there are two guards, the guard is said when we left the left side in front, and

right when you present the right side (fig 1.). Opponents are false warning whe
n one is in custody and the other left guard to right. To avoid to repeat we wil
l describe as much as possible all movements in real guard left.
The boxer will put the left foot forward and right foot back in, 30 or 40 centim
eters from each other, depending on size, heels not located opposite way of the
right leg can pass freely forward without catching the left, the tip of a little
inside right foot, left knee and right angles right knee slightly bent forward.
The body weight must be equally on both legs, the body well balanced on the legs
, and head right. The right arm folded on his stomach, with his hand under the l
eft breast, the way that goes right forearm and covers the pit of the stomach; n
aturally falling along the body left arm, forearm notes forming a right angle.
If the right forearm not adhered to the body when it receives a punch or a kick,
it is projected on the stomach, and the shock is very formidable.
In all the movements of attack and parry, one should always, if possible, leave
an arm presses the pit of the stomach, or location shots are dangerous. If it is
strength to discover, either the shortest time possible.
Walking
There are three ways to walk and break:
The first, changing guard forward or backward, that is to say, being left guard,
bring the right foot forward by rotating slightly to the left foot, and you are
right guard; postpone the right foot backwards, and you end up left guard. The
arm must change guard at the same time as the legs. One should hardly be used to
break that because the opponent's attack on a change of guard in front is very
difficult parable, since there is a warning that moment has not yet left right g
uard.
The second way is to move the left foot and bring the right foot the same distan
ce, that is to say 30 to 40 centimeters depending on size.
To break, bring the right foot back and bring the left foot ordinary distance
In this work, we must take care that the opponent is not ready to attack when th
e left foot is worn forward as his shot arriving at or leaving the right foot or
the left land and therefore support only the weight of the body, would be very
hard and malaise parry or dodge. Moreover, this observation applies to all the s
teps forward in which one can not be too careful in being equal forces.
Whenever one has a walk on the opponent, we must approach imperceptibly small st
eps when walking.
The third way is to gather near the right foot with the left foot and bring your
left foot forward.
To break, gather near the left foot right foot and bring the right foot backward
This way is more cautious and leaves less room for shots of time.
The way the body is in equilibrium determines the way to break. Thus the weight
of the body he is on the left leg, one is obliged to break right leg, that is to
say the second way.
If it is on the right leg, one is forced to break his left leg, that is to say,
the third way.It is necessary to break at will in one way another, that the body
weight also doing well on both legs: this is very important, otherwise the body
is causes by its own weight, and walking becomes a race and the retreat leaking
Walking, break or change custody for no reason, that is to say san to facilitate
the attack or the parade, to deceive the enemy, placing themselves better off,
is dangerous as useless.
Always, whenever possible, a small guard, that is to say, the distance between t
he two feet is not too large and frequent defect that prevents walking and break
easily.
The Punch
-punch left arm to the head there
for this move, the arm being up as we have said, that is to say up to the elbow
in parallel and close to the body, horizontal forearm, making a right angle, it
must be thoroughly relax at the same time as the right leg and the body must com
pletely clear (which adds to the strength of the blow jerk) and make a straight
line with the left arm. Turn your nails should be on top, in such a way that it
strikes with the bones of the hand. The head should be straight and well in line
with the arm (fig 2).
One should not wear head right or left without a reason to do it, that is to say
for example if the opponent does not you a punch at you or even attack.
In all the punches, you have to carry the weight of the body on the stroke, bowi
ng slightly forward, without exaggeration, however, because it would no longer d
angerous to oneself than the opponent; body weight adds enormously to the force
of the blow.
In all fists, it is essential to avoid removing the arm backwards before strikin
g, as do people inexperienced in boxing; First, this is a great loss of speed an
d time, since we have more way to go; then instead of giving strength to once, a
s one might think, this can only remove because then the weight of the body is u
nited very rarely has a relaxation of the arm; the other opponent, accused by th
e retirement of the arm, seen arriving and shield attack with much more easier.
punch left arm to the head while walking. pg 8.
