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Strengths - - Receive strong supports from government: government of Quebec, Canada Council for the Arts gave Cirque grants to maintain its shows in early 1980s. Weaknesses - cross culture misunderstanding - high turnover rate (18 -22%) high overheads - Limited financial resources: first shows failed to gain high profit even caused some loss to the company.
Strengths - - Receive strong supports from government: government of Quebec, Canada Council for the Arts gave Cirque grants to maintain its shows in early 1980s. Weaknesses - cross culture misunderstanding - high turnover rate (18 -22%) high overheads - Limited financial resources: first shows failed to gain high profit even caused some loss to the company.
Strengths - - Receive strong supports from government: government of Quebec, Canada Council for the Arts gave Cirque grants to maintain its shows in early 1980s. Weaknesses - cross culture misunderstanding - high turnover rate (18 -22%) high overheads - Limited financial resources: first shows failed to gain high profit even caused some loss to the company.
Inbound logistics: Recruiting employees, artists (supported by procurement:
choose the talented artists, recruit experienced employees) Operation: Training and performing (supported by human resource management: skilled coach, creativity) Outbound logistics: (supported by infrastructure: design unique venue) Marketing and sales: not really good Service: Strengths & weaknesses 1. Strengths - - Receive strong supports from government: Government of Quebec, Canadian federal Government, Canada Council for the Arts gave Cirque grants to maintain its shows in early 1980s. - Creativity and distinction: Cirque brought new ideas into circus industry: no animals, no rings. Cirque owners wanted to add more emotional music, storyline, and cleared the distance between performers and audience, making them pay attention on the whole performance. They comprised universal products - Talented, enthusiastic artists (employees) who came from all over the world create diversified culture and inspired the company to stay creative - Well received by audiences and criticism. Cirque shows made great impression on people and made them feel brand news new definition of circus - Unique venue: 2. Weaknesses Cross culture misunderstanding -high turnover rate (18 -22%) High overheads - Limited financial resources: (budget restraints) Cirque depended too heavily on the government grant, meanwhile it needed sustainable finance to develop. Its first shows failed to gain high profit even caused some loss to the company. - Poor at management: Cirque management system was not completed, the founders and owners had very little/no experiences in management (they originally were street artists). This led to financial deficit, financial difficulties, internal disagreement. It also challenged Cirque to work with performers who came from different cultures. - Lack of tools, equipment, technology - Limited human resources: Based on its distinctive orientation of developing, Cirque had a big demand on talented employees.
ST and WT: differentiation focus strategy value innovation Eliminate Star performers Animal shows Aisle concession sales Multiple show arenas Raise Unique value Reduce Fun and humor Thrill and danger Create Theme, storyline Refined environment Multiple productions Artistic music and dance (Phn tch k ci bng lc thuyt trnh, so snh vi traditional circus)
ST, WT - Cut costs (no animals, no stars) - Improve management system - Gain profit and be less dependent on governments grant - Make progress in technology (equipment, makeup process, performing costumes) - Target market: adults high income, interested in art # traditional circus: children - marketing & sales, service: discount, supply information, Become unique and draw publics attention (Dn chng v s pht trin nhanh chng m cirque t c ) Conclusion: Cirque chose the suitable strategy so that it expands and makes increasing profits.
Slide: 2clip : 1 v cirque, 1 v xic truyn thng nh ng gi tr ca cirque v xic truyn thng