Christie's Interiors

INTERIORS
28 & 29 OCTOBER 2014

SOUTH KENSINGTON
Its easy to buy at Christies
Read this simple guide to buying at auction. If you still have questions our terms and conditions of business as
well as much more information can be found in the all you need to know section at the back of this catalogue.
1
BROWSING
Browsing our catalogues is a great way to
discover more about whats coming up in
future sales; alternatively check the website
at www.christies.com where its possible to
see all lots free of charge. Of course once
the sale is on view, visit our salerooms, open
seven days a week except Bank Holidays.
Make the most of your browsing:
DESCRIPTIONS
cover basic catalogue information such as size, date
or age, medium, type, attribution, quantity and so on.
ESTIMATES
are given for all lots and can be based on prices
recently paid at auction for comparable property.
They can take into account rarity, condition, quality
and provenance. The RESERVE is the price below
which a lot will not sell. Since it is confidential it is
not published in the catalogue.
The reserve will never exceed the low estimate.
TALK TO OUR SPECIALISTS
who will always be happy to discuss the lot
in greater detail; their contact details are
listed opposite.
CONDITION REPORTS
are available on request. These supplement the
catalogue description and provide guidance on a
lots condition.
VIEW THE LOT PERSONALLY
We would always recommend coming to the
saleroom and looking at a lot for yourself,
especially in the case of more valuable items.
SYMBOLS
next to the lot number can indicate a variety of
things, such as where the lot can be collected
after the sale or how much if any VAT is payable.
There is a key to symbols in the all you need to
know section at the back of this catalogue.
CATALOGUE SUBSCRIPTIONS
Receive beautifully illustrated catalogues from
our auctions around the world:
Christies Catalogues, 8 King Street, St. Jamess,
London SW1Y 6QT, United Kingdom
Tel: +44 (0)20 7389 2820
Fax: +44 (0)20 3219 6067
subscribe-uk@christies.com
2
BIDDING
There are four ways to buy offering you
convenience and flexibility whether you are
able to attend the auction in person or not.
All of the following services are free:
IN THE SALEROOM
you will experience the buzz, drama and fun of
bidding in a live auction. To bid in person just
arrive in time to register. If you havent bid with
us before youll need to bring some form of
identification such as a drivers licence or passport.
CHRISTIES LIVE
is our online bidding service and allows you to see
and hear the auction in progress giving you a real
time link into the saleroom direct from your PC.
All you have to do is click to bid wherever you
are. Visit christies.com to find out more.
TELEPHONE BIDDING
enables you to talk directly to a Christies member
of staff in the auction itself who will relay progress
back to you and, on your instruction, bid on
your behalf. Please arrange a telephone line at
least 24 hours before the sale.
To organise a telephone bid ask at the Bids Office
on your visit to the saleroom or telephone us on
+44 (0)20 7839 9060.
WRITTEN BIDS
are great if you cannot attend the auction or
are not available to participate either online or
on the telephone. A written bid is simply your
maximum bid.
To find out more about written bids and how to
place them refer to the written bid form at the
back of this catalogue or just call our Bids Office
on +44 (0)20 7839 9060.
3
PAYING &
TAKING IT HOME
Once you have paid for your lot you can take
it home or arrange for it to be delivered.
If you need to come back a few days later
to pick something up bear in mind that all
purchased items marked with a square Q
are removed to an offsite warehouse and
storage charges can apply.
HOW MUCH YOU WILL PAY
If you are successful you will pay the hammer
price plus buyers premium on each lot (25% of
the first 50,000 of the hammer price plus 20%
of the excess of the hammer price above 50,000
up to and including 1,000,000 plus 12% of any
amount in excess of 1,000,000) together with
any additional applicable charges such as VAT.
There is a HOW TO PAY section at the back
of this catalogue. If you still have any questions
please call our Cashiers Department on
+44 (0)20 7839 9060.
STORAGE
Lots marked with a square Q are transferred to
an offsite warehouse at the close of business on
the day of the sale. We give you 2 weeks free
storage, after which charges begin.
All other lots are stored at Christies South
Kensington until 5pm the 5th Friday after the
sale, after which they will also be transferred to
the offsite warehouse and charges will begin.
For full post sale storage details and collection
information please see the relevant page at the
back of the catalogue. There you will find a map to
the warehouse and contact telephone numbers.
DELIVERY
We can help you with all your transport
requirements whether local deliveries or
international freight. Please call our Art Transport
Department on +44 (0)20 7839 9060.
ON THE GO
Browse this auction and view
real-time results on your
iPhone, iPod Touch,
iPad and Android
INTERIORS
south kensington
AUCTION DATES
Tuesday 28 October 2014
at 10am (Lots 1223)
Wednesday 29 October 2014
at 10am (Lots 301490)
AUCTION NUMBER
In sending written bids or making enquiries,
please use auction numbers:
5465 (Lots 1223) and 5777 (Lots 301490)
VIEWING DATES
Saturday 25 October 11am 5pm
Sunday 26 October 11am 5pm
Monday 27 October 9am 7.30pm
Tuesday 28 October 9am 10am (Lots 1223)*
Tuesday 28 October 9am 5pm (Lots 301490)*
Wednesday 29 October 9am 10am (Lots 301490)*
*(limited view)
This auction features on
Bid live in Christies salerooms worldwide
Register at christies.com.
Lot 464
OPENING HOURS
Sat & Sun 11am 5pm
Mon 9am 7.30pm
Tues to Fri 9am 5pm
THINKING
OF SELLING?
Valuations
Philip Belcher
pbelcher@christies.com
T +44 (0)20 7752 3146
SALE ENQUIRIES
Kate Buchanan
kbuchanan@christies.com
T +44 (0)20 7752 3241
BIDS OFFICE
T +44 (0)20 7752 3225
F +44 (0)20 7581 1403
GENERAL
ENQUIRIES
T +44 (0)20 7930 6074
CHRISTIES SOUTH KENSINGTON
85 Old Brompton Road,
London SW7 3LD
FRONT COVER
Lots 319, 399 & 462

BACK COVER
Lots 317, 318 & 319
[10]
EMAIL
First initial followed by last name @christies.com
(e.g. Kate Buchanan = kbuchanan@christies.com)
Pippa Green
Works of Art
THIS SALES TEAM
Mark Wilkinson
Head of Interiors
LOTS OF IRANIAN/PERSIAN ORIGIN
Bidders are kindly reminded that some countries (such as the USA and Canada) prohibit
or restrict the purchase and import of Iranian origin works of conventional craftsmanship
(works that are not by a recognized artist and/or that have a function, for example: bowls, tiles,
ornamental boxes and carpets).
Informational materials(such as paintings, drawings and pastels, executed entirely by hand,
collages and similar decorative plaques, framed or not framed; original engravings, prints and
lithographs, printed books, newspapers and manuscripts) are not subject to the restrictions.
All bidders are responsible for familiarizing themselves with the laws that apply to them and
ensuring that they do not bid on or import property in contravention of relevant sanctions or
trade embargoes.
LOTS CONTAINING IVORY
The USA has recently changed its policy on the import of property containing elephant ivory.
Only Asian Elephant ivory may be imported into the USA, and imports must be accompanied
by DNA analysis and conrmation the object is more than 100 years old. We cannot indicate
whether the elephant ivory in a particular lot is African or Asian elephant. Buyers purchase these
lots at their own risk and will be responsible for the costs of obtaining any DNA analysis or other
report required in connection with their proposed import into the USA. A buyers inability to
export or import a lot is not a basis for cancelling their purchase.
Melissa van Vliet
Pictures
Mark Henry
Lamp
Carpets & Rugs
Fiona Baker
20th Century
Decorative Art
& Design
James Richards
Drawings
Kate Buchanan
Administrator
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Wallpaper provided by:
Michael Prevezer
Silver
Celia Harvey
Furniture
ALL LOTS MARKED WITH A SQUARE Q ARE REMOVED TO AN OFF-SITE WAREHOUSE AT THE CLOSE OF BUSINESS ON THE DAY OF THE SALE 2 WEEKS FREE STORAGE
2
~6 A GEORGE IV SILVER COFFEE POT
MARK OF CHARLES FOX (II), LONDON, 1827
Baluster-shaped and chased with bands of owers, fruit and foliage, on conforming shaped circular
foot, with ivy rim, the cover with ower nial, the shell-capped handle with ivory insulators,
engraved to one side with a crest and to the other with a coat of arms
10 in. (26 in.) high
29.25 oz. (909 gm.)
