di scar ded speci f i cal l y so t hat t he pi eces - -
sever ed ar ms, l egs, head and t or so - - l i e i n EACH STATE. sever ed ar ms, l egs, head and t or so - - l i e i n EACH STATE. sever ed ar ms, l egs, head and t or so - - l i e i n EACH STATE. sever ed ar ms, l egs, head and t or so - - l i e i n EACH STATE. sever ed ar ms, l egs, head and t or so - - l i e i n EACH STATE.
AGENT COLLI NS ( V. O. ) AGENT COLLI NS ( V. O. ) AGENT COLLI NS ( V. O. ) AGENT COLLI NS ( V. O. ) AGENT COLLI NS ( V. O. )
Tal k about a j ur i sdi ct i onal ni ght mar e. Tal k about a j ur i sdi ct i onal ni ght mar e. Tal k about a j ur i sdi ct i onal ni ght mar e. Tal k about a j ur i sdi ct i onal ni ght mar e. Tal k about a j ur i sdi ct i onal ni ght mar e.
A mur der commi t t ed i n f our di f f er ent A mur der commi t t ed i n f our di f f er ent A mur der commi t t ed i n f our di f f er ent A mur der commi t t ed i n f our di f f er ent A mur der commi t t ed i n f our di f f er ent
st at es si mul t aneousl y. st at es si mul t aneousl y. st at es si mul t aneousl y. st at es si mul t aneousl y. st at es si mul t aneousl y.
Un- be- f ucki ng- l i evabl e. Un- be- f ucki ng- l i evabl e. Un- be- f ucki ng- l i evabl e. Un- be- f ucki ng- l i evabl e. Un- be- f ucki ng- l i evabl e.
He pr ef er s ki l l i ng women, cl ear l y. He pr ef er s ki l l i ng women, cl ear l y. He pr ef er s ki l l i ng women, cl ear l y. He pr ef er s ki l l i ng women, cl ear l y. He pr ef er s ki l l i ng women, cl ear l y.
And t hose he r eal l y f anci es. . . hi s And t hose he r eal l y f anci es. . . hi s And t hose he r eal l y f anci es. . . hi s And t hose he r eal l y f anci es. . . hi s And t hose he r eal l y f anci es. . . hi s
f avor i t e l adi es, he mar ks t hem. f avor i t e l adi es, he mar ks t hem. f avor i t e l adi es, he mar ks t hem. f avor i t e l adi es, he mar ks t hem. f avor i t e l adi es, he mar ks t hem.
ON THE LAPTOP: a CRI ME PHOTO shows Phar maci st , i n t he back ON THE LAPTOP: a CRI ME PHOTO shows Phar maci st , i n t he back ON THE LAPTOP: a CRI ME PHOTO shows Phar maci st , i n t he back ON THE LAPTOP: a CRI ME PHOTO shows Phar maci st , i n t he back ON THE LAPTOP: a CRI ME PHOTO shows Phar maci st , i n t he back
of her car , wi t h t he pent agr amcar ved i nt o her f or ehead. of her car , wi t h t he pent agr amcar ved i nt o her f or ehead. of her car , wi t h t he pent agr amcar ved i nt o her f or ehead. of her car , wi t h t he pent agr amcar ved i nt o her f or ehead. of her car , wi t h t he pent agr amcar ved i nt o her f or ehead.
Li ke t hey' ve been chosen. To bel ong Li ke t hey' ve been chosen. To bel ong Li ke t hey' ve been chosen. To bel ong Li ke t hey' ve been chosen. To bel ong Li ke t hey' ve been chosen. To bel ong
t o hi mi n t he af t er l i f e. t o hi mi n t he af t er l i f e. t o hi mi n t he af t er l i f e. t o hi mi n t he af t er l i f e. t o hi mi n t he af t er l i f e.
Col l i ns br i ngs up t he MAP, t hen st ands, st r et chi ng her l egs. Col l i ns br i ngs up t he MAP, t hen st ands, st r et chi ng her l egs. Col l i ns br i ngs up t he MAP, t hen st ands, st r et chi ng her l egs. Col l i ns br i ngs up t he MAP, t hen st ands, st r et chi ng her l egs. Col l i ns br i ngs up t he MAP, t hen st ands, st r et chi ng her l egs.
40. 40. 40. 40. 40.
Movi ng east . I n no gr eat hur r y, mi nd Movi ng east . I n no gr eat hur r y, mi nd Movi ng east . I n no gr eat hur r y, mi nd Movi ng east . I n no gr eat hur r y, mi nd Movi ng east . I n no gr eat hur r y, mi nd
you. . . f r ommot el t o mot el , somet i mes you. . . f r ommot el t o mot el , somet i mes you. . . f r ommot el t o mot el , somet i mes you. . . f r ommot el t o mot el , somet i mes you. . . f r ommot el t o mot el , somet i mes
spendi ng whol e days i n one pl ace. spendi ng whol e days i n one pl ace. spendi ng whol e days i n one pl ace. spendi ng whol e days i n one pl ace. spendi ng whol e days i n one pl ace.
St i l l , t hi s guy' s headi ng somewher e. St i l l , t hi s guy' s headi ng somewher e. St i l l , t hi s guy' s headi ng somewher e. St i l l , t hi s guy' s headi ng somewher e. St i l l , t hi s guy' s headi ng somewher e.
He has a dest i nat i on i n mi nd, and I He has a dest i nat i on i n mi nd, and I He has a dest i nat i on i n mi nd, and I He has a dest i nat i on i n mi nd, and I He has a dest i nat i on i n mi nd, and I
say, wher e t her e' s a dest i nat i on, say, wher e t her e' s a dest i nat i on, say, wher e t her e' s a dest i nat i on, say, wher e t her e' s a dest i nat i on, say, wher e t her e' s a dest i nat i on,
t her e' s a r eason. A mot i ve. t her e' s a r eason. A mot i ve. t her e' s a r eason. A mot i ve. t her e' s a r eason. A mot i ve. t her e' s a r eason. A mot i ve.
Ri ght . No mat t er how r andomi t Ri ght . No mat t er how r andomi t Ri ght . No mat t er how r andomi t Ri ght . No mat t er how r andomi t Ri ght . No mat t er how r andomi t
seems. . . seems. . . seems. . . seems. . . seems. . .
Al l t hi s want on, ai ml ess car nage. . . Al l t hi s want on, ai ml ess car nage. . . Al l t hi s want on, ai ml ess car nage. . . Al l t hi s want on, ai ml ess car nage. . . Al l t hi s want on, ai ml ess car nage. . .
Ther e' s some pur pose behi nd wher e Ther e' s some pur pose behi nd wher e Ther e' s some pur pose behi nd wher e Ther e' s some pur pose behi nd wher e Ther e' s some pur pose behi nd wher e
he' s goi ng. he' s goi ng. he' s goi ng. he' s goi ng. he' s goi ng.
( pause, l ooks t o Col l i ns) ( pause, l ooks t o Col l i ns) ( pause, l ooks t o Col l i ns) ( pause, l ooks t o Col l i ns) ( pause, l ooks t o Col l i ns)
I f i gur ed he' s been l i vi ng out of hi s I f i gur ed he' s been l i vi ng out of hi s I f i gur ed he' s been l i vi ng out of hi s I f i gur ed he' s been l i vi ng out of hi s I f i gur ed he' s been l i vi ng out of hi s
vehi cl e. What makes you t hi nk he' s vehi cl e. What makes you t hi nk he' s vehi cl e. What makes you t hi nk he' s vehi cl e. What makes you t hi nk he' s vehi cl e. What makes you t hi nk he' s
st ayi ng i n mot el s? st ayi ng i n mot el s? st ayi ng i n mot el s? st ayi ng i n mot el s? st ayi ng i n mot el s?
( l ooks at her WATCH) ( l ooks at her WATCH) ( l ooks at her WATCH) ( l ooks at her WATCH) ( l ooks at her WATCH)
I f you want . . . I can show you. I f you want . . . I can show you. I f you want . . . I can show you. I f you want . . . I can show you. I f you want . . . I can show you.
EXT. RURAL MOTEL -- NIGHT EXT. RURAL MOTEL -- NIGHT EXT. RURAL MOTEL -- NIGHT EXT. RURAL MOTEL -- NIGHT EXT. RURAL MOTEL -- NIGHT
Agent Col l i ns' s FBI SQUAD CAR, f l ashi ng BLUE LI GHT on t he Agent Col l i ns' s FBI SQUAD CAR, f l ashi ng BLUE LI GHT on t he Agent Col l i ns' s FBI SQUAD CAR, f l ashi ng BLUE LI GHT on t he Agent Col l i ns' s FBI SQUAD CAR, f l ashi ng BLUE LI GHT on t he Agent Col l i ns' s FBI SQUAD CAR, f l ashi ng BLUE LI GHT on t he
dash, speeds acr oss t he PARKI NG LOT of t hi s di l api dat ed, 2- dash, speeds acr oss t he PARKI NG LOT of t hi s di l api dat ed, 2- dash, speeds acr oss t he PARKI NG LOT of t hi s di l api dat ed, 2- dash, speeds acr oss t he PARKI NG LOT of t hi s di l api dat ed, 2- dash, speeds acr oss t he PARKI NG LOT of t hi s di l api dat ed, 2-
st or y MOTEL, t hen SCREECHES t o a hal t . st or y MOTEL, t hen SCREECHES t o a hal t . st or y MOTEL, t hen SCREECHES t o a hal t . st or y MOTEL, t hen SCREECHES t o a hal t . st or y MOTEL, t hen SCREECHES t o a hal t .
Col l i ns get s out , gr abs her l apt op bag, whi l e J ane cl i mbs Col l i ns get s out , gr abs her l apt op bag, whi l e J ane cl i mbs Col l i ns get s out , gr abs her l apt op bag, whi l e J ane cl i mbs Col l i ns get s out , gr abs her l apt op bag, whi l e J ane cl i mbs Col l i ns get s out , gr abs her l apt op bag, whi l e J ane cl i mbs
f r omt he passenger si de. J ane f ol l ows. . . f r omt he passenger si de. J ane f ol l ows. . . f r omt he passenger si de. J ane f ol l ows. . . f r omt he passenger si de. J ane f ol l ows. . . f r omt he passenger si de. J ane f ol l ows. . .
He was her e t hr ee days ago. Thr ee He was her e t hr ee days ago. Thr ee He was her e t hr ee days ago. Thr ee He was her e t hr ee days ago. Thr ee He was her e t hr ee days ago. Thr ee
days af t er Kansas. He checked i n i n days af t er Kansas. He checked i n i n days af t er Kansas. He checked i n i n days af t er Kansas. He checked i n i n days af t er Kansas. He checked i n i n
t he dead of ni ght . On f oot . Pai d t he dead of ni ght . On f oot . Pai d t he dead of ni ght . On f oot . Pai d t he dead of ni ght . On f oot . Pai d t he dead of ni ght . On f oot . Pai d
cash. The desk cl er k was a t ot al cash. The desk cl er k was a t ot al cash. The desk cl er k was a t ot al cash. The desk cl er k was a t ot al cash. The desk cl er k was a t ot al
st oner . Coul dn' t gi ve a descr i pt i on, st oner . Coul dn' t gi ve a descr i pt i on, st oner . Coul dn' t gi ve a descr i pt i on, st oner . Coul dn' t gi ve a descr i pt i on, st oner . Coul dn' t gi ve a descr i pt i on,
di dn' t even have hi mr egi st er . di dn' t even have hi mr egi st er . di dn' t even have hi mr egi st er . di dn' t even have hi mr egi st er . di dn' t even have hi mr egi st er .
Wor t hl ess. Wor t hl ess. Wor t hl ess. Wor t hl ess. Wor t hl ess.
FOLLOWt hemt hr ough an ENTRYWAY, i nt o a smal l , concr et e FOLLOWt hemt hr ough an ENTRYWAY, i nt o a smal l , concr et e FOLLOWt hemt hr ough an ENTRYWAY, i nt o a smal l , concr et e FOLLOWt hemt hr ough an ENTRYWAY, i nt o a smal l , concr et e FOLLOWt hemt hr ough an ENTRYWAY, i nt o a smal l , concr et e
COURTYARD wi t h a di r t y POOL. Sket chy GUESTS l ounge, smoki ng. COURTYARD wi t h a di r t y POOL. Sket chy GUESTS l ounge, smoki ng. COURTYARD wi t h a di r t y POOL. Sket chy GUESTS l ounge, smoki ng. COURTYARD wi t h a di r t y POOL. Sket chy GUESTS l ounge, smoki ng. COURTYARD wi t h a di r t y POOL. Sket chy GUESTS l ounge, smoki ng.
Mi ddl e of t he next day, t he mai d Mi ddl e of t he next day, t he mai d Mi ddl e of t he next day, t he mai d Mi ddl e of t he next day, t he mai d Mi ddl e of t he next day, t he mai d
i gnor ed t he " Do Not Di st ur b" si gn on i gnor ed t he " Do Not Di st ur b" si gn on i gnor ed t he " Do Not Di st ur b" si gn on i gnor ed t he " Do Not Di st ur b" si gn on i gnor ed t he " Do Not Di st ur b" si gn on
t he door knob, or di dn' t see i t t he door knob, or di dn' t see i t t he door knob, or di dn' t see i t t he door knob, or di dn' t see i t t he door knob, or di dn' t see i t
somehow. She l et her sel f i n. somehow. She l et her sel f i n. somehow. She l et her sel f i n. somehow. She l et her sel f i n. somehow. She l et her sel f i n.
41. 41. 41. 41. 41.
At t he DOOR t o a cor ner r oom, whi ch i s cover ed i n FBI " NO At t he DOOR t o a cor ner r oom, whi ch i s cover ed i n FBI " NO At t he DOOR t o a cor ner r oom, whi ch i s cover ed i n FBI " NO At t he DOOR t o a cor ner r oom, whi ch i s cover ed i n FBI " NO At t he DOOR t o a cor ner r oom, whi ch i s cover ed i n FBI " NO
TRESPASSI NG" NOTI CES, Col l i ns uses her KEYS on a PADLOCK. TRESPASSI NG" NOTI CES, Col l i ns uses her KEYS on a PADLOCK. TRESPASSI NG" NOTI CES, Col l i ns uses her KEYS on a PADLOCK. TRESPASSI NG" NOTI CES, Col l i ns uses her KEYS on a PADLOCK. TRESPASSI NG" NOTI CES, Col l i ns uses her KEYS on a PADLOCK.
IN THE MOTEL ROOM / CRIME SCENE IN THE MOTEL ROOM / CRIME SCENE IN THE MOTEL ROOM / CRIME SCENE IN THE MOTEL ROOM / CRIME SCENE IN THE MOTEL ROOM / CRIME SCENE
Col l i ns t ur ns on a LI GHT, l et t i ng J ane ent er f i r st . J ane Col l i ns t ur ns on a LI GHT, l et t i ng J ane ent er f i r st . J ane Col l i ns t ur ns on a LI GHT, l et t i ng J ane ent er f i r st . J ane Col l i ns t ur ns on a LI GHT, l et t i ng J ane ent er f i r st . J ane Col l i ns t ur ns on a LI GHT, l et t i ng J ane ent er f i r st . J ane
wal ks t o t he cent er of t he r oom, l ooki ng ar ound. wal ks t o t he cent er of t he r oom, l ooki ng ar ound. wal ks t o t he cent er of t he r oom, l ooki ng ar ound. wal ks t o t he cent er of t he r oom, l ooki ng ar ound. wal ks t o t he cent er of t he r oom, l ooki ng ar ound.
Ther e' s a wi de BLOOD STAI N on t he car pet . BLOOD ever ywher e, Ther e' s a wi de BLOOD STAI N on t he car pet . BLOOD ever ywher e, Ther e' s a wi de BLOOD STAI N on t he car pet . BLOOD ever ywher e, Ther e' s a wi de BLOOD STAI N on t he car pet . BLOOD ever ywher e, Ther e' s a wi de BLOOD STAI N on t he car pet . BLOOD ever ywher e,
act ual l y. The bed' s st r i pped, but BLOOD made i t t hr ough t o act ual l y. The bed' s st r i pped, but BLOOD made i t t hr ough t o act ual l y. The bed' s st r i pped, but BLOOD made i t t hr ough t o act ual l y. The bed' s st r i pped, but BLOOD made i t t hr ough t o act ual l y. The bed' s st r i pped, but BLOOD made i t t hr ough t o
t he mat t r ess. Col l i ns shut s t he door behi nd t hem. t he mat t r ess. Col l i ns shut s t he door behi nd t hem. t he mat t r ess. Col l i ns shut s t he door behi nd t hem. t he mat t r ess. Col l i ns shut s t he door behi nd t hem. t he mat t r ess. Col l i ns shut s t he door behi nd t hem.
He used an ax. . . cut her i n hal f . He used an ax. . . cut her i n hal f . He used an ax. . . cut her i n hal f . He used an ax. . . cut her i n hal f . He used an ax. . . cut her i n hal f .
That seems t o have got t en hi s That seems t o have got t en hi s That seems t o have got t en hi s That seems t o have got t en hi s That seems t o have got t en hi s
cr eat i ve j ui ces f l owi ng. cr eat i ve j ui ces f l owi ng. cr eat i ve j ui ces f l owi ng. cr eat i ve j ui ces f l owi ng. cr eat i ve j ui ces f l owi ng.
Ther e' s WRI TI NG i n BLOOD on t he wal l s: " Hail Satan!" " The Ther e' s WRI TI NG i n BLOOD on t he wal l s: " Hail Satan!" " The Ther e' s WRI TI NG i n BLOOD on t he wal l s: " Hail Satan!" " The Ther e' s WRI TI NG i n BLOOD on t he wal l s: " Hail Satan!" " The Ther e' s WRI TI NG i n BLOOD on t he wal l s: " Hail Satan!" " The
Beast awaits!" "Let trumpets sound!" " Human pigs!" " 666, " Beast awaits!" "Let trumpets sound!" " Human pigs!" " 666, " Beast awaits!" "Let trumpets sound!" " Human pigs!" " 666, " Beast awaits!" "Let trumpets sound!" " Human pigs!" " 666, " Beast awaits!" "Let trumpets sound!" " Human pigs!" " 666, "
and MORE SCRI BBLI NGS and dr awi ngs of UPSI DEDOWN CROSSES. and MORE SCRI BBLI NGS and dr awi ngs of UPSI DEDOWN CROSSES. and MORE SCRI BBLI NGS and dr awi ngs of UPSI DEDOWN CROSSES. and MORE SCRI BBLI NGS and dr awi ngs of UPSI DEDOWN CROSSES. and MORE SCRI BBLI NGS and dr awi ngs of UPSI DEDOWN CROSSES.
Thi s i s how he l eaves al l t he cr i me Thi s i s how he l eaves al l t he cr i me Thi s i s how he l eaves al l t he cr i me Thi s i s how he l eaves al l t he cr i me Thi s i s how he l eaves al l t he cr i me
scenes. scenes. scenes. scenes. scenes.
J ane wal ks over t o l ook. . . J ane wal ks over t o l ook. . . J ane wal ks over t o l ook. . . J ane wal ks over t o l ook. . . J ane wal ks over t o l ook. . .
Above t he bed, i n bi g, bl oody l et t er s: " OPEN THE GATES!" Above t he bed, i n bi g, bl oody l et t er s: " OPEN THE GATES!" Above t he bed, i n bi g, bl oody l et t er s: " OPEN THE GATES!" Above t he bed, i n bi g, bl oody l et t er s: " OPEN THE GATES!" Above t he bed, i n bi g, bl oody l et t er s: " OPEN THE GATES!"
Open t he gat es. Open t he gat es. Open t he gat es. Open t he gat es. Open t he gat es.
J ane l ooks up t o t he cei l i ng, wher e. . . J ane l ooks up t o t he cei l i ng, wher e. . . J ane l ooks up t o t he cei l i ng, wher e. . . J ane l ooks up t o t he cei l i ng, wher e. . . J ane l ooks up t o t he cei l i ng, wher e. . .
Ther e' s a l ar ge ver si on of Psycho Ki l l er ' s EVI L EYE SYMBOL. Ther e' s a l ar ge ver si on of Psycho Ki l l er ' s EVI L EYE SYMBOL. Ther e' s a l ar ge ver si on of Psycho Ki l l er ' s EVI L EYE SYMBOL. Ther e' s a l ar ge ver si on of Psycho Ki l l er ' s EVI L EYE SYMBOL. Ther e' s a l ar ge ver si on of Psycho Ki l l er ' s EVI L EYE SYMBOL.
( of t he EVI L EYE) ( of t he EVI L EYE) ( of t he EVI L EYE) ( of t he EVI L EYE) ( of t he EVI L EYE)
Our anal yst s say he' s obsessed wi t h Our anal yst s say he' s obsessed wi t h Our anal yst s say he' s obsessed wi t h Our anal yst s say he' s obsessed wi t h Our anal yst s say he' s obsessed wi t h
havi ng hi s achi evement s " seen. " havi ng hi s achi evement s " seen. " havi ng hi s achi evement s " seen. " havi ng hi s achi evement s " seen. " havi ng hi s achi evement s " seen. "
Can I . . . use your comput er ? Can I . . . use your comput er ? Can I . . . use your comput er ? Can I . . . use your comput er ? Can I . . . use your comput er ?
Col l i ns hands over her l apt op bag. J ane t akes t he l apt op Col l i ns hands over her l apt op bag. J ane t akes t he l apt op Col l i ns hands over her l apt op bag. J ane t akes t he l apt op Col l i ns hands over her l apt op bag. J ane t akes t he l apt op Col l i ns hands over her l apt op bag. J ane t akes t he l apt op
out , opens i t on a FOLDI NG TABLE l ef t by i nvest i gat or s. out , opens i t on a FOLDI NG TABLE l ef t by i nvest i gat or s. out , opens i t on a FOLDI NG TABLE l ef t by i nvest i gat or s. out , opens i t on a FOLDI NG TABLE l ef t by i nvest i gat or s. out , opens i t on a FOLDI NG TABLE l ef t by i nvest i gat or s.
What he' s doi ng. . . he want s i t t o be What he' s doi ng. . . he want s i t t o be What he' s doi ng. . . he want s i t t o be What he' s doi ng. . . he want s i t t o be What he' s doi ng. . . he want s i t t o be
appr eci at ed. He' s t r yi ng t o i mpr ess appr eci at ed. He' s t r yi ng t o i mpr ess appr eci at ed. He' s t r yi ng t o i mpr ess appr eci at ed. He' s t r yi ng t o i mpr ess appr eci at ed. He' s t r yi ng t o i mpr ess
t he Bi g Man wi t h t he pi t chf or k and t he Bi g Man wi t h t he pi t chf or k and t he Bi g Man wi t h t he pi t chf or k and t he Bi g Man wi t h t he pi t chf or k and t he Bi g Man wi t h t he pi t chf or k and
r ed l eot ar d. " Hai l Sat an! " Ri ght ? r ed l eot ar d. " Hai l Sat an! " Ri ght ? r ed l eot ar d. " Hai l Sat an! " Ri ght ? r ed l eot ar d. " Hai l Sat an! " Ri ght ? r ed l eot ar d. " Hai l Sat an! " Ri ght ?
At l east t hat ' s what Quant i co f i gur es. At l east t hat ' s what Quant i co f i gur es. At l east t hat ' s what Quant i co f i gur es. At l east t hat ' s what Quant i co f i gur es. At l east t hat ' s what Quant i co f i gur es.
( on t he LAPTOP) ( on t he LAPTOP) ( on t he LAPTOP) ( on t he LAPTOP) ( on t he LAPTOP)
Take a l ook her e. Thi s i s f r omt hose Take a l ook her e. Thi s i s f r omt hose Take a l ook her e. Thi s i s f r omt hose Take a l ook her e. Thi s i s f r omt hose Take a l ook her e. Thi s i s f r omt hose
mur der s i n Har r i sbur g, Pennsyl vani a. mur der s i n Har r i sbur g, Pennsyl vani a. mur der s i n Har r i sbur g, Pennsyl vani a. mur der s i n Har r i sbur g, Pennsyl vani a. mur der s i n Har r i sbur g, Pennsyl vani a.
The chur ch ki l l i ngs, year s ago. . . The chur ch ki l l i ngs, year s ago. . . The chur ch ki l l i ngs, year s ago. . . The chur ch ki l l i ngs, year s ago. . . The chur ch ki l l i ngs, year s ago. . .
42. 42. 42. 42. 42.
ON THE LAPTOP: t her e' s a ver si on of t he EVI L EYE SYMBOL, ON THE LAPTOP: t her e' s a ver si on of t he EVI L EYE SYMBOL, ON THE LAPTOP: t her e' s a ver si on of t he EVI L EYE SYMBOL, ON THE LAPTOP: t her e' s a ver si on of t he EVI L EYE SYMBOL, ON THE LAPTOP: t her e' s a ver si on of t he EVI L EYE SYMBOL,
wr i t t en i n dr i ppi ng BLOOD, on a st one wal l . wr i t t en i n dr i ppi ng BLOOD, on a st one wal l . wr i t t en i n dr i ppi ng BLOOD, on a st one wal l . wr i t t en i n dr i ppi ng BLOOD, on a st one wal l . wr i t t en i n dr i ppi ng BLOOD, on a st one wal l .
He was a Sat ani st . Ri char d Reeves. . . He was a Sat ani st . Ri char d Reeves. . . He was a Sat ani st . Ri char d Reeves. . . He was a Sat ani st . Ri char d Reeves. . . He was a Sat ani st . Ri char d Reeves. . .
Ri char d Leonar d Reeves. Ki l l ed a Ri char d Leonar d Reeves. Ki l l ed a Ri char d Leonar d Reeves. Ki l l ed a Ri char d Leonar d Reeves. Ki l l ed a Ri char d Leonar d Reeves. Ki l l ed a
dozen peopl e. He di ed i n pr i son. dozen peopl e. He di ed i n pr i son. dozen peopl e. He di ed i n pr i son. dozen peopl e. He di ed i n pr i son. dozen peopl e. He di ed i n pr i son.
Our Sl asher ' s a copycat ? Our Sl asher ' s a copycat ? Our Sl asher ' s a copycat ? Our Sl asher ' s a copycat ? Our Sl asher ' s a copycat ?
An admi r er , at l east . I nspi r ed by An admi r er , at l east . I nspi r ed by An admi r er , at l east . I nspi r ed by An admi r er , at l east . I nspi r ed by An admi r er , at l east . I nspi r ed by
Reeves, maybe. Reeves, maybe. Reeves, maybe. Reeves, maybe. Reeves, maybe.
CLOSE ON: t he l apt op scr een shows t he EVI L EYE. CLOSE ON: t he l apt op scr een shows t he EVI L EYE. CLOSE ON: t he l apt op scr een shows t he EVI L EYE. CLOSE ON: t he l apt op scr een shows t he EVI L EYE. CLOSE ON: t he l apt op scr een shows t he EVI L EYE.
INT. BAR -- NIGHT INT. BAR -- NIGHT INT. BAR -- NIGHT INT. BAR -- NIGHT INT. BAR -- NIGHT
I n a dar k, di ve BAR, Col l i ns and J ane ar e i n a BOOTH, DRI NKS I n a dar k, di ve BAR, Col l i ns and J ane ar e i n a BOOTH, DRI NKS I n a dar k, di ve BAR, Col l i ns and J ane ar e i n a BOOTH, DRI NKS I n a dar k, di ve BAR, Col l i ns and J ane ar e i n a BOOTH, DRI NKS I n a dar k, di ve BAR, Col l i ns and J ane ar e i n a BOOTH, DRI NKS
bef or e t hem, st udyi ng a t hi ck ROAD ATLAS. bef or e t hem, st udyi ng a t hi ck ROAD ATLAS. bef or e t hem, st udyi ng a t hi ck ROAD ATLAS. bef or e t hem, st udyi ng a t hi ck ROAD ATLAS. bef or e t hem, st udyi ng a t hi ck ROAD ATLAS.
( poi nt s at ATLAS) ( poi nt s at ATLAS) ( poi nt s at ATLAS) ( poi nt s at ATLAS) ( poi nt s at ATLAS)
Take a good l ook wher e i t al l began. Take a good l ook wher e i t al l began. Take a good l ook wher e i t al l began. Take a good l ook wher e i t al l began. Take a good l ook wher e i t al l began.
Deat h Val l ey. And what ' s t hi s. . . ? Deat h Val l ey. And what ' s t hi s. . . ? Deat h Val l ey. And what ' s t hi s. . . ? Deat h Val l ey. And what ' s t hi s. . . ? Deat h Val l ey. And what ' s t hi s. . . ?
Chi na Lake Naval Ai r Weapons Cent er . Chi na Lake Naval Ai r Weapons Cent er . Chi na Lake Naval Ai r Weapons Cent er . Chi na Lake Naval Ai r Weapons Cent er . Chi na Lake Naval Ai r Weapons Cent er .
And her e, For t I r wi n. . . Deep Space And her e, For t I r wi n. . . Deep Space And her e, For t I r wi n. . . Deep Space And her e, For t I r wi n. . . Deep Space And her e, For t I r wi n. . . Deep Space
Communi cat i ons Pr ogr am. Acr oss t he Communi cat i ons Pr ogr am. Acr oss t he Communi cat i ons Pr ogr am. Acr oss t he Communi cat i ons Pr ogr am. Acr oss t he Communi cat i ons Pr ogr am. Acr oss t he
bor der ; t he Nevada At omi c Test Si t e, bor der ; t he Nevada At omi c Test Si t e, bor der ; t he Nevada At omi c Test Si t e, bor der ; t he Nevada At omi c Test Si t e, bor der ; t he Nevada At omi c Test Si t e,
wher e t hey set of f nucl ear bombs f or wher e t hey set of f nucl ear bombs f or wher e t hey set of f nucl ear bombs f or wher e t hey set of f nucl ear bombs f or wher e t hey set of f nucl ear bombs f or
f our decades. f our decades. f our decades. f our decades. f our decades.
What ar e you sayi ng? What ar e you sayi ng? What ar e you sayi ng? What ar e you sayi ng? What ar e you sayi ng?
( shr ugs) ( shr ugs) ( shr ugs) ( shr ugs) ( shr ugs)
That ' s a hel l uva l ot of hush- hush That ' s a hel l uva l ot of hush- hush That ' s a hel l uva l ot of hush- hush That ' s a hel l uva l ot of hush- hush That ' s a hel l uva l ot of hush- hush
gover nment r eal est at e, i s al l . gover nment r eal est at e, i s al l . gover nment r eal est at e, i s al l . gover nment r eal est at e, i s al l . gover nment r eal est at e, i s al l .
( dr i nks) ( dr i nks) ( dr i nks) ( dr i nks) ( dr i nks)
Want t o know what r eal l y keeps me up Want t o know what r eal l y keeps me up Want t o know what r eal l y keeps me up Want t o know what r eal l y keeps me up Want t o know what r eal l y keeps me up
at ni ght ? Fi nger pr i nt s. We' ve got at ni ght ? Fi nger pr i nt s. We' ve got at ni ght ? Fi nger pr i nt s. We' ve got at ni ght ? Fi nger pr i nt s. We' ve got at ni ght ? Fi nger pr i nt s. We' ve got
mor e cl ean pr i nt s t han you can shake mor e cl ean pr i nt s t han you can shake mor e cl ean pr i nt s t han you can shake mor e cl ean pr i nt s t han you can shake mor e cl ean pr i nt s t han you can shake
a st i ck at , yet not one mat ch. Not a st i ck at , yet not one mat ch. Not a st i ck at , yet not one mat ch. Not a st i ck at , yet not one mat ch. Not a st i ck at , yet not one mat ch. Not
i n t he I . A. F. I . , not t hr ough i n t he I . A. F. I . , not t hr ough i n t he I . A. F. I . , not t hr ough i n t he I . A. F. I . , not t hr ough i n t he I . A. F. I . , not t hr ough
I nt er pol . However many t i mes we r un I nt er pol . However many t i mes we r un I nt er pol . However many t i mes we r un I nt er pol . However many t i mes we r un I nt er pol . However many t i mes we r un
hi s pr i nt s, ever yt hi ng t he comput er hi s pr i nt s, ever yt hi ng t he comput er hi s pr i nt s, ever yt hi ng t he comput er hi s pr i nt s, ever yt hi ng t he comput er hi s pr i nt s, ever yt hi ng t he comput er
spi t s out f or us t o eyebal l ends up spi t s out f or us t o eyebal l ends up spi t s out f or us t o eyebal l ends up spi t s out f or us t o eyebal l ends up spi t s out f or us t o eyebal l ends up
bei ng a f al se posi t i ve. bei ng a f al se posi t i ve. bei ng a f al se posi t i ve. bei ng a f al se posi t i ve. bei ng a f al se posi t i ve.
43. 43. 43. 43. 43.
A t hr i l l - ki l l er on a nat i onwi de A t hr i l l - ki l l er on a nat i onwi de A t hr i l l - ki l l er on a nat i onwi de A t hr i l l - ki l l er on a nat i onwi de A t hr i l l - ki l l er on a nat i onwi de
mur der spr ee. . . and not a si ngl e mur der spr ee. . . and not a si ngl e mur der spr ee. . . and not a si ngl e mur der spr ee. . . and not a si ngl e mur der spr ee. . . and not a si ngl e
pr i or put s hi mi n t he dat abase? pr i or put s hi mi n t he dat abase? pr i or put s hi mi n t he dat abase? pr i or put s hi mi n t he dat abase? pr i or put s hi mi n t he dat abase?
Ri ght . I mean, i f t hi s i s an escapee Ri ght . I mean, i f t hi s i s an escapee Ri ght . I mean, i f t hi s i s an escapee Ri ght . I mean, i f t hi s i s an escapee Ri ght . I mean, i f t hi s i s an escapee
or a har dcor e nut j ob who scor ed or a har dcor e nut j ob who scor ed or a har dcor e nut j ob who scor ed or a har dcor e nut j ob who scor ed or a har dcor e nut j ob who scor ed
par ol ed somehow, i t ' d make sense. par ol ed somehow, i t ' d make sense. par ol ed somehow, i t ' d make sense. par ol ed somehow, i t ' d make sense. par ol ed somehow, i t ' d make sense.
Because i t ' s as i f t hi s guy j ust . . . Because i t ' s as i f t hi s guy j ust . . . Because i t ' s as i f t hi s guy j ust . . . Because i t ' s as i f t hi s guy j ust . . . Because i t ' s as i f t hi s guy j ust . . .
mat er i al i zed, one day. Wal ked out of mat er i al i zed, one day. Wal ked out of mat er i al i zed, one day. Wal ked out of mat er i al i zed, one day. Wal ked out of mat er i al i zed, one day. Wal ked out of
Deat h Val l ey and i nt o t hi s wor l d. Deat h Val l ey and i nt o t hi s wor l d. Deat h Val l ey and i nt o t hi s wor l d. Deat h Val l ey and i nt o t hi s wor l d. Deat h Val l ey and i nt o t hi s wor l d.
Col l i ns f l i ps t o t he f r ont of t he ROAD ATLAS, i ndi cat i ng a Col l i ns f l i ps t o t he f r ont of t he ROAD ATLAS, i ndi cat i ng a Col l i ns f l i ps t o t he f r ont of t he ROAD ATLAS, i ndi cat i ng a Col l i ns f l i ps t o t he f r ont of t he ROAD ATLAS, i ndi cat i ng a Col l i ns f l i ps t o t he f r ont of t he ROAD ATLAS, i ndi cat i ng a
U. S. MAP wher e each of t he MURDER SI TES i s RED DOTTED. U. S. MAP wher e each of t he MURDER SI TES i s RED DOTTED. U. S. MAP wher e each of t he MURDER SI TES i s RED DOTTED. U. S. MAP wher e each of t he MURDER SI TES i s RED DOTTED. U. S. MAP wher e each of t he MURDER SI TES i s RED DOTTED.
Hear me out on t hi s. Once he made i t Hear me out on t hi s. Once he made i t Hear me out on t hi s. Once he made i t Hear me out on t hi s. Once he made i t Hear me out on t hi s. Once he made i t
out of Kansas, he cr ossed Mi ssour i i n out of Kansas, he cr ossed Mi ssour i i n out of Kansas, he cr ossed Mi ssour i i n out of Kansas, he cr ossed Mi ssour i i n out of Kansas, he cr ossed Mi ssour i i n
a day. . . ent er ed I l l i noi s, wher e he a day. . . ent er ed I l l i noi s, wher e he a day. . . ent er ed I l l i noi s, wher e he a day. . . ent er ed I l l i noi s, wher e he a day. . . ent er ed I l l i noi s, wher e he
suddenl y headed nor t h. Ever yone suddenl y headed nor t h. Ever yone suddenl y headed nor t h. Ever yone suddenl y headed nor t h. Ever yone suddenl y headed nor t h. Ever yone
t hi nks he' s maki ng a r un f or t he t hi nks he' s maki ng a r un f or t he t hi nks he' s maki ng a r un f or t he t hi nks he' s maki ng a r un f or t he t hi nks he' s maki ng a r un f or t he
bor der . bor der . bor der . bor der . bor der .
You don' t ? You don' t ? You don' t ? You don' t ? You don' t ?
What i f he' s smar t er t han we t hi nk? What i f he' s smar t er t han we t hi nk? What i f he' s smar t er t han we t hi nk? What i f he' s smar t er t han we t hi nk? What i f he' s smar t er t han we t hi nk?
Look. . . he' s l ef t a t r ai l of bodi es Look. . . he' s l ef t a t r ai l of bodi es Look. . . he' s l ef t a t r ai l of bodi es Look. . . he' s l ef t a t r ai l of bodi es Look. . . he' s l ef t a t r ai l of bodi es
up I l l i noi s. . . Col l i nsvi l l e. . . up I l l i noi s. . . Col l i nsvi l l e. . . up I l l i noi s. . . Col l i nsvi l l e. . . up I l l i noi s. . . Col l i nsvi l l e. . . up I l l i noi s. . . Col l i nsvi l l e. . .
( poi nt i ng on MAP) ( poi nt i ng on MAP) ( poi nt i ng on MAP) ( poi nt i ng on MAP) ( poi nt i ng on MAP)
Spr i ngf i el d, Spr i ng Val l ey next . . . Spr i ngf i el d, Spr i ng Val l ey next . . . Spr i ngf i el d, Spr i ng Val l ey next . . . Spr i ngf i el d, Spr i ng Val l ey next . . . Spr i ngf i el d, Spr i ng Val l ey next . . .
f i nal l y Rockf or d, on t he Wi sconsi n f i nal l y Rockf or d, on t he Wi sconsi n f i nal l y Rockf or d, on t he Wi sconsi n f i nal l y Rockf or d, on t he Wi sconsi n f i nal l y Rockf or d, on t he Wi sconsi n
bor der . Her e. Now, what i f he' s bor der . Her e. Now, what i f he' s bor der . Her e. Now, what i f he' s bor der . Her e. Now, what i f he' s bor der . Her e. Now, what i f he' s
t ur ned ar ound. . . ? Backt r acki ng t ur ned ar ound. . . ? Backt r acki ng t ur ned ar ound. . . ? Backt r acki ng t ur ned ar ound. . . ? Backt r acki ng t ur ned ar ound. . . ? Backt r acki ng
sout h. But he' s st opped ki l l i ng, so sout h. But he' s st opped ki l l i ng, so sout h. But he' s st opped ki l l i ng, so sout h. But he' s st opped ki l l i ng, so sout h. But he' s st opped ki l l i ng, so
t hat no one r eal i zes, as. . . t hat no one r eal i zes, as. . . t hat no one r eal i zes, as. . . t hat no one r eal i zes, as. . . t hat no one r eal i zes, as. . .
( pokes f i nger on MAP) ( pokes f i nger on MAP) ( pokes f i nger on MAP) ( pokes f i nger on MAP) ( pokes f i nger on MAP)
He r et ur ns t o I nt er st at e 70. East . He r et ur ns t o I nt er st at e 70. East . He r et ur ns t o I nt er st at e 70. East . He r et ur ns t o I nt er st at e 70. East . He r et ur ns t o I nt er st at e 70. East .
Ki nd of a l ong shot , Tr ooper J ane. Ki nd of a l ong shot , Tr ooper J ane. Ki nd of a l ong shot , Tr ooper J ane. Ki nd of a l ong shot , Tr ooper J ane. Ki nd of a l ong shot , Tr ooper J ane.
( of t he RED DOTS) ( of t he RED DOTS) ( of t he RED DOTS) ( of t he RED DOTS) ( of t he RED DOTS)
Look at t he ki l l pat t er n. I t ' s a Look at t he ki l l pat t er n. I t ' s a Look at t he ki l l pat t er n. I t ' s a Look at t he ki l l pat t er n. I t ' s a Look at t he ki l l pat t er n. I t ' s a
saf e bet he t r avel ed si gni f i cant saf e bet he t r avel ed si gni f i cant saf e bet he t r avel ed si gni f i cant saf e bet he t r avel ed si gni f i cant saf e bet he t r avel ed si gni f i cant
di st ances on 70 t hr ough Ut ah, di st ances on 70 t hr ough Ut ah, di st ances on 70 t hr ough Ut ah, di st ances on 70 t hr ough Ut ah, di st ances on 70 t hr ough Ut ah,
Col or ado, Kansas, Mi ssour i , even Col or ado, Kansas, Mi ssour i , even Col or ado, Kansas, Mi ssour i , even Col or ado, Kansas, Mi ssour i , even Col or ado, Kansas, Mi ssour i , even
I l l i noi s. Never t oo pr edi ct abl y. I l l i noi s. Never t oo pr edi ct abl y. I l l i noi s. Never t oo pr edi ct abl y. I l l i noi s. Never t oo pr edi ct abl y. I l l i noi s. Never t oo pr edi ct abl y.
He' s car ef ul t hat way. . . He' s car ef ul t hat way. . . He' s car ef ul t hat way. . . He' s car ef ul t hat way. . . He' s car ef ul t hat way. . .
( showi ng on MAP) ( showi ng on MAP) ( showi ng on MAP) ( showi ng on MAP) ( showi ng on MAP)
He' s nor t h and sout h of i t , t r avel i ng He' s nor t h and sout h of i t , t r avel i ng He' s nor t h and sout h of i t , t r avel i ng He' s nor t h and sout h of i t , t r avel i ng He' s nor t h and sout h of i t , t r avel i ng
par al l el . But , never t oo f ar f r om par al l el . But , never t oo f ar f r om par al l el . But , never t oo f ar f r om par al l el . But , never t oo f ar f r om par al l el . But , never t oo f ar f r om
I nt er st at e 70. I nt er st at e 70. I nt er st at e 70. I nt er st at e 70. I nt er st at e 70.
44. 44. 44. 44. 44.
The pr obl emi s. . . even i f you ar e The pr obl emi s. . . even i f you ar e The pr obl emi s. . . even i f you ar e The pr obl emi s. . . even i f you ar e The pr obl emi s. . . even i f you ar e
r i ght , i t ' s a wi l d goose chase. r i ght , i t ' s a wi l d goose chase. r i ght , i t ' s a wi l d goose chase. r i ght , i t ' s a wi l d goose chase. r i ght , i t ' s a wi l d goose chase.
You sai d your sel f , he' s goi ng You sai d your sel f , he' s goi ng You sai d your sel f , he' s goi ng You sai d your sel f , he' s goi ng You sai d your sel f , he' s goi ng
somewher e. 70' s pr act i cal l y a somewher e. 70' s pr act i cal l y a somewher e. 70' s pr act i cal l y a somewher e. 70' s pr act i cal l y a somewher e. 70' s pr act i cal l y a
st r ai ght shot east . . . t owar ds maj or st r ai ght shot east . . . t owar ds maj or st r ai ght shot east . . . t owar ds maj or st r ai ght shot east . . . t owar ds maj or st r ai ght shot east . . . t owar ds maj or
ci t i es; Bal t i mor e, Pi t t sbur gh, Phi l l y. ci t i es; Bal t i mor e, Pi t t sbur gh, Phi l l y. ci t i es; Bal t i mor e, Pi t t sbur gh, Phi l l y. ci t i es; Bal t i mor e, Pi t t sbur gh, Phi l l y. ci t i es; Bal t i mor e, Pi t t sbur gh, Phi l l y.
New Yor k Ci t y. New Yor k Ci t y. New Yor k Ci t y. New Yor k Ci t y. New Yor k Ci t y.
He' s not headi ng t o Canada. He' s not headi ng t o Canada. He' s not headi ng t o Canada. He' s not headi ng t o Canada. He' s not headi ng t o Canada.
( si t s back, emphat i c) ( si t s back, emphat i c) ( si t s back, emphat i c) ( si t s back, emphat i c) ( si t s back, emphat i c)
He' s not t hr owi ng i n t he t owel . Not He' s not t hr owi ng i n t he t owel . Not He' s not t hr owi ng i n t he t owel . Not He' s not t hr owi ng i n t he t owel . Not He' s not t hr owi ng i n t he t owel . Not
hi m. Not yet . hi m. Not yet . hi m. Not yet . hi m. Not yet . hi m. Not yet .
J ane dr i nks. Col l i ns l ooks over t he map, dubi ous. J ane dr i nks. Col l i ns l ooks over t he map, dubi ous. J ane dr i nks. Col l i ns l ooks over t he map, dubi ous. J ane dr i nks. Col l i ns l ooks over t he map, dubi ous. J ane dr i nks. Col l i ns l ooks over t he map, dubi ous.
Ever yone' s chasi ng hi mnor t h. Ever yone' s chasi ng hi mnor t h. Ever yone' s chasi ng hi mnor t h. Ever yone' s chasi ng hi mnor t h. Ever yone' s chasi ng hi mnor t h.
Secur i ng t he bor der . They' ve got t o. Secur i ng t he bor der . They' ve got t o. Secur i ng t he bor der . They' ve got t o. Secur i ng t he bor der . They' ve got t o. Secur i ng t he bor der . They' ve got t o.
No one can st omach t he i dea of t hi s No one can st omach t he i dea of t hi s No one can st omach t he i dea of t hi s No one can st omach t he i dea of t hi s No one can st omach t he i dea of t hi s
psycho sl i ppi ng t hr ough our f i nger s. psycho sl i ppi ng t hr ough our f i nger s. psycho sl i ppi ng t hr ough our f i nger s. psycho sl i ppi ng t hr ough our f i nger s. psycho sl i ppi ng t hr ough our f i nger s.
Exact l y. Meanwhi l e. . . Exact l y. Meanwhi l e. . . Exact l y. Meanwhi l e. . . Exact l y. Meanwhi l e. . . Exact l y. Meanwhi l e. . .
J ane pages qui ckl y t hr ough t he ROAD ATLAS, sear chi ng. . . J ane pages qui ckl y t hr ough t he ROAD ATLAS, sear chi ng. . . J ane pages qui ckl y t hr ough t he ROAD ATLAS, sear chi ng. . . J ane pages qui ckl y t hr ough t he ROAD ATLAS, sear chi ng. . . J ane pages qui ckl y t hr ough t he ROAD ATLAS, sear chi ng. . .
I wor ked i t out , and i f I ' mr i ght . . . I wor ked i t out , and i f I ' mr i ght . . . I wor ked i t out , and i f I ' mr i ght . . . I wor ked i t out , and i f I ' mr i ght . . . I wor ked i t out , and i f I ' mr i ght . . .
j udgi ng by t he di st ances he' s been j udgi ng by t he di st ances he' s been j udgi ng by t he di st ances he' s been j udgi ng by t he di st ances he' s been j udgi ng by t he di st ances he' s been
aver agi ng, i n t he next day or t wo. . . aver agi ng, i n t he next day or t wo. . . aver agi ng, i n t he next day or t wo. . . aver agi ng, i n t he next day or t wo. . . aver agi ng, i n t he next day or t wo. . .
( poi nt s on MAP PAGE) ( poi nt s on MAP PAGE) ( poi nt s on MAP PAGE) ( poi nt s on MAP PAGE) ( poi nt s on MAP PAGE)
Thi s i s wher e he' l l act ual l y be. Thi s i s wher e he' l l act ual l y be. Thi s i s wher e he' l l act ual l y be. Thi s i s wher e he' l l act ual l y be. Thi s i s wher e he' l l act ual l y be.
CLOSE ON: a det ai l ed por t i on of MAP whi ch shows I NTERSTATE CLOSE ON: a det ai l ed por t i on of MAP whi ch shows I NTERSTATE CLOSE ON: a det ai l ed por t i on of MAP whi ch shows I NTERSTATE CLOSE ON: a det ai l ed por t i on of MAP whi ch shows I NTERSTATE CLOSE ON: a det ai l ed por t i on of MAP whi ch shows I NTERSTATE
70 bi sect i ng Col umbus, Ohi o, on i t s way east t o t he 70 bi sect i ng Col umbus, Ohi o, on i t s way east t o t he 70 bi sect i ng Col umbus, Ohi o, on i t s way east t o t he 70 bi sect i ng Col umbus, Ohi o, on i t s way east t o t he 70 bi sect i ng Col umbus, Ohi o, on i t s way east t o t he
Pennsyl vani a bor der . 70 f eeds i nt o and i s f ed by myr i ad Pennsyl vani a bor der . 70 f eeds i nt o and i s f ed by myr i ad Pennsyl vani a bor der . 70 f eeds i nt o and i s f ed by myr i ad Pennsyl vani a bor der . 70 f eeds i nt o and i s f ed by myr i ad Pennsyl vani a bor der . 70 f eeds i nt o and i s f ed by myr i ad
br anchi ng ROADWAYS; passes t hr ough many smal l TOWNS. br anchi ng ROADWAYS; passes t hr ough many smal l TOWNS. br anchi ng ROADWAYS; passes t hr ough many smal l TOWNS. br anchi ng ROADWAYS; passes t hr ough many smal l TOWNS. br anchi ng ROADWAYS; passes t hr ough many smal l TOWNS.
Somewher e bet ween Col umbus, Ohi o, and Somewher e bet ween Col umbus, Ohi o, and Somewher e bet ween Col umbus, Ohi o, and Somewher e bet ween Col umbus, Ohi o, and Somewher e bet ween Col umbus, Ohi o, and
Wheel i ng, West Vi r gi ni a. 110 mi l es. Wheel i ng, West Vi r gi ni a. 110 mi l es. Wheel i ng, West Vi r gi ni a. 110 mi l es. Wheel i ng, West Vi r gi ni a. 110 mi l es. Wheel i ng, West Vi r gi ni a. 110 mi l es.
25 exi t s, gi ve or t ake. That ' s t he 25 exi t s, gi ve or t ake. That ' s t he 25 exi t s, gi ve or t ake. That ' s t he 25 exi t s, gi ve or t ake. That ' s t he 25 exi t s, gi ve or t ake. That ' s t he
best chance anyone' l l have of r unni ng best chance anyone' l l have of r unni ng best chance anyone' l l have of r unni ng best chance anyone' l l have of r unni ng best chance anyone' l l have of r unni ng
hi mdown. hi mdown. hi mdown. hi mdown. hi mdown.
45. 45. 45. 45. 45.
EXT. JANE'S MOTEL -- NIGHT EXT. JANE'S MOTEL -- NIGHT EXT. JANE'S MOTEL -- NIGHT EXT. JANE'S MOTEL -- NIGHT EXT. JANE'S MOTEL -- NIGHT
Col l i ns' s car ar r i ves. J ane get s out . Col l i ns' s car ar r i ves. J ane get s out . Col l i ns' s car ar r i ves. J ane get s out . Col l i ns' s car ar r i ves. J ane get s out . Col l i ns' s car ar r i ves. J ane get s out .
Thanks f or st i cki ng your neck out . Thanks f or st i cki ng your neck out . Thanks f or st i cki ng your neck out . Thanks f or st i cki ng your neck out . Thanks f or st i cki ng your neck out .
I wi sh I coul d r epay t he f avor . I wi sh I coul d r epay t he f avor . I wi sh I coul d r epay t he f avor . I wi sh I coul d r epay t he f avor . I wi sh I coul d r epay t he f avor .
No pr obl em. I ' l l pass your t heor i es No pr obl em. I ' l l pass your t heor i es No pr obl em. I ' l l pass your t heor i es No pr obl em. I ' l l pass your t heor i es No pr obl em. I ' l l pass your t heor i es
al ong, f or what i t ' s wor t h. al ong, f or what i t ' s wor t h. al ong, f or what i t ' s wor t h. al ong, f or what i t ' s wor t h. al ong, f or what i t ' s wor t h.
Good l uck. Good l uck. Good l uck. Good l uck. Good l uck.
J ane wal ks t owar ds her r oomas Col l i ns i s pul l i ng away. J ane wal ks t owar ds her r oomas Col l i ns i s pul l i ng away. J ane wal ks t owar ds her r oomas Col l i ns i s pul l i ng away. J ane wal ks t owar ds her r oomas Col l i ns i s pul l i ng away. J ane wal ks t owar ds her r oomas Col l i ns i s pul l i ng away.
Then, Col l i ns BRAKES, REVERSES. . . Then, Col l i ns BRAKES, REVERSES. . . Then, Col l i ns BRAKES, REVERSES. . . Then, Col l i ns BRAKES, REVERSES. . . Then, Col l i ns BRAKES, REVERSES. . .
I ' mnot al l owed t o be t el l i ng you I ' mnot al l owed t o be t el l i ng you I ' mnot al l owed t o be t el l i ng you I ' mnot al l owed t o be t el l i ng you I ' mnot al l owed t o be t el l i ng you
what I ' mabout t o t el l you. what I ' mabout t o t el l you. what I ' mabout t o t el l you. what I ' mabout t o t el l you. what I ' mabout t o t el l you.
( waves J ane over ) ( waves J ane over ) ( waves J ane over ) ( waves J ane over ) ( waves J ane over )
We' ve managed t o keep t hi s f r om We' ve managed t o keep t hi s f r om We' ve managed t o keep t hi s f r om We' ve managed t o keep t hi s f r om We' ve managed t o keep t hi s f r om
becomi ng publ i c knowl edge, f or becomi ng publ i c knowl edge, f or becomi ng publ i c knowl edge, f or becomi ng publ i c knowl edge, f or becomi ng publ i c knowl edge, f or
obvi ous r easons. Ther e' s a smal l obvi ous r easons. Ther e' s a smal l obvi ous r easons. Ther e' s a smal l obvi ous r easons. Ther e' s a smal l obvi ous r easons. Ther e' s a smal l
const r uct i on and demol i t i on company, const r uct i on and demol i t i on company, const r uct i on and demol i t i on company, const r uct i on and demol i t i on company, const r uct i on and demol i t i on company,
near Kansas Ci t y. A quant i t y of near Kansas Ci t y. A quant i t y of near Kansas Ci t y. A quant i t y of near Kansas Ci t y. A quant i t y of near Kansas Ci t y. A quant i t y of
expl osi ves was st ol en. expl osi ves was st ol en. expl osi ves was st ol en. expl osi ves was st ol en. expl osi ves was st ol en.
Expl osi ves? Expl osi ves? Expl osi ves? Expl osi ves? Expl osi ves?
TNT. Twent y pounds or so. Enough t o TNT. Twent y pounds or so. Enough t o TNT. Twent y pounds or so. Enough t o TNT. Twent y pounds or so. Enough t o TNT. Twent y pounds or so. Enough t o
do si gni f i cant damage. do si gni f i cant damage. do si gni f i cant damage. do si gni f i cant damage. do si gni f i cant damage.
( of f J ane' s nod) ( of f J ane' s nod) ( of f J ane' s nod) ( of f J ane' s nod) ( of f J ane' s nod)
Be car ef ul . Be car ef ul . Be car ef ul . Be car ef ul . Be car ef ul .
INT. JANE'S MOTEL ROOM -- NIGHT INT. JANE'S MOTEL ROOM -- NIGHT INT. JANE'S MOTEL ROOM -- NIGHT INT. JANE'S MOTEL ROOM -- NIGHT INT. JANE'S MOTEL ROOM -- NIGHT
J ane ent er s, cr osses t o pi ck up her sui t case, begi ns packi ng. J ane ent er s, cr osses t o pi ck up her sui t case, begi ns packi ng. J ane ent er s, cr osses t o pi ck up her sui t case, begi ns packi ng. J ane ent er s, cr osses t o pi ck up her sui t case, begi ns packi ng. J ane ent er s, cr osses t o pi ck up her sui t case, begi ns packi ng.
EXT. JANE'S MOTEL -- MOMENTS LATER EXT. JANE'S MOTEL -- MOMENTS LATER EXT. JANE'S MOTEL -- MOMENTS LATER EXT. JANE'S MOTEL -- MOMENTS LATER EXT. JANE'S MOTEL -- MOMENTS LATER
J ane, on her cel l phone, t hr ows her sui t case i nsi de t he J ane, on her cel l phone, t hr ows her sui t case i nsi de t he J ane, on her cel l phone, t hr ows her sui t case i nsi de t he J ane, on her cel l phone, t hr ows her sui t case i nsi de t he J ane, on her cel l phone, t hr ows her sui t case i nsi de t he
camper shel l of her pi ckup, shut s t he l i f t gat e. camper shel l of her pi ckup, shut s t he l i f t gat e. camper shel l of her pi ckup, shut s t he l i f t gat e. camper shel l of her pi ckup, shut s t he l i f t gat e. camper shel l of her pi ckup, shut s t he l i f t gat e.
Sor r y t o cal l so l at e, dad, i t ' s t he Sor r y t o cal l so l at e, dad, i t ' s t he Sor r y t o cal l so l at e, dad, i t ' s t he Sor r y t o cal l so l at e, dad, i t ' s t he Sor r y t o cal l so l at e, dad, i t ' s t he
f i r st chance I got . Hey, mom. f i r st chance I got . Hey, mom. f i r st chance I got . Hey, mom. f i r st chance I got . Hey, mom. f i r st chance I got . Hey, mom.
IN THE PICKUP IN THE PICKUP IN THE PICKUP IN THE PICKUP IN THE PICKUP
J ane get s behi nd t he wheel . J ane get s behi nd t he wheel . J ane get s behi nd t he wheel . J ane get s behi nd t he wheel . J ane get s behi nd t he wheel .
46. 46. 46. 46. 46.
No, I ' mf i ne. I ' mf i ne. Ti r ed, i s No, I ' mf i ne. I ' mf i ne. Ti r ed, i s No, I ' mf i ne. I ' mf i ne. Ti r ed, i s No, I ' mf i ne. I ' mf i ne. Ti r ed, i s No, I ' mf i ne. I ' mf i ne. Ti r ed, i s
al l . I ' mi n Spr i ngf i el d, I l l i noi s. al l . I ' mi n Spr i ngf i el d, I l l i noi s. al l . I ' mi n Spr i ngf i el d, I l l i noi s. al l . I ' mi n Spr i ngf i el d, I l l i noi s. al l . I ' mi n Spr i ngf i el d, I l l i noi s.
Leavi ng f or Ohi o. Leavi ng f or Ohi o. Leavi ng f or Ohi o. Leavi ng f or Ohi o. Leavi ng f or Ohi o.
I know, but I can' t . I wi sh I I know, but I can' t . I wi sh I I know, but I can' t . I wi sh I I know, but I can' t . I wi sh I I know, but I can' t . I wi sh I
coul d. . . coul d. . . coul d. . . coul d. . . coul d. . .
J ane si t s back, l i st eni ng, agoni zi ng. J ane si t s back, l i st eni ng, agoni zi ng. J ane si t s back, l i st eni ng, agoni zi ng. J ane si t s back, l i st eni ng, agoni zi ng. J ane si t s back, l i st eni ng, agoni zi ng.
Look, you. . . you don' t know. . . you Look, you. . . you don' t know. . . you Look, you. . . you don' t know. . . you Look, you. . . you don' t know. . . you Look, you. . . you don' t know. . . you
don' t have any i dea how har d t hi s i s. don' t have any i dea how har d t hi s i s. don' t have any i dea how har d t hi s i s. don' t have any i dea how har d t hi s i s. don' t have any i dea how har d t hi s i s.
Wi t h al l of my hear t , I want t o t ur n Wi t h al l of my hear t , I want t o t ur n Wi t h al l of my hear t , I want t o t ur n Wi t h al l of my hear t , I want t o t ur n Wi t h al l of my hear t , I want t o t ur n
ar ound and go home. . . ar ound and go home. . . ar ound and go home. . . ar ound and go home. . . ar ound and go home. . .
J ane' s eyes f i l l wi t h t ear s. J ane' s eyes f i l l wi t h t ear s. J ane' s eyes f i l l wi t h t ear s. J ane' s eyes f i l l wi t h t ear s. J ane' s eyes f i l l wi t h t ear s.
But , i f I qui t . . . i f I qui t now, i t But , i f I qui t . . . i f I qui t now, i t But , i f I qui t . . . i f I qui t now, i t But , i f I qui t . . . i f I qui t now, i t But , i f I qui t . . . i f I qui t now, i t
won' t be home I ' mgoi ng back t o. won' t be home I ' mgoi ng back t o. won' t be home I ' mgoi ng back t o. won' t be home I ' mgoi ng back t o. won' t be home I ' mgoi ng back t o.
( pause, l i st eni ng) ( pause, l i st eni ng) ( pause, l i st eni ng) ( pause, l i st eni ng) ( pause, l i st eni ng)
I ' m. . . I ' msor r y, but I ' ve got t o go. I ' m. . . I ' msor r y, but I ' ve got t o go. I ' m. . . I ' msor r y, but I ' ve got t o go. I ' m. . . I ' msor r y, but I ' ve got t o go. I ' m. . . I ' msor r y, but I ' ve got t o go.
I have a whol e ni ght of dr i vi ng I have a whol e ni ght of dr i vi ng I have a whol e ni ght of dr i vi ng I have a whol e ni ght of dr i vi ng I have a whol e ni ght of dr i vi ng
ahead. I l ove you. Goodni ght . ahead. I l ove you. Goodni ght . ahead. I l ove you. Goodni ght . ahead. I l ove you. Goodni ght . ahead. I l ove you. Goodni ght .
Goodni ght . Goodni ght . Goodni ght . Goodni ght . Goodni ght .
EXT. HIGHWAY -- NIGHT EXT. HIGHWAY -- NIGHT EXT. HIGHWAY -- NIGHT EXT. HIGHWAY -- NIGHT EXT. HIGHWAY -- NIGHT
J ane' s pi ckup' s r aces al ong, HEADLI GHTS br i ef l y i l l umi nat i ng J ane' s pi ckup' s r aces al ong, HEADLI GHTS br i ef l y i l l umi nat i ng J ane' s pi ckup' s r aces al ong, HEADLI GHTS br i ef l y i l l umi nat i ng J ane' s pi ckup' s r aces al ong, HEADLI GHTS br i ef l y i l l umi nat i ng J ane' s pi ckup' s r aces al ong, HEADLI GHTS br i ef l y i l l umi nat i ng
a SI GN: " WELCOME TO I NDI ANA, Cr ossr oads of Amer i ca. " a SI GN: " WELCOME TO I NDI ANA, Cr ossr oads of Amer i ca. " a SI GN: " WELCOME TO I NDI ANA, Cr ossr oads of Amer i ca. " a SI GN: " WELCOME TO I NDI ANA, Cr ossr oads of Amer i ca. " a SI GN: " WELCOME TO I NDI ANA, Cr ossr oads of Amer i ca. "
IN JANE'S PICKUP -- IN MOTION -- NIGHT IN JANE'S PICKUP -- IN MOTION -- NIGHT IN JANE'S PICKUP -- IN MOTION -- NIGHT IN JANE'S PICKUP -- IN MOTION -- NIGHT IN JANE'S PICKUP -- IN MOTION -- NIGHT
J ane' s f ocused on t he r oadway ahead, RADI O pl ayi ng. J ane' s f ocused on t he r oadway ahead, RADI O pl ayi ng. J ane' s f ocused on t he r oadway ahead, RADI O pl ayi ng. J ane' s f ocused on t he r oadway ahead, RADI O pl ayi ng. J ane' s f ocused on t he r oadway ahead, RADI O pl ayi ng.
FEMALE EXPERT ( V. O. ) FEMALE EXPERT ( V. O. ) FEMALE EXPERT ( V. O. ) FEMALE EXPERT ( V. O. ) FEMALE EXPERT ( V. O. )
. . . at l east not t he ki nd of Sat ani sm . . . at l east not t he ki nd of Sat ani sm . . . at l east not t he ki nd of Sat ani sm . . . at l east not t he ki nd of Sat ani sm . . . at l east not t he ki nd of Sat ani sm
por t r ayed i n TV and movi es and comi c por t r ayed i n TV and movi es and comi c por t r ayed i n TV and movi es and comi c por t r ayed i n TV and movi es and comi c por t r ayed i n TV and movi es and comi c
books. Ther e ar e no secr et , bl ood- books. Ther e ar e no secr et , bl ood- books. Ther e ar e no secr et , bl ood- books. Ther e ar e no secr et , bl ood- books. Ther e ar e no secr et , bl ood-
t hi r st y Devi l Wor shi pi ng Cul t s t hi r st y Devi l Wor shi pi ng Cul t s t hi r st y Devi l Wor shi pi ng Cul t s t hi r st y Devi l Wor shi pi ng Cul t s t hi r st y Devi l Wor shi pi ng Cul t s
dot t i ng t he Amer i can l andscape. dot t i ng t he Amer i can l andscape. dot t i ng t he Amer i can l andscape. dot t i ng t he Amer i can l andscape. dot t i ng t he Amer i can l andscape.
MALE EXPERT ( V. O. ) MALE EXPERT ( V. O. ) MALE EXPERT ( V. O. ) MALE EXPERT ( V. O. ) MALE EXPERT ( V. O. )
On t he cont r ar y. I f you l ook at On t he cont r ar y. I f you l ook at On t he cont r ar y. I f you l ook at On t he cont r ar y. I f you l ook at On t he cont r ar y. I f you l ook at
cr i me st at i st i cs f r omt he smal l t owns cr i me st at i st i cs f r omt he smal l t owns cr i me st at i st i cs f r omt he smal l t owns cr i me st at i st i cs f r omt he smal l t owns cr i me st at i st i cs f r omt he smal l t owns
and you' l l see a r i se i n occul t and you' l l see a r i se i n occul t and you' l l see a r i se i n occul t and you' l l see a r i se i n occul t and you' l l see a r i se i n occul t
cr i mes; gr aveyar d vandal i sm, devi l cr i mes; gr aveyar d vandal i sm, devi l cr i mes; gr aveyar d vandal i sm, devi l cr i mes; gr aveyar d vandal i sm, devi l cr i mes; gr aveyar d vandal i sm, devi l
wor shi p gr af f i t i , cat t l e mut at i on. . . wor shi p gr af f i t i , cat t l e mut at i on. . . wor shi p gr af f i t i , cat t l e mut at i on. . . wor shi p gr af f i t i , cat t l e mut at i on. . . wor shi p gr af f i t i , cat t l e mut at i on. . .
J ane SWI TCHES CHANNELS. J ane SWI TCHES CHANNELS. J ane SWI TCHES CHANNELS. J ane SWI TCHES CHANNELS. J ane SWI TCHES CHANNELS.
47. 47. 47. 47. 47.
WOMAN' S VOI CE ( V. O. ) WOMAN' S VOI CE ( V. O. ) WOMAN' S VOI CE ( V. O. ) WOMAN' S VOI CE ( V. O. ) WOMAN' S VOI CE ( V. O. )
. . . Sl asher . . . ki l l i ng al l t hose . . . Sl asher . . . ki l l i ng al l t hose . . . Sl asher . . . ki l l i ng al l t hose . . . Sl asher . . . ki l l i ng al l t hose . . . Sl asher . . . ki l l i ng al l t hose
peopl e? When t hi s i s over , you want peopl e? When t hi s i s over , you want peopl e? When t hi s i s over , you want peopl e? When t hi s i s over , you want peopl e? When t hi s i s over , you want
t o know who' s gonna be behi nd i t ? t o know who' s gonna be behi nd i t ? t o know who' s gonna be behi nd i t ? t o know who' s gonna be behi nd i t ? t o know who' s gonna be behi nd i t ?
The gover nment . The gover nment . The gover nment . The gover nment . The gover nment .
MALE TALK SHOWHOST ( V. O. ) MALE TALK SHOWHOST ( V. O. ) MALE TALK SHOWHOST ( V. O. ) MALE TALK SHOWHOST ( V. O. ) MALE TALK SHOWHOST ( V. O. )
I s t hat r i ght , l ady? I s t hat r i ght , l ady? I s t hat r i ght , l ady? I s t hat r i ght , l ady? I s t hat r i ght , l ady?
WOMAN' S VOI CE WOMAN' S VOI CE WOMAN' S VOI CE WOMAN' S VOI CE WOMAN' S VOI CE
I ' ve r ead on t he i nt er net how our I ' ve r ead on t he i nt er net how our I ' ve r ead on t he i nt er net how our I ' ve r ead on t he i nt er net how our I ' ve r ead on t he i nt er net how our
gover nment . . . t hey' ve been keepi ng gover nment . . . t hey' ve been keepi ng gover nment . . . t hey' ve been keepi ng gover nment . . . t hey' ve been keepi ng gover nment . . . t hey' ve been keepi ng
some cr i mi nal s i n secr et mi l i t ar y some cr i mi nal s i n secr et mi l i t ar y some cr i mi nal s i n secr et mi l i t ar y some cr i mi nal s i n secr et mi l i t ar y some cr i mi nal s i n secr et mi l i t ar y
pr i sons, f or doi ng exper i ment s on. pr i sons, f or doi ng exper i ment s on. pr i sons, f or doi ng exper i ment s on. pr i sons, f or doi ng exper i ment s on. pr i sons, f or doi ng exper i ment s on.
Now one of t hose cr i mi nal s f i nal l y Now one of t hose cr i mi nal s f i nal l y Now one of t hose cr i mi nal s f i nal l y Now one of t hose cr i mi nal s f i nal l y Now one of t hose cr i mi nal s f i nal l y
escaped. . . escaped. . . escaped. . . escaped. . . escaped. . .
MALE TALK SHOWHOST ( V. O. ) MALE TALK SHOWHOST ( V. O. ) MALE TALK SHOWHOST ( V. O. ) MALE TALK SHOWHOST ( V. O. ) MALE TALK SHOWHOST ( V. O. )
I s i t a f ul l moon out t oni ght . . . ?! I s i t a f ul l moon out t oni ght . . . ?! I s i t a f ul l moon out t oni ght . . . ?! I s i t a f ul l moon out t oni ght . . . ?! I s i t a f ul l moon out t oni ght . . . ?!
J ane SWI TCHES agai n. . . J ane SWI TCHES agai n. . . J ane SWI TCHES agai n. . . J ane SWI TCHES agai n. . . J ane SWI TCHES agai n. . .
MAN' S VOI CE ( V. O. ) MAN' S VOI CE ( V. O. ) MAN' S VOI CE ( V. O. ) MAN' S VOI CE ( V. O. ) MAN' S VOI CE ( V. O. )
As Dost oyevski sai d; i f t he devi l As Dost oyevski sai d; i f t he devi l As Dost oyevski sai d; i f t he devi l As Dost oyevski sai d; i f t he devi l As Dost oyevski sai d; i f t he devi l
doesn' t r eal l y exi st , and man cr eat ed doesn' t r eal l y exi st , and man cr eat ed doesn' t r eal l y exi st , and man cr eat ed doesn' t r eal l y exi st , and man cr eat ed doesn' t r eal l y exi st , and man cr eat ed
hi m, man cr eat ed hi mi n hi s own i mage. hi m, man cr eat ed hi mi n hi s own i mage. hi m, man cr eat ed hi mi n hi s own i mage. hi m, man cr eat ed hi mi n hi s own i mage. hi m, man cr eat ed hi mi n hi s own i mage.
RADI O HOST ( V. O. ) RADI O HOST ( V. O. ) RADI O HOST ( V. O. ) RADI O HOST ( V. O. ) RADI O HOST ( V. O. )
Whose- a- what - ski sai d what now? Whose- a- what - ski sai d what now? Whose- a- what - ski sai d what now? Whose- a- what - ski sai d what now? Whose- a- what - ski sai d what now?
J ane SWI TCHES, f ed- up. Mel l ow J AZZ PLAYS. J ane' s gr at ef ul . J ane SWI TCHES, f ed- up. Mel l ow J AZZ PLAYS. J ane' s gr at ef ul . J ane SWI TCHES, f ed- up. Mel l ow J AZZ PLAYS. J ane' s gr at ef ul . J ane SWI TCHES, f ed- up. Mel l ow J AZZ PLAYS. J ane' s gr at ef ul . J ane SWI TCHES, f ed- up. Mel l ow J AZZ PLAYS. J ane' s gr at ef ul .
J AZZ RADI O DJ ( V. O. ) J AZZ RADI O DJ ( V. O. ) J AZZ RADI O DJ ( V. O. ) J AZZ RADI O DJ ( V. O. ) J AZZ RADI O DJ ( V. O. )
Yeah, t hi s i s J azzy 102. 4. We' l l Yeah, t hi s i s J azzy 102. 4. We' l l Yeah, t hi s i s J azzy 102. 4. We' l l Yeah, t hi s i s J azzy 102. 4. We' l l Yeah, t hi s i s J azzy 102. 4. We' l l
begi n anot her commer ci al - f r ee bl ock begi n anot her commer ci al - f r ee bl ock begi n anot her commer ci al - f r ee bl ock begi n anot her commer ci al - f r ee bl ock begi n anot her commer ci al - f r ee bl ock
of smoot h j azz i n a moment , but of smoot h j azz i n a moment , but of smoot h j azz i n a moment , but of smoot h j azz i n a moment , but of smoot h j azz i n a moment , but
f i r st . . . l et ' s cont i nue wi t h t oni ght ' s f i r st . . . l et ' s cont i nue wi t h t oni ght ' s f i r st . . . l et ' s cont i nue wi t h t oni ght ' s f i r st . . . l et ' s cont i nue wi t h t oni ght ' s f i r st . . . l et ' s cont i nue wi t h t oni ght ' s
Town Hal l Topi c; The Sat ani c Sl asher . Town Hal l Topi c; The Sat ani c Sl asher . Town Hal l Topi c; The Sat ani c Sl asher . Town Hal l Topi c; The Sat ani c Sl asher . Town Hal l Topi c; The Sat ani c Sl asher .
Ar chi e i s on t he l i ne, f r omChi cago. Ar chi e i s on t he l i ne, f r omChi cago. Ar chi e i s on t he l i ne, f r omChi cago. Ar chi e i s on t he l i ne, f r omChi cago. Ar chi e i s on t he l i ne, f r omChi cago.
ARCHI E ( V. O. ) ARCHI E ( V. O. ) ARCHI E ( V. O. ) ARCHI E ( V. O. ) ARCHI E ( V. O. )
Yeah, I got somet hi ng t o say, and I Yeah, I got somet hi ng t o say, and I Yeah, I got somet hi ng t o say, and I Yeah, I got somet hi ng t o say, and I Yeah, I got somet hi ng t o say, and I
hope he' s out t her e l i st eni ng t oo! hope he' s out t her e l i st eni ng t oo! hope he' s out t her e l i st eni ng t oo! hope he' s out t her e l i st eni ng t oo! hope he' s out t her e l i st eni ng t oo!
What i s WRONG wi t h you, Mr . Sl asher ?! What i s WRONG wi t h you, Mr . Sl asher ?! What i s WRONG wi t h you, Mr . Sl asher ?! What i s WRONG wi t h you, Mr . Sl asher ?! What i s WRONG wi t h you, Mr . Sl asher ?!
J ane shut s t he RADI O OFF i n exasper at i on. J ane shut s t he RADI O OFF i n exasper at i on. J ane shut s t he RADI O OFF i n exasper at i on. J ane shut s t he RADI O OFF i n exasper at i on. J ane shut s t he RADI O OFF i n exasper at i on.
INT. JANE'S PICKUP -- IN MOTION -- LATER NIGHT INT. JANE'S PICKUP -- IN MOTION -- LATER NIGHT INT. JANE'S PICKUP -- IN MOTION -- LATER NIGHT INT. JANE'S PICKUP -- IN MOTION -- LATER NIGHT INT. JANE'S PICKUP -- IN MOTION -- LATER NIGHT
THRU THE WI NDSHI ELD: headl i ght s i l l umi nat e t he r oad' s DOTTED THRU THE WI NDSHI ELD: headl i ght s i l l umi nat e t he r oad' s DOTTED THRU THE WI NDSHI ELD: headl i ght s i l l umi nat e t he r oad' s DOTTED THRU THE WI NDSHI ELD: headl i ght s i l l umi nat e t he r oad' s DOTTED THRU THE WI NDSHI ELD: headl i ght s i l l umi nat e t he r oad' s DOTTED
YELLOWLI NE, whi ch f l i cker s by wi t h a hypnot i c r hyt hm. YELLOWLI NE, whi ch f l i cker s by wi t h a hypnot i c r hyt hm. YELLOWLI NE, whi ch f l i cker s by wi t h a hypnot i c r hyt hm. YELLOWLI NE, whi ch f l i cker s by wi t h a hypnot i c r hyt hm. YELLOWLI NE, whi ch f l i cker s by wi t h a hypnot i c r hyt hm.
J ane' s st ar t i ng t o f ade, eyel i ds gr owi ng heavy. J ane' s st ar t i ng t o f ade, eyel i ds gr owi ng heavy. J ane' s st ar t i ng t o f ade, eyel i ds gr owi ng heavy. J ane' s st ar t i ng t o f ade, eyel i ds gr owi ng heavy. J ane' s st ar t i ng t o f ade, eyel i ds gr owi ng heavy.
Her eyes shut and her chi n dr ops, but t he SOUND of her Her eyes shut and her chi n dr ops, but t he SOUND of her Her eyes shut and her chi n dr ops, but t he SOUND of her Her eyes shut and her chi n dr ops, but t he SOUND of her Her eyes shut and her chi n dr ops, but t he SOUND of her
TI RES on t he SHOULDER causes her t o snap awake. TI RES on t he SHOULDER causes her t o snap awake. TI RES on t he SHOULDER causes her t o snap awake. TI RES on t he SHOULDER causes her t o snap awake. TI RES on t he SHOULDER causes her t o snap awake.
48. 48. 48. 48. 48.
FURTHER DOWN THE ROAD FURTHER DOWN THE ROAD FURTHER DOWN THE ROAD FURTHER DOWN THE ROAD FURTHER DOWN THE ROAD
J ane pul l s over , par ki ng a saf e di st ance f r omt he r oadway. J ane pul l s over , par ki ng a saf e di st ance f r omt he r oadway. J ane pul l s over , par ki ng a saf e di st ance f r omt he r oadway. J ane pul l s over , par ki ng a saf e di st ance f r omt he r oadway. J ane pul l s over , par ki ng a saf e di st ance f r omt he r oadway.
She t ur ns t he engi ne and headl i ght s of f . She t ur ns t he engi ne and headl i ght s of f . She t ur ns t he engi ne and headl i ght s of f . She t ur ns t he engi ne and headl i ght s of f . She t ur ns t he engi ne and headl i ght s of f .
IN JANE'S PICKUP IN JANE'S PICKUP IN JANE'S PICKUP IN JANE'S PICKUP IN JANE'S PICKUP
Anot her CAR r aces by. J ane l ocks t he door s, get s her Magnum Anot her CAR r aces by. J ane l ocks t he door s, get s her Magnum Anot her CAR r aces by. J ane l ocks t he door s, get s her Magnum Anot her CAR r aces by. J ane l ocks t he door s, get s her Magnum Anot her CAR r aces by. J ane l ocks t he door s, get s her Magnum
f r omt he gl ove compar t ment , put s i t on t he seat besi de her . f r omt he gl ove compar t ment , put s i t on t he seat besi de her . f r omt he gl ove compar t ment , put s i t on t he seat besi de her . f r omt he gl ove compar t ment , put s i t on t he seat besi de her . f r omt he gl ove compar t ment , put s i t on t he seat besi de her .
Set t l i ng back, she shut s her eyes. Rest i ng. Set t l i ng back, she shut s her eyes. Rest i ng. Set t l i ng back, she shut s her eyes. Rest i ng. Set t l i ng back, she shut s her eyes. Rest i ng. Set t l i ng back, she shut s her eyes. Rest i ng.
EXT. HIGHWAY -- LATER NIGHT EXT. HIGHWAY -- LATER NIGHT EXT. HIGHWAY -- LATER NIGHT EXT. HIGHWAY -- LATER NIGHT EXT. HIGHWAY -- LATER NIGHT
J ane' s pi ckup si t s i n dar kness. J ane' s pi ckup si t s i n dar kness. J ane' s pi ckup si t s i n dar kness. J ane' s pi ckup si t s i n dar kness. J ane' s pi ckup si t s i n dar kness.
J ane' s sl umped down acr oss t he f r ont seat , asl eep. J ane' s sl umped down acr oss t he f r ont seat , asl eep. J ane' s sl umped down acr oss t he f r ont seat , asl eep. J ane' s sl umped down acr oss t he f r ont seat , asl eep. J ane' s sl umped down acr oss t he f r ont seat , asl eep.
She GASPS awake, si t t i ng up, as i f st ar t l ed f r oma She GASPS awake, si t t i ng up, as i f st ar t l ed f r oma She GASPS awake, si t t i ng up, as i f st ar t l ed f r oma She GASPS awake, si t t i ng up, as i f st ar t l ed f r oma She GASPS awake, si t t i ng up, as i f st ar t l ed f r oma
ni ght mar e. She l ooks ar ound, di sor i ent ed. ni ght mar e. She l ooks ar ound, di sor i ent ed. ni ght mar e. She l ooks ar ound, di sor i ent ed. ni ght mar e. She l ooks ar ound, di sor i ent ed. ni ght mar e. She l ooks ar ound, di sor i ent ed.
She r eaches t o t ur n on t he HEADLI GHTS: not hi ng out t her e. She r eaches t o t ur n on t he HEADLI GHTS: not hi ng out t her e. She r eaches t o t ur n on t he HEADLI GHTS: not hi ng out t her e. She r eaches t o t ur n on t he HEADLI GHTS: not hi ng out t her e. She r eaches t o t ur n on t he HEADLI GHTS: not hi ng out t her e.
J ane cl i mbs f r omt he passenger si de, her pi st ol r ai sed. J ane cl i mbs f r omt he passenger si de, her pi st ol r ai sed. J ane cl i mbs f r omt he passenger si de, her pi st ol r ai sed. J ane cl i mbs f r omt he passenger si de, her pi st ol r ai sed. J ane cl i mbs f r omt he passenger si de, her pi st ol r ai sed.
She' s ut t er l y al one i n t he mi ddl e of nowher e. She' s ut t er l y al one i n t he mi ddl e of nowher e. She' s ut t er l y al one i n t he mi ddl e of nowher e. She' s ut t er l y al one i n t he mi ddl e of nowher e. She' s ut t er l y al one i n t he mi ddl e of nowher e.
Al l i s eer i l y qui et as she sl owl y moves ar ound t o t he back Al l i s eer i l y qui et as she sl owl y moves ar ound t o t he back Al l i s eer i l y qui et as she sl owl y moves ar ound t o t he back Al l i s eer i l y qui et as she sl owl y moves ar ound t o t he back Al l i s eer i l y qui et as she sl owl y moves ar ound t o t he back
of t he t r uck. . . of t he t r uck. . . of t he t r uck. . . of t he t r uck. . . of t he t r uck. . .
She di scover s no one t her e. She di scover s no one t her e. She di scover s no one t her e. She di scover s no one t her e. She di scover s no one t her e.
J ane edges f or war d t o peer ar ound t o t he dr i ver ' s si de. J ane edges f or war d t o peer ar ound t o t he dr i ver ' s si de. J ane edges f or war d t o peer ar ound t o t he dr i ver ' s si de. J ane edges f or war d t o peer ar ound t o t he dr i ver ' s si de. J ane edges f or war d t o peer ar ound t o t he dr i ver ' s si de.
She t ur ns, gun poi nt ed, sur veyi ng t he near by f i el ds and She t ur ns, gun poi nt ed, sur veyi ng t he near by f i el ds and She t ur ns, gun poi nt ed, sur veyi ng t he near by f i el ds and She t ur ns, gun poi nt ed, sur veyi ng t he near by f i el ds and She t ur ns, gun poi nt ed, sur veyi ng t he near by f i el ds and
f or est s beyond. Fol i age undul at es, r ust l i ng. Hundr eds of f or est s beyond. Fol i age undul at es, r ust l i ng. Hundr eds of f or est s beyond. Fol i age undul at es, r ust l i ng. Hundr eds of f or est s beyond. Fol i age undul at es, r ust l i ng. Hundr eds of f or est s beyond. Fol i age undul at es, r ust l i ng. Hundr eds of
st ar s shi ne down f r omabove. J ane l ower s her weapon. st ar s shi ne down f r omabove. J ane l ower s her weapon. st ar s shi ne down f r omabove. J ane l ower s her weapon. st ar s shi ne down f r omabove. J ane l ower s her weapon. st ar s shi ne down f r omabove. J ane l ower s her weapon.
She l ooks down t he r oad, t he way she came. Empt y f or mi l es. She l ooks down t he r oad, t he way she came. Empt y f or mi l es. She l ooks down t he r oad, t he way she came. Empt y f or mi l es. She l ooks down t he r oad, t he way she came. Empt y f or mi l es. She l ooks down t he r oad, t he way she came. Empt y f or mi l es.
EXT. INTERSTATE 70 -- DAWN EXT. INTERSTATE 70 -- DAWN EXT. INTERSTATE 70 -- DAWN EXT. INTERSTATE 70 -- DAWN EXT. INTERSTATE 70 -- DAWN
FOLLOWJ ane' s r ed Chevy. FOLLOWJ ane' s r ed Chevy. FOLLOWJ ane' s r ed Chevy. FOLLOWJ ane' s r ed Chevy. FOLLOWJ ane' s r ed Chevy.
We' r e aski ng al l t he maj or , East We' r e aski ng al l t he maj or , East We' r e aski ng al l t he maj or , East We' r e aski ng al l t he maj or , East We' r e aski ng al l t he maj or , East
Coast hot el chai ns t o hel p us f i nd Coast hot el chai ns t o hel p us f i nd Coast hot el chai ns t o hel p us f i nd Coast hot el chai ns t o hel p us f i nd Coast hot el chai ns t o hel p us f i nd
t he Sl asher , yes, si r . . . t he Sl asher , yes, si r . . . t he Sl asher , yes, si r . . . t he Sl asher , yes, si r . . . t he Sl asher , yes, si r . . .
INT. JANE'S PICKUP -- IN MOTION -- DAWN INT. JANE'S PICKUP -- IN MOTION -- DAWN INT. JANE'S PICKUP -- IN MOTION -- DAWN INT. JANE'S PICKUP -- IN MOTION -- DAWN INT. JANE'S PICKUP -- IN MOTION -- DAWN
J ane dr i ves, on her phone, as al ways. J ane dr i ves, on her phone, as al ways. J ane dr i ves, on her phone, as al ways. J ane dr i ves, on her phone, as al ways. J ane dr i ves, on her phone, as al ways.
49. 49. 49. 49. 49.
I t ' s especi al l y i mpor t ant you pass I t ' s especi al l y i mpor t ant you pass I t ' s especi al l y i mpor t ant you pass I t ' s especi al l y i mpor t ant you pass I t ' s especi al l y i mpor t ant you pass
t hi s i nf or mat i on al ong t o any of your t hi s i nf or mat i on al ong t o any of your t hi s i nf or mat i on al ong t o any of your t hi s i nf or mat i on al ong t o any of your t hi s i nf or mat i on al ong t o any of your
hot el s of f of I nt er st at e 70, east of hot el s of f of I nt er st at e 70, east of hot el s of f of I nt er st at e 70, east of hot el s of f of I nt er st at e 70, east of hot el s of f of I nt er st at e 70, east of
Col umbus, Ohi o. Col umbus, Ohi o. Col umbus, Ohi o. Col umbus, Ohi o. Col umbus, Ohi o.