Quickly carry the left foot forward, left heel touching the first to land, and t
he right foot closer to the distance of the guard, and hit the blow. The relaxat
ion (possibly trigger?) of the leg, kidney and that the arm must occur at the sa
me time, IN SUCH A WAY that the fist happens when the left heel touches the grou
nd. To return to the first position, we will transfer the right foot backward, t
he tip touching the first, then the left foot distance from the guard : all this
must be executed with rapidity. If the opponent is chasing you on the retreat,
one can, to avoid it, instead of resting the left foot to the right foot, stand
beside and make a second leap back. This excercise should be often; It is used a
s much in French boxing in Boxing.
Parade blow of the left arm to the head
Raise the right arm suddenly strike the left arm of the opponent upward (forward
) and left to the right, the nails of the right hand turn your forward, and his
right fist remaining as much as possible opposite to and above the left shoulder
, elbow and face up to the right shoulder (Figure 3).
Avoid, parrying, to relax the arms above the head; the parade must move fist of
the opponent To the right and above the head; but if we make the parade too far,
you can not come back quick enough on guard, and the stomach is exposed longer.
Moreover, in all parades must depart as little as possible the arm of the body;
wide parades are less severe and easier to deceive.
-blow of the right arm at the head on the spot pg11
Strike the right arm at the face, your little finger nail the bottom or undernea
th, the right side as far forward as possible, support(lean?) the body on the le
ft leg, right heel raised, the foot touching the ground as the tip (Fig 4)
As for the hit on the left arm, one should not withdraw his arm back, but send i
t directly with a jerk energetic.
with a lunge. - to carry the blow you are lunging in with the left foot 20 to 30
centimeters, the tip of the left foot outside, facilitating the advancement of
the right shoulder. *needs clarification*
In Marching. - Bring the left foot forward, heel touching the ground first and b
ring the right foot to the distance of the guard, and give the punch of the righ
t arm as for the shot there.
This stroke differs the blow of the left arm in that it punches after having wal
king instead of giving it at the same time. *pg12*
Parade. - It is fended off right forearm as for the shot of the left arm (fig 5)
Unless you have a previous movement moves and you are too clears, your right arm
not being online, you are obliged to parry of the left arm as if to strike side
(Fig 6) *clarification*
We should always, where possible, parry with the arm which is back, a way to kee
p the arm's ahead for the response.
-Punch of the left arm to the body on site -pg13-
Hit the left fist in the pit of the stomach, below the left breast, or low rib.
In this blows, turn your nails are below the body leans slightly to the right an
d slightly forward, a way to give good body weight (Fig 7).
By a lunge. - This blow in the same way by advancing the left foot 20 to 30 cent
imeters; it is understood you do lunges when the opponent is too far to reach ou
t there and too close to walk. It is too dangerous to spring because the legs be
ing too wide set, so the odds of a shock one receives, the fall is roughly inevi
table.
Walking. - It blows the same way as on-site, except that the left foot forward i
s worn by bringing the right distance from the foot guard, and we hit the same t
ime as you walk; walking and shot should done in a single time. *needs clarifica
tion*
Parade.- Ward off the with right forearm downward and a little forward, turn you
r fingernails into it, without moving the body, and strongly pull the right arm
at its first position (Figure 8)
-punch right arm to the body on the spot with a lunge and walking
Hit the right arm, palm below the pit of the stomach, under the left breast or i
n low ribs (Figure 9). We have to give this one well with the body, and especial
ly avoid removing the arm backwards.When the blow happens, we have the right rig
ht side forward, head and left the body weight on the left leg. It is usually pr
ecede this one a feint of the left arm to the head to discover the stomach of th
e opponent.One lunges or one walks making the feint of the left arm.
Parade; Parry the right arm like the blow of the left arm to the body (Figure 10
). A minimum you will be overly cleared and the blow come out, then parry of the
left arm (Figure 11). *Badly needs clarification*
Dodges and stops
We only show two dodges; dodging dodge right and left; as for the others, note t
his; dodging forward prevents the shooter to see his opponent and delivers too m
uch the blow upwards; dodge backwards does not allow him to issue a shot, and if
the opponent twice while walking, this inevitably brings dodge falling
- Dodge right
On the attack of a punch of the left arm to the head, tilt your head to the righ
t of way as the fist goes over your left shoulder, and not lose sight of the opp
onent (Fig 12) .