500-700 $820-1,100
640-880
5 A GEORGE III SILVER BRANDY SAUCEPAN
MARK OF EMES & BARNARD, LONDON, 1811
With tapering sides and ared rim, moulded foot, part-turned wood handle, engraved with a crest
of a demi-lion rampant supporting a halberd
8 in. (21 cm.) long
Gross weight 7.75 oz. (241 gm.)
400-600 $650-980
510-760
4 A GEORGE II SILVER SALVER
MARK OF ROBERT ABERCROMBY, LONDON, 1744
Shaped circular with shell and scroll border on four hoof feet, engraved to centre with rococo coat
of arms, engraved under base with initials B over HS
12 in. diameter (31 cm.)
27 oz. (837 gm.)
700-1,000 $1,200-1,600
890-1,300
The arms are for the 1746 marriage of Henry Bright (1715-1777), West India Merchant, of Welland
Court, Worcs., sometime High Sheriff and Mayor of Bristol, with Sarah, daughter of Richard Meyler
of Bristol.
3 A VICTORIAN SILVER SWING-HANDLED CAKE BASKET
MARK OF HOWARD & HAWKSWORTH, SHEFFIELD, 1853
With pierced fruiting vine border and handle, the uted interior chased with scrolling foliate motifs,
on shaped circular foot, the centre engraved with a coat of arms, the handle with a pheon crest
11 in. (29.2 cm.) diameter
22.5 oz. (700 gm.)
450-550 $740-890
570-690
The arms are for Holt quartering Durning impaling Bright originally of Herefordshire, for the
marriage of George Holt of Sefton Park, Liverpool to Elizabeth Bright.
2 A PAIR OF GEORGE III SILVER COVERED SAUCE TUREENS
MARK OF DANIEL SMITH & ROBERT SHARP, LONDON, 1776
Oval with loop handles and bead borders, on conforming cast pedestal foot, engraved to one side
with crest of a demi-lion rampant supporting a halberd, crest repeated on covers
9 in. long (22.9 cm.)
45 oz. (1395 gm.) (2)
2,500-3,500 $4,100-5,700
3,200-4,400
~1 A GEORGE III SILVER TEA URN
MARK OF FRANCIS BUTTY AND NICHOLAS DUMEE, LONDON, 1765
Ovoid with gadroon borders, the twisted side handles with bead rat-tails terminating in leafage, the
leaf-capped spigot with carved ivory tap, front engraved with rococo coat of arms, on detachable
square base with pierced fretwork sides, on ball and claw feet, crested to cover and foot, waisted
cover with domed top and ame nial
18 in. high (47 cm.)
72 oz. (2232 gm.)
1,500-2,500 $2,500-4,100
1,900-3,200
The arms are probably for Lowbridge Bright (1741-1818), merchant of Bristol, Lord of the Manor of
Brockbury and the City of Bristol.
Property from a small Private Collection (Lots 1-12)
3
12 A GEORGE IV SILVER TWO-HANDLED TRAY
MARK OF WILLIAM ELEY (II), LONDON, 1828
Oblong with rounded corners, gadroon border, shell, leaf and scroll handles and conforming
bracket feet, centre engraved with coat of arms
26 in. long (67 cm.)
116.75 oz. (3620 gm.)
2,500-3,500 $4,100-5,700
3,200-4,400
The arms are for the marriage on 10/9/1828 of Samuel Bright (1799-1880) JP, Merchant of
Sandheys, Liverpool, to Elizabeth Anne, daughter of Hugh Jones of Larkhill, Liverpool
11 A PAIR OF SMALL GEORGE II SILVER SAUCEBOATS
MARK OF JOSEPH SANDERS, LONDON, 1746
Oval with shaped rims, on three shell-capped scroll and ball feet, leaf-capped scroll handles,
engraved with a demi-lion rampant holding aloft a ball, engraved underneath with initials M over
RS
6 in. (16.5 cm.) long
11.25 oz. (350 gm.) (2)
400-500 $650-810
510-630
~10 A VICTORIAN SILVER KETTLE AND STAND
MARK OF THOMAS BRADBURY & SON, SHEFFIELD, 1853
Squat circular, sides engraved with foliate scrolls around a coat of arms, swing handle with ivory
insulators, greyhound couchant nial, stand with spirit lamp, on three scroll supports terminating in
shell feet
54 oz. (1674 gm.)
1,000-1,200 $1,700-2,000
1,300-1,500
The arms are for Bright quartering another and impaling Thompson quartering Yates for the
marriage of Henry Arthur Bright JP of Asheld, Liverpool and Mary Elizabeth, daughter of Samuel
Henry Thompson JP, DL, of Thingwall Hall, Liverpool.
9 A PAIR OF GEORGE III SILVER ENTRE DISHES AND COVERS
MARK OF WILLIAM SHARP, LONDON., 1817
Oblong with gadroon, shell and foliate borders and conforming handles, covers engraved with coat
of arms
11 in. long (28.5 cm.)
152 oz. (4712 gm.) (2)
2,500-3,500 $4,100-5,700
3,200-4,400
The arms are for Yate impaling possibly Clifton (Northants.)., Strickland (Lancs.), Lowdham (Suffolk)
or Arnold (Bucks.)
8 A GEORGE III SILVER SUGAR BASKET
MARK OF ROBERT HENNELL, LONDON, 1777
Vase-shaped with bright-engraved fretwork-pierced sides and foot, bead borders and swing handle,
blue glass liner
5 in. high (14 cm.)
4 oz. (124 gm.)
300-400 $490-650
380-510
7 A GEORGE II SILVER SALVER
MARK OF WILLIAM PEASTON, LONDON, 1747
Shaped circular with shell and scroll border on three hoof feet, centre engraved with rococo coat
of arms
12 in. diameter (31.5 cm.)
29 oz. (899 gm.)
600-800 $980-1,300
760-1,000
The arms are for the 1746 marriage of Henry Bright (1715-1777), West India Merchant, of Welland
Court, Worcs., sometime High Sheriff and Mayor of Bristol to Sarah, daughter of Richard Meyler of
Bristol. The marriage marks the association of these two important families heavily involved in the
slave trade between Bristol and the Caribbean.
Property from a small Private Collection (Lots 1-12)
(part)
4
VARIOUS PROPERTIES
Q13 A LARGE INDIAN MARBLE LOBED OVAL URN
OF RECENT MANUFACTURE
With scaled sides
14 in. (37 cm.) high; 59 in. (151 cm.) long
1,800-2,500 $3,000-4,100
2,300-3,200
Q14 A FINE MAHAL CARPET
approx: 10ft.3in. x 7ft.3in.(312cm. x 221cm.)
800-1,200 $1,400-2,000
1,100-1,500
15 A PAIR OF RED TOLE-PEINTE TEA CANNISTERS
CIRCA 1900
Each decorated in the Japonisme style with a male and female gure
19 in. (50 cm.) high (2)
1,200-1,800 $2,000-2,900
1,600-2,300
Q16 A CHINESE BOX-SEAT WINGED SETTLE
EARLY 20TH CENTURY
Profusely carved overall with dragons, foliage and bird motifs, with hinged seat
56 in. (143 cm.) high; 70 in. (178 cm.) wide; 26 in. (67 cm.) deep
1,800-2,500 $3,000-4,100
2,300-3,200
Q17 A FINE HERIZ CARPET
approx: 11ft.1in. 9ft.2in.(337cm. x 279cm.)
800-1,200 $1,400-2,000
1,100-1,500
Q18 A CHINOISERIE SIDE TABLE
PART 19TH CENTURY AND LATER DECORATED
With three frieze drawers and reeded tapering legs, stamped beneath GER 99
29 in. (76 cm.) high; 36 in. (93 cm.) wide; 20 in. (51 in. ) deep
800-1,200 $1,400-2,000
1,100-1,500
PLEASE REFER TO THE IMPORTANT NOTICES AT THE FRONT & BACK OF THE CATALOGUE REGARDING LOTS OF IRANIAN/PERSIAN ORIGIN
5
Q19 A SOUTH EAST ASIAN BRONZE BUDDHA
SECOND HALF 20TH CENTURY
With gilt decoration, on a tapering square wood base
77 in. (193 cm.) high overall
600-1,000 $980-1,600
760-1,300
Q20 A FINE TABRIZ CARPET
approx; 12fft.11in. x 9ft.7in.9394cm. x 291cm.)