THRU THE WI NDSHI ELD: t her e' s an EXI T SI GN f or " COLUMBUS. " THRU THE WI NDSHI ELD: t her e' s an EXI T SI GN f or " COLUMBUS. " THRU THE WI NDSHI ELD: t her e' s an EXI T SI GN f or " COLUMBUS. " THRU THE WI NDSHI ELD: t her e' s an EXI T SI GN f or " COLUMBUS. " THRU THE WI NDSHI ELD: t her e' s an EXI T SI GN f or " COLUMBUS. "
EXT. DOWNTOWN COLUMBUS -- DAWN EXT. DOWNTOWN COLUMBUS -- DAWN EXT. DOWNTOWN COLUMBUS -- DAWN EXT. DOWNTOWN COLUMBUS -- DAWN EXT. DOWNTOWN COLUMBUS -- DAWN
J ane' s pi ckup speeds down t he exi t r amp ont o DOWNTOWN J ane' s pi ckup speeds down t he exi t r amp ont o DOWNTOWN J ane' s pi ckup speeds down t he exi t r amp ont o DOWNTOWN J ane' s pi ckup speeds down t he exi t r amp ont o DOWNTOWN J ane' s pi ckup speeds down t he exi t r amp ont o DOWNTOWN
STREETS. The ci t y' s awakeni ng. A STREET CLEANER cr ui ses. STREETS. The ci t y' s awakeni ng. A STREET CLEANER cr ui ses. STREETS. The ci t y' s awakeni ng. A STREET CLEANER cr ui ses. STREETS. The ci t y' s awakeni ng. A STREET CLEANER cr ui ses. STREETS. The ci t y' s awakeni ng. A STREET CLEANER cr ui ses.
The suspect i s al most cer t ai nl y a The suspect i s al most cer t ai nl y a The suspect i s al most cer t ai nl y a The suspect i s al most cer t ai nl y a The suspect i s al most cer t ai nl y a
whi t e mal e. Of aver age hei ght . whi t e mal e. Of aver age hei ght . whi t e mal e. Of aver age hei ght . whi t e mal e. Of aver age hei ght . whi t e mal e. Of aver age hei ght .
St ocky bui l d. Tr avel i ng al one. He St ocky bui l d. Tr avel i ng al one. He St ocky bui l d. Tr avel i ng al one. He St ocky bui l d. Tr avel i ng al one. He St ocky bui l d. Tr avel i ng al one. He
pays i n cash. He wi l l not of f er any pays i n cash. He wi l l not of f er any pays i n cash. He wi l l not of f er any pays i n cash. He wi l l not of f er any pays i n cash. He wi l l not of f er any
i dent i f i cat i on i f asked. i dent i f i cat i on i f asked. i dent i f i cat i on i f asked. i dent i f i cat i on i f asked. i dent i f i cat i on i f asked.
J ane' s pi ckup pul l s over t o t he cur b, par ks. J ane' s pi ckup pul l s over t o t he cur b, par ks. J ane' s pi ckup pul l s over t o t he cur b, par ks. J ane' s pi ckup pul l s over t o t he cur b, par ks. J ane' s pi ckup pul l s over t o t he cur b, par ks.
IN JANE'S PICKUP -- CONTINUOUS IN JANE'S PICKUP -- CONTINUOUS IN JANE'S PICKUP -- CONTINUOUS IN JANE'S PICKUP -- CONTINUOUS IN JANE'S PICKUP -- CONTINUOUS
Most l i kel y, he wi l l be on f oot , Most l i kel y, he wi l l be on f oot , Most l i kel y, he wi l l be on f oot , Most l i kel y, he wi l l be on f oot , Most l i kel y, he wi l l be on f oot ,
havi ng l ef t hi s vehi cl e wi t hi n havi ng l ef t hi s vehi cl e wi t hi n havi ng l ef t hi s vehi cl e wi t hi n havi ng l ef t hi s vehi cl e wi t hi n havi ng l ef t hi s vehi cl e wi t hi n
wal ki ng di st ance. Woul d you l i ke me wal ki ng di st ance. Woul d you l i ke me wal ki ng di st ance. Woul d you l i ke me wal ki ng di st ance. Woul d you l i ke me wal ki ng di st ance. Woul d you l i ke me
t o r epeat any of t hi s? t o r epeat any of t hi s? t o r epeat any of t hi s? t o r epeat any of t hi s? t o r epeat any of t hi s?
J ane wor ks her l apt op, usi ng GOOGLE EARTH. . . J ane wor ks her l apt op, usi ng GOOGLE EARTH. . . J ane wor ks her l apt op, usi ng GOOGLE EARTH. . . J ane wor ks her l apt op, usi ng GOOGLE EARTH. . . J ane wor ks her l apt op, usi ng GOOGLE EARTH. . .
ZOOMI NG i n on a bi r d' s- eye vi ew of COLUMBUS, OHI O. ZOOMI NG i n on a bi r d' s- eye vi ew of COLUMBUS, OHI O. ZOOMI NG i n on a bi r d' s- eye vi ew of COLUMBUS, OHI O. ZOOMI NG i n on a bi r d' s- eye vi ew of COLUMBUS, OHI O. ZOOMI NG i n on a bi r d' s- eye vi ew of COLUMBUS, OHI O.
What ever you do, do not conf r ont t hi s What ever you do, do not conf r ont t hi s What ever you do, do not conf r ont t hi s What ever you do, do not conf r ont t hi s What ever you do, do not conf r ont t hi s
man. I f you have any suspi ci ons man. I f you have any suspi ci ons man. I f you have any suspi ci ons man. I f you have any suspi ci ons man. I f you have any suspi ci ons
about a guest you f eel f i t s t hi s about a guest you f eel f i t s t hi s about a guest you f eel f i t s t hi s about a guest you f eel f i t s t hi s about a guest you f eel f i t s t hi s
descr i pt i on, cal l 911. descr i pt i on, cal l 911. descr i pt i on, cal l 911. descr i pt i on, cal l 911. descr i pt i on, cal l 911.
ON THE LAPTOP: as t he ci t y of "COLUMBUS" gr ows cl oser and ON THE LAPTOP: as t he ci t y of "COLUMBUS" gr ows cl oser and ON THE LAPTOP: as t he ci t y of "COLUMBUS" gr ows cl oser and ON THE LAPTOP: as t he ci t y of "COLUMBUS" gr ows cl oser and ON THE LAPTOP: as t he ci t y of "COLUMBUS" gr ows cl oser and
cl oser - - BUI LDI NGS and STREETS comi ng i nt o shar p r el i ef - - cl oser - - BUI LDI NGS and STREETS comi ng i nt o shar p r el i ef - - cl oser - - BUI LDI NGS and STREETS comi ng i nt o shar p r el i ef - - cl oser - - BUI LDI NGS and STREETS comi ng i nt o shar p r el i ef - - cl oser - - BUI LDI NGS and STREETS comi ng i nt o shar p r el i ef - -
a DOZEN PI NK BEDS appear i n t he busy gr i d of st r eet s maki ng a DOZEN PI NK BEDS appear i n t he busy gr i d of st r eet s maki ng a DOZEN PI NK BEDS appear i n t he busy gr i d of st r eet s maki ng a DOZEN PI NK BEDS appear i n t he busy gr i d of st r eet s maki ng a DOZEN PI NK BEDS appear i n t he busy gr i d of st r eet s maki ng
up t he DOWNTOWN ar ea, each PI NK I CON r epr esent i ng LODGI NG. up t he DOWNTOWN ar ea, each PI NK I CON r epr esent i ng LODGI NG. up t he DOWNTOWN ar ea, each PI NK I CON r epr esent i ng LODGI NG. up t he DOWNTOWN ar ea, each PI NK I CON r epr esent i ng LODGI NG. up t he DOWNTOWN ar ea, each PI NK I CON r epr esent i ng LODGI NG.
And i mmedi at el y af t er war ds, cal l t he And i mmedi at el y af t er war ds, cal l t he And i mmedi at el y af t er war ds, cal l t he And i mmedi at el y af t er war ds, cal l t he And i mmedi at el y af t er war ds, cal l t he
f ol l owi ng emer gency r esponse number ; f ol l owi ng emer gency r esponse number ; f ol l owi ng emer gency r esponse number ; f ol l owi ng emer gency r esponse number ; f ol l owi ng emer gency r esponse number ;
785- 555- 1322. Di d you get t hat ? 785- 555- 1322. Di d you get t hat ? 785- 555- 1322. Di d you get t hat ? 785- 555- 1322. Di d you get t hat ? 785- 555- 1322. Di d you get t hat ?
ON THE LAPTOP: J ane moves t he cur sor ARROWover one ON THE LAPTOP: J ane moves t he cur sor ARROWover one ON THE LAPTOP: J ane moves t he cur sor ARROWover one ON THE LAPTOP: J ane moves t he cur sor ARROWover one ON THE LAPTOP: J ane moves t he cur sor ARROWover one
" l odgi ng" i con, whi ch opens a WORD BALLOON: " MIDTOWN MOTEL, " l odgi ng" i con, whi ch opens a WORD BALLOON: " MIDTOWN MOTEL, " l odgi ng" i con, whi ch opens a WORD BALLOON: " MIDTOWN MOTEL, " l odgi ng" i con, whi ch opens a WORD BALLOON: " MIDTOWN MOTEL, " l odgi ng" i con, whi ch opens a WORD BALLOON: " MIDTOWN MOTEL,
10 High Street N, Columbus, OH, 43215, phone: 614-555-4302. " 10 High Street N, Columbus, OH, 43215, phone: 614-555-4302. " 10 High Street N, Columbus, OH, 43215, phone: 614-555-4302. " 10 High Street N, Columbus, OH, 43215, phone: 614-555-4302. " 10 High Street N, Columbus, OH, 43215, phone: 614-555-4302. "
J ane shoul der s her cel l , scr i bbl i ng t he i nf o i n her NOTEBOOK. J ane shoul der s her cel l , scr i bbl i ng t he i nf o i n her NOTEBOOK. J ane shoul der s her cel l , scr i bbl i ng t he i nf o i n her NOTEBOOK. J ane shoul der s her cel l , scr i bbl i ng t he i nf o i n her NOTEBOOK. J ane shoul der s her cel l , scr i bbl i ng t he i nf o i n her NOTEBOOK.
50. 50. 50. 50. 50.
Ther e' s a subst ant i al r ewar d Ther e' s a subst ant i al r ewar d Ther e' s a subst ant i al r ewar d Ther e' s a subst ant i al r ewar d Ther e' s a subst ant i al r ewar d
i nvol ved. We i n l aw enf or cement i nvol ved. We i n l aw enf or cement i nvol ved. We i n l aw enf or cement i nvol ved. We i n l aw enf or cement i nvol ved. We i n l aw enf or cement
t hank you si ncer el y f or your t hank you si ncer el y f or your t hank you si ncer el y f or your t hank you si ncer el y f or your t hank you si ncer el y f or your
assi st ance and cooper at i on. assi st ance and cooper at i on. assi st ance and cooper at i on. assi st ance and cooper at i on. assi st ance and cooper at i on.
J ane hangs up, r et ur ns t o wor ki ng t he l apt op. J ane hangs up, r et ur ns t o wor ki ng t he l apt op. J ane hangs up, r et ur ns t o wor ki ng t he l apt op. J ane hangs up, r et ur ns t o wor ki ng t he l apt op. J ane hangs up, r et ur ns t o wor ki ng t he l apt op.
EXT. "THE MIDTOWN" MOTEL -- DAY -- MONTAGE EXT. "THE MIDTOWN" MOTEL -- DAY -- MONTAGE EXT. "THE MIDTOWN" MOTEL -- DAY -- MONTAGE EXT. "THE MIDTOWN" MOTEL -- DAY -- MONTAGE EXT. "THE MIDTOWN" MOTEL -- DAY -- MONTAGE
J ane' s pi ckup ar r i ves at t hi s r at her haggar d MOTEL. J ane' s pi ckup ar r i ves at t hi s r at her haggar d MOTEL. J ane' s pi ckup ar r i ves at t hi s r at her haggar d MOTEL. J ane' s pi ckup ar r i ves at t hi s r at her haggar d MOTEL. J ane' s pi ckup ar r i ves at t hi s r at her haggar d MOTEL.
IN THE MOTEL'S LOBBY IN THE MOTEL'S LOBBY IN THE MOTEL'S LOBBY IN THE MOTEL'S LOBBY IN THE MOTEL'S LOBBY
J ane, i n J ACKET, f l ashes her badge, l eans on t he COUNTER. J ane, i n J ACKET, f l ashes her badge, l eans on t he COUNTER. J ane, i n J ACKET, f l ashes her badge, l eans on t he COUNTER. J ane, i n J ACKET, f l ashes her badge, l eans on t he COUNTER. J ane, i n J ACKET, f l ashes her badge, l eans on t he COUNTER.
The FEMALE OWNER, i n DRESSI NG GOWN, peer s over BI FOCALS. The FEMALE OWNER, i n DRESSI NG GOWN, peer s over BI FOCALS. The FEMALE OWNER, i n DRESSI NG GOWN, peer s over BI FOCALS. The FEMALE OWNER, i n DRESSI NG GOWN, peer s over BI FOCALS. The FEMALE OWNER, i n DRESSI NG GOWN, peer s over BI FOCALS.
Of f i cer Thor ne. Speci al Of f i cer Thor ne. Speci al Of f i cer Thor ne. Speci al Of f i cer Thor ne. Speci al Of f i cer Thor ne. Speci al
I nvest i gat i on. I f I coul d ask you a I nvest i gat i on. I f I coul d ask you a I nvest i gat i on. I f I coul d ask you a I nvest i gat i on. I f I coul d ask you a I nvest i gat i on. I f I coul d ask you a
f ew quest i ons, maybe have you hel p us f ew quest i ons, maybe have you hel p us f ew quest i ons, maybe have you hel p us f ew quest i ons, maybe have you hel p us f ew quest i ons, maybe have you hel p us
keep an eye out f or a suspect . . . keep an eye out f or a suspect . . . keep an eye out f or a suspect . . . keep an eye out f or a suspect . . . keep an eye out f or a suspect . . .
COLUMBUS, OHIO -- MOTEL MONTAGE -- DAY COLUMBUS, OHIO -- MOTEL MONTAGE -- DAY COLUMBUS, OHIO -- MOTEL MONTAGE -- DAY COLUMBUS, OHIO -- MOTEL MONTAGE -- DAY COLUMBUS, OHIO -- MOTEL MONTAGE -- DAY
- I n var i ous HOTEL and MOTEL LOBBI ES. . . - I n var i ous HOTEL and MOTEL LOBBI ES. . . - I n var i ous HOTEL and MOTEL LOBBI ES. . . - I n var i ous HOTEL and MOTEL LOBBI ES. . . - I n var i ous HOTEL and MOTEL LOBBI ES. . .
J ane keeps casual l y showi ng her badge and speaki ng t o many J ane keeps casual l y showi ng her badge and speaki ng t o many J ane keeps casual l y showi ng her badge and speaki ng t o many J ane keeps casual l y showi ng her badge and speaki ng t o many J ane keeps casual l y showi ng her badge and speaki ng t o many
DI FFERENT CLERKS and OWNERS, al l of whompay at t ent i on, DI FFERENT CLERKS and OWNERS, al l of whompay at t ent i on, DI FFERENT CLERKS and OWNERS, al l of whompay at t ent i on, DI FFERENT CLERKS and OWNERS, al l of whompay at t ent i on, DI FFERENT CLERKS and OWNERS, al l of whompay at t ent i on,
mor e- or - l ess, t o her aut hor i t at i ve spi el . mor e- or - l ess, t o her aut hor i t at i ve spi el . mor e- or - l ess, t o her aut hor i t at i ve spi el . mor e- or - l ess, t o her aut hor i t at i ve spi el . mor e- or - l ess, t o her aut hor i t at i ve spi el .
EXT. DOWNTOWN COLUMBUS -- DAY -- MONTAGE EXT. DOWNTOWN COLUMBUS -- DAY -- MONTAGE EXT. DOWNTOWN COLUMBUS -- DAY -- MONTAGE EXT. DOWNTOWN COLUMBUS -- DAY -- MONTAGE EXT. DOWNTOWN COLUMBUS -- DAY -- MONTAGE
Ami dst busy DOWNTOWN TRAFFI C, J ane i s seat ed on t he hood of Ami dst busy DOWNTOWN TRAFFI C, J ane i s seat ed on t he hood of Ami dst busy DOWNTOWN TRAFFI C, J ane i s seat ed on t he hood of Ami dst busy DOWNTOWN TRAFFI C, J ane i s seat ed on t he hood of Ami dst busy DOWNTOWN TRAFFI C, J ane i s seat ed on t he hood of
her par ked pi ckup, t ypi ng on her l apt op. her par ked pi ckup, t ypi ng on her l apt op. her par ked pi ckup, t ypi ng on her l apt op. her par ked pi ckup, t ypi ng on her l apt op. her par ked pi ckup, t ypi ng on her l apt op.
ON THE LAPTOP: as Googl e Ear t h ZOOMS i n on " ZANESVILLE, " ON THE LAPTOP: as Googl e Ear t h ZOOMS i n on " ZANESVILLE, " ON THE LAPTOP: as Googl e Ear t h ZOOMS i n on " ZANESVILLE, " ON THE LAPTOP: as Googl e Ear t h ZOOMS i n on " ZANESVILLE, " ON THE LAPTOP: as Googl e Ear t h ZOOMS i n on " ZANESVILLE, "
l odgi ng i ndi cat or s POP UP al ongsi de I NTERSTATE 70. l odgi ng i ndi cat or s POP UP al ongsi de I NTERSTATE 70. l odgi ng i ndi cat or s POP UP al ongsi de I NTERSTATE 70. l odgi ng i ndi cat or s POP UP al ongsi de I NTERSTATE 70. l odgi ng i ndi cat or s POP UP al ongsi de I NTERSTATE 70.
INT. JANE'S PICKUP -- IN MOTION -- DAY -- MONTAGE INT. JANE'S PICKUP -- IN MOTION -- DAY -- MONTAGE INT. JANE'S PICKUP -- IN MOTION -- DAY -- MONTAGE INT. JANE'S PICKUP -- IN MOTION -- DAY -- MONTAGE INT. JANE'S PICKUP -- IN MOTION -- DAY -- MONTAGE
J ane dr i ves. J ane dr i ves. J ane dr i ves. J ane dr i ves. J ane dr i ves.
REPORTER' S VOI CE ( V. O. , O. S. ) REPORTER' S VOI CE ( V. O. , O. S. ) REPORTER' S VOI CE ( V. O. , O. S. ) REPORTER' S VOI CE ( V. O. , O. S. ) REPORTER' S VOI CE ( V. O. , O. S. )
. . . a l ong l i st of j uveni l e of f enses, . . . a l ong l i st of j uveni l e of f enses, . . . a l ong l i st of j uveni l e of f enses, . . . a l ong l i st of j uveni l e of f enses, . . . a l ong l i st of j uveni l e of f enses,
he was equal l y t r oubl ed as an adul t . he was equal l y t r oubl ed as an adul t . he was equal l y t r oubl ed as an adul t . he was equal l y t r oubl ed as an adul t . he was equal l y t r oubl ed as an adul t .
Cl ai mi ng t hat he was at t empt i ng t o Cl ai mi ng t hat he was at t empt i ng t o Cl ai mi ng t hat he was at t empt i ng t o Cl ai mi ng t hat he was at t empt i ng t o Cl ai mi ng t hat he was at t empt i ng t o
conj ur e Sat an. . . conj ur e Sat an. . . conj ur e Sat an. . . conj ur e Sat an. . . conj ur e Sat an. . .
Besi de J ane, her l apt op pl ays ol d NEWS FOOTAGE f r omt he Besi de J ane, her l apt op pl ays ol d NEWS FOOTAGE f r omt he Besi de J ane, her l apt op pl ays ol d NEWS FOOTAGE f r omt he Besi de J ane, her l apt op pl ays ol d NEWS FOOTAGE f r omt he Besi de J ane, her l apt op pl ays ol d NEWS FOOTAGE f r omt he
i nt er net ; VI DEO I MAGES showi ng POLI CEMEN and SWAT OFFI CERS i nt er net ; VI DEO I MAGES showi ng POLI CEMEN and SWAT OFFI CERS i nt er net ; VI DEO I MAGES showi ng POLI CEMEN and SWAT OFFI CERS i nt er net ; VI DEO I MAGES showi ng POLI CEMEN and SWAT OFFI CERS i nt er net ; VI DEO I MAGES showi ng POLI CEMEN and SWAT OFFI CERS
t aki ng up posi t i ons out si de a got hi c CHURCH. ( Same chur ch t aki ng up posi t i ons out si de a got hi c CHURCH. ( Same chur ch t aki ng up posi t i ons out si de a got hi c CHURCH. ( Same chur ch t aki ng up posi t i ons out si de a got hi c CHURCH. ( Same chur ch t aki ng up posi t i ons out si de a got hi c CHURCH. ( Same chur ch
wher e we' ve seen t he band Baphomet posed f or t he LP cover . ) wher e we' ve seen t he band Baphomet posed f or t he LP cover . ) wher e we' ve seen t he band Baphomet posed f or t he LP cover . ) wher e we' ve seen t he band Baphomet posed f or t he LP cover . ) wher e we' ve seen t he band Baphomet posed f or t he LP cover . )
51. 51. 51. 51. 51.
REPORTER' S VOI CE ( V. O. ) REPORTER' S VOI CE ( V. O. ) REPORTER' S VOI CE ( V. O. ) REPORTER' S VOI CE ( V. O. ) REPORTER' S VOI CE ( V. O. )
( f r omLAPTOP) ( f r omLAPTOP) ( f r omLAPTOP) ( f r omLAPTOP) ( f r omLAPTOP)
Ri char d Leonar d Reeves r i t ual l y Ri char d Leonar d Reeves r i t ual l y Ri char d Leonar d Reeves r i t ual l y Ri char d Leonar d Reeves r i t ual l y Ri char d Leonar d Reeves r i t ual l y
sl aught er ed t he 13 men and women he sl aught er ed t he 13 men and women he sl aught er ed t he 13 men and women he sl aught er ed t he 13 men and women he sl aught er ed t he 13 men and women he
br i ef l y hel d host age i nsi de t he br i ef l y hel d host age i nsi de t he br i ef l y hel d host age i nsi de t he br i ef l y hel d host age i nsi de t he br i ef l y hel d host age i nsi de t he
chur ch t hat Oct ober day. I n a chur ch t hat Oct ober day. I n a chur ch t hat Oct ober day. I n a chur ch t hat Oct ober day. I n a chur ch t hat Oct ober day. I n a
coor di nat ed si ege upon t he chur ch, coor di nat ed si ege upon t he chur ch, coor di nat ed si ege upon t he chur ch, coor di nat ed si ege upon t he chur ch, coor di nat ed si ege upon t he chur ch,
Har r i sbur g pol i ce of f i cer s managed t o Har r i sbur g pol i ce of f i cer s managed t o Har r i sbur g pol i ce of f i cer s managed t o Har r i sbur g pol i ce of f i cer s managed t o Har r i sbur g pol i ce of f i cer s managed t o
capt ur e Reeves al i ve. capt ur e Reeves al i ve. capt ur e Reeves al i ve. capt ur e Reeves al i ve. capt ur e Reeves al i ve.
J ane gl ances down at t he l apt op. . . J ane gl ances down at t he l apt op. . . J ane gl ances down at t he l apt op. . . J ane gl ances down at t he l apt op. . . J ane gl ances down at t he l apt op. . .
ON THE LAPTOP: RI CHARD LEONARD REEVES i s shown i n COURT, i n ON THE LAPTOP: RI CHARD LEONARD REEVES i s shown i n COURT, i n ON THE LAPTOP: RI CHARD LEONARD REEVES i s shown i n COURT, i n ON THE LAPTOP: RI CHARD LEONARD REEVES i s shown i n COURT, i n ON THE LAPTOP: RI CHARD LEONARD REEVES i s shown i n COURT, i n
SHACKLES and pr i son J UMPSUI T, hi s head bowed f or war d so t hat SHACKLES and pr i son J UMPSUI T, hi s head bowed f or war d so t hat SHACKLES and pr i son J UMPSUI T, hi s head bowed f or war d so t hat SHACKLES and pr i son J UMPSUI T, hi s head bowed f or war d so t hat SHACKLES and pr i son J UMPSUI T, hi s head bowed f or war d so t hat
hi s l ong, br own hai r hi des hi s f ace. A CLOSE- UP SHOT shows hi s l ong, br own hai r hi des hi s f ace. A CLOSE- UP SHOT shows hi s l ong, br own hai r hi des hi s f ace. A CLOSE- UP SHOT shows hi s l ong, br own hai r hi des hi s f ace. A CLOSE- UP SHOT shows hi s l ong, br own hai r hi des hi s f ace. A CLOSE- UP SHOT shows
a TATTOO on Reeve' s l ef t hand: " No Mer cy. " a TATTOO on Reeve' s l ef t hand: " No Mer cy. " a TATTOO on Reeve' s l ef t hand: " No Mer cy. " a TATTOO on Reeve' s l ef t hand: " No Mer cy. " a TATTOO on Reeve' s l ef t hand: " No Mer cy. "
REPORTER' S VOI CE ( V. O. ) REPORTER' S VOI CE ( V. O. ) REPORTER' S VOI CE ( V. O. ) REPORTER' S VOI CE ( V. O. ) REPORTER' S VOI CE ( V. O. )
( f r omLAPTOP) ( f r omLAPTOP) ( f r omLAPTOP) ( f r omLAPTOP) ( f r omLAPTOP)
I n 2004, f aci ng a deat h sent ence, I n 2004, f aci ng a deat h sent ence, I n 2004, f aci ng a deat h sent ence, I n 2004, f aci ng a deat h sent ence, I n 2004, f aci ng a deat h sent ence,
Reeves f i nal l y met hi s end when he Reeves f i nal l y met hi s end when he Reeves f i nal l y met hi s end when he Reeves f i nal l y met hi s end when he Reeves f i nal l y met hi s end when he
was shot and ki l l ed whi l e at t acki ng was shot and ki l l ed whi l e at t acki ng was shot and ki l l ed whi l e at t acki ng was shot and ki l l ed whi l e at t acki ng was shot and ki l l ed whi l e at t acki ng
a pr i son guar d i n t he f eder al a pr i son guar d i n t he f eder al a pr i son guar d i n t he f eder al a pr i son guar d i n t he f eder al a pr i son guar d i n t he f eder al
peni t ent i ar y wher e he was hel d. peni t ent i ar y wher e he was hel d. peni t ent i ar y wher e he was hel d. peni t ent i ar y wher e he was hel d. peni t ent i ar y wher e he was hel d.
EXT. INTERSTATE 70 -- HELICOPTER SHOT -- MONTAGE EXT. INTERSTATE 70 -- HELICOPTER SHOT -- MONTAGE EXT. INTERSTATE 70 -- HELICOPTER SHOT -- MONTAGE EXT. INTERSTATE 70 -- HELICOPTER SHOT -- MONTAGE EXT. INTERSTATE 70 -- HELICOPTER SHOT -- MONTAGE
AERI AL SHOT: f ol l ows J ane' s pi ckup, f ar bel ow, t r avel i ng AERI AL SHOT: f ol l ows J ane' s pi ckup, f ar bel ow, t r avel i ng AERI AL SHOT: f ol l ows J ane' s pi ckup, f ar bel ow, t r avel i ng AERI AL SHOT: f ol l ows J ane' s pi ckup, f ar bel ow, t r avel i ng AERI AL SHOT: f ol l ows J ane' s pi ckup, f ar bel ow, t r avel i ng
east on 70. . . t ur ni ng ont o t he next EXI T RAMP. east on 70. . . t ur ni ng ont o t he next EXI T RAMP. east on 70. . . t ur ni ng ont o t he next EXI T RAMP. east on 70. . . t ur ni ng ont o t he next EXI T RAMP. east on 70. . . t ur ni ng ont o t he next EXI T RAMP.
INSERT - CLOSE-UP: INSERT - CLOSE-UP: INSERT - CLOSE-UP: INSERT - CLOSE-UP: INSERT - CLOSE-UP:
ON J ANE' S LAPTOP: Googl e Ear t h i s once agai n ZOOMI NG I N - - ON J ANE' S LAPTOP: Googl e Ear t h i s once agai n ZOOMI NG I N - - ON J ANE' S LAPTOP: Googl e Ear t h i s once agai n ZOOMI NG I N - - ON J ANE' S LAPTOP: Googl e Ear t h i s once agai n ZOOMI NG I N - - ON J ANE' S LAPTOP: Googl e Ear t h i s once agai n ZOOMI NG I N - -
r eveal i ng " CAMBRIDGE, " wher e mor e LODGI NG I CONS APPEAR. r eveal i ng " CAMBRIDGE, " wher e mor e LODGI NG I CONS APPEAR. r eveal i ng " CAMBRIDGE, " wher e mor e LODGI NG I CONS APPEAR. r eveal i ng " CAMBRIDGE, " wher e mor e LODGI NG I CONS APPEAR. r eveal i ng " CAMBRIDGE, " wher e mor e LODGI NG I CONS APPEAR.
VARIOUS OHIO MOTELS -- DAY/NIGHT -- MONTAGE VARIOUS OHIO MOTELS -- DAY/NIGHT -- MONTAGE VARIOUS OHIO MOTELS -- DAY/NIGHT -- MONTAGE VARIOUS OHIO MOTELS -- DAY/NIGHT -- MONTAGE VARIOUS OHIO MOTELS -- DAY/NIGHT -- MONTAGE
- Shown i n r api d successi on, J ane' s pi ckup ar r i ves at . . . - Shown i n r api d successi on, J ane' s pi ckup ar r i ves at . . . - Shown i n r api d successi on, J ane' s pi ckup ar r i ves at . . . - Shown i n r api d successi on, J ane' s pi ckup ar r i ves at . . . - Shown i n r api d successi on, J ane' s pi ckup ar r i ves at . . .
Var i ous ot her HOTELS, MOTELS, I NNS and TRAVEL LODGES. . . Var i ous ot her HOTELS, MOTELS, I NNS and TRAVEL LODGES. . . Var i ous ot her HOTELS, MOTELS, I NNS and TRAVEL LODGES. . . Var i ous ot her HOTELS, MOTELS, I NNS and TRAVEL LODGES. . . Var i ous ot her HOTELS, MOTELS, I NNS and TRAVEL LODGES. . .
Modest pl aces, some mor e r ur al t han ot her s. Modest pl aces, some mor e r ur al t han ot her s. Modest pl aces, some mor e r ur al t han ot her s. Modest pl aces, some mor e r ur al t han ot her s. Modest pl aces, some mor e r ur al t han ot her s.
- We see J ane ENTERI NG and EXI TI NG var i ous CHECK- I N OFFI CES, - We see J ane ENTERI NG and EXI TI NG var i ous CHECK- I N OFFI CES, - We see J ane ENTERI NG and EXI TI NG var i ous CHECK- I N OFFI CES, - We see J ane ENTERI NG and EXI TI NG var i ous CHECK- I N OFFI CES, - We see J ane ENTERI NG and EXI TI NG var i ous CHECK- I N OFFI CES,
Looki ng at her not ebook as she goes, t i l l , at DUSK, she Looki ng at her not ebook as she goes, t i l l , at DUSK, she Looki ng at her not ebook as she goes, t i l l , at DUSK, she Looki ng at her not ebook as she goes, t i l l , at DUSK, she Looki ng at her not ebook as she goes, t i l l , at DUSK, she
exi t s one MOTOR LODGE as i t s bi g NEON SI GN i s FLI CKERI NG ON. exi t s one MOTOR LODGE as i t s bi g NEON SI GN i s FLI CKERI NG ON. exi t s one MOTOR LODGE as i t s bi g NEON SI GN i s FLI CKERI NG ON. exi t s one MOTOR LODGE as i t s bi g NEON SI GN i s FLI CKERI NG ON. exi t s one MOTOR LODGE as i t s bi g NEON SI GN i s FLI CKERI NG ON.
INT. CAMBRIDGE COFFEE SHOP -- NIGHT -- MONTAGE INT. CAMBRIDGE COFFEE SHOP -- NIGHT -- MONTAGE INT. CAMBRIDGE COFFEE SHOP -- NIGHT -- MONTAGE INT. CAMBRIDGE COFFEE SHOP -- NIGHT -- MONTAGE INT. CAMBRIDGE COFFEE SHOP -- NIGHT -- MONTAGE
I N A BOOTH, J ane has her ar ms cr ossed, head down, asl eep. I N A BOOTH, J ane has her ar ms cr ossed, head down, asl eep. I N A BOOTH, J ane has her ar ms cr ossed, head down, asl eep. I N A BOOTH, J ane has her ar ms cr ossed, head down, asl eep. I N A BOOTH, J ane has her ar ms cr ossed, head down, asl eep.
A WAI TRESS st eps up, r ef i l l i ng J ane' s COFFEE CUP. A WAI TRESS st eps up, r ef i l l i ng J ane' s COFFEE CUP. A WAI TRESS st eps up, r ef i l l i ng J ane' s COFFEE CUP. A WAI TRESS st eps up, r ef i l l i ng J ane' s COFFEE CUP. A WAI TRESS st eps up, r ef i l l i ng J ane' s COFFEE CUP.
J ane st i r s, si t s up, sheepi sh, nods t hanks. J ane st i r s, si t s up, sheepi sh, nods t hanks. J ane st i r s, si t s up, sheepi sh, nods t hanks. J ane st i r s, si t s up, sheepi sh, nods t hanks. J ane st i r s, si t s up, sheepi sh, nods t hanks.
WAI TRESS WAI TRESS WAI TRESS WAI TRESS WAI TRESS
Congr at ul at i ons. Congr at ul at i ons. Congr at ul at i ons. Congr at ul at i ons. Congr at ul at i ons.
J ane doesn' t under st and. The wai t r ess nods t o. . . J ane doesn' t under st and. The wai t r ess nods t o. . . J ane doesn' t under st and. The wai t r ess nods t o. . . J ane doesn' t under st and. The wai t r ess nods t o. . . J ane doesn' t under st and. The wai t r ess nods t o. . .
J ane' s l eaf ed- t hr ough- wi t h- many- cor ner s- of - pages- t ur ned- down J ane' s l eaf ed- t hr ough- wi t h- many- cor ner s- of - pages- t ur ned- down J ane' s l eaf ed- t hr ough- wi t h- many- cor ner s- of - pages- t ur ned- down J ane' s l eaf ed- t hr ough- wi t h- many- cor ner s- of - pages- t ur ned- down J ane' s l eaf ed- t hr ough- wi t h- many- cor ner s- of - pages- t ur ned- down
" Pr egnancy Gui de" PAPERBACK on t he t abl e. " Pr egnancy Gui de" PAPERBACK on t he t abl e. " Pr egnancy Gui de" PAPERBACK on t he t abl e. " Pr egnancy Gui de" PAPERBACK on t he t abl e. " Pr egnancy Gui de" PAPERBACK on t he t abl e.
52. 52. 52. 52. 52.
Oh. Thanks. Speaki ng of . . . can I Oh. Thanks. Speaki ng of . . . can I Oh. Thanks. Speaki ng of . . . can I Oh. Thanks. Speaki ng of . . . can I Oh. Thanks. Speaki ng of . . . can I
get a gl ass of mi l k, pl ease? get a gl ass of mi l k, pl ease? get a gl ass of mi l k, pl ease? get a gl ass of mi l k, pl ease? get a gl ass of mi l k, pl ease?
Wai t r ess nods, goes. J ane t akes out a smal l , cel l ophane Wai t r ess nods, goes. J ane t akes out a smal l , cel l ophane Wai t r ess nods, goes. J ane t akes out a smal l , cel l ophane Wai t r ess nods, goes. J ane t akes out a smal l , cel l ophane Wai t r ess nods, goes. J ane t akes out a smal l , cel l ophane
pack of VI TAMI NS, st ar t s t aki ng t hemwi t h WATER. She pushes pack of VI TAMI NS, st ar t s t aki ng t hemwi t h WATER. She pushes pack of VI TAMI NS, st ar t s t aki ng t hemwi t h WATER. She pushes pack of VI TAMI NS, st ar t s t aki ng t hemwi t h WATER. She pushes pack of VI TAMI NS, st ar t s t aki ng t hemwi t h WATER. She pushes
her not ebook and phone asi de, r et ur ns t o her open l apt op. her not ebook and phone asi de, r et ur ns t o her open l apt op. her not ebook and phone asi de, r et ur ns t o her open l apt op. her not ebook and phone asi de, r et ur ns t o her open l apt op. her not ebook and phone asi de, r et ur ns t o her open l apt op.
CLOSE ON: J ane' s NOTEBOOK, wher e t he PAGES ar e f ul l of many CLOSE ON: J ane' s NOTEBOOK, wher e t he PAGES ar e f ul l of many CLOSE ON: J ane' s NOTEBOOK, wher e t he PAGES ar e f ul l of many CLOSE ON: J ane' s NOTEBOOK, wher e t he PAGES ar e f ul l of many CLOSE ON: J ane' s NOTEBOOK, wher e t he PAGES ar e f ul l of many
MOTEL NAMES, ADDRESSES and PHONE NUMBERS, al l CROSSED OFF. MOTEL NAMES, ADDRESSES and PHONE NUMBERS, al l CROSSED OFF. MOTEL NAMES, ADDRESSES and PHONE NUMBERS, al l CROSSED OFF. MOTEL NAMES, ADDRESSES and PHONE NUMBERS, al l CROSSED OFF. MOTEL NAMES, ADDRESSES and PHONE NUMBERS, al l CROSSED OFF.
ON THE LAPTOP: J ane' s been GOOGLI NG " open the gates. " ON THE LAPTOP: J ane' s been GOOGLI NG " open the gates. " ON THE LAPTOP: J ane' s been GOOGLI NG " open the gates. " ON THE LAPTOP: J ane' s been GOOGLI NG " open the gates. " ON THE LAPTOP: J ane' s been GOOGLI NG " open the gates. "
She CLI CKS one of t he many r esul t s. A WEBSI TE shows t he She CLI CKS one of t he many r esul t s. A WEBSI TE shows t he She CLI CKS one of t he many r esul t s. A WEBSI TE shows t he She CLI CKS one of t he many r esul t s. A WEBSI TE shows t he She CLI CKS one of t he many r esul t s. A WEBSI TE shows t he
ALBUM COVER of " OPEN THE GATES OF HELL, " f r omt he Spandex- ALBUM COVER of " OPEN THE GATES OF HELL, " f r omt he Spandex- ALBUM COVER of " OPEN THE GATES OF HELL, " f r omt he Spandex- ALBUM COVER of " OPEN THE GATES OF HELL, " f r omt he Spandex- ALBUM COVER of " OPEN THE GATES OF HELL, " f r omt he Spandex-
at t i r ed, bi g- hai r ed MEMBERS of t he HEAVY METAL BAND, at t i r ed, bi g- hai r ed MEMBERS of t he HEAVY METAL BAND, at t i r ed, bi g- hai r ed MEMBERS of t he HEAVY METAL BAND, at t i r ed, bi g- hai r ed MEMBERS of t he HEAVY METAL BAND, at t i r ed, bi g- hai r ed MEMBERS of t he HEAVY METAL BAND,
" BAPHOMET, " posed dr amat i cal l y wi t h gui t ar s, amongst f l ames. " BAPHOMET, " posed dr amat i cal l y wi t h gui t ar s, amongst f l ames. " BAPHOMET, " posed dr amat i cal l y wi t h gui t ar s, amongst f l ames. " BAPHOMET, " posed dr amat i cal l y wi t h gui t ar s, amongst f l ames. " BAPHOMET, " posed dr amat i cal l y wi t h gui t ar s, amongst f l ames.
J ane' s bl ear y eyes dubi ousl y st udy. J ane' s bl ear y eyes dubi ousl y st udy. J ane' s bl ear y eyes dubi ousl y st udy. J ane' s bl ear y eyes dubi ousl y st udy. J ane' s bl ear y eyes dubi ousl y st udy.
ON THE LAPTOP: CLI CKI NG " See Back Cover " f l i ps t he al bum, ON THE LAPTOP: CLI CKI NG " See Back Cover " f l i ps t he al bum, ON THE LAPTOP: CLI CKI NG " See Back Cover " f l i ps t he al bum, ON THE LAPTOP: CLI CKI NG " See Back Cover " f l i ps t he al bum, ON THE LAPTOP: CLI CKI NG " See Back Cover " f l i ps t he al bum,
r eveal i ng TRACK LI STI NGS over an ol d ETCHI NG of t he eer i e r eveal i ng TRACK LI STI NGS over an ol d ETCHI NG of t he eer i e r eveal i ng TRACK LI STI NGS over an ol d ETCHI NG of t he eer i e r eveal i ng TRACK LI STI NGS over an ol d ETCHI NG of t he eer i e r eveal i ng TRACK LI STI NGS over an ol d ETCHI NG of t he eer i e
Sabbat i c Goat , whi ch we' ve seen t at t ooed acr oss PK' s back. Sabbat i c Goat , whi ch we' ve seen t at t ooed acr oss PK' s back. Sabbat i c Goat , whi ch we' ve seen t at t ooed acr oss PK' s back. Sabbat i c Goat , whi ch we' ve seen t at t ooed acr oss PK' s back. Sabbat i c Goat , whi ch we' ve seen t at t ooed acr oss PK' s back.
CLI CKI NG on " Ot her Al bums" opens anot her WI NDOW. . . CLI CKI NG on " Ot her Al bums" opens anot her WI NDOW. . . CLI CKI NG on " Ot her Al bums" opens anot her WI NDOW. . . CLI CKI NG on " Ot her Al bums" opens anot her WI NDOW. . . CLI CKI NG on " Ot her Al bums" opens anot her WI NDOW. . .
Mor e ALBUMS of t he band BAPHOMET ar e shown. . . " LET THE Mor e ALBUMS of t he band BAPHOMET ar e shown. . . " LET THE Mor e ALBUMS of t he band BAPHOMET ar e shown. . . " LET THE Mor e ALBUMS of t he band BAPHOMET ar e shown. . . " LET THE Mor e ALBUMS of t he band BAPHOMET ar e shown. . . " LET THE
TRUMPETS SOUND!, " and " THE BEAST AWAITS. " The COVER of " LET TRUMPETS SOUND!, " and " THE BEAST AWAITS. " The COVER of " LET TRUMPETS SOUND!, " and " THE BEAST AWAITS. " The COVER of " LET TRUMPETS SOUND!, " and " THE BEAST AWAITS. " The COVER of " LET TRUMPETS SOUND!, " and " THE BEAST AWAITS. " The COVER of " LET
THE TRUMPETS SOUND!" f eat ur es t he BAND MEMBERS posi ng wi t h THE TRUMPETS SOUND!" f eat ur es t he BAND MEMBERS posi ng wi t h THE TRUMPETS SOUND!" f eat ur es t he BAND MEMBERS posi ng wi t h THE TRUMPETS SOUND!" f eat ur es t he BAND MEMBERS posi ng wi t h THE TRUMPETS SOUND!" f eat ur es t he BAND MEMBERS posi ng wi t h
an UPSI DEDOWN CROSS on t he st eps of a f ami l i ar , boar ded- up an UPSI DEDOWN CROSS on t he st eps of a f ami l i ar , boar ded- up an UPSI DEDOWN CROSS on t he st eps of a f ami l i ar , boar ded- up an UPSI DEDOWN CROSS on t he st eps of a f ami l i ar , boar ded- up an UPSI DEDOWN CROSS on t he st eps of a f ami l i ar , boar ded- up
GOTHI C CHURCH. The BACK of t he ALBUM shows TRACK LI STI NGS GOTHI C CHURCH. The BACK of t he ALBUM shows TRACK LI STI NGS GOTHI C CHURCH. The BACK of t he ALBUM shows TRACK LI STI NGS GOTHI C CHURCH. The BACK of t he ALBUM shows TRACK LI STI NGS GOTHI C CHURCH. The BACK of t he ALBUM shows TRACK LI STI NGS
over a dr i ppi ng, bl ood- smear dr awi ng of t he EVI L EYE SYMBOL. over a dr i ppi ng, bl ood- smear dr awi ng of t he EVI L EYE SYMBOL. over a dr i ppi ng, bl ood- smear dr awi ng of t he EVI L EYE SYMBOL. over a dr i ppi ng, bl ood- smear dr awi ng of t he EVI L EYE SYMBOL. over a dr i ppi ng, bl ood- smear dr awi ng of t he EVI L EYE SYMBOL.
. . . J esus. . . . J esus. . . . J esus. . . . J esus. . . . J esus.
CLOSE- ON: t he LP' s 3r d song, "3. The Ballad of CLOSE- ON: t he LP' s 3r d song, "3. The Ballad of CLOSE- ON: t he LP' s 3r d song, "3. The Ballad of CLOSE- ON: t he LP' s 3r d song, "3. The Ballad of CLOSE- ON: t he LP' s 3r d song, "3. The Ballad of
Richard Leonard Reeves" Richard Leonard Reeves" Richard Leonard Reeves" Richard Leonard Reeves" Richard Leonard Reeves"
EXT. COFFEE SHOP PARKING LOT -- MOMENTS LATER -- MONTAGE EXT. COFFEE SHOP PARKING LOT -- MOMENTS LATER -- MONTAGE EXT. COFFEE SHOP PARKING LOT -- MOMENTS LATER -- MONTAGE EXT. COFFEE SHOP PARKING LOT -- MOMENTS LATER -- MONTAGE EXT. COFFEE SHOP PARKING LOT -- MOMENTS LATER -- MONTAGE
Wal ki ng wear i l y t owar ds her t r uck, J ane st ops. Wal ki ng wear i l y t owar ds her t r uck, J ane st ops. Wal ki ng wear i l y t owar ds her t r uck, J ane st ops. Wal ki ng wear i l y t owar ds her t r uck, J ane st ops. Wal ki ng wear i l y t owar ds her t r uck, J ane st ops.
She t ur ns, not i ci ng t he f ar of f SOUND of a HELI COPTER. She t ur ns, not i ci ng t he f ar of f SOUND of a HELI COPTER. She t ur ns, not i ci ng t he f ar of f SOUND of a HELI COPTER. She t ur ns, not i ci ng t he f ar of f SOUND of a HELI COPTER. She t ur ns, not i ci ng t he f ar of f SOUND of a HELI COPTER.
I n t he di st ance, t he LI GHTS of a HELI COPTER can be seen. I t I n t he di st ance, t he LI GHTS of a HELI COPTER can be seen. I t I n t he di st ance, t he LI GHTS of a HELI COPTER can be seen. I t I n t he di st ance, t he LI GHTS of a HELI COPTER can be seen. I t I n t he di st ance, t he LI GHTS of a HELI COPTER can be seen. I t
hover s, FAI NTLY HEARD, t hen i t abr upt l y veer s, headi ng away. hover s, FAI NTLY HEARD, t hen i t abr upt l y veer s, headi ng away. hover s, FAI NTLY HEARD, t hen i t abr upt l y veer s, headi ng away. hover s, FAI NTLY HEARD, t hen i t abr upt l y veer s, headi ng away. hover s, FAI NTLY HEARD, t hen i t abr upt l y veer s, headi ng away.
END MONTAGE END MONTAGE END MONTAGE END MONTAGE END MONTAGE
INT. USED RECORD SHOP -- DAY INT. USED RECORD SHOP -- DAY INT. USED RECORD SHOP -- DAY INT. USED RECORD SHOP -- DAY INT. USED RECORD SHOP -- DAY
I n a dust y and di sor gani zed RECORD STORE, mor e l i ke a smal l I n a dust y and di sor gani zed RECORD STORE, mor e l i ke a smal l I n a dust y and di sor gani zed RECORD STORE, mor e l i ke a smal l I n a dust y and di sor gani zed RECORD STORE, mor e l i ke a smal l I n a dust y and di sor gani zed RECORD STORE, mor e l i ke a smal l
f l ea mar ket wi t h sun- f aded ROCK POSTERS on t he wal l s and f l ea mar ket wi t h sun- f aded ROCK POSTERS on t he wal l s and f l ea mar ket wi t h sun- f aded ROCK POSTERS on t he wal l s and f l ea mar ket wi t h sun- f aded ROCK POSTERS on t he wal l s and f l ea mar ket wi t h sun- f aded ROCK POSTERS on t he wal l s and
LP' s st acked ever ywher e, J ane l ooks t hr ough t he RECORD BI NS. LP' s st acked ever ywher e, J ane l ooks t hr ough t he RECORD BI NS. LP' s st acked ever ywher e, J ane l ooks t hr ough t he RECORD BI NS. LP' s st acked ever ywher e, J ane l ooks t hr ough t he RECORD BI NS. LP' s st acked ever ywher e, J ane l ooks t hr ough t he RECORD BI NS.
I n t he " B" SECTI ON, J ane di scover s TWO wor n " BAPHOMET" I n t he " B" SECTI ON, J ane di scover s TWO wor n " BAPHOMET" I n t he " B" SECTI ON, J ane di scover s TWO wor n " BAPHOMET" I n t he " B" SECTI ON, J ane di scover s TWO wor n " BAPHOMET" I n t he " B" SECTI ON, J ane di scover s TWO wor n " BAPHOMET"
RECORDS, " Open the Gates of Hell" and " Let the Trumpets RECORDS, " Open the Gates of Hell" and " Let the Trumpets RECORDS, " Open the Gates of Hell" and " Let the Trumpets RECORDS, " Open the Gates of Hell" and " Let the Trumpets RECORDS, " Open the Gates of Hell" and " Let the Trumpets
Sound!" St udyi ng L. T. S. , J ane r emoves i t s yel l owed pl ast i c Sound!" St udyi ng L. T. S. , J ane r emoves i t s yel l owed pl ast i c Sound!" St udyi ng L. T. S. , J ane r emoves i t s yel l owed pl ast i c Sound!" St udyi ng L. T. S. , J ane r emoves i t s yel l owed pl ast i c Sound!" St udyi ng L. T. S. , J ane r emoves i t s yel l owed pl ast i c
sl eeve. The cover opens t o r eveal a cent er GATEFOLD. . . sl eeve. The cover opens t o r eveal a cent er GATEFOLD. . . sl eeve. The cover opens t o r eveal a cent er GATEFOLD. . . sl eeve. The cover opens t o r eveal a cent er GATEFOLD. . . sl eeve. The cover opens t o r eveal a cent er GATEFOLD. . .
53. 53. 53. 53. 53.
The GATEFOLD f eat ur es a t er r i f yi ng PAI NTI NG depi ct i ng t he The GATEFOLD f eat ur es a t er r i f yi ng PAI NTI NG depi ct i ng t he The GATEFOLD f eat ur es a t er r i f yi ng PAI NTI NG depi ct i ng t he The GATEFOLD f eat ur es a t er r i f yi ng PAI NTI NG depi ct i ng t he The GATEFOLD f eat ur es a t er r i f yi ng PAI NTI NG depi ct i ng t he
DEPTHS of HELL. I t ' s l i ke Bosch meet s Dal i , al most DEPTHS of HELL. I t ' s l i ke Bosch meet s Dal i , al most DEPTHS of HELL. I t ' s l i ke Bosch meet s Dal i , al most DEPTHS of HELL. I t ' s l i ke Bosch meet s Dal i , al most DEPTHS of HELL. I t ' s l i ke Bosch meet s Dal i , al most
beaut i f ul i n t he i nt r i cacy of i t s hor r or s; a f l ami ng beaut i f ul i n t he i nt r i cacy of i t s hor r or s; a f l ami ng beaut i f ul i n t he i nt r i cacy of i t s hor r or s; a f l ami ng beaut i f ul i n t he i nt r i cacy of i t s hor r or s; a f l ami ng beaut i f ul i n t he i nt r i cacy of i t s hor r or s; a f l ami ng
under wor l d wher e count l ess BEASTS and DEMONS t or ment naked, under wor l d wher e count l ess BEASTS and DEMONS t or ment naked, under wor l d wher e count l ess BEASTS and DEMONS t or ment naked, under wor l d wher e count l ess BEASTS and DEMONS t or ment naked, under wor l d wher e count l ess BEASTS and DEMONS t or ment naked,
pal e- ski nned HUMANS. Fr ombl ack ski es, BURNI NG HUMANS pal e- ski nned HUMANS. Fr ombl ack ski es, BURNI NG HUMANS pal e- ski nned HUMANS. Fr ombl ack ski es, BURNI NG HUMANS pal e- ski nned HUMANS. Fr ombl ack ski es, BURNI NG HUMANS pal e- ski nned HUMANS. Fr ombl ack ski es, BURNI NG HUMANS
pl ummet f r omgr ace. Not t hat J ane woul d know, but t he pl ummet f r omgr ace. Not t hat J ane woul d know, but t he pl ummet f r omgr ace. Not t hat J ane woul d know, but t he pl ummet f r omgr ace. Not t hat J ane woul d know, but t he pl ummet f r omgr ace. Not t hat J ane woul d know, but t he
pai nt i ng i s aki n t o PK' s HELL VI SI ON dr eams. pai nt i ng i s aki n t o PK' s HELL VI SI ON dr eams. pai nt i ng i s aki n t o PK' s HELL VI SI ON dr eams. pai nt i ng i s aki n t o PK' s HELL VI SI ON dr eams. pai nt i ng i s aki n t o PK' s HELL VI SI ON dr eams.
EXT. INTERSTATE 70 -- MORNING EXT. INTERSTATE 70 -- MORNING EXT. INTERSTATE 70 -- MORNING EXT. INTERSTATE 70 -- MORNING EXT. INTERSTATE 70 -- MORNING
J ane' s pi ckup t akes a f r eeway exi t , " Havenhur st . " J ane' s pi ckup t akes a f r eeway exi t , " Havenhur st . " J ane' s pi ckup t akes a f r eeway exi t , " Havenhur st . " J ane' s pi ckup t akes a f r eeway exi t , " Havenhur st . " J ane' s pi ckup t akes a f r eeway exi t , " Havenhur st . "
EXT. HAVENHURST, OHIO, STREETS -- LATER MORNING EXT. HAVENHURST, OHIO, STREETS -- LATER MORNING EXT. HAVENHURST, OHIO, STREETS -- LATER MORNING EXT. HAVENHURST, OHIO, STREETS -- LATER MORNING EXT. HAVENHURST, OHIO, STREETS -- LATER MORNING
On t hi s medi um- si zed t own' s st r i p whi ch i s cr owded wi t h FAST On t hi s medi um- si zed t own' s st r i p whi ch i s cr owded wi t h FAST On t hi s medi um- si zed t own' s st r i p whi ch i s cr owded wi t h FAST On t hi s medi um- si zed t own' s st r i p whi ch i s cr owded wi t h FAST On t hi s medi um- si zed t own' s st r i p whi ch i s cr owded wi t h FAST
FOOD J OI NTS and SUPERMARKETS i n t he di st ance, J ane' s pi ckup FOOD J OI NTS and SUPERMARKETS i n t he di st ance, J ane' s pi ckup FOOD J OI NTS and SUPERMARKETS i n t he di st ance, J ane' s pi ckup FOOD J OI NTS and SUPERMARKETS i n t he di st ance, J ane' s pi ckup FOOD J OI NTS and SUPERMARKETS i n t he di st ance, J ane' s pi ckup
i s par ked on t he st r eet i n f r ont of a MOTOR I NN. J ane exi t s i s par ked on t he st r eet i n f r ont of a MOTOR I NN. J ane exi t s i s par ked on t he st r eet i n f r ont of a MOTOR I NN. J ane exi t s i s par ked on t he st r eet i n f r ont of a MOTOR I NN. J ane exi t s i s par ked on t he st r eet i n f r ont of a MOTOR I NN. J ane exi t s
t he i nn, wal ki ng t o her pi ckup. t he i nn, wal ki ng t o her pi ckup. t he i nn, wal ki ng t o her pi ckup. t he i nn, wal ki ng t o her pi ckup. t he i nn, wal ki ng t o her pi ckup.
" Havenhur st Hot el " i s f ur t her down t he r oad, on t he ot her " Havenhur st Hot el " i s f ur t her down t he r oad, on t he ot her " Havenhur st Hot el " i s f ur t her down t he r oad, on t he ot her " Havenhur st Hot el " i s f ur t her down t he r oad, on t he ot her " Havenhur st Hot el " i s f ur t her down t he r oad, on t he ot her
si de. J ane cr osses t he st r eet , wat chi ng f or t r af f i c. si de. J ane cr osses t he st r eet , wat chi ng f or t r af f i c. si de. J ane cr osses t he st r eet , wat chi ng f or t r af f i c. si de. J ane cr osses t he st r eet , wat chi ng f or t r af f i c. si de. J ane cr osses t he st r eet , wat chi ng f or t r af f i c.
INT. HAVENHURST HOTEL, OFFICE -- MORNING INT. HAVENHURST HOTEL, OFFICE -- MORNING INT. HAVENHURST HOTEL, OFFICE -- MORNING INT. HAVENHURST HOTEL, OFFICE -- MORNING INT. HAVENHURST HOTEL, OFFICE -- MORNING
J ane ent er s. A BELL over t he door gi ves a DI NG. J ane shows J ane ent er s. A BELL over t he door gi ves a DI NG. J ane shows J ane ent er s. A BELL over t he door gi ves a DI NG. J ane shows J ane ent er s. A BELL over t he door gi ves a DI NG. J ane shows J ane ent er s. A BELL over t he door gi ves a DI NG. J ane shows
her badge t o t he OLDER GENT i n BOWTI E at t he CHECK- I N DESK. her badge t o t he OLDER GENT i n BOWTI E at t he CHECK- I N DESK. her badge t o t he OLDER GENT i n BOWTI E at t he CHECK- I N DESK. her badge t o t he OLDER GENT i n BOWTI E at t he CHECK- I N DESK. her badge t o t he OLDER GENT i n BOWTI E at t he CHECK- I N DESK.
Af t er noon, si r . Of f i cer Thor ne. Af t er noon, si r . Of f i cer Thor ne. Af t er noon, si r . Of f i cer Thor ne. Af t er noon, si r . Of f i cer Thor ne. Af t er noon, si r . Of f i cer Thor ne.
Sor r y t o t r oubl e you, but , um. . . I . . . Sor r y t o t r oubl e you, but , um. . . I . . . Sor r y t o t r oubl e you, but , um. . . I . . . Sor r y t o t r oubl e you, but , um. . . I . . . Sor r y t o t r oubl e you, but , um. . . I . . .
( st i f l i ng a YAWN) ( st i f l i ng a YAWN) ( st i f l i ng a YAWN) ( st i f l i ng a YAWN) ( st i f l i ng a YAWN)
Excuse me. Excuse me. Excuse me. Excuse me. Excuse me.
OLDER GENT OLDER GENT OLDER GENT OLDER GENT OLDER GENT
Cer t ai nl y. What can I do f or you, Cer t ai nl y. What can I do f or you, Cer t ai nl y. What can I do f or you, Cer t ai nl y. What can I do f or you, Cer t ai nl y. What can I do f or you,
Of f i cer ? Looks l i ke you' r e al r eady Of f i cer ? Looks l i ke you' r e al r eady Of f i cer ? Looks l i ke you' r e al r eady Of f i cer ? Looks l i ke you' r e al r eady Of f i cer ? Looks l i ke you' r e al r eady
havi ng one of t hose days. havi ng one of t hose days. havi ng one of t hose days. havi ng one of t hose days. havi ng one of t hose days.
Al l ni ght l ong. We' d l i ke some hel p Al l ni ght l ong. We' d l i ke some hel p Al l ni ght l ong. We' d l i ke some hel p Al l ni ght l ong. We' d l i ke some hel p Al l ni ght l ong. We' d l i ke some hel p
wat chi ng f or t he I nt er st at e Ki l l er . . . wat chi ng f or t he I nt er st at e Ki l l er . . . wat chi ng f or t he I nt er st at e Ki l l er . . . wat chi ng f or t he I nt er st at e Ki l l er . . . wat chi ng f or t he I nt er st at e Ki l l er . . .
t he Sl asher . . . t he Sl asher . . . t he Sl asher . . . t he Sl asher . . . t he Sl asher . . .
Oh. Oh. Oh. Oh. Oh.
What l i t t l e we know, I ' d l i ke t o r un What l i t t l e we know, I ' d l i ke t o r un What l i t t l e we know, I ' d l i ke t o r un What l i t t l e we know, I ' d l i ke t o r un What l i t t l e we know, I ' d l i ke t o r un
by you. . . al so i n case any of your by you. . . al so i n case any of your by you. . . al so i n case any of your by you. . . al so i n case any of your by you. . . al so i n case any of your
guest s mat ch t he pr of i l e. He woul d guest s mat ch t he pr of i l e. He woul d guest s mat ch t he pr of i l e. He woul d guest s mat ch t he pr of i l e. He woul d guest s mat ch t he pr of i l e. He woul d
be a whi t e mal e. Al one. He' d have be a whi t e mal e. Al one. He' d have be a whi t e mal e. Al one. He' d have be a whi t e mal e. Al one. He' d have be a whi t e mal e. Al one. He' d have
pai d i n cash, most l i kel y. . . pai d i n cash, most l i kel y. . . pai d i n cash, most l i kel y. . . pai d i n cash, most l i kel y. . . pai d i n cash, most l i kel y. . .
54. 54. 54. 54. 54.
TV news makes i t sound l i ke he' s not TV news makes i t sound l i ke he' s not TV news makes i t sound l i ke he' s not TV news makes i t sound l i ke he' s not TV news makes i t sound l i ke he' s not
l i kel y t o come ar ound her e, I hear d. l i kel y t o come ar ound her e, I hear d. l i kel y t o come ar ound her e, I hear d. l i kel y t o come ar ound her e, I hear d. l i kel y t o come ar ound her e, I hear d.
Wel l . . . I ' mt hi nki ng t hey' r e pr obabl y Wel l . . . I ' mt hi nki ng t hey' r e pr obabl y Wel l . . . I ' mt hi nki ng t hey' r e pr obabl y Wel l . . . I ' mt hi nki ng t hey' r e pr obabl y Wel l . . . I ' mt hi nki ng t hey' r e pr obabl y
r i ght about t hat , act ual l y. r i ght about t hat , act ual l y. r i ght about t hat , act ual l y. r i ght about t hat , act ual l y. r i ght about t hat , act ual l y.
I wasn' t on t he desk l ast ni ght , so I wasn' t on t he desk l ast ni ght , so I wasn' t on t he desk l ast ni ght , so I wasn' t on t he desk l ast ni ght , so I wasn' t on t he desk l ast ni ght , so
I don' t know how hel pf ul I can be. . . I don' t know how hel pf ul I can be. . . I don' t know how hel pf ul I can be. . . I don' t know how hel pf ul I can be. . . I don' t know how hel pf ul I can be. . .
He t akes a REGI STER BOOK f r omunder t he count er . He t akes a REGI STER BOOK f r omunder t he count er . He t akes a REGI STER BOOK f r omunder t he count er . He t akes a REGI STER BOOK f r omunder t he count er . He t akes a REGI STER BOOK f r omunder t he count er .
I ' l l t ake a l ook i n t he r egi st er . We I ' l l t ake a l ook i n t he r egi st er . We I ' l l t ake a l ook i n t he r egi st er . We I ' l l t ake a l ook i n t he r egi st er . We I ' l l t ake a l ook i n t he r egi st er . We
st i l l have our guest s si gn i n. st i l l have our guest s si gn i n. st i l l have our guest s si gn i n. st i l l have our guest s si gn i n. st i l l have our guest s si gn i n.
Ther e' s no one st ayi ng al one. . . Ther e' s no one st ayi ng al one. . . Ther e' s no one st ayi ng al one. . . Ther e' s no one st ayi ng al one. . . Ther e' s no one st ayi ng al one. . .
You know, maybe I ' l l j ust l eave my You know, maybe I ' l l j ust l eave my You know, maybe I ' l l j ust l eave my You know, maybe I ' l l j ust l eave my You know, maybe I ' l l j ust l eave my
number . . . number . . . number . . . number . . . number . . .
J ane pl aces her CARD on t he count er , st ar t s t o go. J ane pl aces her CARD on t he count er , st ar t s t o go. J ane pl aces her CARD on t he count er , st ar t s t o go. J ane pl aces her CARD on t he count er , st ar t s t o go. J ane pl aces her CARD on t he count er , st ar t s t o go.
Thank you f or your t i me. Thank you f or your t i me. Thank you f or your t i me. Thank you f or your t i me. Thank you f or your t i me.
( st udyi ng REGI STER) ( st udyi ng REGI STER) ( st udyi ng REGI STER) ( st udyi ng REGI STER) ( st udyi ng REGI STER)
Oh, t her e i s one gent l eman. Checked Oh, t her e i s one gent l eman. Checked Oh, t her e i s one gent l eman. Checked Oh, t her e i s one gent l eman. Checked Oh, t her e i s one gent l eman. Checked
i n l ast ni ght , al one. . . a Mi st er . . . i n l ast ni ght , al one. . . a Mi st er . . . i n l ast ni ght , al one. . . a Mi st er . . . i n l ast ni ght , al one. . . a Mi st er . . . i n l ast ni ght , al one. . . a Mi st er . . .
Reeves. Reeves. Reeves. Reeves. Reeves.
J ane' s j ust opened t he door - - DI NG. J ane' s j ust opened t he door - - DI NG. J ane' s j ust opened t he door - - DI NG. J ane' s j ust opened t he door - - DI NG. J ane' s j ust opened t he door - - DI NG.
W- what di d you say? W- what di d you say? W- what di d you say? W- what di d you say? W- what di d you say?
Reeves. Ar r i ved l at e l ast ni ght . Reeves. Ar r i ved l at e l ast ni ght . Reeves. Ar r i ved l at e l ast ni ght . Reeves. Ar r i ved l at e l ast ni ght . Reeves. Ar r i ved l at e l ast ni ght .
R. L. Reeves. R. L. Reeves. R. L. Reeves. R. L. Reeves. R. L. Reeves.
J ane' s st unned. J ane' s st unned. J ane' s st unned. J ane' s st unned. J ane' s st unned.
May. . . may I see t hat ? May. . . may I see t hat ? May. . . may I see t hat ? May. . . may I see t hat ? May. . . may I see t hat ?
I N THE REGI STER: t her e i t i s, scr awl ed, " R.L. Reeves. " I N THE REGI STER: t her e i t i s, scr awl ed, " R.L. Reeves. " I N THE REGI STER: t her e i t i s, scr awl ed, " R.L. Reeves. " I N THE REGI STER: t her e i t i s, scr awl ed, " R.L. Reeves. " I N THE REGI STER: t her e i t i s, scr awl ed, " R.L. Reeves. "
What r oom? What r oom? What r oom? What r oom? What r oom?
10. On t he end. 10. On t he end. 10. On t he end. 10. On t he end. 10. On t he end.
55. 55. 55. 55. 55.
Si r , I need t hat key. Then, you l ock Si r , I need t hat key. Then, you l ock Si r , I need t hat key. Then, you l ock Si r , I need t hat key. Then, you l ock Si r , I need t hat key. Then, you l ock
t hi s door behi nd me. . . cal l t he t hi s door behi nd me. . . cal l t he t hi s door behi nd me. . . cal l t he t hi s door behi nd me. . . cal l t he t hi s door behi nd me. . . cal l t he
pol i ce. Tel l t hemt he Sl asher ' s her e. pol i ce. Tel l t hemt he Sl asher ' s her e. pol i ce. Tel l t hemt he Sl asher ' s her e. pol i ce. Tel l t hemt he Sl asher ' s her e. pol i ce. Tel l t hemt he Sl asher ' s her e.
EXT. HAVENHURST HOTEL -- MORNING EXT. HAVENHURST HOTEL -- MORNING EXT. HAVENHURST HOTEL -- MORNING EXT. HAVENHURST HOTEL -- MORNING EXT. HAVENHURST HOTEL -- MORNING
J ane st ands j ust down f r omt he OFFI CE, peer i ng out f r om J ane st ands j ust down f r omt he OFFI CE, peer i ng out f r om J ane st ands j ust down f r omt he OFFI CE, peer i ng out f r om J ane st ands j ust down f r omt he OFFI CE, peer i ng out f r om J ane st ands j ust down f r omt he OFFI CE, peer i ng out f r om
behi nd a SODA MACHI NE, anxi ousl y wat chi ng. . . behi nd a SODA MACHI NE, anxi ousl y wat chi ng. . . behi nd a SODA MACHI NE, anxi ousl y wat chi ng. . . behi nd a SODA MACHI NE, anxi ousl y wat chi ng. . . behi nd a SODA MACHI NE, anxi ousl y wat chi ng. . .
ROOM 10, on t he end, wher e t he r oom' s PI CTURE WI NDOWi s ROOM 10, on t he end, wher e t he r oom' s PI CTURE WI NDOWi s ROOM 10, on t he end, wher e t he r oom' s PI CTURE WI NDOWi s ROOM 10, on t he end, wher e t he r oom' s PI CTURE WI NDOWi s ROOM 10, on t he end, wher e t he r oom' s PI CTURE WI NDOWi s
cur t ai ned. A " DO NOT DI STURB" SI GN hangs on t he door knob. cur t ai ned. A " DO NOT DI STURB" SI GN hangs on t he door knob. cur t ai ned. A " DO NOT DI STURB" SI GN hangs on t he door knob. cur t ai ned. A " DO NOT DI STURB" SI GN hangs on t he door knob. cur t ai ned. A " DO NOT DI STURB" SI GN hangs on t he door knob.
J ane l ooks t o t he st r eet . She checks her wat ch, f r ust r at ed. J ane l ooks t o t he st r eet . She checks her wat ch, f r ust r at ed. J ane l ooks t o t he st r eet . She checks her wat ch, f r ust r at ed. J ane l ooks t o t he st r eet . She checks her wat ch, f r ust r at ed. J ane l ooks t o t he st r eet . She checks her wat ch, f r ust r at ed.
Damn i t . Damn i t . Damn i t . Damn i t . Damn i t . Damn i t . Damn i t . Damn i t . Damn i t . Damn i t .
J ane deci des. She goes, movi ng past r ooms 6, 7, 8 and 9. . . J ane deci des. She goes, movi ng past r ooms 6, 7, 8 and 9. . . J ane deci des. She goes, movi ng past r ooms 6, 7, 8 and 9. . . J ane deci des. She goes, movi ng past r ooms 6, 7, 8 and 9. . . J ane deci des. She goes, movi ng past r ooms 6, 7, 8 and 9. . .
She t akes her r evol ver f r omi nsi de her j acket , cr eepi ng up She t akes her r evol ver f r omi nsi de her j acket , cr eepi ng up She t akes her r evol ver f r omi nsi de her j acket , cr eepi ng up She t akes her r evol ver f r omi nsi de her j acket , cr eepi ng up She t akes her r evol ver f r omi nsi de her j acket , cr eepi ng up
on r oom10. She sl owl y i nser t s t he KEY i n t he door ' s l ock. on r oom10. She sl owl y i nser t s t he KEY i n t he door ' s l ock. on r oom10. She sl owl y i nser t s t he KEY i n t he door ' s l ock. on r oom10. She sl owl y i nser t s t he KEY i n t he door ' s l ock. on r oom10. She sl owl y i nser t s t he KEY i n t he door ' s l ock.
Cr ouchi ng l ow, J ane st eel s her sel f . As qui ckl y and qui et l y Cr ouchi ng l ow, J ane st eel s her sel f . As qui ckl y and qui et l y Cr ouchi ng l ow, J ane st eel s her sel f . As qui ckl y and qui et l y Cr ouchi ng l ow, J ane st eel s her sel f . As qui ckl y and qui et l y Cr ouchi ng l ow, J ane st eel s her sel f . As qui ckl y and qui et l y
as possi bl e, she opens t he door i nwar d. . . as possi bl e, she opens t he door i nwar d. . . as possi bl e, she opens t he door i nwar d. . . as possi bl e, she opens t he door i nwar d. . . as possi bl e, she opens t he door i nwar d. . .
IN ROOM 10 IN ROOM 10 IN ROOM 10 IN ROOM 10 IN ROOM 10
J ane ai ms her weapon, st ayi ng l ow, sear chi ng. J ane ai ms her weapon, st ayi ng l ow, sear chi ng. J ane ai ms her weapon, st ayi ng l ow, sear chi ng. J ane ai ms her weapon, st ayi ng l ow, sear chi ng. J ane ai ms her weapon, st ayi ng l ow, sear chi ng.
No one i n si ght . I t ' s dar k. PK' s SUI TCASE i s on t he unmade No one i n si ght . I t ' s dar k. PK' s SUI TCASE i s on t he unmade No one i n si ght . I t ' s dar k. PK' s SUI TCASE i s on t he unmade No one i n si ght . I t ' s dar k. PK' s SUI TCASE i s on t he unmade No one i n si ght . I t ' s dar k. PK' s SUI TCASE i s on t he unmade
bed. J ane checks behi nd t he door , sl owl y st r ai ght ens. bed. J ane checks behi nd t he door , sl owl y st r ai ght ens. bed. J ane checks behi nd t he door , sl owl y st r ai ght ens. bed. J ane checks behi nd t he door , sl owl y st r ai ght ens. bed. J ane checks behi nd t he door , sl owl y st r ai ght ens.
J ane eases t owar ds t he cl osed BATHROOM DOOR acr oss t he r oom. J ane eases t owar ds t he cl osed BATHROOM DOOR acr oss t he r oom. J ane eases t owar ds t he cl osed BATHROOM DOOR acr oss t he r oom. J ane eases t owar ds t he cl osed BATHROOM DOOR acr oss t he r oom. J ane eases t owar ds t he cl osed BATHROOM DOOR acr oss t he r oom.
Gun st i l l whi t e- knuckl ed f or war d, she l ooks down at . . . Gun st i l l whi t e- knuckl ed f or war d, she l ooks down at . . . Gun st i l l whi t e- knuckl ed f or war d, she l ooks down at . . . Gun st i l l whi t e- knuckl ed f or war d, she l ooks down at . . . Gun st i l l whi t e- knuckl ed f or war d, she l ooks down at . . .
A f ew PI LLS on t he DESK, besi de a t or n- out sect i on of NEW A f ew PI LLS on t he DESK, besi de a t or n- out sect i on of NEW A f ew PI LLS on t he DESK, besi de a t or n- out sect i on of NEW A f ew PI LLS on t he DESK, besi de a t or n- out sect i on of NEW A f ew PI LLS on t he DESK, besi de a t or n- out sect i on of NEW
YORK TI MES CLASSI FI EDS, wi t h one AD CI RCLED i n RED PEN. . . YORK TI MES CLASSI FI EDS, wi t h one AD CI RCLED i n RED PEN. . . YORK TI MES CLASSI FI EDS, wi t h one AD CI RCLED i n RED PEN. . . YORK TI MES CLASSI FI EDS, wi t h one AD CI RCLED i n RED PEN. . . YORK TI MES CLASSI FI EDS, wi t h one AD CI RCLED i n RED PEN. . .
M N O M N O M N O M N O M N O
To those who also To those who also To those who also To those who also To those who also
share faith. Seeking share faith. Seeking share faith. Seeking share faith. Seeking share faith. Seeking
our mutual friend. Need our mutual friend. Need our mutual friend. Need our mutual friend. Need our mutual friend. Need
help. Please reply. help. Please reply. help. Please reply. help. Please reply. help. Please reply.
J ane eases her way t owar ds t he bat hr oom, not not i ci ng LI GHT J ane eases her way t owar ds t he bat hr oom, not not i ci ng LI GHT J ane eases her way t owar ds t he bat hr oom, not not i ci ng LI GHT J ane eases her way t owar ds t he bat hr oom, not not i ci ng LI GHT J ane eases her way t owar ds t he bat hr oom, not not i ci ng LI GHT
seepi ng f r omt he seams of t he cl osed CLOSET DOOR. Gun up, seepi ng f r omt he seams of t he cl osed CLOSET DOOR. Gun up, seepi ng f r omt he seams of t he cl osed CLOSET DOOR. Gun up, seepi ng f r omt he seams of t he cl osed CLOSET DOOR. Gun up, seepi ng f r omt he seams of t he cl osed CLOSET DOOR. Gun up,
J ane r eaches wi t h her ot her hand, whi ch t r embl es ever so J ane r eaches wi t h her ot her hand, whi ch t r embl es ever so J ane r eaches wi t h her ot her hand, whi ch t r embl es ever so J ane r eaches wi t h her ot her hand, whi ch t r embl es ever so J ane r eaches wi t h her ot her hand, whi ch t r embl es ever so
sl i ght l y. . . pushes t he BATHROOM DOOR OPEN. . . sl i ght l y. . . pushes t he BATHROOM DOOR OPEN. . . sl i ght l y. . . pushes t he BATHROOM DOOR OPEN. . . sl i ght l y. . . pushes t he BATHROOM DOOR OPEN. . . sl i ght l y. . . pushes t he BATHROOM DOOR OPEN. . .
Bat hr oom' s empt y. Psycho Ki l l er ' s SHOTGUN i s pr opped Bat hr oom' s empt y. Psycho Ki l l er ' s SHOTGUN i s pr opped Bat hr oom' s empt y. Psycho Ki l l er ' s SHOTGUN i s pr opped Bat hr oom' s empt y. Psycho Ki l l er ' s SHOTGUN i s pr opped Bat hr oom' s empt y. Psycho Ki l l er ' s SHOTGUN i s pr opped
agai nst t he t i l e wal l , besi de t he TOI LET PAPER DI SPENSER. agai nst t he t i l e wal l , besi de t he TOI LET PAPER DI SPENSER. agai nst t he t i l e wal l , besi de t he TOI LET PAPER DI SPENSER. agai nst t he t i l e wal l , besi de t he TOI LET PAPER DI SPENSER. agai nst t he t i l e wal l , besi de t he TOI LET PAPER DI SPENSER.
J ane st eps back. A l oud CREAK i s HEARD. . . J ane st eps back. A l oud CREAK i s HEARD. . . J ane st eps back. A l oud CREAK i s HEARD. . . J ane st eps back. A l oud CREAK i s HEARD. . . J ane st eps back. A l oud CREAK i s HEARD. . .
J ane wheel s. . . J ane wheel s. . . J ane wheel s. . . J ane wheel s. . . J ane wheel s. . .
I t ' s onl y t he hal f - open f r ont door CREAKI NG. I t ' s onl y t he hal f - open f r ont door CREAKI NG. I t ' s onl y t he hal f - open f r ont door CREAKI NG. I t ' s onl y t he hal f - open f r ont door CREAKI NG. I t ' s onl y t he hal f - open f r ont door CREAKI NG.
56. 56. 56. 56. 56.
J ane exhal es. The CLOSET DOOR behi nd her SLAMS open and J ane exhal es. The CLOSET DOOR behi nd her SLAMS open and J ane exhal es. The CLOSET DOOR behi nd her SLAMS open and J ane exhal es. The CLOSET DOOR behi nd her SLAMS open and J ane exhal es. The CLOSET DOOR behi nd her SLAMS open and
Psycho Ki l l er BURSTS FORTH. . . Psycho Ki l l er BURSTS FORTH. . . Psycho Ki l l er BURSTS FORTH. . . Psycho Ki l l er BURSTS FORTH. . . Psycho Ki l l er BURSTS FORTH. . .
Psycho Ki l l er , masked, SLAMS i nt o J ane f r ombehi nd - - Psycho Ki l l er , masked, SLAMS i nt o J ane f r ombehi nd - - Psycho Ki l l er , masked, SLAMS i nt o J ane f r ombehi nd - - Psycho Ki l l er , masked, SLAMS i nt o J ane f r ombehi nd - - Psycho Ki l l er , masked, SLAMS i nt o J ane f r ombehi nd - -
l i f t i ng her bodi l y and THROWI NG her f or war d! l i f t i ng her bodi l y and THROWI NG her f or war d! l i f t i ng her bodi l y and THROWI NG her f or war d! l i f t i ng her bodi l y and THROWI NG her f or war d! l i f t i ng her bodi l y and THROWI NG her f or war d!
J ane SMASHES i nt o t he f r ont door , sl ammi ng i t shut . J ane SMASHES i nt o t he f r ont door , sl ammi ng i t shut . J ane SMASHES i nt o t he f r ont door , sl ammi ng i t shut . J ane SMASHES i nt o t he f r ont door , sl ammi ng i t shut . J ane SMASHES i nt o t he f r ont door , sl ammi ng i t shut .
She hi t s t he f l oor , GASPI NG. She hi t s t he f l oor , GASPI NG. She hi t s t he f l oor , GASPI NG. She hi t s t he f l oor , GASPI NG. She hi t s t he f l oor , GASPI NG.
Her dr opped gun l ands acr oss t he f l oor . Her dr opped gun l ands acr oss t he f l oor . Her dr opped gun l ands acr oss t he f l oor . Her dr opped gun l ands acr oss t he f l oor . Her dr opped gun l ands acr oss t he f l oor .
Psycho Ki l l er char ges. . . Psycho Ki l l er char ges. . . Psycho Ki l l er char ges. . . Psycho Ki l l er char ges. . . Psycho Ki l l er char ges. . .
J ane sees hi mcomi ng, r ol l s, gi vi ng a sweepi ng KI CK. . . J ane sees hi mcomi ng, r ol l s, gi vi ng a sweepi ng KI CK. . . J ane sees hi mcomi ng, r ol l s, gi vi ng a sweepi ng KI CK. . . J ane sees hi mcomi ng, r ol l s, gi vi ng a sweepi ng KI CK. . . J ane sees hi mcomi ng, r ol l s, gi vi ng a sweepi ng KI CK. . .
Knocks Psycho Ki l l er ' s l egs out , f el l i ng hi m. Knocks Psycho Ki l l er ' s l egs out , f el l i ng hi m. Knocks Psycho Ki l l er ' s l egs out , f el l i ng hi m. Knocks Psycho Ki l l er ' s l egs out , f el l i ng hi m. Knocks Psycho Ki l l er ' s l egs out , f el l i ng hi m.
J ane scr ambl es t owar ds her gun. . . J ane scr ambl es t owar ds her gun. . . J ane scr ambl es t owar ds her gun. . . J ane scr ambl es t owar ds her gun. . . J ane scr ambl es t owar ds her gun. . .
Psycho Ki l l er gr asps J ane' s ankl e. Psycho Ki l l er gr asps J ane' s ankl e. Psycho Ki l l er gr asps J ane' s ankl e. Psycho Ki l l er gr asps J ane' s ankl e. Psycho Ki l l er gr asps J ane' s ankl e.
He yanks her back. J ane st r uggl es as Psycho Ki l l er gr i ps He yanks her back. J ane st r uggl es as Psycho Ki l l er gr i ps He yanks her back. J ane st r uggl es as Psycho Ki l l er gr i ps He yanks her back. J ane st r uggl es as Psycho Ki l l er gr i ps He yanks her back. J ane st r uggl es as Psycho Ki l l er gr i ps
her f r ombehi nd. He r i ses, LI FTS HER. . . her f r ombehi nd. He r i ses, LI FTS HER. . . her f r ombehi nd. He r i ses, LI FTS HER. . . her f r ombehi nd. He r i ses, LI FTS HER. . . her f r ombehi nd. He r i ses, LI FTS HER. . .
J ane goes f l ai l i ng acr oss t he desk, SMASHI NG a LAMP, her J ane goes f l ai l i ng acr oss t he desk, SMASHI NG a LAMP, her J ane goes f l ai l i ng acr oss t he desk, SMASHI NG a LAMP, her J ane goes f l ai l i ng acr oss t he desk, SMASHI NG a LAMP, her J ane goes f l ai l i ng acr oss t he desk, SMASHI NG a LAMP, her
f oot SHATTERI NG a PI CTURE FRAME on t he wal l as. . . f oot SHATTERI NG a PI CTURE FRAME on t he wal l as. . . f oot SHATTERI NG a PI CTURE FRAME on t he wal l as. . . f oot SHATTERI NG a PI CTURE FRAME on t he wal l as. . . f oot SHATTERI NG a PI CTURE FRAME on t he wal l as. . .
She SLAMS t he f l oor , st unned. She SLAMS t he f l oor , st unned. She SLAMS t he f l oor , st unned. She SLAMS t he f l oor , st unned. She SLAMS t he f l oor , st unned.
J ane' s t r yi ng t o r i se when Psycho Ki l l er comes t o gr i p her J ane' s t r yi ng t o r i se when Psycho Ki l l er comes t o gr i p her J ane' s t r yi ng t o r i se when Psycho Ki l l er comes t o gr i p her J ane' s t r yi ng t o r i se when Psycho Ki l l er comes t o gr i p her J ane' s t r yi ng t o r i se when Psycho Ki l l er comes t o gr i p her
neck f r ombehi nd, st r angl i ng. J ane t r i es t o br eak hi s gr i p neck f r ombehi nd, st r angl i ng. J ane t r i es t o br eak hi s gr i p neck f r ombehi nd, st r angl i ng. J ane t r i es t o br eak hi s gr i p neck f r ombehi nd, st r angl i ng. J ane t r i es t o br eak hi s gr i p neck f r ombehi nd, st r angl i ng. J ane t r i es t o br eak hi s gr i p
as hi s f i nger s di g i nt o her t hr oat . . . as hi s f i nger s di g i nt o her t hr oat . . . as hi s f i nger s di g i nt o her t hr oat . . . as hi s f i nger s di g i nt o her t hr oat . . . as hi s f i nger s di g i nt o her t hr oat . . .
J ane GASPS, near i ng a bl ack out . She t hr ows her head J ane GASPS, near i ng a bl ack out . She t hr ows her head J ane GASPS, near i ng a bl ack out . She t hr ows her head J ane GASPS, near i ng a bl ack out . She t hr ows her head J ane GASPS, near i ng a bl ack out . She t hr ows her head
vi ol ent l y back - - BASHES PK' s f ace! vi ol ent l y back - - BASHES PK' s f ace! vi ol ent l y back - - BASHES PK' s f ace! vi ol ent l y back - - BASHES PK' s f ace! vi ol ent l y back - - BASHES PK' s f ace!
Psycho Ki l l er r ecoi l s, r el i nqui shi ng gr i p. Psycho Ki l l er r ecoi l s, r el i nqui shi ng gr i p. Psycho Ki l l er r ecoi l s, r el i nqui shi ng gr i p. Psycho Ki l l er r ecoi l s, r el i nqui shi ng gr i p. Psycho Ki l l er r ecoi l s, r el i nqui shi ng gr i p.
J ane chokes, r egai ni ng her br eat h. J ane chokes, r egai ni ng her br eat h. J ane chokes, r egai ni ng her br eat h. J ane chokes, r egai ni ng her br eat h. J ane chokes, r egai ni ng her br eat h.
She gr abs up a kni f e- l i ke SHARD of GLASS, spi ns. . . She gr abs up a kni f e- l i ke SHARD of GLASS, spi ns. . . She gr abs up a kni f e- l i ke SHARD of GLASS, spi ns. . . She gr abs up a kni f e- l i ke SHARD of GLASS, spi ns. . . She gr abs up a kni f e- l i ke SHARD of GLASS, spi ns. . .
Psycho Ki l l er ' s meat y hand cat ches J ane' s wr i st as he' s Psycho Ki l l er ' s meat y hand cat ches J ane' s wr i st as he' s Psycho Ki l l er ' s meat y hand cat ches J ane' s wr i st as he' s Psycho Ki l l er ' s meat y hand cat ches J ane' s wr i st as he' s Psycho Ki l l er ' s meat y hand cat ches J ane' s wr i st as he' s
agai n upon her . He SHOVES her backwar ds - - TOSSI NG her . . . agai n upon her . He SHOVES her backwar ds - - TOSSI NG her . . . agai n upon her . He SHOVES her backwar ds - - TOSSI NG her . . . agai n upon her . He SHOVES her backwar ds - - TOSSI NG her . . . agai n upon her . He SHOVES her backwar ds - - TOSSI NG her . . .
J ane SMASHES out t hr ough t he FRONT WI NDOW, t aki ng out t he J ane SMASHES out t hr ough t he FRONT WI NDOW, t aki ng out t he J ane SMASHES out t hr ough t he FRONT WI NDOW, t aki ng out t he J ane SMASHES out t hr ough t he FRONT WI NDOW, t aki ng out t he J ane SMASHES out t hr ough t he FRONT WI NDOW, t aki ng out t he
CURTAI NS. Bl i ndi ng DAYLI GHT bl ast s i nt o t he r oom. CURTAI NS. Bl i ndi ng DAYLI GHT bl ast s i nt o t he r oom. CURTAI NS. Bl i ndi ng DAYLI GHT bl ast s i nt o t he r oom. CURTAI NS. Bl i ndi ng DAYLI GHT bl ast s i nt o t he r oom. CURTAI NS. Bl i ndi ng DAYLI GHT bl ast s i nt o t he r oom.
