The Black Crook (1866) is widely considered the first Broadway musical. The play was written by Charles M. Barras. The music does not necessarily have one specific composer. Thomas Baker, Giuseepe Operti, and George Bickwell all composed at least one piece of music for the production and Theodore Kennick wrote lyrics. The music itself, however, was not subject to just the songs written by the mentioned composers. Singers would often insert material of their own selection into the production. 1 The style of singing used in this show would be equivalent to bel canto style due to the fact that the show was based off of opera buffa. Little of the music composed for the production has survived. Despite the absence of written music, the production set the bar for Broadway musicals that would follow. In the years to follow The Black Crook, the variety show became a popular form of entertainment. It began as minstrel shows and then slowly developed into variety shows and eventually vaudeville shows. Edward Harrigan and Tony Hart, Joseph Weber and Lew Fields, and Bert A. Williams and George W. Walker were the most prominent vaudeville composers because the productions they were involved in helped shape the Broadway musical with the idea of embodying the different
1 Larry Stempel, Showtime: A History of the Broadway Musical Theater. page 45 New York. W. W. Norton & Company, 2010 V sensibilities of ethnic subcultures: Irish American, Jewish American, and African American. 2
The next development on the road to Broadway was the operetta. While operetta had things in common with both variety-based shows and operas, the operetta is a genre on its own. The major roles in operettas generally called for singers with operatic training . In this respect the operetta shared this in common with opera. At the same time, operettas required singers to act and scale down the grandness of the opera vocal projection. 3 Operetta was most popular between 1860 to 1930. It should be noted that this overlaps the time period of The Black Crook as well as the variety-based shows. This being the case the operetta was able to change and develop during its popular years to what is now considered a true operetta. The most popular operettas are those written by William S. Gilbert and Arthur Sullivan. The development of musical theatre had a big development with the creation and popularity of musical comedies and their tunes. The term jazz was first used in 1916 to describe a rough strain of African-American music. It soon became synonymous with any syncopated mass-marketed popular music. Unlike operettas that focused on operatic trained singers, musical comedies created a new genre called jazz, despite the fact that it is not what we call jazz today. Operetta songs typically went in for sustained melodies over a wide vocal range that assumed a singers mastery of classical techniques of voice production, breathing, and vibrato. Musical comedy, on the other hand, tended to have shorter phrases that worked in a
2 Stempel, page 67
3 Stempel, page 99 more narrow vocal range, and required far less breath support from singers. George Gershwin spoke of the difference: We are living in the age of staccato, not legato. 4