1,000-1,500 $1,700-2,400
1,300-1,900
approx: 13ft.7in.x 9ft.11in.(414cm. x 302cm.)
1,200-1,800 $2,000-2,900
1,600-2,300
Q22 A FINE KASHAN CARPET
1,000-1,500 $1,700-2,400
1,300-1,900
Q23 AN INDIAN MARBLE WATER SLIDE
OF RECENT MANUFACTURE
The lotus leaf scaled surface within a border of geometric inlay
58 x 47 in. (149 x 120 cm.)
1,500-2,500 $2,500-4,100
1,900-3,200
Q24 A CHINESE HONG-MU SHODANA-ON-STAND
EARLY 20TH CENTURY
With pierced galleries and friezes with a variety of doors and
drawers and open shelves carved and mounted with soapstone
(four missing)
69 in. (175 cm.) high; 46 in. (117 cm.) wide; 17 in (44 cm) deep
1,000-1,500 $1,700-2,400
1,300-1,900
P R OVE NANC E :
Purchased in China in 1944 by Admiral Morris McMullen, from
whom purchased in 1964 by the present owner
6
Q30 A LARGE HUMP-BACK SOFA
GEORGE III STYLE, EARLY 20TH CENTURY
With overswept arms and squab seat , on uted cabriole legs with scrolling foliage detail
1,200-1,800 $2,000-2,900
1,600-2,300
29 A PAIR OF SILVERED BRONZE FOUR-LIGHT CANDELABRA
EARLY 20TH CENTURY
Each gural stem supporting four foliate branches
18 in. (46 cm.) high (2)
1,200-1,800 $2,000-2,900
1,600-2,300
28 A LARGE DUTCH SILVER FRUIT BASKET
20TH CENTURY
Oval with wavy rim, pierced diaperwork sides hung with swags of owers, on scroll feet, heavy
blue glass liner, on scroll feet
18 in. long (47.5 cm.)
50 oz. (15550 gm.)
2,500-3,000 $4,100-4,900
3,200-3,800
27 A PAIR OF CHINESE CARVED MOTHER-OF-PEARL SHELLS ON STANDS
CIRCA 1880
Carved in relief with gures in landscapes, ghting gures and Chinese temples and buildings on
carved hardwood stands
11 in. (28.5 cm.) high overall (2)
1,000-1,500 $1,700-2,400
1,300-1,900
Q26 A SMALL GEORGE III MAHOGANY BOWFRONT DRESSING / SIDE TABLE
EARLY 19TH CENTURY
With original handles to the one long and two short drawers around the arched apron, on ring-
turned legs
1,500-2,500 $2,500-4,100
1,900-3,200
25 A PAIR OF OLD SHEFFIELD PLATE WINE COOLERS
CIRCA 1815
Of squat-baluster half-uted form with gadroon borders and a band of ivy around the foot rim, the
handles terminating in masks, detachable collars and cylindrical liners
10 in. (25.4 cm.) high (2)
1,500-2,500 $2,500-4,100
1,900-3,200
7
Q36 A SET OF EIGHT MAHOGANY LADDER-BACK DINING CHAIRS
LATE 19TH / EARLY 20TH CENTURY, GEORGE III STYLE
Each with pierced splats and serpentine oral needlework seat (8)
2,000-3,000 $3,300-4,900
2,600-3,800
PROPERTY OF A GENTLEMAN
35 A CHINESE TANG-STYLE GLAZED FIGURE OF A HORSE
Modelled with one leg raised, decorated in green, amber and cream glaze on a narrowing
rectangular base
16 in. (42 cm.) high
700-1,000 $1,200-1,600
890-1,300
34 ENGLISH SCHOOL, 18TH CENTURY
Portrait of a gentleman, bust-length, in a blue coat
oil on canvas, oval
25 x 19 in. (65.1 x 49.6 cm.)
400-600 $650-980
510-760
Q33 A LATE VICTORIAN MAHOGANY AND SATINWOOD-BANDED KIDNEY-SHAPED
KNEEHOLE DESK
LATE 19TH CENTURY
With pierced gallery and four drawers anked by simulated utes to each pedestal, with a central
frieze drawer and on tapering feet with castors
31 in. (79.5 cm.) high; 60 in. (152 cm.) wide; 31 in. (79 cm.) deep
3,000-5,000 $4,900-8,100
3,800-6,300
32 JOHN PIPER (1903-1992)
Framlingham Castle (Levinson 204)
screenprint in colours, 1971, on wove paper, signed in pencil, inscribed Artists Proof, one of ten
artists proofs, aside from the standard edition of 70, published by Marlborough Fine Art, London,
with margins, minor foxing to the margins otherwise in apparently good condition, unexamined
out of the frame
image: 467 x 690 mm.
800-1,200 $1,400-2,000
1,100-1,500
31 CIRCLE OF THOMAS CRESWICK (1811-1869 )
A mountainous landscape with farmstead and mill house
with signature and date Tho
s
Creswick 1856 (lower centre)
oil on canvas
20 x 29 in. (50.8 x 75.6 cm.)
1,000-1,500 $1,700-2,400
1,300-1,900
P R OVE NANC E :
with Oscar and Peter Johnson Limited, London.
The Property of a Gentleman (Lots 31-36)
8
VARIOUS PROPERTIES
37 A SET OF FOUR GEORGE III SILVER COVERED ENTRE DISHES
MARK OF SAMUEL HENNELL & JOHN TERREY, LONDON, 1814
Oblong with gadroon border and shell and foliate corners, engraved with coat of arms to one side and
crest to opposite side, the cast detachable heraldic handles in the form of a dragons head erased crest
11 in. long (28.3 cm.)
229 oz. (7131 gm.) (4)
4,000-5,000 $6,600-8,100
5,100-6,300
The arms are for Clark impaling Hutchinson and Brown, for William Clark (1766-1837) of Belford
Hall, Co. Northumberland and his rst wife Ann (d.1802) daughter of James Hutchinson of
Tynemouth, and his second wife Mary (d.1814), daughter of William Brown of Long Benton.
38 ROWLAND HILDER, P.R.I., R.M.S.A., O.B.E. (1905-1993)
The plough team (illustrated); and Winter landscape, Essex
both signed ROWLAND HILDER (lower left)
the rst pencil, pen and black ink, watercolour and bodycolour with scratching out; the second
black chalk and bodycolour
13 x 20 in. (34.3 x 52 cm.); 7 x 10 in. (17.8 x 25.4 cm.) (2)
1,200-1,800 $2,000-2,900
1,600-2,300
Q39 A GEORGE II WALNUT AND LINE-INLAID BUREAU
EARLY 18TH CENTURY
With two short drawers above two long drawers, on bracket feet, the interior with drawers and
pigeon holes around a central cupboard
1,200-1,800 $2,000-2,900
1,600-2,300
40 STANLEY ROY BADMIN, R.W.S., R.E., A.I.A. (1906-1989)
Clearing Snow, Pole Hill
signed and inscribed Clearing Snow, Pole Hill/S.R. Badmin (lower right)
pencil and watercolour heightened with white
6 x 9 in. (16.5 x 24.2 cm.)
700-1,000 $1,200-1,600
890-1,300
Q41 A CLOSE PAIR OF GEORGE III MAHOGANY HANGING SHELVES
LATE 18TH CENTURY
Each with three tiers and fret-carved sides, above two drawers, minor differences
32 in. (82.5 cm.) high; 36 in. (93 cm.) wide; 11 in. (28.5 cm.) deep (2)
2,500-3,500 $4,100-5,700
3,200-4,400
Q~42 A LATE REGENCY MAHOGANY AND ROSEWOOD-BANDED BREAKFAST TABLE
EARLY 19TH CENTURY
With rectangular tip-up top, gadrooned column and hipped downswept legs
1,000-1,500 $1,700-2,400
1,300-1,900
(part)
9
43 ROWLAND HILDER, P.R.I., R.S.M.A., O.B.E. (1905-1993)
Oast houses, Winter, Kent
signed ROWLAND HILDER (lower left)
pencil, black chalk, watercolour and bodycolour with scratching out
10 x 14 in. (25.5 x 35.5 cm.)