OUTSIDE THE HOTEL ROOM OUTSIDE THE HOTEL ROOM OUTSIDE THE HOTEL ROOM OUTSIDE THE HOTEL ROOM OUTSIDE THE HOTEL ROOM
As J ane l ands, r ol l i ng, i n a r ai n of shat t er ed gl ass. . . As J ane l ands, r ol l i ng, i n a r ai n of shat t er ed gl ass. . . As J ane l ands, r ol l i ng, i n a r ai n of shat t er ed gl ass. . . As J ane l ands, r ol l i ng, i n a r ai n of shat t er ed gl ass. . . As J ane l ands, r ol l i ng, i n a r ai n of shat t er ed gl ass. . .
A POLI CE CAR i s j ust ar r i vi ng, br akes SCREECHI NG. A POLI CE CAR i s j ust ar r i vi ng, br akes SCREECHI NG. A POLI CE CAR i s j ust ar r i vi ng, br akes SCREECHI NG. A POLI CE CAR i s j ust ar r i vi ng, br akes SCREECHI NG. A POLI CE CAR i s j ust ar r i vi ng, br akes SCREECHI NG.
IN PK'S HOTEL ROOM IN PK'S HOTEL ROOM IN PK'S HOTEL ROOM IN PK'S HOTEL ROOM IN PK'S HOTEL ROOM
Psycho Ki l l er gr abs hi s sui t case of f t he bed, r et r eat s. . . Psycho Ki l l er gr abs hi s sui t case of f t he bed, r et r eat s. . . Psycho Ki l l er gr abs hi s sui t case of f t he bed, r et r eat s. . . Psycho Ki l l er gr abs hi s sui t case of f t he bed, r et r eat s. . . Psycho Ki l l er gr abs hi s sui t case of f t he bed, r et r eat s. . .
Psycho Ki l l er ki cks t he bat hr oomdoor shut behi nd hi m, gr abs Psycho Ki l l er ki cks t he bat hr oomdoor shut behi nd hi m, gr abs Psycho Ki l l er ki cks t he bat hr oomdoor shut behi nd hi m, gr abs Psycho Ki l l er ki cks t he bat hr oomdoor shut behi nd hi m, gr abs Psycho Ki l l er ki cks t he bat hr oomdoor shut behi nd hi m, gr abs
hi s shot gun and poi nt s i t at t he hi gh, nar r ow WI NDOWabove hi s shot gun and poi nt s i t at t he hi gh, nar r ow WI NDOWabove hi s shot gun and poi nt s i t at t he hi gh, nar r ow WI NDOWabove hi s shot gun and poi nt s i t at t he hi gh, nar r ow WI NDOWabove hi s shot gun and poi nt s i t at t he hi gh, nar r ow WI NDOWabove
t he SHOWER STALL - - BOOM! - - BLOWS t he wi ndow out ! t he SHOWER STALL - - BOOM! - - BLOWS t he wi ndow out ! t he SHOWER STALL - - BOOM! - - BLOWS t he wi ndow out ! t he SHOWER STALL - - BOOM! - - BLOWS t he wi ndow out ! t he SHOWER STALL - - BOOM! - - BLOWS t he wi ndow out !
57. 57. 57. 57. 57.
OUTSIDE, BEHIND THE HOTEL OUTSIDE, BEHIND THE HOTEL OUTSIDE, BEHIND THE HOTEL OUTSIDE, BEHIND THE HOTEL OUTSIDE, BEHIND THE HOTEL
PK' s sui t case i s shoved out t hr ough t he bat hr oomwi ndow, PK' s sui t case i s shoved out t hr ough t he bat hr oomwi ndow, PK' s sui t case i s shoved out t hr ough t he bat hr oomwi ndow, PK' s sui t case i s shoved out t hr ough t he bat hr oomwi ndow, PK' s sui t case i s shoved out t hr ough t he bat hr oomwi ndow,
f ol l owed by t he shot gun. Psycho Ki l l er st r uggl es out next . f ol l owed by t he shot gun. Psycho Ki l l er st r uggl es out next . f ol l owed by t he shot gun. Psycho Ki l l er st r uggl es out next . f ol l owed by t he shot gun. Psycho Ki l l er st r uggl es out next . f ol l owed by t he shot gun. Psycho Ki l l er st r uggl es out next .
Psycho Ki l l er f al l s t o t he gr ound. He get s up, r et r i evi ng Psycho Ki l l er f al l s t o t he gr ound. He get s up, r et r i evi ng Psycho Ki l l er f al l s t o t he gr ound. He get s up, r et r i evi ng Psycho Ki l l er f al l s t o t he gr ound. He get s up, r et r i evi ng Psycho Ki l l er f al l s t o t he gr ound. He get s up, r et r i evi ng
sui t case and shot gun. He r uns, downhi l l , cr osses a j unk- sui t case and shot gun. He r uns, downhi l l , cr osses a j unk- sui t case and shot gun. He r uns, downhi l l , cr osses a j unk- sui t case and shot gun. He r uns, downhi l l , cr osses a j unk- sui t case and shot gun. He r uns, downhi l l , cr osses a j unk-
st r ewn, empt y l ot , st i l l masked. No one el se i s ar ound. st r ewn, empt y l ot , st i l l masked. No one el se i s ar ound. st r ewn, empt y l ot , st i l l masked. No one el se i s ar ound. st r ewn, empt y l ot , st i l l masked. No one el se i s ar ound. st r ewn, empt y l ot , st i l l masked. No one el se i s ar ound.
Psycho Ki l l er scur r i es down i nt o an over gr own DRAI NAGE AREA, Psycho Ki l l er scur r i es down i nt o an over gr own DRAI NAGE AREA, Psycho Ki l l er scur r i es down i nt o an over gr own DRAI NAGE AREA, Psycho Ki l l er scur r i es down i nt o an over gr own DRAI NAGE AREA, Psycho Ki l l er scur r i es down i nt o an over gr own DRAI NAGE AREA,
wadi ng t hr ough weeds. He bounds up t he opposi t e sl ope, wadi ng t hr ough weeds. He bounds up t he opposi t e sl ope, wadi ng t hr ough weeds. He bounds up t he opposi t e sl ope, wadi ng t hr ough weeds. He bounds up t he opposi t e sl ope, wadi ng t hr ough weeds. He bounds up t he opposi t e sl ope,
ar r i vi ng behi nd smal l , COMMERCI AL BUI LDI NGS, wher e he ar r i vi ng behi nd smal l , COMMERCI AL BUI LDI NGS, wher e he ar r i vi ng behi nd smal l , COMMERCI AL BUI LDI NGS, wher e he ar r i vi ng behi nd smal l , COMMERCI AL BUI LDI NGS, wher e he ar r i vi ng behi nd smal l , COMMERCI AL BUI LDI NGS, wher e he
squeezes t hr ough a t or n seami n a r ust y CHAI N- LI NK FENCE. squeezes t hr ough a t or n seami n a r ust y CHAI N- LI NK FENCE. squeezes t hr ough a t or n seami n a r ust y CHAI N- LI NK FENCE. squeezes t hr ough a t or n seami n a r ust y CHAI N- LI NK FENCE. squeezes t hr ough a t or n seami n a r ust y CHAI N- LI NK FENCE.
EXT. HAVENHURST RESIDENTIAL STREET -- MOMENTS LATER EXT. HAVENHURST RESIDENTIAL STREET -- MOMENTS LATER EXT. HAVENHURST RESIDENTIAL STREET -- MOMENTS LATER EXT. HAVENHURST RESIDENTIAL STREET -- MOMENTS LATER EXT. HAVENHURST RESIDENTIAL STREET -- MOMENTS LATER
On a shady st r eet of most l y ol der APARTMENT BUI LDI NGS, wher e On a shady st r eet of most l y ol der APARTMENT BUI LDI NGS, wher e On a shady st r eet of most l y ol der APARTMENT BUI LDI NGS, wher e On a shady st r eet of most l y ol der APARTMENT BUI LDI NGS, wher e On a shady st r eet of most l y ol der APARTMENT BUI LDI NGS, wher e
TWO BI CYCLI STS pedal i dl y and a f ew CARS cr oss pat hs. . . TWO BI CYCLI STS pedal i dl y and a f ew CARS cr oss pat hs. . . TWO BI CYCLI STS pedal i dl y and a f ew CARS cr oss pat hs. . . TWO BI CYCLI STS pedal i dl y and a f ew CARS cr oss pat hs. . . TWO BI CYCLI STS pedal i dl y and a f ew CARS cr oss pat hs. . .
FAR DOWN THE BLOCK, Psycho Ki l l er ( w/ o mask) wal ks f r om FAR DOWN THE BLOCK, Psycho Ki l l er ( w/ o mask) wal ks f r om FAR DOWN THE BLOCK, Psycho Ki l l er ( w/ o mask) wal ks f r om FAR DOWN THE BLOCK, Psycho Ki l l er ( w/ o mask) wal ks f r om FAR DOWN THE BLOCK, Psycho Ki l l er ( w/ o mask) wal ks f r om
bet ween apar t ment bui l di ngs. He cr osses t he st r eet , uses bet ween apar t ment bui l di ngs. He cr osses t he st r eet , uses bet ween apar t ment bui l di ngs. He cr osses t he st r eet , uses bet ween apar t ment bui l di ngs. He cr osses t he st r eet , uses bet ween apar t ment bui l di ngs. He cr osses t he st r eet , uses
KEYS t o open t he door of a par ked CAR; a bl ack, muscl e car KEYS t o open t he door of a par ked CAR; a bl ack, muscl e car KEYS t o open t he door of a par ked CAR; a bl ack, muscl e car KEYS t o open t he door of a par ked CAR; a bl ack, muscl e car KEYS t o open t he door of a par ked CAR; a bl ack, muscl e car
COUPE. He t hr ows sui t case and shot gun i n, get s i n. COUPE. He t hr ows sui t case and shot gun i n, get s i n. COUPE. He t hr ows sui t case and shot gun i n, get s i n. COUPE. He t hr ows sui t case and shot gun i n, get s i n. COUPE. He t hr ows sui t case and shot gun i n, get s i n.
DI STANT SI RENS ar e HEARD. DI STANT SI RENS ar e HEARD. DI STANT SI RENS ar e HEARD. DI STANT SI RENS ar e HEARD. DI STANT SI RENS ar e HEARD.
Psycho Ki l l er ' s car l ur ches i nt o t he st r eet , makes a qui ck, Psycho Ki l l er ' s car l ur ches i nt o t he st r eet , makes a qui ck, Psycho Ki l l er ' s car l ur ches i nt o t he st r eet , makes a qui ck, Psycho Ki l l er ' s car l ur ches i nt o t he st r eet , makes a qui ck, Psycho Ki l l er ' s car l ur ches i nt o t he st r eet , makes a qui ck,
SCREECHI NG get away. SCREECHI NG get away. SCREECHI NG get away. SCREECHI NG get away. SCREECHI NG get away.
EXT. RURAL ROADWAY -- DAY EXT. RURAL ROADWAY -- DAY EXT. RURAL ROADWAY -- DAY EXT. RURAL ROADWAY -- DAY EXT. RURAL ROADWAY -- DAY
Psycho Ki l l er ' s bl ack coupe r oar s down a sol i t ar y count r y Psycho Ki l l er ' s bl ack coupe r oar s down a sol i t ar y count r y Psycho Ki l l er ' s bl ack coupe r oar s down a sol i t ar y count r y Psycho Ki l l er ' s bl ack coupe r oar s down a sol i t ar y count r y Psycho Ki l l er ' s bl ack coupe r oar s down a sol i t ar y count r y
r oad bor der ed by f ar r eachi ng FARM FI ELDS. r oad bor der ed by f ar r eachi ng FARM FI ELDS. r oad bor der ed by f ar r eachi ng FARM FI ELDS. r oad bor der ed by f ar r eachi ng FARM FI ELDS. r oad bor der ed by f ar r eachi ng FARM FI ELDS.
EXT. PITTSBURGH -- DUSK EXT. PITTSBURGH -- DUSK EXT. PITTSBURGH -- DUSK EXT. PITTSBURGH -- DUSK EXT. PITTSBURGH -- DUSK
I t ' s RAI NI NG. THUNDERI NG. Psycho Ki l l er ' s car cr osses t he I t ' s RAI NI NG. THUNDERI NG. Psycho Ki l l er ' s car cr osses t he I t ' s RAI NI NG. THUNDERI NG. Psycho Ki l l er ' s car cr osses t he I t ' s RAI NI NG. THUNDERI NG. Psycho Ki l l er ' s car cr osses t he I t ' s RAI NI NG. THUNDERI NG. Psycho Ki l l er ' s car cr osses t he
FORT PI TT BRI DGE i nt o cl amor i ng DOWNTOWN PI TTSBURGH. FORT PI TT BRI DGE i nt o cl amor i ng DOWNTOWN PI TTSBURGH. FORT PI TT BRI DGE i nt o cl amor i ng DOWNTOWN PI TTSBURGH. FORT PI TT BRI DGE i nt o cl amor i ng DOWNTOWN PI TTSBURGH. FORT PI TT BRI DGE i nt o cl amor i ng DOWNTOWN PI TTSBURGH.
EXT. MID-CITY PITTSBURGH -- DUSK EXT. MID-CITY PITTSBURGH -- DUSK EXT. MID-CITY PITTSBURGH -- DUSK EXT. MID-CITY PITTSBURGH -- DUSK EXT. MID-CITY PITTSBURGH -- DUSK
Some TRAFFI C. Few pedest r i ans i n t he RAI N. Psycho Ki l l er Some TRAFFI C. Few pedest r i ans i n t he RAI N. Psycho Ki l l er Some TRAFFI C. Few pedest r i ans i n t he RAI N. Psycho Ki l l er Some TRAFFI C. Few pedest r i ans i n t he RAI N. Psycho Ki l l er Some TRAFFI C. Few pedest r i ans i n t he RAI N. Psycho Ki l l er
par ks at a cor ner . He cl i mbs f r omt he car , hol di ng hi s par ks at a cor ner . He cl i mbs f r omt he car , hol di ng hi s par ks at a cor ner . He cl i mbs f r omt he car , hol di ng hi s par ks at a cor ner . He cl i mbs f r omt he car , hol di ng hi s par ks at a cor ner . He cl i mbs f r omt he car , hol di ng hi s
t r ench coat over hi mas he wal ks t o t he si dewal k. t r ench coat over hi mas he wal ks t o t he si dewal k. t r ench coat over hi mas he wal ks t o t he si dewal k. t r ench coat over hi mas he wal ks t o t he si dewal k. t r ench coat over hi mas he wal ks t o t he si dewal k.
THREE NEWSPAPER BOXES st and t oget her . Psycho Ki l l er pl ugs THREE NEWSPAPER BOXES st and t oget her . Psycho Ki l l er pl ugs THREE NEWSPAPER BOXES st and t oget her . Psycho Ki l l er pl ugs THREE NEWSPAPER BOXES st and t oget her . Psycho Ki l l er pl ugs THREE NEWSPAPER BOXES st and t oget her . Psycho Ki l l er pl ugs
COI NS i n t he NEWYORK TI MES box, t akes a NEWSPAPER. COI NS i n t he NEWYORK TI MES box, t akes a NEWSPAPER. COI NS i n t he NEWYORK TI MES box, t akes a NEWSPAPER. COI NS i n t he NEWYORK TI MES box, t akes a NEWSPAPER. COI NS i n t he NEWYORK TI MES box, t akes a NEWSPAPER.
FROM BEHI ND: PK cl i mbs i n, t hr ows hi s coat asi de. FROM BEHI ND: PK cl i mbs i n, t hr ows hi s coat asi de. FROM BEHI ND: PK cl i mbs i n, t hr ows hi s coat asi de. FROM BEHI ND: PK cl i mbs i n, t hr ows hi s coat asi de. FROM BEHI ND: PK cl i mbs i n, t hr ows hi s coat asi de.
He opens t he New Yor k Ti mes, sear chi ng i t s pages. He opens t he New Yor k Ti mes, sear chi ng i t s pages. He opens t he New Yor k Ti mes, sear chi ng i t s pages. He opens t he New Yor k Ti mes, sear chi ng i t s pages. He opens t he New Yor k Ti mes, sear chi ng i t s pages.
58. 58. 58. 58. 58.
MALE VOI CE ( V. O. ) MALE VOI CE ( V. O. ) MALE VOI CE ( V. O. ) MALE VOI CE ( V. O. ) MALE VOI CE ( V. O. )
( f r omRADI O, CROWD i n B. G. ) ( f r omRADI O, CROWD i n B. G. ) ( f r omRADI O, CROWD i n B. G. ) ( f r omRADI O, CROWD i n B. G. ) ( f r omRADI O, CROWD i n B. G. )
. . . doi ng i t si nce 2004. That ' s what . . . doi ng i t si nce 2004. That ' s what . . . doi ng i t si nce 2004. That ' s what . . . doi ng i t si nce 2004. That ' s what . . . doi ng i t si nce 2004. That ' s what
we' r e pr ot est i ng her e t oday. These we' r e pr ot est i ng her e t oday. These we' r e pr ot est i ng her e t oday. These we' r e pr ot est i ng her e t oday. These we' r e pr ot est i ng her e t oday. These
pl anes ar e spr ayi ng quant i t i es of pl anes ar e spr ayi ng quant i t i es of pl anes ar e spr ayi ng quant i t i es of pl anes ar e spr ayi ng quant i t i es of pl anes ar e spr ayi ng quant i t i es of
bar i umand al umi numoxi de i nt o t he bar i umand al umi numoxi de i nt o t he bar i umand al umi numoxi de i nt o t he bar i umand al umi numoxi de i nt o t he bar i umand al umi numoxi de i nt o t he
at mospher e on a dai l y basi s. at mospher e on a dai l y basi s. at mospher e on a dai l y basi s. at mospher e on a dai l y basi s. at mospher e on a dai l y basi s.
Psycho Ki l l er r uns hi s f i nger down t he r ows of t he Psycho Ki l l er r uns hi s f i nger down t he r ows of t he Psycho Ki l l er r uns hi s f i nger down t he r ows of t he Psycho Ki l l er r uns hi s f i nger down t he r ows of t he Psycho Ki l l er r uns hi s f i nger down t he r ows of t he
CLASSI FI ED ADS, sear chi ng. . . f i ndi ng. . . CLASSI FI ED ADS, sear chi ng. . . f i ndi ng. . . CLASSI FI ED ADS, sear chi ng. . . f i ndi ng. . . CLASSI FI ED ADS, sear chi ng. . . f i ndi ng. . . CLASSI FI ED ADS, sear chi ng. . . f i ndi ng. . .
843 36544483633 843 36544483633 843 36544483633 843 36544483633 843 36544483633
9352663 255 335569 9352663 255 335569 9352663 255 335569 9352663 255 335569 9352663 255 335569
235438377. 235438377. 235438377. 235438377. 235438377.
4813055357548696230 4813055357548696230 4813055357548696230 4813055357548696230 4813055357548696230
Wat ch t he ski es. You' l l see t he Wat ch t he ski es. You' l l see t he Wat ch t he ski es. You' l l see t he Wat ch t he ski es. You' l l see t he Wat ch t he ski es. You' l l see t he
chemt r ai l s over your ci t y t oo, i f you chemt r ai l s over your ci t y t oo, i f you chemt r ai l s over your ci t y t oo, i f you chemt r ai l s over your ci t y t oo, i f you chemt r ai l s over your ci t y t oo, i f you
l ook. J ust wat ch t he ski es. l ook. J ust wat ch t he ski es. l ook. J ust wat ch t he ski es. l ook. J ust wat ch t he ski es. l ook. J ust wat ch t he ski es.
ON THE STREET ON THE STREET ON THE STREET ON THE STREET ON THE STREET
Psycho Ki l l er ' s car pul l s away. Psycho Ki l l er ' s car pul l s away. Psycho Ki l l er ' s car pul l s away. Psycho Ki l l er ' s car pul l s away. Psycho Ki l l er ' s car pul l s away.
RADI O NEWSCASTER ( V. O. ) RADI O NEWSCASTER ( V. O. ) RADI O NEWSCASTER ( V. O. ) RADI O NEWSCASTER ( V. O. ) RADI O NEWSCASTER ( V. O. )
I n ot her news, i t ' s been t hr ee days I n ot her news, i t ' s been t hr ee days I n ot her news, i t ' s been t hr ee days I n ot her news, i t ' s been t hr ee days I n ot her news, i t ' s been t hr ee days
si nce t he Sl asher cl ai med hi s l ast si nce t he Sl asher cl ai med hi s l ast si nce t he Sl asher cl ai med hi s l ast si nce t he Sl asher cl ai med hi s l ast si nce t he Sl asher cl ai med hi s l ast
vi ct i m, f uel i ng f ur t her specul at i on vi ct i m, f uel i ng f ur t her specul at i on vi ct i m, f uel i ng f ur t her specul at i on vi ct i m, f uel i ng f ur t her specul at i on vi ct i m, f uel i ng f ur t her specul at i on
as t o hi s wher eabout s. And her e ar e as t o hi s wher eabout s. And her e ar e as t o hi s wher eabout s. And her e ar e as t o hi s wher eabout s. And her e ar e as t o hi s wher eabout s. And her e ar e
t oday' s Nat i onal Mega- J ackpot t oday' s Nat i onal Mega- J ackpot t oday' s Nat i onal Mega- J ackpot t oday' s Nat i onal Mega- J ackpot t oday' s Nat i onal Mega- J ackpot
number s. 3, 19, 25. . . number s. 3, 19, 25. . . number s. 3, 19, 25. . . number s. 3, 19, 25. . . number s. 3, 19, 25. . .
EXT. PITTSBURGH RIVERFRONT -- NIGHT EXT. PITTSBURGH RIVERFRONT -- NIGHT EXT. PITTSBURGH RIVERFRONT -- NIGHT EXT. PITTSBURGH RIVERFRONT -- NIGHT EXT. PITTSBURGH RIVERFRONT -- NIGHT
RAI NI NG. PK' s coupe i s par ked beneat h a BRI DGE, wi t h t he RAI NI NG. PK' s coupe i s par ked beneat h a BRI DGE, wi t h t he RAI NI NG. PK' s coupe i s par ked beneat h a BRI DGE, wi t h t he RAI NI NG. PK' s coupe i s par ked beneat h a BRI DGE, wi t h t he RAI NI NG. PK' s coupe i s par ked beneat h a BRI DGE, wi t h t he
MONONGAHELA RI VER and t he ci t y SKYLI NE i n t he B. G. MONONGAHELA RI VER and t he ci t y SKYLI NE i n t he B. G. MONONGAHELA RI VER and t he ci t y SKYLI NE i n t he B. G. MONONGAHELA RI VER and t he ci t y SKYLI NE i n t he B. G. MONONGAHELA RI VER and t he ci t y SKYLI NE i n t he B. G.
By di mCEI LI NG LI GHT, wi t h t he HEAVY METAL ( over t he next By di mCEI LI NG LI GHT, wi t h t he HEAVY METAL ( over t he next By di mCEI LI NG LI GHT, wi t h t he HEAVY METAL ( over t he next By di mCEI LI NG LI GHT, wi t h t he HEAVY METAL ( over t he next By di mCEI LI NG LI GHT, wi t h t he HEAVY METAL ( over t he next
f ew scenes) boomi ng f r omt he RADI O, Psycho Ki l l er uses a f ew scenes) boomi ng f r omt he RADI O, Psycho Ki l l er uses a f ew scenes) boomi ng f r omt he RADI O, Psycho Ki l l er uses a f ew scenes) boomi ng f r omt he RADI O, Psycho Ki l l er uses a f ew scenes) boomi ng f r omt he RADI O, Psycho Ki l l er uses a
POCKET KNI FE t o sl i ce out t he NYT CLASSI FI ED AD. . . POCKET KNI FE t o sl i ce out t he NYT CLASSI FI ED AD. . . POCKET KNI FE t o sl i ce out t he NYT CLASSI FI ED AD. . . POCKET KNI FE t o sl i ce out t he NYT CLASSI FI ED AD. . . POCKET KNI FE t o sl i ce out t he NYT CLASSI FI ED AD. . .
843 36544483633 843 36544483633 843 36544483633 843 36544483633 843 36544483633
9352663 255 335569 9352663 255 335569 9352663 255 335569 9352663 255 335569 9352663 255 335569
235438377. 235438377. 235438377. 235438377. 235438377.
4813055357548696230 4813055357548696230 4813055357548696230 4813055357548696230 4813055357548696230
59. 59. 59. 59. 59.
Wi t h a ROAD ATLAS as a wr i t i ng sur f ace, PK uses a PENCI L NUB Wi t h a ROAD ATLAS as a wr i t i ng sur f ace, PK uses a PENCI L NUB Wi t h a ROAD ATLAS as a wr i t i ng sur f ace, PK uses a PENCI L NUB Wi t h a ROAD ATLAS as a wr i t i ng sur f ace, PK uses a PENCI L NUB Wi t h a ROAD ATLAS as a wr i t i ng sur f ace, PK uses a PENCI L NUB
t o begi n COPYI NG t he ad' s i nf o ont o a bl ank sheet of PAPER. t o begi n COPYI NG t he ad' s i nf o ont o a bl ank sheet of PAPER. t o begi n COPYI NG t he ad' s i nf o ont o a bl ank sheet of PAPER. t o begi n COPYI NG t he ad' s i nf o ont o a bl ank sheet of PAPER. t o begi n COPYI NG t he ad' s i nf o ont o a bl ank sheet of PAPER.
INT. PSYCHO KILLER'S CAR -- NIGHT INT. PSYCHO KILLER'S CAR -- NIGHT INT. PSYCHO KILLER'S CAR -- NIGHT INT. PSYCHO KILLER'S CAR -- NIGHT INT. PSYCHO KILLER'S CAR -- NIGHT
CLOSE ON: t he no l onger bl ank PAPER and what PK' s wr i t t en. . . CLOSE ON: t he no l onger bl ank PAPER and what PK' s wr i t t en. . . CLOSE ON: t he no l onger bl ank PAPER and what PK' s wr i t t en. . . CLOSE ON: t he no l onger bl ank PAPER and what PK' s wr i t t en. . . CLOSE ON: t he no l onger bl ank PAPER and what PK' s wr i t t en. . .
M N O 843 36544483633 9352663 255 335569 235438377. M N O 843 36544483633 9352663 255 335569 235438377. M N O 843 36544483633 9352663 255 335569 235438377. M N O 843 36544483633 9352663 255 335569 235438377. M N O 843 36544483633 9352663 255 335569 235438377.
t gd dmj gggt dmdd wdj ammd aj j ddj j mw adj gdt dpp t gd dmj gggt dmdd wdj ammd aj j ddj j mw adj gdt dpp t gd dmj gggt dmdd wdj ammd aj j ddj j mw adj gdt dpp t gd dmj gggt dmdd wdj ammd aj j ddj j mw adj gdt dpp t gd dmj gggt dmdd wdj ammd aj j ddj j mw adj gdt dpp
uhe enkhhhuenee xekbnne bkk eekknx bdkheueqq uhe enkhhhuenee xekbnne bkk eekknx bdkheueqq uhe enkhhhuenee xekbnne bkk eekknx bdkheueqq uhe enkhhhuenee xekbnne bkk eekknx bdkheueqq uhe enkhhhuenee xekbnne bkk eekknx bdkheueqq
vi f f ol i i i vf of f yf l coof cl l f f l l oy cf l i f vf r r vi f f ol i i i vf of f yf l coof cl l f f l l oy cf l i f vf r r vi f f ol i i i vf of f yf l coof cl l f f l l oy cf l i f vf r r vi f f ol i i i vf of f yf l coof cl l f f l l oy cf l i f vf r r vi f f ol i i i vf of f yf l coof cl l f f l l oy cf l i f vf r r
z z ss z z ss z z ss z z ss z z ss
4813055357548696230 4813055357548696230 4813055357548696230 4813055357548696230 4813055357548696230
gt doj j dj pj gt mwmado gt doj j dj pj gt mwmado gt doj j dj pj gt mwmado gt doj j dj pj gt mwmado gt doj j dj pj gt mwmado
hu epkkekqkhunxnbep hu epkkekqkhunxnbep hu epkkekqkhunxnbep hu epkkekqkhunxnbep hu epkkekqkhunxnbep
i v f el l f l r l i voyocf e i v f el l f l r l i voyocf e i v f el l f l r l i voyocf e i v f el l f l r l i voyocf e i v f el l f l r l i voyocf e
r s z r r s z r r s z r r s z r r s z r
He agai n br i ngs penci l t o bear , begi nni ng wi t h. . . M N O He agai n br i ngs penci l t o bear , begi nni ng wi t h. . . M N O He agai n br i ngs penci l t o bear , begi nni ng wi t h. . . M N O He agai n br i ngs penci l t o bear , begi nni ng wi t h. . . M N O He agai n br i ngs penci l t o bear , begi nni ng wi t h. . . M N O
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
INT. PSYCHO KILLER'S CAR -- NIGHT INT. PSYCHO KILLER'S CAR -- NIGHT INT. PSYCHO KILLER'S CAR -- NIGHT INT. PSYCHO KILLER'S CAR -- NIGHT INT. PSYCHO KILLER'S CAR -- NIGHT
FOLLOWt he t i p of PK' s PENCI L f i ni shi ng wr i t i ng. We ar e. . . FOLLOWt he t i p of PK' s PENCI L f i ni shi ng wr i t i ng. We ar e. . . FOLLOWt he t i p of PK' s PENCI L f i ni shi ng wr i t i ng. We ar e. . . FOLLOWt he t i p of PK' s PENCI L f i ni shi ng wr i t i ng. We ar e. . . FOLLOWt he t i p of PK' s PENCI L f i ni shi ng wr i t i ng. We ar e. . .
CLOSE ON: hi s compl et ed sol ut i on ( we don' t have t o f ul l y CLOSE ON: hi s compl et ed sol ut i on ( we don' t have t o f ul l y CLOSE ON: hi s compl et ed sol ut i on ( we don' t have t o f ul l y CLOSE ON: hi s compl et ed sol ut i on ( we don' t have t o f ul l y CLOSE ON: hi s compl et ed sol ut i on ( we don' t have t o f ul l y
under st and t he syst emyet ) , al l t he BOLD LETTERS CI RCLED. . . under st and t he syst emyet ) , al l t he BOLD LETTERS CI RCLED. . . under st and t he syst emyet ) , al l t he BOLD LETTERS CI RCLED. . . under st and t he syst emyet ) , al l t he BOLD LETTERS CI RCLED. . . under st and t he syst emyet ) , al l t he BOLD LETTERS CI RCLED. . .
M N O 843 36544483633 9352663 255 335569 235438377. M N O 843 36544483633 9352663 255 335569 235438377. M N O 843 36544483633 9352663 255 335569 235438377. M N O 843 36544483633 9352663 255 335569 235438377. M N O 843 36544483633 9352663 255 335569 235438377.
6 6 6 tgd dmj gggtdmdd wdj ammd aj j ddj j mw adj gdt dpp 6 6 6 tgd dmj gggtdmdd wdj ammd aj j ddj j mw adj gdt dpp 6 6 6 tgd dmj gggtdmdd wdj ammd aj j ddj j mw adj gdt dpp 6 6 6 tgd dmj gggtdmdd wdj ammd aj j ddj j mw adj gdt dpp 6 6 6 tgd dmj gggtdmdd wdj ammd aj j ddj j mw adj gdt dpp
uhe enkhhhuenee xekbnne bkk eekknx bekheueqq uhe enkhhhuenee xekbnne bkk eekknx bekheueqq uhe enkhhhuenee xekbnne bkk eekknx bekheueqq uhe enkhhhuenee xekbnne bkk eekknx bekheueqq uhe enkhhhuenee xekbnne bkk eekknx bekheueqq
vi f f olii i vf of f yf lcoof cll ff lloy cf lif vf rr vi f f olii i vf of f yf lcoof cll ff lloy cf lif vf rr vi f f olii i vf of f yf lcoof cll ff lloy cf lif vf rr vi f f olii i vf of f yf lcoof cll ff lloy cf lif vf rr vi f f olii i vf of f yf lcoof cll ff lloy cf lif vf rr
z z ss z z ss z z ss z z ss z z ss
the enlightened welcome all fellow believers. the enlightened welcome all fellow believers. the enlightened welcome all fellow believers. the enlightened welcome all fellow believers. the enlightened welcome all fellow believers.
4813055357548696230 4813055357548696230 4813055357548696230 4813055357548696230 4813055357548696230
t d j d p g mmd t d j d p g mmd t d j d p g mmd t d j d p g mmd t d j d p g mmd
u e k e q h n n e u e k e q h n n e u e k e q h n n e u e k e q h n n e u e k e q h n n e
v f l f r I o o f v f l f r I o o f v f l f r I o o f v f l f r I o o f v f l f r I o o f
s z s z s z s z s z
t e l e p h o n e t e l e p h o n e t e l e p h o n e t e l e p h o n e t e l e p h o n e
4 1 0 5 5 5 8 9 2 0 4 1 0 5 5 5 8 9 2 0 4 1 0 5 5 5 8 9 2 0 4 1 0 5 5 5 8 9 2 0 4 1 0 5 5 5 8 9 2 0
And f i nal l y, PK' s scr awl ed at t he bot t omof t he page. . . And f i nal l y, PK' s scr awl ed at t he bot t omof t he page. . . And f i nal l y, PK' s scr awl ed at t he bot t omof t he page. . . And f i nal l y, PK' s scr awl ed at t he bot t omof t he page. . . And f i nal l y, PK' s scr awl ed at t he bot t omof t he page. . .
6 6 6 6 6 6 6 6 6 6 6 6 6 6 6
the enlightened the enlightened the enlightened the enlightened the enlightened
welcome all fellow welcome all fellow welcome all fellow welcome all fellow welcome all fellow
believers. believers. believers. believers. believers.
telephone 410 555 8920 telephone 410 555 8920 telephone 410 555 8920 telephone 410 555 8920 telephone 410 555 8920
60. 60. 60. 60. 60.
A PHONE i s HEARD RI NGI NG. . . RI NGI NG, unt i l . . . A PHONE i s HEARD RI NGI NG. . . RI NGI NG, unt i l . . . A PHONE i s HEARD RI NGI NG. . . RI NGI NG, unt i l . . . A PHONE i s HEARD RI NGI NG. . . RI NGI NG, unt i l . . . A PHONE i s HEARD RI NGI NG. . . RI NGI NG, unt i l . . .
( t hr ough TELEPHONE) ( t hr ough TELEPHONE) ( t hr ough TELEPHONE) ( t hr ough TELEPHONE) ( t hr ough TELEPHONE)
Yeah, hel l o? Yeah, hel l o? Yeah, hel l o? Yeah, hel l o? Yeah, hel l o?
PSYCHO KI LLER' S VOI CE ( V. O. ) PSYCHO KI LLER' S VOI CE ( V. O. ) PSYCHO KI LLER' S VOI CE ( V. O. ) PSYCHO KI LLER' S VOI CE ( V. O. ) PSYCHO KI LLER' S VOI CE ( V. O. )
Hel l o. . . Hel l o. . . Hel l o. . . Hel l o. . . Hel l o. . .
EXT. PITTSBURGH OUTSKIRTS -- NIGHT EXT. PITTSBURGH OUTSKIRTS -- NIGHT EXT. PITTSBURGH OUTSKIRTS -- NIGHT EXT. PITTSBURGH OUTSKIRTS -- NIGHT EXT. PITTSBURGH OUTSKIRTS -- NIGHT
St i l l RAI NI NG. On a st r et ch of l onel y asphal t l eadi ng out St i l l RAI NI NG. On a st r et ch of l onel y asphal t l eadi ng out St i l l RAI NI NG. On a st r et ch of l onel y asphal t l eadi ng out St i l l RAI NI NG. On a st r et ch of l onel y asphal t l eadi ng out St i l l RAI NI NG. On a st r et ch of l onel y asphal t l eadi ng out
of t own, PK' s car i dl es r oadsi de. Psycho Ki l l er ' s on a PAY of t own, PK' s car i dl es r oadsi de. Psycho Ki l l er ' s on a PAY of t own, PK' s car i dl es r oadsi de. Psycho Ki l l er ' s on a PAY of t own, PK' s car i dl es r oadsi de. Psycho Ki l l er ' s on a PAY of t own, PK' s car i dl es r oadsi de. Psycho Ki l l er ' s on a PAY
PHONE i n f r ont of a cl osed- f or - t he- ni ght AUTO REPAI R SHOP. PHONE i n f r ont of a cl osed- f or - t he- ni ght AUTO REPAI R SHOP. PHONE i n f r ont of a cl osed- f or - t he- ni ght AUTO REPAI R SHOP. PHONE i n f r ont of a cl osed- f or - t he- ni ght AUTO REPAI R SHOP. PHONE i n f r ont of a cl osed- f or - t he- ni ght AUTO REPAI R SHOP.
PSYCHO KI LLER ( CONT. ) PSYCHO KI LLER ( CONT. ) PSYCHO KI LLER ( CONT. ) PSYCHO KI LLER ( CONT. ) PSYCHO KI LLER ( CONT. )
. . . I saw your answer . . . i n t he New . . . I saw your answer . . . i n t he New . . . I saw your answer . . . i n t he New . . . I saw your answer . . . i n t he New . . . I saw your answer . . . i n t he New
Yor k Ti mes. Today. Yor k Ti mes. Today. Yor k Ti mes. Today. Yor k Ti mes. Today. Yor k Ti mes. Today.
Okay. So, you' r e one of our Okay. So, you' r e one of our Okay. So, you' r e one of our Okay. So, you' r e one of our Okay. So, you' r e one of our
br et hr en, huh? Looki ng f or someone br et hr en, huh? Looki ng f or someone br et hr en, huh? Looki ng f or someone br et hr en, huh? Looki ng f or someone br et hr en, huh? Looki ng f or someone
t o l end you a hand. Wher e' r e you at ? t o l end you a hand. Wher e' r e you at ? t o l end you a hand. Wher e' r e you at ? t o l end you a hand. Wher e' r e you at ? t o l end you a hand. Wher e' r e you at ?
Pennsyl vani a. Pennsyl vani a. Pennsyl vani a. Pennsyl vani a. Pennsyl vani a.
Al r i ght . You' r e not f ar away f r om Al r i ght . You' r e not f ar away f r om Al r i ght . You' r e not f ar away f r om Al r i ght . You' r e not f ar away f r om Al r i ght . You' r e not f ar away f r om
us, act ual l y. Not f ar at al l . us, act ual l y. Not f ar at al l . us, act ual l y. Not f ar at al l . us, act ual l y. Not f ar at al l . us, act ual l y. Not f ar at al l .
EXT. HIGHWAY -- NIGHT EXT. HIGHWAY -- NIGHT EXT. HIGHWAY -- NIGHT EXT. HIGHWAY -- NIGHT EXT. HIGHWAY -- NIGHT
No mor e r ai n. Psycho Ki l l er ' s car passes t he SI GN. . . No mor e r ai n. Psycho Ki l l er ' s car passes t he SI GN. . . No mor e r ai n. Psycho Ki l l er ' s car passes t he SI GN. . . No mor e r ai n. Psycho Ki l l er ' s car passes t he SI GN. . . No mor e r ai n. Psycho Ki l l er ' s car passes t he SI GN. . .
" MARYLAND WELCOMES YOU, Enjoy Your Stay!" " MARYLAND WELCOMES YOU, Enjoy Your Stay!" " MARYLAND WELCOMES YOU, Enjoy Your Stay!" " MARYLAND WELCOMES YOU, Enjoy Your Stay!" " MARYLAND WELCOMES YOU, Enjoy Your Stay!"
EXT. PENDLETON HOUSE -- NIGHT EXT. PENDLETON HOUSE -- NIGHT EXT. PENDLETON HOUSE -- NIGHT EXT. PENDLETON HOUSE -- NIGHT EXT. PENDLETON HOUSE -- NIGHT
Psycho Ki l l er ' s car wai t s, f aci ng a smal l , r ur al est at e' s Psycho Ki l l er ' s car wai t s, f aci ng a smal l , r ur al est at e' s Psycho Ki l l er ' s car wai t s, f aci ng a smal l , r ur al est at e' s Psycho Ki l l er ' s car wai t s, f aci ng a smal l , r ur al est at e' s Psycho Ki l l er ' s car wai t s, f aci ng a smal l , r ur al est at e' s
I RON GATES. Beyond t he gat es, a l ar ge, dar k HOUSE commands I RON GATES. Beyond t he gat es, a l ar ge, dar k HOUSE commands I RON GATES. Beyond t he gat es, a l ar ge, dar k HOUSE commands I RON GATES. Beyond t he gat es, a l ar ge, dar k HOUSE commands I RON GATES. Beyond t he gat es, a l ar ge, dar k HOUSE commands
t he acr eage. A MAN on a GOLF CART, MARVI N, comes down t he t he acr eage. A MAN on a GOLF CART, MARVI N, comes down t he t he acr eage. A MAN on a GOLF CART, MARVI N, comes down t he t he acr eage. A MAN on a GOLF CART, MARVI N, comes down t he t he acr eage. A MAN on a GOLF CART, MARVI N, comes down t he
dr i veway i nt o PK' s HEADLI GHTS. Mar vi n par ks, get s of f , dr i veway i nt o PK' s HEADLI GHTS. Mar vi n par ks, get s of f , dr i veway i nt o PK' s HEADLI GHTS. Mar vi n par ks, get s of f , dr i veway i nt o PK' s HEADLI GHTS. Mar vi n par ks, get s of f , dr i veway i nt o PK' s HEADLI GHTS. Mar vi n par ks, get s of f ,
goi ng t o pul l t he gat e i nwar d. goi ng t o pul l t he gat e i nwar d. goi ng t o pul l t he gat e i nwar d. goi ng t o pul l t he gat e i nwar d. goi ng t o pul l t he gat e i nwar d.
MARVI N MARVI N MARVI N MARVI N MARVI N
( shout s t owar ds coupe) ( shout s t owar ds coupe) ( shout s t owar ds coupe) ( shout s t owar ds coupe) ( shout s t owar ds coupe)
Gat e' s br oken, so. . . Gat e' s br oken, so. . . Gat e' s br oken, so. . . Gat e' s br oken, so. . . Gat e' s br oken, so. . .
I t was Mar vi n' s voi ce on t he phone. He' s ski nny, 20- I t was Mar vi n' s voi ce on t he phone. He' s ski nny, 20- I t was Mar vi n' s voi ce on t he phone. He' s ski nny, 20- I t was Mar vi n' s voi ce on t he phone. He' s ski nny, 20- I t was Mar vi n' s voi ce on t he phone. He' s ski nny, 20-
somet hi ng, i n T- SHI RT, f r ayed CARDI GAN and J EANS; a somet hi ng, i n T- SHI RT, f r ayed CARDI GAN and J EANS; a somet hi ng, i n T- SHI RT, f r ayed CARDI GAN and J EANS; a somet hi ng, i n T- SHI RT, f r ayed CARDI GAN and J EANS; a somet hi ng, i n T- SHI RT, f r ayed CARDI GAN and J EANS; a
squi r r el l y, nebbi sh- Got h wi t h dyed- j et - bl ack hai r . squi r r el l y, nebbi sh- Got h wi t h dyed- j et - bl ack hai r . squi r r el l y, nebbi sh- Got h wi t h dyed- j et - bl ack hai r . squi r r el l y, nebbi sh- Got h wi t h dyed- j et - bl ack hai r . squi r r el l y, nebbi sh- Got h wi t h dyed- j et - bl ack hai r .
61. 61. 61. 61. 61.
He waves PK' s coupe i n, mot i oni ng t o t he l awn, wher e FI VE He waves PK' s coupe i n, mot i oni ng t o t he l awn, wher e FI VE He waves PK' s coupe i n, mot i oni ng t o t he l awn, wher e FI VE He waves PK' s coupe i n, mot i oni ng t o t he l awn, wher e FI VE He waves PK' s coupe i n, mot i oni ng t o t he l awn, wher e FI VE
OTHER CARS ar e par ked. Psycho Ki l l er par ks whi l e Mar vi n OTHER CARS ar e par ked. Psycho Ki l l er par ks whi l e Mar vi n OTHER CARS ar e par ked. Psycho Ki l l er par ks whi l e Mar vi n OTHER CARS ar e par ked. Psycho Ki l l er par ks whi l e Mar vi n OTHER CARS ar e par ked. Psycho Ki l l er par ks whi l e Mar vi n
shut s t he gat e. shut s t he gat e. shut s t he gat e. shut s t he gat e. shut s t he gat e.
Psycho Ki l l er get s out , t akes hi s sui t case f r omt he car . Psycho Ki l l er get s out , t akes hi s sui t case f r omt he car . Psycho Ki l l er get s out , t akes hi s sui t case f r omt he car . Psycho Ki l l er get s out , t akes hi s sui t case f r omt he car . Psycho Ki l l er get s out , t akes hi s sui t case f r omt he car .
Can I get t hat f or you - - ? Can I get t hat f or you - - ? Can I get t hat f or you - - ? Can I get t hat f or you - - ? Can I get t hat f or you - - ?
As Mar vi n r eaches f or t he sui t case, Psycho Ki l l er shoves hi m. As Mar vi n r eaches f or t he sui t case, Psycho Ki l l er shoves hi m. As Mar vi n r eaches f or t he sui t case, Psycho Ki l l er shoves hi m. As Mar vi n r eaches f or t he sui t case, Psycho Ki l l er shoves hi m. As Mar vi n r eaches f or t he sui t case, Psycho Ki l l er shoves hi m.
Oki e- doki e. I was onl y goi ng t o put Oki e- doki e. I was onl y goi ng t o put Oki e- doki e. I was onl y goi ng t o put Oki e- doki e. I was onl y goi ng t o put Oki e- doki e. I was onl y goi ng t o put
i t on t he back of t he. . . you know. . . i t on t he back of t he. . . you know. . . i t on t he back of t he. . . you know. . . i t on t he back of t he. . . you know. . . i t on t he back of t he. . . you know. . .
( mot i ons t o gol f car t ) ( mot i ons t o gol f car t ) ( mot i ons t o gol f car t ) ( mot i ons t o gol f car t ) ( mot i ons t o gol f car t )
Not a pr obl em. Not a pr obl em. Not a pr obl em. Not a pr obl em. Not a pr obl em.
Mar vi n get s behi nd t he wheel of t he car t . Psycho Ki l l er Mar vi n get s behi nd t he wheel of t he car t . Psycho Ki l l er Mar vi n get s behi nd t he wheel of t he car t . Psycho Ki l l er Mar vi n get s behi nd t he wheel of t he car t . Psycho Ki l l er Mar vi n get s behi nd t he wheel of t he car t . Psycho Ki l l er
si t s besi de wi t h t he sui t case on hi s l ap. FOLLOWas Mar vi n si t s besi de wi t h t he sui t case on hi s l ap. FOLLOWas Mar vi n si t s besi de wi t h t he sui t case on hi s l ap. FOLLOWas Mar vi n si t s besi de wi t h t he sui t case on hi s l ap. FOLLOWas Mar vi n si t s besi de wi t h t he sui t case on hi s l ap. FOLLOWas Mar vi n
dr i ves t hemup t owar ds t he house at 5 MPH. dr i ves t hemup t owar ds t he house at 5 MPH. dr i ves t hemup t owar ds t he house at 5 MPH. dr i ves t hemup t owar ds t he house at 5 MPH. dr i ves t hemup t owar ds t he house at 5 MPH.
What ' d you say t he name was agai n? What ' d you say t he name was agai n? What ' d you say t he name was agai n? What ' d you say t he name was agai n? What ' d you say t he name was agai n?
Ri char d. Ri char d. Ri char d. Ri char d. Ri char d.
Wel l , Ri char d, f i r st of al l , I have Wel l , Ri char d, f i r st of al l , I have Wel l , Ri char d, f i r st of al l , I have Wel l , Ri char d, f i r st of al l , I have Wel l , Ri char d, f i r st of al l , I have
t o ask t hi s f or my own pr ot ect i on and t o ask t hi s f or my own pr ot ect i on and t o ask t hi s f or my own pr ot ect i on and t o ask t hi s f or my own pr ot ect i on and t o ask t hi s f or my own pr ot ect i on and
f or t he pr ot ect i on of my empl oyer : f or t he pr ot ect i on of my empl oyer : f or t he pr ot ect i on of my empl oyer : f or t he pr ot ect i on of my empl oyer : f or t he pr ot ect i on of my empl oyer :
ar e you a cop. . . ? A pol i ceman? ar e you a cop. . . ? A pol i ceman? ar e you a cop. . . ? A pol i ceman? ar e you a cop. . . ? A pol i ceman? ar e you a cop. . . ? A pol i ceman?
No. No. No. No. No.
Because i f you ar e and you say you' r e Because i f you ar e and you say you' r e Because i f you ar e and you say you' r e Because i f you ar e and you say you' r e Because i f you ar e and you say you' r e
not , t hat ' s. . . you know, l i ke agai nst not , t hat ' s. . . you know, l i ke agai nst not , t hat ' s. . . you know, l i ke agai nst not , t hat ' s. . . you know, l i ke agai nst not , t hat ' s. . . you know, l i ke agai nst
t he l aw and you' r e not al l owed t o. t he l aw and you' r e not al l owed t o. t he l aw and you' r e not al l owed t o. t he l aw and you' r e not al l owed t o. t he l aw and you' r e not al l owed t o.
Anyway, I guess i f t her e' s some way Anyway, I guess i f t her e' s some way Anyway, I guess i f t her e' s some way Anyway, I guess i f t her e' s some way Anyway, I guess i f t her e' s some way
we can hel p out a f el l ow bel i ever . . . we can hel p out a f el l ow bel i ever . . . we can hel p out a f el l ow bel i ever . . . we can hel p out a f el l ow bel i ever . . . we can hel p out a f el l ow bel i ever . . .
we wi l l . I mean, you knew about we wi l l . I mean, you knew about we wi l l . I mean, you knew about we wi l l . I mean, you knew about we wi l l . I mean, you knew about
usi ng t he cl assi f i eds. We' r e al l i n usi ng t he cl assi f i eds. We' r e al l i n usi ng t he cl assi f i eds. We' r e al l i n usi ng t he cl assi f i eds. We' r e al l i n usi ng t he cl assi f i eds. We' r e al l i n
t hi s t oget her , r i ght ? t hi s t oget her , r i ght ? t hi s t oget her , r i ght ? t hi s t oget her , r i ght ? t hi s t oget her , r i ght ?
I need i nf or mat i on. I need i nf or mat i on. I need i nf or mat i on. I need i nf or mat i on. I need i nf or mat i on.
Yeah, wel l , Mr . Pendl et on' l l gi ve you Yeah, wel l , Mr . Pendl et on' l l gi ve you Yeah, wel l , Mr . Pendl et on' l l gi ve you Yeah, wel l , Mr . Pendl et on' l l gi ve you Yeah, wel l , Mr . Pendl et on' l l gi ve you
an ear f ul . Enl i ght enment , mor e l i ke. an ear f ul . Enl i ght enment , mor e l i ke. an ear f ul . Enl i ght enment , mor e l i ke. an ear f ul . Enl i ght enment , mor e l i ke. an ear f ul . Enl i ght enment , mor e l i ke.
He' s a gr eat magus. He i s. He keeps He' s a gr eat magus. He i s. He keeps He' s a gr eat magus. He i s. He keeps He' s a gr eat magus. He i s. He keeps He' s a gr eat magus. He i s. He keeps
t hat on t he down- l ow t hese days, t hat on t he down- l ow t hese days, t hat on t he down- l ow t hese days, t hat on t he down- l ow t hese days, t hat on t he down- l ow t hese days,
obvi ousl y, but he sai d he' s got a obvi ousl y, but he sai d he' s got a obvi ousl y, but he sai d he' s got a obvi ousl y, but he sai d he' s got a obvi ousl y, but he sai d he' s got a
good f eel i ng about you. good f eel i ng about you. good f eel i ng about you. good f eel i ng about you. good f eel i ng about you.
62. 62. 62. 62. 62.
MARVI N ( CONT. ) MARVI N ( CONT. ) MARVI N ( CONT. ) MARVI N ( CONT. ) MARVI N ( CONT. )
Good vi br at i ons. You' r e hi s i nvi t ed Good vi br at i ons. You' r e hi s i nvi t ed Good vi br at i ons. You' r e hi s i nvi t ed Good vi br at i ons. You' r e hi s i nvi t ed Good vi br at i ons. You' r e hi s i nvi t ed
guest . . . he want s t o meet you. I ' m guest . . . he want s t o meet you. I ' m guest . . . he want s t o meet you. I ' m guest . . . he want s t o meet you. I ' m guest . . . he want s t o meet you. I ' m
Mar vi n, by t he way. Mar vi n, by t he way. Mar vi n, by t he way. Mar vi n, by t he way. Mar vi n, by t he way.
As t hey near t he house, Mar vi n keeps l ooki ng at PK. As t hey near t he house, Mar vi n keeps l ooki ng at PK. As t hey near t he house, Mar vi n keeps l ooki ng at PK. As t hey near t he house, Mar vi n keeps l ooki ng at PK. As t hey near t he house, Mar vi n keeps l ooki ng at PK.
You know. . . you l ook ki nd of f ami l i ar . You know. . . you l ook ki nd of f ami l i ar . You know. . . you l ook ki nd of f ami l i ar . You know. . . you l ook ki nd of f ami l i ar . You know. . . you l ook ki nd of f ami l i ar .
INT. PENDLETON HOUSE, ENTRY -- NIGHT INT. PENDLETON HOUSE, ENTRY -- NIGHT INT. PENDLETON HOUSE, ENTRY -- NIGHT INT. PENDLETON HOUSE, ENTRY -- NIGHT INT. PENDLETON HOUSE, ENTRY -- NIGHT
Cl osi ng t he FRONT DOOR behi nd t hem, Mar vi n l eads Psycho Cl osi ng t he FRONT DOOR behi nd t hem, Mar vi n l eads Psycho Cl osi ng t he FRONT DOOR behi nd t hem, Mar vi n l eads Psycho Cl osi ng t he FRONT DOOR behi nd t hem, Mar vi n l eads Psycho Cl osi ng t he FRONT DOOR behi nd t hem, Mar vi n l eads Psycho
Ki l l er t hr ough t he di ml y- l i t ENTRY HALL. Thr oughout t he Ki l l er t hr ough t he di ml y- l i t ENTRY HALL. Thr oughout t he Ki l l er t hr ough t he di ml y- l i t ENTRY HALL. Thr oughout t he Ki l l er t hr ough t he di ml y- l i t ENTRY HALL. Thr oughout t he Ki l l er t hr ough t he di ml y- l i t ENTRY HALL. Thr oughout t he
ent i r e house, t her e ar e BOOKCASES f i l l ed t o over f l owi ng wi t h ent i r e house, t her e ar e BOOKCASES f i l l ed t o over f l owi ng wi t h ent i r e house, t her e ar e BOOKCASES f i l l ed t o over f l owi ng wi t h ent i r e house, t her e ar e BOOKCASES f i l l ed t o over f l owi ng wi t h ent i r e house, t her e ar e BOOKCASES f i l l ed t o over f l owi ng wi t h
BOOKS and PERI ODI CALS. Ther e' s a wi de STAI RCASE l eadi ng up, BOOKS and PERI ODI CALS. Ther e' s a wi de STAI RCASE l eadi ng up, BOOKS and PERI ODI CALS. Ther e' s a wi de STAI RCASE l eadi ng up, BOOKS and PERI ODI CALS. Ther e' s a wi de STAI RCASE l eadi ng up, BOOKS and PERI ODI CALS. Ther e' s a wi de STAI RCASE l eadi ng up,
cr owded wi t h t al l STACKS of MAGAZI NES, BOOKS and NEWSPAPERS. cr owded wi t h t al l STACKS of MAGAZI NES, BOOKS and NEWSPAPERS. cr owded wi t h t al l STACKS of MAGAZI NES, BOOKS and NEWSPAPERS. cr owded wi t h t al l STACKS of MAGAZI NES, BOOKS and NEWSPAPERS. cr owded wi t h t al l STACKS of MAGAZI NES, BOOKS and NEWSPAPERS.
You' ve hear d of Mr . Pendl et on, You' ve hear d of Mr . Pendl et on, You' ve hear d of Mr . Pendl et on, You' ve hear d of Mr . Pendl et on, You' ve hear d of Mr . Pendl et on,
haven' t you? Made hi s money i n t he haven' t you? Made hi s money i n t he haven' t you? Made hi s money i n t he haven' t you? Made hi s money i n t he haven' t you? Made hi s money i n t he
super mar ket bi z. Year s ago. super mar ket bi z. Year s ago. super mar ket bi z. Year s ago. super mar ket bi z. Year s ago. super mar ket bi z. Year s ago.
( of PK' s SUI TCASE) ( of PK' s SUI TCASE) ( of PK' s SUI TCASE) ( of PK' s SUI TCASE) ( of PK' s SUI TCASE)
You can l eave t hat her e, i f you want . You can l eave t hat her e, i f you want . You can l eave t hat her e, i f you want . You can l eave t hat her e, i f you want . You can l eave t hat her e, i f you want .
Or , keep i t wi t h you, what ever . . . Or , keep i t wi t h you, what ever . . . Or , keep i t wi t h you, what ever . . . Or , keep i t wi t h you, what ever . . . Or , keep i t wi t h you, what ever . . .
Psycho Ki l l er shows no i ncl i nat i on t o l eave hi s sui t case as Psycho Ki l l er shows no i ncl i nat i on t o l eave hi s sui t case as Psycho Ki l l er shows no i ncl i nat i on t o l eave hi s sui t case as Psycho Ki l l er shows no i ncl i nat i on t o l eave hi s sui t case as Psycho Ki l l er shows no i ncl i nat i on t o l eave hi s sui t case as
t hey navi gat e a HALLWAY made r at her nar r ow by mor e l aden t hey navi gat e a HALLWAY made r at her nar r ow by mor e l aden t hey navi gat e a HALLWAY made r at her nar r ow by mor e l aden t hey navi gat e a HALLWAY made r at her nar r ow by mor e l aden t hey navi gat e a HALLWAY made r at her nar r ow by mor e l aden
BOOKSHELVES. The house i s dank, dar k and decr epi t . BOOKSHELVES. The house i s dank, dar k and decr epi t . BOOKSHELVES. The house i s dank, dar k and decr epi t . BOOKSHELVES. The house i s dank, dar k and decr epi t . BOOKSHELVES. The house i s dank, dar k and decr epi t .
INT. DINING ROOM -- NIGHT INT. DINING ROOM -- NIGHT INT. DINING ROOM -- NIGHT INT. DINING ROOM -- NIGHT INT. DINING ROOM -- NIGHT
Mar vi n and Psycho Ki l l er ent er t he DI NI NG ROOM. MI STER Mar vi n and Psycho Ki l l er ent er t he DI NI NG ROOM. MI STER Mar vi n and Psycho Ki l l er ent er t he DI NI NG ROOM. MI STER Mar vi n and Psycho Ki l l er ent er t he DI NI NG ROOM. MI STER Mar vi n and Psycho Ki l l er ent er t he DI NI NG ROOM. MI STER
PENDLETON, ear l y 70' s, a handsome and august , gr ey- hai r ed PENDLETON, ear l y 70' s, a handsome and august , gr ey- hai r ed PENDLETON, ear l y 70' s, a handsome and august , gr ey- hai r ed PENDLETON, ear l y 70' s, a handsome and august , gr ey- hai r ed PENDLETON, ear l y 70' s, a handsome and august , gr ey- hai r ed
gent l eman i n di ngy BATHROBE, i s seat ed at t he head of t he gent l eman i n di ngy BATHROBE, i s seat ed at t he head of t he gent l eman i n di ngy BATHROBE, i s seat ed at t he head of t he gent l eman i n di ngy BATHROBE, i s seat ed at t he head of t he gent l eman i n di ngy BATHROBE, i s seat ed at t he head of t he
l ong DI NI NG TABLE. He' s qui et l y conver si ng wi t h hi s GUESTS; l ong DI NI NG TABLE. He' s qui et l y conver si ng wi t h hi s GUESTS; l ong DI NI NG TABLE. He' s qui et l y conver si ng wi t h hi s GUESTS; l ong DI NI NG TABLE. He' s qui et l y conver si ng wi t h hi s GUESTS; l ong DI NI NG TABLE. He' s qui et l y conver si ng wi t h hi s GUESTS;
THREE MI DDLE- AGED MEN and TWO YOUNG WOMEN, pr obabl y THREE MI DDLE- AGED MEN and TWO YOUNG WOMEN, pr obabl y THREE MI DDLE- AGED MEN and TWO YOUNG WOMEN, pr obabl y THREE MI DDLE- AGED MEN and TWO YOUNG WOMEN, pr obabl y THREE MI DDLE- AGED MEN and TWO YOUNG WOMEN, pr obabl y
pr ost i t ut es, al l of t heml ooki ng st r ung- out and dr ugged- up. pr ost i t ut es, al l of t heml ooki ng st r ung- out and dr ugged- up. pr ost i t ut es, al l of t heml ooki ng st r ung- out and dr ugged- up. pr ost i t ut es, al l of t heml ooki ng st r ung- out and dr ugged- up. pr ost i t ut es, al l of t heml ooki ng st r ung- out and dr ugged- up.
They' r e eat i ng TAKE- OUT CHI NESE. One of t he men wear s an They' r e eat i ng TAKE- OUT CHI NESE. One of t he men wear s an They' r e eat i ng TAKE- OUT CHI NESE. One of t he men wear s an They' r e eat i ng TAKE- OUT CHI NESE. One of t he men wear s an They' r e eat i ng TAKE- OUT CHI NESE. One of t he men wear s an
i l l - f i t t i ng EVENI NG GOWN. Mr . Pendl et on r i ses, smi l i ng i l l - f i t t i ng EVENI NG GOWN. Mr . Pendl et on r i ses, smi l i ng i l l - f i t t i ng EVENI NG GOWN. Mr . Pendl et on r i ses, smi l i ng i l l - f i t t i ng EVENI NG GOWN. Mr . Pendl et on r i ses, smi l i ng i l l - f i t t i ng EVENI NG GOWN. Mr . Pendl et on r i ses, smi l i ng
wi del y on seei ng Mar vi n and PK. wi del y on seei ng Mar vi n and PK. wi del y on seei ng Mar vi n and PK. wi del y on seei ng Mar vi n and PK. wi del y on seei ng Mar vi n and PK.
MR. PENDLETON MR. PENDLETON MR. PENDLETON MR. PENDLETON MR. PENDLETON
Wel l , wel l . . . our guest has ar r i ved. Wel l , wel l . . . our guest has ar r i ved. Wel l , wel l . . . our guest has ar r i ved. Wel l , wel l . . . our guest has ar r i ved. Wel l , wel l . . . our guest has ar r i ved.
Pl ease, do come i n. . . make your sel f Pl ease, do come i n. . . make your sel f Pl ease, do come i n. . . make your sel f Pl ease, do come i n. . . make your sel f Pl ease, do come i n. . . make your sel f
wel come. wel come. wel come. wel come. wel come.
The dar k r oomi s l i t by t he LI GHT f r omBLACK CANDLES. Al l The dar k r oomi s l i t by t he LI GHT f r omBLACK CANDLES. Al l The dar k r oomi s l i t by t he LI GHT f r omBLACK CANDLES. Al l The dar k r oomi s l i t by t he LI GHT f r omBLACK CANDLES. Al l The dar k r oomi s l i t by t he LI GHT f r omBLACK CANDLES. Al l
ART on t he wal l s i s DEVI L WORSHI P RELATED, nat ur al l y. ART on t he wal l s i s DEVI L WORSHI P RELATED, nat ur al l y. ART on t he wal l s i s DEVI L WORSHI P RELATED, nat ur al l y. ART on t he wal l s i s DEVI L WORSHI P RELATED, nat ur al l y. ART on t he wal l s i s DEVI L WORSHI P RELATED, nat ur al l y.
Psycho Ki l l er si t s, keeps hi s sui t case near by. Psycho Ki l l er si t s, keeps hi s sui t case near by. Psycho Ki l l er si t s, keeps hi s sui t case near by. Psycho Ki l l er si t s, keeps hi s sui t case near by. Psycho Ki l l er si t s, keeps hi s sui t case near by.
We' ve got pl ent y of f ood, so hel p We' ve got pl ent y of f ood, so hel p We' ve got pl ent y of f ood, so hel p We' ve got pl ent y of f ood, so hel p We' ve got pl ent y of f ood, so hel p
your sel f . your sel f . your sel f . your sel f . your sel f .
( addr essi ng guest s) ( addr essi ng guest s) ( addr essi ng guest s) ( addr essi ng guest s) ( addr essi ng guest s)
Ladi es. Gent l emen. Ladi es. Gent l emen. Ladi es. Gent l emen. Ladi es. Gent l emen. Ladi es. Gent l emen.
63. 63. 63. 63. 63.
MR. PENDLETON ( CONT. ) MR. PENDLETON ( CONT. ) MR. PENDLETON ( CONT. ) MR. PENDLETON ( CONT. ) MR. PENDLETON ( CONT. )
Meet anot her t r avel er on The Lef t Meet anot her t r avel er on The Lef t Meet anot her t r avel er on The Lef t Meet anot her t r avel er on The Lef t Meet anot her t r avel er on The Lef t
Hand Pat h. . . Hand Pat h. . . Hand Pat h. . . Hand Pat h. . . Hand Pat h. . .
( of Psycho Ki l l er ) ( of Psycho Ki l l er ) ( of Psycho Ki l l er ) ( of Psycho Ki l l er ) ( of Psycho Ki l l er )
Mi st er . . . Mi st er . . . Mi st er . . . Mi st er . . . Mi st er . . .
Ri char d. Ri char d. Ri char d. Ri char d. Ri char d.
( shr ugs) ( shr ugs) ( shr ugs) ( shr ugs) ( shr ugs)
J ust . . . Ri char d. J ust . . . Ri char d. J ust . . . Ri char d. J ust . . . Ri char d. J ust . . . Ri char d.
Ri char d! Thank you, Mar vi n. Ri char d! Thank you, Mar vi n. Ri char d! Thank you, Mar vi n. Ri char d! Thank you, Mar vi n. Ri char d! Thank you, Mar vi n.
The ot her guest s mut t er i ncoher ent gr eet i ngs. The ot her guest s mut t er i ncoher ent gr eet i ngs. The ot her guest s mut t er i ncoher ent gr eet i ngs. The ot her guest s mut t er i ncoher ent gr eet i ngs. The ot her guest s mut t er i ncoher ent gr eet i ngs.
Mar vi n t akes hi s pl ace at t he ot her end of t he t abl e, eat s. Mar vi n t akes hi s pl ace at t he ot her end of t he t abl e, eat s. Mar vi n t akes hi s pl ace at t he ot her end of t he t abl e, eat s. Mar vi n t akes hi s pl ace at t he ot her end of t he t abl e, eat s. Mar vi n t akes hi s pl ace at t he ot her end of t he t abl e, eat s.
( t o Psycho Ki l l er ) ( t o Psycho Ki l l er ) ( t o Psycho Ki l l er ) ( t o Psycho Ki l l er ) ( t o Psycho Ki l l er )
I t ' s r eal l y qui t e r emar kabl e you' r e I t ' s r eal l y qui t e r emar kabl e you' r e I t ' s r eal l y qui t e r emar kabl e you' r e I t ' s r eal l y qui t e r emar kabl e you' r e I t ' s r eal l y qui t e r emar kabl e you' r e
her e at al l , Ri char d, l et me t el l her e at al l , Ri char d, l et me t el l her e at al l , Ri char d, l et me t el l her e at al l , Ri char d, l et me t el l her e at al l , Ri char d, l et me t el l
you. Li ke a message i n a bot t l e t hat you. Li ke a message i n a bot t l e t hat you. Li ke a message i n a bot t l e t hat you. Li ke a message i n a bot t l e t hat you. Li ke a message i n a bot t l e t hat
somehow washed ashor e. somehow washed ashor e. somehow washed ashor e. somehow washed ashor e. somehow washed ashor e.
( si t s) ( si t s) ( si t s) ( si t s) ( si t s)
These ar en' t t he go- go days of t he These ar en' t t he go- go days of t he These ar en' t t he go- go days of t he These ar en' t t he go- go days of t he These ar en' t t he go- go days of t he
Fai t h anymor e. I mean, t her e was a Fai t h anymor e. I mean, t her e was a Fai t h anymor e. I mean, t her e was a Fai t h anymor e. I mean, t her e was a Fai t h anymor e. I mean, t her e was a
t i me when t he cl assi f i eds of t he t i me when t he cl assi f i eds of t he t i me when t he cl assi f i eds of t he t i me when t he cl assi f i eds of t he t i me when t he cl assi f i eds of t he
newspaper s and per i odi cal s wer e newspaper s and per i odi cal s wer e newspaper s and per i odi cal s wer e newspaper s and per i odi cal s wer e newspaper s and per i odi cal s wer e
f i l l ed wi t h cr ypt ogr aphi c messages f i l l ed wi t h cr ypt ogr aphi c messages f i l l ed wi t h cr ypt ogr aphi c messages f i l l ed wi t h cr ypt ogr aphi c messages f i l l ed wi t h cr ypt ogr aphi c messages
sent back and f or t h by t he Br et hr en. sent back and f or t h by t he Br et hr en. sent back and f or t h by t he Br et hr en. sent back and f or t h by t he Br et hr en. sent back and f or t h by t he Br et hr en.
( t o guest s) ( t o guest s) ( t o guest s) ( t o guest s) ( t o guest s)
Af t er al l , i t wasn' t as i f , movi ng t o Af t er al l , i t wasn' t as i f , movi ng t o Af t er al l , i t wasn' t as i f , movi ng t o Af t er al l , i t wasn' t as i f , movi ng t o Af t er al l , i t wasn' t as i f , movi ng t o
a new ci t y, you coul d si mpl y di al up a new ci t y, you coul d si mpl y di al up a new ci t y, you coul d si mpl y di al up a new ci t y, you coul d si mpl y di al up a new ci t y, you coul d si mpl y di al up
t he l ocal chapt er of t he Chur ch of t he l ocal chapt er of t he Chur ch of t he l ocal chapt er of t he Chur ch of t he l ocal chapt er of t he Chur ch of t he l ocal chapt er of t he Chur ch of
Sat an and ask when t he next meet i ng Sat an and ask when t he next meet i ng Sat an and ask when t he next meet i ng Sat an and ask when t he next meet i ng Sat an and ask when t he next meet i ng
was. Oh, we had al l ki nds of ways t o was. Oh, we had al l ki nds of ways t o was. Oh, we had al l ki nds of ways t o was. Oh, we had al l ki nds of ways t o was. Oh, we had al l ki nds of ways t o
make cont act . Di scr eet l y. We coul d make cont act . Di scr eet l y. We coul d make cont act . Di scr eet l y. We coul d make cont act . Di scr eet l y. We coul d make cont act . Di scr eet l y. We coul d
al ways depend upon each ot her i n al ways depend upon each ot her i n al ways depend upon each ot her i n al ways depend upon each ot her i n al ways depend upon each ot her i n
t i mes of need. Or f or f el l owshi p. t i mes of need. Or f or f el l owshi p. t i mes of need. Or f or f el l owshi p. t i mes of need. Or f or f el l owshi p. t i mes of need. Or f or f el l owshi p.
Or debauch. Nowadays? Who el se i s Or debauch. Nowadays? Who el se i s Or debauch. Nowadays? Who el se i s Or debauch. Nowadays? Who el se i s Or debauch. Nowadays? Who el se i s
out t her e? The ol d guar d' s gone, or out t her e? The ol d guar d' s gone, or out t her e? The ol d guar d' s gone, or out t her e? The ol d guar d' s gone, or out t her e? The ol d guar d' s gone, or
gave up t he cause. And t he yout h of gave up t he cause. And t he yout h of gave up t he cause. And t he yout h of gave up t he cause. And t he yout h of gave up t he cause. And t he yout h of
t hi s count r y. . . ? They wor shi p at t hi s count r y. . . ? They wor shi p at t hi s count r y. . . ? They wor shi p at t hi s count r y. . . ? They wor shi p at t hi s count r y. . . ? They wor shi p at
ot her al t ar s. Don' t get me st ar t ed. ot her al t ar s. Don' t get me st ar t ed. ot her al t ar s. Don' t get me st ar t ed. ot her al t ar s. Don' t get me st ar t ed. ot her al t ar s. Don' t get me st ar t ed.
I t ' s a t r agedy. I t ' s a t r agedy. I t ' s a t r agedy. I t ' s a t r agedy. I t ' s a t r agedy.
( t o Psycho Ki l l er ) ( t o Psycho Ki l l er ) ( t o Psycho Ki l l er ) ( t o Psycho Ki l l er ) ( t o Psycho Ki l l er )
Lucky f or you, Mar vi n her e; my Man Lucky f or you, Mar vi n her e; my Man Lucky f or you, Mar vi n her e; my Man Lucky f or you, Mar vi n her e; my Man Lucky f or you, Mar vi n her e; my Man
Fr i day, he makes a hobby of scour i ng Fr i day, he makes a hobby of scour i ng Fr i day, he makes a hobby of scour i ng Fr i day, he makes a hobby of scour i ng Fr i day, he makes a hobby of scour i ng
t he cl assi f i eds, al ways on t he t he cl assi f i eds, al ways on t he t he cl assi f i eds, al ways on t he t he cl assi f i eds, al ways on t he t he cl assi f i eds, al ways on t he
l ookout f or any. . . voi ce i n t he l ookout f or any. . . voi ce i n t he l ookout f or any. . . voi ce i n t he l ookout f or any. . . voi ce i n t he l ookout f or any. . . voi ce i n t he
wi l der ness. When he showed me your wi l der ness. When he showed me your wi l der ness. When he showed me your wi l der ness. When he showed me your wi l der ness. When he showed me your
ad, I was f l abber gast ed. ad, I was f l abber gast ed. ad, I was f l abber gast ed. ad, I was f l abber gast ed. ad, I was f l abber gast ed.
Psycho Ki l l er j ust si t s i n t he shi f t i ng, candl e- t hr own Psycho Ki l l er j ust si t s i n t he shi f t i ng, candl e- t hr own Psycho Ki l l er j ust si t s i n t he shi f t i ng, candl e- t hr own Psycho Ki l l er j ust si t s i n t he shi f t i ng, candl e- t hr own Psycho Ki l l er j ust si t s i n t he shi f t i ng, candl e- t hr own
shadows, st ar i ng f r ombeneat h hi s mane of gr easy hai r . shadows, st ar i ng f r ombeneat h hi s mane of gr easy hai r . shadows, st ar i ng f r ombeneat h hi s mane of gr easy hai r . shadows, st ar i ng f r ombeneat h hi s mane of gr easy hai r . shadows, st ar i ng f r ombeneat h hi s mane of gr easy hai r .
64. 64. 64. 64. 64.
( eat i ng) ( eat i ng) ( eat i ng) ( eat i ng) ( eat i ng)
My Seer t ol d me t o expect a vi si t or . My Seer t ol d me t o expect a vi si t or . My Seer t ol d me t o expect a vi si t or . My Seer t ol d me t o expect a vi si t or . My Seer t ol d me t o expect a vi si t or .
A vi si t or who woul d have a pr of ound A vi si t or who woul d have a pr of ound A vi si t or who woul d have a pr of ound A vi si t or who woul d have a pr of ound A vi si t or who woul d have a pr of ound
i nf l uence on my l i f e. Ar e you he, i nf l uence on my l i f e. Ar e you he, i nf l uence on my l i f e. Ar e you he, i nf l uence on my l i f e. Ar e you he, i nf l uence on my l i f e. Ar e you he,
Ri char d? Ri char d? Ri char d? Ri char d? Ri char d?
Ar en' t you hungr y? I t ' s pr et t y good. Ar en' t you hungr y? I t ' s pr et t y good. Ar en' t you hungr y? I t ' s pr et t y good. Ar en' t you hungr y? I t ' s pr et t y good. Ar en' t you hungr y? I t ' s pr et t y good.
Psycho Ki l l er l ooks over at Mar vi n, l ooks back at Pendl et on. Psycho Ki l l er l ooks over at Mar vi n, l ooks back at Pendl et on. Psycho Ki l l er l ooks over at Mar vi n, l ooks back at Pendl et on. Psycho Ki l l er l ooks over at Mar vi n, l ooks back at Pendl et on. Psycho Ki l l er l ooks over at Mar vi n, l ooks back at Pendl et on.
I need i nf or mat i on. I don' t know how I need i nf or mat i on. I don' t know how I need i nf or mat i on. I don' t know how I need i nf or mat i on. I don' t know how I need i nf or mat i on. I don' t know how
t o get i t . t o get i t . t o get i t . t o get i t . t o get i t .
Oh, we' l l have Mar vi n hel p you wi t h Oh, we' l l have Mar vi n hel p you wi t h Oh, we' l l have Mar vi n hel p you wi t h Oh, we' l l have Mar vi n hel p you wi t h Oh, we' l l have Mar vi n hel p you wi t h
t hat . Easi l y done. What say l et ' s t hat . Easi l y done. What say l et ' s t hat . Easi l y done. What say l et ' s t hat . Easi l y done. What say l et ' s t hat . Easi l y done. What say l et ' s
hear a l i t t l e about your sel f ? How hear a l i t t l e about your sel f ? How hear a l i t t l e about your sel f ? How hear a l i t t l e about your sel f ? How hear a l i t t l e about your sel f ? How
l ong have you had The Knowl edge? l ong have you had The Knowl edge? l ong have you had The Knowl edge? l ong have you had The Knowl edge? l ong have you had The Knowl edge?
Psycho Ki l l er t hi nks, cl enchi ng hi s f i st s, knuckl es cr acki ng. Psycho Ki l l er t hi nks, cl enchi ng hi s f i st s, knuckl es cr acki ng. Psycho Ki l l er t hi nks, cl enchi ng hi s f i st s, knuckl es cr acki ng. Psycho Ki l l er t hi nks, cl enchi ng hi s f i st s, knuckl es cr acki ng. Psycho Ki l l er t hi nks, cl enchi ng hi s f i st s, knuckl es cr acki ng.
As l ong as I r emember . As l ong as I r emember . As l ong as I r emember . As l ong as I r emember . As l ong as I r emember .
Spl endi d. Then, your f ami l y wer e Spl endi d. Then, your f ami l y wer e Spl endi d. Then, your f ami l y wer e Spl endi d. Then, your f ami l y wer e Spl endi d. Then, your f ami l y wer e
f ol l ower s? f ol l ower s? f ol l ower s? f ol l ower s? f ol l ower s?
I have no f ami l y. I have no f ami l y. I have no f ami l y. I have no f ami l y. I have no f ami l y.
How sad. So, you f ound t he Fal l en How sad. So, you f ound t he Fal l en How sad. So, you f ound t he Fal l en How sad. So, you f ound t he Fal l en How sad. So, you f ound t he Fal l en
One on your own. I ' ve al ways sai d One on your own. I ' ve al ways sai d One on your own. I ' ve al ways sai d One on your own. I ' ve al ways sai d One on your own. I ' ve al ways sai d
t he t r uest bel i ever s ar e not t he t he t r uest bel i ever s ar e not t he t he t r uest bel i ever s ar e not t he t he t r uest bel i ever s ar e not t he t he t r uest bel i ever s ar e not t he
r ecr ui t s, but t hose who sought out r ecr ui t s, but t hose who sought out r ecr ui t s, but t hose who sought out r ecr ui t s, but t hose who sought out r ecr ui t s, but t hose who sought out
f ai t h. Hai l Sat an! f ai t h. Hai l Sat an! f ai t h. Hai l Sat an! f ai t h. Hai l Sat an! f ai t h. Hai l Sat an!
Ever yone el se r epeat s t he mant r a, " HAI L SATAN! " Ever yone el se r epeat s t he mant r a, " HAI L SATAN! " Ever yone el se r epeat s t he mant r a, " HAI L SATAN! " Ever yone el se r epeat s t he mant r a, " HAI L SATAN! " Ever yone el se r epeat s t he mant r a, " HAI L SATAN! "
( mout hf ul of f ood) ( mout hf ul of f ood) ( mout hf ul of f ood) ( mout hf ul of f ood) ( mout hf ul of f ood)
Hai l Sat an! Hai l Sat an! Hai l Sat an! Hai l Sat an! Hai l Sat an!
Hi s power i s st r onger t han st r onger ! Hi s power i s st r onger t han st r onger ! Hi s power i s st r onger t han st r onger ! Hi s power i s st r onger t han st r onger ! Hi s power i s st r onger t han st r onger !
Hi s mi ght shal l l ast l onger t han Hi s mi ght shal l l ast l onger t han Hi s mi ght shal l l ast l onger t han Hi s mi ght shal l l ast l onger t han Hi s mi ght shal l l ast l onger t han
l onger ! Hai l Sat an. l onger ! Hai l Sat an. l onger ! Hai l Sat an. l onger ! Hai l Sat an. l onger ! Hai l Sat an.
Si l houet t ed i n dar kness, Psycho Ki l l er sl owl y nods. Si l houet t ed i n dar kness, Psycho Ki l l er sl owl y nods. Si l houet t ed i n dar kness, Psycho Ki l l er sl owl y nods. Si l houet t ed i n dar kness, Psycho Ki l l er sl owl y nods. Si l houet t ed i n dar kness, Psycho Ki l l er sl owl y nods.
I l i ve t o ser ve hi m. I ' l l di e t o I l i ve t o ser ve hi m. I ' l l di e t o I l i ve t o ser ve hi m. I ' l l di e t o I l i ve t o ser ve hi m. I ' l l di e t o I l i ve t o ser ve hi m. I ' l l di e t o
ser ve hi m. ser ve hi m. ser ve hi m. ser ve hi m. ser ve hi m.
65. 65. 65. 65. 65.
Excel l ent wor ds. Wonder f ul . Excel l ent wor ds. Wonder f ul . Excel l ent wor ds. Wonder f ul . Excel l ent wor ds. Wonder f ul . Excel l ent wor ds. Wonder f ul .
Pendl et on t oast s wi t h a GLASS of WI NE, dr i nks deepl y. Pendl et on t oast s wi t h a GLASS of WI NE, dr i nks deepl y. Pendl et on t oast s wi t h a GLASS of WI NE, dr i nks deepl y. Pendl et on t oast s wi t h a GLASS of WI NE, dr i nks deepl y. Pendl et on t oast s wi t h a GLASS of WI NE, dr i nks deepl y.
I can' t hel p aski ng. . . si nce i t ' s al l I can' t hel p aski ng. . . si nce i t ' s al l I can' t hel p aski ng. . . si nce i t ' s al l I can' t hel p aski ng. . . si nce i t ' s al l I can' t hel p aski ng. . . si nce i t ' s al l
anyone seems t o want t o t al k about anyone seems t o want t o t al k about anyone seems t o want t o t al k about anyone seems t o want t o t al k about anyone seems t o want t o t al k about
l at el y. . . what do you t hi nk of t he l at el y. . . what do you t hi nk of t he l at el y. . . what do you t hi nk of t he l at el y. . . what do you t hi nk of t he l at el y. . . what do you t hi nk of t he
handi wor k of our ki ndr ed spi r i t , t he handi wor k of our ki ndr ed spi r i t , t he handi wor k of our ki ndr ed spi r i t , t he handi wor k of our ki ndr ed spi r i t , t he handi wor k of our ki ndr ed spi r i t , t he
Sl asher ? Now t her e' s a man l eadi ng Sl asher ? Now t her e' s a man l eadi ng Sl asher ? Now t her e' s a man l eadi ng Sl asher ? Now t her e' s a man l eadi ng Sl asher ? Now t her e' s a man l eadi ng
by exampl e, eh? by exampl e, eh? by exampl e, eh? by exampl e, eh? by exampl e, eh?
Yes. Yes. Yes. Yes. Yes.
The ki nd of dedi cat i on we coul d al l The ki nd of dedi cat i on we coul d al l The ki nd of dedi cat i on we coul d al l The ki nd of dedi cat i on we coul d al l The ki nd of dedi cat i on we coul d al l
aspi r e t o, at l east i n t hought , i f aspi r e t o, at l east i n t hought , i f aspi r e t o, at l east i n t hought , i f aspi r e t o, at l east i n t hought , i f aspi r e t o, at l east i n t hought , i f
not i n deed. not i n deed. not i n deed. not i n deed. not i n deed.
Pendl et on nods t o hi msel f , pi cki ng up a HAND MI RROR cover ed Pendl et on nods t o hi msel f , pi cki ng up a HAND MI RROR cover ed Pendl et on nods t o hi msel f , pi cki ng up a HAND MI RROR cover ed Pendl et on nods t o hi msel f , pi cki ng up a HAND MI RROR cover ed Pendl et on nods t o hi msel f , pi cki ng up a HAND MI RROR cover ed
i n l i nes of COCAI NE. He t akes a heal t hy SNORT, passes i t on. i n l i nes of COCAI NE. He t akes a heal t hy SNORT, passes i t on. i n l i nes of COCAI NE. He t akes a heal t hy SNORT, passes i t on. i n l i nes of COCAI NE. He t akes a heal t hy SNORT, passes i t on. i n l i nes of COCAI NE. He t akes a heal t hy SNORT, passes i t on.
( r ubbi ng hi s nose) ( r ubbi ng hi s nose) ( r ubbi ng hi s nose) ( r ubbi ng hi s nose) ( r ubbi ng hi s nose)
You know. . . t her e ar e t hose who say You know. . . t her e ar e t hose who say You know. . . t her e ar e t hose who say You know. . . t her e ar e t hose who say You know. . . t her e ar e t hose who say
t he par t y' s over . For us hi di ng i n t he par t y' s over . For us hi di ng i n t he par t y' s over . For us hi di ng i n t he par t y' s over . For us hi di ng i n t he par t y' s over . For us hi di ng i n
t he shadows, i t ' s f ucki ng t he shadows, i t ' s f ucki ng t he shadows, i t ' s f ucki ng t he shadows, i t ' s f ucki ng t he shadows, i t ' s f ucki ng
embar r assi ng; t hese cl andest i ne embar r assi ng; t hese cl andest i ne embar r assi ng; t hese cl andest i ne embar r assi ng; t hese cl andest i ne embar r assi ng; t hese cl andest i ne
assi gnat i ons. Secr et handshakes and assi gnat i ons. Secr et handshakes and assi gnat i ons. Secr et handshakes and assi gnat i ons. Secr et handshakes and assi gnat i ons. Secr et handshakes and
wi nks and nods. What ar e we, t he wi nks and nods. What ar e we, t he wi nks and nods. What ar e we, t he wi nks and nods. What ar e we, t he wi nks and nods. What ar e we, t he
Fr eemasons, f or Chr i st sakes?! Fr eemasons, f or Chr i st sakes?! Fr eemasons, f or Chr i st sakes?! Fr eemasons, f or Chr i st sakes?! Fr eemasons, f or Chr i st sakes?!
( l aughs) ( l aughs) ( l aughs) ( l aughs) ( l aughs)
The r eal i t y i s, my f r i ends - - t he The r eal i t y i s, my f r i ends - - t he The r eal i t y i s, my f r i ends - - t he The r eal i t y i s, my f r i ends - - t he The r eal i t y i s, my f r i ends - - t he
par t y' s j ust begun. I mean, l ook par t y' s j ust begun. I mean, l ook par t y' s j ust begun. I mean, l ook par t y' s j ust begun. I mean, l ook par t y' s j ust begun. I mean, l ook
ar ound. Tur n on t he t el evi si on. . . ar ound. Tur n on t he t el evi si on. . . ar ound. Tur n on t he t el evi si on. . . ar ound. Tur n on t he t el evi si on. . . ar ound. Tur n on t he t el evi si on. . .
open a newspaper . Sat an r ul es over open a newspaper . Sat an r ul es over open a newspaper . Sat an r ul es over open a newspaper . Sat an r ul es over open a newspaper . Sat an r ul es over
t hi s wor l d. Can t her e be any t hi s wor l d. Can t her e be any t hi s wor l d. Can t her e be any t hi s wor l d. Can t her e be any t hi s wor l d. Can t her e be any
quest i on? The oi l congl omer at es and quest i on? The oi l congl omer at es and quest i on? The oi l congl omer at es and quest i on? The oi l congl omer at es and quest i on? The oi l congl omer at es and
t he gover nment wor k hand- i n- gl ove t o t he gover nment wor k hand- i n- gl ove t o t he gover nment wor k hand- i n- gl ove t o t he gover nment wor k hand- i n- gl ove t o t he gover nment wor k hand- i n- gl ove t o
wage war and t o dr ai n t he pl anet of wage war and t o dr ai n t he pl anet of wage war and t o dr ai n t he pl anet of wage war and t o dr ai n t he pl anet of wage war and t o dr ai n t he pl anet of
ever y l ast vest i ge of l i f e, whi l e t he ever y l ast vest i ge of l i f e, whi l e t he ever y l ast vest i ge of l i f e, whi l e t he ever y l ast vest i ge of l i f e, whi l e t he ever y l ast vest i ge of l i f e, whi l e t he
mega- cor por at i ons cr ush t he ever yman mega- cor por at i ons cr ush t he ever yman mega- cor por at i ons cr ush t he ever yman mega- cor por at i ons cr ush t he ever yman mega- cor por at i ons cr ush t he ever yman
under f oot . The sci ence deni er s under f oot . The sci ence deni er s under f oot . The sci ence deni er s under f oot . The sci ence deni er s under f oot . The sci ence deni er s
st r i ve t o set human endeavor back by st r i ve t o set human endeavor back by st r i ve t o set human endeavor back by st r i ve t o set human endeavor back by st r i ve t o set human endeavor back by
cent ur i es. . . mal i gni ng di scover y, cent ur i es. . . mal i gni ng di scover y, cent ur i es. . . mal i gni ng di scover y, cent ur i es. . . mal i gni ng di scover y, cent ur i es. . . mal i gni ng di scover y,
t eachi ng i gnor ance and bi got r y, and t eachi ng i gnor ance and bi got r y, and t eachi ng i gnor ance and bi got r y, and t eachi ng i gnor ance and bi got r y, and t eachi ng i gnor ance and bi got r y, and
al l i n t he name of Hol y Rel i gi on! al l i n t he name of Hol y Rel i gi on! al l i n t he name of Hol y Rel i gi on! al l i n t he name of Hol y Rel i gi on! al l i n t he name of Hol y Rel i gi on!