800-1,200 $1,400-2,000
1,100-1,500
Q44 A SMALL REGENCY MAHOGANY SIDEBOARD
EARLY 19TH CENTURY
With brass back-rail, three drawers and arched apron, on ring-turned legs
800-1,200 $1,400-2,000
1,100-1,500
Q45 A KNOLE SOFA
FIRST HALF 20TH CENTURY
Re-upholstered in fringed white-striped red fabric, the castors stamped HAMPTON & SONS,
LONDON
77 in. (196 cm.) wide
1,000-1,500 $1,700-2,400
1,300-1,900
46 A COLLECTION OF EIGHTY SPECIMEN MINERAL EGGS
Comprising various examples including amethyst, rose quartz and malachite, in a naturalistic root
wood bowl
The bowl: 21 in. (53.2 cm.) wide;
Eggs: 2 in. (6.2 cm.) high (varying)
1,200-1,800 $2,000-2,900
1,600-2,300
47 ROWLAND HILDER, P.R.I, R.M.S.A, O.B.E. (1905-1993)
In the days of sail (illustrated); and Canal scene
both signed ROWLAND HILDER (lower left)
the rst pencil, pen and black ink, watercolour and bodycolour; the second black chalk, coloured ink
and coloured wash
10 x 14 in. (27.3 x 36 cm.); and 6 x 9 in. (16.5 x 23.5 cm.)
700-1,000 $1,200-1,600
890-1,300
Q48 A LATE VICTORIAN WALNUT BREAKFRONT OPEN BOOKCASE
CIRCA 1900
The moulded rectangular top above a panelled and paterae-carved frieze, with seven adjustable
shelves anked by moulded stiles, with an ivorine label Spillman & Co., FURNISHERS, ST.
MARTINS LANE, LONDON, WC2
1,500-2,000 $2,500-3,300
1,900-2,500
(part)
10
Q54 A PART-BUTTONED BLACK LEATHER CHESTERFIELD SOFA
EARLY 20TH CENTURY, RECENTLY RE-UPHOLSTERED
On later bun feet
1,500-2,500 $2,500-4,100
1,900-3,200
53 A SET OF FOUR GEORGE III SILVER BEAKERS
MAKERS MARK PROBABLY OF WILLIAM KINGDON, LONDON, 1815
Tapering, half-uted sides with gadroon rims, engraved with crest of a hippocamp couchant
supporting an estoile, gilt interiors
4 in. high (10 cm.)
30 oz. (930 gm.) (4)
3,000-4,000 $4,900-6,500
3,800-5,100
52 TWELVE COLOURED LITHOGRAPHS OF FLOWERS
FROM MRS LOUDONS BRITISH WILDFLOWERS, PUBLISHED 1847
Recently mounted and framed
18 x 15 in. (45.5 x 38 cm.) (12)
1,200-1,500 $2,000-2,400
1,600-1,900
Q51 A VICTORIAN GOTHIC REVIVAL SOLID WALNUT AND MARQUETRY SIDE CABINET
BY GILLOWS, CIRCA 1870, THE DESIGN ATTRIBUTED TO CHARLES BEVAN
The top with a marquetry border of quatrefoils and banners, the front inlaid with similar Gothic
and Romanesque motifs in amboyna, sycamore, ebony, walnut and amaranth, the frieze of the
breakfront section applied with carved Gothic bosses of various kinds, the three cupboards each
enclosing two solid walnut adjustable shelves, the glazed section also lined in green baize, the main
door stamped GILLOW & CO.
43 in. (110.5 cm.) high; 64 in. (163 cm.) wide; 20 in. (51.5 cm.) deep
1,500-2,000 $2,500-3,300
1,900-2,500
Gillows employed two leading freelance designers, Charles Bevan and Bruce Talbert, for pieces in the
fashionable Geometric Gothic taste. This cabinet is very much in Bevans style.
50 WILLIAM WOOLLETT, AFTER GEORGE STUBBS
Shooting I-IV (Lennox-Boyd 11-14)
the complete set of four engravings with etching, 1769, on wove paper, the fth and nal states,
published by Thomas Bradford, London, 1770 -1771, the sheets with time-staining and other
surface defects, one examined out of the frame, each framed
P. 444 x 552 mm., S. 456 x 560 mm. (and similar) (4)
1,000-1,500 $1,700-2,400
1,300-1,900
~49 AN EDWARDIAN SILVER OVAL REVOLVING BREAKFAST DISH
MARK OF L. A. CRICHTON, LONDON, 1908
On uted tapering supports terminating in claw feet, complete with silver liner and strainer and
with ivory spherical handle, the cover engraved with the arms of Evans of Britwell, Berkhampsted for
the archeologist and Keeper of the Ashmolean Museum, Sir Arthur John Evans (1851-1941)
104 oz. (3224 gm.)
3,000-3,500 $4,900-5,700
3,800-4,400
(part)
(part)
11
Q60 A PAIR OF VERY LARGE WING ARMCHAIRS
GEORGIAN STYLE, LATE 20TH CENTURY
Recently re-upholstered and each with shell-carved cabriole legs on claw and ball feet
Each 42 in. (108 cm.) high; 41 in. (105 cm.) wide (2)
2,500-3,500 $4,100-5,700
3,200-4,400
Q59 A PAIR OF ENGLISH ENGRAVED AND PIERCED BRASS AND STEEL FIREGRATES
CIRCA 1920, POSSIBLY BY THOMAS ELSLEY
With engraved urn nials and eagle decorated aprons
21 in. (53 cm.) wide; 23 in. (59 cm.) high (2)
1,200-1,800 $2,000-2,900
1,600-2,300
58 FORTUNINO MATANIA, R.I. (1881-1963)
Monte Pellegrino and the Foro Italico, Palermo, Italy
signed F.Matania (lower right)
pencil and watercolour
7.9 x 11.4 in. (20 x 29 cm.)
1,200-1,800 $2,000-2,900
1,600-2,300
P R OVE NANC E :
with Spink, London
Q57 A LARGE MAHOGANY BREAKFRONT BOOKCASE
LATE 19TH / EARLY 20TH CENTURY
With four astragal-glazed doors enclosing adjustable shelving above nine drawers, on block feet
with brass cappings, the locks stamped HOBBS & Co LONDON
2,500-3,500 $4,100-5,700
3,200-4,400
Q56 A VICTORIAN GOTHIC OAK GONG
CIRCA 1860
With brass gong and and a beater
1,000-1,500 $1,700-2,400
1,300-1,900
55 ROWLAND HILDER, P.R.I., R.S.M.A., O.B.E. (1905-1993)
Little Bewell Bridge Farm
signed ROWLAND HILDER (lower left)
pencil, pen and black ink and watercolour with scratching out
10 x 14 in. (26.7 x 35.5 cm.)
800-1,200 $1,400-2,000
1,100-1,500
12
Q62 A LATE REGENCY FIGURED MAHOGANY SIDE CABINET
SECOND QUARTER 19TH CENTURY
With gallery, two drawers and two cupboards, on plinth
36 in. (92 cm.) high (excluding gallery); 40 in. (103 cm.) wide;
14 in.(37 cm.) deep
1,000-1,500 $1,700-2,400
1,300-1,900
Q64 A GEORGE III WING ARMCHAIR
LATE 18TH CENTURY
With squab cushion and mahogany tapering legs
42 in. (107 cm.) high
1,200-1,800 $2,000-2,900
1,600-2,300
Q66 AN EARLY VICTORIAN MAHOGANY FOUR-DRAWER
CHEST
MID 19TH CENTURY
With rounded ends and unusual carved feet
600-900 $980-1,500
760-1,100
Q63 A GEORGE III OPEN ARMCHAIR
LATE 18TH CENTURY
With oval back, scroll-carved arm terminals, serpentine seat and
tapering legs
800-1,200 $1,400-2,000
1,100-1,500
Q65 A GEORGE III FIGURED MAHOGANY PEMBROKE TABLE
LATE 18TH CENTURY
With frieze drawer and concave-sided undertier
29 in. (74 cm.) high; 38 in. (97 cm.) extended; 30 in. (78 cm.)