And t he pol i t i ci ans? They pr ance and And t he pol i t i ci ans? They pr ance and And t he pol i t i ci ans? They pr ance and And t he pol i t i ci ans? They pr ance and And t he pol i t i ci ans? They pr ance and
pr at t l e wi t h al l t hei r puppet st r i ngs pr at t l e wi t h al l t hei r puppet st r i ngs pr at t l e wi t h al l t hei r puppet st r i ngs pr at t l e wi t h al l t hei r puppet st r i ngs pr at t l e wi t h al l t hei r puppet st r i ngs
vi si bl e, par r ot i ng back what ever t he vi si bl e, par r ot i ng back what ever t he vi si bl e, par r ot i ng back what ever t he vi si bl e, par r ot i ng back what ever t he vi si bl e, par r ot i ng back what ever t he
hi ghest bi dder pays t hemt o say, and hi ghest bi dder pays t hemt o say, and hi ghest bi dder pays t hemt o say, and hi ghest bi dder pays t hemt o say, and hi ghest bi dder pays t hemt o say, and
st i l l . . . no one car es. st i l l . . . no one car es. st i l l . . . no one car es. st i l l . . . no one car es. st i l l . . . no one car es.
66. 66. 66. 66. 66.
The ci t i zenr y whi mper and shr ug, The ci t i zenr y whi mper and shr ug, The ci t i zenr y whi mper and shr ug, The ci t i zenr y whi mper and shr ug, The ci t i zenr y whi mper and shr ug,
gi vi ng not a si ngl e hoot of pr ot est , gi vi ng not a si ngl e hoot of pr ot est , gi vi ng not a si ngl e hoot of pr ot est , gi vi ng not a si ngl e hoot of pr ot est , gi vi ng not a si ngl e hoot of pr ot est ,
so l ong as t hey cont i nue t o r ecei ve so l ong as t hey cont i nue t o r ecei ve so l ong as t hey cont i nue t o r ecei ve so l ong as t hey cont i nue t o r ecei ve so l ong as t hey cont i nue t o r ecei ve
t hei r ceasel ess suppl y of f l at ul ent t hei r ceasel ess suppl y of f l at ul ent t hei r ceasel ess suppl y of f l at ul ent t hei r ceasel ess suppl y of f l at ul ent t hei r ceasel ess suppl y of f l at ul ent
ent er t ai nment s t o di st r act t hemf r om ent er t ai nment s t o di st r act t hemf r om ent er t ai nment s t o di st r act t hemf r om ent er t ai nment s t o di st r act t hemf r om ent er t ai nment s t o di st r act t hemf r om
t hei r ver y exi st ences. t hei r ver y exi st ences. t hei r ver y exi st ences. t hei r ver y exi st ences. t hei r ver y exi st ences.
Pendl et on st ands, st ar t s paci ng ar ound t he t abl e. Pendl et on st ands, st ar t s paci ng ar ound t he t abl e. Pendl et on st ands, st ar t s paci ng ar ound t he t abl e. Pendl et on st ands, st ar t s paci ng ar ound t he t abl e. Pendl et on st ands, st ar t s paci ng ar ound t he t abl e.
Soon. . . human bei ngs wi l l have Soon. . . human bei ngs wi l l have Soon. . . human bei ngs wi l l have Soon. . . human bei ngs wi l l have Soon. . . human bei ngs wi l l have
devol ved i nt o pod- dwel l i ng, cyber - devol ved i nt o pod- dwel l i ng, cyber - devol ved i nt o pod- dwel l i ng, cyber - devol ved i nt o pod- dwel l i ng, cyber - devol ved i nt o pod- dwel l i ng, cyber -
cavemen, hal f bl i nd f r omvi deo scr een cavemen, hal f bl i nd f r omvi deo scr een cavemen, hal f bl i nd f r omvi deo scr een cavemen, hal f bl i nd f r omvi deo scr een cavemen, hal f bl i nd f r omvi deo scr een
r adi at i on. J ust human veal , pl ugged r adi at i on. J ust human veal , pl ugged r adi at i on. J ust human veal , pl ugged r adi at i on. J ust human veal , pl ugged r adi at i on. J ust human veal , pl ugged
i nt o t hei r comput er s whi ch wi l l al so i nt o t hei r comput er s whi ch wi l l al so i nt o t hei r comput er s whi ch wi l l al so i nt o t hei r comput er s whi ch wi l l al so i nt o t hei r comput er s whi ch wi l l al so
f i l l t hei r bel l i es, empt y t hei r f i l l t hei r bel l i es, empt y t hei r f i l l t hei r bel l i es, empt y t hei r f i l l t hei r bel l i es, empt y t hei r f i l l t hei r bel l i es, empt y t hei r
bowel s, and mast ur bat e t hemever y bowel s, and mast ur bat e t hemever y bowel s, and mast ur bat e t hemever y bowel s, and mast ur bat e t hemever y bowel s, and mast ur bat e t hemever y
hour on t he hour . hour on t he hour . hour on t he hour . hour on t he hour . hour on t he hour .
Mar vi n i s noddi ng i n agr eement . Mar vi n i s noddi ng i n agr eement . Mar vi n i s noddi ng i n agr eement . Mar vi n i s noddi ng i n agr eement . Mar vi n i s noddi ng i n agr eement .
Al r eady, mor e and mor e ever y si ngl e Al r eady, mor e and mor e ever y si ngl e Al r eady, mor e and mor e ever y si ngl e Al r eady, mor e and mor e ever y si ngl e Al r eady, mor e and mor e ever y si ngl e
day, Beaut y and Si ncer i t y ar e day, Beaut y and Si ncer i t y ar e day, Beaut y and Si ncer i t y ar e day, Beaut y and Si ncer i t y ar e day, Beaut y and Si ncer i t y ar e
consi der ed usel ess t hi ngs t o be consi der ed usel ess t hi ngs t o be consi der ed usel ess t hi ngs t o be consi der ed usel ess t hi ngs t o be consi der ed usel ess t hi ngs t o be
mocked and shat upon! Mor al i t y and mocked and shat upon! Mor al i t y and mocked and shat upon! Mor al i t y and mocked and shat upon! Mor al i t y and mocked and shat upon! Mor al i t y and
Vi r t ue, whi l e of t r ef er enced, ar e Vi r t ue, whi l e of t r ef er enced, ar e Vi r t ue, whi l e of t r ef er enced, ar e Vi r t ue, whi l e of t r ef er enced, ar e Vi r t ue, whi l e of t r ef er enced, ar e
meani ngl ess hal f - not i ons. meani ngl ess hal f - not i ons. meani ngl ess hal f - not i ons. meani ngl ess hal f - not i ons. meani ngl ess hal f - not i ons.
Humani t y has been f l ayed t o t he bone. Humani t y has been f l ayed t o t he bone. Humani t y has been f l ayed t o t he bone. Humani t y has been f l ayed t o t he bone. Humani t y has been f l ayed t o t he bone.
I t ' s j ust a mat t er of sucki ng out t he I t ' s j ust a mat t er of sucki ng out t he I t ' s j ust a mat t er of sucki ng out t he I t ' s j ust a mat t er of sucki ng out t he I t ' s j ust a mat t er of sucki ng out t he
sweet mar r ow. Can t he gr eat sweet mar r ow. Can t he gr eat sweet mar r ow. Can t he gr eat sweet mar r ow. Can t he gr eat sweet mar r ow. Can t he gr eat
Ar mageddon be f ar behi nd? Hai l Sat an! Ar mageddon be f ar behi nd? Hai l Sat an! Ar mageddon be f ar behi nd? Hai l Sat an! Ar mageddon be f ar behi nd? Hai l Sat an! Ar mageddon be f ar behi nd? Hai l Sat an!
The guest s j oi n i n, " HAI L SATAN! " The guest s j oi n i n, " HAI L SATAN! " The guest s j oi n i n, " HAI L SATAN! " The guest s j oi n i n, " HAI L SATAN! " The guest s j oi n i n, " HAI L SATAN! "
I f onl y Cr owl ey and LaVey wer e her e I f onl y Cr owl ey and LaVey wer e her e I f onl y Cr owl ey and LaVey wer e her e I f onl y Cr owl ey and LaVey wer e her e I f onl y Cr owl ey and LaVey wer e her e
t o exper i ence i t f i r st hand. To t o exper i ence i t f i r st hand. To t o exper i ence i t f i r st hand. To t o exper i ence i t f i r st hand. To t o exper i ence i t f i r st hand. To
wi t ness t hat al l t hey pr of essed and wi t ness t hat al l t hey pr of essed and wi t ness t hat al l t hey pr of essed and wi t ness t hat al l t hey pr of essed and wi t ness t hat al l t hey pr of essed and
pr osel yt i zed has come t o pass beyond pr osel yt i zed has come t o pass beyond pr osel yt i zed has come t o pass beyond pr osel yt i zed has come t o pass beyond pr osel yt i zed has come t o pass beyond
t hei r wi l dest expect at i ons! The t hei r wi l dest expect at i ons! The t hei r wi l dest expect at i ons! The t hei r wi l dest expect at i ons! The t hei r wi l dest expect at i ons! The
Human Race i s f i nal l y heedi ng t he Human Race i s f i nal l y heedi ng t he Human Race i s f i nal l y heedi ng t he Human Race i s f i nal l y heedi ng t he Human Race i s f i nal l y heedi ng t he
cl ar i on cal l we sounded i n t he 60' s cl ar i on cal l we sounded i n t he 60' s cl ar i on cal l we sounded i n t he 60' s cl ar i on cal l we sounded i n t he 60' s cl ar i on cal l we sounded i n t he 60' s
and 70' s. " Do what t hou wi l t ! " and 70' s. " Do what t hou wi l t ! " and 70' s. " Do what t hou wi l t ! " and 70' s. " Do what t hou wi l t ! " and 70' s. " Do what t hou wi l t ! "
Pendl et on f ondl es one pr ost i t ut e' s br east , t hen paces on. Pendl et on f ondl es one pr ost i t ut e' s br east , t hen paces on. Pendl et on f ondl es one pr ost i t ut e' s br east , t hen paces on. Pendl et on f ondl es one pr ost i t ut e' s br east , t hen paces on. Pendl et on f ondl es one pr ost i t ut e' s br east , t hen paces on.
Let t he Chr i st i ans and Cat hol i cs go Let t he Chr i st i ans and Cat hol i cs go Let t he Chr i st i ans and Cat hol i cs go Let t he Chr i st i ans and Cat hol i cs go Let t he Chr i st i ans and Cat hol i cs go
sni vel i ng af t er t hei r r ewar d i n t he sni vel i ng af t er t hei r r ewar d i n t he sni vel i ng af t er t hei r r ewar d i n t he sni vel i ng af t er t hei r r ewar d i n t he sni vel i ng af t er t hei r r ewar d i n t he
af t er l i f e. The t i me f or expl or i ng af t er l i f e. The t i me f or expl or i ng af t er l i f e. The t i me f or expl or i ng af t er l i f e. The t i me f or expl or i ng af t er l i f e. The t i me f or expl or i ng
l i f e' s si nf ul per ver si ons i s now! l i f e' s si nf ul per ver si ons i s now! l i f e' s si nf ul per ver si ons i s now! l i f e' s si nf ul per ver si ons i s now! l i f e' s si nf ul per ver si ons i s now!
The pl anet r aper s have got i t r i ght ! The pl anet r aper s have got i t r i ght ! The pl anet r aper s have got i t r i ght ! The pl anet r aper s have got i t r i ght ! The pl anet r aper s have got i t r i ght !
67. 67. 67. 67. 67.
Ear t h i s meant t o have our seed spi l t Ear t h i s meant t o have our seed spi l t Ear t h i s meant t o have our seed spi l t Ear t h i s meant t o have our seed spi l t Ear t h i s meant t o have our seed spi l t
upon i t , and t o be t r od upon and upon i t , and t o be t r od upon and upon i t , and t o be t r od upon and upon i t , and t o be t r od upon and upon i t , and t o be t r od upon and
pi l l aged; f or ci bl y vi ol at ed and pi l l aged; f or ci bl y vi ol at ed and pi l l aged; f or ci bl y vi ol at ed and pi l l aged; f or ci bl y vi ol at ed and pi l l aged; f or ci bl y vi ol at ed and
vor aci ousl y consumed. How el se vor aci ousl y consumed. How el se vor aci ousl y consumed. How el se vor aci ousl y consumed. How el se vor aci ousl y consumed. How el se
shoul d we pay t r i but e t o our chosen shoul d we pay t r i but e t o our chosen shoul d we pay t r i but e t o our chosen shoul d we pay t r i but e t o our chosen shoul d we pay t r i but e t o our chosen
godhead?! godhead?! godhead?! godhead?! godhead?!
Psycho Ki l l er keeps st ar i ng f or war d. Psycho Ki l l er keeps st ar i ng f or war d. Psycho Ki l l er keeps st ar i ng f or war d. Psycho Ki l l er keeps st ar i ng f or war d. Psycho Ki l l er keeps st ar i ng f or war d.
Ever yone el se cont i nues eat i ng f ood or snor t i ng cocai ne. Ever yone el se cont i nues eat i ng f ood or snor t i ng cocai ne. Ever yone el se cont i nues eat i ng f ood or snor t i ng cocai ne. Ever yone el se cont i nues eat i ng f ood or snor t i ng cocai ne. Ever yone el se cont i nues eat i ng f ood or snor t i ng cocai ne.
At l ong l ast , what val ues we have At l ong l ast , what val ues we have At l ong l ast , what val ues we have At l ong l ast , what val ues we have At l ong l ast , what val ues we have
l ong hel d dear - - f or ni cat i on and l ong hel d dear - - f or ni cat i on and l ong hel d dear - - f or ni cat i on and l ong hel d dear - - f or ni cat i on and l ong hel d dear - - f or ni cat i on and
dest r uct i on - - ar e becomi ng t he dest r uct i on - - ar e becomi ng t he dest r uct i on - - ar e becomi ng t he dest r uct i on - - ar e becomi ng t he dest r uct i on - - ar e becomi ng t he
r i ght f ul cor ner st ones of r i ght f ul cor ner st ones of r i ght f ul cor ner st ones of r i ght f ul cor ner st ones of r i ght f ul cor ner st ones of
ci vi l i zat i on. I , per sonal l y, gi ve ci vi l i zat i on. I , per sonal l y, gi ve ci vi l i zat i on. I , per sonal l y, gi ve ci vi l i zat i on. I , per sonal l y, gi ve ci vi l i zat i on. I , per sonal l y, gi ve
t hanks t o Hi s I nf er nal Maj est y and t hanks t o Hi s I nf er nal Maj est y and t hanks t o Hi s I nf er nal Maj est y and t hanks t o Hi s I nf er nal Maj est y and t hanks t o Hi s I nf er nal Maj est y and
hi s phar maceut i cal empi r e f or t hei r hi s phar maceut i cal empi r e f or t hei r hi s phar maceut i cal empi r e f or t hei r hi s phar maceut i cal empi r e f or t hei r hi s phar maceut i cal empi r e f or t hei r
cr eat i on of t he al mi ght y er ect i on cr eat i on of t he al mi ght y er ect i on cr eat i on of t he al mi ght y er ect i on cr eat i on of t he al mi ght y er ect i on cr eat i on of t he al mi ght y er ect i on
medi cat i ons, f or t her e i s no gr eat er medi cat i ons, f or t her e i s no gr eat er medi cat i ons, f or t her e i s no gr eat er medi cat i ons, f or t her e i s no gr eat er medi cat i ons, f or t her e i s no gr eat er
f or et el l i ng t hat humanki nd i s headi ng f or et el l i ng t hat humanki nd i s headi ng f or et el l i ng t hat humanki nd i s headi ng f or et el l i ng t hat humanki nd i s headi ng f or et el l i ng t hat humanki nd i s headi ng
i n t he r i ght di r ect i on! I t i s t he i n t he r i ght di r ect i on! I t i s t he i n t he r i ght di r ect i on! I t i s t he i n t he r i ght di r ect i on! I t i s t he i n t he r i ght di r ect i on! I t i s t he
def i ni ng har bi nger . . . deser vi ng of def i ni ng har bi nger . . . deser vi ng of def i ni ng har bi nger . . . deser vi ng of def i ni ng har bi nger . . . deser vi ng of def i ni ng har bi nger . . . deser vi ng of
bei ng embl azoned acr oss t he Amer i can bei ng embl azoned acr oss t he Amer i can bei ng embl azoned acr oss t he Amer i can bei ng embl azoned acr oss t he Amer i can bei ng embl azoned acr oss t he Amer i can
f l ag: a wi zened, naked ol d man wi t h f l ag: a wi zened, naked ol d man wi t h f l ag: a wi zened, naked ol d man wi t h f l ag: a wi zened, naked ol d man wi t h f l ag: a wi zened, naked ol d man wi t h
hi s engor ged cock f ai r l y vi br at i ng i n hi s engor ged cock f ai r l y vi br at i ng i n hi s engor ged cock f ai r l y vi br at i ng i n hi s engor ged cock f ai r l y vi br at i ng i n hi s engor ged cock f ai r l y vi br at i ng i n
ant i ci pat i on! ant i ci pat i on! ant i ci pat i on! ant i ci pat i on! ant i ci pat i on!
Mar vi n ponder s t hat one whi l e chewi ng a BLACK- LACQUERED Mar vi n ponder s t hat one whi l e chewi ng a BLACK- LACQUERED Mar vi n ponder s t hat one whi l e chewi ng a BLACK- LACQUERED Mar vi n ponder s t hat one whi l e chewi ng a BLACK- LACQUERED Mar vi n ponder s t hat one whi l e chewi ng a BLACK- LACQUERED
f i nger nai l . He has a PENTAGRAM TATTOO on t he back of hi s f i nger nai l . He has a PENTAGRAM TATTOO on t he back of hi s f i nger nai l . He has a PENTAGRAM TATTOO on t he back of hi s f i nger nai l . He has a PENTAGRAM TATTOO on t he back of hi s f i nger nai l . He has a PENTAGRAM TATTOO on t he back of hi s
l ef t hand, sees PK wat chi ng hi m, gi ves an uncer t ai n smi l e. l ef t hand, sees PK wat chi ng hi m, gi ves an uncer t ai n smi l e. l ef t hand, sees PK wat chi ng hi m, gi ves an uncer t ai n smi l e. l ef t hand, sees PK wat chi ng hi m, gi ves an uncer t ai n smi l e. l ef t hand, sees PK wat chi ng hi m, gi ves an uncer t ai n smi l e.
So what i f i t ' s not Sat ani smt hat So what i f i t ' s not Sat ani smt hat So what i f i t ' s not Sat ani smt hat So what i f i t ' s not Sat ani smt hat So what i f i t ' s not Sat ani smt hat
br i ngs about t he gr eat Ar mageddon?! br i ngs about t he gr eat Ar mageddon?! br i ngs about t he gr eat Ar mageddon?! br i ngs about t he gr eat Ar mageddon?! br i ngs about t he gr eat Ar mageddon?!
So i t wi l l be t he Cul t of Cel ebr i t y. So i t wi l l be t he Cul t of Cel ebr i t y. So i t wi l l be t he Cul t of Cel ebr i t y. So i t wi l l be t he Cul t of Cel ebr i t y. So i t wi l l be t he Cul t of Cel ebr i t y.
The por nogr apher s. Mass medi a and The por nogr apher s. Mass medi a and The por nogr apher s. Mass medi a and The por nogr apher s. Mass medi a and The por nogr apher s. Mass medi a and
t he cul t ur al cel ebr at i on of i gnor ance t he cul t ur al cel ebr at i on of i gnor ance t he cul t ur al cel ebr at i on of i gnor ance t he cul t ur al cel ebr at i on of i gnor ance t he cul t ur al cel ebr at i on of i gnor ance
and cr uel t y. So be i t ! We wi l l r i se and cr uel t y. So be i t ! We wi l l r i se and cr uel t y. So be i t ! We wi l l r i se and cr uel t y. So be i t ! We wi l l r i se and cr uel t y. So be i t ! We wi l l r i se
up. Our Demoni c Renai ssance wi l l up. Our Demoni c Renai ssance wi l l up. Our Demoni c Renai ssance wi l l up. Our Demoni c Renai ssance wi l l up. Our Demoni c Renai ssance wi l l
have i t s day. The Gr eat Beast shal l have i t s day. The Gr eat Beast shal l have i t s day. The Gr eat Beast shal l have i t s day. The Gr eat Beast shal l have i t s day. The Gr eat Beast shal l
r et ur n. And i n t hat r ui nous wor l d r et ur n. And i n t hat r ui nous wor l d r et ur n. And i n t hat r ui nous wor l d r et ur n. And i n t hat r ui nous wor l d r et ur n. And i n t hat r ui nous wor l d
whi ch l i es j ust ar ound t he cor ner , whi ch l i es j ust ar ound t he cor ner , whi ch l i es j ust ar ound t he cor ner , whi ch l i es j ust ar ound t he cor ner , whi ch l i es j ust ar ound t he cor ner ,
whi l e ever yone el se cr awl s t hr ough whi l e ever yone el se cr awl s t hr ough whi l e ever yone el se cr awl s t hr ough whi l e ever yone el se cr awl s t hr ough whi l e ever yone el se cr awl s t hr ough
t he r ubbl e of what once was, you and t he r ubbl e of what once was, you and t he r ubbl e of what once was, you and t he r ubbl e of what once was, you and t he r ubbl e of what once was, you and
I wi l l be amongst t he chosen el i t e, I wi l l be amongst t he chosen el i t e, I wi l l be amongst t he chosen el i t e, I wi l l be amongst t he chosen el i t e, I wi l l be amongst t he chosen el i t e,
my f r i ends. Sat an' s shock t r oops, my f r i ends. Sat an' s shock t r oops, my f r i ends. Sat an' s shock t r oops, my f r i ends. Sat an' s shock t r oops, my f r i ends. Sat an' s shock t r oops,
l i vi ng l i ke ki ngs, whi l e t he zombi es l i vi ng l i ke ki ngs, whi l e t he zombi es l i vi ng l i ke ki ngs, whi l e t he zombi es l i vi ng l i ke ki ngs, whi l e t he zombi es l i vi ng l i ke ki ngs, whi l e t he zombi es
ki ss our hi gh- heel ed, pat ent l eat her ki ss our hi gh- heel ed, pat ent l eat her ki ss our hi gh- heel ed, pat ent l eat her ki ss our hi gh- heel ed, pat ent l eat her ki ss our hi gh- heel ed, pat ent l eat her
boot s. Unt i l t hen. . . r ej oi ce and be boot s. Unt i l t hen. . . r ej oi ce and be boot s. Unt i l t hen. . . r ej oi ce and be boot s. Unt i l t hen. . . r ej oi ce and be boot s. Unt i l t hen. . . r ej oi ce and be
gl ad. We ar e l i vi ng i n t he most gl ad. We ar e l i vi ng i n t he most gl ad. We ar e l i vi ng i n t he most gl ad. We ar e l i vi ng i n t he most gl ad. We ar e l i vi ng i n t he most
exci t i ng t i mes i n t he whol e of exci t i ng t i mes i n t he whol e of exci t i ng t i mes i n t he whol e of exci t i ng t i mes i n t he whol e of exci t i ng t i mes i n t he whol e of
Luci f er i an hi st or y! A Gol den Age of Luci f er i an hi st or y! A Gol den Age of Luci f er i an hi st or y! A Gol den Age of Luci f er i an hi st or y! A Gol den Age of Luci f er i an hi st or y! A Gol den Age of
human depr avi t y! Hal l el uj ah. human depr avi t y! Hal l el uj ah. human depr avi t y! Hal l el uj ah. human depr avi t y! Hal l el uj ah. human depr avi t y! Hal l el uj ah.
68. 68. 68. 68. 68.
INT. PENDLETON HOUSE, PSYCHO KILLER'S BEDROOM -- NIGHT INT. PENDLETON HOUSE, PSYCHO KILLER'S BEDROOM -- NIGHT INT. PENDLETON HOUSE, PSYCHO KILLER'S BEDROOM -- NIGHT INT. PENDLETON HOUSE, PSYCHO KILLER'S BEDROOM -- NIGHT INT. PENDLETON HOUSE, PSYCHO KILLER'S BEDROOM -- NIGHT
Mar vi n l eads Psycho Ki l l er i nt o t hi s l ar ge, dar k BEDROOM. Mar vi n l eads Psycho Ki l l er i nt o t hi s l ar ge, dar k BEDROOM. Mar vi n l eads Psycho Ki l l er i nt o t hi s l ar ge, dar k BEDROOM. Mar vi n l eads Psycho Ki l l er i nt o t hi s l ar ge, dar k BEDROOM. Mar vi n l eads Psycho Ki l l er i nt o t hi s l ar ge, dar k BEDROOM.
Not sur pr i si ngl y, i t ' s cl ut t er ed wi t h f ul l BOOKSHELVES and Not sur pr i si ngl y, i t ' s cl ut t er ed wi t h f ul l BOOKSHELVES and Not sur pr i si ngl y, i t ' s cl ut t er ed wi t h f ul l BOOKSHELVES and Not sur pr i si ngl y, i t ' s cl ut t er ed wi t h f ul l BOOKSHELVES and Not sur pr i si ngl y, i t ' s cl ut t er ed wi t h f ul l BOOKSHELVES and
yet mor e NEWSPAPER, BOOK and MAGAZI NE STACKS. yet mor e NEWSPAPER, BOOK and MAGAZI NE STACKS. yet mor e NEWSPAPER, BOOK and MAGAZI NE STACKS. yet mor e NEWSPAPER, BOOK and MAGAZI NE STACKS. yet mor e NEWSPAPER, BOOK and MAGAZI NE STACKS.
Thi s i s your r oom. Obvi ousl y. . . Thi s i s your r oom. Obvi ousl y. . . Thi s i s your r oom. Obvi ousl y. . . Thi s i s your r oom. Obvi ousl y. . . Thi s i s your r oom. Obvi ousl y. . .
ot her wi se why woul d we be her e? ot her wi se why woul d we be her e? ot her wi se why woul d we be her e? ot her wi se why woul d we be her e? ot her wi se why woul d we be her e?
Mar vi n cr osses, t ur ns on a BLACK- LI GHT LAMP whi ch Mar vi n cr osses, t ur ns on a BLACK- LI GHT LAMP whi ch Mar vi n cr osses, t ur ns on a BLACK- LI GHT LAMP whi ch Mar vi n cr osses, t ur ns on a BLACK- LI GHT LAMP whi ch Mar vi n cr osses, t ur ns on a BLACK- LI GHT LAMP whi ch
i l l umi nat es a GLOWI NG BLACK- LI GHT PAI NTI NG of a YOUNGER i l l umi nat es a GLOWI NG BLACK- LI GHT PAI NTI NG of a YOUNGER i l l umi nat es a GLOWI NG BLACK- LI GHT PAI NTI NG of a YOUNGER i l l umi nat es a GLOWI NG BLACK- LI GHT PAI NTI NG of a YOUNGER i l l umi nat es a GLOWI NG BLACK- LI GHT PAI NTI NG of a YOUNGER
PENDLETON. PK put s hi s sui t case on t he FOUR- POSTER BED. PENDLETON. PK put s hi s sui t case on t he FOUR- POSTER BED. PENDLETON. PK put s hi s sui t case on t he FOUR- POSTER BED. PENDLETON. PK put s hi s sui t case on t he FOUR- POSTER BED. PENDLETON. PK put s hi s sui t case on t he FOUR- POSTER BED.
I ' mgoi ng t o r emember wher e I know I ' mgoi ng t o r emember wher e I know I ' mgoi ng t o r emember wher e I know I ' mgoi ng t o r emember wher e I know I ' mgoi ng t o r emember wher e I know
you f r om. Anyway. Now. . . what ' s t hi s you f r om. Anyway. Now. . . what ' s t hi s you f r om. Anyway. Now. . . what ' s t hi s you f r om. Anyway. Now. . . what ' s t hi s you f r om. Anyway. Now. . . what ' s t hi s
" i nf or mat i on" you keep aski ng about ? " i nf or mat i on" you keep aski ng about ? " i nf or mat i on" you keep aski ng about ? " i nf or mat i on" you keep aski ng about ? " i nf or mat i on" you keep aski ng about ?
Psycho Ki l l er r emai ns, you guessed i t , obscur ed by shadows. Psycho Ki l l er r emai ns, you guessed i t , obscur ed by shadows. Psycho Ki l l er r emai ns, you guessed i t , obscur ed by shadows. Psycho Ki l l er r emai ns, you guessed i t , obscur ed by shadows. Psycho Ki l l er r emai ns, you guessed i t , obscur ed by shadows.
Someone I need t o f i nd. Someone I need t o f i nd. Someone I need t o f i nd. Someone I need t o f i nd. Someone I need t o f i nd.
Oki e- doke. Fi ne. Ther e' s a det ect i ve Oki e- doke. Fi ne. Ther e' s a det ect i ve Oki e- doke. Fi ne. Ther e' s a det ect i ve Oki e- doke. Fi ne. Ther e' s a det ect i ve Oki e- doke. Fi ne. Ther e' s a det ect i ve
Mr . Pendl et on uses somet i mes. Mr . Pendl et on uses somet i mes. Mr . Pendl et on uses somet i mes. Mr . Pendl et on uses somet i mes. Mr . Pendl et on uses somet i mes.
He t akes out NOTEPAD and PEN, t ouches t he pen t o hi s t ongue. He t akes out NOTEPAD and PEN, t ouches t he pen t o hi s t ongue. He t akes out NOTEPAD and PEN, t ouches t he pen t o hi s t ongue. He t akes out NOTEPAD and PEN, t ouches t he pen t o hi s t ongue. He t akes out NOTEPAD and PEN, t ouches t he pen t o hi s t ongue.
What ' s t hi s per son' s name? Looki ng What ' s t hi s per son' s name? Looki ng What ' s t hi s per son' s name? Looki ng What ' s t hi s per son' s name? Looki ng What ' s t hi s per son' s name? Looki ng
t o put a hex on t hemor somet hi ng? t o put a hex on t hemor somet hi ng? t o put a hex on t hemor somet hi ng? t o put a hex on t hemor somet hi ng? t o put a hex on t hemor somet hi ng?
I don' t know t hei r name. I don' t know t hei r name. I don' t know t hei r name. I don' t know t hei r name. I don' t know t hei r name.
Uh huh. So. . . how amI supposed t o Uh huh. So. . . how amI supposed t o Uh huh. So. . . how amI supposed t o Uh huh. So. . . how amI supposed t o Uh huh. So. . . how amI supposed t o
f i nd t hem? f i nd t hem? f i nd t hem? f i nd t hem? f i nd t hem?
I know what t hey do. I know what t hey do. I know what t hey do. I know what t hey do. I know what t hey do.
You' ve l ost me. You' ve l ost me. You' ve l ost me. You' ve l ost me. You' ve l ost me.
I know what ci t y t hey' r e i n. I know what ci t y t hey' r e i n. I know what ci t y t hey' r e i n. I know what ci t y t hey' r e i n. I know what ci t y t hey' r e i n.
I . . . st i l l don' t f ol l ow. I . . . st i l l don' t f ol l ow. I . . . st i l l don' t f ol l ow. I . . . st i l l don' t f ol l ow. I . . . st i l l don' t f ol l ow.
Ther e' s a cer t ai n ci t y. . . I need t o Ther e' s a cer t ai n ci t y. . . I need t o Ther e' s a cer t ai n ci t y. . . I need t o Ther e' s a cer t ai n ci t y. . . I need t o Ther e' s a cer t ai n ci t y. . . I need t o
know who t her e does t hi s j ob. know who t her e does t hi s j ob. know who t her e does t hi s j ob. know who t her e does t hi s j ob. know who t her e does t hi s j ob.
69. 69. 69. 69. 69.
PSYCHO KI LLER ( CONT. ) PSYCHO KI LLER ( CONT. ) PSYCHO KI LLER ( CONT. ) PSYCHO KI LLER ( CONT. ) PSYCHO KI LLER ( CONT. )
Who t hey ar e. Wher e t hey l i ve. Who t hey ar e. Wher e t hey l i ve. Who t hey ar e. Wher e t hey l i ve. Who t hey ar e. Wher e t hey l i ve. Who t hey ar e. Wher e t hey l i ve.
EXT. PENDLETON HOUSE -- NIGHT EXT. PENDLETON HOUSE -- NIGHT EXT. PENDLETON HOUSE -- NIGHT EXT. PENDLETON HOUSE -- NIGHT EXT. PENDLETON HOUSE -- NIGHT
A near l y f ul l moon shi nes down. The house i s a dar k shape. A near l y f ul l moon shi nes down. The house i s a dar k shape. A near l y f ul l moon shi nes down. The house i s a dar k shape. A near l y f ul l moon shi nes down. The house i s a dar k shape. A near l y f ul l moon shi nes down. The house i s a dar k shape.
INT. PENDLETON HOUSE, PSYCHO KILLER'S ROOM -- NIGHT INT. PENDLETON HOUSE, PSYCHO KILLER'S ROOM -- NIGHT INT. PENDLETON HOUSE, PSYCHO KILLER'S ROOM -- NIGHT INT. PENDLETON HOUSE, PSYCHO KILLER'S ROOM -- NIGHT INT. PENDLETON HOUSE, PSYCHO KILLER'S ROOM -- NIGHT
Psycho Ki l l er st ands shi r t l ess at t he wi ndow, l ooki ng out , Psycho Ki l l er st ands shi r t l ess at t he wi ndow, l ooki ng out , Psycho Ki l l er st ands shi r t l ess at t he wi ndow, l ooki ng out , Psycho Ki l l er st ands shi r t l ess at t he wi ndow, l ooki ng out , Psycho Ki l l er st ands shi r t l ess at t he wi ndow, l ooki ng out ,
cl ose enough t hat hi s exhal at i ons f og t he gl ass. Pal e cl ose enough t hat hi s exhal at i ons f og t he gl ass. Pal e cl ose enough t hat hi s exhal at i ons f og t he gl ass. Pal e cl ose enough t hat hi s exhal at i ons f og t he gl ass. Pal e cl ose enough t hat hi s exhal at i ons f og t he gl ass. Pal e
MOONLI GHT shi nes i n upon hi s t at t ooed ar ms and t or so. MOONLI GHT shi nes i n upon hi s t at t ooed ar ms and t or so. MOONLI GHT shi nes i n upon hi s t at t ooed ar ms and t or so. MOONLI GHT shi nes i n upon hi s t at t ooed ar ms and t or so. MOONLI GHT shi nes i n upon hi s t at t ooed ar ms and t or so.
Acr oss t he r oom, a di mgl ow pr oceeds Mr . Pendl et on as he Acr oss t he r oom, a di mgl ow pr oceeds Mr . Pendl et on as he Acr oss t he r oom, a di mgl ow pr oceeds Mr . Pendl et on as he Acr oss t he r oom, a di mgl ow pr oceeds Mr . Pendl et on as he Acr oss t he r oom, a di mgl ow pr oceeds Mr . Pendl et on as he
pushes t he door open sl i ght l y, l eani ng i n wi t h a l i t CANDLE. pushes t he door open sl i ght l y, l eani ng i n wi t h a l i t CANDLE. pushes t he door open sl i ght l y, l eani ng i n wi t h a l i t CANDLE. pushes t he door open sl i ght l y, l eani ng i n wi t h a l i t CANDLE. pushes t he door open sl i ght l y, l eani ng i n wi t h a l i t CANDLE.
Good ni ght , t hen. Sl eep wel l . Good ni ght , t hen. Sl eep wel l . Good ni ght , t hen. Sl eep wel l . Good ni ght , t hen. Sl eep wel l . Good ni ght , t hen. Sl eep wel l .
Psycho Ki l l er r emai ns f aci ng t he wi ndow. Psycho Ki l l er r emai ns f aci ng t he wi ndow. Psycho Ki l l er r emai ns f aci ng t he wi ndow. Psycho Ki l l er r emai ns f aci ng t he wi ndow. Psycho Ki l l er r emai ns f aci ng t he wi ndow.
You know. . . t hi s i s a f ar cr y f r om You know. . . t hi s i s a f ar cr y f r om You know. . . t hi s i s a f ar cr y f r om You know. . . t hi s i s a f ar cr y f r om You know. . . t hi s i s a f ar cr y f r om
who I once was. Used t o be qui t e t he who I once was. Used t o be qui t e t he who I once was. Used t o be qui t e t he who I once was. Used t o be qui t e t he who I once was. Used t o be qui t e t he
i nf amous, l ocal cel ebr i t y. No l onger i nf amous, l ocal cel ebr i t y. No l onger i nf amous, l ocal cel ebr i t y. No l onger i nf amous, l ocal cel ebr i t y. No l onger i nf amous, l ocal cel ebr i t y. No l onger
t hough. Thankf ul l y. These days, t hough. Thankf ul l y. These days, t hough. Thankf ul l y. These days, t hough. Thankf ul l y. These days, t hough. Thankf ul l y. These days,
peopl e ar e mor e wor r i ed about t hei r peopl e ar e mor e wor r i ed about t hei r peopl e ar e mor e wor r i ed about t hei r peopl e ar e mor e wor r i ed about t hei r peopl e ar e mor e wor r i ed about t hei r
nei ghbor hood sex of f ender s. nei ghbor hood sex of f ender s. nei ghbor hood sex of f ender s. nei ghbor hood sex of f ender s. nei ghbor hood sex of f ender s.
I t end t o my qui et , l i t t l e l i f e l i ke I t end t o my qui et , l i t t l e l i f e l i ke I t end t o my qui et , l i t t l e l i f e l i ke I t end t o my qui et , l i t t l e l i f e l i ke I t end t o my qui et , l i t t l e l i f e l i ke
t he wi t her i ng gar den i t i s. You have t he wi t her i ng gar den i t i s. You have t he wi t her i ng gar den i t i s. You have t he wi t her i ng gar den i t i s. You have t he wi t her i ng gar den i t i s. You have
your yout h st i l l , but you' l l see. I your yout h st i l l , but you' l l see. I your yout h st i l l , but you' l l see. I your yout h st i l l , but you' l l see. I your yout h st i l l , but you' l l see. I
know I must seema si l l y, ol d man. know I must seema si l l y, ol d man. know I must seema si l l y, ol d man. know I must seema si l l y, ol d man. know I must seema si l l y, ol d man.
I n t he mi r r or . . . I t oo r ecogni ze a I n t he mi r r or . . . I t oo r ecogni ze a I n t he mi r r or . . . I t oo r ecogni ze a I n t he mi r r or . . . I t oo r ecogni ze a I n t he mi r r or . . . I t oo r ecogni ze a
cer t ai n Gat sby- esque r esembl ance. cer t ai n Gat sby- esque r esembl ance. cer t ai n Gat sby- esque r esembl ance. cer t ai n Gat sby- esque r esembl ance. cer t ai n Gat sby- esque r esembl ance.
I f t her e' s anyt hi ng you desi r e I f t her e' s anyt hi ng you desi r e I f t her e' s anyt hi ng you desi r e I f t her e' s anyt hi ng you desi r e I f t her e' s anyt hi ng you desi r e
t oni ght . . . I ' mj ust at t he end of t he t oni ght . . . I ' mj ust at t he end of t he t oni ght . . . I ' mj ust at t he end of t he t oni ght . . . I ' mj ust at t he end of t he t oni ght . . . I ' mj ust at t he end of t he
hal l way. Anyt hi ng at al l . hal l way. Anyt hi ng at al l . hal l way. Anyt hi ng at al l . hal l way. Anyt hi ng at al l . hal l way. Anyt hi ng at al l .
Pendl et on backs out , i s HEARD WALKI NG AWAY. Pendl et on backs out , i s HEARD WALKI NG AWAY. Pendl et on backs out , i s HEARD WALKI NG AWAY. Pendl et on backs out , i s HEARD WALKI NG AWAY. Pendl et on backs out , i s HEARD WALKI NG AWAY.
INT. PENDLETON HOUSE, PSYCHO KILLER'S BEDROOM -- MORNING INT. PENDLETON HOUSE, PSYCHO KILLER'S BEDROOM -- MORNING INT. PENDLETON HOUSE, PSYCHO KILLER'S BEDROOM -- MORNING INT. PENDLETON HOUSE, PSYCHO KILLER'S BEDROOM -- MORNING INT. PENDLETON HOUSE, PSYCHO KILLER'S BEDROOM -- MORNING
An ol d, pi ct ur e t ube TV pl ays t he NEWS i n t he BACKGROUND. An ol d, pi ct ur e t ube TV pl ays t he NEWS i n t he BACKGROUND. An ol d, pi ct ur e t ube TV pl ays t he NEWS i n t he BACKGROUND. An ol d, pi ct ur e t ube TV pl ays t he NEWS i n t he BACKGROUND. An ol d, pi ct ur e t ube TV pl ays t he NEWS i n t he BACKGROUND.
Psycho Ki l l er opens hi s sui t case on t he bed. Al ong wi t h hi s Psycho Ki l l er opens hi s sui t case on t he bed. Al ong wi t h hi s Psycho Ki l l er opens hi s sui t case on t he bed. Al ong wi t h hi s Psycho Ki l l er opens hi s sui t case on t he bed. Al ong wi t h hi s Psycho Ki l l er opens hi s sui t case on t he bed. Al ong wi t h hi s
vul cani zed- r ubber mask and sawed- of f shot gun, t he sui t case vul cani zed- r ubber mask and sawed- of f shot gun, t he sui t case vul cani zed- r ubber mask and sawed- of f shot gun, t he sui t case vul cani zed- r ubber mask and sawed- of f shot gun, t he sui t case vul cani zed- r ubber mask and sawed- of f shot gun, t he sui t case
cont ai ns at l east THI RTY st i cks of DYNAMI TE nest l ed amongst cont ai ns at l east THI RTY st i cks of DYNAMI TE nest l ed amongst cont ai ns at l east THI RTY st i cks of DYNAMI TE nest l ed amongst cont ai ns at l east THI RTY st i cks of DYNAMI TE nest l ed amongst cont ai ns at l east THI RTY st i cks of DYNAMI TE nest l ed amongst
PK' S CLOTHI NG, BAGS of PI LLS and ot her " bel ongi ngs. " PK' S CLOTHI NG, BAGS of PI LLS and ot her " bel ongi ngs. " PK' S CLOTHI NG, BAGS of PI LLS and ot her " bel ongi ngs. " PK' S CLOTHI NG, BAGS of PI LLS and ot her " bel ongi ngs. " PK' S CLOTHI NG, BAGS of PI LLS and ot her " bel ongi ngs. "
70. 70. 70. 70. 70.
NEWS REPORTER' S VOI CE ( V. O. ) NEWS REPORTER' S VOI CE ( V. O. ) NEWS REPORTER' S VOI CE ( V. O. ) NEWS REPORTER' S VOI CE ( V. O. ) NEWS REPORTER' S VOI CE ( V. O. )
. . . f aci ng quest i ons of vi gi l ant i sm . . . f aci ng quest i ons of vi gi l ant i sm . . . f aci ng quest i ons of vi gi l ant i sm . . . f aci ng quest i ons of vi gi l ant i sm . . . f aci ng quest i ons of vi gi l ant i sm
ear l i er i n t he week, si nce Of f i cer ear l i er i n t he week, si nce Of f i cer ear l i er i n t he week, si nce Of f i cer ear l i er i n t he week, si nce Of f i cer ear l i er i n t he week, si nce Of f i cer
Thor ne' s husband, al so a Kansas st at e Thor ne' s husband, al so a Kansas st at e Thor ne' s husband, al so a Kansas st at e Thor ne' s husband, al so a Kansas st at e Thor ne' s husband, al so a Kansas st at e
t r ooper , was sl ai n i n col d bl ood by t r ooper , was sl ai n i n col d bl ood by t r ooper , was sl ai n i n col d bl ood by t r ooper , was sl ai n i n col d bl ood by t r ooper , was sl ai n i n col d bl ood by
t he Sl asher . t he Sl asher . t he Sl asher . t he Sl asher . t he Sl asher .
ON TV: REPORTERS hound J ANE on a si dewal k, yel l i ng quest i ons. ON TV: REPORTERS hound J ANE on a si dewal k, yel l i ng quest i ons. ON TV: REPORTERS hound J ANE on a si dewal k, yel l i ng quest i ons. ON TV: REPORTERS hound J ANE on a si dewal k, yel l i ng quest i ons. ON TV: REPORTERS hound J ANE on a si dewal k, yel l i ng quest i ons.
( on TELEVI SI ON) ( on TELEVI SI ON) ( on TELEVI SI ON) ( on TELEVI SI ON) ( on TELEVI SI ON)
I sai d ever yt hi ng I ' ve got t o say i n I sai d ever yt hi ng I ' ve got t o say i n I sai d ever yt hi ng I ' ve got t o say i n I sai d ever yt hi ng I ' ve got t o say i n I sai d ever yt hi ng I ' ve got t o say i n
t he F. B. I . pr ess br i ef i ng. Leave me t he F. B. I . pr ess br i ef i ng. Leave me t he F. B. I . pr ess br i ef i ng. Leave me t he F. B. I . pr ess br i ef i ng. Leave me t he F. B. I . pr ess br i ef i ng. Leave me
al one. al one. al one. al one. al one.
Psycho Ki l l er t ur ns, l ooks t o t he TV. . . Psycho Ki l l er t ur ns, l ooks t o t he TV. . . Psycho Ki l l er t ur ns, l ooks t o t he TV. . . Psycho Ki l l er t ur ns, l ooks t o t he TV. . . Psycho Ki l l er t ur ns, l ooks t o t he TV. . .
Wher e REPORTERS shout mor e quest i ons, shovi ng MI CROPHONES. Wher e REPORTERS shout mor e quest i ons, shovi ng MI CROPHONES. Wher e REPORTERS shout mor e quest i ons, shovi ng MI CROPHONES. Wher e REPORTERS shout mor e quest i ons, shovi ng MI CROPHONES. Wher e REPORTERS shout mor e quest i ons, shovi ng MI CROPHONES.
J ANE on t he TV SCREEN i s doubl y REFLECTED i n PK' s SUNGLASSES. J ANE on t he TV SCREEN i s doubl y REFLECTED i n PK' s SUNGLASSES. J ANE on t he TV SCREEN i s doubl y REFLECTED i n PK' s SUNGLASSES. J ANE on t he TV SCREEN i s doubl y REFLECTED i n PK' s SUNGLASSES. J ANE on t he TV SCREEN i s doubl y REFLECTED i n PK' s SUNGLASSES.
( on TELEVI SI ON) ( on TELEVI SI ON) ( on TELEVI SI ON) ( on TELEVI SI ON) ( on TELEVI SI ON)
Li st en. . . he' s st i l l out t her e, Li st en. . . he' s st i l l out t her e, Li st en. . . he' s st i l l out t her e, Li st en. . . he' s st i l l out t her e, Li st en. . . he' s st i l l out t her e,
ki l l i ng. Ever y day. I f t her e' s ki l l i ng. Ever y day. I f t her e' s ki l l i ng. Ever y day. I f t her e' s ki l l i ng. Ever y day. I f t her e' s ki l l i ng. Ever y day. I f t her e' s
somet hi ng I can do t o hel p t r ack hi m somet hi ng I can do t o hel p t r ack hi m somet hi ng I can do t o hel p t r ack hi m somet hi ng I can do t o hel p t r ack hi m somet hi ng I can do t o hel p t r ack hi m
down, why woul dn' t I do exact l y t hat ? down, why woul dn' t I do exact l y t hat ? down, why woul dn' t I do exact l y t hat ? down, why woul dn' t I do exact l y t hat ? down, why woul dn' t I do exact l y t hat ?
When t he NEWS swi t ches back t o t he i n- st udi o ANCHOR, Psycho When t he NEWS swi t ches back t o t he i n- st udi o ANCHOR, Psycho When t he NEWS swi t ches back t o t he i n- st udi o ANCHOR, Psycho When t he NEWS swi t ches back t o t he i n- st udi o ANCHOR, Psycho When t he NEWS swi t ches back t o t he i n- st udi o ANCHOR, Psycho
Ki l l er t ur ns back t o t he t ask at hand. He gr asps some Ki l l er t ur ns back t o t he t ask at hand. He gr asps some Ki l l er t ur ns back t o t he t ask at hand. He gr asps some Ki l l er t ur ns back t o t he t ask at hand. He gr asps some Ki l l er t ur ns back t o t he t ask at hand. He gr asps some
col or f ul PI LLS f r omone BAGGI E, consumes t hem. col or f ul PI LLS f r omone BAGGI E, consumes t hem. col or f ul PI LLS f r omone BAGGI E, consumes t hem. col or f ul PI LLS f r omone BAGGI E, consumes t hem. col or f ul PI LLS f r omone BAGGI E, consumes t hem.
He t akes out t he 3- f oot l engt h of COPPER PI PE, hef t s i t , He t akes out t he 3- f oot l engt h of COPPER PI PE, hef t s i t , He t akes out t he 3- f oot l engt h of COPPER PI PE, hef t s i t , He t akes out t he 3- f oot l engt h of COPPER PI PE, hef t s i t , He t akes out t he 3- f oot l engt h of COPPER PI PE, hef t s i t ,
exami ni ng i t . exami ni ng i t . exami ni ng i t . exami ni ng i t . exami ni ng i t .
EXT. BALTIMORE, DOWNTOWN STREETS -- MORNING EXT. BALTIMORE, DOWNTOWN STREETS -- MORNING EXT. BALTIMORE, DOWNTOWN STREETS -- MORNING EXT. BALTIMORE, DOWNTOWN STREETS -- MORNING EXT. BALTIMORE, DOWNTOWN STREETS -- MORNING
Psycho Ki l l er ' s coupe cr ui ses mi d- ci t y, dr i vi ng t owar ds. . . Psycho Ki l l er ' s coupe cr ui ses mi d- ci t y, dr i vi ng t owar ds. . . Psycho Ki l l er ' s coupe cr ui ses mi d- ci t y, dr i vi ng t owar ds. . . Psycho Ki l l er ' s coupe cr ui ses mi d- ci t y, dr i vi ng t owar ds. . . Psycho Ki l l er ' s coupe cr ui ses mi d- ci t y, dr i vi ng t owar ds. . .
A si zabl e CHURCH at t he end of t he st r eet . A si zabl e CHURCH at t he end of t he st r eet . A si zabl e CHURCH at t he end of t he st r eet . A si zabl e CHURCH at t he end of t he st r eet . A si zabl e CHURCH at t he end of t he st r eet .
INT. CHURCH -- MORNING INT. CHURCH -- MORNING INT. CHURCH -- MORNING INT. CHURCH -- MORNING INT. CHURCH -- MORNING
Dar k and empt y. Psycho Ki l l er ent er s, i n hi s t r ench coat . Dar k and empt y. Psycho Ki l l er ent er s, i n hi s t r ench coat . Dar k and empt y. Psycho Ki l l er ent er s, i n hi s t r ench coat . Dar k and empt y. Psycho Ki l l er ent er s, i n hi s t r ench coat . Dar k and empt y. Psycho Ki l l er ent er s, i n hi s t r ench coat .
Out si de LI GHT cast s hi s shadow t he l engt h of t he cent er Out si de LI GHT cast s hi s shadow t he l engt h of t he cent er Out si de LI GHT cast s hi s shadow t he l engt h of t he cent er Out si de LI GHT cast s hi s shadow t he l engt h of t he cent er Out si de LI GHT cast s hi s shadow t he l engt h of t he cent er
ai sl e' s pol i shed f l oor , unt i l t he FRONT DOORS behi nd hi m ai sl e' s pol i shed f l oor , unt i l t he FRONT DOORS behi nd hi m ai sl e' s pol i shed f l oor , unt i l t he FRONT DOORS behi nd hi m ai sl e' s pol i shed f l oor , unt i l t he FRONT DOORS behi nd hi m ai sl e' s pol i shed f l oor , unt i l t he FRONT DOORS behi nd hi m
cl ose and dar kness agai n pr evai l s. cl ose and dar kness agai n pr evai l s. cl ose and dar kness agai n pr evai l s. cl ose and dar kness agai n pr evai l s. cl ose and dar kness agai n pr evai l s.
Psycho Ki l l er st ar t s up t he ai sl e, passi ng PEWS, hi s Psycho Ki l l er st ar t s up t he ai sl e, passi ng PEWS, hi s Psycho Ki l l er st ar t s up t he ai sl e, passi ng PEWS, hi s Psycho Ki l l er st ar t s up t he ai sl e, passi ng PEWS, hi s Psycho Ki l l er st ar t s up t he ai sl e, passi ng PEWS, hi s
FOOTFALLS ECHOI NG. Far ahead, t her e' s an ELDER PRI EST on FOOTFALLS ECHOI NG. Far ahead, t her e' s an ELDER PRI EST on FOOTFALLS ECHOI NG. Far ahead, t her e' s an ELDER PRI EST on FOOTFALLS ECHOI NG. Far ahead, t her e' s an ELDER PRI EST on FOOTFALLS ECHOI NG. Far ahead, t her e' s an ELDER PRI EST on
t he ALTAR, or gani zi ng i t ems on t he LECTERN. t he ALTAR, or gani zi ng i t ems on t he LECTERN. t he ALTAR, or gani zi ng i t ems on t he LECTERN. t he ALTAR, or gani zi ng i t ems on t he LECTERN. t he ALTAR, or gani zi ng i t ems on t he LECTERN.
ELDER PRI EST ELDER PRI EST ELDER PRI EST ELDER PRI EST ELDER PRI EST
Hel l o? Hel l o? Hel l o? Hel l o? Hel l o?
71. 71. 71. 71. 71.
Psycho Ki l l er cr osses t hr ough a r ow, headi ng f or t he Psycho Ki l l er cr osses t hr ough a r ow, headi ng f or t he Psycho Ki l l er cr osses t hr ough a r ow, headi ng f or t he Psycho Ki l l er cr osses t hr ough a r ow, headi ng f or t he Psycho Ki l l er cr osses t hr ough a r ow, headi ng f or t he
CONFESSI ON BOOTHS agai nst one wal l . El der Pr i est wat ches. CONFESSI ON BOOTHS agai nst one wal l . El der Pr i est wat ches. CONFESSI ON BOOTHS agai nst one wal l . El der Pr i est wat ches. CONFESSI ON BOOTHS agai nst one wal l . El der Pr i est wat ches. CONFESSI ON BOOTHS agai nst one wal l . El der Pr i est wat ches.
Can I hel p you? Can I hel p you? Can I hel p you? Can I hel p you? Can I hel p you?
Psycho Ki l l er ent er s a conf essi onal , shut s t he door . Psycho Ki l l er ent er s a conf essi onal , shut s t he door . Psycho Ki l l er ent er s a conf essi onal , shut s t he door . Psycho Ki l l er ent er s a conf essi onal , shut s t he door . Psycho Ki l l er ent er s a conf essi onal , shut s t he door .
Af t er a moment , El der Pr i est ar r i ves, ent er s. . . Af t er a moment , El der Pr i est ar r i ves, ent er s. . . Af t er a moment , El der Pr i est ar r i ves, ent er s. . . Af t er a moment , El der Pr i est ar r i ves, ent er s. . . Af t er a moment , El der Pr i est ar r i ves, ent er s. . .
IN PK'S CONFESSION BOOTH IN PK'S CONFESSION BOOTH IN PK'S CONFESSION BOOTH IN PK'S CONFESSION BOOTH IN PK'S CONFESSION BOOTH
Psycho Ki l l er , now wear i ng hi s mask, si t s hol di ng t he copper Psycho Ki l l er , now wear i ng hi s mask, si t s hol di ng t he copper Psycho Ki l l er , now wear i ng hi s mask, si t s hol di ng t he copper Psycho Ki l l er , now wear i ng hi s mask, si t s hol di ng t he copper Psycho Ki l l er , now wear i ng hi s mask, si t s hol di ng t he copper
pi pe, wi t h one end l et hal l y shar pened, acr oss hi s l ap. pi pe, wi t h one end l et hal l y shar pened, acr oss hi s l ap. pi pe, wi t h one end l et hal l y shar pened, acr oss hi s l ap. pi pe, wi t h one end l et hal l y shar pened, acr oss hi s l ap. pi pe, wi t h one end l et hal l y shar pened, acr oss hi s l ap.
El der Pr i est i s HEARD ENTERI NG t he nei ghbor i ng boot h. El der Pr i est i s HEARD ENTERI NG t he nei ghbor i ng boot h. El der Pr i est i s HEARD ENTERI NG t he nei ghbor i ng boot h. El der Pr i est i s HEARD ENTERI NG t he nei ghbor i ng boot h. El der Pr i est i s HEARD ENTERI NG t he nei ghbor i ng boot h.
I ' ml i st eni ng. I ' ml i st eni ng. I ' ml i st eni ng. I ' ml i st eni ng. I ' ml i st eni ng.
I ' ve al ways l i ked pr i est s. When I I ' ve al ways l i ked pr i est s. When I I ' ve al ways l i ked pr i est s. When I I ' ve al ways l i ked pr i est s. When I I ' ve al ways l i ked pr i est s. When I
was a l i t t l e. . . our pr i est , he t ook was a l i t t l e. . . our pr i est , he t ook was a l i t t l e. . . our pr i est , he t ook was a l i t t l e. . . our pr i est , he t ook was a l i t t l e. . . our pr i est , he t ook
me under hi s wi ng. J ust a l i t t l e me under hi s wi ng. J ust a l i t t l e me under hi s wi ng. J ust a l i t t l e me under hi s wi ng. J ust a l i t t l e me under hi s wi ng. J ust a l i t t l e
boy. You coul d say he made me i nt o boy. You coul d say he made me i nt o boy. You coul d say he made me i nt o boy. You coul d say he made me i nt o boy. You coul d say he made me i nt o
t he man I amt oday. t he man I amt oday. t he man I amt oday. t he man I amt oday. t he man I amt oday.
The Pr i est ' s SI LHOUETTE can be seen t hr ough t he obscur i ng The Pr i est ' s SI LHOUETTE can be seen t hr ough t he obscur i ng The Pr i est ' s SI LHOUETTE can be seen t hr ough t he obscur i ng The Pr i est ' s SI LHOUETTE can be seen t hr ough t he obscur i ng The Pr i est ' s SI LHOUETTE can be seen t hr ough t he obscur i ng
CONFESSI ONAL SCREEN i n t he par t i t i on bet ween t he t wo boot hs. CONFESSI ONAL SCREEN i n t he par t i t i on bet ween t he t wo boot hs. CONFESSI ONAL SCREEN i n t he par t i t i on bet ween t he t wo boot hs. CONFESSI ONAL SCREEN i n t he par t i t i on bet ween t he t wo boot hs. CONFESSI ONAL SCREEN i n t he par t i t i on bet ween t he t wo boot hs.
That ' s good, my son. Ver y good. That ' s good, my son. Ver y good. That ' s good, my son. Ver y good. That ' s good, my son. Ver y good. That ' s good, my son. Ver y good.
Have you come f or conf essi on? Have you come f or conf essi on? Have you come f or conf essi on? Have you come f or conf essi on? Have you come f or conf essi on?
I l i ve i n f ear . I l i ve i n f ear . I l i ve i n f ear . I l i ve i n f ear . I l i ve i n f ear .
ELDER PRI EST ( O. S. ) ELDER PRI EST ( O. S. ) ELDER PRI EST ( O. S. ) ELDER PRI EST ( O. S. ) ELDER PRI EST ( O. S. )
What ar e you af r ai d of what ? What ar e you af r ai d of what ? What ar e you af r ai d of what ? What ar e you af r ai d of what ? What ar e you af r ai d of what ?
Not hi ngness. That maybe I ' mwr ong. Not hi ngness. That maybe I ' mwr ong. Not hi ngness. That maybe I ' mwr ong. Not hi ngness. That maybe I ' mwr ong. Not hi ngness. That maybe I ' mwr ong.
What i f t her e' s no pl ace f or me, What i f t her e' s no pl ace f or me, What i f t her e' s no pl ace f or me, What i f t her e' s no pl ace f or me, What i f t her e' s no pl ace f or me,
af t er t hi s l i f e? af t er t hi s l i f e? af t er t hi s l i f e? af t er t hi s l i f e? af t er t hi s l i f e?
I under st and. You wonder how you can I under st and. You wonder how you can I under st and. You wonder how you can I under st and. You wonder how you can I under st and. You wonder how you can
bel i eve i n somet hi ng you cannot bel i eve i n somet hi ng you cannot bel i eve i n somet hi ng you cannot bel i eve i n somet hi ng you cannot bel i eve i n somet hi ng you cannot
see. . . t r ust i n someone you speak t o see. . . t r ust i n someone you speak t o see. . . t r ust i n someone you speak t o see. . . t r ust i n someone you speak t o see. . . t r ust i n someone you speak t o
who doesn' t answer di r ect l y. who doesn' t answer di r ect l y. who doesn' t answer di r ect l y. who doesn' t answer di r ect l y. who doesn' t answer di r ect l y.
I f I don' t bel i eve enough. . . wi l l I I f I don' t bel i eve enough. . . wi l l I I f I don' t bel i eve enough. . . wi l l I I f I don' t bel i eve enough. . . wi l l I I f I don' t bel i eve enough. . . wi l l I
be abl e t o do what needs t o be done? be abl e t o do what needs t o be done? be abl e t o do what needs t o be done? be abl e t o do what needs t o be done? be abl e t o do what needs t o be done?
72. 72. 72. 72. 72.
As t he Bi bl e says, even wi t h f ai t h as As t he Bi bl e says, even wi t h f ai t h as As t he Bi bl e says, even wi t h f ai t h as As t he Bi bl e says, even wi t h f ai t h as As t he Bi bl e says, even wi t h f ai t h as
smal l as a must ar d seed, you can say smal l as a must ar d seed, you can say smal l as a must ar d seed, you can say smal l as a must ar d seed, you can say smal l as a must ar d seed, you can say
t o t he mount ai n, " Move f r omher e t o t o t he mount ai n, " Move f r omher e t o t o t he mount ai n, " Move f r omher e t o t o t he mount ai n, " Move f r omher e t o t o t he mount ai n, " Move f r omher e t o
t her e, " and t he mount ai n wi l l move. t her e, " and t he mount ai n wi l l move. t her e, " and t he mount ai n wi l l move. t her e, " and t he mount ai n wi l l move. t her e, " and t he mount ai n wi l l move.
But you must r emai n st r ong. But you must r emai n st r ong. But you must r emai n st r ong. But you must r emai n st r ong. But you must r emai n st r ong.
Especi al l y i n t hese moder n t i mes, Especi al l y i n t hese moder n t i mes, Especi al l y i n t hese moder n t i mes, Especi al l y i n t hese moder n t i mes, Especi al l y i n t hese moder n t i mes,
t her e ar e so many who wi l l at t empt t o t her e ar e so many who wi l l at t empt t o t her e ar e so many who wi l l at t empt t o t her e ar e so many who wi l l at t empt t o t her e ar e so many who wi l l at t empt t o
chi p away at your r esol ve. . . usi ng chi p away at your r esol ve. . . usi ng chi p away at your r esol ve. . . usi ng chi p away at your r esol ve. . . usi ng chi p away at your r esol ve. . . usi ng
ar gument s of l ogi c agai nst what you ar gument s of l ogi c agai nst what you ar gument s of l ogi c agai nst what you ar gument s of l ogi c agai nst what you ar gument s of l ogi c agai nst what you
know i s t r ue and r i ght . know i s t r ue and r i ght . know i s t r ue and r i ght . know i s t r ue and r i ght . know i s t r ue and r i ght .
Some pr et end t o bel i eve. They make Some pr et end t o bel i eve. They make Some pr et end t o bel i eve. They make Some pr et end t o bel i eve. They make Some pr et end t o bel i eve. They make
me angr y. . . t he ones who pr et end. me angr y. . . t he ones who pr et end. me angr y. . . t he ones who pr et end. me angr y. . . t he ones who pr et end. me angr y. . . t he ones who pr et end.
And t hey wi l l be f ound want i ng. And t hey wi l l be f ound want i ng. And t hey wi l l be f ound want i ng. And t hey wi l l be f ound want i ng. And t hey wi l l be f ound want i ng.
Yes, t hey wi l l . Yes, t hey wi l l . Yes, t hey wi l l . Yes, t hey wi l l . Yes, t hey wi l l .
They and many ot her s. They wi l l be They and many ot her s. They wi l l be They and many ot her s. They wi l l be They and many ot her s. They wi l l be They and many ot her s. They wi l l be
l ef t behi nd. l ef t behi nd. l ef t behi nd. l ef t behi nd. l ef t behi nd.
I want t o be sur e I ' ve done enough. I want t o be sur e I ' ve done enough. I want t o be sur e I ' ve done enough. I want t o be sur e I ' ve done enough. I want t o be sur e I ' ve done enough.
Done ever yt hi ng I can. I ' mt r yi ng. Done ever yt hi ng I can. I ' mt r yi ng. Done ever yt hi ng I can. I ' mt r yi ng. Done ever yt hi ng I can. I ' mt r yi ng. Done ever yt hi ng I can. I ' mt r yi ng.
Psycho Ki l l er gr i ps t he copper pi pe. Psycho Ki l l er gr i ps t he copper pi pe. Psycho Ki l l er gr i ps t he copper pi pe. Psycho Ki l l er gr i ps t he copper pi pe. Psycho Ki l l er gr i ps t he copper pi pe.
I t i sn' t what you can see or pr ove or I t i sn' t what you can see or pr ove or I t i sn' t what you can see or pr ove or I t i sn' t what you can see or pr ove or I t i sn' t what you can see or pr ove or
even put i nt o wor ds t hat count s. even put i nt o wor ds t hat count s. even put i nt o wor ds t hat count s. even put i nt o wor ds t hat count s. even put i nt o wor ds t hat count s.
I t ' s what you car r y i n your hear t . I t ' s what you car r y i n your hear t . I t ' s what you car r y i n your hear t . I t ' s what you car r y i n your hear t . I t ' s what you car r y i n your hear t .
I know. I know. I know. I know. I know.
Ther e wi l l come a t i me, soon Ther e wi l l come a t i me, soon Ther e wi l l come a t i me, soon Ther e wi l l come a t i me, soon Ther e wi l l come a t i me, soon
enough. . . a j udgement day. . . enough. . . a j udgement day. . . enough. . . a j udgement day. . . enough. . . a j udgement day. . . enough. . . a j udgement day. . .
Yes, yes. Yes, yes. Yes, yes. Yes, yes. Yes, yes.
And f or t hose who have f ound f ai t h And f or t hose who have f ound f ai t h And f or t hose who have f ound f ai t h And f or t hose who have f ound f ai t h And f or t hose who have f ound f ai t h
and embr aced i t wi t hout quest i on or and embr aced i t wi t hout quest i on or and embr aced i t wi t hout quest i on or and embr aced i t wi t hout quest i on or and embr aced i t wi t hout quest i on or
doubt , t her e wi l l be no mor e doubt , t her e wi l l be no mor e doubt , t her e wi l l be no mor e doubt , t her e wi l l be no mor e doubt , t her e wi l l be no mor e
quest i ons, onl y answer s. quest i ons, onl y answer s. quest i ons, onl y answer s. quest i ons, onl y answer s. quest i ons, onl y answer s.
Amen. Amen. Amen. Amen. Amen.
73. 73. 73. 73. 73.
Amen. Amen. Amen. Amen. Amen.
Ave Sat anas! Ave Sat anas! Ave Sat anas! Ave Sat anas! Ave Sat anas!
Par don me? Par don me? Par don me? Par don me? Par don me?
Psycho Ki l l er THRUSTS t he pi pe upwar ds at an angl e t hr ough Psycho Ki l l er THRUSTS t he pi pe upwar ds at an angl e t hr ough Psycho Ki l l er THRUSTS t he pi pe upwar ds at an angl e t hr ough Psycho Ki l l er THRUSTS t he pi pe upwar ds at an angl e t hr ough Psycho Ki l l er THRUSTS t he pi pe upwar ds at an angl e t hr ough
t he CONFESSI ONAL SCREEN! A hor r i d, wet SOUND i s HEARD - - t he CONFESSI ONAL SCREEN! A hor r i d, wet SOUND i s HEARD - - t he CONFESSI ONAL SCREEN! A hor r i d, wet SOUND i s HEARD - - t he CONFESSI ONAL SCREEN! A hor r i d, wet SOUND i s HEARD - - t he CONFESSI ONAL SCREEN! A hor r i d, wet SOUND i s HEARD - -
t he SOUND ( we do not see) of t he shar pened pi pe PI ERCI NG t he SOUND ( we do not see) of t he shar pened pi pe PI ERCI NG t he SOUND ( we do not see) of t he shar pened pi pe PI ERCI NG t he SOUND ( we do not see) of t he shar pened pi pe PI ERCI NG t he SOUND ( we do not see) of t he shar pened pi pe PI ERCI NG
El der Pr i est ' s t hr oat . Psycho Ki l l er keeps a t i ght gr i p on El der Pr i est ' s t hr oat . Psycho Ki l l er keeps a t i ght gr i p on El der Pr i est ' s t hr oat . Psycho Ki l l er keeps a t i ght gr i p on El der Pr i est ' s t hr oat . Psycho Ki l l er keeps a t i ght gr i p on El der Pr i est ' s t hr oat . Psycho Ki l l er keeps a t i ght gr i p on
t he l engt h of copper pi pe as i t vi ol ent l y j er ks and shudder s. t he l engt h of copper pi pe as i t vi ol ent l y j er ks and shudder s. t he l engt h of copper pi pe as i t vi ol ent l y j er ks and shudder s. t he l engt h of copper pi pe as i t vi ol ent l y j er ks and shudder s. t he l engt h of copper pi pe as i t vi ol ent l y j er ks and shudder s.
El der Pr i est ' s gut t ur al , desper at e GASPS ar e HEARD O. S. El der Pr i est ' s gut t ur al , desper at e GASPS ar e HEARD O. S. El der Pr i est ' s gut t ur al , desper at e GASPS ar e HEARD O. S. El der Pr i est ' s gut t ur al , desper at e GASPS ar e HEARD O. S. El der Pr i est ' s gut t ur al , desper at e GASPS ar e HEARD O. S.
t hr ough t he scr een as. . . BLOOD begi ns POURI NG f r omt he pi pe. t hr ough t he scr een as. . . BLOOD begi ns POURI NG f r omt he pi pe. t hr ough t he scr een as. . . BLOOD begi ns POURI NG f r omt he pi pe. t hr ough t he scr een as. . . BLOOD begi ns POURI NG f r omt he pi pe. t hr ough t he scr een as. . . BLOOD begi ns POURI NG f r omt he pi pe.
Psycho Ki l l er l eans t o dr i nk f r omt he hot , r ed f l ow, gul pi ng Psycho Ki l l er l eans t o dr i nk f r omt he hot , r ed f l ow, gul pi ng Psycho Ki l l er l eans t o dr i nk f r omt he hot , r ed f l ow, gul pi ng Psycho Ki l l er l eans t o dr i nk f r omt he hot , r ed f l ow, gul pi ng Psycho Ki l l er l eans t o dr i nk f r omt he hot , r ed f l ow, gul pi ng
mout hf ul s of t he pr i est ' s BLOOD, swal l owi ng i t gr eedi l y down. mout hf ul s of t he pr i est ' s BLOOD, swal l owi ng i t gr eedi l y down. mout hf ul s of t he pr i est ' s BLOOD, swal l owi ng i t gr eedi l y down. mout hf ul s of t he pr i est ' s BLOOD, swal l owi ng i t gr eedi l y down. mout hf ul s of t he pr i est ' s BLOOD, swal l owi ng i t gr eedi l y down.
OUTSIDE THE CONFESSION BOOTH -- MOMENTS LATER OUTSIDE THE CONFESSION BOOTH -- MOMENTS LATER OUTSIDE THE CONFESSION BOOTH -- MOMENTS LATER OUTSIDE THE CONFESSION BOOTH -- MOMENTS LATER OUTSIDE THE CONFESSION BOOTH -- MOMENTS LATER
Psycho Ki l l er st eps f r omt he boot h, cover ed i n BLOOD. Psycho Ki l l er st eps f r omt he boot h, cover ed i n BLOOD. Psycho Ki l l er st eps f r omt he boot h, cover ed i n BLOOD. Psycho Ki l l er st eps f r omt he boot h, cover ed i n BLOOD. Psycho Ki l l er st eps f r omt he boot h, cover ed i n BLOOD.
He wal ks away, t hr ough t he spr eadi ng BLOOD PUDDLE on t he He wal ks away, t hr ough t he spr eadi ng BLOOD PUDDLE on t he He wal ks away, t hr ough t he spr eadi ng BLOOD PUDDLE on t he He wal ks away, t hr ough t he spr eadi ng BLOOD PUDDLE on t he He wal ks away, t hr ough t he spr eadi ng BLOOD PUDDLE on t he
f l oor out si de t he conf essi onal , l eavi ng bl oody FOOTPRI NTS. f l oor out si de t he conf essi onal , l eavi ng bl oody FOOTPRI NTS. f l oor out si de t he conf essi onal , l eavi ng bl oody FOOTPRI NTS. f l oor out si de t he conf essi onal , l eavi ng bl oody FOOTPRI NTS. f l oor out si de t he conf essi onal , l eavi ng bl oody FOOTPRI NTS.
Psycho Ki l l er wal ks, r emovi ng hi s mask. He t akes of f hi s Psycho Ki l l er wal ks, r emovi ng hi s mask. He t akes of f hi s Psycho Ki l l er wal ks, r emovi ng hi s mask. He t akes of f hi s Psycho Ki l l er wal ks, r emovi ng hi s mask. He t akes of f hi s Psycho Ki l l er wal ks, r emovi ng hi s mask. He t akes of f hi s
bl ood soaked coat , f ol ds i t i nsi de out on i t sel f , pushes OUT bl ood soaked coat , f ol ds i t i nsi de out on i t sel f , pushes OUT bl ood soaked coat , f ol ds i t i nsi de out on i t sel f , pushes OUT bl ood soaked coat , f ol ds i t i nsi de out on i t sel f , pushes OUT bl ood soaked coat , f ol ds i t i nsi de out on i t sel f , pushes OUT
THROUGH THE FRONT DOORS i nt o t he BLI NDI NGLY BRI GHT SUNLI GHT. THROUGH THE FRONT DOORS i nt o t he BLI NDI NGLY BRI GHT SUNLI GHT. THROUGH THE FRONT DOORS i nt o t he BLI NDI NGLY BRI GHT SUNLI GHT. THROUGH THE FRONT DOORS i nt o t he BLI NDI NGLY BRI GHT SUNLI GHT. THROUGH THE FRONT DOORS i nt o t he BLI NDI NGLY BRI GHT SUNLI GHT.
INT. PENDLETON HOUSE, ENTRY -- DAY INT. PENDLETON HOUSE, ENTRY -- DAY INT. PENDLETON HOUSE, ENTRY -- DAY INT. PENDLETON HOUSE, ENTRY -- DAY INT. PENDLETON HOUSE, ENTRY -- DAY
FOLLOWas Psycho Ki l l er ent er s. The SOUNDS of MUSI C and a FOLLOWas Psycho Ki l l er ent er s. The SOUNDS of MUSI C and a FOLLOWas Psycho Ki l l er ent er s. The SOUNDS of MUSI C and a FOLLOWas Psycho Ki l l er ent er s. The SOUNDS of MUSI C and a FOLLOWas Psycho Ki l l er ent er s. The SOUNDS of MUSI C and a
l oud CHANTI NG ar e HEARD f r omel sewher e. l oud CHANTI NG ar e HEARD f r omel sewher e. l oud CHANTI NG ar e HEARD f r omel sewher e. l oud CHANTI NG ar e HEARD f r omel sewher e. l oud CHANTI NG ar e HEARD f r omel sewher e.
INT. GREAT ROOM/LIVING ROOM -- DAY INT. GREAT ROOM/LIVING ROOM -- DAY INT. GREAT ROOM/LIVING ROOM -- DAY INT. GREAT ROOM/LIVING ROOM -- DAY INT. GREAT ROOM/LIVING ROOM -- DAY
Psycho Ki l l er ent er s t hi s l ar ge, dar k r oom. Psycho Ki l l er ent er s t hi s l ar ge, dar k r oom. Psycho Ki l l er ent er s t hi s l ar ge, dar k r oom. Psycho Ki l l er ent er s t hi s l ar ge, dar k r oom. Psycho Ki l l er ent er s t hi s l ar ge, dar k r oom.
CURTAI NS ar e dr awn. Acr oss t he r oom, a FI RE cr ackl es i n t he CURTAI NS ar e dr awn. Acr oss t he r oom, a FI RE cr ackl es i n t he CURTAI NS ar e dr awn. Acr oss t he r oom, a FI RE cr ackl es i n t he CURTAI NS ar e dr awn. Acr oss t he r oom, a FI RE cr ackl es i n t he CURTAI NS ar e dr awn. Acr oss t he r oom, a FI RE cr ackl es i n t he
FI REPLACE. BLACK CANDLES bur n i n t al l , f r ee- st andi ng FI REPLACE. BLACK CANDLES bur n i n t al l , f r ee- st andi ng FI REPLACE. BLACK CANDLES bur n i n t al l , f r ee- st andi ng FI REPLACE. BLACK CANDLES bur n i n t al l , f r ee- st andi ng FI REPLACE. BLACK CANDLES bur n i n t al l , f r ee- st andi ng
CANDELABRA. CANDELABRA. CANDELABRA. CANDELABRA. CANDELABRA.
To t he l ef t of t he f i r epl ace, st ands a bl ack, upsi dedown To t he l ef t of t he f i r epl ace, st ands a bl ack, upsi dedown To t he l ef t of t he f i r epl ace, st ands a bl ack, upsi dedown To t he l ef t of t he f i r epl ace, st ands a bl ack, upsi dedown To t he l ef t of t he f i r epl ace, st ands a bl ack, upsi dedown
CROSS, whi l e t o t he r i ght i s a r ai sed, r at her t heat r i cal CROSS, whi l e t o t he r i ght i s a r ai sed, r at her t heat r i cal CROSS, whi l e t o t he r i ght i s a r ai sed, r at her t heat r i cal CROSS, whi l e t o t he r i ght i s a r ai sed, r at her t heat r i cal CROSS, whi l e t o t he r i ght i s a r ai sed, r at her t heat r i cal
l ooki ng THRONE CHAI R. Cl oser t o t he cent er of t he r oom, Mr . l ooki ng THRONE CHAI R. Cl oser t o t he cent er of t he r oom, Mr . l ooki ng THRONE CHAI R. Cl oser t o t he cent er of t he r oom, Mr . l ooki ng THRONE CHAI R. Cl oser t o t he cent er of t he r oom, Mr . l ooki ng THRONE CHAI R. Cl oser t o t he cent er of t he r oom, Mr .
Pendl et on, i n a HOODED BLACK ROBE, exhor t s l oudl y i n LATI N, Pendl et on, i n a HOODED BLACK ROBE, exhor t s l oudl y i n LATI N, Pendl et on, i n a HOODED BLACK ROBE, exhor t s l oudl y i n LATI N, Pendl et on, i n a HOODED BLACK ROBE, exhor t s l oudl y i n LATI N, Pendl et on, i n a HOODED BLACK ROBE, exhor t s l oudl y i n LATI N,
st andi ng behi nd an ALTAR consi st i ng of an or nat e COFFI N. st andi ng behi nd an ALTAR consi st i ng of an or nat e COFFI N. st andi ng behi nd an ALTAR consi st i ng of an or nat e COFFI N. st andi ng behi nd an ALTAR consi st i ng of an or nat e COFFI N. st andi ng behi nd an ALTAR consi st i ng of an or nat e COFFI N.
Gr andi ose CLASSI CAL MUSI C ( Ri char d Wagner ) pl ays f r oma BOOM- Gr andi ose CLASSI CAL MUSI C ( Ri char d Wagner ) pl ays f r oma BOOM- Gr andi ose CLASSI CAL MUSI C ( Ri char d Wagner ) pl ays f r oma BOOM- Gr andi ose CLASSI CAL MUSI C ( Ri char d Wagner ) pl ays f r oma BOOM- Gr andi ose CLASSI CAL MUSI C ( Ri char d Wagner ) pl ays f r oma BOOM-
BOX on t he " al t ar . " BOX on t he " al t ar . " BOX on t he " al t ar . " BOX on t he " al t ar . " BOX on t he " al t ar . "
Pendl et on' s house guest s, t he THREE MI DDLE AGED MEN and TWO Pendl et on' s house guest s, t he THREE MI DDLE AGED MEN and TWO Pendl et on' s house guest s, t he THREE MI DDLE AGED MEN and TWO Pendl et on' s house guest s, t he THREE MI DDLE AGED MEN and TWO Pendl et on' s house guest s, t he THREE MI DDLE AGED MEN and TWO
PROSTI TUTES, al so wear i ng BLACK ROBES, ar e kneel ed bef or e PROSTI TUTES, al so wear i ng BLACK ROBES, ar e kneel ed bef or e PROSTI TUTES, al so wear i ng BLACK ROBES, ar e kneel ed bef or e PROSTI TUTES, al so wear i ng BLACK ROBES, ar e kneel ed bef or e PROSTI TUTES, al so wear i ng BLACK ROBES, ar e kneel ed bef or e
t he al t ar on t he t hi ck SHAG CARPETED f l oor , f aci ng t he al t ar on t he t hi ck SHAG CARPETED f l oor , f aci ng t he al t ar on t he t hi ck SHAG CARPETED f l oor , f aci ng t he al t ar on t he t hi ck SHAG CARPETED f l oor , f aci ng t he al t ar on t he t hi ck SHAG CARPETED f l oor , f aci ng
Pendl et on. Pendl et on. Pendl et on. Pendl et on. Pendl et on.
74. 74. 74. 74. 74.
Thi s r oomi s obvi ousl y dual pur pose, si nce a COFFEE TABLE Thi s r oomi s obvi ousl y dual pur pose, si nce a COFFEE TABLE Thi s r oomi s obvi ousl y dual pur pose, si nce a COFFEE TABLE Thi s r oomi s obvi ousl y dual pur pose, si nce a COFFEE TABLE Thi s r oomi s obvi ousl y dual pur pose, si nce a COFFEE TABLE
and sever al l ong COUCHES have been moved asi de t o and sever al l ong COUCHES have been moved asi de t o and sever al l ong COUCHES have been moved asi de t o and sever al l ong COUCHES have been moved asi de t o and sever al l ong COUCHES have been moved asi de t o
accommodat e t he cer emony. I t ' s al l pr esi ded over by a accommodat e t he cer emony. I t ' s al l pr esi ded over by a accommodat e t he cer emony. I t ' s al l pr esi ded over by a accommodat e t he cer emony. I t ' s al l pr esi ded over by a accommodat e t he cer emony. I t ' s al l pr esi ded over by a
l ar ge, gar i sh PAI NTI NG of SATAN above t he mant el pi ece. l ar ge, gar i sh PAI NTI NG of SATAN above t he mant el pi ece. l ar ge, gar i sh PAI NTI NG of SATAN above t he mant el pi ece. l ar ge, gar i sh PAI NTI NG of SATAN above t he mant el pi ece. l ar ge, gar i sh PAI NTI NG of SATAN above t he mant el pi ece.
I n Sat an' s name, we gat her . I n I n Sat an' s name, we gat her . I n I n Sat an' s name, we gat her . I n I n Sat an' s name, we gat her . I n I n Sat an' s name, we gat her . I n
Sat an' s name, we wor shi p! Let Sat an' s name, we wor shi p! Let Sat an' s name, we wor shi p! Let Sat an' s name, we wor shi p! Let Sat an' s name, we wor shi p! Let
not hi ng di sr upt t he unhol y sanct i t y not hi ng di sr upt t he unhol y sanct i t y not hi ng di sr upt t he unhol y sanct i t y not hi ng di sr upt t he unhol y sanct i t y not hi ng di sr upt t he unhol y sanct i t y
of t hi s pr of ane cer emony! of t hi s pr of ane cer emony! of t hi s pr of ane cer emony! of t hi s pr of ane cer emony! of t hi s pr of ane cer emony!
Pendl et on goes t o pi ck up a f el t - t i pped DRUMSTI CK, pr epar i ng Pendl et on goes t o pi ck up a f el t - t i pped DRUMSTI CK, pr epar i ng Pendl et on goes t o pi ck up a f el t - t i pped DRUMSTI CK, pr epar i ng Pendl et on goes t o pi ck up a f el t - t i pped DRUMSTI CK, pr epar i ng Pendl et on goes t o pi ck up a f el t - t i pped DRUMSTI CK, pr epar i ng
t o hi t a near by GONG, when he not i ces Psycho Ki l l er . t o hi t a near by GONG, when he not i ces Psycho Ki l l er . t o hi t a near by GONG, when he not i ces Psycho Ki l l er . t o hi t a near by GONG, when he not i ces Psycho Ki l l er . t o hi t a near by GONG, when he not i ces Psycho Ki l l er .
Ah, Ri char d, come. . . come j oi n i n our Ah, Ri char d, come. . . come j oi n i n our Ah, Ri char d, come. . . come j oi n i n our Ah, Ri char d, come. . . come j oi n i n our Ah, Ri char d, come. . . come j oi n i n our
mass! Par don me, as I must cont i nue, mass! Par don me, as I must cont i nue, mass! Par don me, as I must cont i nue, mass! Par don me, as I must cont i nue, mass! Par don me, as I must cont i nue,
but pl ease. . . f eel wel come! but pl ease. . . f eel wel come! but pl ease. . . f eel wel come! but pl ease. . . f eel wel come! but pl ease. . . f eel wel come!
Pendl et on STRI KES t he gong, t hen r et ur ns t o hi s al t ar , Pendl et on STRI KES t he gong, t hen r et ur ns t o hi s al t ar , Pendl et on STRI KES t he gong, t hen r et ur ns t o hi s al t ar , Pendl et on STRI KES t he gong, t hen r et ur ns t o hi s al t ar , Pendl et on STRI KES t he gong, t hen r et ur ns t o hi s al t ar ,
choosi ng a " FoodWorld Supermarkets" COFFEE MUG f eat ur i ng a choosi ng a " FoodWorld Supermarkets" COFFEE MUG f eat ur i ng a choosi ng a " FoodWorld Supermarkets" COFFEE MUG f eat ur i ng a choosi ng a " FoodWorld Supermarkets" COFFEE MUG f eat ur i ng a choosi ng a " FoodWorld Supermarkets" COFFEE MUG f eat ur i ng a
f r i endl y, ant hr opomor phi zed and bespect acl ed GLOBE MASCOT. f r i endl y, ant hr opomor phi zed and bespect acl ed GLOBE MASCOT. f r i endl y, ant hr opomor phi zed and bespect acl ed GLOBE MASCOT. f r i endl y, ant hr opomor phi zed and bespect acl ed GLOBE MASCOT. f r i endl y, ant hr opomor phi zed and bespect acl ed GLOBE MASCOT.
Pendl et on l i f t s t he cof f ee mug cer emoni ousl y i n bot h hands. Pendl et on l i f t s t he cof f ee mug cer emoni ousl y i n bot h hands. Pendl et on l i f t s t he cof f ee mug cer emoni ousl y i n bot h hands. Pendl et on l i f t s t he cof f ee mug cer emoni ousl y i n bot h hands. Pendl et on l i f t s t he cof f ee mug cer emoni ousl y i n bot h hands.
Gui de us, O' Pr i nce of Dar kness, t hat Gui de us, O' Pr i nce of Dar kness, t hat Gui de us, O' Pr i nce of Dar kness, t hat Gui de us, O' Pr i nce of Dar kness, t hat Gui de us, O' Pr i nce of Dar kness, t hat
we may f ol l ow your way on t he Lef t we may f ol l ow your way on t he Lef t we may f ol l ow your way on t he Lef t we may f ol l ow your way on t he Lef t we may f ol l ow your way on t he Lef t
Hand Pat h. Under t he l i ght of Mar s, Hand Pat h. Under t he l i ght of Mar s, Hand Pat h. Under t he l i ght of Mar s, Hand Pat h. Under t he l i ght of Mar s, Hand Pat h. Under t he l i ght of Mar s,
we swear et er nal al l egi ance t o you! we swear et er nal al l egi ance t o you! we swear et er nal al l egi ance t o you! we swear et er nal al l egi ance t o you! we swear et er nal al l egi ance t o you!
Pendl et on hol ds t he mug up bef or e t he SATAN pai nt i ng. Pendl et on hol ds t he mug up bef or e t he SATAN pai nt i ng. Pendl et on hol ds t he mug up bef or e t he SATAN pai nt i ng. Pendl et on hol ds t he mug up bef or e t he SATAN pai nt i ng. Pendl et on hol ds t he mug up bef or e t he SATAN pai nt i ng.
By t he Gr eat Goat , gi ve us t he vi si on By t he Gr eat Goat , gi ve us t he vi si on By t he Gr eat Goat , gi ve us t he vi si on By t he Gr eat Goat , gi ve us t he vi si on By t he Gr eat Goat , gi ve us t he vi si on
t o cal l f or t h your mi ni ons so t hey t o cal l f or t h your mi ni ons so t hey t o cal l f or t h your mi ni ons so t hey t o cal l f or t h your mi ni ons so t hey t o cal l f or t h your mi ni ons so t hey
may at t end t hi s r i t ual . Beel zebub! may at t end t hi s r i t ual . Beel zebub! may at t end t hi s r i t ual . Beel zebub! may at t end t hi s r i t ual . Beel zebub! may at t end t hi s r i t ual . Beel zebub!
Asmodeus! Gr essi l ! We cal l t hee Asmodeus! Gr essi l ! We cal l t hee Asmodeus! Gr essi l ! We cal l t hee Asmodeus! Gr essi l ! We cal l t hee Asmodeus! Gr essi l ! We cal l t hee
f or t h, t o bear wi t ness t o our car nal f or t h, t o bear wi t ness t o our car nal f or t h, t o bear wi t ness t o our car nal f or t h, t o bear wi t ness t o our car nal f or t h, t o bear wi t ness t o our car nal
devot i ons. devot i ons. devot i ons. devot i ons. devot i ons.
Pendl et on t ur ns t o t he member s of hi s " congr egat i on. " Pendl et on t ur ns t o t he member s of hi s " congr egat i on. " Pendl et on t ur ns t o t he member s of hi s " congr egat i on. " Pendl et on t ur ns t o t he member s of hi s " congr egat i on. " Pendl et on t ur ns t o t he member s of hi s " congr egat i on. "
Let ot her s cel ebr at e t he deat h of Let ot her s cel ebr at e t he deat h of Let ot her s cel ebr at e t he deat h of Let ot her s cel ebr at e t he deat h of Let ot her s cel ebr at e t he deat h of
t hei r hi ppi e super her o. t hei r hi ppi e super her o. t hei r hi ppi e super her o. t hei r hi ppi e super her o. t hei r hi ppi e super her o.
We cel ebr at e t he l i f e and i nf er nal We cel ebr at e t he l i f e and i nf er nal We cel ebr at e t he l i f e and i nf er nal We cel ebr at e t he l i f e and i nf er nal We cel ebr at e t he l i f e and i nf er nal
maj est y of t he Lor d of t he Fl i es! maj est y of t he Lor d of t he Fl i es! maj est y of t he Lor d of t he Fl i es! maj est y of t he Lor d of t he Fl i es! maj est y of t he Lor d of t he Fl i es!
1st Mi ddl e- Aged Man st eps up, st i cks out hi s t ongue. 1st Mi ddl e- Aged Man st eps up, st i cks out hi s t ongue. 1st Mi ddl e- Aged Man st eps up, st i cks out hi s t ongue. 1st Mi ddl e- Aged Man st eps up, st i cks out hi s t ongue. 1st Mi ddl e- Aged Man st eps up, st i cks out hi s t ongue.
Pendl et on r eaches i nt o t he cof f ee mug, t akes out a smal l Pendl et on r eaches i nt o t he cof f ee mug, t akes out a smal l Pendl et on r eaches i nt o t he cof f ee mug, t akes out a smal l Pendl et on r eaches i nt o t he cof f ee mug, t akes out a smal l Pendl et on r eaches i nt o t he cof f ee mug, t akes out a smal l
squar e of BLOTTER PAPER wi t h a yel l ow " SMI LELY FACE" on i t ; squar e of BLOTTER PAPER wi t h a yel l ow " SMI LELY FACE" on i t ; squar e of BLOTTER PAPER wi t h a yel l ow " SMI LELY FACE" on i t ; squar e of BLOTTER PAPER wi t h a yel l ow " SMI LELY FACE" on i t ; squar e of BLOTTER PAPER wi t h a yel l ow " SMI LELY FACE" on i t ;
an LSD DOSE, whi ch he pl aces on 1st Mi ddl e- Aged Man' s t ongue. an LSD DOSE, whi ch he pl aces on 1st Mi ddl e- Aged Man' s t ongue. an LSD DOSE, whi ch he pl aces on 1st Mi ddl e- Aged Man' s t ongue. an LSD DOSE, whi ch he pl aces on 1st Mi ddl e- Aged Man' s t ongue. an LSD DOSE, whi ch he pl aces on 1st Mi ddl e- Aged Man' s t ongue.
Hai l Abaddon! Hai l Abaddon! Hai l Abaddon! Hai l Abaddon! Hai l Abaddon!
75. 75. 75. 75. 75.
1ST MI DDLE- AGED MAN 1ST MI DDLE- AGED MAN 1ST MI DDLE- AGED MAN 1ST MI DDLE- AGED MAN 1ST MI DDLE- AGED MAN
And so i t goes, wi t h each wor shi pper r ecei vi ng " communi on. " And so i t goes, wi t h each wor shi pper r ecei vi ng " communi on. " And so i t goes, wi t h each wor shi pper r ecei vi ng " communi on. " And so i t goes, wi t h each wor shi pper r ecei vi ng " communi on. " And so i t goes, wi t h each wor shi pper r ecei vi ng " communi on. "
IN CLOSE-UP: IN CLOSE-UP: IN CLOSE-UP: IN CLOSE-UP: IN CLOSE-UP:
Psycho Ki l l er ' s SUNGLASSES REFLECT a vi ew of t he candl e- l i t Psycho Ki l l er ' s SUNGLASSES REFLECT a vi ew of t he candl e- l i t Psycho Ki l l er ' s SUNGLASSES REFLECT a vi ew of t he candl e- l i t Psycho Ki l l er ' s SUNGLASSES REFLECT a vi ew of t he candl e- l i t Psycho Ki l l er ' s SUNGLASSES REFLECT a vi ew of t he candl e- l i t
BLACK MASS f r omacr oss t he r oom. BLACK MASS f r omacr oss t he r oom. BLACK MASS f r omacr oss t he r oom. BLACK MASS f r omacr oss t he r oom. BLACK MASS f r omacr oss t he r oom.
IN FRONT OF THE FIREPLACE IN FRONT OF THE FIREPLACE IN FRONT OF THE FIREPLACE IN FRONT OF THE FIREPLACE IN FRONT OF THE FIREPLACE
The mi ddl e- aged men and one pr ost i t ut e, havi ng r ecei ved The mi ddl e- aged men and one pr ost i t ut e, havi ng r ecei ved The mi ddl e- aged men and one pr ost i t ut e, havi ng r ecei ved The mi ddl e- aged men and one pr ost i t ut e, havi ng r ecei ved The mi ddl e- aged men and one pr ost i t ut e, havi ng r ecei ved
t hei r doses, st and i n a ci r cl e bet ween t he sur r oundi ng t hei r doses, st and i n a ci r cl e bet ween t he sur r oundi ng t hei r doses, st and i n a ci r cl e bet ween t he sur r oundi ng t hei r doses, st and i n a ci r cl e bet ween t he sur r oundi ng t hei r doses, st and i n a ci r cl e bet ween t he sur r oundi ng
couches, f aci ng each ot her , whi l e. . . couches, f aci ng each ot her , whi l e. . . couches, f aci ng each ot her , whi l e. . . couches, f aci ng each ot her , whi l e. . . couches, f aci ng each ot her , whi l e. . .
2nd Pr ost i t ut e i s l ast at t he al t ar , st i cki ng out her 2nd Pr ost i t ut e i s l ast at t he al t ar , st i cki ng out her 2nd Pr ost i t ut e i s l ast at t he al t ar , st i cki ng out her 2nd Pr ost i t ut e i s l ast at t he al t ar , st i cki ng out her 2nd Pr ost i t ut e i s l ast at t he al t ar , st i cki ng out her
t ongue and f l i cki ng i t l asci vi ousl y, t o Pendl et on' s del i ght . t ongue and f l i cki ng i t l asci vi ousl y, t o Pendl et on' s del i ght . t ongue and f l i cki ng i t l asci vi ousl y, t o Pendl et on' s del i ght . t ongue and f l i cki ng i t l asci vi ousl y, t o Pendl et on' s del i ght . t ongue and f l i cki ng i t l asci vi ousl y, t o Pendl et on' s del i ght .
Pendl et on r ewar ds her wi t h a " ZEN SYMBOL" DOSE. Pendl et on r ewar ds her wi t h a " ZEN SYMBOL" DOSE. Pendl et on r ewar ds her wi t h a " ZEN SYMBOL" DOSE. Pendl et on r ewar ds her wi t h a " ZEN SYMBOL" DOSE. Pendl et on r ewar ds her wi t h a " ZEN SYMBOL" DOSE.
Pendl et on makes a show of t aki ng TWO squar es of BLOTTER Pendl et on makes a show of t aki ng TWO squar es of BLOTTER Pendl et on makes a show of t aki ng TWO squar es of BLOTTER Pendl et on makes a show of t aki ng TWO squar es of BLOTTER Pendl et on makes a show of t aki ng TWO squar es of BLOTTER
PAPER f r omhi s mug - - a BUTTERFLY and PEACE SYMBOL - - PAPER f r omhi s mug - - a BUTTERFLY and PEACE SYMBOL - - PAPER f r omhi s mug - - a BUTTERFLY and PEACE SYMBOL - - PAPER f r omhi s mug - - a BUTTERFLY and PEACE SYMBOL - - PAPER f r omhi s mug - - a BUTTERFLY and PEACE SYMBOL - -
pl aces t hemon hi s ext ended, di scol or ed t ongue. pl aces t hemon hi s ext ended, di scol or ed t ongue. pl aces t hemon hi s ext ended, di scol or ed t ongue. pl aces t hemon hi s ext ended, di scol or ed t ongue. pl aces t hemon hi s ext ended, di scol or ed t ongue.
He swal l ows, l eans i n t o ki ss 2nd Pr ost i t ut e. He swal l ows, l eans i n t o ki ss 2nd Pr ost i t ut e. He swal l ows, l eans i n t o ki ss 2nd Pr ost i t ut e. He swal l ows, l eans i n t o ki ss 2nd Pr ost i t ut e. He swal l ows, l eans i n t o ki ss 2nd Pr ost i t ut e.
The ot her s dr op t hei r r obes, r eveal i ng t hei r nude, past y The ot her s dr op t hei r r obes, r eveal i ng t hei r nude, past y The ot her s dr op t hei r r obes, r eveal i ng t hei r nude, past y The ot her s dr op t hei r r obes, r eveal i ng t hei r nude, past y The ot her s dr op t hei r r obes, r eveal i ng t hei r nude, past y
bodi es. They begi n t hei r " wor shi p, " movi ng t oget her . bodi es. They begi n t hei r " wor shi p, " movi ng t oget her . bodi es. They begi n t hei r " wor shi p, " movi ng t oget her . bodi es. They begi n t hei r " wor shi p, " movi ng t oget her . bodi es. They begi n t hei r " wor shi p, " movi ng t oget her .
2nd Pr ost i t ut e dr ops her r obe, r eveal i ng her pal e, br ui sed- 2nd Pr ost i t ut e dr ops her r obe, r eveal i ng her pal e, br ui sed- 2nd Pr ost i t ut e dr ops her r obe, r eveal i ng her pal e, br ui sed- 2nd Pr ost i t ut e dr ops her r obe, r eveal i ng her pal e, br ui sed- 2nd Pr ost i t ut e dr ops her r obe, r eveal i ng her pal e, br ui sed-
her e- and- t her e nakedness. She cl i mbs ont o t he cof f i n, her e- and- t her e nakedness. She cl i mbs ont o t he cof f i n, her e- and- t her e nakedness. She cl i mbs ont o t he cof f i n, her e- and- t her e nakedness. She cl i mbs ont o t he cof f i n, her e- and- t her e nakedness. She cl i mbs ont o t he cof f i n,
of f er i ng her sel f t o Pendl et on as he CRANKS UP t he WAGNER. of f er i ng her sel f t o Pendl et on as he CRANKS UP t he WAGNER. of f er i ng her sel f t o Pendl et on as he CRANKS UP t he WAGNER. of f er i ng her sel f t o Pendl et on as he CRANKS UP t he WAGNER. of f er i ng her sel f t o Pendl et on as he CRANKS UP t he WAGNER.
IN CLOSE-UP: IN CLOSE-UP: IN CLOSE-UP: IN CLOSE-UP: IN CLOSE-UP:
Psycho Ki l l er ' s SUNGLASSES REFLECT t he or gy' s begi nni ngs, Psycho Ki l l er ' s SUNGLASSES REFLECT t he or gy' s begi nni ngs, Psycho Ki l l er ' s SUNGLASSES REFLECT t he or gy' s begi nni ngs, Psycho Ki l l er ' s SUNGLASSES REFLECT t he or gy' s begi nni ngs, Psycho Ki l l er ' s SUNGLASSES REFLECT t he or gy' s begi nni ngs,
unt i l he t ur ns t o l eave, wal ki ng OUT OF FRAME. unt i l he t ur ns t o l eave, wal ki ng OUT OF FRAME. unt i l he t ur ns t o l eave, wal ki ng OUT OF FRAME. unt i l he t ur ns t o l eave, wal ki ng OUT OF FRAME. unt i l he t ur ns t o l eave, wal ki ng OUT OF FRAME.
INT. PENDLETON HOUSE, PSYCHO KILLER'S ROOM -- DAY INT. PENDLETON HOUSE, PSYCHO KILLER'S ROOM -- DAY INT. PENDLETON HOUSE, PSYCHO KILLER'S ROOM -- DAY INT. PENDLETON HOUSE, PSYCHO KILLER'S ROOM -- DAY INT. PENDLETON HOUSE, PSYCHO KILLER'S ROOM -- DAY
Psycho Ki l l er st ands near t he wi ndow, wher e t he nar r ow Psycho Ki l l er st ands near t he wi ndow, wher e t he nar r ow Psycho Ki l l er st ands near t he wi ndow, wher e t he nar r ow Psycho Ki l l er st ands near t he wi ndow, wher e t he nar r ow Psycho Ki l l er st ands near t he wi ndow, wher e t he nar r ow
par t i ng of t he CURTAI NS al l ows a sl ash of LI GHT i nt o t he par t i ng of t he CURTAI NS al l ows a sl ash of LI GHT i nt o t he par t i ng of t he CURTAI NS al l ows a sl ash of LI GHT i nt o t he par t i ng of t he CURTAI NS al l ows a sl ash of LI GHT i nt o t he par t i ng of t he CURTAI NS al l ows a sl ash of LI GHT i nt o t he
dar kness. A KNOCK i s HEARD. Mar vi n ent er s t ent at i vel y. dar kness. A KNOCK i s HEARD. Mar vi n ent er s t ent at i vel y. dar kness. A KNOCK i s HEARD. Mar vi n ent er s t ent at i vel y. dar kness. A KNOCK i s HEARD. Mar vi n ent er s t ent at i vel y. dar kness. A KNOCK i s HEARD. Mar vi n ent er s t ent at i vel y.
Hel l o? Oh, hey. Ther e you ar e. Hel l o? Oh, hey. Ther e you ar e. Hel l o? Oh, hey. Ther e you ar e. Hel l o? Oh, hey. Ther e you ar e. Hel l o? Oh, hey. Ther e you ar e.
Li st en. . . I got what you want ed. Li st en. . . I got what you want ed. Li st en. . . I got what you want ed. Li st en. . . I got what you want ed. Li st en. . . I got what you want ed.
That pr i vat e det ect i ve guy came That pr i vat e det ect i ve guy came That pr i vat e det ect i ve guy came That pr i vat e det ect i ve guy came That pr i vat e det ect i ve guy came
t hr ough. Seems l i ke i t was no bi ggi e. t hr ough. Seems l i ke i t was no bi ggi e. t hr ough. Seems l i ke i t was no bi ggi e. t hr ough. Seems l i ke i t was no bi ggi e. t hr ough. Seems l i ke i t was no bi ggi e.
Mar vi n t akes out an 3- by- 5 I NDEX CARD, of f er s i t . . . Mar vi n t akes out an 3- by- 5 I NDEX CARD, of f er s i t . . . Mar vi n t akes out an 3- by- 5 I NDEX CARD, of f er s i t . . . Mar vi n t akes out an 3- by- 5 I NDEX CARD, of f er s i t . . . Mar vi n t akes out an 3- by- 5 I NDEX CARD, of f er s i t . . .
Psycho Ki l l er ' s " No Mer cy" t at t ooed l ef t hand t akes i t . Psycho Ki l l er ' s " No Mer cy" t at t ooed l ef t hand t akes i t . Psycho Ki l l er ' s " No Mer cy" t at t ooed l ef t hand t akes i t . Psycho Ki l l er ' s " No Mer cy" t at t ooed l ef t hand t akes i t . Psycho Ki l l er ' s " No Mer cy" t at t ooed l ef t hand t akes i t .
76. 76. 76. 76. 76.
CLOSE- ON: t he I NDEX CARD, whi ch r eads. . . LEWIS WILKES CLOSE- ON: t he I NDEX CARD, whi ch r eads. . . LEWIS WILKES CLOSE- ON: t he I NDEX CARD, whi ch r eads. . . LEWIS WILKES CLOSE- ON: t he I NDEX CARD, whi ch r eads. . . LEWIS WILKES CLOSE- ON: t he I NDEX CARD, whi ch r eads. . . LEWIS WILKES
213 Oak Avenue 213 Oak Avenue 213 Oak Avenue 213 Oak Avenue 213 Oak Avenue
Psycho Ki l l er ' s hand f ol ds t he i ndex car d, pocket s i t . Psycho Ki l l er ' s hand f ol ds t he i ndex car d, pocket s i t . Psycho Ki l l er ' s hand f ol ds t he i ndex car d, pocket s i t . Psycho Ki l l er ' s hand f ol ds t he i ndex car d, pocket s i t . Psycho Ki l l er ' s hand f ol ds t he i ndex car d, pocket s i t .
PK cr osses t o r et r i eve hi s sui t case f r omunder t he bed. PK cr osses t o r et r i eve hi s sui t case f r omunder t he bed. PK cr osses t o r et r i eve hi s sui t case f r omunder t he bed. PK cr osses t o r et r i eve hi s sui t case f r omunder t he bed. PK cr osses t o r et r i eve hi s sui t case f r omunder t he bed.
( sar doni c) ( sar doni c) ( sar doni c) ( sar doni c) ( sar doni c)
You' r e wel come. You' r e wel come. You' r e wel come. You' r e wel come. You' r e wel come.
EXT. PENDLETON HOUSE, FRONT LAWN/FRONT GATE -- MOMENTS LATER EXT. PENDLETON HOUSE, FRONT LAWN/FRONT GATE -- MOMENTS LATER EXT. PENDLETON HOUSE, FRONT LAWN/FRONT GATE -- MOMENTS LATER EXT. PENDLETON HOUSE, FRONT LAWN/FRONT GATE -- MOMENTS LATER EXT. PENDLETON HOUSE, FRONT LAWN/FRONT GATE -- MOMENTS LATER
FOLLOWMar vi n dr i vi ng hi s gol f car t down t he dr i veway, FOLLOWMar vi n dr i vi ng hi s gol f car t down t he dr i veway, FOLLOWMar vi n dr i vi ng hi s gol f car t down t he dr i veway, FOLLOWMar vi n dr i vi ng hi s gol f car t down t he dr i veway, FOLLOWMar vi n dr i vi ng hi s gol f car t down t he dr i veway,
t r ai l i ng Psycho Ki l l er , who car r i es hi s sui t case. t r ai l i ng Psycho Ki l l er , who car r i es hi s sui t case. t r ai l i ng Psycho Ki l l er , who car r i es hi s sui t case. t r ai l i ng Psycho Ki l l er , who car r i es hi s sui t case. t r ai l i ng Psycho Ki l l er , who car r i es hi s sui t case.
So, t hat ' s i t ? You' r e out t a her e? So, t hat ' s i t ? You' r e out t a her e? So, t hat ' s i t ? You' r e out t a her e? So, t hat ' s i t ? You' r e out t a her e? So, t hat ' s i t ? You' r e out t a her e?
I t hi nk you shoul d wai t and say I t hi nk you shoul d wai t and say I t hi nk you shoul d wai t and say I t hi nk you shoul d wai t and say I t hi nk you shoul d wai t and say
goodbye t o Mr . Pendl et on, don' t you? goodbye t o Mr . Pendl et on, don' t you? goodbye t o Mr . Pendl et on, don' t you? goodbye t o Mr . Pendl et on, don' t you? goodbye t o Mr . Pendl et on, don' t you?
I t ' s t he l east you can do. I t ' s t he l east you can do. I t ' s t he l east you can do. I t ' s t he l east you can do. I t ' s t he l east you can do.
They r each Psycho Ki l l er ' s bl ack coupe. Psycho Ki l l er uses They r each Psycho Ki l l er ' s bl ack coupe. Psycho Ki l l er uses They r each Psycho Ki l l er ' s bl ack coupe. Psycho Ki l l er uses They r each Psycho Ki l l er ' s bl ack coupe. Psycho Ki l l er uses They r each Psycho Ki l l er ' s bl ack coupe. Psycho Ki l l er uses
keys t o open t he t r unk, pl aci ng hi s sui t case i nsi de. Mar vi n keys t o open t he t r unk, pl aci ng hi s sui t case i nsi de. Mar vi n keys t o open t he t r unk, pl aci ng hi s sui t case i nsi de. Mar vi n keys t o open t he t r unk, pl aci ng hi s sui t case i nsi de. Mar vi n keys t o open t he t r unk, pl aci ng hi s sui t case i nsi de. Mar vi n
par ks t he car t , cl i mbs out . par ks t he car t , cl i mbs out . par ks t he car t , cl i mbs out . par ks t he car t , cl i mbs out . par ks t he car t , cl i mbs out .
He' s goi ng t o wonder why you l ef t al l He' s goi ng t o wonder why you l ef t al l He' s goi ng t o wonder why you l ef t al l He' s goi ng t o wonder why you l ef t al l He' s goi ng t o wonder why you l ef t al l
of t he sudden wi t hout even sayi ng of t he sudden wi t hout even sayi ng of t he sudden wi t hout even sayi ng of t he sudden wi t hout even sayi ng of t he sudden wi t hout even sayi ng
t hanks or anyt hi ng. I t ' s j ust common t hanks or anyt hi ng. I t ' s j ust common t hanks or anyt hi ng. I t ' s j ust common t hanks or anyt hi ng. I t ' s j ust common t hanks or anyt hi ng. I t ' s j ust common
cour t esy, i s al l i t r eal l y i s. . . cour t esy, i s al l i t r eal l y i s. . . cour t esy, i s al l i t r eal l y i s. . . cour t esy, i s al l i t r eal l y i s. . . cour t esy, i s al l i t r eal l y i s. . .
Psycho Ki l l er t akes an AX and GAS CANI STER f r omt he t r unk, Psycho Ki l l er t akes an AX and GAS CANI STER f r omt he t r unk, Psycho Ki l l er t akes an AX and GAS CANI STER f r omt he t r unk, Psycho Ki l l er t akes an AX and GAS CANI STER f r omt he t r unk, Psycho Ki l l er t akes an AX and GAS CANI STER f r omt he t r unk,
dr ops t hemt o t he l awn. He next t akes out hi s mask. dr ops t hemt o t he l awn. He next t akes out hi s mask. dr ops t hemt o t he l awn. He next t akes out hi s mask. dr ops t hemt o t he l awn. He next t akes out hi s mask. dr ops t hemt o t he l awn. He next t akes out hi s mask.
What ar e you. . . doi ng. . . ? What ar e you. . . doi ng. . . ? What ar e you. . . doi ng. . . ? What ar e you. . . doi ng. . . ? What ar e you. . . doi ng. . . ?
Psycho Ki l l er put s t he mask on, adj ust i ng t he st r aps. Psycho Ki l l er put s t he mask on, adj ust i ng t he st r aps. Psycho Ki l l er put s t he mask on, adj ust i ng t he st r aps. Psycho Ki l l er put s t he mask on, adj ust i ng t he st r aps. Psycho Ki l l er put s t he mask on, adj ust i ng t he st r aps.
What t he hel l . . . ?! What t he hel l . . . ?! What t he hel l . . . ?! What t he hel l . . . ?! What t he hel l . . . ?!
You' r e not l i ke t hem. I bel i eve you You' r e not l i ke t hem. I bel i eve you You' r e not l i ke t hem. I bel i eve you You' r e not l i ke t hem. I bel i eve you You' r e not l i ke t hem. I bel i eve you
bel i eve. bel i eve. bel i eve. bel i eve. bel i eve.
Mar vi n' s backi ng away, r eal i zat i on hi t t i ng l i ke a si ckness. Mar vi n' s backi ng away, r eal i zat i on hi t t i ng l i ke a si ckness. Mar vi n' s backi ng away, r eal i zat i on hi t t i ng l i ke a si ckness. Mar vi n' s backi ng away, r eal i zat i on hi t t i ng l i ke a si ckness. Mar vi n' s backi ng away, r eal i zat i on hi t t i ng l i ke a si ckness.
You' r e. . . you' r e hi m. You' r e hi m! You' r e. . . you' r e hi m. You' r e hi m! You' r e. . . you' r e hi m. You' r e hi m! You' r e. . . you' r e hi m. You' r e hi m! You' r e. . . you' r e hi m. You' r e hi m!
Leave. Never l ook back. Keep Leave. Never l ook back. Keep Leave. Never l ook back. Keep Leave. Never l ook back. Keep Leave. Never l ook back. Keep
si l ence. . . or I ' l l f i nd you. . . si l ence. . . or I ' l l f i nd you. . . si l ence. . . or I ' l l f i nd you. . . si l ence. . . or I ' l l f i nd you. . . si l ence. . . or I ' l l f i nd you. . .
PK shut s t he t r unk, t ur ns hi s f ear some vi sage t o Mar vi n. PK shut s t he t r unk, t ur ns hi s f ear some vi sage t o Mar vi n. PK shut s t he t r unk, t ur ns hi s f ear some vi sage t o Mar vi n. PK shut s t he t r unk, t ur ns hi s f ear some vi sage t o Mar vi n. PK shut s t he t r unk, t ur ns hi s f ear some vi sage t o Mar vi n.
77. 77. 77. 77. 77.
I wi l l . I wi l l . I wi l l . I wi l l . I wi l l .
Mar vi n t ur ns t o f l ee, r uns i nt o and TUMBLES over hi s gol f Mar vi n t ur ns t o f l ee, r uns i nt o and TUMBLES over hi s gol f Mar vi n t ur ns t o f l ee, r uns i nt o and TUMBLES over hi s gol f Mar vi n t ur ns t o f l ee, r uns i nt o and TUMBLES over hi s gol f Mar vi n t ur ns t o f l ee, r uns i nt o and TUMBLES over hi s gol f
car t . He scr ambl es up, spr i nt i ng away acr oss t he pr oper t y. car t . He scr ambl es up, spr i nt i ng away acr oss t he pr oper t y. car t . He scr ambl es up, spr i nt i ng away acr oss t he pr oper t y. car t . He scr ambl es up, spr i nt i ng away acr oss t he pr oper t y. car t . He scr ambl es up, spr i nt i ng away acr oss t he pr oper t y.
Psycho Ki l l er t hr ows t he ax and gas can i n, get s i n. Psycho Ki l l er t hr ows t he ax and gas can i n, get s i n. Psycho Ki l l er t hr ows t he ax and gas can i n, get s i n. Psycho Ki l l er t hr ows t he ax and gas can i n, get s i n. Psycho Ki l l er t hr ows t he ax and gas can i n, get s i n.
He st ar t s t he engi ne, PEELS OUT, spi nni ng t he coupe. . . He st ar t s t he engi ne, PEELS OUT, spi nni ng t he coupe. . . He st ar t s t he engi ne, PEELS OUT, spi nni ng t he coupe. . . He st ar t s t he engi ne, PEELS OUT, spi nni ng t he coupe. . . He st ar t s t he engi ne, PEELS OUT, spi nni ng t he coupe. . .
ACROSS THE LAWN ACROSS THE LAWN ACROSS THE LAWN ACROSS THE LAWN ACROSS THE LAWN
The car ' s t i r es t ear up l awn as t he car cr osses qui ckl y. . . The car ' s t i r es t ear up l awn as t he car cr osses qui ckl y. . . The car ' s t i r es t ear up l awn as t he car cr osses qui ckl y. . . The car ' s t i r es t ear up l awn as t he car cr osses qui ckl y. . . The car ' s t i r es t ear up l awn as t he car cr osses qui ckl y. . .
I n f r ont of t he house, Psycho Ki l l er SKI DS a one- ei ght y. I n f r ont of t he house, Psycho Ki l l er SKI DS a one- ei ght y. I n f r ont of t he house, Psycho Ki l l er SKI DS a one- ei ght y. I n f r ont of t he house, Psycho Ki l l er SKI DS a one- ei ght y. I n f r ont of t he house, Psycho Ki l l er SKI DS a one- ei ght y.
Psycho Ki l l er ent er s, l eavi ng t he GLASS STORM DOOR and FRONT Psycho Ki l l er ent er s, l eavi ng t he GLASS STORM DOOR and FRONT Psycho Ki l l er ent er s, l eavi ng t he GLASS STORM DOOR and FRONT Psycho Ki l l er ent er s, l eavi ng t he GLASS STORM DOOR and FRONT Psycho Ki l l er ent er s, l eavi ng t he GLASS STORM DOOR and FRONT
DOOR open as he wal ks pur posef ul l y up t he HALLWAY. DOOR open as he wal ks pur posef ul l y up t he HALLWAY. DOOR open as he wal ks pur posef ul l y up t he HALLWAY. DOOR open as he wal ks pur posef ul l y up t he HALLWAY. DOOR open as he wal ks pur posef ul l y up t he HALLWAY.
He car r i es t he ax and gas cani st er . He car r i es t he ax and gas cani st er . He car r i es t he ax and gas cani st er . He car r i es t he ax and gas cani st er . He car r i es t he ax and gas cani st er .
IN THE GREAT ROOM IN THE GREAT ROOM IN THE GREAT ROOM IN THE GREAT ROOM IN THE GREAT ROOM
WAGNER st i l l PLAYS. Psycho Ki l l er ent er s, movi ng t owar ds WAGNER st i l l PLAYS. Psycho Ki l l er ent er s, movi ng t owar ds WAGNER st i l l PLAYS. Psycho Ki l l er ent er s, movi ng t owar ds WAGNER st i l l PLAYS. Psycho Ki l l er ent er s, movi ng t owar ds WAGNER st i l l PLAYS. Psycho Ki l l er ent er s, movi ng t owar ds
t he wr i t hi ng, sweat - dr enched, aci d- t r i ppi ng mass of naked, t he wr i t hi ng, sweat - dr enched, aci d- t r i ppi ng mass of naked, t he wr i t hi ng, sweat - dr enched, aci d- t r i ppi ng mass of naked, t he wr i t hi ng, sweat - dr enched, aci d- t r i ppi ng mass of naked, t he wr i t hi ng, sweat - dr enched, aci d- t r i ppi ng mass of naked,
i nt er t wi ned bodi es on t he f l oor t hat i s t he t r i o of mi ddl e- i nt er t wi ned bodi es on t he f l oor t hat i s t he t r i o of mi ddl e- i nt er t wi ned bodi es on t he f l oor t hat i s t he t r i o of mi ddl e- i nt er t wi ned bodi es on t he f l oor t hat i s t he t r i o of mi ddl e- i nt er t wi ned bodi es on t he f l oor t hat i s t he t r i o of mi ddl e-
aged men al ong wi t h bot h pr ost i t ut es. aged men al ong wi t h bot h pr ost i t ut es. aged men al ong wi t h bot h pr ost i t ut es. aged men al ong wi t h bot h pr ost i t ut es. aged men al ong wi t h bot h pr ost i t ut es.
Pendl et on si t s t hi s one out , naked i n hi s THRONE by t he Pendl et on si t s t hi s one out , naked i n hi s THRONE by t he Pendl et on si t s t hi s one out , naked i n hi s THRONE by t he Pendl et on si t s t hi s one out , naked i n hi s THRONE by t he Pendl et on si t s t hi s one out , naked i n hi s THRONE by t he
f i r epl ace, MUTTERI NG, head l ol l i ng, eyes r ol l ed back. f i r epl ace, MUTTERI NG, head l ol l i ng, eyes r ol l ed back. f i r epl ace, MUTTERI NG, head l ol l i ng, eyes r ol l ed back. f i r epl ace, MUTTERI NG, head l ol l i ng, eyes r ol l ed back. f i r epl ace, MUTTERI NG, head l ol l i ng, eyes r ol l ed back.
Psycho Ki l l er dr ops t he gas cani st er . Psycho Ki l l er dr ops t he gas cani st er . Psycho Ki l l er dr ops t he gas cani st er . Psycho Ki l l er dr ops t he gas cani st er . Psycho Ki l l er dr ops t he gas cani st er .
The f ol l owi ng wi t h be al l ONE CONTI NUOUS SHOT, wi t h most of The f ol l owi ng wi t h be al l ONE CONTI NUOUS SHOT, wi t h most of The f ol l owi ng wi t h be al l ONE CONTI NUOUS SHOT, wi t h most of The f ol l owi ng wi t h be al l ONE CONTI NUOUS SHOT, wi t h most of The f ol l owi ng wi t h be al l ONE CONTI NUOUS SHOT, wi t h most of
the violence O.S. or blocked from our view by PK's body as. . . the violence O.S. or blocked from our view by PK's body as. . . the violence O.S. or blocked from our view by PK's body as. . . the violence O.S. or blocked from our view by PK's body as. . . the violence O.S. or blocked from our view by PK's body as. . .
Psycho Ki l l er st eps i nt o t he mi dst of t he obl i vi ousl y Psycho Ki l l er st eps i nt o t he mi dst of t he obl i vi ousl y Psycho Ki l l er st eps i nt o t he mi dst of t he obl i vi ousl y Psycho Ki l l er st eps i nt o t he mi dst of t he obl i vi ousl y Psycho Ki l l er st eps i nt o t he mi dst of t he obl i vi ousl y
GRUNTI NG and MOANI NG mi ni - or gy, r ai si ng hi s ax up i n bot h GRUNTI NG and MOANI NG mi ni - or gy, r ai si ng hi s ax up i n bot h GRUNTI NG and MOANI NG mi ni - or gy, r ai si ng hi s ax up i n bot h GRUNTI NG and MOANI NG mi ni - or gy, r ai si ng hi s ax up i n bot h GRUNTI NG and MOANI NG mi ni - or gy, r ai si ng hi s ax up i n bot h
hands, CHOPPI NG f r ant i cal l y - - br i ngi ng ax down hands, CHOPPI NG f r ant i cal l y - - br i ngi ng ax down hands, CHOPPI NG f r ant i cal l y - - br i ngi ng ax down hands, CHOPPI NG f r ant i cal l y - - br i ngi ng ax down hands, CHOPPI NG f r ant i cal l y - - br i ngi ng ax down
r epeat edl y - - BLOOD SPLATTERI NG UP whi l e what f ew CRI ES and r epeat edl y - - BLOOD SPLATTERI NG UP whi l e what f ew CRI ES and r epeat edl y - - BLOOD SPLATTERI NG UP whi l e what f ew CRI ES and r epeat edl y - - BLOOD SPLATTERI NG UP whi l e what f ew CRI ES and r epeat edl y - - BLOOD SPLATTERI NG UP whi l e what f ew CRI ES and
SCREAMS ar e HEARD f r omO. S. ar e qui ckl y si l enced. SCREAMS ar e HEARD f r omO. S. ar e qui ckl y si l enced. SCREAMS ar e HEARD f r omO. S. ar e qui ckl y si l enced. SCREAMS ar e HEARD f r omO. S. ar e qui ckl y si l enced. SCREAMS ar e HEARD f r omO. S. ar e qui ckl y si l enced.
Psycho Ki l l er st agger s back, heavi ng f r omexer t i on, cover ed Psycho Ki l l er st agger s back, heavi ng f r omexer t i on, cover ed Psycho Ki l l er st agger s back, heavi ng f r omexer t i on, cover ed Psycho Ki l l er st agger s back, heavi ng f r omexer t i on, cover ed Psycho Ki l l er st agger s back, heavi ng f r omexer t i on, cover ed
i n BLOOD, havi ng made qui ck wor k of t he heat hen hor de. i n BLOOD, havi ng made qui ck wor k of t he heat hen hor de. i n BLOOD, havi ng made qui ck wor k of t he heat hen hor de. i n BLOOD, havi ng made qui ck wor k of t he heat hen hor de. i n BLOOD, havi ng made qui ck wor k of t he heat hen hor de.
I n t he t hr one, Pendl et on r egai ns consci ousness, hi s head I n t he t hr one, Pendl et on r egai ns consci ousness, hi s head I n t he t hr one, Pendl et on r egai ns consci ousness, hi s head I n t he t hr one, Pendl et on r egai ns consci ousness, hi s head I n t he t hr one, Pendl et on r egai ns consci ousness, hi s head
f al l i ng f or war d, st oned eyes st r uggl i ng t o f ocus as. . . f al l i ng f or war d, st oned eyes st r uggl i ng t o f ocus as. . . f al l i ng f or war d, st oned eyes st r uggl i ng t o f ocus as. . . f al l i ng f or war d, st oned eyes st r uggl i ng t o f ocus as. . . f al l i ng f or war d, st oned eyes st r uggl i ng t o f ocus as. . .
Psycho Ki l l er appr oaches, l i t by t he f l i cker i ng CANDLE and Psycho Ki l l er appr oaches, l i t by t he f l i cker i ng CANDLE and Psycho Ki l l er appr oaches, l i t by t he f l i cker i ng CANDLE and Psycho Ki l l er appr oaches, l i t by t he f l i cker i ng CANDLE and Psycho Ki l l er appr oaches, l i t by t he f l i cker i ng CANDLE and
FI REPLACE LI GHT, a bl ood dr enched beast . FI REPLACE LI GHT, a bl ood dr enched beast . FI REPLACE LI GHT, a bl ood dr enched beast . FI REPLACE LI GHT, a bl ood dr enched beast . FI REPLACE LI GHT, a bl ood dr enched beast .
( r ecogni t i on dawni ng) ( r ecogni t i on dawni ng) ( r ecogni t i on dawni ng) ( r ecogni t i on dawni ng) ( r ecogni t i on dawni ng)
Pazuzu. . . Pazuzu! Be gone! Pazuzu. . . Pazuzu! Be gone! Pazuzu. . . Pazuzu! Be gone! Pazuzu. . . Pazuzu! Be gone! Pazuzu. . . Pazuzu! Be gone!
Pendl et on hol ds up a hand, as i f spel l - cast i ng t o di spel PK. Pendl et on hol ds up a hand, as i f spel l - cast i ng t o di spel PK. Pendl et on hol ds up a hand, as i f spel l - cast i ng t o di spel PK. Pendl et on hol ds up a hand, as i f spel l - cast i ng t o di spel PK. Pendl et on hol ds up a hand, as i f spel l - cast i ng t o di spel PK.
78. 78. 78. 78. 78.
They ar e seven! They ar e seven! I n They ar e seven! They ar e seven! I n They ar e seven! They ar e seven! I n They ar e seven! They ar e seven! I n They ar e seven! They ar e seven! I n
t he dept hs of t he ocean, t hey ar e t he dept hs of t he ocean, t hey ar e t he dept hs of t he ocean, t hey ar e t he dept hs of t he ocean, t hey ar e t he dept hs of t he ocean, t hey ar e
seven! I n t he hei ght s of heaven. . . ! seven! I n t he hei ght s of heaven. . . ! seven! I n t he hei ght s of heaven. . . ! seven! I n t he hei ght s of heaven. . . ! seven! I n t he hei ght s of heaven. . . !
( POI NTS at Psycho Ki l l er ) ( POI NTS at Psycho Ki l l er ) ( POI NTS at Psycho Ki l l er ) ( POI NTS at Psycho Ki l l er ) ( POI NTS at Psycho Ki l l er )
They ar e agent s of t he vengeance of They ar e agent s of t he vengeance of They ar e agent s of t he vengeance of They ar e agent s of t he vengeance of They ar e agent s of t he vengeance of
t he gods! Rai si ng up di f f i cul t i es. . . t he gods! Rai si ng up di f f i cul t i es. . . t he gods! Rai si ng up di f f i cul t i es. . . t he gods! Rai si ng up di f f i cul t i es. . . t he gods! Rai si ng up di f f i cul t i es. . .
obt ai ni ng power by vi ol ence! The obt ai ni ng power by vi ol ence! The obt ai ni ng power by vi ol ence! The obt ai ni ng power by vi ol ence! The obt ai ni ng power by vi ol ence! The
enemi es! The enemi es! enemi es! The enemi es! enemi es! The enemi es! enemi es! The enemi es! enemi es! The enemi es!
Psycho Ki l l er hef t s hi s ax. . . Psycho Ki l l er hef t s hi s ax. . . Psycho Ki l l er hef t s hi s ax. . . Psycho Ki l l er hef t s hi s ax. . . Psycho Ki l l er hef t s hi s ax. . .
WE ARE BEHI ND PENDLETON' s THRONE CHAI R, OUR VI EWBLOCKED as WE ARE BEHI ND PENDLETON' s THRONE CHAI R, OUR VI EWBLOCKED as WE ARE BEHI ND PENDLETON' s THRONE CHAI R, OUR VI EWBLOCKED as WE ARE BEHI ND PENDLETON' s THRONE CHAI R, OUR VI EWBLOCKED as WE ARE BEHI ND PENDLETON' s THRONE CHAI R, OUR VI EWBLOCKED as
Psycho Ki l l er SWI NGS! A CRUNCH i s HEARD as t he ax bl ade Psycho Ki l l er SWI NGS! A CRUNCH i s HEARD as t he ax bl ade Psycho Ki l l er SWI NGS! A CRUNCH i s HEARD as t he ax bl ade Psycho Ki l l er SWI NGS! A CRUNCH i s HEARD as t he ax bl ade Psycho Ki l l er SWI NGS! A CRUNCH i s HEARD as t he ax bl ade
pi er ces t he chai r back - - SPLI TTI NG t he heavy t hr one as i t pi er ces t he chai r back - - SPLI TTI NG t he heavy t hr one as i t pi er ces t he chai r back - - SPLI TTI NG t he heavy t hr one as i t pi er ces t he chai r back - - SPLI TTI NG t he heavy t hr one as i t pi er ces t he chai r back - - SPLI TTI NG t he heavy t hr one as i t
must cer t ai nl y have spl i t Pendl et on' s skul l . must cer t ai nl y have spl i t Pendl et on' s skul l . must cer t ai nl y have spl i t Pendl et on' s skul l . must cer t ai nl y have spl i t Pendl et on' s skul l . must cer t ai nl y have spl i t Pendl et on' s skul l .
Acr oss t he r oom, PK r et ur ns t o r et r i eve t he gas cani st er . Acr oss t he r oom, PK r et ur ns t o r et r i eve t he gas cani st er . Acr oss t he r oom, PK r et ur ns t o r et r i eve t he gas cani st er . Acr oss t he r oom, PK r et ur ns t o r et r i eve t he gas cani st er . Acr oss t he r oom, PK r et ur ns t o r et r i eve t he gas cani st er .
He t hr ows t he gas can on t he f i r epl ace' s f l ames. He t hr ows t he gas can on t he f i r epl ace' s f l ames. He t hr ows t he gas can on t he f i r epl ace' s f l ames. He t hr ows t he gas can on t he f i r epl ace' s f l ames. He t hr ows t he gas can on t he f i r epl ace' s f l ames.
Seconds l at er , as Psycho Ki l l er ' s cr ossi ng t o exi t , t he GAS Seconds l at er , as Psycho Ki l l er ' s cr ossi ng t o exi t , t he GAS Seconds l at er , as Psycho Ki l l er ' s cr ossi ng t o exi t , t he GAS Seconds l at er , as Psycho Ki l l er ' s cr ossi ng t o exi t , t he GAS Seconds l at er , as Psycho Ki l l er ' s cr ossi ng t o exi t , t he GAS
CAN EXPLODES behi nd hi m- - FLAMES SHOWERI NG i nt o t he r oom! CAN EXPLODES behi nd hi m- - FLAMES SHOWERI NG i nt o t he r oom! CAN EXPLODES behi nd hi m- - FLAMES SHOWERI NG i nt o t he r oom! CAN EXPLODES behi nd hi m- - FLAMES SHOWERI NG i nt o t he r oom! CAN EXPLODES behi nd hi m- - FLAMES SHOWERI NG i nt o t he r oom!
Psycho Ki l l er backt r acks t hr ough t he ent r y hal l , headi ng Psycho Ki l l er backt r acks t hr ough t he ent r y hal l , headi ng Psycho Ki l l er backt r acks t hr ough t he ent r y hal l , headi ng Psycho Ki l l er backt r acks t hr ough t he ent r y hal l , headi ng Psycho Ki l l er backt r acks t hr ough t he ent r y hal l , headi ng
t owar d t he f r ont door . Ever yt hi ng goes t o SLOWMOTI ON. . . t owar d t he f r ont door . Ever yt hi ng goes t o SLOWMOTI ON. . . t owar d t he f r ont door . Ever yt hi ng goes t o SLOWMOTI ON. . . t owar d t he f r ont door . Ever yt hi ng goes t o SLOWMOTI ON. . . t owar d t he f r ont door . Ever yt hi ng goes t o SLOWMOTI ON. . .
I N SLOW- MOTI ON: a GLI NT of LI GHT REFLECTS i n one LENS of I N SLOW- MOTI ON: a GLI NT of LI GHT REFLECTS i n one LENS of I N SLOW- MOTI ON: a GLI NT of LI GHT REFLECTS i n one LENS of I N SLOW- MOTI ON: a GLI NT of LI GHT REFLECTS i n one LENS of I N SLOW- MOTI ON: a GLI NT of LI GHT REFLECTS i n one LENS of
Psycho Ki l l er ' s mask. . . t hen FLASHES agai n, ver y br i ef l y. . . Psycho Ki l l er ' s mask. . . t hen FLASHES agai n, ver y br i ef l y. . . Psycho Ki l l er ' s mask. . . t hen FLASHES agai n, ver y br i ef l y. . . Psycho Ki l l er ' s mask. . . t hen FLASHES agai n, ver y br i ef l y. . . Psycho Ki l l er ' s mask. . . t hen FLASHES agai n, ver y br i ef l y. . .
I N SLOW- MOTI ON: LOOKI NG out t he open f r ont door , t he GLASS I N SLOW- MOTI ON: LOOKI NG out t he open f r ont door , t he GLASS I N SLOW- MOTI ON: LOOKI NG out t he open f r ont door , t he GLASS I N SLOW- MOTI ON: LOOKI NG out t he open f r ont door , t he GLASS I N SLOW- MOTI ON: LOOKI NG out t he open f r ont door , t he GLASS
STORM DOOR i s angl ed so t hat i t ' s REFLECTI NG a di st ant GROVE STORM DOOR i s angl ed so t hat i t ' s REFLECTI NG a di st ant GROVE STORM DOOR i s angl ed so t hat i t ' s REFLECTI NG a di st ant GROVE STORM DOOR i s angl ed so t hat i t ' s REFLECTI NG a di st ant GROVE STORM DOOR i s angl ed so t hat i t ' s REFLECTI NG a di st ant GROVE
OF TREES t o t he east , and f r omwi t hi n t hose t r ees comes a OF TREES t o t he east , and f r omwi t hi n t hose t r ees comes a OF TREES t o t he east , and f r omwi t hi n t hose t r ees comes a OF TREES t o t he east , and f r omwi t hi n t hose t r ees comes a OF TREES t o t he east , and f r omwi t hi n t hose t r ees comes a
FLASH of LI GHT; l i ke sunl i ght bounced of f a t i ny mi r r or . FLASH of LI GHT; l i ke sunl i ght bounced of f a t i ny mi r r or . FLASH of LI GHT; l i ke sunl i ght bounced of f a t i ny mi r r or . FLASH of LI GHT; l i ke sunl i ght bounced of f a t i ny mi r r or . FLASH of LI GHT; l i ke sunl i ght bounced of f a t i ny mi r r or .
IN THE ENTRYWAY IN THE ENTRYWAY IN THE ENTRYWAY IN THE ENTRYWAY IN THE ENTRYWAY
End SLO- MO as Psycho Ki l l er near s t he t hr eshol d, war y, End SLO- MO as Psycho Ki l l er near s t he t hr eshol d, war y, End SLO- MO as Psycho Ki l l er near s t he t hr eshol d, war y, End SLO- MO as Psycho Ki l l er near s t he t hr eshol d, war y, End SLO- MO as Psycho Ki l l er near s t he t hr eshol d, war y,
st udyi ng t he GLI NTI NG REFLECTI ON i n t he GLASS DOOR. st udyi ng t he GLI NTI NG REFLECTI ON i n t he GLASS DOOR. st udyi ng t he GLI NTI NG REFLECTI ON i n t he GLASS DOOR. st udyi ng t he GLI NTI NG REFLECTI ON i n t he GLASS DOOR. st udyi ng t he GLI NTI NG REFLECTI ON i n t he GLASS DOOR.
INT. PENDLETON HOUSE, 2ND FLOOR STAIRWELL -- MOMENTS LATER INT. PENDLETON HOUSE, 2ND FLOOR STAIRWELL -- MOMENTS LATER INT. PENDLETON HOUSE, 2ND FLOOR STAIRWELL -- MOMENTS LATER INT. PENDLETON HOUSE, 2ND FLOOR STAIRWELL -- MOMENTS LATER INT. PENDLETON HOUSE, 2ND FLOOR STAIRWELL -- MOMENTS LATER
On a 2nd f l oor LANDI NG, Psycho Ki l l er cr ouches beneat h an On a 2nd f l oor LANDI NG, Psycho Ki l l er cr ouches beneat h an On a 2nd f l oor LANDI NG, Psycho Ki l l er cr ouches beneat h an On a 2nd f l oor LANDI NG, Psycho Ki l l er cr ouches beneat h an On a 2nd f l oor LANDI NG, Psycho Ki l l er cr ouches beneat h an
east - f aci ng WI NDOW. He put s hi s mask on t he bl ade end of east - f aci ng WI NDOW. He put s hi s mask on t he bl ade end of east - f aci ng WI NDOW. He put s hi s mask on t he bl ade end of east - f aci ng WI NDOW. He put s hi s mask on t he bl ade end of east - f aci ng WI NDOW. He put s hi s mask on t he bl ade end of
hi s ax. Remai ni ng hi dden, he sl owl y hol ds t he mask i n f r ont hi s ax. Remai ni ng hi dden, he sl owl y hol ds t he mask i n f r ont hi s ax. Remai ni ng hi dden, he sl owl y hol ds t he mask i n f r ont hi s ax. Remai ni ng hi dden, he sl owl y hol ds t he mask i n f r ont hi s ax. Remai ni ng hi dden, he sl owl y hol ds t he mask i n f r ont
of t he wi ndow, t o make i t appear as i f he' s l ooki ng out . . . of t he wi ndow, t o make i t appear as i f he' s l ooki ng out . . . of t he wi ndow, t o make i t appear as i f he' s l ooki ng out . . . of t he wi ndow, t o make i t appear as i f he' s l ooki ng out . . . of t he wi ndow, t o make i t appear as i f he' s l ooki ng out . . .
The di st ant , echoi ng CRACK of a RI FLE SHOT i s HEARD! A The di st ant , echoi ng CRACK of a RI FLE SHOT i s HEARD! A The di st ant , echoi ng CRACK of a RI FLE SHOT i s HEARD! A The di st ant , echoi ng CRACK of a RI FLE SHOT i s HEARD! A The di st ant , echoi ng CRACK of a RI FLE SHOT i s HEARD! A
BULLET HOLE PI ERCES t he wi ndow, BLOWI NG a neat hol e dead- BULLET HOLE PI ERCES t he wi ndow, BLOWI NG a neat hol e dead- BULLET HOLE PI ERCES t he wi ndow, BLOWI NG a neat hol e dead- BULLET HOLE PI ERCES t he wi ndow, BLOWI NG a neat hol e dead- BULLET HOLE PI ERCES t he wi ndow, BLOWI NG a neat hol e dead-
cent er i n t he f or ehead of PK' s MASK - - CLANK! - - sendi ng cent er i n t he f or ehead of PK' s MASK - - CLANK! - - sendi ng cent er i n t he f or ehead of PK' s MASK - - CLANK! - - sendi ng cent er i n t he f or ehead of PK' s MASK - - CLANK! - - sendi ng cent er i n t he f or ehead of PK' s MASK - - CLANK! - - sendi ng
mask and ax FLYI NG f r omPK' s hand! mask and ax FLYI NG f r omPK' s hand! mask and ax FLYI NG f r omPK' s hand! mask and ax FLYI NG f r omPK' s hand! mask and ax FLYI NG f r omPK' s hand!
79. 79. 79. 79. 79.
EXT. PENDLETON HOUSE GROUNDS -- THAT VERY MOMENT EXT. PENDLETON HOUSE GROUNDS -- THAT VERY MOMENT EXT. PENDLETON HOUSE GROUNDS -- THAT VERY MOMENT EXT. PENDLETON HOUSE GROUNDS -- THAT VERY MOMENT EXT. PENDLETON HOUSE GROUNDS -- THAT VERY MOMENT
Amongst t hat GROVE of TREES, J ane' s kneel ed, l ooki ng t hr ough Amongst t hat GROVE of TREES, J ane' s kneel ed, l ooki ng t hr ough Amongst t hat GROVE of TREES, J ane' s kneel ed, l ooki ng t hr ough Amongst t hat GROVE of TREES, J ane' s kneel ed, l ooki ng t hr ough Amongst t hat GROVE of TREES, J ane' s kneel ed, l ooki ng t hr ough
t he SNI PER SCOPE of her smoki ng RI FLE whi l e t he SHOT i s t he SNI PER SCOPE of her smoki ng RI FLE whi l e t he SHOT i s t he SNI PER SCOPE of her smoki ng RI FLE whi l e t he SHOT i s t he SNI PER SCOPE of her smoki ng RI FLE whi l e t he SHOT i s t he SNI PER SCOPE of her smoki ng RI FLE whi l e t he SHOT i s
st i l l ECHOI NG. She l ower s t he gun, uncer t ai n. st i l l ECHOI NG. She l ower s t he gun, uncer t ai n. st i l l ECHOI NG. She l ower s t he gun, uncer t ai n. st i l l ECHOI NG. She l ower s t he gun, uncer t ai n. st i l l ECHOI NG. She l ower s t he gun, uncer t ai n.
J ane wat ches t he house a l ong moment . J ane wat ches t he house a l ong moment . J ane wat ches t he house a l ong moment . J ane wat ches t he house a l ong moment . J ane wat ches t he house a l ong moment .
She l ower s t he r i f l e, t ur ns and r uns t o her par ked t r uck. She l ower s t he r i f l e, t ur ns and r uns t o her par ked t r uck. She l ower s t he r i f l e, t ur ns and r uns t o her par ked t r uck. She l ower s t he r i f l e, t ur ns and r uns t o her par ked t r uck. She l ower s t he r i f l e, t ur ns and r uns t o her par ked t r uck.
EXT. PENDLETON ESTATE GATES -- DAY EXT. PENDLETON ESTATE GATES -- DAY EXT. PENDLETON ESTATE GATES -- DAY EXT. PENDLETON ESTATE GATES -- DAY EXT. PENDLETON ESTATE GATES -- DAY
J ane' s t r uck t ur ns t he cor ner , speedi ng i n t hr ough t he i r on J ane' s t r uck t ur ns t he cor ner , speedi ng i n t hr ough t he i r on J ane' s t r uck t ur ns t he cor ner , speedi ng i n t hr ough t he i r on J ane' s t r uck t ur ns t he cor ner , speedi ng i n t hr ough t he i r on J ane' s t r uck t ur ns t he cor ner , speedi ng i n t hr ough t he i r on
gat es. At t hat moment , PK' s coupe comes r aci ng f r omt he gat es. At t hat moment , PK' s coupe comes r aci ng f r omt he gat es. At t hat moment , PK' s coupe comes r aci ng f r omt he gat es. At t hat moment , PK' s coupe comes r aci ng f r omt he gat es. At t hat moment , PK' s coupe comes r aci ng f r omt he
di r ect i on of t he house, bear i ng down. . . di r ect i on of t he house, bear i ng down. . . di r ect i on of t he house, bear i ng down. . . di r ect i on of t he house, bear i ng down. . . di r ect i on of t he house, bear i ng down. . .
Psycho Ki l l er ' s ai mi ng hi s shot gun out t he car wi ndow! Psycho Ki l l er ' s ai mi ng hi s shot gun out t he car wi ndow! Psycho Ki l l er ' s ai mi ng hi s shot gun out t he car wi ndow! Psycho Ki l l er ' s ai mi ng hi s shot gun out t he car wi ndow! Psycho Ki l l er ' s ai mi ng hi s shot gun out t he car wi ndow!
J ane ducks down acr oss t he f r ont seat j ust i n t i me as - - J ane ducks down acr oss t he f r ont seat j ust i n t i me as - - J ane ducks down acr oss t he f r ont seat j ust i n t i me as - - J ane ducks down acr oss t he f r ont seat j ust i n t i me as - - J ane ducks down acr oss t he f r ont seat j ust i n t i me as - -
BOOM! - - PK' s shot gun BLAST DESTROYS t he dr i ver - si de WI NDOW! BOOM! - - PK' s shot gun BLAST DESTROYS t he dr i ver - si de WI NDOW! BOOM! - - PK' s shot gun BLAST DESTROYS t he dr i ver - si de WI NDOW! BOOM! - - PK' s shot gun BLAST DESTROYS t he dr i ver - si de WI NDOW! BOOM! - - PK' s shot gun BLAST DESTROYS t he dr i ver - si de WI NDOW!
ON THE LAWN ON THE LAWN ON THE LAWN ON THE LAWN ON THE LAWN
Psycho Ki l l er ' s coupe r aces by, headi ng out t he gat es whi l e Psycho Ki l l er ' s coupe r aces by, headi ng out t he gat es whi l e Psycho Ki l l er ' s coupe r aces by, headi ng out t he gat es whi l e Psycho Ki l l er ' s coupe r aces by, headi ng out t he gat es whi l e Psycho Ki l l er ' s coupe r aces by, headi ng out t he gat es whi l e
J ane' s t r uck i s SLI DI NG - - CRASHES si deways i nt o one of t he J ane' s t r uck i s SLI DI NG - - CRASHES si deways i nt o one of t he J ane' s t r uck i s SLI DI NG - - CRASHES si deways i nt o one of t he J ane' s t r uck i s SLI DI NG - - CRASHES si deways i nt o one of t he J ane' s t r uck i s SLI DI NG - - CRASHES si deways i nt o one of t he
car s par ked on t he t i r e- gouged, muddy l awn. car s par ked on t he t i r e- gouged, muddy l awn. car s par ked on t he t i r e- gouged, muddy l awn. car s par ked on t he t i r e- gouged, muddy l awn. car s par ked on t he t i r e- gouged, muddy l awn.
J ane si t s up, t hr ows t he t r uck i n r ever se. . . J ane si t s up, t hr ows t he t r uck i n r ever se. . . J ane si t s up, t hr ows t he t r uck i n r ever se. . . J ane si t s up, t hr ows t he t r uck i n r ever se. . . J ane si t s up, t hr ows t he t r uck i n r ever se. . .
The TI RES SPI N, mi r ed i n t he mud. The TI RES SPI N, mi r ed i n t he mud. The TI RES SPI N, mi r ed i n t he mud. The TI RES SPI N, mi r ed i n t he mud. The TI RES SPI N, mi r ed i n t he mud.
J ane l eaps f r omt he t r uck, pul l i ng her r evol ver as she r uns J ane l eaps f r omt he t r uck, pul l i ng her r evol ver as she r uns J ane l eaps f r omt he t r uck, pul l i ng her r evol ver as she r uns J ane l eaps f r omt he t r uck, pul l i ng her r evol ver as she r uns J ane l eaps f r omt he t r uck, pul l i ng her r evol ver as she r uns
out t hr ough t he gat es, af t er Psycho Ki l l er , t oo l at e. . . out t hr ough t he gat es, af t er Psycho Ki l l er , t oo l at e. . . out t hr ough t he gat es, af t er Psycho Ki l l er , t oo l at e. . . out t hr ough t he gat es, af t er Psycho Ki l l er , t oo l at e. . . out t hr ough t he gat es, af t er Psycho Ki l l er , t oo l at e. . .
The coupe' s wel l beyond r each, speedi ng away. The coupe' s wel l beyond r each, speedi ng away. The coupe' s wel l beyond r each, speedi ng away. The coupe' s wel l beyond r each, speedi ng away. The coupe' s wel l beyond r each, speedi ng away.
EXT. HARRISBURG OVERVIEW -- AERIAL SHOT - DAY EXT. HARRISBURG OVERVIEW -- AERIAL SHOT - DAY EXT. HARRISBURG OVERVIEW -- AERIAL SHOT - DAY EXT. HARRISBURG OVERVIEW -- AERIAL SHOT - DAY EXT. HARRISBURG OVERVIEW -- AERIAL SHOT - DAY
FROM HI GH ABOVE, we l ook down upon HARRI SBURG, huddl ed on FROM HI GH ABOVE, we l ook down upon HARRI SBURG, huddl ed on FROM HI GH ABOVE, we l ook down upon HARRI SBURG, huddl ed on FROM HI GH ABOVE, we l ook down upon HARRI SBURG, huddl ed on FROM HI GH ABOVE, we l ook down upon HARRI SBURG, huddl ed on
t he banks of t he SUSQUEHANNA RI VER. To t he sout h, t he t he banks of t he SUSQUEHANNA RI VER. To t he sout h, t he t he banks of t he SUSQUEHANNA RI VER. To t he sout h, t he t he banks of t he SUSQUEHANNA RI VER. To t he sout h, t he t he banks of t he SUSQUEHANNA RI VER. To t he sout h, t he
COOLI NG TOWERS of t he THREE MI LE I SLAND NUCLEAR POWER PLANT COOLI NG TOWERS of t he THREE MI LE I SLAND NUCLEAR POWER PLANT COOLI NG TOWERS of t he THREE MI LE I SLAND NUCLEAR POWER PLANT COOLI NG TOWERS of t he THREE MI LE I SLAND NUCLEAR POWER PLANT COOLI NG TOWERS of t he THREE MI LE I SLAND NUCLEAR POWER PLANT
vent st eamcl ouds. Sever al BRI DGES span t he r i ver . vent st eamcl ouds. Sever al BRI DGES span t he r i ver . vent st eamcl ouds. Sever al BRI DGES span t he r i ver . vent st eamcl ouds. Sever al BRI DGES span t he r i ver . vent st eamcl ouds. Sever al BRI DGES span t he r i ver .
EXT. HARVEY TAYLOR BRIDGE - DAY EXT. HARVEY TAYLOR BRIDGE - DAY EXT. HARVEY TAYLOR BRIDGE - DAY EXT. HARVEY TAYLOR BRIDGE - DAY EXT. HARVEY TAYLOR BRIDGE - DAY
PK' s coupe cr osses t hi s f our - l ane BRI DGE i nt o Har r i sbur g. PK' s coupe cr osses t hi s f our - l ane BRI DGE i nt o Har r i sbur g. PK' s coupe cr osses t hi s f our - l ane BRI DGE i nt o Har r i sbur g. PK' s coupe cr osses t hi s f our - l ane BRI DGE i nt o Har r i sbur g. PK' s coupe cr osses t hi s f our - l ane BRI DGE i nt o Har r i sbur g.
FROM BEHI ND, we l ook over Psycho Ki l l er ' s shoul der as t he FROM BEHI ND, we l ook over Psycho Ki l l er ' s shoul der as t he FROM BEHI ND, we l ook over Psycho Ki l l er ' s shoul der as t he FROM BEHI ND, we l ook over Psycho Ki l l er ' s shoul der as t he FROM BEHI ND, we l ook over Psycho Ki l l er ' s shoul der as t he
SKYLI NE of DOWNTOWN Har r i sbur g, f eat ur i ng t he pr omi nent SKYLI NE of DOWNTOWN Har r i sbur g, f eat ur i ng t he pr omi nent SKYLI NE of DOWNTOWN Har r i sbur g, f eat ur i ng t he pr omi nent SKYLI NE of DOWNTOWN Har r i sbur g, f eat ur i ng t he pr omi nent SKYLI NE of DOWNTOWN Har r i sbur g, f eat ur i ng t he pr omi nent
STATE CAPI TAL BUI LDI NG, f i l l s t he wi ndshi el d. STATE CAPI TAL BUI LDI NG, f i l l s t he wi ndshi el d. STATE CAPI TAL BUI LDI NG, f i l l s t he wi ndshi el d. STATE CAPI TAL BUI LDI NG, f i l l s t he wi ndshi el d. STATE CAPI TAL BUI LDI NG, f i l l s t he wi ndshi el d.
80. 80. 80. 80. 80.
EXT. PENDLETON ESTATE -- DAY EXT. PENDLETON ESTATE -- DAY EXT. PENDLETON ESTATE -- DAY EXT. PENDLETON ESTATE -- DAY EXT. PENDLETON ESTATE -- DAY
DOZENS of POLI CE CARS and FBI VEHI CLES ar e on scene, LI GHTS DOZENS of POLI CE CARS and FBI VEHI CLES ar e on scene, LI GHTS DOZENS of POLI CE CARS and FBI VEHI CLES ar e on scene, LI GHTS DOZENS of POLI CE CARS and FBI VEHI CLES ar e on scene, LI GHTS DOZENS of POLI CE CARS and FBI VEHI CLES ar e on scene, LI GHTS
SPI NNI NG. Pendl et on House i s an i nf er no i n t he B. G, SPI NNI NG. Pendl et on House i s an i nf er no i n t he B. G, SPI NNI NG. Pendl et on House i s an i nf er no i n t he B. G, SPI NNI NG. Pendl et on House i s an i nf er no i n t he B. G, SPI NNI NG. Pendl et on House i s an i nf er no i n t he B. G,
sur r ounded by FI RETRUCKS and FI REMEN bat t l i ng t he bl aze. sur r ounded by FI RETRUCKS and FI REMEN bat t l i ng t he bl aze. sur r ounded by FI RETRUCKS and FI REMEN bat t l i ng t he bl aze. sur r ounded by FI RETRUCKS and FI REMEN bat t l i ng t he bl aze. sur r ounded by FI RETRUCKS and FI REMEN bat t l i ng t he bl aze.
A l ar ge FI ELD H. Q. TRUCK i s t he cent er of act i vi t y. A l ar ge FI ELD H. Q. TRUCK i s t he cent er of act i vi t y. A l ar ge FI ELD H. Q. TRUCK i s t he cent er of act i vi t y. A l ar ge FI ELD H. Q. TRUCK i s t he cent er of act i vi t y. A l ar ge FI ELD H. Q. TRUCK i s t he cent er of act i vi t y.
INT. FIELD H.Q. TRUCK -- DAY INT. FIELD H.Q. TRUCK -- DAY INT. FIELD H.Q. TRUCK -- DAY INT. FIELD H.Q. TRUCK -- DAY INT. FIELD H.Q. TRUCK -- DAY
I t ' s cr owded, wi t h FBI AGENTS and COPS ( al l mal e) st andi ng I t ' s cr owded, wi t h FBI AGENTS and COPS ( al l mal e) st andi ng I t ' s cr owded, wi t h FBI AGENTS and COPS ( al l mal e) st andi ng I t ' s cr owded, wi t h FBI AGENTS and COPS ( al l mal e) st andi ng I t ' s cr owded, wi t h FBI AGENTS and COPS ( al l mal e) st andi ng
wi t h ar ms cr ossed ar ound a seat ed, angr y J ane. wi t h ar ms cr ossed ar ound a seat ed, angr y J ane. wi t h ar ms cr ossed ar ound a seat ed, angr y J ane. wi t h ar ms cr ossed ar ound a seat ed, angr y J ane. wi t h ar ms cr ossed ar ound a seat ed, angr y J ane.
Wher e wer e you? I ' d. . . I ' d l i ke t o Wher e wer e you? I ' d. . . I ' d l i ke t o Wher e wer e you? I ' d. . . I ' d l i ke t o Wher e wer e you? I ' d. . . I ' d l i ke t o Wher e wer e you? I ' d. . . I ' d l i ke t o
know, i f i t ' s not aski ng t oo much. know, i f i t ' s not aski ng t oo much. know, i f i t ' s not aski ng t oo much. know, i f i t ' s not aski ng t oo much. know, i f i t ' s not aski ng t oo much.
LEAD AGENT LEAD AGENT LEAD AGENT LEAD AGENT LEAD AGENT
Accor di ng t o what I ' ve seen. . . Accor di ng t o what I ' ve seen. . . Accor di ng t o what I ' ve seen. . . Accor di ng t o what I ' ve seen. . . Accor di ng t o what I ' ve seen. . .
Lead Agent r eaches f or a CLI PBOARD of PAPERWORK, st udi es i t . Lead Agent r eaches f or a CLI PBOARD of PAPERWORK, st udi es i t . Lead Agent r eaches f or a CLI PBOARD of PAPERWORK, st udi es i t . Lead Agent r eaches f or a CLI PBOARD of PAPERWORK, st udi es i t . Lead Agent r eaches f or a CLI PBOARD of PAPERWORK, st udi es i t .
You cal l ed i t i n l ess t han. . . t wo You cal l ed i t i n l ess t han. . . t wo You cal l ed i t i n l ess t han. . . t wo You cal l ed i t i n l ess t han. . . t wo You cal l ed i t i n l ess t han. . . t wo
hour s ago. hour s ago. hour s ago. hour s ago. hour s ago.
( t osses cl i pboar d) ( t osses cl i pboar d) ( t osses cl i pboar d) ( t osses cl i pboar d) ( t osses cl i pboar d)
Not even t wo hour s back, you passed Not even t wo hour s back, you passed Not even t wo hour s back, you passed Not even t wo hour s back, you passed Not even t wo hour s back, you passed
al ong t hi s. . . t hi s unsubst ant i at ed al ong t hi s. . . t hi s unsubst ant i at ed al ong t hi s. . . t hi s unsubst ant i at ed al ong t hi s. . . t hi s unsubst ant i at ed al ong t hi s. . . t hi s unsubst ant i at ed
i nf or mat i on. I mean, you do r eal i ze i nf or mat i on. I mean, you do r eal i ze i nf or mat i on. I mean, you do r eal i ze i nf or mat i on. I mean, you do r eal i ze i nf or mat i on. I mean, you do r eal i ze
we' r e al l f i el di ng somet hi ng l i ke a we' r e al l f i el di ng somet hi ng l i ke a we' r e al l f i el di ng somet hi ng l i ke a we' r e al l f i el di ng somet hi ng l i ke a we' r e al l f i el di ng somet hi ng l i ke a
f ew dozen bogus l eads by t he hour , so f ew dozen bogus l eads by t he hour , so f ew dozen bogus l eads by t he hour , so f ew dozen bogus l eads by t he hour , so f ew dozen bogus l eads by t he hour , so
what di d you expect ? what di d you expect ? what di d you expect ? what di d you expect ? what di d you expect ?
I ' l l t el l you what I expect ed. I I ' l l t el l you what I expect ed. I I ' l l t el l you what I expect ed. I I ' l l t el l you what I expect ed. I I ' l l t el l you what I expect ed. I
gave i t t o you. . . al l of i t . . . gave i t t o you. . . al l of i t . . . gave i t t o you. . . al l of i t . . . gave i t t o you. . . al l of i t . . . gave i t t o you. . . al l of i t . . .
FLASHBACK MONTAGE -- JANE'S REMEMBRANCE FLASHBACK MONTAGE -- JANE'S REMEMBRANCE FLASHBACK MONTAGE -- JANE'S REMEMBRANCE FLASHBACK MONTAGE -- JANE'S REMEMBRANCE FLASHBACK MONTAGE -- JANE'S REMEMBRANCE
I n RAPI D FI RE SUCCESSI ON, we cat ch BRI EF gl i mpses of . . . I n RAPI D FI RE SUCCESSI ON, we cat ch BRI EF gl i mpses of . . . I n RAPI D FI RE SUCCESSI ON, we cat ch BRI EF gl i mpses of . . . I n RAPI D FI RE SUCCESSI ON, we cat ch BRI EF gl i mpses of . . . I n RAPI D FI RE SUCCESSI ON, we cat ch BRI EF gl i mpses of . . .
-J ane movi ng t hr ough t he HAVENHURST HOTEL ROOM, l ooki ng down -J ane movi ng t hr ough t he HAVENHURST HOTEL ROOM, l ooki ng down -J ane movi ng t hr ough t he HAVENHURST HOTEL ROOM, l ooki ng down -J ane movi ng t hr ough t he HAVENHURST HOTEL ROOM, l ooki ng down -J ane movi ng t hr ough t he HAVENHURST HOTEL ROOM, l ooki ng down
upon Psycho Ki l l er ' s ci r cl ed CLASSI FI ED AD. . . upon Psycho Ki l l er ' s ci r cl ed CLASSI FI ED AD. . . upon Psycho Ki l l er ' s ci r cl ed CLASSI FI ED AD. . . upon Psycho Ki l l er ' s ci r cl ed CLASSI FI ED AD. . . upon Psycho Ki l l er ' s ci r cl ed CLASSI FI ED AD. . .
To those who also To those who also To those who also To those who also To those who also
share faith. Seeking share faith. Seeking share faith. Seeking share faith. Seeking share faith. Seeking
our mutual friend. Need our mutual friend. Need our mutual friend. Need our mutual friend. Need our mutual friend. Need
help. Please reply. help. Please reply. help. Please reply. help. Please reply. help. Please reply.
What I had, I gave t o you Feds and t o What I had, I gave t o you Feds and t o What I had, I gave t o you Feds and t o What I had, I gave t o you Feds and t o What I had, I gave t o you Feds and t o
ever yone and anyone el se who' d l i st en. ever yone and anyone el se who' d l i st en. ever yone and anyone el se who' d l i st en. ever yone and anyone el se who' d l i st en. ever yone and anyone el se who' d l i st en.
-J ane i n a LI BRARY, gr abs a New Yor k Ti mes, opens i t . . . -J ane i n a LI BRARY, gr abs a New Yor k Ti mes, opens i t . . . -J ane i n a LI BRARY, gr abs a New Yor k Ti mes, opens i t . . . -J ane i n a LI BRARY, gr abs a New Yor k Ti mes, opens i t . . . -J ane i n a LI BRARY, gr abs a New Yor k Ti mes, opens i t . . .
LOOKI NG over CLASSI FI EDS. . . di scover i ng LOOKI NG over CLASSI FI EDS. . . di scover i ng LOOKI NG over CLASSI FI EDS. . . di scover i ng LOOKI NG over CLASSI FI EDS. . . di scover i ng LOOKI NG over CLASSI FI EDS. . . di scover i ng
t he ENCODED REPLY AD, and we ZOOM I N: t he ENCODED REPLY AD, and we ZOOM I N: t he ENCODED REPLY AD, and we ZOOM I N: t he ENCODED REPLY AD, and we ZOOM I N: t he ENCODED REPLY AD, and we ZOOM I N:
81. 81. 81. 81. 81.
843 36544483633 843 36544483633 843 36544483633 843 36544483633 843 36544483633
9352663 255 335569 9352663 255 335569 9352663 255 335569 9352663 255 335569 9352663 255 335569
235438377. 235438377. 235438377. 235438377. 235438377.
4813055357548696230 4813055357548696230 4813055357548696230 4813055357548696230 4813055357548696230
And once I knew what i t r eal l y was. . . And once I knew what i t r eal l y was. . . And once I knew what i t r eal l y was. . . And once I knew what i t r eal l y was. . . And once I knew what i t r eal l y was. . .
t he mi nut e I f i gur ed i t out . . . t he mi nut e I f i gur ed i t out . . . t he mi nut e I f i gur ed i t out . . . t he mi nut e I f i gur ed i t out . . . t he mi nut e I f i gur ed i t out . . .
-Ni ght . J ane' s I N HER PARKED TRUCK, put t i ng penci l t o her -Ni ght . J ane' s I N HER PARKED TRUCK, put t i ng penci l t o her -Ni ght . J ane' s I N HER PARKED TRUCK, put t i ng penci l t o her -Ni ght . J ane' s I N HER PARKED TRUCK, put t i ng penci l t o her -Ni ght . J ane' s I N HER PARKED TRUCK, put t i ng penci l t o her
NOTEBOOK: she' s copi ed t he ad' s NUMBERS, and WRI TTEN al l NOTEBOOK: she' s copi ed t he ad' s NUMBERS, and WRI TTEN al l NOTEBOOK: she' s copi ed t he ad' s NUMBERS, and WRI TTEN al l NOTEBOOK: she' s copi ed t he ad' s NUMBERS, and WRI TTEN al l NOTEBOOK: she' s copi ed t he ad' s NUMBERS, and WRI TTEN al l
sor t s of i ncor r ect LETTER COMBI NATI ONS and f r ust r at ed sor t s of i ncor r ect LETTER COMBI NATI ONS and f r ust r at ed sor t s of i ncor r ect LETTER COMBI NATI ONS and f r ust r at ed sor t s of i ncor r ect LETTER COMBI NATI ONS and f r ust r at ed sor t s of i ncor r ect LETTER COMBI NATI ONS and f r ust r at ed
SCRATCH OUTS. She CRUMPLES t hi s page, angr i l y t osses i t . . . SCRATCH OUTS. She CRUMPLES t hi s page, angr i l y t osses i t . . . SCRATCH OUTS. She CRUMPLES t hi s page, angr i l y t osses i t . . . SCRATCH OUTS. She CRUMPLES t hi s page, angr i l y t osses i t . . . SCRATCH OUTS. She CRUMPLES t hi s page, angr i l y t osses i t . . .
I t l ands wi t h MANY ot her CRUMPLED PAGES. Her PHONE RI NGS. I t l ands wi t h MANY ot her CRUMPLED PAGES. Her PHONE RI NGS. I t l ands wi t h MANY ot her CRUMPLED PAGES. Her PHONE RI NGS. I t l ands wi t h MANY ot her CRUMPLED PAGES. Her PHONE RI NGS. I t l ands wi t h MANY ot her CRUMPLED PAGES. Her PHONE RI NGS.
I gave you t hat t oo. I gave you I gave you t hat t oo. I gave you I gave you t hat t oo. I gave you I gave you t hat t oo. I gave you I gave you t hat t oo. I gave you
ever yt hi ng. . . ever yt hi ng! ever yt hi ng. . . ever yt hi ng! ever yt hi ng. . . ever yt hi ng! ever yt hi ng. . . ever yt hi ng! ever yt hi ng. . . ever yt hi ng!
J ane gr abs her cel l phone, opens i t t o see who' s cal l i ng, J ane gr abs her cel l phone, opens i t t o see who' s cal l i ng, J ane gr abs her cel l phone, opens i t t o see who' s cal l i ng, J ane gr abs her cel l phone, opens i t t o see who' s cal l i ng, J ane gr abs her cel l phone, opens i t t o see who' s cal l i ng,
and suddenl y, i t ' s r i ght t her e bef or e her ast oni shed eyes. . . and suddenl y, i t ' s r i ght t her e bef or e her ast oni shed eyes. . . and suddenl y, i t ' s r i ght t her e bef or e her ast oni shed eyes. . . and suddenl y, i t ' s r i ght t her e bef or e her ast oni shed eyes. . . and suddenl y, i t ' s r i ght t her e bef or e her ast oni shed eyes. . .
ZOOM I N: on t he KEYPAD, f ocusi ng on a si ngl e KEY. . . 6 ZOOM I N: on t he KEYPAD, f ocusi ng on a si ngl e KEY. . . 6 ZOOM I N: on t he KEYPAD, f ocusi ng on a si ngl e KEY. . . 6 ZOOM I N: on t he KEYPAD, f ocusi ng on a si ngl e KEY. . . 6 ZOOM I N: on t he KEYPAD, f ocusi ng on a si ngl e KEY. . . 6
MNO MNO MNO MNO MNO
ZOOM OUT: on t he ent i r e KEYPAD. . . 1 2 3 ZOOM OUT: on t he ent i r e KEYPAD. . . 1 2 3 ZOOM OUT: on t he ent i r e KEYPAD. . . 1 2 3 ZOOM OUT: on t he ent i r e KEYPAD. . . 1 2 3 ZOOM OUT: on t he ent i r e KEYPAD. . . 1 2 3
ABC DEF ABC DEF ABC DEF ABC DEF ABC DEF
4 5 6 4 5 6 4 5 6 4 5 6 4 5 6
GHI JKL MNO GHI JKL MNO GHI JKL MNO GHI JKL MNO GHI JKL MNO
7 8 9 7 8 9 7 8 9 7 8 9 7 8 9
PRS TUV WXY PRS TUV WXY PRS TUV WXY PRS TUV WXY PRS TUV WXY
- CLOSE ON: J ane WRI TI NG f ur i ousl y, sol vi ng i t now t hat - CLOSE ON: J ane WRI TI NG f ur i ousl y, sol vi ng i t now t hat - CLOSE ON: J ane WRI TI NG f ur i ousl y, sol vi ng i t now t hat - CLOSE ON: J ane WRI TI NG f ur i ousl y, sol vi ng i t now t hat - CLOSE ON: J ane WRI TI NG f ur i ousl y, sol vi ng i t now t hat
she' s got t he numer i cal / l et t er combi nat i ons. . . she' s got t he numer i cal / l et t er combi nat i ons. . . she' s got t he numer i cal / l et t er combi nat i ons. . . she' s got t he numer i cal / l et t er combi nat i ons. . . she' s got t he numer i cal / l et t er combi nat i ons. . .
M N O 843 36544483633 M N O 843 36544483633 M N O 843 36544483633 M N O 843 36544483633 M N O 843 36544483633
6 6 6 TGD DMJ GGGTDMDD 6 6 6 TGD DMJ GGGTDMDD 6 6 6 TGD DMJ GGGTDMDD 6 6 6 TGD DMJ GGGTDMDD 6 6 6 TGD DMJ GGGTDMDD
UHE ENKHHHUENEE UHE ENKHHHUENEE UHE ENKHHHUENEE UHE ENKHHHUENEE UHE ENKHHHUENEE
VI F FOLI I I VFOFF VI F FOLI I I VFOFF VI F FOLI I I VFOFF VI F FOLI I I VFOFF VI F FOLI I I VFOFF
- CLOSE ON: J ane qui ckl y ERASI NG, havi ng f i gur ed. . . - CLOSE ON: J ane qui ckl y ERASI NG, havi ng f i gur ed. . . - CLOSE ON: J ane qui ckl y ERASI NG, havi ng f i gur ed. . . - CLOSE ON: J ane qui ckl y ERASI NG, havi ng f i gur ed. . . - CLOSE ON: J ane qui ckl y ERASI NG, havi ng f i gur ed. . .
M N O 843 36544483633 M N O 843 36544483633 M N O 843 36544483633 M N O 843 36544483633 M N O 843 36544483633
6 6 6 T G T D 6 6 6 T G T D 6 6 6 T G T D 6 6 6 T G T D 6 6 6 T G T D
HE EN H ENE HE EN H ENE HE EN H ENE HE EN H ENE HE EN H ENE
LI LI LI LI LI
- CLOSE ON: J ane' s f i nal , SCRI BBLED sol ut i on. . . - CLOSE ON: J ane' s f i nal , SCRI BBLED sol ut i on. . . - CLOSE ON: J ane' s f i nal , SCRI BBLED sol ut i on. . . - CLOSE ON: J ane' s f i nal , SCRI BBLED sol ut i on. . . - CLOSE ON: J ane' s f i nal , SCRI BBLED sol ut i on. . .
"THE ENLIGHTENED WELCOME ALL FELLOW BELIEVERS, "THE ENLIGHTENED WELCOME ALL FELLOW BELIEVERS, "THE ENLIGHTENED WELCOME ALL FELLOW BELIEVERS, "THE ENLIGHTENED WELCOME ALL FELLOW BELIEVERS, "THE ENLIGHTENED WELCOME ALL FELLOW BELIEVERS,
TELEPHONE (410) 555-8920" TELEPHONE (410) 555-8920" TELEPHONE (410) 555-8920" TELEPHONE (410) 555-8920" TELEPHONE (410) 555-8920"
82. 82. 82. 82. 82.
BACK TO SCENE -- PENDLETON HOUSE FRONT LAWN BACK TO SCENE -- PENDLETON HOUSE FRONT LAWN BACK TO SCENE -- PENDLETON HOUSE FRONT LAWN BACK TO SCENE -- PENDLETON HOUSE FRONT LAWN BACK TO SCENE -- PENDLETON HOUSE FRONT LAWN
So, wher e t he f uck was ever yone So, wher e t he f uck was ever yone So, wher e t he f uck was ever yone So, wher e t he f uck was ever yone So, wher e t he f uck was ever yone
el se?! I got her e. Wher e wer e you? el se?! I got her e. Wher e wer e you? el se?! I got her e. Wher e wer e you? el se?! I got her e. Wher e wer e you? el se?! I got her e. Wher e wer e you?
POLI CE CHI EF POLI CE CHI EF POLI CE CHI EF POLI CE CHI EF POLI CE CHI EF
I don' t know who t he hel l i t i s you I don' t know who t he hel l i t i s you I don' t know who t he hel l i t i s you I don' t know who t he hel l i t i s you I don' t know who t he hel l i t i s you
t hi nk you ar e, Thor ne. We don' t even t hi nk you ar e, Thor ne. We don' t even t hi nk you ar e, Thor ne. We don' t even t hi nk you ar e, Thor ne. We don' t even t hi nk you ar e, Thor ne. We don' t even
know. . . we haven' t got any evi dence know. . . we haven' t got any evi dence know. . . we haven' t got any evi dence know. . . we haven' t got any evi dence know. . . we haven' t got any evi dence
t hat what went down her e i s even t hat what went down her e i s even t hat what went down her e i s even t hat what went down her e i s even t hat what went down her e i s even
r el at ed t o t he Sl asher . r el at ed t o t he Sl asher . r el at ed t o t he Sl asher . r el at ed t o t he Sl asher . r el at ed t o t he Sl asher .
I saw hi m, I t ol d you. I t was hi m. I saw hi m, I t ol d you. I t was hi m. I saw hi m, I t ol d you. I t was hi m. I saw hi m, I t ol d you. I t was hi m. I saw hi m, I t ol d you. I t was hi m.