deep
700-1,000 $1,200-1,600
890-1,300
The Property of a Gentleman, Removed from a Chelsea Mews House (Lots 61-66)
Q61 A REGENCY MAHOGANY WHATNOT
EARLY 19TH CENTURY
With open tier and panelled cupboard below, with label
ANTIQUE FURNITURE from NORMAN ADAMS, 8-10
HANS ROAD, LONDON SW3
1,000-1,500 $1,700-2,400
1,300-1,900
13
Q67 A GILTMETAL-MOUNTED FLORAL MARQUETRY AND KINGWOOD-BANDED CENTRE
TABLE
LOUIS XV STYLE, LATE 20TH CENTURY
With frieze drawer and cabriole legs with sabots
1,000-1,500 $1,700-2,400
1,300-1,900
Q68 A LARGE TULIPWOOD WRITING TABLE
LOUIS XV STYLE, LATE 20TH CENTURY
With quarter-veneered and cross-banded top above ve drawers and similar dummy drawers to the
reverse, on gilt-metal mounted cabriole legs
29 in. (74 cm.) high; 72 in. (183 cm.) wide; 39 in (99 cm.) deep
2,000-3,000 $3,300-4,900
2,600-3,800
Q69 A LARGE WALNUT OPEN BOOKCASE
EARLY 20TH CENTURY AND ADAPTED
With line and dot inlay, adjustable shelving, compartments and cupboards below
1,500-2,500 $2,500-4,100
1,900-3,200
Q70 A SERPENTINE GILTWOOD-FRAMED SOFA
With silk upholstery, undulating top and sides, on cabriole legs
1,200-1,800 $2,000-2,900
1,600-2,300
Q71 A PAIR OF SIMULATED MARBLE AND GILTWOOD CIRCULAR TABLES
LOUIS XVI STYLE, MODERN
Each with faux specimen marble top and swag-hung friezes on uted tapering legs
Each 24 in. (61 cm.) high; 26 in. (67 cm.) diameter (2)
1,200-1,800 $2,000-2,900
1,600-2,300
VARIOUS PROPERTIES
Q72 A FINE BIJAR CARPET
800-1,200 $1,400-2,000
1,100-1,500
The Property of a Gentleman, Removed from a Belgravia Townhouse (Lots 67-71)
14
Q78 A FINE KARAJA CARPET
approx: 12ft. x 8ft.9in.(366cm. x 266cm.)
1,000-1,500 $1,700-2,400
1,300-1,900
1,200-1,800 $2,000-2,900
1,600-2,300
1,000-1,500 $1,700-2,400
1,300-1,900
1,000-1,500 $1,700-2,400
1,300-1,900
Q74 A FINE NORTH-EAST PERSIAN CARPET
approx; 14ft.7in. x 10ft.5in.(414cm. x 317cm.)
1,200-1,800 $2,000-2,900
1,600-2,300
Q73 AN ANTIQUE TABRIZ CARPET
1,200-1,800 $2,000-2,900
1,600-2,300
15
Q84 AN ENGLISH WROUGHT-IRON ROSE-ARCH PERGOLA
In four sections, with scrolled decoration, with an iron seat
102 in. (258 cm.) high
1,200-1,800 $2,000-2,900
1,600-2,300
Q83 THREE MASONIC BRASS AND MAHOGANY FLOOR-
STANDING CANDLESTICKS
Comprising three columns, Ionic, Doric and Corinthian,
supporting candleholders and drip pans, on stepped wood bases
60 in. (152.5 cm.) high approx. (slight variances) (3)
1,200-1,800 $2,000-2,900
1,600-2,300
Q82 AN ENGLISH STONE SUNDIAL
The later brass dial inscribed John Croft Londini 1700 / as the
sun runs do death comes. , the pedestal of stepped square baluster
form, restored
48 in. (122 cm.) high
1,500-2,500 $2,500-4,100
1,900-3,200
81 A FIRST WORLD WAR ENGRAVED SOUVENIR BRASS
SHELL-CASE
CIRCA 1918, BY G.S.DEGLAIN, LIEGE
The Austro-Hungarian M.11 305mm siege howitzer shell
case by Skoda, engraved with scenes including portraits of
George V and Queen Mary, an equestrian portrait of Lord
Kitchener, a group portrait of Admirals Jellico and Beatty and
Lord French, and a scene of a soldier with his dying horse,
around the top the names of various engagements, including
the inscription SOUVENIR 1914-1918 THEIR MAJESTY
THE KING AND QUEEN OF ENGLAND, and signed GS
Deglain, Graveur, Liege, the underside with Austro-Hungarian
army acceptance, calibre and model designation stamps
Wdf/13/1913/0.5cm/M.11
11. in. (30 cm.) high
1,200-1,800 $2,000-2,900
1,600-2,300
Q80 A SET OF AMERICAN CAST-IRON WEIGHING SCALES
BY FAIRBANKS OF VERMONT, CIRCA 1910
With japanned painted decoration and silvered brass scales
and adjustable mechanism, the platform with a cast inscription
FAIRBANKS / MADE IN AMERICA
55 in. (141 cm.) high (2)
1,200-1,800 $2,000-2,900
1,600-2,300
P R OVE NANC E :
R.W.Borley, Barton Hill House, Shaftesbury, Dorset, thence by
descent.
79 A GERMAN SILVER-MOUNTED MEERSCHAUM PIPE
MID-19TH CENTURY
The drum carved with mounted huntsman and hounds pursuing
a stag, the cover with a reclining deer, engraved with the coats-
of-arms of Baron Freiherr Eickstedt and another for the Prussian
cavalry, with long horn mouthpiece
pipe bowl and cover 6 in. (15 cm.); overall height 23 in. (59 cm.)
1,000-1,500 $1,700-2,400
1,300-1,900
P R OVE NANC E :
By repute, by descent from Baron Eickstedt to Egon Freiherr
von Eickstedt (1892 1965)
(part)
16
85 A FRENCH SILVER AND SILVER-GILT TABLE AND DESSERT SERVICE OF FIDDLE AND
THREAD PATTERN
PREDOMINANTLY PARIS, 1789 (WITH LATER DUTCH CONTROL MARKS), THE REMAINDER MARK OF GABRIEL
GERBU, PARIS, 1ST STANDARD, 1798/1809
Comprising 24 each of table forks, table spoons, dessert forks and dessert spoons (the dessert items
gilded), each engraved with a coat of arms featuring a winged helm with crossed keys above and
below, all contained in a modern two-layer canteen lined in red baize, with bead border and brass
escutcheon; the table spoons and table forks are all 1789 as are 13 dessert spoons and 12 dessert
forks, 11 dessert spoons and 12 dessert forks are 1798/1809
234 oz. (7371 gm.) (48)
3,000-4,000 $4,900-6,500
3,800-5,100
Q~86 AN ITALIAN WALNUT, ROSEWOOD AND MARQUETRY COMMODE
The top with owering Classical urn within a tulipwood oval, above three drawers inlaid with
marquetry gures, the sides twin-panelled
1,200-1,800 $2,000-2,900
1,600-2,300
Q87 A BELGIAN MAHOGANY THREE-TIER BUFFET
BY DEMAN, CIRCA 1835
The hinged top opening to form a gallery, on turned supports and paw feet, stamped DEMAN
1,500-2,000 $2,500-3,300
1,900-2,500
Deman, whose full name remains unknown, was an bniste active in Brussels during the early 19th
Century. (D. Ledoux-Lebard, Le Mobilier Franais du XIXe sicle, Paris, 1984, pp. 156-157)
88 A FRENCH SILVER-GILT SOUP TUREEN AND COVER
COVER WITH MARK OF HYACINTHE-PROSPER BOURG, THE FOOT WITH ANOTHER INDISTINCT MAKERS
MARK, D WITH DEVICE ABOVE, PARIS, IST STANDARD, 1819/38
Oval with gadroon borders, on pedestal foot, foliate side handles and detachable handle to cover,
the cover engraved with a crown over a eur-de-lys
15 in. long (38.5 cm.)
72 oz. (2268 gm.)
2,000-3,000 $3,300-4,900
2,600-3,800
Q89 A GLASS AND BRASS TWO-TIER LOW TABLE
LATE 20TH CENTURY
On ebonised plinth
1,200-1,800 $2,000-2,900
1,600-2,300
Q90 A VERY LARGE OAK MUSEUM SPECIMEN CHEST
MID-20TH CENTURY
Containing thirty drawers, each with a removable glazed cover, on later steel frames
1,200-1,800 $2,000-2,900
1,600-2,300
17
*91 A GROUP OF ONE SWISS AND FIVE GERMAN OR AUSTRIAN SILVER TRENCHER SALTS
VARIOUS DATES AND MAKERS, 18TH CENTURY
Comprising:- one by by Heinz Heinrich Zimmermann, Zurich, circa 1750, shaped oval chased with
scrollwork band on textured ground, gilt interior; another similar with uted and rocaille decoration,
Nuremburg, 1766/1769; another similar, mark of IDH, Augsburg, 1759/61; another similar, mark
of HM conjoined, town mark indistinct, also with later Austro-Hungarian control mark for Gratz,
1806/1807; also two circular salts with waisted sides and gilt interiors, one indistinctly marked,
apparently with makers mark IG and a 13 standard mark, the other with makers mark I.W
and 12 standard mark, also with later Austro-Hungarian control mark for Brnn, initialled MB
conjoined under foot rim; together with six various English and Continental salt spoons
First item 4 in. long (11.3 cm.)