( pause, t r yi ng t o cal m) ( pause, t r yi ng t o cal m) ( pause, t r yi ng t o cal m) ( pause, t r yi ng t o cal m) ( pause, t r yi ng t o cal m)
Al r i ght , l i st en t o me. I ' l l go Al r i ght , l i st en t o me. I ' l l go Al r i ght , l i st en t o me. I ' l l go Al r i ght , l i st en t o me. I ' l l go Al r i ght , l i st en t o me. I ' l l go
t hr ough i t agai n. I ' l l go t hr ough i t t hr ough i t agai n. I ' l l go t hr ough i t t hr ough i t agai n. I ' l l go t hr ough i t t hr ough i t agai n. I ' l l go t hr ough i t t hr ough i t agai n. I ' l l go t hr ough i t
as many t i mes as i t t akes. 20 year s as many t i mes as i t t akes. 20 year s as many t i mes as i t t akes. 20 year s as many t i mes as i t t akes. 20 year s as many t i mes as i t t akes. 20 year s
ago, Ri char d Leonar d Reeves commi t t ed ago, Ri char d Leonar d Reeves commi t t ed ago, Ri char d Leonar d Reeves commi t t ed ago, Ri char d Leonar d Reeves commi t t ed ago, Ri char d Leonar d Reeves commi t t ed
t he devi l - wor shi p chur ch ki l l i ngs, i n t he devi l - wor shi p chur ch ki l l i ngs, i n t he devi l - wor shi p chur ch ki l l i ngs, i n t he devi l - wor shi p chur ch ki l l i ngs, i n t he devi l - wor shi p chur ch ki l l i ngs, i n
Har r i sbur g. A f ew year s l at er , t hi s Har r i sbur g. A f ew year s l at er , t hi s Har r i sbur g. A f ew year s l at er , t hi s Har r i sbur g. A f ew year s l at er , t hi s Har r i sbur g. A f ew year s l at er , t hi s
Sat ani c Met al band. . . " Baphomet , " Sat ani c Met al band. . . " Baphomet , " Sat ani c Met al band. . . " Baphomet , " Sat ani c Met al band. . . " Baphomet , " Sat ani c Met al band. . . " Baphomet , "
t hey st ar t ed wr i t i ng songs about t hey st ar t ed wr i t i ng songs about t hey st ar t ed wr i t i ng songs about t hey st ar t ed wr i t i ng songs about t hey st ar t ed wr i t i ng songs about
Reeves. . . i nspi r ed by hi m. . . Reeves. . . i nspi r ed by hi m. . . Reeves. . . i nspi r ed by hi m. . . Reeves. . . i nspi r ed by hi m. . . Reeves. . . i nspi r ed by hi m. . .
J ane poi nt s t o t he " Baphomet " ALBUMS one OFFI CER' s st udyi ng. J ane poi nt s t o t he " Baphomet " ALBUMS one OFFI CER' s st udyi ng. J ane poi nt s t o t he " Baphomet " ALBUMS one OFFI CER' s st udyi ng. J ane poi nt s t o t he " Baphomet " ALBUMS one OFFI CER' s st udyi ng. J ane poi nt s t o t he " Baphomet " ALBUMS one OFFI CER' s st udyi ng.
Baphomet ' s member s wer e most l y Baphomet ' s member s wer e most l y Baphomet ' s member s wer e most l y Baphomet ' s member s wer e most l y Baphomet ' s member s wer e most l y
Har r i sbur g l ocal s, j ust l i ke Reeves. Har r i sbur g l ocal s, j ust l i ke Reeves. Har r i sbur g l ocal s, j ust l i ke Reeves. Har r i sbur g l ocal s, j ust l i ke Reeves. Har r i sbur g l ocal s, j ust l i ke Reeves.
They even posed f or one of t hei r They even posed f or one of t hei r They even posed f or one of t hei r They even posed f or one of t hei r They even posed f or one of t hei r
al bumcover s i n f r ont of t he al bumcover s i n f r ont of t he al bumcover s i n f r ont of t he al bumcover s i n f r ont of t he al bumcover s i n f r ont of t he
abandoned chur ch wher e t he mur der s abandoned chur ch wher e t he mur der s abandoned chur ch wher e t he mur der s abandoned chur ch wher e t he mur der s abandoned chur ch wher e t he mur der s
t ook pl ace. t ook pl ace. t ook pl ace. t ook pl ace. t ook pl ace.
Because of Reeves and pr obabl y Because of Reeves and pr obabl y Because of Reeves and pr obabl y Because of Reeves and pr obabl y Because of Reeves and pr obabl y
because of t hose al bums, t hat chur ch; because of t hose al bums, t hat chur ch; because of t hose al bums, t hat chur ch; because of t hose al bums, t hat chur ch; because of t hose al bums, t hat chur ch;
Chr i st ' s Cr oss Chur ch, i t ' s been a Chr i st ' s Cr oss Chur ch, i t ' s been a Chr i st ' s Cr oss Chur ch, i t ' s been a Chr i st ' s Cr oss Chur ch, i t ' s been a Chr i st ' s Cr oss Chur ch, i t ' s been a
mecca f or woul d- be Sat ani st s. mecca f or woul d- be Sat ani st s. mecca f or woul d- be Sat ani st s. mecca f or woul d- be Sat ani st s. mecca f or woul d- be Sat ani st s.
Someone even t r i ed t o bur n i t down a Someone even t r i ed t o bur n i t down a Someone even t r i ed t o bur n i t down a Someone even t r i ed t o bur n i t down a Someone even t r i ed t o bur n i t down a
f ew year s back. To Baphomet , Reeves f ew year s back. To Baphomet , Reeves f ew year s back. To Baphomet , Reeves f ew year s back. To Baphomet , Reeves f ew year s back. To Baphomet , Reeves
was a ki nd of f ol k her o, and now our was a ki nd of f ol k her o, and now our was a ki nd of f ol k her o, and now our was a ki nd of f ol k her o, and now our was a ki nd of f ol k her o, and now our
guy' s car r yi ng t he t or ch. Reeves guy' s car r yi ng t he t or ch. Reeves guy' s car r yi ng t he t or ch. Reeves guy' s car r yi ng t he t or ch. Reeves guy' s car r yi ng t he t or ch. Reeves
i nspi r ed Baphomet . Reeves and i nspi r ed Baphomet . Reeves and i nspi r ed Baphomet . Reeves and i nspi r ed Baphomet . Reeves and i nspi r ed Baphomet . Reeves and
Baphomet i nspi r e t he Sl asher . Take Baphomet i nspi r e t he Sl asher . Take Baphomet i nspi r e t he Sl asher . Take Baphomet i nspi r e t he Sl asher . Take Baphomet i nspi r e t he Sl asher . Take
a l ook at t he wr i t i ngs t he Sl asher ' s a l ook at t he wr i t i ngs t he Sl asher ' s a l ook at t he wr i t i ngs t he Sl asher ' s a l ook at t he wr i t i ngs t he Sl asher ' s a l ook at t he wr i t i ngs t he Sl asher ' s
l eavi ng at hi s ki l l i ngs. He' s l eavi ng at hi s ki l l i ngs. He' s l eavi ng at hi s ki l l i ngs. He' s l eavi ng at hi s ki l l i ngs. He' s l eavi ng at hi s ki l l i ngs. He' s
quot i ng t i t l es and l yr i cs f r omt hose quot i ng t i t l es and l yr i cs f r omt hose quot i ng t i t l es and l yr i cs f r omt hose quot i ng t i t l es and l yr i cs f r omt hose quot i ng t i t l es and l yr i cs f r omt hose
al bums. And t he whol e t i me, t he al bums. And t he whol e t i me, t he al bums. And t he whol e t i me, t he al bums. And t he whol e t i me, t he al bums. And t he whol e t i me, t he
Sl asher ' s usi ng Reeves' name. . . maybe Sl asher ' s usi ng Reeves' name. . . maybe Sl asher ' s usi ng Reeves' name. . . maybe Sl asher ' s usi ng Reeves' name. . . maybe Sl asher ' s usi ng Reeves' name. . . maybe
even bel i eves he i s Reeves. even bel i eves he i s Reeves. even bel i eves he i s Reeves. even bel i eves he i s Reeves. even bel i eves he i s Reeves.
( poi nt i ng t o ALBUMS) ( poi nt i ng t o ALBUMS) ( poi nt i ng t o ALBUMS) ( poi nt i ng t o ALBUMS) ( poi nt i ng t o ALBUMS)
I can' t be t he onl y one who dug t hi s I can' t be t he onl y one who dug t hi s I can' t be t he onl y one who dug t hi s I can' t be t he onl y one who dug t hi s I can' t be t he onl y one who dug t hi s
up. up. up. up. up.
83. 83. 83. 83. 83.
Whet her he' s doi ng t hi s i n t r i but e t o Whet her he' s doi ng t hi s i n t r i but e t o Whet her he' s doi ng t hi s i n t r i but e t o Whet her he' s doi ng t hi s i n t r i but e t o Whet her he' s doi ng t hi s i n t r i but e t o
Reeves, or t r yi ng t o f i ni sh what ever Reeves, or t r yi ng t o f i ni sh what ever Reeves, or t r yi ng t o f i ni sh what ever Reeves, or t r yi ng t o f i ni sh what ever Reeves, or t r yi ng t o f i ni sh what ever
Reeves st ar t ed 20 year s ago, t he Reeves st ar t ed 20 year s ago, t he Reeves st ar t ed 20 year s ago, t he Reeves st ar t ed 20 year s ago, t he Reeves st ar t ed 20 year s ago, t he
Sl asher ' s goi ng t o f i ni sh i t t her e, Sl asher ' s goi ng t o f i ni sh i t t her e, Sl asher ' s goi ng t o f i ni sh i t t her e, Sl asher ' s goi ng t o f i ni sh i t t her e, Sl asher ' s goi ng t o f i ni sh i t t her e,
at t hat chur ch. He' s goi ng t o at t hat chur ch. He' s goi ng t o at t hat chur ch. He' s goi ng t o at t hat chur ch. He' s goi ng t o at t hat chur ch. He' s goi ng t o
Har r i sbur g. Har r i sbur g. Har r i sbur g. Har r i sbur g. Har r i sbur g.
EXT. HARRISBURG, RESIDENTIAL STREETS -- LATER DAY EXT. HARRISBURG, RESIDENTIAL STREETS -- LATER DAY EXT. HARRISBURG, RESIDENTIAL STREETS -- LATER DAY EXT. HARRISBURG, RESIDENTIAL STREETS -- LATER DAY EXT. HARRISBURG, RESIDENTIAL STREETS -- LATER DAY
Psycho Ki l l er ' s car sl owl y pr owl s. Psycho Ki l l er ' s car sl owl y pr owl s. Psycho Ki l l er ' s car sl owl y pr owl s. Psycho Ki l l er ' s car sl owl y pr owl s. Psycho Ki l l er ' s car sl owl y pr owl s.
Psycho Ki l l er ' s sear chi ng bot h si des of t he st r eet . Psycho Ki l l er ' s sear chi ng bot h si des of t he st r eet . Psycho Ki l l er ' s sear chi ng bot h si des of t he st r eet . Psycho Ki l l er ' s sear chi ng bot h si des of t he st r eet . Psycho Ki l l er ' s sear chi ng bot h si des of t he st r eet .
Most of t hese HOMES ar e at t ached, TWO or THREE STORY Most of t hese HOMES ar e at t ached, TWO or THREE STORY Most of t hese HOMES ar e at t ached, TWO or THREE STORY Most of t hese HOMES ar e at t ached, TWO or THREE STORY Most of t hese HOMES ar e at t ached, TWO or THREE STORY
AFFAI RS, except . . . t her e' s a HOUSE on t he cor ner . . . AFFAI RS, except . . . t her e' s a HOUSE on t he cor ner . . . AFFAI RS, except . . . t her e' s a HOUSE on t he cor ner . . . AFFAI RS, except . . . t her e' s a HOUSE on t he cor ner . . . AFFAI RS, except . . . t her e' s a HOUSE on t he cor ner . . .
EXT. 213 OAK AVENUE -- DAY EXT. 213 OAK AVENUE -- DAY EXT. 213 OAK AVENUE -- DAY EXT. 213 OAK AVENUE -- DAY EXT. 213 OAK AVENUE -- DAY
The MAI LBOX at t he cur b r eads, " 213. " The house i s a The MAI LBOX at t he cur b r eads, " 213. " The house i s a The MAI LBOX at t he cur b r eads, " 213. " The house i s a The MAI LBOX at t he cur b r eads, " 213. " The house i s a The MAI LBOX at t he cur b r eads, " 213. " The house i s a
weat her - beat en, TWO STORY DWELLI NG, on a spar e, weedy l ot . weat her - beat en, TWO STORY DWELLI NG, on a spar e, weedy l ot . weat her - beat en, TWO STORY DWELLI NG, on a spar e, weedy l ot . weat her - beat en, TWO STORY DWELLI NG, on a spar e, weedy l ot . weat her - beat en, TWO STORY DWELLI NG, on a spar e, weedy l ot .
Psycho Ki l l er checks hi s I NDEX CARD. . LEWIS WILKES Psycho Ki l l er checks hi s I NDEX CARD. . LEWIS WILKES Psycho Ki l l er checks hi s I NDEX CARD. . LEWIS WILKES Psycho Ki l l er checks hi s I NDEX CARD. . LEWIS WILKES Psycho Ki l l er checks hi s I NDEX CARD. . LEWIS WILKES
213 Oak Avenue 213 Oak Avenue 213 Oak Avenue 213 Oak Avenue 213 Oak Avenue
Psycho Ki l l er dr i ves on, gl ances back. . . Psycho Ki l l er dr i ves on, gl ances back. . . Psycho Ki l l er dr i ves on, gl ances back. . . Psycho Ki l l er dr i ves on, gl ances back. . . Psycho Ki l l er dr i ves on, gl ances back. . .
He t ur ns a cor ner . Hal f way down t he bl ock, he par ks. He t ur ns a cor ner . Hal f way down t he bl ock, he par ks. He t ur ns a cor ner . Hal f way down t he bl ock, he par ks. He t ur ns a cor ner . Hal f way down t he bl ock, he par ks. He t ur ns a cor ner . Hal f way down t he bl ock, he par ks.
EXT. 213 OAK AVENUE -- MOMENTS LATER EXT. 213 OAK AVENUE -- MOMENTS LATER EXT. 213 OAK AVENUE -- MOMENTS LATER EXT. 213 OAK AVENUE -- MOMENTS LATER EXT. 213 OAK AVENUE -- MOMENTS LATER
Psycho Ki l l er wal ks, car r yi ng hi s sui t case, t r ench coat Psycho Ki l l er wal ks, car r yi ng hi s sui t case, t r ench coat Psycho Ki l l er wal ks, car r yi ng hi s sui t case, t r ench coat Psycho Ki l l er wal ks, car r yi ng hi s sui t case, t r ench coat Psycho Ki l l er wal ks, car r yi ng hi s sui t case, t r ench coat
dr aped over i t . He wai t s as a CAR passes. Then, PK l eaves dr aped over i t . He wai t s as a CAR passes. Then, PK l eaves dr aped over i t . He wai t s as a CAR passes. Then, PK l eaves dr aped over i t . He wai t s as a CAR passes. Then, PK l eaves dr aped over i t . He wai t s as a CAR passes. Then, PK l eaves
t he si dewal k, wal ki ng up 213' s gr avel DRI VEWAY. The home' s t he si dewal k, wal ki ng up 213' s gr avel DRI VEWAY. The home' s t he si dewal k, wal ki ng up 213' s gr avel DRI VEWAY. The home' s t he si dewal k, wal ki ng up 213' s gr avel DRI VEWAY. The home' s t he si dewal k, wal ki ng up 213' s gr avel DRI VEWAY. The home' s
ol d, det ached GARAGE i s ahead, open and empt y. ol d, det ached GARAGE i s ahead, open and empt y. ol d, det ached GARAGE i s ahead, open and empt y. ol d, det ached GARAGE i s ahead, open and empt y. ol d, det ached GARAGE i s ahead, open and empt y.
INT. 213 OAK AVENUE -- DAY INT. 213 OAK AVENUE -- DAY INT. 213 OAK AVENUE -- DAY INT. 213 OAK AVENUE -- DAY INT. 213 OAK AVENUE -- DAY
At one REAR WI NDOWof t he house, Psycho Ki l l er ' s meat y hand At one REAR WI NDOWof t he house, Psycho Ki l l er ' s meat y hand At one REAR WI NDOWof t he house, Psycho Ki l l er ' s meat y hand At one REAR WI NDOWof t he house, Psycho Ki l l er ' s meat y hand At one REAR WI NDOWof t he house, Psycho Ki l l er ' s meat y hand
t ear s a hol e i n t he out si de SCREEN, r eachi ng t hr ough. . . t ear s a hol e i n t he out si de SCREEN, r eachi ng t hr ough. . . t ear s a hol e i n t he out si de SCREEN, r eachi ng t hr ough. . . t ear s a hol e i n t he out si de SCREEN, r eachi ng t hr ough. . . t ear s a hol e i n t he out si de SCREEN, r eachi ng t hr ough. . .
As he pushes agai nst t he wi ndow, t est i ng. . . i t OPENS. As he pushes agai nst t he wi ndow, t est i ng. . . i t OPENS. As he pushes agai nst t he wi ndow, t est i ng. . . i t OPENS. As he pushes agai nst t he wi ndow, t est i ng. . . i t OPENS. As he pushes agai nst t he wi ndow, t est i ng. . . i t OPENS.
INT. 213 OAK AVENUE, DOWNSTAIRS HALL - DAY INT. 213 OAK AVENUE, DOWNSTAIRS HALL - DAY INT. 213 OAK AVENUE, DOWNSTAIRS HALL - DAY INT. 213 OAK AVENUE, DOWNSTAIRS HALL - DAY INT. 213 OAK AVENUE, DOWNSTAIRS HALL - DAY
Psycho Ki l l er comes ar ound a cor ner . Psycho Ki l l er comes ar ound a cor ner . Psycho Ki l l er comes ar ound a cor ner . Psycho Ki l l er comes ar ound a cor ner . Psycho Ki l l er comes ar ound a cor ner .
He' s masked, sui t case i n one hand, shot gun i n t he ot her . He' s masked, sui t case i n one hand, shot gun i n t he ot her . He' s masked, sui t case i n one hand, shot gun i n t he ot her . He' s masked, sui t case i n one hand, shot gun i n t he ot her . He' s masked, sui t case i n one hand, shot gun i n t he ot her .
We HEAR PK' s BREATHI NG and FOOTFALLS as he MOVES THROUGH t he We HEAR PK' s BREATHI NG and FOOTFALLS as he MOVES THROUGH t he We HEAR PK' s BREATHI NG and FOOTFALLS as he MOVES THROUGH t he We HEAR PK' s BREATHI NG and FOOTFALLS as he MOVES THROUGH t he We HEAR PK' s BREATHI NG and FOOTFALLS as he MOVES THROUGH t he
HALLWAY. . . LOOKS i nt o an empt y DI NI NG ROOM. . . HALLWAY. . . LOOKS i nt o an empt y DI NI NG ROOM. . . HALLWAY. . . LOOKS i nt o an empt y DI NI NG ROOM. . . HALLWAY. . . LOOKS i nt o an empt y DI NI NG ROOM. . . HALLWAY. . . LOOKS i nt o an empt y DI NI NG ROOM. . .
84. 84. 84. 84. 84.
SEARCHES t he LI VI NG ROOM, t hen pr oceeds UPSTAI RS. . . CLI MBI NG SEARCHES t he LI VI NG ROOM, t hen pr oceeds UPSTAI RS. . . CLI MBI NG SEARCHES t he LI VI NG ROOM, t hen pr oceeds UPSTAI RS. . . CLI MBI NG SEARCHES t he LI VI NG ROOM, t hen pr oceeds UPSTAI RS. . . CLI MBI NG SEARCHES t he LI VI NG ROOM, t hen pr oceeds UPSTAI RS. . . CLI MBI NG
t he cr eaky st ai r s. . . LOOKS i nt o a SEWI NG ROOM. . . l umber s t he cr eaky st ai r s. . . LOOKS i nt o a SEWI NG ROOM. . . l umber s t he cr eaky st ai r s. . . LOOKS i nt o a SEWI NG ROOM. . . l umber s t he cr eaky st ai r s. . . LOOKS i nt o a SEWI NG ROOM. . . l umber s t he cr eaky st ai r s. . . LOOKS i nt o a SEWI NG ROOM. . . l umber s
down t he HALL. down t he HALL. down t he HALL. down t he HALL. down t he HALL.
INT. 213 OAK AVENUE, MASTER BEDROOM (2ND FLOOR) -- DAY INT. 213 OAK AVENUE, MASTER BEDROOM (2ND FLOOR) -- DAY INT. 213 OAK AVENUE, MASTER BEDROOM (2ND FLOOR) -- DAY INT. 213 OAK AVENUE, MASTER BEDROOM (2ND FLOOR) -- DAY INT. 213 OAK AVENUE, MASTER BEDROOM (2ND FLOOR) -- DAY
FOOTSTEPS near . PK pushes t he bedr oomdoor open, ent er s. FOOTSTEPS near . PK pushes t he bedr oomdoor open, ent er s. FOOTSTEPS near . PK pushes t he bedr oomdoor open, ent er s. FOOTSTEPS near . PK pushes t he bedr oomdoor open, ent er s. FOOTSTEPS near . PK pushes t he bedr oomdoor open, ent er s.
No one home. He put s down hi s sui t case, si t s on t he neat l y No one home. He put s down hi s sui t case, si t s on t he neat l y No one home. He put s down hi s sui t case, si t s on t he neat l y No one home. He put s down hi s sui t case, si t s on t he neat l y No one home. He put s down hi s sui t case, si t s on t he neat l y
made BED. He wai t s, shot gun hel d. The house i s qui et . made BED. He wai t s, shot gun hel d. The house i s qui et . made BED. He wai t s, shot gun hel d. The house i s qui et . made BED. He wai t s, shot gun hel d. The house i s qui et . made BED. He wai t s, shot gun hel d. The house i s qui et .
EXT. PENDELTON ESTATE -- DAY EXT. PENDELTON ESTATE -- DAY EXT. PENDELTON ESTATE -- DAY EXT. PENDELTON ESTATE -- DAY EXT. PENDELTON ESTATE -- DAY
J ane l eans agai nst her bat t er ed t r uck, cool i ng her heel s, J ane l eans agai nst her bat t er ed t r uck, cool i ng her heel s, J ane l eans agai nst her bat t er ed t r uck, cool i ng her heel s, J ane l eans agai nst her bat t er ed t r uck, cool i ng her heel s, J ane l eans agai nst her bat t er ed t r uck, cool i ng her heel s,
f l anked by PATROLMEN. She' s wat chi ng a cl amor i ng GATHERI NG f l anked by PATROLMEN. She' s wat chi ng a cl amor i ng GATHERI NG f l anked by PATROLMEN. She' s wat chi ng a cl amor i ng GATHERI NG f l anked by PATROLMEN. She' s wat chi ng a cl amor i ng GATHERI NG f l anked by PATROLMEN. She' s wat chi ng a cl amor i ng GATHERI NG
of LAWMEN not f ar way wi t h Lead Agent at i t ' s cent er . As of LAWMEN not f ar way wi t h Lead Agent at i t ' s cent er . As of LAWMEN not f ar way wi t h Lead Agent at i t ' s cent er . As of LAWMEN not f ar way wi t h Lead Agent at i t ' s cent er . As of LAWMEN not f ar way wi t h Lead Agent at i t ' s cent er . As
t he gat her i ng br eaks up, Lead Agent wal ks over t o J ane. t he gat her i ng br eaks up, Lead Agent wal ks over t o J ane. t he gat her i ng br eaks up, Lead Agent wal ks over t o J ane. t he gat her i ng br eaks up, Lead Agent wal ks over t o J ane. t he gat her i ng br eaks up, Lead Agent wal ks over t o J ane.
Al r i ght , you' r e f r ee t o go. Make Al r i ght , you' r e f r ee t o go. Make Al r i ght , you' r e f r ee t o go. Make Al r i ght , you' r e f r ee t o go. Make Al r i ght , you' r e f r ee t o go. Make
sur e you do exact l y t hat . Head home. sur e you do exact l y t hat . Head home. sur e you do exact l y t hat . Head home. sur e you do exact l y t hat . Head home. sur e you do exact l y t hat . Head home.
Pr omi se me you won' t l et t hi s f al l Pr omi se me you won' t l et t hi s f al l Pr omi se me you won' t l et t hi s f al l Pr omi se me you won' t l et t hi s f al l Pr omi se me you won' t l et t hi s f al l
t hr ough t he cr acks. Don' t i gnor e t hr ough t he cr acks. Don' t i gnor e t hr ough t he cr acks. Don' t i gnor e t hr ough t he cr acks. Don' t i gnor e t hr ough t he cr acks. Don' t i gnor e
what I ' msayi ng j ust because you what I ' msayi ng j ust because you what I ' msayi ng j ust because you what I ' msayi ng j ust because you what I ' msayi ng j ust because you
don' t t hi nk I bel ong her e. don' t t hi nk I bel ong her e. don' t t hi nk I bel ong her e. don' t t hi nk I bel ong her e. don' t t hi nk I bel ong her e.
Har r i sbur g P. D. knows t her e' s a st or m Har r i sbur g P. D. knows t her e' s a st or m Har r i sbur g P. D. knows t her e' s a st or m Har r i sbur g P. D. knows t her e' s a st or m Har r i sbur g P. D. knows t her e' s a st or m
comi ng. FBI ' s mobi l i zed. Not t hat comi ng. FBI ' s mobi l i zed. Not t hat comi ng. FBI ' s mobi l i zed. Not t hat comi ng. FBI ' s mobi l i zed. Not t hat comi ng. FBI ' s mobi l i zed. Not t hat
i t ' s any of your busi ness. What you i t ' s any of your busi ness. What you i t ' s any of your busi ness. What you i t ' s any of your busi ness. What you i t ' s any of your busi ness. What you
need t o compr ehend i n no uncer t ai n need t o compr ehend i n no uncer t ai n need t o compr ehend i n no uncer t ai n need t o compr ehend i n no uncer t ai n need t o compr ehend i n no uncer t ai n
t er ms i s t hat i f you so much as st ep t er ms i s t hat i f you so much as st ep t er ms i s t hat i f you so much as st ep t er ms i s t hat i f you so much as st ep t er ms i s t hat i f you so much as st ep
f oot i n Pennsyl vani a, l et al one f oot i n Pennsyl vani a, l et al one f oot i n Pennsyl vani a, l et al one f oot i n Pennsyl vani a, l et al one f oot i n Pennsyl vani a, l et al one
Har r i sbur g, you wi l l be ar r est ed. Har r i sbur g, you wi l l be ar r est ed. Har r i sbur g, you wi l l be ar r est ed. Har r i sbur g, you wi l l be ar r est ed. Har r i sbur g, you wi l l be ar r est ed.
Pr osecut ed f or obst r uct i on. Pr osecut ed f or obst r uct i on. Pr osecut ed f or obst r uct i on. Pr osecut ed f or obst r uct i on. Pr osecut ed f or obst r uct i on.
Got i t . Got i t . Got i t . Got i t . Got i t .
Go west , Tr ooper . Don' t l ook back. Go west , Tr ooper . Don' t l ook back. Go west , Tr ooper . Don' t l ook back. Go west , Tr ooper . Don' t l ook back. Go west , Tr ooper . Don' t l ook back.
J ane heads t o her t r uck. J ane heads t o her t r uck. J ane heads t o her t r uck. J ane heads t o her t r uck. J ane heads t o her t r uck.
INT. 213 OAK AVENUE, MASTER BEDROOM -- DUSK INT. 213 OAK AVENUE, MASTER BEDROOM -- DUSK INT. 213 OAK AVENUE, MASTER BEDROOM -- DUSK INT. 213 OAK AVENUE, MASTER BEDROOM -- DUSK INT. 213 OAK AVENUE, MASTER BEDROOM -- DUSK
The day' s LI GHT FADES. Psycho Ki l l er i s seat ed on t he bed, The day' s LI GHT FADES. Psycho Ki l l er i s seat ed on t he bed, The day' s LI GHT FADES. Psycho Ki l l er i s seat ed on t he bed, The day' s LI GHT FADES. Psycho Ki l l er i s seat ed on t he bed, The day' s LI GHT FADES. Psycho Ki l l er i s seat ed on t he bed,
wher e he was when we l ef t hi m. The SOUND of a CAR i s HEARD. wher e he was when we l ef t hi m. The SOUND of a CAR i s HEARD. wher e he was when we l ef t hi m. The SOUND of a CAR i s HEARD. wher e he was when we l ef t hi m. The SOUND of a CAR i s HEARD. wher e he was when we l ef t hi m. The SOUND of a CAR i s HEARD.
Psycho Ki l l er goes t o l ook OUT THE WI NDOW: wher e a bi g, Psycho Ki l l er goes t o l ook OUT THE WI NDOW: wher e a bi g, Psycho Ki l l er goes t o l ook OUT THE WI NDOW: wher e a bi g, Psycho Ki l l er goes t o l ook OUT THE WI NDOW: wher e a bi g, Psycho Ki l l er goes t o l ook OUT THE WI NDOW: wher e a bi g,
r ust y SEDAN pul l s i nt o t he gar age. r ust y SEDAN pul l s i nt o t he gar age. r ust y SEDAN pul l s i nt o t he gar age. r ust y SEDAN pul l s i nt o t he gar age. r ust y SEDAN pul l s i nt o t he gar age.
85. 85. 85. 85. 85.
A moment , t hen t he HUSBAND and WI FE homeowner s, LEWI S and A moment , t hen t he HUSBAND and WI FE homeowner s, LEWI S and A moment , t hen t he HUSBAND and WI FE homeowner s, LEWI S and A moment , t hen t he HUSBAND and WI FE homeowner s, LEWI S and A moment , t hen t he HUSBAND and WI FE homeowner s, LEWI S and
MARI E WI LKES, mi d- 40' s, exi t t he gar age, car r yi ng GROCERI ES MARI E WI LKES, mi d- 40' s, exi t t he gar age, car r yi ng GROCERI ES MARI E WI LKES, mi d- 40' s, exi t t he gar age, car r yi ng GROCERI ES MARI E WI LKES, mi d- 40' s, exi t t he gar age, car r yi ng GROCERI ES MARI E WI LKES, mi d- 40' s, exi t t he gar age, car r yi ng GROCERI ES
t o t he house. t o t he house. t o t he house. t o t he house. t o t he house.
INT. 213 OAK AVENUE, MASTER BEDROOM -- NIGHT INT. 213 OAK AVENUE, MASTER BEDROOM -- NIGHT INT. 213 OAK AVENUE, MASTER BEDROOM -- NIGHT INT. 213 OAK AVENUE, MASTER BEDROOM -- NIGHT INT. 213 OAK AVENUE, MASTER BEDROOM -- NIGHT
I n t he dar k, Psycho Ki l l er ' s st i l l seat ed on t he bed. The I n t he dar k, Psycho Ki l l er ' s st i l l seat ed on t he bed. The I n t he dar k, Psycho Ki l l er ' s st i l l seat ed on t he bed. The I n t he dar k, Psycho Ki l l er ' s st i l l seat ed on t he bed. The I n t he dar k, Psycho Ki l l er ' s st i l l seat ed on t he bed. The
uni nt el l i gi bl e SOUNDS of a TV SHOWdr i f t up FROM DOWNSTAI RS, uni nt el l i gi bl e SOUNDS of a TV SHOWdr i f t up FROM DOWNSTAI RS, uni nt el l i gi bl e SOUNDS of a TV SHOWdr i f t up FROM DOWNSTAI RS, uni nt el l i gi bl e SOUNDS of a TV SHOWdr i f t up FROM DOWNSTAI RS, uni nt el l i gi bl e SOUNDS of a TV SHOWdr i f t up FROM DOWNSTAI RS,
punct uat ed by unmi st akabl e SI TCOM LAUGH TRACK. VOI CES ar e punct uat ed by unmi st akabl e SI TCOM LAUGH TRACK. VOI CES ar e punct uat ed by unmi st akabl e SI TCOM LAUGH TRACK. VOI CES ar e punct uat ed by unmi st akabl e SI TCOM LAUGH TRACK. VOI CES ar e punct uat ed by unmi st akabl e SI TCOM LAUGH TRACK. VOI CES ar e
HEARD and t he SOUND of DI SHES CLI NKI NG t oget her . HEARD and t he SOUND of DI SHES CLI NKI NG t oget her . HEARD and t he SOUND of DI SHES CLI NKI NG t oget her . HEARD and t he SOUND of DI SHES CLI NKI NG t oget her . HEARD and t he SOUND of DI SHES CLI NKI NG t oget her .
PK l ooks t o a bedsi de ALARM CLOCK. " 7: 47 PM. " PK l ooks t o a bedsi de ALARM CLOCK. " 7: 47 PM. " PK l ooks t o a bedsi de ALARM CLOCK. " 7: 47 PM. " PK l ooks t o a bedsi de ALARM CLOCK. " 7: 47 PM. " PK l ooks t o a bedsi de ALARM CLOCK. " 7: 47 PM. "
SOMEONE i s HEARD COMI NG up t he st ai r s. SOMEONE i s HEARD COMI NG up t he st ai r s. SOMEONE i s HEARD COMI NG up t he st ai r s. SOMEONE i s HEARD COMI NG up t he st ai r s. SOMEONE i s HEARD COMI NG up t he st ai r s.
LEWI S ( O. S. ) LEWI S ( O. S. ) LEWI S ( O. S. ) LEWI S ( O. S. ) LEWI S ( O. S. )
( SHOUTI NG t o downst ai r s) ( SHOUTI NG t o downst ai r s) ( SHOUTI NG t o downst ai r s) ( SHOUTI NG t o downst ai r s) ( SHOUTI NG t o downst ai r s)
. . . don' t know. Why don' t you cal l . . . don' t know. Why don' t you cal l . . . don' t know. Why don' t you cal l . . . don' t know. Why don' t you cal l . . . don' t know. Why don' t you cal l
her and f i nd out ?! She' s your si st er ! her and f i nd out ?! She' s your si st er ! her and f i nd out ?! She' s your si st er ! her and f i nd out ?! She' s your si st er ! her and f i nd out ?! She' s your si st er !
Psycho Ki l l er st ands. The husband' s HEARD GETTI NG CLOSER. . . Psycho Ki l l er st ands. The husband' s HEARD GETTI NG CLOSER. . . Psycho Ki l l er st ands. The husband' s HEARD GETTI NG CLOSER. . . Psycho Ki l l er st ands. The husband' s HEARD GETTI NG CLOSER. . . Psycho Ki l l er st ands. The husband' s HEARD GETTI NG CLOSER. . .
LEWI S ( O. S. ) LEWI S ( O. S. ) LEWI S ( O. S. ) LEWI S ( O. S. ) LEWI S ( O. S. )
( t o hi msel f ) ( t o hi msel f ) ( t o hi msel f ) ( t o hi msel f ) ( t o hi msel f )
Chr i st , woman, l et ' s have a whol e Chr i st , woman, l et ' s have a whol e Chr i st , woman, l et ' s have a whol e Chr i st , woman, l et ' s have a whol e Chr i st , woman, l et ' s have a whol e
conver sat i on shout i ng acr oss t he conver sat i on shout i ng acr oss t he conver sat i on shout i ng acr oss t he conver sat i on shout i ng acr oss t he conver sat i on shout i ng acr oss t he
goddamn house, why don' t we. . . ? goddamn house, why don' t we. . . ? goddamn house, why don' t we. . . ? goddamn house, why don' t we. . . ? goddamn house, why don' t we. . . ?
Lewi s ent er s, f l i cks a LI GHT ON. . . Lewi s ent er s, f l i cks a LI GHT ON. . . Lewi s ent er s, f l i cks a LI GHT ON. . . Lewi s ent er s, f l i cks a LI GHT ON. . . Lewi s ent er s, f l i cks a LI GHT ON. . .
Psycho Ki l l er i s upon hi m, GRI PPI NG Lewi s' s t hr oat , l eani ng Psycho Ki l l er i s upon hi m, GRI PPI NG Lewi s' s t hr oat , l eani ng Psycho Ki l l er i s upon hi m, GRI PPI NG Lewi s' s t hr oat , l eani ng Psycho Ki l l er i s upon hi m, GRI PPI NG Lewi s' s t hr oat , l eani ng Psycho Ki l l er i s upon hi m, GRI PPI NG Lewi s' s t hr oat , l eani ng
i n cl ose whi l e pr essi ng t he shot gun t o Lewi s' s cheek. i n cl ose whi l e pr essi ng t he shot gun t o Lewi s' s cheek. i n cl ose whi l e pr essi ng t he shot gun t o Lewi s' s cheek. i n cl ose whi l e pr essi ng t he shot gun t o Lewi s' s cheek. i n cl ose whi l e pr essi ng t he shot gun t o Lewi s' s cheek.
Lewi s Wi l kes. Do you l ove your wi f e? Lewi s Wi l kes. Do you l ove your wi f e? Lewi s Wi l kes. Do you l ove your wi f e? Lewi s Wi l kes. Do you l ove your wi f e? Lewi s Wi l kes. Do you l ove your wi f e?
IN JANE'S TRUCK -- IN MOTION IN JANE'S TRUCK -- IN MOTION IN JANE'S TRUCK -- IN MOTION IN JANE'S TRUCK -- IN MOTION IN JANE'S TRUCK -- IN MOTION
J ane has her CELL PHONE t o her ear , l i st eni ng t o RI NGI NG. J ane has her CELL PHONE t o her ear , l i st eni ng t o RI NGI NG. J ane has her CELL PHONE t o her ear , l i st eni ng t o RI NGI NG. J ane has her CELL PHONE t o her ear , l i st eni ng t o RI NGI NG. J ane has her CELL PHONE t o her ear , l i st eni ng t o RI NGI NG.
INT. F.B.I. SPRINGFIELD, 4TH FLOOR OFFICES -- INTERCUT INT. F.B.I. SPRINGFIELD, 4TH FLOOR OFFICES -- INTERCUT INT. F.B.I. SPRINGFIELD, 4TH FLOOR OFFICES -- INTERCUT INT. F.B.I. SPRINGFIELD, 4TH FLOOR OFFICES -- INTERCUT INT. F.B.I. SPRINGFIELD, 4TH FLOOR OFFICES -- INTERCUT
MALE and FEMALE FBI AGENTS wor k busi l y i n t he many bust l i ng, MALE and FEMALE FBI AGENTS wor k busi l y i n t he many bust l i ng, MALE and FEMALE FBI AGENTS wor k busi l y i n t he many bust l i ng, MALE and FEMALE FBI AGENTS wor k busi l y i n t he many bust l i ng, MALE and FEMALE FBI AGENTS wor k busi l y i n t he many bust l i ng,
cl ut t er ed OFFI CE CUBI CLES. . . except i n one vacant CUBI CLE cl ut t er ed OFFI CE CUBI CLES. . . except i n one vacant CUBI CLE cl ut t er ed OFFI CE CUBI CLES. . . except i n one vacant CUBI CLE cl ut t er ed OFFI CE CUBI CLES. . . except i n one vacant CUBI CLE cl ut t er ed OFFI CE CUBI CLES. . . except i n one vacant CUBI CLE
whi ch has been st r i pped compl et el y bar e, wher e t her e' s onl y whi ch has been st r i pped compl et el y bar e, wher e t her e' s onl y whi ch has been st r i pped compl et el y bar e, wher e t her e' s onl y whi ch has been st r i pped compl et el y bar e, wher e t her e' s onl y whi ch has been st r i pped compl et el y bar e, wher e t her e' s onl y
an empt y DESK, a CHAI R, and a PHONE wi t h one l i ne BLI NKI NG. an empt y DESK, a CHAI R, and a PHONE wi t h one l i ne BLI NKI NG. an empt y DESK, a CHAI R, and a PHONE wi t h one l i ne BLI NKI NG. an empt y DESK, a CHAI R, and a PHONE wi t h one l i ne BLI NKI NG. an empt y DESK, a CHAI R, and a PHONE wi t h one l i ne BLI NKI NG.
IN JANE'S TRUCK -- IN MOTION IN JANE'S TRUCK -- IN MOTION IN JANE'S TRUCK -- IN MOTION IN JANE'S TRUCK -- IN MOTION IN JANE'S TRUCK -- IN MOTION
RECORDED MALE VOI CE ( V. O. ) RECORDED MALE VOI CE ( V. O. ) RECORDED MALE VOI CE ( V. O. ) RECORDED MALE VOI CE ( V. O. ) RECORDED MALE VOI CE ( V. O. )
( f r omJ ane' s PHONE) ( f r omJ ane' s PHONE) ( f r omJ ane' s PHONE) ( f r omJ ane' s PHONE) ( f r omJ ane' s PHONE)
You' ve r eached t he voi cemai l of Agent You' ve r eached t he voi cemai l of Agent You' ve r eached t he voi cemai l of Agent You' ve r eached t he voi cemai l of Agent You' ve r eached t he voi cemai l of Agent
Becky Col l i ns. Messages l ef t her e Becky Col l i ns. Messages l ef t her e Becky Col l i ns. Messages l ef t her e Becky Col l i ns. Messages l ef t her e Becky Col l i ns. Messages l ef t her e
wi l l be f or war ded t o her new wi l l be f or war ded t o her new wi l l be f or war ded t o her new wi l l be f or war ded t o her new wi l l be f or war ded t o her new
assi gnment . assi gnment . assi gnment . assi gnment . assi gnment .
86. 86. 86. 86. 86.
The MACHI NE BEEPS. J ane r egar ds her phone, cl oses i t . The MACHI NE BEEPS. J ane r egar ds her phone, cl oses i t . The MACHI NE BEEPS. J ane r egar ds her phone, cl oses i t . The MACHI NE BEEPS. J ane r egar ds her phone, cl oses i t . The MACHI NE BEEPS. J ane r egar ds her phone, cl oses i t .
EXT. FREEWAY -- DAY EXT. FREEWAY -- DAY EXT. FREEWAY -- DAY EXT. FREEWAY -- DAY EXT. FREEWAY -- DAY
J ane' s t r uck speeds by a " WELCOME TO PENNSYLVANIA" SI GN. J ane' s t r uck speeds by a " WELCOME TO PENNSYLVANIA" SI GN. J ane' s t r uck speeds by a " WELCOME TO PENNSYLVANIA" SI GN. J ane' s t r uck speeds by a " WELCOME TO PENNSYLVANIA" SI GN. J ane' s t r uck speeds by a " WELCOME TO PENNSYLVANIA" SI GN.
INT. 213 OAK AVENUE, LIVING ROOM - NIGHT INT. 213 OAK AVENUE, LIVING ROOM - NIGHT INT. 213 OAK AVENUE, LIVING ROOM - NIGHT INT. 213 OAK AVENUE, LIVING ROOM - NIGHT INT. 213 OAK AVENUE, LIVING ROOM - NIGHT
NO SOUND f r omt he TV as " MEGA- J ACKPOT" NUMBERS ar e dr awn. NO SOUND f r omt he TV as " MEGA- J ACKPOT" NUMBERS ar e dr awn. NO SOUND f r omt he TV as " MEGA- J ACKPOT" NUMBERS ar e dr awn. NO SOUND f r omt he TV as " MEGA- J ACKPOT" NUMBERS ar e dr awn. NO SOUND f r omt he TV as " MEGA- J ACKPOT" NUMBERS ar e dr awn.
By t he TV' s er r at i c LI GHT, we f i nd Lewi s and hi s weepi ng By t he TV' s er r at i c LI GHT, we f i nd Lewi s and hi s weepi ng By t he TV' s er r at i c LI GHT, we f i nd Lewi s and hi s weepi ng By t he TV' s er r at i c LI GHT, we f i nd Lewi s and hi s weepi ng By t he TV' s er r at i c LI GHT, we f i nd Lewi s and hi s weepi ng
wi f e, Mar i e, l yi ng secur el y r ope BOUND and GAGGED on t he wi f e, Mar i e, l yi ng secur el y r ope BOUND and GAGGED on t he wi f e, Mar i e, l yi ng secur el y r ope BOUND and GAGGED on t he wi f e, Mar i e, l yi ng secur el y r ope BOUND and GAGGED on t he wi f e, Mar i e, l yi ng secur el y r ope BOUND and GAGGED on t he
f l oor . Acr oss t he r oom, t he KI TCHEN DOOR i s shut , whi l e. . . f l oor . Acr oss t he r oom, t he KI TCHEN DOOR i s shut , whi l e. . . f l oor . Acr oss t he r oom, t he KI TCHEN DOOR i s shut , whi l e. . . f l oor . Acr oss t he r oom, t he KI TCHEN DOOR i s shut , whi l e. . . f l oor . Acr oss t he r oom, t he KI TCHEN DOOR i s shut , whi l e. . .
IN THE KITCHEN IN THE KITCHEN IN THE KITCHEN IN THE KITCHEN IN THE KITCHEN
ON THE OTHER SI DE OF THE DOOR, Psycho Ki l l er i s seat ed at ON THE OTHER SI DE OF THE DOOR, Psycho Ki l l er i s seat ed at ON THE OTHER SI DE OF THE DOOR, Psycho Ki l l er i s seat ed at ON THE OTHER SI DE OF THE DOOR, Psycho Ki l l er i s seat ed at ON THE OTHER SI DE OF THE DOOR, Psycho Ki l l er i s seat ed at
t he KI TCHEN TABLE, hi s sui t case open on a CHAI R besi de hi m. t he KI TCHEN TABLE, hi s sui t case open on a CHAI R besi de hi m. t he KI TCHEN TABLE, hi s sui t case open on a CHAI R besi de hi m. t he KI TCHEN TABLE, hi s sui t case open on a CHAI R besi de hi m. t he KI TCHEN TABLE, hi s sui t case open on a CHAI R besi de hi m.
He' s got hi s SHOTGUN and SHELLS, PI STOL and BULLETS and He' s got hi s SHOTGUN and SHELLS, PI STOL and BULLETS and He' s got hi s SHOTGUN and SHELLS, PI STOL and BULLETS and He' s got hi s SHOTGUN and SHELLS, PI STOL and BULLETS and He' s got hi s SHOTGUN and SHELLS, PI STOL and BULLETS and
PI LLS al l l ai d out on t he t abl e, but he' s l ef t hi msel f space PI LLS al l l ai d out on t he t abl e, but he' s l ef t hi msel f space PI LLS al l l ai d out on t he t abl e, but he' s l ef t hi msel f space PI LLS al l l ai d out on t he t abl e, but he' s l ef t hi msel f space PI LLS al l l ai d out on t he t abl e, but he' s l ef t hi msel f space
enough t o wor k as he' s BI NDI NG STI CKS of DYNAMI TE t oget her , enough t o wor k as he' s BI NDI NG STI CKS of DYNAMI TE t oget her , enough t o wor k as he' s BI NDI NG STI CKS of DYNAMI TE t oget her , enough t o wor k as he' s BI NDI NG STI CKS of DYNAMI TE t oget her , enough t o wor k as he' s BI NDI NG STI CKS of DYNAMI TE t oget her ,
f our at a t i me, wi t h DUCT TAPE. f our at a t i me, wi t h DUCT TAPE. f our at a t i me, wi t h DUCT TAPE. f our at a t i me, wi t h DUCT TAPE. f our at a t i me, wi t h DUCT TAPE.
EXT. CHRIST'S CROSS CHURCH -- ESTABLISHING -- NIGHT EXT. CHRIST'S CROSS CHURCH -- ESTABLISHING -- NIGHT EXT. CHRIST'S CROSS CHURCH -- ESTABLISHING -- NIGHT EXT. CHRIST'S CROSS CHURCH -- ESTABLISHING -- NIGHT EXT. CHRIST'S CROSS CHURCH -- ESTABLISHING -- NIGHT
The once exempl ar y, GOTHI C CHURCH i s now l ong abandoned, The once exempl ar y, GOTHI C CHURCH i s now l ong abandoned, The once exempl ar y, GOTHI C CHURCH i s now l ong abandoned, The once exempl ar y, GOTHI C CHURCH i s now l ong abandoned, The once exempl ar y, GOTHI C CHURCH i s now l ong abandoned,
wi t h DOORS and br oken STAI NED GLASS WI NDOWS BOARDED- OVER. wi t h DOORS and br oken STAI NED GLASS WI NDOWS BOARDED- OVER. wi t h DOORS and br oken STAI NED GLASS WI NDOWS BOARDED- OVER. wi t h DOORS and br oken STAI NED GLASS WI NDOWS BOARDED- OVER. wi t h DOORS and br oken STAI NED GLASS WI NDOWS BOARDED- OVER.
EXT. MID-CITY HARRISBURG, PARKING STRUCTURE ROOF -- NIGHT EXT. MID-CITY HARRISBURG, PARKING STRUCTURE ROOF -- NIGHT EXT. MID-CITY HARRISBURG, PARKING STRUCTURE ROOF -- NIGHT EXT. MID-CITY HARRISBURG, PARKING STRUCTURE ROOF -- NIGHT EXT. MID-CITY HARRISBURG, PARKING STRUCTURE ROOF -- NIGHT
J ane st ands at t he edge of t he ROOF of t hi s MULTI - STORI ED J ane st ands at t he edge of t he ROOF of t hi s MULTI - STORI ED J ane st ands at t he edge of t he ROOF of t hi s MULTI - STORI ED J ane st ands at t he edge of t he ROOF of t hi s MULTI - STORI ED J ane st ands at t he edge of t he ROOF of t hi s MULTI - STORI ED
PARKI NG STRUCTURE, l ooki ng nor t h t hr ough BI NOCULARS. She' s PARKI NG STRUCTURE, l ooki ng nor t h t hr ough BI NOCULARS. She' s PARKI NG STRUCTURE, l ooki ng nor t h t hr ough BI NOCULARS. She' s PARKI NG STRUCTURE, l ooki ng nor t h t hr ough BI NOCULARS. She' s PARKI NG STRUCTURE, l ooki ng nor t h t hr ough BI NOCULARS. She' s
got an over vi ew of t he ni ght ci t y f r omher e. Her pi ckup' s got an over vi ew of t he ni ght ci t y f r omher e. Her pi ckup' s got an over vi ew of t he ni ght ci t y f r omher e. Her pi ckup' s got an over vi ew of t he ni ght ci t y f r omher e. Her pi ckup' s got an over vi ew of t he ni ght ci t y f r omher e. Her pi ckup' s
par ked near by on t he ot her wi se empt y par ki ng l evel . par ked near by on t he ot her wi se empt y par ki ng l evel . par ked near by on t he ot her wi se empt y par ki ng l evel . par ked near by on t he ot her wi se empt y par ki ng l evel . par ked near by on t he ot her wi se empt y par ki ng l evel .
JANE'S POV -- THROUGH BINOCULARS: JANE'S POV -- THROUGH BINOCULARS: JANE'S POV -- THROUGH BINOCULARS: JANE'S POV -- THROUGH BINOCULARS: JANE'S POV -- THROUGH BINOCULARS:
J ane FOCUSES on t he dar k CHRI ST' S CROSS CHURCH, whi ch i s J ane FOCUSES on t he dar k CHRI ST' S CROSS CHURCH, whi ch i s J ane FOCUSES on t he dar k CHRI ST' S CROSS CHURCH, whi ch i s J ane FOCUSES on t he dar k CHRI ST' S CROSS CHURCH, whi ch i s J ane FOCUSES on t he dar k CHRI ST' S CROSS CHURCH, whi ch i s
si t uat ed amongst OLD BUI LDI NGS and t r ash- st r ewn, EMPTY LOTS. si t uat ed amongst OLD BUI LDI NGS and t r ash- st r ewn, EMPTY LOTS. si t uat ed amongst OLD BUI LDI NGS and t r ash- st r ewn, EMPTY LOTS. si t uat ed amongst OLD BUI LDI NGS and t r ash- st r ewn, EMPTY LOTS. si t uat ed amongst OLD BUI LDI NGS and t r ash- st r ewn, EMPTY LOTS.
J ANE ( O. S. ) J ANE ( O. S. ) J ANE ( O. S. ) J ANE ( O. S. ) J ANE ( O. S. )
" Open t he gat es. " Go out wi t h a " Open t he gat es. " Go out wi t h a " Open t he gat es. " Go out wi t h a " Open t he gat es. " Go out wi t h a " Open t he gat es. " Go out wi t h a
bang, Ri char d, i s t hat i t ? Whoever bang, Ri char d, i s t hat i t ? Whoever bang, Ri char d, i s t hat i t ? Whoever bang, Ri char d, i s t hat i t ? Whoever bang, Ri char d, i s t hat i t ? Whoever
you r eal l y ar e. you r eal l y ar e. you r eal l y ar e. you r eal l y ar e. you r eal l y ar e.
J ane SEARCHES t he nei ghbor i ng st r eet s. . . J ane SEARCHES t he nei ghbor i ng st r eet s. . . J ane SEARCHES t he nei ghbor i ng st r eet s. . . J ane SEARCHES t he nei ghbor i ng st r eet s. . . J ane SEARCHES t he nei ghbor i ng st r eet s. . .
Spot s a WHI TE TELEPHONE VAN par ked j ust up f r omt he chur ch. Spot s a WHI TE TELEPHONE VAN par ked j ust up f r omt he chur ch. Spot s a WHI TE TELEPHONE VAN par ked j ust up f r omt he chur ch. Spot s a WHI TE TELEPHONE VAN par ked j ust up f r omt he chur ch. Spot s a WHI TE TELEPHONE VAN par ked j ust up f r omt he chur ch.
J ANE ( O. S. ) J ANE ( O. S. ) J ANE ( O. S. ) J ANE ( O. S. ) J ANE ( O. S. )
And t he cal var y' s al r eady her e. And t he cal var y' s al r eady her e. And t he cal var y' s al r eady her e. And t he cal var y' s al r eady her e. And t he cal var y' s al r eady her e.
She keeps LOOKI NG. . . di scover s anot her WHI TE VAN, t hi s one She keeps LOOKI NG. . . di scover s anot her WHI TE VAN, t hi s one She keeps LOOKI NG. . . di scover s anot her WHI TE VAN, t hi s one She keeps LOOKI NG. . . di scover s anot her WHI TE VAN, t hi s one She keeps LOOKI NG. . . di scover s anot her WHI TE VAN, t hi s one
a CABLE VAN, a bl ock away on t he ot her si de of t he chur ch. a CABLE VAN, a bl ock away on t he ot her si de of t he chur ch. a CABLE VAN, a bl ock away on t he ot her si de of t he chur ch. a CABLE VAN, a bl ock away on t he ot her si de of t he chur ch. a CABLE VAN, a bl ock away on t he ot her si de of t he chur ch.
87. 87. 87. 87. 87.
ON THE ROOFTOP ON THE ROOFTOP ON THE ROOFTOP ON THE ROOFTOP ON THE ROOFTOP
J ane l ower s t he bi nocul ar s, pensi ve. J ane l ower s t he bi nocul ar s, pensi ve. J ane l ower s t he bi nocul ar s, pensi ve. J ane l ower s t he bi nocul ar s, pensi ve. J ane l ower s t he bi nocul ar s, pensi ve.
She wal ks t o her t r uck, l eans i nsi de t he open passenger She wal ks t o her t r uck, l eans i nsi de t he open passenger She wal ks t o her t r uck, l eans i nsi de t he open passenger She wal ks t o her t r uck, l eans i nsi de t he open passenger She wal ks t o her t r uck, l eans i nsi de t he open passenger
si de. She l ooks down, pl aces a hand on her st omach. si de. She l ooks down, pl aces a hand on her st omach. si de. She l ooks down, pl aces a hand on her st omach. si de. She l ooks down, pl aces a hand on her st omach. si de. She l ooks down, pl aces a hand on her st omach.
( t o unbor n chi l d) ( t o unbor n chi l d) ( t o unbor n chi l d) ( t o unbor n chi l d) ( t o unbor n chi l d)
Okay. . . i t ' s over . I f ever yt hi ng Okay. . . i t ' s over . I f ever yt hi ng Okay. . . i t ' s over . I f ever yt hi ng Okay. . . i t ' s over . I f ever yt hi ng Okay. . . i t ' s over . I f ever yt hi ng
goes al r i ght , you and I , we' r e j ust goes al r i ght , you and I , we' r e j ust goes al r i ght , you and I , we' r e j ust goes al r i ght , you and I , we' r e j ust goes al r i ght , you and I , we' r e j ust
her e t o wat ch t he f i r ewor ks. her e t o wat ch t he f i r ewor ks. her e t o wat ch t he f i r ewor ks. her e t o wat ch t he f i r ewor ks. her e t o wat ch t he f i r ewor ks.
So. . . amI goi ng t o wat ch? Or , i f I So. . . amI goi ng t o wat ch? Or , i f I So. . . amI goi ng t o wat ch? Or , i f I So. . . amI goi ng t o wat ch? Or , i f I So. . . amI goi ng t o wat ch? Or , i f I
get t he chance. . . amI goi ng t o t ake get t he chance. . . amI goi ng t o t ake get t he chance. . . amI goi ng t o t ake get t he chance. . . amI goi ng t o t ake get t he chance. . . amI goi ng t o t ake
t he shot ? t he shot ? t he shot ? t he shot ? t he shot ?
J ane gr i ml y ponder s t hi s a l ong moment . J ane gr i ml y ponder s t hi s a l ong moment . J ane gr i ml y ponder s t hi s a l ong moment . J ane gr i ml y ponder s t hi s a l ong moment . J ane gr i ml y ponder s t hi s a l ong moment .
ACROSS THE ROOFTOP PARKING LOT -- MOMENTS LATER ACROSS THE ROOFTOP PARKING LOT -- MOMENTS LATER ACROSS THE ROOFTOP PARKING LOT -- MOMENTS LATER ACROSS THE ROOFTOP PARKING LOT -- MOMENTS LATER ACROSS THE ROOFTOP PARKING LOT -- MOMENTS LATER
J ane st ands behi nd her pi ckup, at t he open CAMPER SHELL, J ane st ands behi nd her pi ckup, at t he open CAMPER SHELL, J ane st ands behi nd her pi ckup, at t he open CAMPER SHELL, J ane st ands behi nd her pi ckup, at t he open CAMPER SHELL, J ane st ands behi nd her pi ckup, at t he open CAMPER SHELL,
put t i ng on her mascul i ne TROOPER UNI FORM. She t ucks her put t i ng on her mascul i ne TROOPER UNI FORM. She t ucks her put t i ng on her mascul i ne TROOPER UNI FORM. She t ucks her put t i ng on her mascul i ne TROOPER UNI FORM. She t ucks her put t i ng on her mascul i ne TROOPER UNI FORM. She t ucks her
UNI FORM SHI RT i nt o her DRESS PANTS. She t akes out her UNI FORM SHI RT i nt o her DRESS PANTS. She t akes out her UNI FORM SHI RT i nt o her DRESS PANTS. She t akes out her UNI FORM SHI RT i nt o her DRESS PANTS. She t akes out her UNI FORM SHI RT i nt o her DRESS PANTS. She t akes out her
mi l i t ar i st i c- l ooki ng TROOPER J ACKET, put s i t on, but t ons i t . mi l i t ar i st i c- l ooki ng TROOPER J ACKET, put s i t on, but t ons i t . mi l i t ar i st i c- l ooki ng TROOPER J ACKET, put s i t on, but t ons i t . mi l i t ar i st i c- l ooki ng TROOPER J ACKET, put s i t on, but t ons i t . mi l i t ar i st i c- l ooki ng TROOPER J ACKET, put s i t on, but t ons i t .
She put s on her UTI LI TY BELT and HOLSTER. She put s on her UTI LI TY BELT and HOLSTER. She put s on her UTI LI TY BELT and HOLSTER. She put s on her UTI LI TY BELT and HOLSTER. She put s on her UTI LI TY BELT and HOLSTER.
J ane t i es her hai r i n a ponyt ai l , t hen dons a K. H. P. J ane t i es her hai r i n a ponyt ai l , t hen dons a K. H. P. J ane t i es her hai r i n a ponyt ai l , t hen dons a K. H. P. J ane t i es her hai r i n a ponyt ai l , t hen dons a K. H. P. J ane t i es her hai r i n a ponyt ai l , t hen dons a K. H. P.
BASEBALL CAP, st r ai ght ens i t . She adj ust s her TI E. She has BASEBALL CAP, st r ai ght ens i t . She adj ust s her TI E. She has BASEBALL CAP, st r ai ght ens i t . She adj ust s her TI E. She has BASEBALL CAP, st r ai ght ens i t . She adj ust s her TI E. She has BASEBALL CAP, st r ai ght ens i t . She adj ust s her TI E. She has
become anot her per son, i n a way. An i mposi ng f i gur e. become anot her per son, i n a way. An i mposi ng f i gur e. become anot her per son, i n a way. An i mposi ng f i gur e. become anot her per son, i n a way. An i mposi ng f i gur e. become anot her per son, i n a way. An i mposi ng f i gur e.
INT. 213 OAK AVENUE, LIVING ROOM -- NIGHT INT. 213 OAK AVENUE, LIVING ROOM -- NIGHT INT. 213 OAK AVENUE, LIVING ROOM -- NIGHT INT. 213 OAK AVENUE, LIVING ROOM -- NIGHT INT. 213 OAK AVENUE, LIVING ROOM -- NIGHT
Masked Psycho Ki l l er ent er s f r omt he ki t chen, i n hi s Masked Psycho Ki l l er ent er s f r omt he ki t chen, i n hi s Masked Psycho Ki l l er ent er s f r omt he ki t chen, i n hi s Masked Psycho Ki l l er ent er s f r omt he ki t chen, i n hi s Masked Psycho Ki l l er ent er s f r omt he ki t chen, i n hi s
but t oned- t o- t he- neck t r ench coat , shot gun over hi s shoul der . but t oned- t o- t he- neck t r ench coat , shot gun over hi s shoul der . but t oned- t o- t he- neck t r ench coat , shot gun over hi s shoul der . but t oned- t o- t he- neck t r ench coat , shot gun over hi s shoul der . but t oned- t o- t he- neck t r ench coat , shot gun over hi s shoul der .
He wal ks over t o l ook down upon t he bound Lewi s and Mar i e. He wal ks over t o l ook down upon t he bound Lewi s and Mar i e. He wal ks over t o l ook down upon t he bound Lewi s and Mar i e. He wal ks over t o l ook down upon t he bound Lewi s and Mar i e. He wal ks over t o l ook down upon t he bound Lewi s and Mar i e.
Ti me t o go. Ti me t o go. Ti me t o go. Ti me t o go. Ti me t o go.
EXT. PARKING STRUCTURE ROOF -- NIGHT EXT. PARKING STRUCTURE ROOF -- NIGHT EXT. PARKING STRUCTURE ROOF -- NIGHT EXT. PARKING STRUCTURE ROOF -- NIGHT EXT. PARKING STRUCTURE ROOF -- NIGHT
J ane st ands obser vi ng t he chur ch bel ow t hr ough bi nocul ar s. J ane st ands obser vi ng t he chur ch bel ow t hr ough bi nocul ar s. J ane st ands obser vi ng t he chur ch bel ow t hr ough bi nocul ar s. J ane st ands obser vi ng t he chur ch bel ow t hr ough bi nocul ar s. J ane st ands obser vi ng t he chur ch bel ow t hr ough bi nocul ar s.
She l et s t he bi nocul ar s dangl e f r omher neck. She l et s t he bi nocul ar s dangl e f r omher neck. She l et s t he bi nocul ar s dangl e f r omher neck. She l et s t he bi nocul ar s dangl e f r omher neck. She l et s t he bi nocul ar s dangl e f r omher neck.
She t akes up her bol t - act i on r i f l e, checks i t over . She t akes up her bol t - act i on r i f l e, checks i t over . She t akes up her bol t - act i on r i f l e, checks i t over . She t akes up her bol t - act i on r i f l e, checks i t over . She t akes up her bol t - act i on r i f l e, checks i t over .
88. 88. 88. 88. 88.
EXT. HARRISBURG STREETS -- NIGHT EXT. HARRISBURG STREETS -- NIGHT EXT. HARRISBURG STREETS -- NIGHT EXT. HARRISBURG STREETS -- NIGHT EXT. HARRISBURG STREETS -- NIGHT
FOLLOWLewi s Wi l kes' s CAR dr i vi ng t he most l y empt y, l at e- FOLLOWLewi s Wi l kes' s CAR dr i vi ng t he most l y empt y, l at e- FOLLOWLewi s Wi l kes' s CAR dr i vi ng t he most l y empt y, l at e- FOLLOWLewi s Wi l kes' s CAR dr i vi ng t he most l y empt y, l at e- FOLLOWLewi s Wi l kes' s CAR dr i vi ng t he most l y empt y, l at e-
ni ght st r eet s. Lewi s i s at t he wheel , i n shor t - sl eeve SHI RT ni ght st r eet s. Lewi s i s at t he wheel , i n shor t - sl eeve SHI RT ni ght st r eet s. Lewi s i s at t he wheel , i n shor t - sl eeve SHI RT ni ght st r eet s. Lewi s i s at t he wheel , i n shor t - sl eeve SHI RT ni ght st r eet s. Lewi s i s at t he wheel , i n shor t - sl eeve SHI RT
and TI E, sweat y, f ear f ul , and sur pr i si ngl y. . . al one. and TI E, sweat y, f ear f ul , and sur pr i si ngl y. . . al one. and TI E, sweat y, f ear f ul , and sur pr i si ngl y. . . al one. and TI E, sweat y, f ear f ul , and sur pr i si ngl y. . . al one. and TI E, sweat y, f ear f ul , and sur pr i si ngl y. . . al one.
AT THE CITY'S EDGE AT THE CITY'S EDGE AT THE CITY'S EDGE AT THE CITY'S EDGE AT THE CITY'S EDGE
Lewi s t ur ns ont o N. FRONT STREET, pi cki ng up speed, wi t h t he Lewi s t ur ns ont o N. FRONT STREET, pi cki ng up speed, wi t h t he Lewi s t ur ns ont o N. FRONT STREET, pi cki ng up speed, wi t h t he Lewi s t ur ns ont o N. FRONT STREET, pi cki ng up speed, wi t h t he Lewi s t ur ns ont o N. FRONT STREET, pi cki ng up speed, wi t h t he
ci t y t o hi s l ef t and t he bor der i ng Susquehanna t o hi s r i ght . ci t y t o hi s l ef t and t he bor der i ng Susquehanna t o hi s r i ght . ci t y t o hi s l ef t and t he bor der i ng Susquehanna t o hi s r i ght . ci t y t o hi s l ef t and t he bor der i ng Susquehanna t o hi s r i ght . ci t y t o hi s l ef t and t he bor der i ng Susquehanna t o hi s r i ght .
The " t el ephone" van i s st i l l on st ake- out near t he chur ch. The " t el ephone" van i s st i l l on st ake- out near t he chur ch. The " t el ephone" van i s st i l l on st ake- out near t he chur ch. The " t el ephone" van i s st i l l on st ake- out near t he chur ch. The " t el ephone" van i s st i l l on st ake- out near t he chur ch.
ON THE PARKING STRUCTURE ROOF ON THE PARKING STRUCTURE ROOF ON THE PARKING STRUCTURE ROOF ON THE PARKING STRUCTURE ROOF ON THE PARKING STRUCTURE ROOF
J ane l ooks at her WATCH, moves her head si de t o si de, J ane l ooks at her WATCH, moves her head si de t o si de, J ane l ooks at her WATCH, moves her head si de t o si de, J ane l ooks at her WATCH, moves her head si de t o si de, J ane l ooks at her WATCH, moves her head si de t o si de,
cr acki ng her neck. She t ur ns t o peer t hr ough her bi nocul ar s cr acki ng her neck. She t ur ns t o peer t hr ough her bi nocul ar s cr acki ng her neck. She t ur ns t o peer t hr ough her bi nocul ar s cr acki ng her neck. She t ur ns t o peer t hr ough her bi nocul ar s cr acki ng her neck. She t ur ns t o peer t hr ough her bi nocul ar s
at t he mor e moder n LI GHTS of HARRI SBURG' S modest SKYSCRAPERS. at t he mor e moder n LI GHTS of HARRI SBURG' S modest SKYSCRAPERS. at t he mor e moder n LI GHTS of HARRI SBURG' S modest SKYSCRAPERS. at t he mor e moder n LI GHTS of HARRI SBURG' S modest SKYSCRAPERS. at t he mor e moder n LI GHTS of HARRI SBURG' S modest SKYSCRAPERS.
She sur veys t he CI TYSCAPE. . . LOOKS sout h t o t he di st ant , She sur veys t he CI TYSCAPE. . . LOOKS sout h t o t he di st ant , She sur veys t he CI TYSCAPE. . . LOOKS sout h t o t he di st ant , She sur veys t he CI TYSCAPE. . . LOOKS sout h t o t he di st ant , She sur veys t he CI TYSCAPE. . . LOOKS sout h t o t he di st ant ,
bi l l owi ng CLOUDS of TMI ' s EXHAUST TOWERS. She keeps LOOKI NG bi l l owi ng CLOUDS of TMI ' s EXHAUST TOWERS. She keeps LOOKI NG bi l l owi ng CLOUDS of TMI ' s EXHAUST TOWERS. She keeps LOOKI NG bi l l owi ng CLOUDS of TMI ' s EXHAUST TOWERS. She keeps LOOKI NG bi l l owi ng CLOUDS of TMI ' s EXHAUST TOWERS. She keeps LOOKI NG
AROUND, but t hen. . . qui ckl y r et ur ns t o FOCUS on THREE MI LE AROUND, but t hen. . . qui ckl y r et ur ns t o FOCUS on THREE MI LE AROUND, but t hen. . . qui ckl y r et ur ns t o FOCUS on THREE MI LE AROUND, but t hen. . . qui ckl y r et ur ns t o FOCUS on THREE MI LE AROUND, but t hen. . . qui ckl y r et ur ns t o FOCUS on THREE MI LE
I SLAND; i t s whi t e cl ouds r i si ng, i t s RED LI GHTS BLI NKI NG. I SLAND; i t s whi t e cl ouds r i si ng, i t s RED LI GHTS BLI NKI NG. I SLAND; i t s whi t e cl ouds r i si ng, i t s RED LI GHTS BLI NKI NG. I SLAND; i t s whi t e cl ouds r i si ng, i t s RED LI GHTS BLI NKI NG. I SLAND; i t s whi t e cl ouds r i si ng, i t s RED LI GHTS BLI NKI NG.
ON THE ROOFTOP ON THE ROOFTOP ON THE ROOFTOP ON THE ROOFTOP ON THE ROOFTOP
J ane l ower s her bi nocul ar s, t r oubl ed. J ane l ower s her bi nocul ar s, t r oubl ed. J ane l ower s her bi nocul ar s, t r oubl ed. J ane l ower s her bi nocul ar s, t r oubl ed. J ane l ower s her bi nocul ar s, t r oubl ed.
No. No. No. No. No.
J ane br i ngs t he bi nocul ar s back up, l ooks agai n. J ane br i ngs t he bi nocul ar s back up, l ooks agai n. J ane br i ngs t he bi nocul ar s back up, l ooks agai n. J ane br i ngs t he bi nocul ar s back up, l ooks agai n. J ane br i ngs t he bi nocul ar s back up, l ooks agai n.
She l ower s t he bi nocul ar s, her mi nd r aci ng. . . She l ower s t he bi nocul ar s, her mi nd r aci ng. . . She l ower s t he bi nocul ar s, her mi nd r aci ng. . . She l ower s t he bi nocul ar s, her mi nd r aci ng. . . She l ower s t he bi nocul ar s, her mi nd r aci ng. . .
No no no no no. . . No no no no no. . . No no no no no. . . No no no no no. . . No no no no no. . .
FLASHBACK -- PK'S PREPARATION/JANE'S REALIZATION -- MONTAGE FLASHBACK -- PK'S PREPARATION/JANE'S REALIZATION -- MONTAGE FLASHBACK -- PK'S PREPARATION/JANE'S REALIZATION -- MONTAGE FLASHBACK -- PK'S PREPARATION/JANE'S REALIZATION -- MONTAGE FLASHBACK -- PK'S PREPARATION/JANE'S REALIZATION -- MONTAGE
I MAGES FLASH BY, l i ke vi vi d memor y FRAGMENTS. . . I MAGES FLASH BY, l i ke vi vi d memor y FRAGMENTS. . . I MAGES FLASH BY, l i ke vi vi d memor y FRAGMENTS. . . I MAGES FLASH BY, l i ke vi vi d memor y FRAGMENTS. . . I MAGES FLASH BY, l i ke vi vi d memor y FRAGMENTS. . .
Psycho Ki l l er ' s " No Mer cy" HAND t akes t he " N" VOLUME of an Psycho Ki l l er ' s " No Mer cy" HAND t akes t he " N" VOLUME of an Psycho Ki l l er ' s " No Mer cy" HAND t akes t he " N" VOLUME of an Psycho Ki l l er ' s " No Mer cy" HAND t akes t he " N" VOLUME of an Psycho Ki l l er ' s " No Mer cy" HAND t akes t he " N" VOLUME of an
ENCYCLOPEDI A f r oma LI BRARY SHELF. . . t he same HAND t akes ENCYCLOPEDI A f r oma LI BRARY SHELF. . . t he same HAND t akes ENCYCLOPEDI A f r oma LI BRARY SHELF. . . t he same HAND t akes ENCYCLOPEDI A f r oma LI BRARY SHELF. . . t he same HAND t akes ENCYCLOPEDI A f r oma LI BRARY SHELF. . . t he same HAND t akes
down t he " T" VOLUME. . . i n a HOTEL ROOM, PSYCHO KI LLER i s down t he " T" VOLUME. . . i n a HOTEL ROOM, PSYCHO KI LLER i s down t he " T" VOLUME. . . i n a HOTEL ROOM, PSYCHO KI LLER i s down t he " T" VOLUME. . . i n a HOTEL ROOM, PSYCHO KI LLER i s down t he " T" VOLUME. . . i n a HOTEL ROOM, PSYCHO KI LLER i s
sl umped f or war d at t he WRI TI NG DESK, r eadi ng a BOOK. . . t he sl umped f or war d at t he WRI TI NG DESK, r eadi ng a BOOK. . . t he sl umped f or war d at t he WRI TI NG DESK, r eadi ng a BOOK. . . t he sl umped f or war d at t he WRI TI NG DESK, r eadi ng a BOOK. . . t he sl umped f or war d at t he WRI TI NG DESK, r eadi ng a BOOK. . . t he
PAGES of an ENCYCLOPEDI A ar e TURNI NG. . . TURNI NG t o t he PAGES of an ENCYCLOPEDI A ar e TURNI NG. . . TURNI NG t o t he PAGES of an ENCYCLOPEDI A ar e TURNI NG. . . TURNI NG t o t he PAGES of an ENCYCLOPEDI A ar e TURNI NG. . . TURNI NG t o t he PAGES of an ENCYCLOPEDI A ar e TURNI NG. . . TURNI NG t o t he
sect i on on " NUCLEAR POWER, " wher ei n. . . PAGES shows PI CTURES sect i on on " NUCLEAR POWER, " wher ei n. . . PAGES shows PI CTURES sect i on on " NUCLEAR POWER, " wher ei n. . . PAGES shows PI CTURES sect i on on " NUCLEAR POWER, " wher ei n. . . PAGES shows PI CTURES sect i on on " NUCLEAR POWER, " wher ei n. . . PAGES shows PI CTURES
of a NUCLEAR POWER PLANT and i t s CONTROL ROOM, al ong wi t h of a NUCLEAR POWER PLANT and i t s CONTROL ROOM, al ong wi t h of a NUCLEAR POWER PLANT and i t s CONTROL ROOM, al ong wi t h of a NUCLEAR POWER PLANT and i t s CONTROL ROOM, al ong wi t h of a NUCLEAR POWER PLANT and i t s CONTROL ROOM, al ong wi t h
CROSS- SECTI ON DI AGRAMS of t he REACTOR CORE and t he STEAM CROSS- SECTI ON DI AGRAMS of t he REACTOR CORE and t he STEAM CROSS- SECTI ON DI AGRAMS of t he REACTOR CORE and t he STEAM CROSS- SECTI ON DI AGRAMS of t he REACTOR CORE and t he STEAM CROSS- SECTI ON DI AGRAMS of t he REACTOR CORE and t he STEAM
SUPPLY SYSTEM. . . PAGES show i l l ust r at i ve DRAWI NGS of FUEL SUPPLY SYSTEM. . . PAGES show i l l ust r at i ve DRAWI NGS of FUEL SUPPLY SYSTEM. . . PAGES show i l l ust r at i ve DRAWI NGS of FUEL SUPPLY SYSTEM. . . PAGES show i l l ust r at i ve DRAWI NGS of FUEL SUPPLY SYSTEM. . . PAGES show i l l ust r at i ve DRAWI NGS of FUEL
RODS and CONTROL RODS and URANI UM ATOMS spl i t by NEUTRONS. . . RODS and CONTROL RODS and URANI UM ATOMS spl i t by NEUTRONS. . . RODS and CONTROL RODS and URANI UM ATOMS spl i t by NEUTRONS. . . RODS and CONTROL RODS and URANI UM ATOMS spl i t by NEUTRONS. . . RODS and CONTROL RODS and URANI UM ATOMS spl i t by NEUTRONS. . .
I MAGES of t he t er r i bl e CHERNOBYL DI SASTER. . . I MAGES of t he t er r i bl e CHERNOBYL DI SASTER. . . I MAGES of t he t er r i bl e CHERNOBYL DI SASTER. . . I MAGES of t he t er r i bl e CHERNOBYL DI SASTER. . . I MAGES of t he t er r i bl e CHERNOBYL DI SASTER. . .
89. 89. 89. 89. 89.
mor e ENCYCLOPEDI A PAGES TURN, t o t he headi ng " THREE MILE mor e ENCYCLOPEDI A PAGES TURN, t o t he headi ng " THREE MILE mor e ENCYCLOPEDI A PAGES TURN, t o t he headi ng " THREE MILE mor e ENCYCLOPEDI A PAGES TURN, t o t he headi ng " THREE MILE mor e ENCYCLOPEDI A PAGES TURN, t o t he headi ng " THREE MILE
ISLAND" . . . showi ng PHOTOGRAPHS of TMI . . . and i n anot her ISLAND" . . . showi ng PHOTOGRAPHS of TMI . . . and i n anot her ISLAND" . . . showi ng PHOTOGRAPHS of TMI . . . and i n anot her ISLAND" . . . showi ng PHOTOGRAPHS of TMI . . . and i n anot her ISLAND" . . . showi ng PHOTOGRAPHS of TMI . . . and i n anot her
HOTEL ROOM, PSYCHO KI LLER f i ni shes smear i ng wor ds i n BLOOD HOTEL ROOM, PSYCHO KI LLER f i ni shes smear i ng wor ds i n BLOOD HOTEL ROOM, PSYCHO KI LLER f i ni shes smear i ng wor ds i n BLOOD HOTEL ROOM, PSYCHO KI LLER f i ni shes smear i ng wor ds i n BLOOD HOTEL ROOM, PSYCHO KI LLER f i ni shes smear i ng wor ds i n BLOOD
on t he wal l ; " OPEN THE GATES! " . . . on J ane' s LAPTOP SCREEN, on t he wal l ; " OPEN THE GATES! " . . . on J ane' s LAPTOP SCREEN, on t he wal l ; " OPEN THE GATES! " . . . on J ane' s LAPTOP SCREEN, on t he wal l ; " OPEN THE GATES! " . . . on J ane' s LAPTOP SCREEN, on t he wal l ; " OPEN THE GATES! " . . . on J ane' s LAPTOP SCREEN,
t he " BAPHOMET" ALBUM COVER pr act i cal l y scr eams, " OPEN THE t he " BAPHOMET" ALBUM COVER pr act i cal l y scr eams, " OPEN THE t he " BAPHOMET" ALBUM COVER pr act i cal l y scr eams, " OPEN THE t he " BAPHOMET" ALBUM COVER pr act i cal l y scr eams, " OPEN THE t he " BAPHOMET" ALBUM COVER pr act i cal l y scr eams, " OPEN THE
GATES OF HELL! " . . . J ANE' S HANDS open t he Baphomet al bum' s GATES OF HELL! " . . . J ANE' S HANDS open t he Baphomet al bum' s GATES OF HELL! " . . . J ANE' S HANDS open t he Baphomet al bum' s GATES OF HELL! " . . . J ANE' S HANDS open t he Baphomet al bum' s GATES OF HELL! " . . . J ANE' S HANDS open t he Baphomet al bum' s
GATEFOLD: r eveal i ng t he DEPTHS of HELL i nhabi t ed by hor r i d GATEFOLD: r eveal i ng t he DEPTHS of HELL i nhabi t ed by hor r i d GATEFOLD: r eveal i ng t he DEPTHS of HELL i nhabi t ed by hor r i d GATEFOLD: r eveal i ng t he DEPTHS of HELL i nhabi t ed by hor r i d GATEFOLD: r eveal i ng t he DEPTHS of HELL i nhabi t ed by hor r i d
DEMONS and doomed HUMANS i n a bur ni ng under wor l d. . . DEMONS and doomed HUMANS i n a bur ni ng under wor l d. . . DEMONS and doomed HUMANS i n a bur ni ng under wor l d. . . DEMONS and doomed HUMANS i n a bur ni ng under wor l d. . . DEMONS and doomed HUMANS i n a bur ni ng under wor l d. . .
BACK TO SCENE -- ON THE ROOF BACK TO SCENE -- ON THE ROOF BACK TO SCENE -- ON THE ROOF BACK TO SCENE -- ON THE ROOF BACK TO SCENE -- ON THE ROOF
. . . my God. . . . my God. . . . my God. . . . my God. . . . my God.
She spr i nt s t o her pi ckup, cl i mbs i n. PEELS OUT. She spr i nt s t o her pi ckup, cl i mbs i n. PEELS OUT. She spr i nt s t o her pi ckup, cl i mbs i n. PEELS OUT. She spr i nt s t o her pi ckup, cl i mbs i n. PEELS OUT. She spr i nt s t o her pi ckup, cl i mbs i n. PEELS OUT.
EXT. TMI, FRONT SECURITY GATE -- NIGHT EXT. TMI, FRONT SECURITY GATE -- NIGHT EXT. TMI, FRONT SECURITY GATE -- NIGHT EXT. TMI, FRONT SECURITY GATE -- NIGHT EXT. TMI, FRONT SECURITY GATE -- NIGHT
The gr ounds ar e bor der ed by RAZOR- WI RE- TOPPED FENCI NG. The gr ounds ar e bor der ed by RAZOR- WI RE- TOPPED FENCI NG. The gr ounds ar e bor der ed by RAZOR- WI RE- TOPPED FENCI NG. The gr ounds ar e bor der ed by RAZOR- WI RE- TOPPED FENCI NG. The gr ounds ar e bor der ed by RAZOR- WI RE- TOPPED FENCI NG.
Lewi s' s car ar r i ves at t he mai n GUARD SHACK. A SI GN Lewi s' s car ar r i ves at t he mai n GUARD SHACK. A SI GN Lewi s' s car ar r i ves at t he mai n GUARD SHACK. A SI GN Lewi s' s car ar r i ves at t he mai n GUARD SHACK. A SI GN Lewi s' s car ar r i ves at t he mai n GUARD SHACK. A SI GN
pr ocl ai ms, " Thr ee Mi l e I sl and Power Faci l i t y. " Ther e' s a pr ocl ai ms, " Thr ee Mi l e I sl and Power Faci l i t y. " Ther e' s a pr ocl ai ms, " Thr ee Mi l e I sl and Power Faci l i t y. " Ther e' s a pr ocl ai ms, " Thr ee Mi l e I sl and Power Faci l i t y. " Ther e' s a pr ocl ai ms, " Thr ee Mi l e I sl and Power Faci l i t y. " Ther e' s a
pneumat i c VEHI CLE BARRI ER beyond t he r ed and whi t e st r i ped, pneumat i c VEHI CLE BARRI ER beyond t he r ed and whi t e st r i ped, pneumat i c VEHI CLE BARRI ER beyond t he r ed and whi t e st r i ped, pneumat i c VEHI CLE BARRI ER beyond t he r ed and whi t e st r i ped, pneumat i c VEHI CLE BARRI ER beyond t he r ed and whi t e st r i ped,
swi ng- ar mGATE. A uni f or med Gat e Guar d l ooks up f r omt he swi ng- ar mGATE. A uni f or med Gat e Guar d l ooks up f r omt he swi ng- ar mGATE. A uni f or med Gat e Guar d l ooks up f r omt he swi ng- ar mGATE. A uni f or med Gat e Guar d l ooks up f r omt he swi ng- ar mGATE. A uni f or med Gat e Guar d l ooks up f r omt he
mi ni - TV he' s wat chi ng, comes out wi t h a CLI PBOARD. mi ni - TV he' s wat chi ng, comes out wi t h a CLI PBOARD. mi ni - TV he' s wat chi ng, comes out wi t h a CLI PBOARD. mi ni - TV he' s wat chi ng, comes out wi t h a CLI PBOARD. mi ni - TV he' s wat chi ng, comes out wi t h a CLI PBOARD.
GATE GUARD GATE GUARD GATE GUARD GATE GUARD GATE GUARD
Lewi s. Di dn' t you al r eady wor k t oday? Lewi s. Di dn' t you al r eady wor k t oday? Lewi s. Di dn' t you al r eady wor k t oday? Lewi s. Di dn' t you al r eady wor k t oday? Lewi s. Di dn' t you al r eady wor k t oday?
Lewi s wi pes hi s sweat y f ace, accept s t he CLI PBOARD, si gns i n. Lewi s wi pes hi s sweat y f ace, accept s t he CLI PBOARD, si gns i n. Lewi s wi pes hi s sweat y f ace, accept s t he CLI PBOARD, si gns i n. Lewi s wi pes hi s sweat y f ace, accept s t he CLI PBOARD, si gns i n. Lewi s wi pes hi s sweat y f ace, accept s t he CLI PBOARD, si gns i n.
LEWI S LEWI S LEWI S LEWI S LEWI S
Got cal l ed back i n by Kr ei ger . Got cal l ed back i n by Kr ei ger . Got cal l ed back i n by Kr ei ger . Got cal l ed back i n by Kr ei ger . Got cal l ed back i n by Kr ei ger .
I ' m. . . I ' mki nd of i n a hur r y, so. . . I ' m. . . I ' mki nd of i n a hur r y, so. . . I ' m. . . I ' mki nd of i n a hur r y, so. . . I ' m. . . I ' mki nd of i n a hur r y, so. . . I ' m. . . I ' mki nd of i n a hur r y, so. . .
A 2ND GUARD, ci gar et t e dangl i ng f r omhi s l i ps, sl eepwal ks A 2ND GUARD, ci gar et t e dangl i ng f r omhi s l i ps, sl eepwal ks A 2ND GUARD, ci gar et t e dangl i ng f r omhi s l i ps, sl eepwal ks A 2ND GUARD, ci gar et t e dangl i ng f r omhi s l i ps, sl eepwal ks A 2ND GUARD, ci gar et t e dangl i ng f r omhi s l i ps, sl eepwal ks
t hr ough hi s r out i ne, usi ng a MI RROR on a POLE t o check t he t hr ough hi s r out i ne, usi ng a MI RROR on a POLE t o check t he t hr ough hi s r out i ne, usi ng a MI RROR on a POLE t o check t he t hr ough hi s r out i ne, usi ng a MI RROR on a POLE t o check t he t hr ough hi s r out i ne, usi ng a MI RROR on a POLE t o check t he
under car r i age as he wal ks t o t he r ear of t he car . Lewi s has under car r i age as he wal ks t o t he r ear of t he car . Lewi s has under car r i age as he wal ks t o t he r ear of t he car . Lewi s has under car r i age as he wal ks t o t he r ear of t he car . Lewi s has under car r i age as he wal ks t o t he r ear of t he car . Lewi s has
DRY CLEANI NG hangi ng behi nd hi mi n t he back seat . DRY CLEANI NG hangi ng behi nd hi mi n t he back seat . DRY CLEANI NG hangi ng behi nd hi mi n t he back seat . DRY CLEANI NG hangi ng behi nd hi mi n t he back seat . DRY CLEANI NG hangi ng behi nd hi mi n t he back seat .