19 oz. (589 gm.) (12)
800-1,200 $1,400-2,000
1,100-1,500
Q92 A BIEDERMEIER STYLE MAPLE AND EBONISED EXTENDING TABLE
EARLY 20TH CENTURY AND ADAPTED
With two extra leaves, on shaped standard end supports with scroll detail
29 in. (75 cm.) high; 94 in. (240 cm.) fully extended; 35 in. (89 cm.) deep
1,500-2,000 $2,500-3,300
1,900-2,500
Q93 A VERY LARGE OAK MUSEUM SPECIMEN CHEST
MID-20TH CENTURY
Containing thirty drawers, each with a removable glazed cover, on later steel frames
1,200-1,800 $2,000-2,900
1,600-2,300
Q94 A SET OF EIGHT MAHOGANY DINING CHAIRS
GEORGIAN STYLE, LATE 19TH CENTURY
Including a pair of armchairs, each with three roundel-centred bar uprights in the back, green
leather seat and tapering legs (8)
2,000-3,000 $3,300-4,900
2,600-3,800
Q95 A LARGE PAINTED LOW TABLE
LATE 20TH CENTURY
Incorporating a 19th century polychrome painted heraldic canvas banner beneath glass, depicting
a salamander beneath an oak tree and double-headed eagle motif with motto VIGILANS ET
AUDAX
77 in. (196 cm.) by 74 in. (188 cm.)
2,000-3,000 $3,300-4,900
2,600-3,800
Q96 A MAHOGANY HALL BENCH
The triple-panelled back applied with a Coat of Arms and motto PER MARE PER TERRAS and
with lion-mask arm terminals, on square legs
1,200-1,800 $2,000-2,900
1,600-2,300
The Arms appear to be that of MacDonald, although the upper quarters have been transposed.
18
102 A PAIR OF GEORGE II SILVER SAUCEBOATS
MARK OF JOHN JACOB, LONDON, 1740
On shell and pad feet, leaf-capped scroll handle, one side engraved with crest of an upright
armoured arm grasping a pike (sh rather than weapon)
6 in. long (16 cm. long) (2)
1,000-1,500 $1,700-2,400
1,300-1,900
101 A VICTORIAN SILVER-GILT CAVIAR DISH
MARK OF JOSEPH ANGELL, LONDON, 1854
Spherical with anthemion-pierced cover and sides, on acanthus-chased trumpet foot, the latter
engraved with a crest of a tower between two leaf sprays, lacks glass liner, cover with small cut-out
section to take a spoon
9 in. high (23 cm.)
17.25 oz. (535 gm.)
800-1,200 $1,400-2,000
1,100-1,500
100 TWO PAIRS OF GEORGE II CAST SILVER CANDLESTICKS
MARK OF WILLIAM GOULD, LONDON, 1748 AND 1750
Shaped square bases with shell corners, uted columns with shell-decorated upper knop and plain
circular lower knop, engraved with small crest to one corner of base, one pair with thistle crest, the
other pair with a crest coronet of an eagles talons issuing from a coronet
8 in. high (21 cm.)
62 oz. (1922 gm.) (4)
3,000-5,000 $4,900-8,100
3,800-6,300
99 A GEORGE III OVAL SILVER SWING-HANDLED CAKE BASKET
MARK OF WILLIAM PLUMMER, LONDON, 1778
With pierced fretwork sides and pierced scrolling oral band inside the beaded rim, on conforming
pierced oval foot, centre engraved with coat of arms
28.25 oz. (876 gm.)
1,000-1,500 $1,700-2,400
1,300-1,900
98 A PAIR OF TURKISH SILVER SPOON HOLDERS
PROBABLY ABDUL HAMID II ERA (1876/1909)
Tulip-shaped with engine-turned and beaded vertical band, engraved strapwork and pierced rims,
the pedestal bases on leafy feet
5 in. high (14.4 cm.)
18 oz. (558 gm.) (2)
700-1,000 $1,200-1,600
890-1,300
97 A PAIR OF VICTORIAN OVAL SILVER ENTRE DISHES AND COVERS WITH HERALDIC
HANDLES
MARK OF JOHN SAMUEL HUNT FOR HUNT & ROSKELL, LONDON, 1856
With reed and acanthus leaf borders and detachable cockerel crest handles
12 in. long (32.7 cm.)
98 oz. (3038 gm.) (2)
2,000-3,000 $3,300-4,900
2,600-3,800
The Property of a Lady (Lots 97-106)
19
VARIOUS PROPERTIES
107 A PAIR OF GEORGE II SILVER CANDLESTICKS
MARK OF JOHN CAFE, LONDON, 1751
On hexafoil shell-cornered bases, with knopped and part-uted columns, conforming detachable
nozzles, engraved on base with coat and underneath with scratch weight 17=19 and 18=12
8 in. (21.6 cm.) high
34.75 oz. (1080 gm.) (2)
1,200-1,800 $2,000-2,900
1,600-2,300
106 A SET OF FOUR GEORGE III SILVER BUTTER SHELLS
MARK OF WILLIAM STROUD, LONDON, 1796
On three ball feet, engraved with the historical crest for Admiral Sir Edward Pellew, 1st Baron
Exmouth of Canonteign, also later prick-engraved with a monogram, gilt interiors
3 in. (8.9 cm.) long
19.25 oz. (598 gm.) (4)
1,500-2,000 $2,500-3,300
1,900-2,500
Born in 1757, created a baronet in 1796 and baron in 1814, Admiral Sir Edward Pellews arms
were augmented in allusion to his naval exploits. This crest depicts the wreck of the East Indiaman
Dutton, whose troops and crew he saved off a rocky shore on the Plymouth Garrison. In
recognition of his later destruction of the eet and arsenal of Algiers, Pellew was advanced to a
viscounty in 1816. He died in 1833, his illustrious naval career providing the basis for C.S. Foresters
Hornblower stories.
105 A GEORGE III SILVER SWING-HANDLED SHAPED OVAL CAKE BASKET
MARK OF WILLIAM PLUMMER, LONDON, 1769
Pierced and stamped with wheat stalks, quatrefoils, crosslets and fretwork, shell and gadroon scroll
rim chased below with owers, centre later embossed with scrolls and owers incorporating a
crested reserve, chainwork handle, pierced oval foot
13 in. long (33.7 cm.)
21 oz. (651 gm.)
700-1,000 $1,200-1,600
890-1,300
104 A VICTORIAN SILVER INKSTAND
MARK OF GEORGE FOX, LONDON, 1874
The gallery sides with undulating gadroon rim and pierced with owers and scrollwork
incorporating two vacant reserves, on leafy scroll feet, with deep pen depression at front of three
compartments housing a taperstick with conical snuffer and two mounted cut-glass square bottles,
the gadroon-edged covers with heraldic elephant crest nials
10 in. long (26.5 cm.)
28 oz. (868 gm.)
800-1,000 $1,400-1,600
1,100-1,300
103 A PAIR OF SMALL GEORGE II SILVER SALVERS
MARK OF JOHN ROBINSON (II), LONDON, 1742
Shaped circular with shell and scroll borders, engraved to centre with a ladys coat of arms within
rococo surround, on three paw feet, bases engraved with initials O over WK
17 oz. (527 gm.) (2)
600-800 $980-1,300
760-1,000
20
Q108 AN OCTAGONAL NICKEL PLATED BRONZE HALL
LANTERN
CIRCA 1930
With amethyst glass panels
35 in. (89 cm.) high including suspension ring
1,200-1,800 $2,000-2,900
1,600-2,300
Q109 A VERY FINE ANTIQUE ISFAHAN PRAYER RUG
1,000-1,500 $1,700-2,400
1,300-1,900
Q110 AN EXTREMELY FINE TABRIZ CARPET
approx: 10ft.5in. x 6ft.9in.(317cnm. x 206cm.)
1,500-2,000 $2,500-3,300
1,900-2,500
Q~111 A WILLIAM IV ROSEWOOD JARDINIERE
EARLY 19TH CENTURY
With original cover and gadrooned frieze, on tapering column
and triform base
30 in. (76 cm.) high; 17 in. (44 cm.) diameter
1,500-2,500 $2,500-4,100
1,900-3,200
~112 A GERMAN SILVER-GILT MOUNTED WALRUS IVORY
TANKARD IN 17TH CENTURY STYLE
APPARENTLY UNMARKED, SECOND HALF OF 19TH CENTURY
Carved with a procession of putti playing musical instruments
and carrying an amphora, mounts chased with foliate scrolls
and masks, scroll handle with satyr picking grapes, double scroll
thumbpiece, twisted spike nial, silver-gilt lining
8 in. high (21 cm.)
2,500-3,500 $4,100-5,700
3,200-4,400
Q113 A VERY FINE SILK QUM CARPET
4,000-6,000 $6,600-9,800
5,100-7,600
21
Q114 A FRENCH GILT-BRONZE FIVE-BRANCH CHANDELIER
OF LOUIS XVI STYLE, CIRCA 1900
With a central quiver of arrows stem supporting scrolled
branches
800-1,200 $1,400-2,000
1,100-1,500
Q115 A VERY FINE TABRIZ CARPET
1,000-1,500 $1,700-2,400
1,300-1,900
Q116 A FINE QUM CARPET
1,200-1,800 $2,000-2,900
1,600-2,300
117 A GEORGE III SILVER TANKARD
MARK OF HESTER BATEMAN, LONDON, 1790
Plain tapering sides with two applied girdles and spreading base,
domed cover with heart-shaped thumb-piece anked by scrolls,
handle terminating in heart motif
8 in. high (20 cm.)
26 oz. (806 gm.)
2,000-2,500 $3,300-4,100
2,600-3,200
118 A PAIR OF FRENCH SILVER-MOUNTED CLARET JUGS
MARK OF LON LAPAR, PARIS, CIRCA 1890
With ovoid spirally-uted bodies and waisted necks, the mounts
chased with foliate scrolls and rocaille, a crest within a rococo
cartouche to front, the cover with oral nial
10 in. (27.3 cm.) high (2)
2,000-2,500 $3,300-4,100
2,600-3,200
Q119 A VERY FINE PART SILK TABRIZ CARPET
1,800-2,500 $3,000-4,100
2,300-3,200
22
129 A PAIR OF OTTOMAN SILVER
GOBLETS
EARLY 20TH. CENTURY
Campana form with alternate wavy bands of
plain and reeded design, the lower body with
lobed decoration and conforming shaped foot
4 in. high (12 cm.)
14 oz. (434 gm.) (2)
1,200-1,500 $2,000-2,400
1,600-1,900
Q128 A BIEDERMEIER FIGURED WALNUT
CENTRE TABLE
MID 19TH CENTURY
With quarter-veneered and cross-banded top,
frieze drawer and twin-column end supports
with cross-stretcher
31 in. (80 cm.) high; 44 in. (112 cm.) wide; 25
in. (64 cm.) deep
800-1,200 $1,400-2,000
1,100-1,500
127 A CONTINENTAL HARDSTONE GROUP
OF A FLOWERING PLANT
Modelled as lilly-of-the-valley with nephrite
leaves and paste diamond stamen in the
owerheads
5 in. (12.5 cm.) high; 5 in. (13.5 cm.) wide
800-1,200 $1,400-2,000
1,100-1,500
Q126 A FRENCH OAK ARMOIRE
NORMANDY, .EARLY 19TH CENTURY
Carved overall with sunowers, trailing leaves,
drapery and ower baskets, the doors enclosing
a hanging rail and a single shelf
84 in. (215 cm.) high; 58 in. (149 cm.) wide;
23 in. (59 cm.) deep
800-1,200 $1,400-2,000
1,100-1,500
Q125 A CHINESE CARPET
approx: 11ft.10in. x 9ft.(360cm. x 274cm.)
700-1,100 $1,200-1,800
890-1,400
124 A LARGE LATE VICTORIAN SILVER
QUAICH-SHAPED BOWL
MARK OF WILLIAM COMYNS, LONDON, 1894
The pierced sides embossed with roses and other
owers, foliage and scrolls, on collet foot, the side
handles with foliate and geometric scrollwork
terminating in a mask, lacking glass liner
41 oz. (1271 gm.)
800-1,000 $1,400-1,600
1,100-1,300
THE PROPERTY OF THE LATE 9TH MARQUESS
OF LONDONDERRY, SOLD BY ORDER OF
THE EXECUTORS.
Q123 A PAINTED CAST-IRON WEIGHING SCALE
MADE FOR HARRODS OF LONDON, CIRCA 1920S
With gilt and cream decoration, the paper label
inscribed HARRODS LTD. LONDON.
67 in. (170 cm.) high
700-1,000 $1,200-1,600
890-1,300
122 A VICTORIAN SILVER-MOUNTED CUT-
GLASS CLARET JUG
MARK OF ROBERTS & BELK, SHEFFIELD, 1870
Of slender tapering form, diamond-cut sides
and star-cut base, the vine-chased angular loop
handle surmounted by a mythical bird, Silenus-
mask spout and bulbous oral-chased cover, the
neck engraved with strapwork and ower-heads
700-900 $1,200-1,500
890-1,100
Q121 A TABRIZ CARPET
700-1,100 $1,200-1,800
890-1,400
Q120 AN UNUSUAL NORTH-WEST PERSIAN
RUNNER
700-1,100 $1,200-1,800
890-1,400
23
Q139 AN ANTIQUE NORTH-WEST PERSIAN
RUNNER
600-1,000 $980-1,600
760-1,300
700-1,100 $1,200-1,800
890-1,400
137 A PAIR OF GEORGE III OVAL SILVER
SALVERS
MARK OF JOHN SCOFIELD, LONDON, 1788
With reeded borders and bracket feet, engraved
with dragons head erased crest and initial
C for Clark; also a matched set of 4 silver
butter shells on mollusc feet, three by William
Plummer, London, 1767, one a later copy,
Shefeld, 1925, engraved with coat of arms
Salvers 9 in. long (22.9 cm.)
32 oz. (992 gm.) (6)
1,000-1,200 $1,700-2,000
1,300-1,500
136 A SET OF THREE GEORGE III STEEL
FIRE TOOLS
EARLY 9TH CENTURY
With inverted baluster facetted handles, the
tongs with cut-steel decoration
31 in. (80 cm.) long (3)
800-1,200 $1,400-2,000
1,100-1,500
Q135 A GILTWOOD AND COMPOSITION
MARGINAL MIRROR
The rectangular plate with swag-hung urn crest
and foliate detail, re-gilt
39 in. (100 cm.) high; 43 in. (110 cm.) wide
800-1,200 $1,400-2,000
1,100-1,500
VARIOUS PROPERTIES
134 AN ART NOUVEAU SILVER-MOUNTED
CUT-GLASS CLARET JUG
MARK OF J. GRINSELL & SONS, BIRMINGHAM, 1918
Plain mount with at cover, the slender
tapering body cut with vertical bands and
swirling owers
400-600 $650-980
510-760
THE PROPERTY OF THE LATE HON.
CHRISTOPHER LENNOX-BOYD
133 A STAINED AND LEADED GLASS
ARMORIAL SHIELD
19TH CENTURY
Incorporating some earlier glass fragments
800-1,200 $1,400-2,000
1,100-1,500
132 A GEORGE I SILVER BRANDY
SAUCEPAN
MARK OF WILLIAM FLEMING, LONDON,1716
Plain with ared lip and ribbed band around
foot, ebonised wood turned handle, inscribed
to base B over IC
5 oz.(155 gm.)
700-800 $1,200-1,300
890-1,000
131 A LARGE GEORGE III IRISH SILVER
GOBLET
MARK OF RICHARD SAWYER, DUBLIN, 1810
On trumpet foot, engraved with band of stars
within circlets with triple leaf motifs between,
gilt interior, vacant oval cartouches; also
another similar by Gustavus Byrne, Dublin,
1808, additionally with mark of William Law,
trumpet foot with reeded rim, vacant shield
cartouches, decorative engraved band and gilt
interior, both with bright-engraved bands
around foot
Largest 7 in. high (17.9 cm.)