2nd Guar d shi nes hi s FLASHLI GHT i nt o t he back seat . . . 2nd Guar d shi nes hi s FLASHLI GHT i nt o t he back seat . . . 2nd Guar d shi nes hi s FLASHLI GHT i nt o t he back seat . . . 2nd Guar d shi nes hi s FLASHLI GHT i nt o t he back seat . . . 2nd Guar d shi nes hi s FLASHLI GHT i nt o t he back seat . . .
Ther e' s a BLANKET cover i ng t he seat wi t h some bal l ed- up Ther e' s a BLANKET cover i ng t he seat wi t h some bal l ed- up Ther e' s a BLANKET cover i ng t he seat wi t h some bal l ed- up Ther e' s a BLANKET cover i ng t he seat wi t h some bal l ed- up Ther e' s a BLANKET cover i ng t he seat wi t h some bal l ed- up
CLOTHI NG and empt y STARBUCKS COFFEE CUPS st r ewn back t her e. CLOTHI NG and empt y STARBUCKS COFFEE CUPS st r ewn back t her e. CLOTHI NG and empt y STARBUCKS COFFEE CUPS st r ewn back t her e. CLOTHI NG and empt y STARBUCKS COFFEE CUPS st r ewn back t her e. CLOTHI NG and empt y STARBUCKS COFFEE CUPS st r ewn back t her e.
Your badge, Lewi s. Wher e' s i t at ? Your badge, Lewi s. Wher e' s i t at ? Your badge, Lewi s. Wher e' s i t at ? Your badge, Lewi s. Wher e' s i t at ? Your badge, Lewi s. Wher e' s i t at ?
Oh, Chr i st , wher e. . . ? Her e i t i s. . . Oh, Chr i st , wher e. . . ? Her e i t i s. . . Oh, Chr i st , wher e. . . ? Her e i t i s. . . Oh, Chr i st , wher e. . . ? Her e i t i s. . . Oh, Chr i st , wher e. . . ? Her e i t i s. . .
Lewi s f i nds hi s I D amongst PAPERS besi de hi m, cl i ps i t on. Lewi s f i nds hi s I D amongst PAPERS besi de hi m, cl i ps i t on. Lewi s f i nds hi s I D amongst PAPERS besi de hi m, cl i ps i t on. Lewi s f i nds hi s I D amongst PAPERS besi de hi m, cl i ps i t on. Lewi s f i nds hi s I D amongst PAPERS besi de hi m, cl i ps i t on.
Pop t he t r unk. You know t he dr i l l . Pop t he t r unk. You know t he dr i l l . Pop t he t r unk. You know t he dr i l l . Pop t he t r unk. You know t he dr i l l . Pop t he t r unk. You know t he dr i l l .
At t he back of t he car , t he TRUNK CLI CKS. At t he back of t he car , t he TRUNK CLI CKS. At t he back of t he car , t he TRUNK CLI CKS. At t he back of t he car , t he TRUNK CLI CKS. At t he back of t he car , t he TRUNK CLI CKS.
90. 90. 90. 90. 90.
2nd Guar d opens i t . . . f i nds i t EMPTY. He SLAMS i t . 2nd Guar d opens i t . . . f i nds i t EMPTY. He SLAMS i t . 2nd Guar d opens i t . . . f i nds i t EMPTY. He SLAMS i t . 2nd Guar d opens i t . . . f i nds i t EMPTY. He SLAMS i t . 2nd Guar d opens i t . . . f i nds i t EMPTY. He SLAMS i t .
IN LEWIS'S CAR -- IN MOTION IN LEWIS'S CAR -- IN MOTION IN LEWIS'S CAR -- IN MOTION IN LEWIS'S CAR -- IN MOTION IN LEWIS'S CAR -- IN MOTION
Wi t h a mocki ng bow, Gat e Guar d waves Lewi s t hr ough whi l e a Wi t h a mocki ng bow, Gat e Guar d waves Lewi s t hr ough whi l e a Wi t h a mocki ng bow, Gat e Guar d waves Lewi s t hr ough whi l e a Wi t h a mocki ng bow, Gat e Guar d waves Lewi s t hr ough whi l e a Wi t h a mocki ng bow, Gat e Guar d waves Lewi s t hr ough whi l e a
THI RD GUARD i n t he shack OPENS t he GATE and BARRI ER; t he THI RD GUARD i n t he shack OPENS t he GATE and BARRI ER; t he THI RD GUARD i n t he shack OPENS t he GATE and BARRI ER; t he THI RD GUARD i n t he shack OPENS t he GATE and BARRI ER; t he THI RD GUARD i n t he shack OPENS t he GATE and BARRI ER; t he
bar r i er si nki ng f l ush wi t h t he pavement . Lewi s DRI VES, bar r i er si nki ng f l ush wi t h t he pavement . Lewi s DRI VES, bar r i er si nki ng f l ush wi t h t he pavement . Lewi s DRI VES, bar r i er si nki ng f l ush wi t h t he pavement . Lewi s DRI VES, bar r i er si nki ng f l ush wi t h t he pavement . Lewi s DRI VES,
r ai si ng hi s wi ndow, headi ng up an ACCESS ROAD. r ai si ng hi s wi ndow, headi ng up an ACCESS ROAD. r ai si ng hi s wi ndow, headi ng up an ACCESS ROAD. r ai si ng hi s wi ndow, headi ng up an ACCESS ROAD. r ai si ng hi s wi ndow, headi ng up an ACCESS ROAD.
I n t he back, t he bl anket shi f t s. Masked Psycho Ki l l er I n t he back, t he bl anket shi f t s. Masked Psycho Ki l l er I n t he back, t he bl anket shi f t s. Masked Psycho Ki l l er I n t he back, t he bl anket shi f t s. Masked Psycho Ki l l er I n t he back, t he bl anket shi f t s. Masked Psycho Ki l l er
pushes asi de a l ar ge pi ece of CARDBOARD he' s l yi ng f l at pushes asi de a l ar ge pi ece of CARDBOARD he' s l yi ng f l at pushes asi de a l ar ge pi ece of CARDBOARD he' s l yi ng f l at pushes asi de a l ar ge pi ece of CARDBOARD he' s l yi ng f l at pushes asi de a l ar ge pi ece of CARDBOARD he' s l yi ng f l at
beneat h. As he shoves of f t he bl anket and cl ot hi ng whi ch beneat h. As he shoves of f t he bl anket and cl ot hi ng whi ch beneat h. As he shoves of f t he bl anket and cl ot hi ng whi ch beneat h. As he shoves of f t he bl anket and cl ot hi ng whi ch beneat h. As he shoves of f t he bl anket and cl ot hi ng whi ch
di sgui sed hi m, we see t he ent i r e bot t omof t he r ear seat ' s di sgui sed hi m, we see t he ent i r e bot t omof t he r ear seat ' s di sgui sed hi m, we see t he ent i r e bot t omof t he r ear seat ' s di sgui sed hi m, we see t he ent i r e bot t omof t he r ear seat ' s di sgui sed hi m, we see t he ent i r e bot t omof t he r ear seat ' s
been t or n out t o make r oomf or PK, PI STOL hel d, whi l e Mar i e been t or n out t o make r oomf or PK, PI STOL hel d, whi l e Mar i e been t or n out t o make r oomf or PK, PI STOL hel d, whi l e Mar i e been t or n out t o make r oomf or PK, PI STOL hel d, whi l e Mar i e been t or n out t o make r oomf or PK, PI STOL hel d, whi l e Mar i e
l i es bound and gagged i n t he r ear f oot wel l besi de hi m. l i es bound and gagged i n t he r ear f oot wel l besi de hi m. l i es bound and gagged i n t he r ear f oot wel l besi de hi m. l i es bound and gagged i n t he r ear f oot wel l besi de hi m. l i es bound and gagged i n t he r ear f oot wel l besi de hi m.
Psycho Ki l l er peer s over t he seat , over Lewi s' s shoul der . Psycho Ki l l er peer s over t he seat , over Lewi s' s shoul der . Psycho Ki l l er peer s over t he seat , over Lewi s' s shoul der . Psycho Ki l l er peer s over t he seat , over Lewi s' s shoul der . Psycho Ki l l er peer s over t he seat , over Lewi s' s shoul der .
We' r e al most t her e. Pl ease. . . We' r e al most t her e. Pl ease. . . We' r e al most t her e. Pl ease. . . We' r e al most t her e. Pl ease. . . We' r e al most t her e. Pl ease. . .
Keep goi ng. Keep goi ng. Keep goi ng. Keep goi ng. Keep goi ng.
INT. TMI GROUNDS, SNIPER TOWER -- NIGHT INT. TMI GROUNDS, SNIPER TOWER -- NIGHT INT. TMI GROUNDS, SNIPER TOWER -- NIGHT INT. TMI GROUNDS, SNIPER TOWER -- NIGHT INT. TMI GROUNDS, SNIPER TOWER -- NIGHT
An ar med MARKSMAN wat ches Lewi s' s car pass bel ow. An ar med MARKSMAN wat ches Lewi s' s car pass bel ow. An ar med MARKSMAN wat ches Lewi s' s car pass bel ow. An ar med MARKSMAN wat ches Lewi s' s car pass bel ow. An ar med MARKSMAN wat ches Lewi s' s car pass bel ow.
EXT. TMI GROUNDS -- OVERVIEW -- NIGHT EXT. TMI GROUNDS -- OVERVIEW -- NIGHT EXT. TMI GROUNDS -- OVERVIEW -- NIGHT EXT. TMI GROUNDS -- OVERVIEW -- NIGHT EXT. TMI GROUNDS -- OVERVIEW -- NIGHT
Lewi s' s car t r avel s past t ower i ng COOLI NG TOWERS. Lewi s' s car t r avel s past t ower i ng COOLI NG TOWERS. Lewi s' s car t r avel s past t ower i ng COOLI NG TOWERS. Lewi s' s car t r avel s past t ower i ng COOLI NG TOWERS. Lewi s' s car t r avel s past t ower i ng COOLI NG TOWERS.
EXT. FRONT STREET, HARRISBURG -- INTERCUT -- NIGHT EXT. FRONT STREET, HARRISBURG -- INTERCUT -- NIGHT EXT. FRONT STREET, HARRISBURG -- INTERCUT -- NIGHT EXT. FRONT STREET, HARRISBURG -- INTERCUT -- NIGHT EXT. FRONT STREET, HARRISBURG -- INTERCUT -- NIGHT
The r oad' s most l y empt y, and a good t hi ng t oo, because The r oad' s most l y empt y, and a good t hi ng t oo, because The r oad' s most l y empt y, and a good t hi ng t oo, because The r oad' s most l y empt y, and a good t hi ng t oo, because The r oad' s most l y empt y, and a good t hi ng t oo, because
J ane' s pi ckup ZOOMS past HOUSES on t he ci t y' s OUTSKI RTS, J ane' s pi ckup ZOOMS past HOUSES on t he ci t y' s OUTSKI RTS, J ane' s pi ckup ZOOMS past HOUSES on t he ci t y' s OUTSKI RTS, J ane' s pi ckup ZOOMS past HOUSES on t he ci t y' s OUTSKI RTS, J ane' s pi ckup ZOOMS past HOUSES on t he ci t y' s OUTSKI RTS,
wi t h t he r i ver t o her r i ght . A RED LI GHT spi ns on her dash. wi t h t he r i ver t o her r i ght . A RED LI GHT spi ns on her dash. wi t h t he r i ver t o her r i ght . A RED LI GHT spi ns on her dash. wi t h t he r i ver t o her r i ght . A RED LI GHT spi ns on her dash. wi t h t he r i ver t o her r i ght . A RED LI GHT spi ns on her dash.
IN JANE'S PICK-UP IN JANE'S PICK-UP IN JANE'S PICK-UP IN JANE'S PICK-UP IN JANE'S PICK-UP
J ane' s on her cel l phone. . . J ane' s on her cel l phone. . . J ane' s on her cel l phone. . . J ane' s on her cel l phone. . . J ane' s on her cel l phone. . .
Thi s i sn' t a j oke! You need t o send Thi s i sn' t a j oke! You need t o send Thi s i sn' t a j oke! You need t o send Thi s i sn' t a j oke! You need t o send Thi s i sn' t a j oke! You need t o send
of f i cer s r i ght away, do you of f i cer s r i ght away, do you of f i cer s r i ght away, do you of f i cer s r i ght away, do you of f i cer s r i ght away, do you
under st and? Ther e' s goi ng t o be an under st and? Ther e' s goi ng t o be an under st and? Ther e' s goi ng t o be an under st and? Ther e' s goi ng t o be an under st and? Ther e' s goi ng t o be an
at t ack on Thr ee Mi l e I sl and. . . at t ack on Thr ee Mi l e I sl and. . . at t ack on Thr ee Mi l e I sl and. . . at t ack on Thr ee Mi l e I sl and. . . at t ack on Thr ee Mi l e I sl and. . .
J ane J ERKS t he wheel t o avoi d a near col l i si on! J ane J ERKS t he wheel t o avoi d a near col l i si on! J ane J ERKS t he wheel t o avoi d a near col l i si on! J ane J ERKS t he wheel t o avoi d a near col l i si on! J ane J ERKS t he wheel t o avoi d a near col l i si on!
INT. LEWIS'S CAR, BACK SEAT -- INTERCUT -- NIGHT INT. LEWIS'S CAR, BACK SEAT -- INTERCUT -- NIGHT INT. LEWIS'S CAR, BACK SEAT -- INTERCUT -- NIGHT INT. LEWIS'S CAR, BACK SEAT -- INTERCUT -- NIGHT INT. LEWIS'S CAR, BACK SEAT -- INTERCUT -- NIGHT
Mar i e l ooks up wi t h f ear f ul , t ear f ul eyes, yet st i l l bound Mar i e l ooks up wi t h f ear f ul , t ear f ul eyes, yet st i l l bound Mar i e l ooks up wi t h f ear f ul , t ear f ul eyes, yet st i l l bound Mar i e l ooks up wi t h f ear f ul , t ear f ul eyes, yet st i l l bound Mar i e l ooks up wi t h f ear f ul , t ear f ul eyes, yet st i l l bound
and gagged as t he BLANKET i s r epl aced over her . and gagged as t he BLANKET i s r epl aced over her . and gagged as t he BLANKET i s r epl aced over her . and gagged as t he BLANKET i s r epl aced over her . and gagged as t he BLANKET i s r epl aced over her .
91. 91. 91. 91. 91.
OUTSIDE LEWIS'S CAR OUTSIDE LEWIS'S CAR OUTSIDE LEWIS'S CAR OUTSIDE LEWIS'S CAR OUTSIDE LEWIS'S CAR
Psycho Ki l l er shut s t he car door , l eavi ng Mar i e t her e. Psycho Ki l l er shut s t he car door , l eavi ng Mar i e t her e. Psycho Ki l l er shut s t he car door , l eavi ng Mar i e t her e. Psycho Ki l l er shut s t he car door , l eavi ng Mar i e t her e. Psycho Ki l l er shut s t he car door , l eavi ng Mar i e t her e.
Lewi s bear s wi t ness, angui shed. PK gr abs Lewi s by hi s t i e. . . Lewi s bear s wi t ness, angui shed. PK gr abs Lewi s by hi s t i e. . . Lewi s bear s wi t ness, angui shed. PK gr abs Lewi s by hi s t i e. . . Lewi s bear s wi t ness, angui shed. PK gr abs Lewi s by hi s t i e. . . Lewi s bear s wi t ness, angui shed. PK gr abs Lewi s by hi s t i e. . .
Let me go, pl ease. You. . . you don' t Let me go, pl ease. You. . . you don' t Let me go, pl ease. You. . . you don' t Let me go, pl ease. You. . . you don' t Let me go, pl ease. You. . . you don' t
need me anymor e. need me anymor e. need me anymor e. need me anymor e. need me anymor e.
Psycho Ki l l er dr ags Lewi s al ong, cr ossi ng t he " Rest r i ct ed Psycho Ki l l er dr ags Lewi s al ong, cr ossi ng t he " Rest r i ct ed Psycho Ki l l er dr ags Lewi s al ong, cr ossi ng t he " Rest r i ct ed Psycho Ki l l er dr ags Lewi s al ong, cr ossi ng t he " Rest r i ct ed Psycho Ki l l er dr ags Lewi s al ong, cr ossi ng t he " Rest r i ct ed
Access Ar ea" LOT wher e t hey' ve par ked i n t he SHADOWof t he. . . Access Ar ea" LOT wher e t hey' ve par ked i n t he SHADOWof t he. . . Access Ar ea" LOT wher e t hey' ve par ked i n t he SHADOWof t he. . . Access Ar ea" LOT wher e t hey' ve par ked i n t he SHADOWof t he. . . Access Ar ea" LOT wher e t hey' ve par ked i n t he SHADOWof t he. . .
TMI CONTROL CENTER TMI CONTROL CENTER TMI CONTROL CENTER TMI CONTROL CENTER TMI CONTROL CENTER
CAMERA RI SES: af f or di ng us an OVERVI EWas PK and Lewi s head CAMERA RI SES: af f or di ng us an OVERVI EWas PK and Lewi s head CAMERA RI SES: af f or di ng us an OVERVI EWas PK and Lewi s head CAMERA RI SES: af f or di ng us an OVERVI EWas PK and Lewi s head CAMERA RI SES: af f or di ng us an OVERVI EWas PK and Lewi s head
f or t he ENTRANCE of t hi s l ar ge BUI LDI NG. Beyond t he CONTROL f or t he ENTRANCE of t hi s l ar ge BUI LDI NG. Beyond t he CONTROL f or t he ENTRANCE of t hi s l ar ge BUI LDI NG. Beyond t he CONTROL f or t he ENTRANCE of t hi s l ar ge BUI LDI NG. Beyond t he CONTROL f or t he ENTRANCE of t hi s l ar ge BUI LDI NG. Beyond t he CONTROL
CENTER, l ooms t he massi ve, concr et e- domed REACTOR ONE. CENTER, l ooms t he massi ve, concr et e- domed REACTOR ONE. CENTER, l ooms t he massi ve, concr et e- domed REACTOR ONE. CENTER, l ooms t he massi ve, concr et e- domed REACTOR ONE. CENTER, l ooms t he massi ve, concr et e- domed REACTOR ONE.
INT. TMI CONTROL CENTER, ENTRANCE/SECURITY CHECKPOINT - NIGHT INT. TMI CONTROL CENTER, ENTRANCE/SECURITY CHECKPOINT - NIGHT INT. TMI CONTROL CENTER, ENTRANCE/SECURITY CHECKPOINT - NIGHT INT. TMI CONTROL CENTER, ENTRANCE/SECURITY CHECKPOINT - NIGHT INT. TMI CONTROL CENTER, ENTRANCE/SECURITY CHECKPOINT - NIGHT
Psycho Ki l l er and Lewi s ent er t he FRONT DOORS, movi ng t o a Psycho Ki l l er and Lewi s ent er t he FRONT DOORS, movi ng t o a Psycho Ki l l er and Lewi s ent er t he FRONT DOORS, movi ng t o a Psycho Ki l l er and Lewi s ent er t he FRONT DOORS, movi ng t o a Psycho Ki l l er and Lewi s ent er t he FRONT DOORS, movi ng t o a
second set of STEELS DOORS, wher e Psycho Ki l l er peer s second set of STEELS DOORS, wher e Psycho Ki l l er peer s second set of STEELS DOORS, wher e Psycho Ki l l er peer s second set of STEELS DOORS, wher e Psycho Ki l l er peer s second set of STEELS DOORS, wher e Psycho Ki l l er peer s
t hr ough a smal l , wi r e- mesh r ei nf or ced WI NDOW. . . t hr ough a smal l , wi r e- mesh r ei nf or ced WI NDOW. . . t hr ough a smal l , wi r e- mesh r ei nf or ced WI NDOW. . . t hr ough a smal l , wi r e- mesh r ei nf or ced WI NDOW. . . t hr ough a smal l , wi r e- mesh r ei nf or ced WI NDOW. . .
THRU THE WI NDOW: TWO GUARDS st and t al ki ng by METAL DETECTORS. THRU THE WI NDOW: TWO GUARDS st and t al ki ng by METAL DETECTORS. THRU THE WI NDOW: TWO GUARDS st and t al ki ng by METAL DETECTORS. THRU THE WI NDOW: TWO GUARDS st and t al ki ng by METAL DETECTORS. THRU THE WI NDOW: TWO GUARDS st and t al ki ng by METAL DETECTORS.
Psycho Ki l l er r eaches i nt o hi s coat pocket , t akes out TWO Psycho Ki l l er r eaches i nt o hi s coat pocket , t akes out TWO Psycho Ki l l er r eaches i nt o hi s coat pocket , t akes out TWO Psycho Ki l l er r eaches i nt o hi s coat pocket , t akes out TWO Psycho Ki l l er r eaches i nt o hi s coat pocket , t akes out TWO
HAND GRENADES. Lewi s i s queasy f r omf ear . HAND GRENADES. Lewi s i s queasy f r omf ear . HAND GRENADES. Lewi s i s queasy f r omf ear . HAND GRENADES. Lewi s i s queasy f r omf ear . HAND GRENADES. Lewi s i s queasy f r omf ear .
Oh, Lor d. Oh, Lor d. Oh, Lor d. Oh, Lor d. Oh, Lor d.
How you hel p me now, deci des who How you hel p me now, deci des who How you hel p me now, deci des who How you hel p me now, deci des who How you hel p me now, deci des who
l i ves or di es. l i ves or di es. l i ves or di es. l i ves or di es. l i ves or di es.
Hol di ng bot h gr enades i n one hand, Psycho Ki l l er uses t he Hol di ng bot h gr enades i n one hand, Psycho Ki l l er uses t he Hol di ng bot h gr enades i n one hand, Psycho Ki l l er uses t he Hol di ng bot h gr enades i n one hand, Psycho Ki l l er uses t he Hol di ng bot h gr enades i n one hand, Psycho Ki l l er uses t he
hand he' s got Lewi s' s t i e wr apped ar ound t o PULL BOTH PI NS. hand he' s got Lewi s' s t i e wr apped ar ound t o PULL BOTH PI NS. hand he' s got Lewi s' s t i e wr apped ar ound t o PULL BOTH PI NS. hand he' s got Lewi s' s t i e wr apped ar ound t o PULL BOTH PI NS. hand he' s got Lewi s' s t i e wr apped ar ound t o PULL BOTH PI NS.
IN THE SECURITY CHECKPOINT IN THE SECURITY CHECKPOINT IN THE SECURITY CHECKPOINT IN THE SECURITY CHECKPOINT IN THE SECURITY CHECKPOINT
Ami dst many WARNI NG SI GNS r est r i ct i ng t hi s bui l di ng t o Ami dst many WARNI NG SI GNS r est r i ct i ng t hi s bui l di ng t o Ami dst many WARNI NG SI GNS r est r i ct i ng t hi s bui l di ng t o Ami dst many WARNI NG SI GNS r est r i ct i ng t hi s bui l di ng t o Ami dst many WARNI NG SI GNS r est r i ct i ng t hi s bui l di ng t o
" Aut hor i zed Per sonnel Onl y, " et c. , t he TWO GUARDS, wi t h AR- " Aut hor i zed Per sonnel Onl y, " et c. , t he TWO GUARDS, wi t h AR- " Aut hor i zed Per sonnel Onl y, " et c. , t he TWO GUARDS, wi t h AR- " Aut hor i zed Per sonnel Onl y, " et c. , t he TWO GUARDS, wi t h AR- " Aut hor i zed Per sonnel Onl y, " et c. , t he TWO GUARDS, wi t h AR-
15' s over t hei r shoul der s, chat on t he ot her si de of 15' s over t hei r shoul der s, chat on t he ot her si de of 15' s over t hei r shoul der s, chat on t he ot her si de of 15' s over t hei r shoul der s, chat on t he ot her si de of 15' s over t hei r shoul der s, chat on t he ot her si de of
MULTI PLE BANKS of METAL DETECTORS. One guar d' s smoki ng, MULTI PLE BANKS of METAL DETECTORS. One guar d' s smoki ng, MULTI PLE BANKS of METAL DETECTORS. One guar d' s smoki ng, MULTI PLE BANKS of METAL DETECTORS. One guar d' s smoki ng, MULTI PLE BANKS of METAL DETECTORS. One guar d' s smoki ng,
l aughi ng, when t he METAL DETECTORS st ar t BEEPI NG LOUDLY. l aughi ng, when t he METAL DETECTORS st ar t BEEPI NG LOUDLY. l aughi ng, when t he METAL DETECTORS st ar t BEEPI NG LOUDLY. l aughi ng, when t he METAL DETECTORS st ar t BEEPI NG LOUDLY. l aughi ng, when t he METAL DETECTORS st ar t BEEPI NG LOUDLY.
Bot h guar ds l ook back t hr ough t he empt y DETECTORS. Bot h guar ds l ook back t hr ough t he empt y DETECTORS. Bot h guar ds l ook back t hr ough t he empt y DETECTORS. Bot h guar ds l ook back t hr ough t he empt y DETECTORS. Bot h guar ds l ook back t hr ough t he empt y DETECTORS.
An i nst ant of conf usi on, t hen t hey l ook down t o see. . . An i nst ant of conf usi on, t hen t hey l ook down t o see. . . An i nst ant of conf usi on, t hen t hey l ook down t o see. . . An i nst ant of conf usi on, t hen t hey l ook down t o see. . . An i nst ant of conf usi on, t hen t hey l ook down t o see. . .
Two l i ve hand gr enades on t he f l oor , r ol l i ng t o a st op. Two l i ve hand gr enades on t he f l oor , r ol l i ng t o a st op. Two l i ve hand gr enades on t he f l oor , r ol l i ng t o a st op. Two l i ve hand gr enades on t he f l oor , r ol l i ng t o a st op. Two l i ve hand gr enades on t he f l oor , r ol l i ng t o a st op.
EXT. TMI, FRONT SECURITY GATE -- NIGHT EXT. TMI, FRONT SECURITY GATE -- NIGHT EXT. TMI, FRONT SECURITY GATE -- NIGHT EXT. TMI, FRONT SECURITY GATE -- NIGHT EXT. TMI, FRONT SECURITY GATE -- NIGHT
J ane' s pi ckup comes bar r el i ng up t o t he cl osed GATES. . . J ane' s pi ckup comes bar r el i ng up t o t he cl osed GATES. . . J ane' s pi ckup comes bar r el i ng up t o t he cl osed GATES. . . J ane' s pi ckup comes bar r el i ng up t o t he cl osed GATES. . . J ane' s pi ckup comes bar r el i ng up t o t he cl osed GATES. . .
An ar med GATE GUARD, a younger guy, MI TCH, exi t s t he shack, An ar med GATE GUARD, a younger guy, MI TCH, exi t s t he shack, An ar med GATE GUARD, a younger guy, MI TCH, exi t s t he shack, An ar med GATE GUARD, a younger guy, MI TCH, exi t s t he shack, An ar med GATE GUARD, a younger guy, MI TCH, exi t s t he shack,
wavi ng f or her t o hal t . J ane SKI DS t o a st op. wavi ng f or her t o hal t . J ane SKI DS t o a st op. wavi ng f or her t o hal t . J ane SKI DS t o a st op. wavi ng f or her t o hal t . J ane SKI DS t o a st op. wavi ng f or her t o hal t . J ane SKI DS t o a st op.
92. 92. 92. 92. 92.
Mi t ch has hi s AR- 15 sl ung acr oss hi s back. Mi t ch has hi s AR- 15 sl ung acr oss hi s back. Mi t ch has hi s AR- 15 sl ung acr oss hi s back. Mi t ch has hi s AR- 15 sl ung acr oss hi s back. Mi t ch has hi s AR- 15 sl ung acr oss hi s back.
MI TCH MI TCH MI TCH MI TCH MI TCH
Whoa, whoa, whoa! What t he hel l do Whoa, whoa, whoa! What t he hel l do Whoa, whoa, whoa! What t he hel l do Whoa, whoa, whoa! What t he hel l do Whoa, whoa, whoa! What t he hel l do
you t hi nk you' r e. . . ?! you t hi nk you' r e. . . ?! you t hi nk you' r e. . . ?! you t hi nk you' r e. . . ?! you t hi nk you' r e. . . ?!
J ane get s out , keepi ng her hands i n vi ew. J ane get s out , keepi ng her hands i n vi ew. J ane get s out , keepi ng her hands i n vi ew. J ane get s out , keepi ng her hands i n vi ew. J ane get s out , keepi ng her hands i n vi ew.
The ot her Gat e Guar ds come out , r i f l es ai med. The ot her Gat e Guar ds come out , r i f l es ai med. The ot her Gat e Guar ds come out , r i f l es ai med. The ot her Gat e Guar ds come out , r i f l es ai med. The ot her Gat e Guar ds come out , r i f l es ai med.
I ' mHi ghway Pat r ol Of f i cer J ane I ' mHi ghway Pat r ol Of f i cer J ane I ' mHi ghway Pat r ol Of f i cer J ane I ' mHi ghway Pat r ol Of f i cer J ane I ' mHi ghway Pat r ol Of f i cer J ane
Thor ne. Li st en t o me. . . I have ever Thor ne. Li st en t o me. . . I have ever Thor ne. Li st en t o me. . . I have ever Thor ne. Li st en t o me. . . I have ever Thor ne. Li st en t o me. . . I have ever
r eason t o bel i eve t her e' s about t o be r eason t o bel i eve t her e' s about t o be r eason t o bel i eve t her e' s about t o be r eason t o bel i eve t her e' s about t o be r eason t o bel i eve t her e' s about t o be
an at t ack on t hi s pl ant . . . an at t ack on t hi s pl ant . . . an at t ack on t hi s pl ant . . . an at t ack on t hi s pl ant . . . an at t ack on t hi s pl ant . . .
What ar e you t al ki ng about ? What ar e you t al ki ng about ? What ar e you t al ki ng about ? What ar e you t al ki ng about ? What ar e you t al ki ng about ?
I ' l l t el l you ever yt hi ng I know, but I ' l l t el l you ever yt hi ng I know, but I ' l l t el l you ever yt hi ng I know, but I ' l l t el l you ever yt hi ng I know, but I ' l l t el l you ever yt hi ng I know, but
t her e i sn' t t i me now. I ' ve cal l ed t her e i sn' t t i me now. I ' ve cal l ed t her e i sn' t t i me now. I ' ve cal l ed t her e i sn' t t i me now. I ' ve cal l ed t her e i sn' t t i me now. I ' ve cal l ed
t he pol i ce, don' t know i f t hey t he pol i ce, don' t know i f t hey t he pol i ce, don' t know i f t hey t he pol i ce, don' t know i f t hey t he pol i ce, don' t know i f t hey
bel i eved me. You need t o go on al er t bel i eved me. You need t o go on al er t bel i eved me. You need t o go on al er t bel i eved me. You need t o go on al er t bel i eved me. You need t o go on al er t
bef or e i t ' s t oo - - bef or e i t ' s t oo - - bef or e i t ' s t oo - - bef or e i t ' s t oo - - bef or e i t ' s t oo - -
An ALARM i s HEARD SOUNDI NG i n t he di st ance, haunt i ngl y, An ALARM i s HEARD SOUNDI NG i n t he di st ance, haunt i ngl y, An ALARM i s HEARD SOUNDI NG i n t he di st ance, haunt i ngl y, An ALARM i s HEARD SOUNDI NG i n t he di st ance, haunt i ngl y, An ALARM i s HEARD SOUNDI NG i n t he di st ance, haunt i ngl y,
Mi t ch and J ane r eact . One guar d r uns t o check MONI TORS. Mi t ch and J ane r eact . One guar d r uns t o check MONI TORS. Mi t ch and J ane r eact . One guar d r uns t o check MONI TORS. Mi t ch and J ane r eact . One guar d r uns t o check MONI TORS. Mi t ch and J ane r eact . One guar d r uns t o check MONI TORS.
He' s her e. He' s al r eady her e. He' s her e. He' s al r eady her e. He' s her e. He' s al r eady her e. He' s her e. He' s al r eady her e. He' s her e. He' s al r eady her e.
Mi t ch t akes hi s WALKI E TALKI E of f hi s bel t , speaks ur gent l y Mi t ch t akes hi s WALKI E TALKI E of f hi s bel t , speaks ur gent l y Mi t ch t akes hi s WALKI E TALKI E of f hi s bel t , speaks ur gent l y Mi t ch t akes hi s WALKI E TALKI E of f hi s bel t , speaks ur gent l y Mi t ch t akes hi s WALKI E TALKI E of f hi s bel t , speaks ur gent l y
i nt o i t . Gat e Guar d exi t s t he shack, f r eaked. i nt o i t . Gat e Guar d exi t s t he shack, f r eaked. i nt o i t . Gat e Guar d exi t s t he shack, f r eaked. i nt o i t . Gat e Guar d exi t s t he shack, f r eaked. i nt o i t . Gat e Guar d exi t s t he shack, f r eaked.
Ther e' s somet hi ng goi ng on at Ther e' s somet hi ng goi ng on at Ther e' s somet hi ng goi ng on at Ther e' s somet hi ng goi ng on at Ther e' s somet hi ng goi ng on at
Cont r ol . React or One. Cont r ol . React or One. Cont r ol . React or One. Cont r ol . React or One. Cont r ol . React or One.
Open t hi s gat e! Do i t ! Open t hi s gat e! Do i t ! Open t hi s gat e! Do i t ! Open t hi s gat e! Do i t ! Open t hi s gat e! Do i t !
( t o Mi t ch) ( t o Mi t ch) ( t o Mi t ch) ( t o Mi t ch) ( t o Mi t ch)
You, r i de wi t h me. You, r i de wi t h me. You, r i de wi t h me. You, r i de wi t h me. You, r i de wi t h me.
Hol d on. . . Hol d on. . . Hol d on. . . Hol d on. . . Hol d on. . .
I know who he i s. I can hel p st op I know who he i s. I can hel p st op I know who he i s. I can hel p st op I know who he i s. I can hel p st op I know who he i s. I can hel p st op
hi m, but we' ve got t o move! hi m, but we' ve got t o move! hi m, but we' ve got t o move! hi m, but we' ve got t o move! hi m, but we' ve got t o move!
Okay, okay. . . Okay, okay. . . Okay, okay. . . Okay, okay. . . Okay, okay. . .
( t o ot her guar ds) ( t o ot her guar ds) ( t o ot her guar ds) ( t o ot her guar ds) ( t o ot her guar ds)
Let us t hr ough, t hen l ock i t down and Let us t hr ough, t hen l ock i t down and Let us t hr ough, t hen l ock i t down and Let us t hr ough, t hen l ock i t down and Let us t hr ough, t hen l ock i t down and
cal l i t i n! cal l i t i n! cal l i t i n! cal l i t i n! cal l i t i n!
Mi t ch r uns t o cl i mb i n on t he passenger si de. Mi t ch r uns t o cl i mb i n on t he passenger si de. Mi t ch r uns t o cl i mb i n on t he passenger si de. Mi t ch r uns t o cl i mb i n on t he passenger si de. Mi t ch r uns t o cl i mb i n on t he passenger si de.
93. 93. 93. 93. 93.
J ane get s i n and dr i ves. GATE and BARRI ER open, maki ng way. J ane get s i n and dr i ves. GATE and BARRI ER open, maki ng way. J ane get s i n and dr i ves. GATE and BARRI ER open, maki ng way. J ane get s i n and dr i ves. GATE and BARRI ER open, maki ng way. J ane get s i n and dr i ves. GATE and BARRI ER open, maki ng way.
INT. TMI CONTROL CENTER, SECURITY CHECKPOINT -- NIGHT INT. TMI CONTROL CENTER, SECURITY CHECKPOINT -- NIGHT INT. TMI CONTROL CENTER, SECURITY CHECKPOINT -- NIGHT INT. TMI CONTROL CENTER, SECURITY CHECKPOINT -- NIGHT INT. TMI CONTROL CENTER, SECURITY CHECKPOINT -- NIGHT
ALARMS BLARE. Psycho Ki l l er st or ms t hr ough, pul l i ng Lewi s. . . ALARMS BLARE. Psycho Ki l l er st or ms t hr ough, pul l i ng Lewi s. . . ALARMS BLARE. Psycho Ki l l er st or ms t hr ough, pul l i ng Lewi s. . . ALARMS BLARE. Psycho Ki l l er st or ms t hr ough, pul l i ng Lewi s. . . ALARMS BLARE. Psycho Ki l l er st or ms t hr ough, pul l i ng Lewi s. . .
Secur i t y' s a war zone; t he r ent METAL DETECTORS and shal l ow Secur i t y' s a war zone; t he r ent METAL DETECTORS and shal l ow Secur i t y' s a war zone; t he r ent METAL DETECTORS and shal l ow Secur i t y' s a war zone; t he r ent METAL DETECTORS and shal l ow Secur i t y' s a war zone; t he r ent METAL DETECTORS and shal l ow
CRATER i n t he f l oor st i l l SMOLDERI NG, as ar e t he shr apnel - CRATER i n t he f l oor st i l l SMOLDERI NG, as ar e t he shr apnel - CRATER i n t he f l oor st i l l SMOLDERI NG, as ar e t he shr apnel - CRATER i n t he f l oor st i l l SMOLDERI NG, as ar e t he shr apnel - CRATER i n t he f l oor st i l l SMOLDERI NG, as ar e t he shr apnel -
t or n GUARDS' CORPSES l yi ng wher e t he bl ast t hr ew t hem. t or n GUARDS' CORPSES l yi ng wher e t he bl ast t hr ew t hem. t or n GUARDS' CORPSES l yi ng wher e t he bl ast t hr ew t hem. t or n GUARDS' CORPSES l yi ng wher e t he bl ast t hr ew t hem. t or n GUARDS' CORPSES l yi ng wher e t he bl ast t hr ew t hem.
FURTHER ON -- CONTROL CENTER HALLWAY FURTHER ON -- CONTROL CENTER HALLWAY FURTHER ON -- CONTROL CENTER HALLWAY FURTHER ON -- CONTROL CENTER HALLWAY FURTHER ON -- CONTROL CENTER HALLWAY
As Psycho Ki l l er and Lewi s exi t t he secur i t y ar ea, anot her As Psycho Ki l l er and Lewi s exi t t he secur i t y ar ea, anot her As Psycho Ki l l er and Lewi s exi t t he secur i t y ar ea, anot her As Psycho Ki l l er and Lewi s exi t t he secur i t y ar ea, anot her As Psycho Ki l l er and Lewi s exi t t he secur i t y ar ea, anot her
GUARD comes ar ound a cor ner t o t hei r l ef t , ai mi ng an AR- 15. . . GUARD comes ar ound a cor ner t o t hei r l ef t , ai mi ng an AR- 15. . . GUARD comes ar ound a cor ner t o t hei r l ef t , ai mi ng an AR- 15. . . GUARD comes ar ound a cor ner t o t hei r l ef t , ai mi ng an AR- 15. . . GUARD comes ar ound a cor ner t o t hei r l ef t , ai mi ng an AR- 15. . .
Psycho Ki l l er FI RES hi s pi st ol ! Psycho Ki l l er FI RES hi s pi st ol ! Psycho Ki l l er FI RES hi s pi st ol ! Psycho Ki l l er FI RES hi s pi st ol ! Psycho Ki l l er FI RES hi s pi st ol !
The guar d' s SHOT i n t he hi p, SLAMMI NG t he t i l ed wal l as he The guar d' s SHOT i n t he hi p, SLAMMI NG t he t i l ed wal l as he The guar d' s SHOT i n t he hi p, SLAMMI NG t he t i l ed wal l as he The guar d' s SHOT i n t he hi p, SLAMMI NG t he t i l ed wal l as he The guar d' s SHOT i n t he hi p, SLAMMI NG t he t i l ed wal l as he
f al l s. Psycho Ki l l er FI RES agai n! The guar d pi t ches f al l s. Psycho Ki l l er FI RES agai n! The guar d pi t ches f al l s. Psycho Ki l l er FI RES agai n! The guar d pi t ches f al l s. Psycho Ki l l er FI RES agai n! The guar d pi t ches f al l s. Psycho Ki l l er FI RES agai n! The guar d pi t ches
f or war d t o t he f l oor , shudder i ng uncont r ol l abl y. f or war d t o t he f l oor , shudder i ng uncont r ol l abl y. f or war d t o t he f l oor , shudder i ng uncont r ol l abl y. f or war d t o t he f l oor , shudder i ng uncont r ol l abl y. f or war d t o t he f l oor , shudder i ng uncont r ol l abl y.
Psycho Ki l l er goes r i ght , t ur ns a cor ner . . . Psycho Ki l l er goes r i ght , t ur ns a cor ner . . . Psycho Ki l l er goes r i ght , t ur ns a cor ner . . . Psycho Ki l l er goes r i ght , t ur ns a cor ner . . . Psycho Ki l l er goes r i ght , t ur ns a cor ner . . .
PK keeps a gr i p on Lewi s' s t i e as Lewi s sobs. PK keeps a gr i p on Lewi s' s t i e as Lewi s sobs. PK keeps a gr i p on Lewi s' s t i e as Lewi s sobs. PK keeps a gr i p on Lewi s' s t i e as Lewi s sobs. PK keeps a gr i p on Lewi s' s t i e as Lewi s sobs.
DOWN THI S HALLWAY, a f ew ENGI NEERS and WORKERS scat t er , DOWN THI S HALLWAY, a f ew ENGI NEERS and WORKERS scat t er , DOWN THI S HALLWAY, a f ew ENGI NEERS and WORKERS scat t er , DOWN THI S HALLWAY, a f ew ENGI NEERS and WORKERS scat t er , DOWN THI S HALLWAY, a f ew ENGI NEERS and WORKERS scat t er ,
ducki ng i nt o OFFI CES and a LOCKER ROOM. Someone SCREAMS. ducki ng i nt o OFFI CES and a LOCKER ROOM. Someone SCREAMS. ducki ng i nt o OFFI CES and a LOCKER ROOM. Someone SCREAMS. ducki ng i nt o OFFI CES and a LOCKER ROOM. Someone SCREAMS. ducki ng i nt o OFFI CES and a LOCKER ROOM. Someone SCREAMS.
Psycho Ki l l er advances upon hi s goal . . . t he massi ve, Psycho Ki l l er advances upon hi s goal . . . t he massi ve, Psycho Ki l l er advances upon hi s goal . . . t he massi ve, Psycho Ki l l er advances upon hi s goal . . . t he massi ve, Psycho Ki l l er advances upon hi s goal . . . t he massi ve,
r ei nf or ced " CONTROL ROOM" DOOR at t he end of t he hal l . r ei nf or ced " CONTROL ROOM" DOOR at t he end of t he hal l . r ei nf or ced " CONTROL ROOM" DOOR at t he end of t he hal l . r ei nf or ced " CONTROL ROOM" DOOR at t he end of t he hal l . r ei nf or ced " CONTROL ROOM" DOOR at t he end of t he hal l .
Ahead, t he heavy CONTROL ROOM DOOR opens. . . Ahead, t he heavy CONTROL ROOM DOOR opens. . . Ahead, t he heavy CONTROL ROOM DOOR opens. . . Ahead, t he heavy CONTROL ROOM DOOR opens. . . Ahead, t he heavy CONTROL ROOM DOOR opens. . .
An Ar med Guar d comes out , FI RES a HANDGUN at PK! An Ar med Guar d comes out , FI RES a HANDGUN at PK! An Ar med Guar d comes out , FI RES a HANDGUN at PK! An Ar med Guar d comes out , FI RES a HANDGUN at PK! An Ar med Guar d comes out , FI RES a HANDGUN at PK!
Wi t h BULLETS WHI ZZI NG by, Psycho Ki l l er r et ur ns FI RE! Wi t h BULLETS WHI ZZI NG by, Psycho Ki l l er r et ur ns FI RE! Wi t h BULLETS WHI ZZI NG by, Psycho Ki l l er r et ur ns FI RE! Wi t h BULLETS WHI ZZI NG by, Psycho Ki l l er r et ur ns FI RE! Wi t h BULLETS WHI ZZI NG by, Psycho Ki l l er r et ur ns FI RE!
Ar med Guar d' s HI T i n t he upper ar mand chest . . . Ar med Guar d' s HI T i n t he upper ar mand chest . . . Ar med Guar d' s HI T i n t he upper ar mand chest . . . Ar med Guar d' s HI T i n t he upper ar mand chest . . . Ar med Guar d' s HI T i n t he upper ar mand chest . . .
IN THE CONTROL ROOM IN THE CONTROL ROOM IN THE CONTROL ROOM IN THE CONTROL ROOM IN THE CONTROL ROOM
SPEWI NG BLOOD, Ar med Guar d f al l s back i n t he door way. . . SPEWI NG BLOOD, Ar med Guar d f al l s back i n t he door way. . . SPEWI NG BLOOD, Ar med Guar d f al l s back i n t he door way. . . SPEWI NG BLOOD, Ar med Guar d f al l s back i n t he door way. . . SPEWI NG BLOOD, Ar med Guar d f al l s back i n t he door way. . .
Bl ocki ng t he cont r ol r oomdoor f r omcl osi ng. Bl ocki ng t he cont r ol r oomdoor f r omcl osi ng. Bl ocki ng t he cont r ol r oomdoor f r omcl osi ng. Bl ocki ng t he cont r ol r oomdoor f r omcl osi ng. Bl ocki ng t he cont r ol r oomdoor f r omcl osi ng.
I n t he vast , bunker - l i ke CONTROL ROOM, a dozen WORKERS and I n t he vast , bunker - l i ke CONTROL ROOM, a dozen WORKERS and I n t he vast , bunker - l i ke CONTROL ROOM, a dozen WORKERS and I n t he vast , bunker - l i ke CONTROL ROOM, a dozen WORKERS and I n t he vast , bunker - l i ke CONTROL ROOM, a dozen WORKERS and
ENGI NEERS cower . ALARMS cont i nue SOUNDI NG. The SHI FT ENGI NEERS cower . ALARMS cont i nue SOUNDI NG. The SHI FT ENGI NEERS cower . ALARMS cont i nue SOUNDI NG. The SHI FT ENGI NEERS cower . ALARMS cont i nue SOUNDI NG. The SHI FT ENGI NEERS cower . ALARMS cont i nue SOUNDI NG. The SHI FT
SUPERVI SOR r uns f r omhi s OFFI CE acr oss t he r oom, di st r aught . SUPERVI SOR r uns f r omhi s OFFI CE acr oss t he r oom, di st r aught . SUPERVI SOR r uns f r omhi s OFFI CE acr oss t he r oom, di st r aught . SUPERVI SOR r uns f r omhi s OFFI CE acr oss t he r oom, di st r aught . SUPERVI SOR r uns f r omhi s OFFI CE acr oss t he r oom, di st r aught .
SUPERVI SOR SUPERVI SOR SUPERVI SOR SUPERVI SOR SUPERVI SOR
Get t hat door . . . ! Get i t cl osed! Get t hat door . . . ! Get i t cl osed! Get t hat door . . . ! Get i t cl osed! Get t hat door . . . ! Get i t cl osed! Get t hat door . . . ! Get i t cl osed!
Too l at e as Ar med Guar d' s body' s yanked out , l eavi ng a BLOOD Too l at e as Ar med Guar d' s body' s yanked out , l eavi ng a BLOOD Too l at e as Ar med Guar d' s body' s yanked out , l eavi ng a BLOOD Too l at e as Ar med Guar d' s body' s yanked out , l eavi ng a BLOOD Too l at e as Ar med Guar d' s body' s yanked out , l eavi ng a BLOOD
TRAI L. The door ' s pushed i nwar d. . . TRAI L. The door ' s pushed i nwar d. . . TRAI L. The door ' s pushed i nwar d. . . TRAI L. The door ' s pushed i nwar d. . . TRAI L. The door ' s pushed i nwar d. . .
Psycho Ki l l er ent er s. Psycho Ki l l er ent er s. Psycho Ki l l er ent er s. Psycho Ki l l er ent er s. Psycho Ki l l er ent er s.
Super vi sor hal t s, backs away. Super vi sor hal t s, backs away. Super vi sor hal t s, backs away. Super vi sor hal t s, backs away. Super vi sor hal t s, backs away.
EVERYONE' S f r ozen i n di sbel i ef . EVERYONE' S f r ozen i n di sbel i ef . EVERYONE' S f r ozen i n di sbel i ef . EVERYONE' S f r ozen i n di sbel i ef . EVERYONE' S f r ozen i n di sbel i ef .
Psycho Ki l l er t hr ows Lewi s f or war d t o t he concr et e f l oor . Psycho Ki l l er t hr ows Lewi s f or war d t o t he concr et e f l oor . Psycho Ki l l er t hr ows Lewi s f or war d t o t he concr et e f l oor . Psycho Ki l l er t hr ows Lewi s f or war d t o t he concr et e f l oor . Psycho Ki l l er t hr ows Lewi s f or war d t o t he concr et e f l oor .
Psycho Ki l l er st eps up, pl aces one boot ed f oot down on Psycho Ki l l er st eps up, pl aces one boot ed f oot down on Psycho Ki l l er st eps up, pl aces one boot ed f oot down on Psycho Ki l l er st eps up, pl aces one boot ed f oot down on Psycho Ki l l er st eps up, pl aces one boot ed f oot down on
Lewi s' s t i e t o hol d hi mt her e. PK pocket s hi s pi st ol , Lewi s' s t i e t o hol d hi mt her e. PK pocket s hi s pi st ol , Lewi s' s t i e t o hol d hi mt her e. PK pocket s hi s pi st ol , Lewi s' s t i e t o hol d hi mt her e. PK pocket s hi s pi st ol , Lewi s' s t i e t o hol d hi mt her e. PK pocket s hi s pi st ol ,
shr uggi ng hi s shot gun of f hi s shoul der . . . shr uggi ng hi s shot gun of f hi s shoul der . . . shr uggi ng hi s shot gun of f hi s shoul der . . . shr uggi ng hi s shot gun of f hi s shoul der . . . shr uggi ng hi s shot gun of f hi s shoul der . . .
94. 94. 94. 94. 94.
( hef t s SHOTGUN) ( hef t s SHOTGUN) ( hef t s SHOTGUN) ( hef t s SHOTGUN) ( hef t s SHOTGUN)
Ever yone out . Get out ! Ever yone out . Get out ! Ever yone out . Get out ! Ever yone out . Get out ! Ever yone out . Get out !
INT. JANE'S PICKUP -- IN MOTION -- NIGHT INT. JANE'S PICKUP -- IN MOTION -- NIGHT INT. JANE'S PICKUP -- IN MOTION -- NIGHT INT. JANE'S PICKUP -- IN MOTION -- NIGHT INT. JANE'S PICKUP -- IN MOTION -- NIGHT
As t hey ar r i ve at t he Cont r ol Cent er , Mi t ch eyebal l s J ane. As t hey ar r i ve at t he Cont r ol Cent er , Mi t ch eyebal l s J ane. As t hey ar r i ve at t he Cont r ol Cent er , Mi t ch eyebal l s J ane. As t hey ar r i ve at t he Cont r ol Cent er , Mi t ch eyebal l s J ane. As t hey ar r i ve at t he Cont r ol Cent er , Mi t ch eyebal l s J ane.
( of her uni f or m) ( of her uni f or m) ( of her uni f or m) ( of her uni f or m) ( of her uni f or m)
Does t hat say " Kansas?" What st at e Does t hat say " Kansas?" What st at e Does t hat say " Kansas?" What st at e Does t hat say " Kansas?" What st at e Does t hat say " Kansas?" What st at e
ar e you a cop i n, anyway? ar e you a cop i n, anyway? ar e you a cop i n, anyway? ar e you a cop i n, anyway? ar e you a cop i n, anyway?
I ' mt he onl y cop you' ve got r i ght now. I ' mt he onl y cop you' ve got r i ght now. I ' mt he onl y cop you' ve got r i ght now. I ' mt he onl y cop you' ve got r i ght now. I ' mt he onl y cop you' ve got r i ght now.
OUTSIDE THE CONTROL CENTER OUTSIDE THE CONTROL CENTER OUTSIDE THE CONTROL CENTER OUTSIDE THE CONTROL CENTER OUTSIDE THE CONTROL CENTER
J ane BRAKES har d, ski ddi ng t o ar r i ve al ongsi de a TMI J ane BRAKES har d, ski ddi ng t o ar r i ve al ongsi de a TMI J ane BRAKES har d, ski ddi ng t o ar r i ve al ongsi de a TMI J ane BRAKES har d, ski ddi ng t o ar r i ve al ongsi de a TMI J ane BRAKES har d, ski ddi ng t o ar r i ve al ongsi de a TMI
SECURI TY SUV. FOUR SECURI TY GUARDS j ump f r omt he SUV, SECURI TY SUV. FOUR SECURI TY GUARDS j ump f r omt he SUV, SECURI TY SUV. FOUR SECURI TY GUARDS j ump f r omt he SUV, SECURI TY SUV. FOUR SECURI TY GUARDS j ump f r omt he SUV, SECURI TY SUV. FOUR SECURI TY GUARDS j ump f r omt he SUV,
f ol l owi ng t hei r gr i zzl ed- vet er an CHI EF i nt o t he bui l di ng. . . f ol l owi ng t hei r gr i zzl ed- vet er an CHI EF i nt o t he bui l di ng. . . f ol l owi ng t hei r gr i zzl ed- vet er an CHI EF i nt o t he bui l di ng. . . f ol l owi ng t hei r gr i zzl ed- vet er an CHI EF i nt o t he bui l di ng. . . f ol l owi ng t hei r gr i zzl ed- vet er an CHI EF i nt o t he bui l di ng. . .
AT THE SECURITY CHECKPOINT AT THE SECURITY CHECKPOINT AT THE SECURITY CHECKPOINT AT THE SECURITY CHECKPOINT AT THE SECURITY CHECKPOINT
The guar ds move t hr ough whi l e f r i ght ened WORKERS exi t . The guar ds move t hr ough whi l e f r i ght ened WORKERS exi t . The guar ds move t hr ough whi l e f r i ght ened WORKERS exi t . The guar ds move t hr ough whi l e f r i ght ened WORKERS exi t . The guar ds move t hr ough whi l e f r i ght ened WORKERS exi t .
A l ament i ng ENGI NEER' s usi ng hi s sui t j acket t o cover one of A l ament i ng ENGI NEER' s usi ng hi s sui t j acket t o cover one of A l ament i ng ENGI NEER' s usi ng hi s sui t j acket t o cover one of A l ament i ng ENGI NEER' s usi ng hi s sui t j acket t o cover one of A l ament i ng ENGI NEER' s usi ng hi s sui t j acket t o cover one of
t he gr enade- r avaged cor pses. Mi t ch and J ane st i ck cl ose t o t he gr enade- r avaged cor pses. Mi t ch and J ane st i ck cl ose t o t he gr enade- r avaged cor pses. Mi t ch and J ane st i ck cl ose t o t he gr enade- r avaged cor pses. Mi t ch and J ane st i ck cl ose t o t he gr enade- r avaged cor pses. Mi t ch and J ane st i ck cl ose t o
t he phal anx of guar ds. J ane car r i es her RI FLE. t he phal anx of guar ds. J ane car r i es her RI FLE. t he phal anx of guar ds. J ane car r i es her RI FLE. t he phal anx of guar ds. J ane car r i es her RI FLE. t he phal anx of guar ds. J ane car r i es her RI FLE.
DOWN THE HALLWAY DOWN THE HALLWAY DOWN THE HALLWAY DOWN THE HALLWAY DOWN THE HALLWAY
Secur i t y Chi ef l eads t he way. The gr oup of CONTROL ROOM Secur i t y Chi ef l eads t he way. The gr oup of CONTROL ROOM Secur i t y Chi ef l eads t he way. The gr oup of CONTROL ROOM Secur i t y Chi ef l eads t he way. The gr oup of CONTROL ROOM Secur i t y Chi ef l eads t he way. The gr oup of CONTROL ROOM
WORKERS i s ahead, now cl amor i ng out si de t he CLOSED cont r ol WORKERS i s ahead, now cl amor i ng out si de t he CLOSED cont r ol WORKERS i s ahead, now cl amor i ng out si de t he CLOSED cont r ol WORKERS i s ahead, now cl amor i ng out si de t he CLOSED cont r ol WORKERS i s ahead, now cl amor i ng out si de t he CLOSED cont r ol
r oomdoor . Mi d- hal l way, t he pl ant ' s l anky, bespect acl ed r oomdoor . Mi d- hal l way, t he pl ant ' s l anky, bespect acl ed r oomdoor . Mi d- hal l way, t he pl ant ' s l anky, bespect acl ed r oomdoor . Mi d- hal l way, t he pl ant ' s l anky, bespect acl ed r oomdoor . Mi d- hal l way, t he pl ant ' s l anky, bespect acl ed
SHI FT FOREMAN pushes t hr ough t he door s of a STAI RWELL. SHI FT FOREMAN pushes t hr ough t he door s of a STAI RWELL. SHI FT FOREMAN pushes t hr ough t he door s of a STAI RWELL. SHI FT FOREMAN pushes t hr ough t he door s of a STAI RWELL. SHI FT FOREMAN pushes t hr ough t he door s of a STAI RWELL.
SECURI TY CHI EF SECURI TY CHI EF SECURI TY CHI EF SECURI TY CHI EF SECURI TY CHI EF
What ar e we deal i ng wi t h, boss? What ar e we deal i ng wi t h, boss? What ar e we deal i ng wi t h, boss? What ar e we deal i ng wi t h, boss? What ar e we deal i ng wi t h, boss?
FOREMAN FOREMAN FOREMAN FOREMAN FOREMAN
I . . . I don' t know yet mysel f . I . . . I don' t know yet mysel f . I . . . I don' t know yet mysel f . I . . . I don' t know yet mysel f . I . . . I don' t know yet mysel f .
They hur r y. Ever yone wear s a l ook of f ear f ul awe. . . They hur r y. Ever yone wear s a l ook of f ear f ul awe. . . They hur r y. Ever yone wear s a l ook of f ear f ul awe. . . They hur r y. Ever yone wear s a l ook of f ear f ul awe. . . They hur r y. Ever yone wear s a l ook of f ear f ul awe. . .
di sbel i ef . The cont r ol r oomSuper vi sor r uns t hi s way. di sbel i ef . The cont r ol r oomSuper vi sor r uns t hi s way. di sbel i ef . The cont r ol r oomSuper vi sor r uns t hi s way. di sbel i ef . The cont r ol r oomSuper vi sor r uns t hi s way. di sbel i ef . The cont r ol r oomSuper vi sor r uns t hi s way.
( t o For eman) ( t o For eman) ( t o For eman) ( t o For eman) ( t o For eman)
He' s i n t he cont r ol r oom, Davi d! He' s i n t he cont r ol r oom, Davi d! He' s i n t he cont r ol r oom, Davi d! He' s i n t he cont r ol r oom, Davi d! He' s i n t he cont r ol r oom, Davi d!
He' s t aken Lewi s host age! He' s t aken Lewi s host age! He' s t aken Lewi s host age! He' s t aken Lewi s host age! He' s t aken Lewi s host age!
J esus. How' d he get i n! ? Why di dn' t J esus. How' d he get i n! ? Why di dn' t J esus. How' d he get i n! ? Why di dn' t J esus. How' d he get i n! ? Why di dn' t J esus. How' d he get i n! ? Why di dn' t
you get i t secur ed?! you get i t secur ed?! you get i t secur ed?! you get i t secur ed?! you get i t secur ed?!
The guar d, St ephenson. . . The guar d, St ephenson. . . The guar d, St ephenson. . . The guar d, St ephenson. . . The guar d, St ephenson. . .
95. 95. 95. 95. 95.
SUPERVI SOR ( CONT. ) SUPERVI SOR ( CONT. ) SUPERVI SOR ( CONT. ) SUPERVI SOR ( CONT. ) SUPERVI SOR ( CONT. )
pani cked when t he al ar mwent of f . pani cked when t he al ar mwent of f . pani cked when t he al ar mwent of f . pani cked when t he al ar mwent of f . pani cked when t he al ar mwent of f .
Came out shoot i ng. . . Came out shoot i ng. . . Came out shoot i ng. . . Came out shoot i ng. . . Came out shoot i ng. . .
WORKERS dr ag cont r ol r oomguar d' s BODY i nt o a near by OFFI CE. WORKERS dr ag cont r ol r oomguar d' s BODY i nt o a near by OFFI CE. WORKERS dr ag cont r ol r oomguar d' s BODY i nt o a near by OFFI CE. WORKERS dr ag cont r ol r oomguar d' s BODY i nt o a near by OFFI CE. WORKERS dr ag cont r ol r oomguar d' s BODY i nt o a near by OFFI CE.
SECURI TY CHI EF SECURI TY CHI EF SECURI TY CHI EF SECURI TY CHI EF SECURI TY CHI EF
I need t hi s hal l way, peopl e! I need t hi s hal l way, peopl e! I need t hi s hal l way, peopl e! I need t hi s hal l way, peopl e! I need t hi s hal l way, peopl e!
Ever yone back t he hel l of f ! Ever yone back t he hel l of f ! Ever yone back t he hel l of f ! Ever yone back t he hel l of f ! Ever yone back t he hel l of f !
The WORKERS obey, movi ng away whi l e t he guar ds t ake up The WORKERS obey, movi ng away whi l e t he guar ds t ake up The WORKERS obey, movi ng away whi l e t he guar ds t ake up The WORKERS obey, movi ng away whi l e t he guar ds t ake up The WORKERS obey, movi ng away whi l e t he guar ds t ake up
posi t i ons out si de t he cont r ol r oomdoor , AK- 15' S ai med. posi t i ons out si de t he cont r ol r oomdoor , AK- 15' S ai med. posi t i ons out si de t he cont r ol r oomdoor , AK- 15' S ai med. posi t i ons out si de t he cont r ol r oomdoor , AK- 15' S ai med. posi t i ons out si de t he cont r ol r oomdoor , AK- 15' S ai med.
( poi nt i ng, t o For eman) ( poi nt i ng, t o For eman) ( poi nt i ng, t o For eman) ( poi nt i ng, t o For eman) ( poi nt i ng, t o For eman)
The t er r or i st or what ever t he f uck he The t er r or i st or what ever t he f uck he The t er r or i st or what ever t he f uck he The t er r or i st or what ever t he f uck he The t er r or i st or what ever t he f uck he
i s. . . he made Lewi s punch- i n a Code i s. . . he made Lewi s punch- i n a Code i s. . . he made Lewi s punch- i n a Code i s. . . he made Lewi s punch- i n a Code i s. . . he made Lewi s punch- i n a Code
Red. The door can onl y be opened Red. The door can onl y be opened Red. The door can onl y be opened Red. The door can onl y be opened Red. The door can onl y be opened
f r omi nsi de. f r omi nsi de. f r omi nsi de. f r omi nsi de. f r omi nsi de.
Yeah, t hat ' s how i t ' s supposed t o Yeah, t hat ' s how i t ' s supposed t o Yeah, t hat ' s how i t ' s supposed t o Yeah, t hat ' s how i t ' s supposed t o Yeah, t hat ' s how i t ' s supposed t o
wor k, except t he bad guy' s not wor k, except t he bad guy' s not wor k, except t he bad guy' s not wor k, except t he bad guy' s not wor k, except t he bad guy' s not
supposed t o be f ucki ng i nsi de! supposed t o be f ucki ng i nsi de! supposed t o be f ucki ng i nsi de! supposed t o be f ucki ng i nsi de! supposed t o be f ucki ng i nsi de!
Al r i ght . . . l ook. . . gr ab whoever you Al r i ght . . . l ook. . . gr ab whoever you Al r i ght . . . l ook. . . gr ab whoever you Al r i ght . . . l ook. . . gr ab whoever you Al r i ght . . . l ook. . . gr ab whoever you
need, get t he acet yl ene t or ches f r om need, get t he acet yl ene t or ches f r om need, get t he acet yl ene t or ches f r om need, get t he acet yl ene t or ches f r om need, get t he acet yl ene t or ches f r om
const r uct i on and t ake t hat door down. const r uct i on and t ake t hat door down. const r uct i on and t ake t hat door down. const r uct i on and t ake t hat door down. const r uct i on and t ake t hat door down.
Go! Go! Go! Go! Go!
( t o ot her s) ( t o ot her s) ( t o ot her s) ( t o ot her s) ( t o ot her s)
Anyone f r omoper at i ons or Anyone f r omoper at i ons or Anyone f r omoper at i ons or Anyone f r omoper at i ons or Anyone f r omoper at i ons or
engi neer i ng. . . come wi t h me. . . engi neer i ng. . . come wi t h me. . . engi neer i ng. . . come wi t h me. . . engi neer i ng. . . come wi t h me. . . engi neer i ng. . . come wi t h me. . .
For eman backt r acks, r unni ng back i nt o t he STAI RWELL. . . For eman backt r acks, r unni ng back i nt o t he STAI RWELL. . . For eman backt r acks, r unni ng back i nt o t he STAI RWELL. . . For eman backt r acks, r unni ng back i nt o t he STAI RWELL. . . For eman backt r acks, r unni ng back i nt o t he STAI RWELL. . .
Headi ng DOWN, f ol l owed by J ane, Mi t ch and wor ker s. Headi ng DOWN, f ol l owed by J ane, Mi t ch and wor ker s. Headi ng DOWN, f ol l owed by J ane, Mi t ch and wor ker s. Headi ng DOWN, f ol l owed by J ane, Mi t ch and wor ker s. Headi ng DOWN, f ol l owed by J ane, Mi t ch and wor ker s.
The huge r oomi s domi nat ed by a gi ant , hor seshoe- shaped The huge r oomi s domi nat ed by a gi ant , hor seshoe- shaped The huge r oomi s domi nat ed by a gi ant , hor seshoe- shaped The huge r oomi s domi nat ed by a gi ant , hor seshoe- shaped The huge r oomi s domi nat ed by a gi ant , hor seshoe- shaped
CONTROL PANEL cover ed i n HUNDREDS of KNOBS, BUTTONS, GAUGES CONTROL PANEL cover ed i n HUNDREDS of KNOBS, BUTTONS, GAUGES CONTROL PANEL cover ed i n HUNDREDS of KNOBS, BUTTONS, GAUGES CONTROL PANEL cover ed i n HUNDREDS of KNOBS, BUTTONS, GAUGES CONTROL PANEL cover ed i n HUNDREDS of KNOBS, BUTTONS, GAUGES
and l i ght ed ANNUNCI ATORS. At t he cent er of t he r oom, and l i ght ed ANNUNCI ATORS. At t he cent er of t he r oom, and l i ght ed ANNUNCI ATORS. At t he cent er of t he r oom, and l i ght ed ANNUNCI ATORS. At t he cent er of t he r oom, and l i ght ed ANNUNCI ATORS. At t he cent er of t he r oom,
t her e' s a ci r cl e of COMPUTER MONI TORS and KEYBOARDS; t he t her e' s a ci r cl e of COMPUTER MONI TORS and KEYBOARDS; t he t her e' s a ci r cl e of COMPUTER MONI TORS and KEYBOARDS; t he t her e' s a ci r cl e of COMPUTER MONI TORS and KEYBOARDS; t he t her e' s a ci r cl e of COMPUTER MONI TORS and KEYBOARDS; t he
CONTROL CONSOLE, whi ch i s wher e Lewi s i s seat ed, at hi s CONTROL CONSOLE, whi ch i s wher e Lewi s i s seat ed, at hi s CONTROL CONSOLE, whi ch i s wher e Lewi s i s seat ed, at hi s CONTROL CONSOLE, whi ch i s wher e Lewi s i s seat ed, at hi s CONTROL CONSOLE, whi ch i s wher e Lewi s i s seat ed, at hi s
wi t ' s end, hi s f ace wet wi t h t ear s. wi t ' s end, hi s f ace wet wi t h t ear s. wi t ' s end, hi s f ace wet wi t h t ear s. wi t ' s end, hi s f ace wet wi t h t ear s. wi t ' s end, hi s f ace wet wi t h t ear s.
I coul d have ki l l ed t hem. . . I coul d have ki l l ed t hem. . . I coul d have ki l l ed t hem. . . I coul d have ki l l ed t hem. . . I coul d have ki l l ed t hem. . .
Al ong t he wal l opposi t e t he cont r ol panel , t he pl ant ' s Al ong t he wal l opposi t e t he cont r ol panel , t he pl ant ' s Al ong t he wal l opposi t e t he cont r ol panel , t he pl ant ' s Al ong t he wal l opposi t e t he cont r ol panel , t he pl ant ' s Al ong t he wal l opposi t e t he cont r ol panel , t he pl ant ' s
COMPUTERS hum; f our compl ex, monol i t hi c COMPUTER BANKS si de- COMPUTERS hum; f our compl ex, monol i t hi c COMPUTER BANKS si de- COMPUTERS hum; f our compl ex, monol i t hi c COMPUTER BANKS si de- COMPUTERS hum; f our compl ex, monol i t hi c COMPUTER BANKS si de- COMPUTERS hum; f our compl ex, monol i t hi c COMPUTER BANKS si de-
by- si de, l i ke gi ant domi noes i n a r ow. I t ' s bef or e t hese by- si de, l i ke gi ant domi noes i n a r ow. I t ' s bef or e t hese by- si de, l i ke gi ant domi noes i n a r ow. I t ' s bef or e t hese by- si de, l i ke gi ant domi noes i n a r ow. I t ' s bef or e t hese by- si de, l i ke gi ant domi noes i n a r ow. I t ' s bef or e t hese
comput er s t hat Psycho Ki l l er st ands, behi nd Lewi s. comput er s t hat Psycho Ki l l er st ands, behi nd Lewi s. comput er s t hat Psycho Ki l l er st ands, behi nd Lewi s. comput er s t hat Psycho Ki l l er st ands, behi nd Lewi s. comput er s t hat Psycho Ki l l er st ands, behi nd Lewi s.
Your f r i ends. Your wi f e. I di dn' t . Your f r i ends. Your wi f e. I di dn' t . Your f r i ends. Your wi f e. I di dn' t . Your f r i ends. Your wi f e. I di dn' t . Your f r i ends. Your wi f e. I di dn' t .
Lewi s pr esses hi s f ace i n hi s hand. PK' s over hi s shoul der . Lewi s pr esses hi s f ace i n hi s hand. PK' s over hi s shoul der . Lewi s pr esses hi s f ace i n hi s hand. PK' s over hi s shoul der . Lewi s pr esses hi s f ace i n hi s hand. PK' s over hi s shoul der . Lewi s pr esses hi s f ace i n hi s hand. PK' s over hi s shoul der .
96. 96. 96. 96. 96.
Do t hi s. . . one l ast t hi ng. I ' l l l et Do t hi s. . . one l ast t hi ng. I ' l l l et Do t hi s. . . one l ast t hi ng. I ' l l l et Do t hi s. . . one l ast t hi ng. I ' l l l et Do t hi s. . . one l ast t hi ng. I ' l l l et
you out . Your wi f e' s wai t i ng f or you. you out . Your wi f e' s wai t i ng f or you. you out . Your wi f e' s wai t i ng f or you. you out . Your wi f e' s wai t i ng f or you. you out . Your wi f e' s wai t i ng f or you.
Or don' t do i t . . . and I ' l l ki l l you. Or don' t do i t . . . and I ' l l ki l l you. Or don' t do i t . . . and I ' l l ki l l you. Or don' t do i t . . . and I ' l l ki l l you. Or don' t do i t . . . and I ' l l ki l l you.
INT. TMI, BASEMENT COMMAND CENTER -- NIGHT INT. TMI, BASEMENT COMMAND CENTER -- NIGHT INT. TMI, BASEMENT COMMAND CENTER -- NIGHT INT. TMI, BASEMENT COMMAND CENTER -- NIGHT INT. TMI, BASEMENT COMMAND CENTER -- NIGHT
Sever al wor r i ed ENGI NEERS ar e al r eady i n pl ace at a l ong Sever al wor r i ed ENGI NEERS ar e al r eady i n pl ace at a l ong Sever al wor r i ed ENGI NEERS ar e al r eady i n pl ace at a l ong Sever al wor r i ed ENGI NEERS ar e al r eady i n pl ace at a l ong Sever al wor r i ed ENGI NEERS ar e al r eady i n pl ace at a l ong
COMMAND CONSOLE of COMPUTER STATI ONS f aci ng a wal l of COMMAND CONSOLE of COMPUTER STATI ONS f aci ng a wal l of COMMAND CONSOLE of COMPUTER STATI ONS f aci ng a wal l of COMMAND CONSOLE of COMPUTER STATI ONS f aci ng a wal l of COMMAND CONSOLE of COMPUTER STATI ONS f aci ng a wal l of
MONI TORS, DI ALS and GAUGES whi ch di spl ay ever yt hi ng about MONI TORS, DI ALS and GAUGES whi ch di spl ay ever yt hi ng about MONI TORS, DI ALS and GAUGES whi ch di spl ay ever yt hi ng about MONI TORS, DI ALS and GAUGES whi ch di spl ay ever yt hi ng about MONI TORS, DI ALS and GAUGES whi ch di spl ay ever yt hi ng about
t he pl ant ' s st at us. I n t he B. G. , WORKERS ar e on TELEPHONES t he pl ant ' s st at us. I n t he B. G. , WORKERS ar e on TELEPHONES t he pl ant ' s st at us. I n t he B. G. , WORKERS ar e on TELEPHONES t he pl ant ' s st at us. I n t he B. G. , WORKERS ar e on TELEPHONES t he pl ant ' s st at us. I n t he B. G. , WORKERS ar e on TELEPHONES
and sear chi ng t hi ck EMERGENCY PROCEDURE BOOKS. For eman and sear chi ng t hi ck EMERGENCY PROCEDURE BOOKS. For eman and sear chi ng t hi ck EMERGENCY PROCEDURE BOOKS. For eman and sear chi ng t hi ck EMERGENCY PROCEDURE BOOKS. For eman and sear chi ng t hi ck EMERGENCY PROCEDURE BOOKS. For eman
r ushes i n wi t h hi s ent our age, J ane and Mi t ch i ncl uded. r ushes i n wi t h hi s ent our age, J ane and Mi t ch i ncl uded. r ushes i n wi t h hi s ent our age, J ane and Mi t ch i ncl uded. r ushes i n wi t h hi s ent our age, J ane and Mi t ch i ncl uded. r ushes i n wi t h hi s ent our age, J ane and Mi t ch i ncl uded.
What have we got ! ? What have we got ! ? What have we got ! ? What have we got ! ? What have we got ! ?
MALE ENGI NEER MALE ENGI NEER MALE ENGI NEER MALE ENGI NEER MALE ENGI NEER
React or One' s oper at i ng at 75 React or One' s oper at i ng at 75 React or One' s oper at i ng at 75 React or One' s oper at i ng at 75 React or One' s oper at i ng at 75
per cent . The pr obl emi s. . . per cent . The pr obl emi s. . . per cent . The pr obl emi s. . . per cent . The pr obl emi s. . . per cent . The pr obl emi s. . .
Sever al MONI TORS show t he CONTROL ROOM f r omMULTI PLE ANGLES. Sever al MONI TORS show t he CONTROL ROOM f r omMULTI PLE ANGLES. Sever al MONI TORS show t he CONTROL ROOM f r omMULTI PLE ANGLES. Sever al MONI TORS show t he CONTROL ROOM f r omMULTI PLE ANGLES. Sever al MONI TORS show t he CONTROL ROOM f r omMULTI PLE ANGLES.
Lewi s i s f l ushi ng t he cor e. Lewi s i s f l ushi ng t he cor e. Lewi s i s f l ushi ng t he cor e. Lewi s i s f l ushi ng t he cor e. Lewi s i s f l ushi ng t he cor e.
ON THE MONI TORS: Lewi s TYPES at one of t he cent r al consol e ON THE MONI TORS: Lewi s TYPES at one of t he cent r al consol e ON THE MONI TORS: Lewi s TYPES at one of t he cent r al consol e ON THE MONI TORS: Lewi s TYPES at one of t he cent r al consol e ON THE MONI TORS: Lewi s TYPES at one of t he cent r al consol e
keyboar ds, t hen cr osses t o PULL LEVERS on t he cont r ol panel . keyboar ds, t hen cr osses t o PULL LEVERS on t he cont r ol panel . keyboar ds, t hen cr osses t o PULL LEVERS on t he cont r ol panel . keyboar ds, t hen cr osses t o PULL LEVERS on t he cont r ol panel . keyboar ds, t hen cr osses t o PULL LEVERS on t he cont r ol panel .
He over r ode t he syst em. He' s pur gi ng He over r ode t he syst em. He' s pur gi ng He over r ode t he syst em. He' s pur gi ng He over r ode t he syst em. He' s pur gi ng He over r ode t he syst em. He' s pur gi ng
t he cool ant . Al l of i t . t he cool ant . Al l of i t . t he cool ant . Al l of i t . t he cool ant . Al l of i t . t he cool ant . Al l of i t .
ANOTHER WORKER ANOTHER WORKER ANOTHER WORKER ANOTHER WORKER ANOTHER WORKER
Wat er l evel ' s pl ummet i ng! Wat er l evel ' s pl ummet i ng! Wat er l evel ' s pl ummet i ng! Wat er l evel ' s pl ummet i ng! Wat er l evel ' s pl ummet i ng!
ON ONE SCREEN: an ANI MATI ON shows t he REACTOR' S WATER LEVEL. ON ONE SCREEN: an ANI MATI ON shows t he REACTOR' S WATER LEVEL. ON ONE SCREEN: an ANI MATI ON shows t he REACTOR' S WATER LEVEL. ON ONE SCREEN: an ANI MATI ON shows t he REACTOR' S WATER LEVEL. ON ONE SCREEN: an ANI MATI ON shows t he REACTOR' S WATER LEVEL.
Why? Why' s he doi ng i t ? Why? Why' s he doi ng i t ? Why? Why' s he doi ng i t ? Why? Why' s he doi ng i t ? Why? Why' s he doi ng i t ?
ON ANOTHER MONI TOR: Psycho Ki l l er , shot gun hel d, obser ves. ON ANOTHER MONI TOR: Psycho Ki l l er , shot gun hel d, obser ves. ON ANOTHER MONI TOR: Psycho Ki l l er , shot gun hel d, obser ves. ON ANOTHER MONI TOR: Psycho Ki l l er , shot gun hel d, obser ves. ON ANOTHER MONI TOR: Psycho Ki l l er , shot gun hel d, obser ves.
FEMALE ENGI NEER FEMALE ENGI NEER FEMALE ENGI NEER FEMALE ENGI NEER FEMALE ENGI NEER
Because what choi ce has he got ?! Because what choi ce has he got ?! Because what choi ce has he got ?! Because what choi ce has he got ?! Because what choi ce has he got ?!
I t doesn' t mat t er . I t doesn' t I t doesn' t mat t er . I t doesn' t I t doesn' t mat t er . I t doesn' t I t doesn' t mat t er . I t doesn' t I t doesn' t mat t er . I t doesn' t
mat t er , and Lewi s knows t hat . The mat t er , and Lewi s knows t hat . The mat t er , and Lewi s knows t hat . The mat t er , and Lewi s knows t hat . The mat t er , and Lewi s knows t hat . The
emer gency syst em' l l ki ck i n once t he emer gency syst em' l l ki ck i n once t he emer gency syst em' l l ki ck i n once t he emer gency syst em' l l ki ck i n once t he emer gency syst em' l l ki ck i n once t he
cor e t emper at ur e r i ses above nomi nal . cor e t emper at ur e r i ses above nomi nal . cor e t emper at ur e r i ses above nomi nal . cor e t emper at ur e r i ses above nomi nal . cor e t emper at ur e r i ses above nomi nal .
97. 97. 97. 97. 97.
FOREMAN ( CONT. ) FOREMAN ( CONT. ) FOREMAN ( CONT. ) FOREMAN ( CONT. ) FOREMAN ( CONT. )
The moment we' r e i nt o t he r ed, t he The moment we' r e i nt o t he r ed, t he The moment we' r e i nt o t he r ed, t he The moment we' r e i nt o t he r ed, t he The moment we' r e i nt o t he r ed, t he
cool ant pumps wi l l swi t ch on cool ant pumps wi l l swi t ch on cool ant pumps wi l l swi t ch on cool ant pumps wi l l swi t ch on cool ant pumps wi l l swi t ch on
aut omat i cal l y and r epl ace t he wat er aut omat i cal l y and r epl ace t he wat er aut omat i cal l y and r epl ace t he wat er aut omat i cal l y and r epl ace t he wat er aut omat i cal l y and r epl ace t he wat er
bef or e t he cor e' s i n any r eal bef or e t he cor e' s i n any r eal bef or e t he cor e' s i n any r eal bef or e t he cor e' s i n any r eal bef or e t he cor e' s i n any r eal
t r oubl e. Lewi s has j ust got t o do t r oubl e. Lewi s has j ust got t o do t r oubl e. Lewi s has j ust got t o do t r oubl e. Lewi s has j ust got t o do t r oubl e. Lewi s has j ust got t o do
what t hi s guy want s f or now. . . and what t hi s guy want s f or now. . . and what t hi s guy want s f or now. . . and what t hi s guy want s f or now. . . and what t hi s guy want s f or now. . . and
t hen. . . t hen. . . t hen. . . t hen. . . t hen. . .
He' s goi ng t o ki l l t hat man; Lewi s. He' s goi ng t o ki l l t hat man; Lewi s. He' s goi ng t o ki l l t hat man; Lewi s. He' s goi ng t o ki l l t hat man; Lewi s. He' s goi ng t o ki l l t hat man; Lewi s.
( of f EVERYONE' S l ook) ( of f EVERYONE' S l ook) ( of f EVERYONE' S l ook) ( of f EVERYONE' S l ook) ( of f EVERYONE' S l ook)
Thi s i sn' t a host age si t uat i on. Thi s i sn' t a host age si t uat i on. Thi s i sn' t a host age si t uat i on. Thi s i sn' t a host age si t uat i on. Thi s i sn' t a host age si t uat i on.
Ther e' s not goi ng t o be a negot i at i on. Ther e' s not goi ng t o be a negot i at i on. Ther e' s not goi ng t o be a negot i at i on. Ther e' s not goi ng t o be a negot i at i on. Ther e' s not goi ng t o be a negot i at i on.
Who ar e you? Who i s t hi s?! Who ar e you? Who i s t hi s?! Who ar e you? Who i s t hi s?! Who ar e you? Who i s t hi s?! Who ar e you? Who i s t hi s?!
I know how t hi s sounds, but t hat ' s I know how t hi s sounds, but t hat ' s I know how t hi s sounds, but t hat ' s I know how t hi s sounds, but t hat ' s I know how t hi s sounds, but t hat ' s
t he Sl asher i n t her e. I ' ve been t he Sl asher i n t her e. I ' ve been t he Sl asher i n t her e. I ' ve been t he Sl asher i n t her e. I ' ve been t he Sl asher i n t her e. I ' ve been
f ol l owi ng hi m, and t hi s i s what he' s f ol l owi ng hi m, and t hi s i s what he' s f ol l owi ng hi m, and t hi s i s what he' s f ol l owi ng hi m, and t hi s i s what he' s f ol l owi ng hi m, and t hi s i s what he' s
been pl anni ng al l al ong. Hi s sui ci de. been pl anni ng al l al ong. Hi s sui ci de. been pl anni ng al l al ong. Hi s sui ci de. been pl anni ng al l al ong. Hi s sui ci de. been pl anni ng al l al ong. Hi s sui ci de.
( poi nt i ng t o MONI TORS) ( poi nt i ng t o MONI TORS) ( poi nt i ng t o MONI TORS) ( poi nt i ng t o MONI TORS) ( poi nt i ng t o MONI TORS)
He' s l ooki ng t o t ake as many peopl e He' s l ooki ng t o t ake as many peopl e He' s l ooki ng t o t ake as many peopl e He' s l ooki ng t o t ake as many peopl e He' s l ooki ng t o t ake as many peopl e
as he can al ong wi t h hi m, but he' s as he can al ong wi t h hi m, but he' s as he can al ong wi t h hi m, but he' s as he can al ong wi t h hi m, but he' s as he can al ong wi t h hi m, but he' s
got a ver y l i mi t ed knowl edge of t hi s got a ver y l i mi t ed knowl edge of t hi s got a ver y l i mi t ed knowl edge of t hi s got a ver y l i mi t ed knowl edge of t hi s got a ver y l i mi t ed knowl edge of t hi s
pl ant , so al l he' l l be abl e t o manage pl ant , so al l he' l l be abl e t o manage pl ant , so al l he' l l be abl e t o manage pl ant , so al l he' l l be abl e t o manage pl ant , so al l he' l l be abl e t o manage
i s some. . . some sor t of pr i mi t i ve i s some. . . some sor t of pr i mi t i ve i s some. . . some sor t of pr i mi t i ve i s some. . . some sor t of pr i mi t i ve i s some. . . some sor t of pr i mi t i ve
sabot age. I s t her e anyone her e who sabot age. I s t her e anyone her e who sabot age. I s t her e anyone her e who sabot age. I s t her e anyone her e who sabot age. I s t her e anyone her e who
was i n t he Cont r ol Room. . . ? was i n t he Cont r ol Room. . . ? was i n t he Cont r ol Room. . . ? was i n t he Cont r ol Room. . . ? was i n t he Cont r ol Room. . . ?
A ner vous l ooki ng MAI NTENANCE WORKER r ai ses hi s hand. A ner vous l ooki ng MAI NTENANCE WORKER r ai ses hi s hand. A ner vous l ooki ng MAI NTENANCE WORKER r ai ses hi s hand. A ner vous l ooki ng MAI NTENANCE WORKER r ai ses hi s hand. A ner vous l ooki ng MAI NTENANCE WORKER r ai ses hi s hand.
Was he car r yi ng anyt hi ng. . . a Was he car r yi ng anyt hi ng. . . a Was he car r yi ng anyt hi ng. . . a Was he car r yi ng anyt hi ng. . . a Was he car r yi ng anyt hi ng. . . a
sui t case, maybe. . . ? sui t case, maybe. . . ? sui t case, maybe. . . ? sui t case, maybe. . . ? sui t case, maybe. . . ?
MAI NTENANCE WORKER MAI NTENANCE WORKER MAI NTENANCE WORKER MAI NTENANCE WORKER MAI NTENANCE WORKER
No. No. No. No. No.
Ar e you sur e? He' s got expl osi ves. Ar e you sur e? He' s got expl osi ves. Ar e you sur e? He' s got expl osi ves. Ar e you sur e? He' s got expl osi ves. Ar e you sur e? He' s got expl osi ves.
He must have br ought t hem. He must have br ought t hem. He must have br ought t hem. He must have br ought t hem. He must have br ought t hem.
MAI NTENANCE WORKER MAI NTENANCE WORKER MAI NTENANCE WORKER MAI NTENANCE WORKER MAI NTENANCE WORKER
He had a gun. I di dn' t see hi m He had a gun. I di dn' t see hi m He had a gun. I di dn' t see hi m He had a gun. I di dn' t see hi m He had a gun. I di dn' t see hi m
car r yi ng anyt hi ng el se. car r yi ng anyt hi ng el se. car r yi ng anyt hi ng el se. car r yi ng anyt hi ng el se. car r yi ng anyt hi ng el se.
( wat chi ng moni t or s) ( wat chi ng moni t or s) ( wat chi ng moni t or s) ( wat chi ng moni t or s) ( wat chi ng moni t or s)
Oh God. . . Lewi s. . . ! Oh God. . . Lewi s. . . ! Oh God. . . Lewi s. . . ! Oh God. . . Lewi s. . . ! Oh God. . . Lewi s. . . !
Ever yone l ooks up as. . . Ever yone l ooks up as. . . Ever yone l ooks up as. . . Ever yone l ooks up as. . . Ever yone l ooks up as. . .
ON THE MONI TORS: Lewi s backs away, cl ear l y pl eadi ng f or hi s ON THE MONI TORS: Lewi s backs away, cl ear l y pl eadi ng f or hi s ON THE MONI TORS: Lewi s backs away, cl ear l y pl eadi ng f or hi s ON THE MONI TORS: Lewi s backs away, cl ear l y pl eadi ng f or hi s ON THE MONI TORS: Lewi s backs away, cl ear l y pl eadi ng f or hi s
l i f e as Psycho Ki l l er st al ks t owar ds hi m. l i f e as Psycho Ki l l er st al ks t owar ds hi m. l i f e as Psycho Ki l l er st al ks t owar ds hi m. l i f e as Psycho Ki l l er st al ks t owar ds hi m. l i f e as Psycho Ki l l er st al ks t owar ds hi m.
98. 98. 98. 98. 98.
OUTSIDE THE CONTROL ROOM OUTSIDE THE CONTROL ROOM OUTSIDE THE CONTROL ROOM OUTSIDE THE CONTROL ROOM OUTSIDE THE CONTROL ROOM
Super vi sor and TWO WORKERS hur r i edl y ar r i ve at t he cont r ol Super vi sor and TWO WORKERS hur r i edl y ar r i ve at t he cont r ol Super vi sor and TWO WORKERS hur r i edl y ar r i ve at t he cont r ol Super vi sor and TWO WORKERS hur r i edl y ar r i ve at t he cont r ol Super vi sor and TWO WORKERS hur r i edl y ar r i ve at t he cont r ol
r oomdoor wi t h TWO TANKS of ACETYLENE on WHEELED CARTS. r oomdoor wi t h TWO TANKS of ACETYLENE on WHEELED CARTS. r oomdoor wi t h TWO TANKS of ACETYLENE on WHEELED CARTS. r oomdoor wi t h TWO TANKS of ACETYLENE on WHEELED CARTS. r oomdoor wi t h TWO TANKS of ACETYLENE on WHEELED CARTS.
Secur i t y Chi ef and t he posi t i oned guar ds l ook on. Secur i t y Chi ef and t he posi t i oned guar ds l ook on. Secur i t y Chi ef and t he posi t i oned guar ds l ook on. Secur i t y Chi ef and t he posi t i oned guar ds l ook on. Secur i t y Chi ef and t he posi t i oned guar ds l ook on.
Super vi sor and hi s men, donni ng GOGGLES, unf ur l t he t ank' s Super vi sor and hi s men, donni ng GOGGLES, unf ur l t he t ank' s Super vi sor and hi s men, donni ng GOGGLES, unf ur l t he t ank' s Super vi sor and hi s men, donni ng GOGGLES, unf ur l t he t ank' s Super vi sor and hi s men, donni ng GOGGLES, unf ur l t he t ank' s
HOSES. . . FI RI NG UP t he acet yl ene BLOWTORCHES. HOSES. . . FI RI NG UP t he acet yl ene BLOWTORCHES. HOSES. . . FI RI NG UP t he acet yl ene BLOWTORCHES. HOSES. . . FI RI NG UP t he acet yl ene BLOWTORCHES. HOSES. . . FI RI NG UP t he acet yl ene BLOWTORCHES.
IN THE COMMAND CENTER IN THE COMMAND CENTER IN THE COMMAND CENTER IN THE COMMAND CENTER IN THE COMMAND CENTER
ON ONE MONI TOR: Lewi s cont i nues t o back away f r omPsycho ON ONE MONI TOR: Lewi s cont i nues t o back away f r omPsycho ON ONE MONI TOR: Lewi s cont i nues t o back away f r omPsycho ON ONE MONI TOR: Lewi s cont i nues t o back away f r omPsycho ON ONE MONI TOR: Lewi s cont i nues t o back away f r omPsycho
Ki l l er , beggi ng, movi ng f r omvi ew on t hi s scr een. . . Ki l l er , beggi ng, movi ng f r omvi ew on t hi s scr een. . . Ki l l er , beggi ng, movi ng f r omvi ew on t hi s scr een. . . Ki l l er , beggi ng, movi ng f r omvi ew on t hi s scr een. . . Ki l l er , beggi ng, movi ng f r omvi ew on t hi s scr een. . .
. . . appear i ng on ANOTHER MONI TOR. . . . appear i ng on ANOTHER MONI TOR. . . . appear i ng on ANOTHER MONI TOR. . . . appear i ng on ANOTHER MONI TOR. . . . appear i ng on ANOTHER MONI TOR.
ON ONE SCREEN: Psycho Ki l l er SHOOTS - - t he shot gun BLASTI NG ON ONE SCREEN: Psycho Ki l l er SHOOTS - - t he shot gun BLASTI NG ON ONE SCREEN: Psycho Ki l l er SHOOTS - - t he shot gun BLASTI NG ON ONE SCREEN: Psycho Ki l l er SHOOTS - - t he shot gun BLASTI NG ON ONE SCREEN: Psycho Ki l l er SHOOTS - - t he shot gun BLASTI NG
Lewi s O. S. ; beyond t he edge of t hat par t i cul ar CAMERA' S POV. Lewi s O. S. ; beyond t he edge of t hat par t i cul ar CAMERA' S POV. Lewi s O. S. ; beyond t he edge of t hat par t i cul ar CAMERA' S POV. Lewi s O. S. ; beyond t he edge of t hat par t i cul ar CAMERA' S POV. Lewi s O. S. ; beyond t he edge of t hat par t i cul ar CAMERA' S POV.
. . . Chr i st . . . . . . Chr i st . . . . . . Chr i st . . . . . . Chr i st . . . . . . Chr i st . . .
EVERYONE' s st unned by t he sl ayi ng t hey j ust wi t nessed. EVERYONE' s st unned by t he sl ayi ng t hey j ust wi t nessed. EVERYONE' s st unned by t he sl ayi ng t hey j ust wi t nessed. EVERYONE' s st unned by t he sl ayi ng t hey j ust wi t nessed. EVERYONE' s st unned by t he sl ayi ng t hey j ust wi t nessed.
INSIDE THE CONTROL ROOM INSIDE THE CONTROL ROOM INSIDE THE CONTROL ROOM INSIDE THE CONTROL ROOM INSIDE THE CONTROL ROOM
ALARMS BLARE. Psycho Ki l l er t hr ows t he smoki ng shot gun ALARMS BLARE. Psycho Ki l l er t hr ows t he smoki ng shot gun ALARMS BLARE. Psycho Ki l l er t hr ows t he smoki ng shot gun ALARMS BLARE. Psycho Ki l l er t hr ows t he smoki ng shot gun ALARMS BLARE. Psycho Ki l l er t hr ows t he smoki ng shot gun
asi de, t ur ns t o wal k back t owar ds t he cent er of t he r oom. asi de, t ur ns t o wal k back t owar ds t he cent er of t he r oom. asi de, t ur ns t o wal k back t owar ds t he cent er of t he r oom. asi de, t ur ns t o wal k back t owar ds t he cent er of t he r oom. asi de, t ur ns t o wal k back t owar ds t he cent er of t he r oom.
Bet ween t he cent r al consol e and t he comput er banks, Psycho Bet ween t he cent r al consol e and t he comput er banks, Psycho Bet ween t he cent r al consol e and t he comput er banks, Psycho Bet ween t he cent r al consol e and t he comput er banks, Psycho Bet ween t he cent r al consol e and t he comput er banks, Psycho
Ki l l er t akes a HAND GRENADE f r omhi s t r ench coat , pl aces i t Ki l l er t akes a HAND GRENADE f r omhi s t r ench coat , pl aces i t Ki l l er t akes a HAND GRENADE f r omhi s t r ench coat , pl aces i t Ki l l er t akes a HAND GRENADE f r omhi s t r ench coat , pl aces i t Ki l l er t akes a HAND GRENADE f r omhi s t r ench coat , pl aces i t
on one of t he consol e' s moni t or s. on one of t he consol e' s moni t or s. on one of t he consol e' s moni t or s. on one of t he consol e' s moni t or s. on one of t he consol e' s moni t or s.
Psycho Ki l l er unbut t ons hi s t r ench coat . . . Psycho Ki l l er unbut t ons hi s t r ench coat . . . Psycho Ki l l er unbut t ons hi s t r ench coat . . . Psycho Ki l l er unbut t ons hi s t r ench coat . . . Psycho Ki l l er unbut t ons hi s t r ench coat . . .
He t akes t he coat of f , r eveal i ng t hat he' s SHI RTLESS and He t akes t he coat of f , r eveal i ng t hat he' s SHI RTLESS and He t akes t he coat of f , r eveal i ng t hat he' s SHI RTLESS and He t akes t he coat of f , r eveal i ng t hat he' s SHI RTLESS and He t akes t he coat of f , r eveal i ng t hat he' s SHI RTLESS and
t hat al l hi s THI RTY- or - so STI CKS of TNT ar e hel d i n pl ace t hat al l hi s THI RTY- or - so STI CKS of TNT ar e hel d i n pl ace t hat al l hi s THI RTY- or - so STI CKS of TNT ar e hel d i n pl ace t hat al l hi s THI RTY- or - so STI CKS of TNT ar e hel d i n pl ace t hat al l hi s THI RTY- or - so STI CKS of TNT ar e hel d i n pl ace
ar ound hi s mi d- sect i on and t or so, enci r cl ed i n DUCT TAPE. ar ound hi s mi d- sect i on and t or so, enci r cl ed i n DUCT TAPE. ar ound hi s mi d- sect i on and t or so, enci r cl ed i n DUCT TAPE. ar ound hi s mi d- sect i on and t or so, enci r cl ed i n DUCT TAPE. ar ound hi s mi d- sect i on and t or so, enci r cl ed i n DUCT TAPE.
( wat chi ng MONI TORS) ( wat chi ng MONI TORS) ( wat chi ng MONI TORS) ( wat chi ng MONI TORS) ( wat chi ng MONI TORS)
Lor d hel p us. Lor d hel p us. Lor d hel p us. Lor d hel p us. Lor d hel p us.
Al l t hose assembl ed wat ch, t hi nki ng t he exact same t hi ng. Al l t hose assembl ed wat ch, t hi nki ng t he exact same t hi ng. Al l t hose assembl ed wat ch, t hi nki ng t he exact same t hi ng. Al l t hose assembl ed wat ch, t hi nki ng t he exact same t hi ng. Al l t hose assembl ed wat ch, t hi nki ng t he exact same t hi ng.
Masked and expl osi ves- l aden Psycho Ki l l er t akes a POCKET Masked and expl osi ves- l aden Psycho Ki l l er t akes a POCKET Masked and expl osi ves- l aden Psycho Ki l l er t akes a POCKET Masked and expl osi ves- l aden Psycho Ki l l er t akes a POCKET Masked and expl osi ves- l aden Psycho Ki l l er t akes a POCKET
KNI FE f r omhi s pant s pocket , opens t he bl ade. He STABS t he KNI FE f r omhi s pant s pocket , opens t he bl ade. He STABS t he KNI FE f r omhi s pant s pocket , opens t he bl ade. He STABS t he KNI FE f r omhi s pant s pocket , opens t he bl ade. He STABS t he KNI FE f r omhi s pant s pocket , opens t he bl ade. He STABS t he
bl ade i nt o hi s l ef t hand, cut s deepl y and TWI STS. bl ade i nt o hi s l ef t hand, cut s deepl y and TWI STS. bl ade i nt o hi s l ef t hand, cut s deepl y and TWI STS. bl ade i nt o hi s l ef t hand, cut s deepl y and TWI STS. bl ade i nt o hi s l ef t hand, cut s deepl y and TWI STS.
Di scar di ng t he kni f e, PK get s t o hi s knees, begi nni ng t o Di scar di ng t he kni f e, PK get s t o hi s knees, begi nni ng t o Di scar di ng t he kni f e, PK get s t o hi s knees, begi nni ng t o Di scar di ng t he kni f e, PK get s t o hi s knees, begi nni ng t o Di scar di ng t he kni f e, PK get s t o hi s knees, begi nni ng t o
dr aw a huge BLOOD CI RCLE ar ound hi m, bef or e t he comput er s. dr aw a huge BLOOD CI RCLE ar ound hi m, bef or e t he comput er s. dr aw a huge BLOOD CI RCLE ar ound hi m, bef or e t he comput er s. dr aw a huge BLOOD CI RCLE ar ound hi m, bef or e t he comput er s. dr aw a huge BLOOD CI RCLE ar ound hi m, bef or e t he comput er s.
ACROSS THE ROOM, SPARKS and FLAMES f r omt he t or ches SHOOT i n ACROSS THE ROOM, SPARKS and FLAMES f r omt he t or ches SHOOT i n ACROSS THE ROOM, SPARKS and FLAMES f r omt he t or ches SHOOT i n ACROSS THE ROOM, SPARKS and FLAMES f r omt he t or ches SHOOT i n ACROSS THE ROOM, SPARKS and FLAMES f r omt he t or ches SHOOT i n
t hr ough MOLTEN HOLES near t he t op DOOR HI NGE and t he LOCK! t hr ough MOLTEN HOLES near t he t op DOOR HI NGE and t he LOCK! t hr ough MOLTEN HOLES near t he t op DOOR HI NGE and t he LOCK! t hr ough MOLTEN HOLES near t he t op DOOR HI NGE and t he LOCK! t hr ough MOLTEN HOLES near t he t op DOOR HI NGE and t he LOCK!
99. 99. 99. 99. 99.
He' s. . . he' s goi ng t o use t he gr enade He' s. . . he' s goi ng t o use t he gr enade He' s. . . he' s goi ng t o use t he gr enade He' s. . . he' s goi ng t o use t he gr enade He' s. . . he' s goi ng t o use t he gr enade
as t he det onat or . as t he det onat or . as t he det onat or . as t he det onat or . as t he det onat or .
Look wher e he' s at , Davi d. The Look wher e he' s at , Davi d. The Look wher e he' s at , Davi d. The Look wher e he' s at , Davi d. The Look wher e he' s at , Davi d. The
comput er s. He' s. . . he' s t r yi ng t o comput er s. He' s. . . he' s t r yi ng t o comput er s. He' s. . . he' s t r yi ng t o comput er s. He' s. . . he' s t r yi ng t o comput er s. He' s. . . he' s t r yi ng t o
bl ow t he r eact or ' s br ai ns out . . . so bl ow t he r eact or ' s br ai ns out . . . so bl ow t he r eact or ' s br ai ns out . . . so bl ow t he r eact or ' s br ai ns out . . . so bl ow t he r eact or ' s br ai ns out . . . so
i t won' t be abl e t o power down! i t won' t be abl e t o power down! i t won' t be abl e t o power down! i t won' t be abl e t o power down! i t won' t be abl e t o power down!
But he can' t do t hat , can he?! But he can' t do t hat , can he?! But he can' t do t hat , can he?! But he can' t do t hat , can he?! But he can' t do t hat , can he?!
I f . . . i f he manages t o dest r oy t he I f . . . i f he manages t o dest r oy t he I f . . . i f he manages t o dest r oy t he I f . . . i f he manages t o dest r oy t he I f . . . i f he manages t o dest r oy t he
whol e mai nf r ame. . . al l of our whol e mai nf r ame. . . al l of our whol e mai nf r ame. . . al l of our whol e mai nf r ame. . . al l of our whol e mai nf r ame. . . al l of our
r edundanci es, bef or e t he cool ant r edundanci es, bef or e t he cool ant r edundanci es, bef or e t he cool ant r edundanci es, bef or e t he cool ant r edundanci es, bef or e t he cool ant
pumps get a chance t o ki ck i n. . . pumps get a chance t o ki ck i n. . . pumps get a chance t o ki ck i n. . . pumps get a chance t o ki ck i n. . . pumps get a chance t o ki ck i n. . .
( f i gur i ng) ( f i gur i ng) ( f i gur i ng) ( f i gur i ng) ( f i gur i ng)
None of t he emer gency back- ups wi l l None of t he emer gency back- ups wi l l None of t he emer gency back- ups wi l l None of t he emer gency back- ups wi l l None of t he emer gency back- ups wi l l
ki ck- i n, wi l l t hey? Because wi t hout ki ck- i n, wi l l t hey? Because wi t hout ki ck- i n, wi l l t hey? Because wi t hout ki ck- i n, wi l l t hey? Because wi t hout ki ck- i n, wi l l t hey? Because wi t hout
t he comput er , t he r eact or won' t be t he comput er , t he r eact or won' t be t he comput er , t he r eact or won' t be t he comput er , t he r eact or won' t be t he comput er , t he r eact or won' t be
abl e t o t el l i t sel f how t o save abl e t o t el l i t sel f how t o save abl e t o t el l i t sel f how t o save abl e t o t el l i t sel f how t o save abl e t o t el l i t sel f how t o save
i t sel f . . . or even t hat i t ' s i n i t sel f . . . or even t hat i t ' s i n i t sel f . . . or even t hat i t ' s i n i t sel f . . . or even t hat i t ' s i n i t sel f . . . or even t hat i t ' s i n
t r oubl e. Oh, Chr i st . t r oubl e. Oh, Chr i st . t r oubl e. Oh, Chr i st . t r oubl e. Oh, Chr i st . t r oubl e. Oh, Chr i st .
I t ' s not r eal l y possi bl e. He. . . he I t ' s not r eal l y possi bl e. He. . . he I t ' s not r eal l y possi bl e. He. . . he I t ' s not r eal l y possi bl e. He. . . he I t ' s not r eal l y possi bl e. He. . . he
can' t l ock t he wat er out , can he? can' t l ock t he wat er out , can he? can' t l ock t he wat er out , can he? can' t l ock t he wat er out , can he? can' t l ock t he wat er out , can he?
I . . . don' t know. The cor e coul d be I . . . don' t know. The cor e coul d be I . . . don' t know. The cor e coul d be I . . . don' t know. The cor e coul d be I . . . don' t know. The cor e coul d be
compl et el y exposed. Super - heat i ng, compl et el y exposed. Super - heat i ng, compl et el y exposed. Super - heat i ng, compl et el y exposed. Super - heat i ng, compl et el y exposed. Super - heat i ng,
but st i l l not r eadi ng cr i t i cal , but st i l l not r eadi ng cr i t i cal , but st i l l not r eadi ng cr i t i cal , but st i l l not r eadi ng cr i t i cal , but st i l l not r eadi ng cr i t i cal ,
because. . . because. . . because. . . because. . . because. . . because. . . because. . . because. . . because. . . because. . .
Because t her e' l l be not hi ng l ef t t o Because t her e' l l be not hi ng l ef t t o Because t her e' l l be not hi ng l ef t t o Because t her e' l l be not hi ng l ef t t o Because t her e' l l be not hi ng l ef t t o
r ecor d i t . r ecor d i t . r ecor d i t . r ecor d i t . r ecor d i t .
I f t hat ' s t r ue, i t ' l l t ake hour s. . . I f t hat ' s t r ue, i t ' l l t ake hour s. . . I f t hat ' s t r ue, i t ' l l t ake hour s. . . I f t hat ' s t r ue, i t ' l l t ake hour s. . . I f t hat ' s t r ue, i t ' l l t ake hour s. . .
but we won' t be abl e t o st op i t . but we won' t be abl e t o st op i t . but we won' t be abl e t o st op i t . but we won' t be abl e t o st op i t . but we won' t be abl e t o st op i t .
You' r e sayi ng. . . mel t down? You' r e sayi ng. . . mel t down? You' r e sayi ng. . . mel t down? You' r e sayi ng. . . mel t down? You' r e sayi ng. . . mel t down?
Yes. Mel t down. The mol t en cor e. . . Yes. Mel t down. The mol t en cor e. . . Yes. Mel t down. The mol t en cor e. . . Yes. Mel t down. The mol t en cor e. . . Yes. Mel t down. The mol t en cor e. . .
i t woul d br each cont ai nment . . . i t woul d br each cont ai nment . . . i t woul d br each cont ai nment . . . i t woul d br each cont ai nment . . . i t woul d br each cont ai nment . . .
bur ni ng down i nt o t he ear t h; bur ni ng down i nt o t he ear t h; bur ni ng down i nt o t he ear t h; bur ni ng down i nt o t he ear t h; bur ni ng down i nt o t he ear t h;
r el easi ng cat ast r ophi c amount s of r el easi ng cat ast r ophi c amount s of r el easi ng cat ast r ophi c amount s of r el easi ng cat ast r ophi c amount s of r el easi ng cat ast r ophi c amount s of
r adi at i on. r adi at i on. r adi at i on. r adi at i on. r adi at i on.
100. 100. 100. 100. 100.
ANOTHER WORKER ANOTHER WORKER ANOTHER WORKER ANOTHER WORKER ANOTHER WORKER
( r eadi ng PANEL) ( r eadi ng PANEL) ( r eadi ng PANEL) ( r eadi ng PANEL) ( r eadi ng PANEL)
Cool ant l evel s ar e at 35 per cent and Cool ant l evel s ar e at 35 per cent and Cool ant l evel s ar e at 35 per cent and Cool ant l evel s ar e at 35 per cent and Cool ant l evel s ar e at 35 per cent and
st i l l dr oppi ng f ast ! st i l l dr oppi ng f ast ! st i l l dr oppi ng f ast ! st i l l dr oppi ng f ast ! st i l l dr oppi ng f ast !
WORKER ON PHONE WORKER ON PHONE WORKER ON PHONE WORKER ON PHONE WORKER ON PHONE
The pol i ce ar e on t hei r way! The pol i ce ar e on t hei r way! The pol i ce ar e on t hei r way! The pol i ce ar e on t hei r way! The pol i ce ar e on t hei r way!
( gr i ml y) ( gr i ml y) ( gr i ml y) ( gr i ml y) ( gr i ml y)
They' r e gonna be t oo l at e. They' r e gonna be t oo l at e. They' r e gonna be t oo l at e. They' r e gonna be t oo l at e. They' r e gonna be t oo l at e.
On t he wal l , TEMPERATURE GAUGES ar e near i ng t he RED! On t he wal l , TEMPERATURE GAUGES ar e near i ng t he RED! On t he wal l , TEMPERATURE GAUGES ar e near i ng t he RED! On t he wal l , TEMPERATURE GAUGES ar e near i ng t he RED! On t he wal l , TEMPERATURE GAUGES ar e near i ng t he RED!
Besi de, a MONI TOR shows Psycho Ki l l er compl et i ng hi s CI RCLE. Besi de, a MONI TOR shows Psycho Ki l l er compl et i ng hi s CI RCLE. Besi de, a MONI TOR shows Psycho Ki l l er compl et i ng hi s CI RCLE. Besi de, a MONI TOR shows Psycho Ki l l er compl et i ng hi s CI RCLE. Besi de, a MONI TOR shows Psycho Ki l l er compl et i ng hi s CI RCLE.
We' r e onl y 6 mi nut es f r omt he r ed on We' r e onl y 6 mi nut es f r omt he r ed on We' r e onl y 6 mi nut es f r omt he r ed on We' r e onl y 6 mi nut es f r omt he r ed on We' r e onl y 6 mi nut es f r omt he r ed on
t hese gauges. . . but I ' ve got a bad t hese gauges. . . but I ' ve got a bad t hese gauges. . . but I ' ve got a bad t hese gauges. . . but I ' ve got a bad t hese gauges. . . but I ' ve got a bad
f eel i ng he' s not pl anni ng on st i cki ng f eel i ng he' s not pl anni ng on st i cki ng f eel i ng he' s not pl anni ng on st i cki ng f eel i ng he' s not pl anni ng on st i cki ng f eel i ng he' s not pl anni ng on st i cki ng
ar ound t hat l ong. ar ound t hat l ong. ar ound t hat l ong. ar ound t hat l ong. ar ound t hat l ong.
Can' t you shut i t down, bef or e he Can' t you shut i t down, bef or e he Can' t you shut i t down, bef or e he Can' t you shut i t down, bef or e he Can' t you shut i t down, bef or e he
does anyt hi ng? You must be abl e t o. does anyt hi ng? You must be abl e t o. does anyt hi ng? You must be abl e t o. does anyt hi ng? You must be abl e t o. does anyt hi ng? You must be abl e t o.
Not f r omout si de t he cont r ol r oom. Not f r omout si de t he cont r ol r oom. Not f r omout si de t he cont r ol r oom. Not f r omout si de t he cont r ol r oom. Not f r omout si de t he cont r ol r oom.
We coul d ki l l al l t he power . Go on We coul d ki l l al l t he power . Go on We coul d ki l l al l t he power . Go on We coul d ki l l al l t he power . Go on We coul d ki l l al l t he power . Go on
auxi l i ar y pl ant wi de. Cause an auxi l i ar y pl ant wi de. Cause an auxi l i ar y pl ant wi de. Cause an auxi l i ar y pl ant wi de. Cause an auxi l i ar y pl ant wi de. Cause an
i mmedi at e gr avi t y SCRAM. i mmedi at e gr avi t y SCRAM. i mmedi at e gr avi t y SCRAM. i mmedi at e gr avi t y SCRAM. i mmedi at e gr avi t y SCRAM.
No. Won' t wor k. No. Won' t wor k. No. Won' t wor k. No. Won' t wor k. No. Won' t wor k.
FEMALE DETECTI VE FEMALE DETECTI VE FEMALE DETECTI VE FEMALE DETECTI VE FEMALE DETECTI VE
Why not ? Why not ? Why not ? Why not ? Why not ?
Even i f t he cont r ol r ods dr op, t hey Even i f t he cont r ol r ods dr op, t hey Even i f t he cont r ol r ods dr op, t hey Even i f t he cont r ol r ods dr op, t hey Even i f t he cont r ol r ods dr op, t hey
won' t st op t he r eact i on once t he won' t st op t he r eact i on once t he won' t st op t he r eact i on once t he won' t st op t he r eact i on once t he won' t st op t he r eact i on once t he
f uel ' s begun degr adi ng. Cont r ol r ods f uel ' s begun degr adi ng. Cont r ol r ods f uel ' s begun degr adi ng. Cont r ol r ods f uel ' s begun degr adi ng. Cont r ol r ods f uel ' s begun degr adi ng. Cont r ol r ods
wer e i n pl ace i n ' 79 when React or Two wer e i n pl ace i n ' 79 when React or Two wer e i n pl ace i n ' 79 when React or Two wer e i n pl ace i n ' 79 when React or Two wer e i n pl ace i n ' 79 when React or Two
near l y went . near l y went . near l y went . near l y went . near l y went .
You must have some way t o r epl ace t he You must have some way t o r epl ace t he You must have some way t o r epl ace t he You must have some way t o r epl ace t he You must have some way t o r epl ace t he
wat er your sel ves. Do i t manual l y. wat er your sel ves. Do i t manual l y. wat er your sel ves. Do i t manual l y. wat er your sel ves. Do i t manual l y. wat er your sel ves. Do i t manual l y.
Ther e i s, but . . . wi t hout t he comput er Ther e i s, but . . . wi t hout t he comput er Ther e i s, but . . . wi t hout t he comput er Ther e i s, but . . . wi t hout t he comput er Ther e i s, but . . . wi t hout t he comput er
coor di nat i ng i t , by t he t i me we got coor di nat i ng i t , by t he t i me we got coor di nat i ng i t , by t he t i me we got coor di nat i ng i t , by t he t i me we got coor di nat i ng i t , by t he t i me we got
ever y val ve open. . . i t woul d be l i ke ever y val ve open. . . i t woul d be l i ke ever y val ve open. . . i t woul d be l i ke ever y val ve open. . . i t woul d be l i ke ever y val ve open. . . i t woul d be l i ke
f i l l i ng a r ed hot t ea ket t l e wi t h i ce f i l l i ng a r ed hot t ea ket t l e wi t h i ce f i l l i ng a r ed hot t ea ket t l e wi t h i ce f i l l i ng a r ed hot t ea ket t l e wi t h i ce f i l l i ng a r ed hot t ea ket t l e wi t h i ce
wat er . That ' s how Cher nobyl went . wat er . That ' s how Cher nobyl went . wat er . That ' s how Cher nobyl went . wat er . That ' s how Cher nobyl went . wat er . That ' s how Cher nobyl went .
101. 101. 101. 101. 101.
Thi s. . . t hi s i sn' t happeni ng! Thi s Thi s. . . t hi s i sn' t happeni ng! Thi s Thi s. . . t hi s i sn' t happeni ng! Thi s Thi s. . . t hi s i sn' t happeni ng! Thi s Thi s. . . t hi s i sn' t happeni ng! Thi s
cannot be happeni ng. He' s goi ng t o cannot be happeni ng. He' s goi ng t o cannot be happeni ng. He' s goi ng t o cannot be happeni ng. He' s goi ng t o cannot be happeni ng. He' s goi ng t o
mel t us down. He' s goi ng t o t ake out mel t us down. He' s goi ng t o t ake out mel t us down. He' s goi ng t o t ake out mel t us down. He' s goi ng t o t ake out mel t us down. He' s goi ng t o t ake out
a f ucki ng ci t y f ul l of peopl e! a f ucki ng ci t y f ul l of peopl e! a f ucki ng ci t y f ul l of peopl e! a f ucki ng ci t y f ul l of peopl e! a f ucki ng ci t y f ul l of peopl e!
For eman gr abs a WALKI E TALKI E f r omt he consol e. For eman gr abs a WALKI E TALKI E f r omt he consol e. For eman gr abs a WALKI E TALKI E f r omt he consol e. For eman gr abs a WALKI E TALKI E f r omt he consol e. For eman gr abs a WALKI E TALKI E f r omt he consol e.
( i nt o WALKI E TALKI E) ( i nt o WALKI E TALKI E) ( i nt o WALKI E TALKI E) ( i nt o WALKI E TALKI E) ( i nt o WALKI E TALKI E)
Secur i t y, he' s t r yi ng t o bl ow up t he Secur i t y, he' s t r yi ng t o bl ow up t he Secur i t y, he' s t r yi ng t o bl ow up t he Secur i t y, he' s t r yi ng t o bl ow up t he Secur i t y, he' s t r yi ng t o bl ow up t he
mai nf r ame! You hear me?! You' ve got mai nf r ame! You hear me?! You' ve got mai nf r ame! You hear me?! You' ve got mai nf r ame! You hear me?! You' ve got mai nf r ame! You hear me?! You' ve got
t o get i n t her e r i ght now. . . ! ! t o get i n t her e r i ght now. . . ! ! t o get i n t her e r i ght now. . . ! ! t o get i n t her e r i ght now. . . ! ! t o get i n t her e r i ght now. . . ! !
Secur i t y Chi ef pul l s hi s WALKI E- TALKI E f r omhi s bel t . Secur i t y Chi ef pul l s hi s WALKI E- TALKI E f r omhi s bel t . Secur i t y Chi ef pul l s hi s WALKI E- TALKI E f r omhi s bel t . Secur i t y Chi ef pul l s hi s WALKI E- TALKI E f r omhi s bel t . Secur i t y Chi ef pul l s hi s WALKI E- TALKI E f r omhi s bel t .
FOREMAN ( cont . ) FOREMAN ( cont . ) FOREMAN ( cont . ) FOREMAN ( cont . ) FOREMAN ( cont . )
( f r omWALKI E- TALKI E) ( f r omWALKI E- TALKI E) ( f r omWALKI E- TALKI E) ( f r omWALKI E- TALKI E) ( f r omWALKI E- TALKI E)
You have t o get i n t her e and st op hi m! You have t o get i n t her e and st op hi m! You have t o get i n t her e and st op hi m! You have t o get i n t her e and st op hi m! You have t o get i n t her e and st op hi m!
DOWN THE HALL, t he men ar e f r ant i cal l y TORCHI NG THROUGH t he DOWN THE HALL, t he men ar e f r ant i cal l y TORCHI NG THROUGH t he DOWN THE HALL, t he men ar e f r ant i cal l y TORCHI NG THROUGH t he DOWN THE HALL, t he men ar e f r ant i cal l y TORCHI NG THROUGH t he DOWN THE HALL, t he men ar e f r ant i cal l y TORCHI NG THROUGH t he
door ' s HI NGES and LOCK, but t hey' ve got a l ong way t o go. door ' s HI NGES and LOCK, but t hey' ve got a l ong way t o go. door ' s HI NGES and LOCK, but t hey' ve got a l ong way t o go. door ' s HI NGES and LOCK, but t hey' ve got a l ong way t o go. door ' s HI NGES and LOCK, but t hey' ve got a l ong way t o go.
Whi l e For eman' s st i l l on t he RADI O, J ane pul l s Mi t ch asi de. Whi l e For eman' s st i l l on t he RADI O, J ane pul l s Mi t ch asi de. Whi l e For eman' s st i l l on t he RADI O, J ane pul l s Mi t ch asi de. Whi l e For eman' s st i l l on t he RADI O, J ane pul l s Mi t ch asi de. Whi l e For eman' s st i l l on t he RADI O, J ane pul l s Mi t ch asi de.
I s t her e anot her way i nt o t he cont r ol I s t her e anot her way i nt o t he cont r ol I s t her e anot her way i nt o t he cont r ol I s t her e anot her way i nt o t he cont r ol I s t her e anot her way i nt o t he cont r ol
r oom? A vent i l at i on syst em, or . . . ? r oom? A vent i l at i on syst em, or . . . ? r oom? A vent i l at i on syst em, or . . . ? r oom? A vent i l at i on syst em, or . . . ? r oom? A vent i l at i on syst em, or . . . ?
I t ' s secur e. That ' s t he whol e poi nt . I t ' s secur e. That ' s t he whol e poi nt . I t ' s secur e. That ' s t he whol e poi nt . I t ' s secur e. That ' s t he whol e poi nt . I t ' s secur e. That ' s t he whol e poi nt .
I t ' s even desi gned t o keep a I t ' s even desi gned t o keep a I t ' s even desi gned t o keep a I t ' s even desi gned t o keep a I t ' s even desi gned t o keep a
r adi at i on l eak out . r adi at i on l eak out . r adi at i on l eak out . r adi at i on l eak out . r adi at i on l eak out .
Al r i ght , peopl e, l i st en. . . l i st en up! Al r i ght , peopl e, l i st en. . . l i st en up! Al r i ght , peopl e, l i st en. . . l i st en up! Al r i ght , peopl e, l i st en. . . l i st en up! Al r i ght , peopl e, l i st en. . . l i st en up!
J esus, I can' t bel i eve I ' msayi ng J esus, I can' t bel i eve I ' msayi ng J esus, I can' t bel i eve I ' msayi ng J esus, I can' t bel i eve I ' msayi ng J esus, I can' t bel i eve I ' msayi ng
t hi s, but we have r eached t he l ast t hi s, but we have r eached t he l ast t hi s, but we have r eached t he l ast t hi s, but we have r eached t he l ast t hi s, but we have r eached t he l ast
ext r emi t y. Thi s i s i t . ext r emi t y. Thi s i s i t . ext r emi t y. Thi s i s i t . ext r emi t y. Thi s i s i t . ext r emi t y. Thi s i s i t .
( t o WORKERS on PHONES) ( t o WORKERS on PHONES) ( t o WORKERS on PHONES) ( t o WORKERS on PHONES) ( t o WORKERS on PHONES)
Not i f y t he NRC and Ci vi l Def ense. Not i f y t he NRC and Ci vi l Def ense. Not i f y t he NRC and Ci vi l Def ense. Not i f y t he NRC and Ci vi l Def ense. Not i f y t he NRC and Ci vi l Def ense.
Tel l t hem. . . t el l t hemThr ee Mi l e Tel l t hem. . . t el l t hemThr ee Mi l e Tel l t hem. . . t el l t hemThr ee Mi l e Tel l t hem. . . t el l t hemThr ee Mi l e Tel l t hem. . . t el l t hemThr ee Mi l e
I sl and i s on t he ver ge of I sl and i s on t he ver ge of I sl and i s on t he ver ge of I sl and i s on t he ver ge of I sl and i s on t he ver ge of
cat ast r ophi c f ai l ur e. I f we' r e cat ast r ophi c f ai l ur e. I f we' r e cat ast r ophi c f ai l ur e. I f we' r e cat ast r ophi c f ai l ur e. I f we' r e cat ast r ophi c f ai l ur e. I f we' r e
l ucky, t hey' ve got t wo, maybe t hr ee l ucky, t hey' ve got t wo, maybe t hr ee l ucky, t hey' ve got t wo, maybe t hr ee l ucky, t hey' ve got t wo, maybe t hr ee l ucky, t hey' ve got t wo, maybe t hr ee
hour s t o t r y t o evacuat e al l of hour s t o t r y t o evacuat e al l of hour s t o t r y t o evacuat e al l of hour s t o t r y t o evacuat e al l of hour s t o t r y t o evacuat e al l of
Cent r al Pennsyl vani a. Cent r al Pennsyl vani a. Cent r al Pennsyl vani a. Cent r al Pennsyl vani a. Cent r al Pennsyl vani a.
EVERYONE st ar t s TALKI NG al l at once, pani ced. EVERYONE st ar t s TALKI NG al l at once, pani ced. EVERYONE st ar t s TALKI NG al l at once, pani ced. EVERYONE st ar t s TALKI NG al l at once, pani ced. EVERYONE st ar t s TALKI NG al l at once, pani ced.
Mi t ch gr abs J ane' s ar m. Mi t ch gr abs J ane' s ar m. Mi t ch gr abs J ane' s ar m. Mi t ch gr abs J ane' s ar m. Mi t ch gr abs J ane' s ar m.
Ther e mi ght be a way. Come on! Ther e mi ght be a way. Come on! Ther e mi ght be a way. Come on! Ther e mi ght be a way. Come on! Ther e mi ght be a way. Come on!
102. 102. 102. 102. 102.
Mi t ch l eads J ane t o t he exi t . Mi t ch l eads J ane t o t he exi t . Mi t ch l eads J ane t o t he exi t . Mi t ch l eads J ane t o t he exi t . Mi t ch l eads J ane t o t he exi t .
INSIDE REACTOR ONE INSIDE REACTOR ONE INSIDE REACTOR ONE INSIDE REACTOR ONE INSIDE REACTOR ONE
HELL on ear t h. The l i t t l e r emai ni ng WATER BOI LS madl y, HELL on ear t h. The l i t t l e r emai ni ng WATER BOI LS madl y, HELL on ear t h. The l i t t l e r emai ni ng WATER BOI LS madl y, HELL on ear t h. The l i t t l e r emai ni ng WATER BOI LS madl y, HELL on ear t h. The l i t t l e r emai ni ng WATER BOI LS madl y,
addi ng t o t he mael st r omof STEAM swi r l i ng ar ound CONTROL addi ng t o t he mael st r omof STEAM swi r l i ng ar ound CONTROL addi ng t o t he mael st r omof STEAM swi r l i ng ar ound CONTROL addi ng t o t he mael st r omof STEAM swi r l i ng ar ound CONTROL addi ng t o t he mael st r omof STEAM swi r l i ng ar ound CONTROL
RODS above, whi ch ar e al t er nat el y spaced over t he RODS above, whi ch ar e al t er nat el y spaced over t he RODS above, whi ch ar e al t er nat el y spaced over t he RODS above, whi ch ar e al t er nat el y spaced over t he RODS above, whi ch ar e al t er nat el y spaced over t he
i ncandescent l y RED HOT FUEL RODS j ut t i ng up f r ombel ow. i ncandescent l y RED HOT FUEL RODS j ut t i ng up f r ombel ow. i ncandescent l y RED HOT FUEL RODS j ut t i ng up f r ombel ow. i ncandescent l y RED HOT FUEL RODS j ut t i ng up f r ombel ow. i ncandescent l y RED HOT FUEL RODS j ut t i ng up f r ombel ow.
Psycho Ki l l er uses hi s BLOOD t o dr aw t he PENTAGRAM i nsi de Psycho Ki l l er uses hi s BLOOD t o dr aw t he PENTAGRAM i nsi de Psycho Ki l l er uses hi s BLOOD t o dr aw t he PENTAGRAM i nsi de Psycho Ki l l er uses hi s BLOOD t o dr aw t he PENTAGRAM i nsi de Psycho Ki l l er uses hi s BLOOD t o dr aw t he PENTAGRAM i nsi de
t he out l i ne of t he EVI L EYE he' s smear ed ont o t he f l oor . t he out l i ne of t he EVI L EYE he' s smear ed ont o t he f l oor . t he out l i ne of t he EVI L EYE he' s smear ed ont o t he f l oor . t he out l i ne of t he EVI L EYE he' s smear ed ont o t he f l oor . t he out l i ne of t he EVI L EYE he' s smear ed ont o t he f l oor .
INT. TMI, STAIRWELL -- NIGHT INT. TMI, STAIRWELL -- NIGHT INT. TMI, STAIRWELL -- NIGHT INT. TMI, STAIRWELL -- NIGHT INT. TMI, STAIRWELL -- NIGHT
J ane f ol l ows Mi t ch, boundi ng UPSTAI RS t o t he " 2ND FLOOR. " J ane f ol l ows Mi t ch, boundi ng UPSTAI RS t o t he " 2ND FLOOR. " J ane f ol l ows Mi t ch, boundi ng UPSTAI RS t o t he " 2ND FLOOR. " J ane f ol l ows Mi t ch, boundi ng UPSTAI RS t o t he " 2ND FLOOR. " J ane f ol l ows Mi t ch, boundi ng UPSTAI RS t o t he " 2ND FLOOR. "
INT. TMI, 2ND FLOOR HALLWAY -- NIGHT INT. TMI, 2ND FLOOR HALLWAY -- NIGHT INT. TMI, 2ND FLOOR HALLWAY -- NIGHT INT. TMI, 2ND FLOOR HALLWAY -- NIGHT INT. TMI, 2ND FLOOR HALLWAY -- NIGHT
Mi t ch and J ane come out of t he STAI RWELL, r unni ng. Mi t ch and J ane come out of t he STAI RWELL, r unni ng. Mi t ch and J ane come out of t he STAI RWELL, r unni ng. Mi t ch and J ane come out of t he STAI RWELL, r unni ng. Mi t ch and J ane come out of t he STAI RWELL, r unni ng.
Mi t ch t akes out KEYS as t hey ar r i ve at a STEEL DOOR mar ked Mi t ch t akes out KEYS as t hey ar r i ve at a STEEL DOOR mar ked Mi t ch t akes out KEYS as t hey ar r i ve at a STEEL DOOR mar ked Mi t ch t akes out KEYS as t hey ar r i ve at a STEEL DOOR mar ked Mi t ch t akes out KEYS as t hey ar r i ve at a STEEL DOOR mar ked
" OBSERVATI ON, " whi ch he hur r i edl y unl ocks. " OBSERVATI ON, " whi ch he hur r i edl y unl ocks. " OBSERVATI ON, " whi ch he hur r i edl y unl ocks. " OBSERVATI ON, " whi ch he hur r i edl y unl ocks. " OBSERVATI ON, " whi ch he hur r i edl y unl ocks.
Thi s has been cl osed si nce. . . Thi s has been cl osed si nce. . . Thi s has been cl osed si nce. . . Thi s has been cl osed si nce. . . Thi s has been cl osed si nce. . .
f or ever . They used t o gi ve t our s. f or ever . They used t o gi ve t our s. f or ever . They used t o gi ve t our s. f or ever . They used t o gi ve t our s. f or ever . They used t o gi ve t our s.
IN THE OBSERVATION ROOM IN THE OBSERVATION ROOM IN THE OBSERVATION ROOM IN THE OBSERVATION ROOM IN THE OBSERVATION ROOM
Mi t ch l et s J ane i n. DOZENS of FI LE BOXES ar e pi l ed, Mi t ch l et s J ane i n. DOZENS of FI LE BOXES ar e pi l ed, Mi t ch l et s J ane i n. DOZENS of FI LE BOXES ar e pi l ed, Mi t ch l et s J ane i n. DOZENS of FI LE BOXES ar e pi l ed, Mi t ch l et s J ane i n. DOZENS of FI LE BOXES ar e pi l ed,
gat her i ng dust . gat her i ng dust . gat her i ng dust . gat her i ng dust . gat her i ng dust .
J ane r ushes over t o a wi de, yel l owi ng OBSERVATI ON WI NDOW, J ane r ushes over t o a wi de, yel l owi ng OBSERVATI ON WI NDOW, J ane r ushes over t o a wi de, yel l owi ng OBSERVATI ON WI NDOW, J ane r ushes over t o a wi de, yel l owi ng OBSERVATI ON WI NDOW, J ane r ushes over t o a wi de, yel l owi ng OBSERVATI ON WI NDOW,
pr esses agai nst i t . pr esses agai nst i t . pr esses agai nst i t . pr esses agai nst i t . pr esses agai nst i t .
I t ' s pl exi . Bul l et pr oof , pr obabl y. I t ' s pl exi . Bul l et pr oof , pr obabl y. I t ' s pl exi . Bul l et pr oof , pr obabl y. I t ' s pl exi . Bul l et pr oof , pr obabl y. I t ' s pl exi . Bul l et pr oof , pr obabl y.
I f we can br eak t hr ough somehow. . . I f we can br eak t hr ough somehow. . . I f we can br eak t hr ough somehow. . . I f we can br eak t hr ough somehow. . . I f we can br eak t hr ough somehow. . .
THRU THE WI NDOW: Psycho Ki l l er can be seen bel ow, acr oss t he THRU THE WI NDOW: Psycho Ki l l er can be seen bel ow, acr oss t he THRU THE WI NDOW: Psycho Ki l l er can be seen bel ow, acr oss t he THRU THE WI NDOW: Psycho Ki l l er can be seen bel ow, acr oss t he THRU THE WI NDOW: Psycho Ki l l er can be seen bel ow, acr oss t he
cont r ol r oom, put t i ng t he f i ni shi ng t ouches on hi s evi l eye. cont r ol r oom, put t i ng t he f i ni shi ng t ouches on hi s evi l eye. cont r ol r oom, put t i ng t he f i ni shi ng t ouches on hi s evi l eye. cont r ol r oom, put t i ng t he f i ni shi ng t ouches on hi s evi l eye. cont r ol r oom, put t i ng t he f i ni shi ng t ouches on hi s evi l eye.
Psycho Ki l l er st ands. He cr osses t o r et r i eve hi s gr enade Psycho Ki l l er st ands. He cr osses t o r et r i eve hi s gr enade Psycho Ki l l er st ands. He cr osses t o r et r i eve hi s gr enade Psycho Ki l l er st ands. He cr osses t o r et r i eve hi s gr enade Psycho Ki l l er st ands. He cr osses t o r et r i eve hi s gr enade
f r omt he consol e wher e he l ef t i t . f r omt he consol e wher e he l ef t i t . f r omt he consol e wher e he l ef t i t . f r omt he consol e wher e he l ef t i t . f r omt he consol e wher e he l ef t i t .
As J ane POUNDS on t he gl ass. . . As J ane POUNDS on t he gl ass. . . As J ane POUNDS on t he gl ass. . . As J ane POUNDS on t he gl ass. . . As J ane POUNDS on t he gl ass. . .
THRU THE WI NDOW: Psycho Ki l l er t ur ns, l ooki ng up at her . THRU THE WI NDOW: Psycho Ki l l er t ur ns, l ooki ng up at her . THRU THE WI NDOW: Psycho Ki l l er t ur ns, l ooki ng up at her . THRU THE WI NDOW: Psycho Ki l l er t ur ns, l ooki ng up at her . THRU THE WI NDOW: Psycho Ki l l er t ur ns, l ooki ng up at her .
103. 103. 103. 103. 103.
The desper at e ef f or t s t o TORCH t he door of f cont i nue, whi l e The desper at e ef f or t s t o TORCH t he door of f cont i nue, whi l e The desper at e ef f or t s t o TORCH t he door of f cont i nue, whi l e The desper at e ef f or t s t o TORCH t he door of f cont i nue, whi l e The desper at e ef f or t s t o TORCH t he door of f cont i nue, whi l e
t he secur i t y bat t al i on gat her s cl oser , guns up, br i st l i ng. t he secur i t y bat t al i on gat her s cl oser , guns up, br i st l i ng. t he secur i t y bat t al i on gat her s cl oser , guns up, br i st l i ng. t he secur i t y bat t al i on gat her s cl oser , guns up, br i st l i ng. t he secur i t y bat t al i on gat her s cl oser , guns up, br i st l i ng.
INSIDE REACTOR ONE INSIDE REACTOR ONE INSIDE REACTOR ONE INSIDE REACTOR ONE INSIDE REACTOR ONE
The FUEL RODS ar e shi ni ng bl i ndi ngl y BRI GHT RED. The FUEL RODS ar e shi ni ng bl i ndi ngl y BRI GHT RED. The FUEL RODS ar e shi ni ng bl i ndi ngl y BRI GHT RED. The FUEL RODS ar e shi ni ng bl i ndi ngl y BRI GHT RED. The FUEL RODS ar e shi ni ng bl i ndi ngl y BRI GHT RED.
Wi t h ALARMS SOUNDI NG and t he CONTROL PANEL LI GHTI NG UP l i ke Wi t h ALARMS SOUNDI NG and t he CONTROL PANEL LI GHTI NG UP l i ke Wi t h ALARMS SOUNDI NG and t he CONTROL PANEL LI GHTI NG UP l i ke Wi t h ALARMS SOUNDI NG and t he CONTROL PANEL LI GHTI NG UP l i ke Wi t h ALARMS SOUNDI NG and t he CONTROL PANEL LI GHTI NG UP l i ke
a Chr i st mas t r ee, Psycho Ki l l er i s st i l l l ooki ng up at J ane. a Chr i st mas t r ee, Psycho Ki l l er i s st i l l l ooki ng up at J ane. a Chr i st mas t r ee, Psycho Ki l l er i s st i l l l ooki ng up at J ane. a Chr i st mas t r ee, Psycho Ki l l er i s st i l l l ooki ng up at J ane. a Chr i st mas t r ee, Psycho Ki l l er i s st i l l l ooki ng up at J ane.
Then, PK t ur ns, wal ki ng t o st and at t he evi l eye' s cent er . Then, PK t ur ns, wal ki ng t o st and at t he evi l eye' s cent er . Then, PK t ur ns, wal ki ng t o st and at t he evi l eye' s cent er . Then, PK t ur ns, wal ki ng t o st and at t he evi l eye' s cent er . Then, PK t ur ns, wal ki ng t o st and at t he evi l eye' s cent er .
J ane backs away f r omt he wi ndow. J ane backs away f r omt he wi ndow. J ane backs away f r omt he wi ndow. J ane backs away f r omt he wi ndow. J ane backs away f r omt he wi ndow.
Gi ve me your gun! Gi ve me your gun! Gi ve me your gun! Gi ve me your gun! Gi ve me your gun!
Mi t ch hands J ane hi s AK- 15. J ane ai ms i t at t he pl exi . . . Mi t ch hands J ane hi s AK- 15. J ane ai ms i t at t he pl exi . . . Mi t ch hands J ane hi s AK- 15. J ane ai ms i t at t he pl exi . . . Mi t ch hands J ane hi s AK- 15. J ane ai ms i t at t he pl exi . . . Mi t ch hands J ane hi s AK- 15. J ane ai ms i t at t he pl exi . . .
St and back! St and back! St and back! St and back! St and back!
J ane FI RES r epeat edl y - - BLASTI NG AWAY at one spot on t he J ane FI RES r epeat edl y - - BLASTI NG AWAY at one spot on t he J ane FI RES r epeat edl y - - BLASTI NG AWAY at one spot on t he J ane FI RES r epeat edl y - - BLASTI NG AWAY at one spot on t he J ane FI RES r epeat edl y - - BLASTI NG AWAY at one spot on t he
WI NDOW- - BULLETS I MBEDDI NG! CHEWI NG UP t he PLEXI ! WI NDOW- - BULLETS I MBEDDI NG! CHEWI NG UP t he PLEXI ! WI NDOW- - BULLETS I MBEDDI NG! CHEWI NG UP t he PLEXI ! WI NDOW- - BULLETS I MBEDDI NG! CHEWI NG UP t he PLEXI ! WI NDOW- - BULLETS I MBEDDI NG! CHEWI NG UP t he PLEXI !
Psycho Ki l l er ext ends hi s ar ms, f aci ng t he comput er s, Psycho Ki l l er ext ends hi s ar ms, f aci ng t he comput er s, Psycho Ki l l er ext ends hi s ar ms, f aci ng t he comput er s, Psycho Ki l l er ext ends hi s ar ms, f aci ng t he comput er s, Psycho Ki l l er ext ends hi s ar ms, f aci ng t he comput er s,
gr enade hel d i n hi s r i ght hand. gr enade hel d i n hi s r i ght hand. gr enade hel d i n hi s r i ght hand. gr enade hel d i n hi s r i ght hand. gr enade hel d i n hi s r i ght hand.
Hai l Sat an! Wel come your ser vant Hai l Sat an! Wel come your ser vant Hai l Sat an! Wel come your ser vant Hai l Sat an! Wel come your ser vant Hai l Sat an! Wel come your ser vant
i nt o t he Ki ngdomof Hel l ! i nt o t he Ki ngdomof Hel l ! i nt o t he Ki ngdomof Hel l ! i nt o t he Ki ngdomof Hel l ! i nt o t he Ki ngdomof Hel l !
J ane st ops f i r i ng, st eps up and vi ol ent l y SHOVES t he bar r el J ane st ops f i r i ng, st eps up and vi ol ent l y SHOVES t he bar r el J ane st ops f i r i ng, st eps up and vi ol ent l y SHOVES t he bar r el J ane st ops f i r i ng, st eps up and vi ol ent l y SHOVES t he bar r el J ane st ops f i r i ng, st eps up and vi ol ent l y SHOVES t he bar r el
of t he AR- 15 i nt o t he bur ni ng PLEXI - HOLE she' s bl ast ed. . . of t he AR- 15 i nt o t he bur ni ng PLEXI - HOLE she' s bl ast ed. . . of t he AR- 15 i nt o t he bur ni ng PLEXI - HOLE she' s bl ast ed. . . of t he AR- 15 i nt o t he bur ni ng PLEXI - HOLE she' s bl ast ed. . . of t he AR- 15 i nt o t he bur ni ng PLEXI - HOLE she' s bl ast ed. . .
J AMMI NG t he r i f l e t hr ough, TWI STI NG, t hen yanki ng i t out . J AMMI NG t he r i f l e t hr ough, TWI STI NG, t hen yanki ng i t out . J AMMI NG t he r i f l e t hr ough, TWI STI NG, t hen yanki ng i t out . J AMMI NG t he r i f l e t hr ough, TWI STI NG, t hen yanki ng i t out . J AMMI NG t he r i f l e t hr ough, TWI STI NG, t hen yanki ng i t out .
Bef or e t he hummi ng comput er s, Psycho Ki l l er br i ngs hi s hands Bef or e t he hummi ng comput er s, Psycho Ki l l er br i ngs hi s hands Bef or e t he hummi ng comput er s, Psycho Ki l l er br i ngs hi s hands Bef or e t he hummi ng comput er s, Psycho Ki l l er br i ngs hi s hands Bef or e t he hummi ng comput er s, Psycho Ki l l er br i ngs hi s hands
t oget her , gr enade hel d agai nst t he TNT st r apped t o hi m. . . t oget her , gr enade hel d agai nst t he TNT st r apped t o hi m. . . t oget her , gr enade hel d agai nst t he TNT st r apped t o hi m. . . t oget her , gr enade hel d agai nst t he TNT st r apped t o hi m. . . t oget her , gr enade hel d agai nst t he TNT st r apped t o hi m. . .
Open t he gat es! Open t he gat es! Open t he gat es! Open t he gat es! Open t he gat es!
Psycho Ki l l er put s a pi nki e f i nger t hr ough t he GRENADE' S PI N. Psycho Ki l l er put s a pi nki e f i nger t hr ough t he GRENADE' S PI N. Psycho Ki l l er put s a pi nki e f i nger t hr ough t he GRENADE' S PI N. Psycho Ki l l er put s a pi nki e f i nger t hr ough t he GRENADE' S PI N. Psycho Ki l l er put s a pi nki e f i nger t hr ough t he GRENADE' S PI N.
104. 104. 104. 104. 104.
J ane pul l s her own RI FLE of f her back. She st i cks her J ane pul l s her own RI FLE of f her back. She st i cks her J ane pul l s her own RI FLE of f her back. She st i cks her J ane pul l s her own RI FLE of f her back. She st i cks her J ane pul l s her own RI FLE of f her back. She st i cks her
r i f l e' s bar r el t hr ough t he hol e she' s made, sweat pour i ng r i f l e' s bar r el t hr ough t he hol e she' s made, sweat pour i ng r i f l e' s bar r el t hr ough t he hol e she' s made, sweat pour i ng r i f l e' s bar r el t hr ough t he hol e she' s made, sweat pour i ng r i f l e' s bar r el t hr ough t he hol e she' s made, sweat pour i ng
down her f ace as she t akes ai m. . . PULLS t he TRI GGER - - BLAM! down her f ace as she t akes ai m. . . PULLS t he TRI GGER - - BLAM! down her f ace as she t akes ai m. . . PULLS t he TRI GGER - - BLAM! down her f ace as she t akes ai m. . . PULLS t he TRI GGER - - BLAM! down her f ace as she t akes ai m. . . PULLS t he TRI GGER - - BLAM!
The SHOT BURSTS bl oodi l y t hr ough Psycho Ki l l er ' s l eg, The SHOT BURSTS bl oodi l y t hr ough Psycho Ki l l er ' s l eg, The SHOT BURSTS bl oodi l y t hr ough Psycho Ki l l er ' s l eg, The SHOT BURSTS bl oodi l y t hr ough Psycho Ki l l er ' s l eg, The SHOT BURSTS bl oodi l y t hr ough Psycho Ki l l er ' s l eg,
sendi ng hi mt o hi s knees SCREAMI NG - - hi s ar ms ext endi ng sendi ng hi mt o hi s knees SCREAMI NG - - hi s ar ms ext endi ng sendi ng hi mt o hi s knees SCREAMI NG - - hi s ar ms ext endi ng sendi ng hi mt o hi s knees SCREAMI NG - - hi s ar ms ext endi ng sendi ng hi mt o hi s knees SCREAMI NG - - hi s ar ms ext endi ng
i nvol unt ar i l y out war ds. . . i nvol unt ar i l y out war ds. . . i nvol unt ar i l y out war ds. . . i nvol unt ar i l y out war ds. . . i nvol unt ar i l y out war ds. . .
I N SLOWMOTI ON: we see t he gr enade pi n on hi s l ef t pi nki e. . . I N SLOWMOTI ON: we see t he gr enade pi n on hi s l ef t pi nki e. . . I N SLOWMOTI ON: we see t he gr enade pi n on hi s l ef t pi nki e. . . I N SLOWMOTI ON: we see t he gr enade pi n on hi s l ef t pi nki e. . . I N SLOWMOTI ON: we see t he gr enade pi n on hi s l ef t pi nki e. . .
I N SLOWMOTI ON: t he now l i ve gr enade, i t ' s spr i ng handl e I N SLOWMOTI ON: t he now l i ve gr enade, i t ' s spr i ng handl e I N SLOWMOTI ON: t he now l i ve gr enade, i t ' s spr i ng handl e I N SLOWMOTI ON: t he now l i ve gr enade, i t ' s spr i ng handl e I N SLOWMOTI ON: t he now l i ve gr enade, i t ' s spr i ng handl e
f l yi ng away, i s st i l l hel d i n PK' s r i ght hand. . . f l yi ng away, i s st i l l hel d i n PK' s r i ght hand. . . f l yi ng away, i s st i l l hel d i n PK' s r i ght hand. . . f l yi ng away, i s st i l l hel d i n PK' s r i ght hand. . . f l yi ng away, i s st i l l hel d i n PK' s r i ght hand. . .
CLOSE-UP ON: CLOSE-UP ON: CLOSE-UP ON: CLOSE-UP ON: CLOSE-UP ON:
J ane' s gr i maci ng f ace as she adj ust s her ai m- - FI RES! J ane' s gr i maci ng f ace as she adj ust s her ai m- - FI RES! J ane' s gr i maci ng f ace as she adj ust s her ai m- - FI RES! J ane' s gr i maci ng f ace as she adj ust s her ai m- - FI RES! J ane' s gr i maci ng f ace as she adj ust s her ai m- - FI RES!
END SLO- MO as a BULLET SPLATTERS t hr ough t he f or ear mof END SLO- MO as a BULLET SPLATTERS t hr ough t he f or ear mof END SLO- MO as a BULLET SPLATTERS t hr ough t he f or ear mof END SLO- MO as a BULLET SPLATTERS t hr ough t he f or ear mof END SLO- MO as a BULLET SPLATTERS t hr ough t he f or ear mof
Psycho Ki l l er ' s r i ght hand - - sends t he gr enade FLYI NG. . . Psycho Ki l l er ' s r i ght hand - - sends t he gr enade FLYI NG. . . Psycho Ki l l er ' s r i ght hand - - sends t he gr enade FLYI NG. . . Psycho Ki l l er ' s r i ght hand - - sends t he gr enade FLYI NG. . . Psycho Ki l l er ' s r i ght hand - - sends t he gr enade FLYI NG. . .
The gr enade goes BOUNCI NG of f one comput er bank. . . The gr enade goes BOUNCI NG of f one comput er bank. . . The gr enade goes BOUNCI NG of f one comput er bank. . . The gr enade goes BOUNCI NG of f one comput er bank. . . The gr enade goes BOUNCI NG of f one comput er bank. . .
Hi t s t he f l oor , bounci ng away. . . Hi t s t he f l oor , bounci ng away. . . Hi t s t he f l oor , bounci ng away. . . Hi t s t he f l oor , bounci ng away. . . Hi t s t he f l oor , bounci ng away. . .
Psycho Ki l l er l ooks t owar ds i t , r eachi ng out f ut i l el y. Psycho Ki l l er l ooks t owar ds i t , r eachi ng out f ut i l el y. Psycho Ki l l er l ooks t owar ds i t , r eachi ng out f ut i l el y. Psycho Ki l l er l ooks t owar ds i t , r eachi ng out f ut i l el y. Psycho Ki l l er l ooks t owar ds i t , r eachi ng out f ut i l el y.
BOOM! The EXPLOSI ON DECI MATES hal f t he cent r al CONTROL BOOM! The EXPLOSI ON DECI MATES hal f t he cent r al CONTROL BOOM! The EXPLOSI ON DECI MATES hal f t he cent r al CONTROL BOOM! The EXPLOSI ON DECI MATES hal f t he cent r al CONTROL BOOM! The EXPLOSI ON DECI MATES hal f t he cent r al CONTROL
CONSOLE - - DEBRI S f l yi ng ALL DI RECTI ONS! CONSOLE - - DEBRI S f l yi ng ALL DI RECTI ONS! CONSOLE - - DEBRI S f l yi ng ALL DI RECTI ONS! CONSOLE - - DEBRI S f l yi ng ALL DI RECTI ONS! CONSOLE - - DEBRI S f l yi ng ALL DI RECTI ONS!
Psycho Ki l l er ' s st r uggl i ng t o r i se when anot her RI FLE SHOT Psycho Ki l l er ' s st r uggl i ng t o r i se when anot her RI FLE SHOT Psycho Ki l l er ' s st r uggl i ng t o r i se when anot her RI FLE SHOT Psycho Ki l l er ' s st r uggl i ng t o r i se when anot her RI FLE SHOT Psycho Ki l l er ' s st r uggl i ng t o r i se when anot her RI FLE SHOT
f r omJ ane BLASTS OUT t he knee of hi s good l eg, SPI NNI NG HI M! f r omJ ane BLASTS OUT t he knee of hi s good l eg, SPI NNI NG HI M! f r omJ ane BLASTS OUT t he knee of hi s good l eg, SPI NNI NG HI M! f r omJ ane BLASTS OUT t he knee of hi s good l eg, SPI NNI NG HI M! f r omJ ane BLASTS OUT t he knee of hi s good l eg, SPI NNI NG HI M!
Psycho Ki l l er l ands on hi s back, GASPI NG. He' s bl eedi ng Psycho Ki l l er l ands on hi s back, GASPI NG. He' s bl eedi ng Psycho Ki l l er l ands on hi s back, GASPI NG. He' s bl eedi ng Psycho Ki l l er l ands on hi s back, GASPI NG. He' s bl eedi ng Psycho Ki l l er l ands on hi s back, GASPI NG. He' s bl eedi ng
pr of usel y f r omhi s wounds, but st i l l he r ol l s over . . . pr of usel y f r omhi s wounds, but st i l l he r ol l s over . . . pr of usel y f r omhi s wounds, but st i l l he r ol l s over . . . pr of usel y f r omhi s wounds, but st i l l he r ol l s over . . . pr of usel y f r omhi s wounds, but st i l l he r ol l s over . . .
He at t empt s t o r i se. . . t r i es t o cr awl . . . He at t empt s t o r i se. . . t r i es t o cr awl . . . He at t empt s t o r i se. . . t r i es t o cr awl . . . He at t empt s t o r i se. . . t r i es t o cr awl . . . He at t empt s t o r i se. . . t r i es t o cr awl . . .
J ane wat ches, st i l l si ght i ng down t he her r i f l e. J ane wat ches, st i l l si ght i ng down t he her r i f l e. J ane wat ches, st i l l si ght i ng down t he her r i f l e. J ane wat ches, st i l l si ght i ng down t he her r i f l e. J ane wat ches, st i l l si ght i ng down t he her r i f l e.
PK f i nal l y THUDS masked- f ace f i r st t o t he f l oor . Out . PK f i nal l y THUDS masked- f ace f i r st t o t he f l oor . Out . PK f i nal l y THUDS masked- f ace f i r st t o t he f l oor . Out . PK f i nal l y THUDS masked- f ace f i r st t o t he f l oor . Out . PK f i nal l y THUDS masked- f ace f i r st t o t he f l oor . Out .
He l i es bl eedi ng at t he evi l eye' s cent er . He l i es bl eedi ng at t he evi l eye' s cent er . He l i es bl eedi ng at t he evi l eye' s cent er . He l i es bl eedi ng at t he evi l eye' s cent er . He l i es bl eedi ng at t he evi l eye' s cent er .
ACROSS THE ROOM, i n t he f i r ewor k' s di spl ay of st i l l l abor i ng ACROSS THE ROOM, i n t he f i r ewor k' s di spl ay of st i l l l abor i ng ACROSS THE ROOM, i n t he f i r ewor k' s di spl ay of st i l l l abor i ng ACROSS THE ROOM, i n t he f i r ewor k' s di spl ay of st i l l l abor i ng ACROSS THE ROOM, i n t he f i r ewor k' s di spl ay of st i l l l abor i ng
t or ches, t he cont r ol r oomdoor FALLS i nwar d. . . BOOMI NG! t or ches, t he cont r ol r oomdoor FALLS i nwar d. . . BOOMI NG! t or ches, t he cont r ol r oomdoor FALLS i nwar d. . . BOOMI NG! t or ches, t he cont r ol r oomdoor FALLS i nwar d. . . BOOMI NG! t or ches, t he cont r ol r oomdoor FALLS i nwar d. . . BOOMI NG!
105. 105. 105. 105. 105.
EXT. CONTROL CENTER -- NIGHT EXT. CONTROL CENTER -- NIGHT EXT. CONTROL CENTER -- NIGHT EXT. CONTROL CENTER -- NIGHT EXT. CONTROL CENTER -- NIGHT
Amongst TMI PERSONNEL hur r i edl y comi ng and goi ng, J ane Amongst TMI PERSONNEL hur r i edl y comi ng and goi ng, J ane Amongst TMI PERSONNEL hur r i edl y comi ng and goi ng, J ane Amongst TMI PERSONNEL hur r i edl y comi ng and goi ng, J ane Amongst TMI PERSONNEL hur r i edl y comi ng and goi ng, J ane
sl owl y wal ks f r omt he bui l di ng. SI RENS ar e HEARD di st ant l y. sl owl y wal ks f r omt he bui l di ng. SI RENS ar e HEARD di st ant l y. sl owl y wal ks f r omt he bui l di ng. SI RENS ar e HEARD di st ant l y. sl owl y wal ks f r omt he bui l di ng. SI RENS ar e HEARD di st ant l y. sl owl y wal ks f r omt he bui l di ng. SI RENS ar e HEARD di st ant l y.
J ane j ust wal ks, shel l - shocked. She st ops, st ar i ng of f J ane j ust wal ks, shel l - shocked. She st ops, st ar i ng of f J ane j ust wal ks, shel l - shocked. She st ops, st ar i ng of f J ane j ust wal ks, shel l - shocked. She st ops, st ar i ng of f J ane j ust wal ks, shel l - shocked. She st ops, st ar i ng of f
bl ankl y. She dr ops t o her knees, sl umps, exhaust ed. bl ankl y. She dr ops t o her knees, sl umps, exhaust ed. bl ankl y. She dr ops t o her knees, sl umps, exhaust ed. bl ankl y. She dr ops t o her knees, sl umps, exhaust ed. bl ankl y. She dr ops t o her knees, sl umps, exhaust ed.
NEWS RADI O ANCHOR ( V. O. ) NEWS RADI O ANCHOR ( V. O. ) NEWS RADI O ANCHOR ( V. O. ) NEWS RADI O ANCHOR ( V. O. ) NEWS RADI O ANCHOR ( V. O. )
A gover nment br i ef i ng r eveal ed t oday A gover nment br i ef i ng r eveal ed t oday A gover nment br i ef i ng r eveal ed t oday A gover nment br i ef i ng r eveal ed t oday A gover nment br i ef i ng r eveal ed t oday
t hat t he man so many cal l ed t he t hat t he man so many cal l ed t he t hat t he man so many cal l ed t he t hat t he man so many cal l ed t he t hat t he man so many cal l ed t he
Sat ani c Sl asher has di ed as a r esul t Sat ani c Sl asher has di ed as a r esul t Sat ani c Sl asher has di ed as a r esul t Sat ani c Sl asher has di ed as a r esul t Sat ani c Sl asher has di ed as a r esul t
of i nj ur i es sust ai ned dur i ng hi s of i nj ur i es sust ai ned dur i ng hi s of i nj ur i es sust ai ned dur i ng hi s of i nj ur i es sust ai ned dur i ng hi s of i nj ur i es sust ai ned dur i ng hi s
capt ur e by f eder al agent s l ast week. capt ur e by f eder al agent s l ast week. capt ur e by f eder al agent s l ast week. capt ur e by f eder al agent s l ast week. capt ur e by f eder al agent s l ast week.
The Sl asher ' s cr oss- count r y mur der The Sl asher ' s cr oss- count r y mur der The Sl asher ' s cr oss- count r y mur der The Sl asher ' s cr oss- count r y mur der The Sl asher ' s cr oss- count r y mur der
spr ee. . . spr ee. . . spr ee. . . spr ee. . . spr ee. . .
FROM BLACKNESS FROM BLACKNESS FROM BLACKNESS FROM BLACKNESS FROM BLACKNESS
. . . whi ch cl ai med t he l i ves of at . . . whi ch cl ai med t he l i ves of at . . . whi ch cl ai med t he l i ves of at . . . whi ch cl ai med t he l i ves of at . . . whi ch cl ai med t he l i ves of at
l east 45 known vi ct i ms, came t o an l east 45 known vi ct i ms, came t o an l east 45 known vi ct i ms, came t o an l east 45 known vi ct i ms, came t o an l east 45 known vi ct i ms, came t o an
end as he at t empt ed t o ent er t he end as he at t empt ed t o ent er t he end as he at t empt ed t o ent er t he end as he at t empt ed t o ent er t he end as he at t empt ed t o ent er t he
gr ounds of t he Thr ee Mi l e I sl and gr ounds of t he Thr ee Mi l e I sl and gr ounds of t he Thr ee Mi l e I sl and gr ounds of t he Thr ee Mi l e I sl and gr ounds of t he Thr ee Mi l e I sl and
Nucl ear Power Pl ant i n Har r i sbur g, Nucl ear Power Pl ant i n Har r i sbur g, Nucl ear Power Pl ant i n Har r i sbur g, Nucl ear Power Pl ant i n Har r i sbur g, Nucl ear Power Pl ant i n Har r i sbur g,
Pennsyl vani a. Despi t e a publ i c Pennsyl vani a. Despi t e a publ i c Pennsyl vani a. Despi t e a publ i c Pennsyl vani a. Despi t e a publ i c Pennsyl vani a. Despi t e a publ i c
out cr y, t he F. B. I . and Depar t ment of out cr y, t he F. B. I . and Depar t ment of out cr y, t he F. B. I . and Depar t ment of out cr y, t he F. B. I . and Depar t ment of out cr y, t he F. B. I . and Depar t ment of
Homel and Secur i t y have not r el eased Homel and Secur i t y have not r el eased Homel and Secur i t y have not r el eased Homel and Secur i t y have not r el eased Homel and Secur i t y have not r el eased
t he name of t he Sl asher . . . t he name of t he Sl asher . . . t he name of t he Sl asher . . . t he name of t he Sl asher . . . t he name of t he Sl asher . . .
EXT. JANE'S HOUSE, ENTRY/LIVING ROOM -- DAY EXT. JANE'S HOUSE, ENTRY/LIVING ROOM -- DAY EXT. JANE'S HOUSE, ENTRY/LIVING ROOM -- DAY EXT. JANE'S HOUSE, ENTRY/LIVING ROOM -- DAY EXT. JANE'S HOUSE, ENTRY/LIVING ROOM -- DAY
J ane ent er s, dr ops her BAG, wal ks i nt o t he r oom. J ane ent er s, dr ops her BAG, wal ks i nt o t he r oom. J ane ent er s, dr ops her BAG, wal ks i nt o t he r oom. J ane ent er s, dr ops her BAG, wal ks i nt o t he r oom. J ane ent er s, dr ops her BAG, wal ks i nt o t he r oom.
. . . i nst ead i ssui ng a st at ement sayi ng . . . i nst ead i ssui ng a st at ement sayi ng . . . i nst ead i ssui ng a st at ement sayi ng . . . i nst ead i ssui ng a st at ement sayi ng . . . i nst ead i ssui ng a st at ement sayi ng
t hat t he ki l l er ' s i dent i t y has not t hat t he ki l l er ' s i dent i t y has not t hat t he ki l l er ' s i dent i t y has not t hat t he ki l l er ' s i dent i t y has not t hat t he ki l l er ' s i dent i t y has not
yet been f ul l y conf i r med. A yet been f ul l y conf i r med. A yet been f ul l y conf i r med. A yet been f ul l y conf i r med. A yet been f ul l y conf i r med. A
bi par t i san Congr essi onal commi t t ee bi par t i san Congr essi onal commi t t ee bi par t i san Congr essi onal commi t t ee bi par t i san Congr essi onal commi t t ee bi par t i san Congr essi onal commi t t ee
has begun a r evi ew of secur i t y has begun a r evi ew of secur i t y has begun a r evi ew of secur i t y has begun a r evi ew of secur i t y has begun a r evi ew of secur i t y
pr ocedur es f or al l of t he mor e t han pr ocedur es f or al l of t he mor e t han pr ocedur es f or al l of t he mor e t han pr ocedur es f or al l of t he mor e t han pr ocedur es f or al l of t he mor e t han
100 nucl ear pl ant s oper at i ng i n t he 100 nucl ear pl ant s oper at i ng i n t he 100 nucl ear pl ant s oper at i ng i n t he 100 nucl ear pl ant s oper at i ng i n t he 100 nucl ear pl ant s oper at i ng i n t he
Uni t ed St at es. . . Uni t ed St at es. . . Uni t ed St at es. . . Uni t ed St at es. . . Uni t ed St at es. . .
J ane j ust l ooks ar ound, numb. Empt y r oom. Empt y house. J ane j ust l ooks ar ound, numb. Empt y r oom. Empt y house. J ane j ust l ooks ar ound, numb. Empt y r oom. Empt y house. J ane j ust l ooks ar ound, numb. Empt y r oom. Empt y house. J ane j ust l ooks ar ound, numb. Empt y r oom. Empt y house.
. . . even t hough t he Nucl ear Regul at or y . . . even t hough t he Nucl ear Regul at or y . . . even t hough t he Nucl ear Regul at or y . . . even t hough t he Nucl ear Regul at or y . . . even t hough t he Nucl ear Regul at or y
Commi ssi on has r epeat edl y gi ven Commi ssi on has r epeat edl y gi ven Commi ssi on has r epeat edl y gi ven Commi ssi on has r epeat edl y gi ven Commi ssi on has r epeat edl y gi ven
assur ances t hat at no t i me dur i ng t he assur ances t hat at no t i me dur i ng t he assur ances t hat at no t i me dur i ng t he assur ances t hat at no t i me dur i ng t he assur ances t hat at no t i me dur i ng t he
i nci dent at Thr ee Mi l e I sl and was t he i nci dent at Thr ee Mi l e I sl and was t he i nci dent at Thr ee Mi l e I sl and was t he i nci dent at Thr ee Mi l e I sl and was t he i nci dent at Thr ee Mi l e I sl and was t he
f aci l i t y ever at r i sk. f aci l i t y ever at r i sk. f aci l i t y ever at r i sk. f aci l i t y ever at r i sk. f aci l i t y ever at r i sk.
106. 106. 106. 106. 106.
NEWS RADI O ANCHOR ( CONT. ; V. O. ) NEWS RADI O ANCHOR ( CONT. ; V. O. ) NEWS RADI O ANCHOR ( CONT. ; V. O. ) NEWS RADI O ANCHOR ( CONT. ; V. O. ) NEWS RADI O ANCHOR ( CONT. ; V. O. )
Meanwhi l e, i n ot her news. . . Meanwhi l e, i n ot her news. . . Meanwhi l e, i n ot her news. . . Meanwhi l e, i n ot her news. . . Meanwhi l e, i n ot her news. . .
INT. JANE'S HOUSE, MASTER BEDROOM -- NIGHT INT. JANE'S HOUSE, MASTER BEDROOM -- NIGHT INT. JANE'S HOUSE, MASTER BEDROOM -- NIGHT INT. JANE'S HOUSE, MASTER BEDROOM -- NIGHT INT. JANE'S HOUSE, MASTER BEDROOM -- NIGHT
J ane st i r s i n her bed, sl eepi ng r est l essl y. . . J ane st i r s i n her bed, sl eepi ng r est l essl y. . . J ane st i r s i n her bed, sl eepi ng r est l essl y. . . J ane st i r s i n her bed, sl eepi ng r est l essl y. . . J ane st i r s i n her bed, sl eepi ng r est l essl y. . .
She awakens abr upt l y, si t t i ng upr i ght , f ear f ul . She awakens abr upt l y, si t t i ng upr i ght , f ear f ul . She awakens abr upt l y, si t t i ng upr i ght , f ear f ul . She awakens abr upt l y, si t t i ng upr i ght , f ear f ul . She awakens abr upt l y, si t t i ng upr i ght , f ear f ul .
J ane t akes her PI STOL f r omt he dr awer of t he BEDSI DE TABLE. J ane t akes her PI STOL f r omt he dr awer of t he BEDSI DE TABLE. J ane t akes her PI STOL f r omt he dr awer of t he BEDSI DE TABLE. J ane t akes her PI STOL f r omt he dr awer of t he BEDSI DE TABLE. J ane t akes her PI STOL f r omt he dr awer of t he BEDSI DE TABLE.
EXT. JANE'S HOUSE -- INTERCUT -- NIGHT EXT. JANE'S HOUSE -- INTERCUT -- NIGHT EXT. JANE'S HOUSE -- INTERCUT -- NIGHT EXT. JANE'S HOUSE -- INTERCUT -- NIGHT EXT. JANE'S HOUSE -- INTERCUT -- NIGHT
PORCH LI GHT comes ON. J ane comes out , i l l - at - ease, i n t he PORCH LI GHT comes ON. J ane comes out , i l l - at - ease, i n t he PORCH LI GHT comes ON. J ane comes out , i l l - at - ease, i n t he PORCH LI GHT comes ON. J ane comes out , i l l - at - ease, i n t he PORCH LI GHT comes ON. J ane comes out , i l l - at - ease, i n t he
BOXERS and T- SHI RT she sl ept i n, gun hel d at her si de. BOXERS and T- SHI RT she sl ept i n, gun hel d at her si de. BOXERS and T- SHI RT she sl ept i n, gun hel d at her si de. BOXERS and T- SHI RT she sl ept i n, gun hel d at her si de. BOXERS and T- SHI RT she sl ept i n, gun hel d at her si de.
J ane l ooks out i nt o t he dar k, under STARRY SKY. J ane l ooks out i nt o t he dar k, under STARRY SKY. J ane l ooks out i nt o t he dar k, under STARRY SKY. J ane l ooks out i nt o t he dar k, under STARRY SKY. J ane l ooks out i nt o t he dar k, under STARRY SKY.
Af t er a l ong moment , she goes back i nsi de. Af t er a l ong moment , she goes back i nsi de. Af t er a l ong moment , she goes back i nsi de. Af t er a l ong moment , she goes back i nsi de. Af t er a l ong moment , she goes back i nsi de.
INT. JANE'S HOUSE, MASTER BEDROOM -- MORNING INT. JANE'S HOUSE, MASTER BEDROOM -- MORNING INT. JANE'S HOUSE, MASTER BEDROOM -- MORNING INT. JANE'S HOUSE, MASTER BEDROOM -- MORNING INT. JANE'S HOUSE, MASTER BEDROOM -- MORNING
J ane ent er s wi t h a SHOPPI NG BAG. Cl ear l y some t i me has J ane ent er s wi t h a SHOPPI NG BAG. Cl ear l y some t i me has J ane ent er s wi t h a SHOPPI NG BAG. Cl ear l y some t i me has J ane ent er s wi t h a SHOPPI NG BAG. Cl ear l y some t i me has J ane ent er s wi t h a SHOPPI NG BAG. Cl ear l y some t i me has
passed, as she' s qui t e f ar al ong i n t he pr egnancy. She passed, as she' s qui t e f ar al ong i n t he pr egnancy. She passed, as she' s qui t e f ar al ong i n t he pr egnancy. She passed, as she' s qui t e f ar al ong i n t he pr egnancy. She passed, as she' s qui t e f ar al ong i n t he pr egnancy. She
pl aces t he bag on t he bed, r emoves a chi l d' s BLANKET, whi ch pl aces t he bag on t he bed, r emoves a chi l d' s BLANKET, whi ch pl aces t he bag on t he bed, r emoves a chi l d' s BLANKET, whi ch pl aces t he bag on t he bed, r emoves a chi l d' s BLANKET, whi ch pl aces t he bag on t he bed, r emoves a chi l d' s BLANKET, whi ch
she dr apes over t he si de r ai l of a WOODEN CRI B. she dr apes over t he si de r ai l of a WOODEN CRI B. she dr apes over t he si de r ai l of a WOODEN CRI B. she dr apes over t he si de r ai l of a WOODEN CRI B. she dr apes over t he si de r ai l of a WOODEN CRI B.
A FRAMED PHOTO of J ANE' S HUSBAND l ooks on f r omt he BUREAU. A FRAMED PHOTO of J ANE' S HUSBAND l ooks on f r omt he BUREAU. A FRAMED PHOTO of J ANE' S HUSBAND l ooks on f r omt he BUREAU. A FRAMED PHOTO of J ANE' S HUSBAND l ooks on f r omt he BUREAU. A FRAMED PHOTO of J ANE' S HUSBAND l ooks on f r omt he BUREAU.
J ane pi cks up t he shoppi ng bag, f ol ds i t , l ooks up. . . J ane pi cks up t he shoppi ng bag, f ol ds i t , l ooks up. . . J ane pi cks up t he shoppi ng bag, f ol ds i t , l ooks up. . . J ane pi cks up t he shoppi ng bag, f ol ds i t , l ooks up. . . J ane pi cks up t he shoppi ng bag, f ol ds i t , l ooks up. . .
The cl oset ' s SLI DI NG DOOR i s hal f - open. The sl eeve of The cl oset ' s SLI DI NG DOOR i s hal f - open. The sl eeve of The cl oset ' s SLI DI NG DOOR i s hal f - open. The sl eeve of The cl oset ' s SLI DI NG DOOR i s hal f - open. The sl eeve of The cl oset ' s SLI DI NG DOOR i s hal f - open. The sl eeve of
J ane' s t r ooper UNI FORM i s vi si bl e, wi t h i t s " K. H. P" PATCH. J ane' s t r ooper UNI FORM i s vi si bl e, wi t h i t s " K. H. P" PATCH. J ane' s t r ooper UNI FORM i s vi si bl e, wi t h i t s " K. H. P" PATCH. J ane' s t r ooper UNI FORM i s vi si bl e, wi t h i t s " K. H. P" PATCH. J ane' s t r ooper UNI FORM i s vi si bl e, wi t h i t s " K. H. P" PATCH.
J ane goes t o open t he cl oset f ur t her . J ane goes t o open t he cl oset f ur t her . J ane goes t o open t he cl oset f ur t her . J ane goes t o open t he cl oset f ur t her . J ane goes t o open t he cl oset f ur t her .
She st ar es at t he hangi ng UNI FORM; i t s COAT wi t h shi ni ng She st ar es at t he hangi ng UNI FORM; i t s COAT wi t h shi ni ng She st ar es at t he hangi ng UNI FORM; i t s COAT wi t h shi ni ng She st ar es at t he hangi ng UNI FORM; i t s COAT wi t h shi ni ng She st ar es at t he hangi ng UNI FORM; i t s COAT wi t h shi ni ng
but t ons and " J . Thor ne" NAMETAG, cr i sp SHI RT and TI E wi t h but t ons and " J . Thor ne" NAMETAG, cr i sp SHI RT and TI E wi t h but t ons and " J . Thor ne" NAMETAG, cr i sp SHI RT and TI E wi t h but t ons and " J . Thor ne" NAMETAG, cr i sp SHI RT and TI E wi t h but t ons and " J . Thor ne" NAMETAG, cr i sp SHI RT and TI E wi t h
TI E CLI P. The l egs of t he pr essed PANTS ext end bel ow t he TI E CLI P. The l egs of t he pr essed PANTS ext end bel ow t he TI E CLI P. The l egs of t he pr essed PANTS ext end bel ow t he TI E CLI P. The l egs of t he pr essed PANTS ext end bel ow t he TI E CLI P. The l egs of t he pr essed PANTS ext end bel ow t he
coat . Her t r ooper HAT hangs besi de, i n a PLASTI C COVER. coat . Her t r ooper HAT hangs besi de, i n a PLASTI C COVER. coat . Her t r ooper HAT hangs besi de, i n a PLASTI C COVER. coat . Her t r ooper HAT hangs besi de, i n a PLASTI C COVER. coat . Her t r ooper HAT hangs besi de, i n a PLASTI C COVER.
J ane l ooks upon t he uni f or mf or t he l ong moment , her hand J ane l ooks upon t he uni f or mf or t he l ong moment , her hand J ane l ooks upon t he uni f or mf or t he l ong moment , her hand J ane l ooks upon t he uni f or mf or t he l ong moment , her hand J ane l ooks upon t he uni f or mf or t he l ong moment , her hand
absent l y r est i ng on her pr omi nent bel l y. absent l y r est i ng on her pr omi nent bel l y. absent l y r est i ng on her pr omi nent bel l y. absent l y r est i ng on her pr omi nent bel l y. absent l y r est i ng on her pr omi nent bel l y.
ANGLE ON: her Kansas St at e Tr ooper uni f or mas. . . ANGLE ON: her Kansas St at e Tr ooper uni f or mas. . . ANGLE ON: her Kansas St at e Tr ooper uni f or mas. . . ANGLE ON: her Kansas St at e Tr ooper uni f or mas. . . ANGLE ON: her Kansas St at e Tr ooper uni f or mas. . .
J ane sl owl y shut s t he cl oset door . J ane sl owl y shut s t he cl oset door . J ane sl owl y shut s t he cl oset door . J ane sl owl y shut s t he cl oset door . J ane sl owl y shut s t he cl oset door .
EXT FREEWAY, SOMEWHERE -- NIGHT EXT FREEWAY, SOMEWHERE -- NIGHT EXT FREEWAY, SOMEWHERE -- NIGHT EXT FREEWAY, SOMEWHERE -- NIGHT EXT FREEWAY, SOMEWHERE -- NIGHT
FOLLOW: FOUR BLACK CARS, al l wi t h t i nt ed wi ndows, swi f t l y FOLLOW: FOUR BLACK CARS, al l wi t h t i nt ed wi ndows, swi f t l y FOLLOW: FOUR BLACK CARS, al l wi t h t i nt ed wi ndows, swi f t l y FOLLOW: FOUR BLACK CARS, al l wi t h t i nt ed wi ndows, swi f t l y FOLLOW: FOUR BLACK CARS, al l wi t h t i nt ed wi ndows, swi f t l y
escor t i ng a wi ndowl ess, mat t e- bl ack ARMORED TRUCK down a escor t i ng a wi ndowl ess, mat t e- bl ack ARMORED TRUCK down a escor t i ng a wi ndowl ess, mat t e- bl ack ARMORED TRUCK down a escor t i ng a wi ndowl ess, mat t e- bl ack ARMORED TRUCK down a escor t i ng a wi ndowl ess, mat t e- bl ack ARMORED TRUCK down a
l ong, l onesome st r et ch of ROADWAY. THE END. l ong, l onesome st r et ch of ROADWAY. THE END. l ong, l onesome st r et ch of ROADWAY. THE END. l ong, l onesome st r et ch of ROADWAY. THE END. l ong, l onesome st r et ch of ROADWAY. THE END.

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