23 oz. (713 gm.) (2)
2,000-2,500 $3,300-4,100
2,600-3,200
130 A GROUP OF THREE ITALIAN SILVER
FORKS AND THREE SILVER SPOONS
VARIOUS DATES AND MAKERS, LATE 17TH/EARLY
18TH CENTURY
All with lozenge/hoof terminals, comprising:-
a fork and spoon both by Basilio Faffucci,
Rome, early 18th century, spoon with rat-tail
bowl, fork with four tines, each terminal
engraved with a rose between initials GC;
another fork similar by Girolamo Maltraversi,
Rome, 1712, initialled A to terminal and
with zig-zag assay scrape to back of terminal;
a similar fork apparently unmarked, terminal
engraved SF DL; and two more spoons similar,
both indistinctly marked, one inscribed GS,
the other with crudely scratched initials
Largest spoon 6 in. long (17 cm.)
7.75 oz. (241 gm.) (6)
500-800 $820-1,300
640-1,000
Conjure up an atmosphere of the unknown, mysterious
and disquiet with strong contrasts between the very
modern, ancient and surprising to create the perfect
place to entertain or contemplate Halloween.
THE GOTHIC LIBRARY
LOT 51
LOT 32
28 OCTOBER 2014 THE GOTHIC LIBRARY
24
LOT 160 LOT 181
LOT 172
LOT 133
LOT 172
THE GOTHIC LIBRARY 28 OCTOBER 2014
25
26
Q140 A GILT-BRONZE TEN-LIGHT CHANDELIER
OF REGENCE STYLE, LATE 19TH / EARLY 20TH CENTURY
Five of the branches issuing from satyr masks, the stem applied with putti heads
1,000-1,500 $1,700-2,400
1,300-1,900
Q141 A JAPANESE SIX-FOLD SCREEN
20TH CENTURY
Ink, colour and gold leaf on paper, depicting gures in courtyard scenes
67 x 145 x (171 x 369 cm)
1,200-1,800 $2,000-2,900
1,600-2,300
Q142 A FINE SAROUK CARPET
1,200-1,800 $2,000-2,900
1,600-2,300
Q143 A PAIR OF WALNUT-FRAMED OPEN ARMCHAIRS
GEORGIAN STYLE, EARLY 20TH CENTURY
Each with shepherds crook arms and shell-carved cabriole legs on claw and ball feet
Each 39 in. (100 cm.) high (2)
1,200-1,800 $2,000-2,900
1,600-2,300
Q144 A CEYLONESE BRASS-MOUNTED TEAK CABINET ON STAND
LATE 18TH/ EARLY 19TH CENTURY
With pierced foliate brass mounts and studs to the corners and lock, with a brass key, on baluster
turned legs
26 in (67.5 cm.) high; 28 in. (71 cm.) wide
1,000-2,000 $1,700-3,300
1,300-2,500
Q145 A FINE MESHED CARPET
1,000-1,500 $1,700-2,400
1,300-1,900
27
Q146 A PAIR OF FRENCH BEECH CANED OPEN ARMCHAIRS
LATE 19TH CENTURY
Each with ribbon-twist frame, pale green squab seat and loose cushion, on uted tapering legs
1,000-1,500 $1,700-2,400
1,300-1,900
Q~147 AN EARLY VICTORIAN ROSEWOOD BREAKFAST TABLE
MID 19TH CENTURY
The circular tilt top on faceted baluster column and concave sided plinth base with bun feet,
concealed castors, restored
28 in. (71.5 cm.) high; 53 in. (136.5 cm.) diameter
1,000-1,500 $1,700-2,400
1,300-1,900
Q148 A FINE YEZD CARPET
1,000-1,500 $1,700-2,400
1,300-1,900
Q~149 A SET OF EIGHT REGENCY ROSEWOOD DINING CHAIRS
EARLY 19TH CENTURY
Each with scrolling gadrooned top-rails and tablet-centred splats, drop-in seat over cane and with
raised scrolling seat edge, on reeded legs (8)
2,000-3,000 $3,300-4,900
2,600-3,800
Q150 A PAIR OF FRENCH WALNUT AND GILT-HEIGHTENED ARMCHAIRS
LOUIS XVI STYLE, LATE 19TH CENTURY
With green oral upholstery, foliate-carved crest and arms, stop-uted legs and horn castors
1,500-2,500 $2,500-4,100
1,900-3,200
approx: 12ft,4in. x 8ft.6in.(376cm. x 259cm.)
1,200-1,800 $2,000-2,900
1,600-2,300
28
Q157 A FINE VERY LONG KARAJA RUNNER
approx: 27ft.8in. x 2ft.7in.(8m.43cm. x 79cm.)
1,500-2,000 $2,500-3,300
1,900-2,500
156 A GEORGE II SILVER TANKARD
MARK OF JOHN FOSSEY, COVER WITH MARK OF FRANCIS NELME TO
RIM PERHAPS AS RETAILER, LONDON, 1734
Baluster with applied girdle and domed cover centred by a small
raised boss, uted scroll thumbpiece, handle with disc terminal
decorated with concentric circles, later engraved to front with
coat of arms
8 in. high (20 cm.)
33 oz. (1023 gm.)
1,200-1,500 $2,000-2,400
1,600-1,900
P R OVE NANC E :
Bulgari, Rome
The arms are for Baron Trent of Nottingham, title from 1929
awarded to Sir Jesse Boot Bt., Chairman of Boots Pure Drug
Company. The title expired on death of his son, the 2nd baron, in
1956 and the arms depicted are probably for the second baron,
John Campbell Boot
Q155 A PAIR OF PINE BOOKCASES
MID-20TH CENTURY, DESIGNED AND MADE BY DAVID VICARY
Each with four glazed doors enclosing three shelves, on bun feet,
previously painted
76 in. (194 cm.) high; 51 in. (130 cm.) wide; 18 in. (46 cm.)
deep (2)
3,000-5,000 $4,900-8,100
3,800-6,300
P R OVE NANC E :
Hanham Court - A Pastoral Idyll, Christies South Kensington,
14th April 2010, Lot 165.
*154 A PAIR OF GEORGE II CAST SILVER CANDLESTICKS
MARK OF WILLIAM SOLOMON, LONDON, 1754
Each on shaped circular, quilted base cast and chased with
shells, the stem terminating in part-quilted baluster socket with
gadroon-edged detachable nozzle, one nozzle engraved with a
crest of an eagle displayed below an earls coronet, the sockets
later engraved with the same crest below a marquesss coronet,
each numbered and engraved with scratch-weights No 4, 31:20
and No 5, 31:9:2
62 oz. (1931 gm.) (2)
2,000-3,000 $3,300-4,900
2,600-3,800
P R OVE NANC E :
John Denis Browne, 1st Marquess of Sligo (1756-1809) and by
descent to
The Marquess of Sligo; Christies, London, 13 May 1953, lot
131 (part).
The crest is that of Browne, almost certainly that of John Denis
Browne, 3rd Earl of Altamont and later 1st Marquess of Sligo
(1756-1809).
Q153 A FINE YEZD CARPET
1,200-1,600 $2,000-2,600
1,600-2,000
152 AN AUSTRALIAN SILVER HORSE-RACING TROPHY CUP
AND COVER
MARK OF J. M. WENDT, ADELAIDE, SOUTH AUSTRALIA, CIRCA 1887
Tapering thistle form, the knopped stem descending to stepped
circular foot, cover with saddled horse nial, front inscribed
Wonnaminta Amateur Jockey Club, June 8th., 1887. Walter Bryant
12 in. high (31.8 cm.)
18 oz. (558 gm.)
1,800-2,200 $3,000-3,600
2,300-2,800
29
1,000-1,500 $1,700-2,400
1,300-1,900
162 AN ITALIAN SPECIMEN MARBLE ARCHITECTURAL
MODEL COLUMN
20TH CENTURY
Formed as a classical column supporting an urn on a stepped base
with a gallery
26 in. (67.5 cm.) high
1,200-1,800 $2,000-2,900
1,600-2,300
Q161 A WILLIAM AND MARY WALNUT AND SEAWEED-
MARQUETRY CHEST-ON-STAND
LATE 17TH CENTURY
The top and front profusely inlaid with scrolling marquetry set
in panels and foliate cross-banded overall, the sides of gured
walnut, with two short and three long graduated drawers, the
stand with a further drawer and later tapering legs joined by
wavy stretchers
51 in. (130 cm.) high; 38 in. (98 cm.) wide; 23 in. (60 cm.)
deep
2,000-3,000 $3,300-4,900
2,600-3,800
THE PROPERTY OF THE LATE 9TH MARQUESS OF
LONDONDERRY, SOLD BY ORDER OF THE EXECUTORS.
160 A VICTORIAN WHITE MARBLE BUST OF A GENTLEMAN
CIRCA 1840
Unsigned, the shoulders draped allantica, lacking socle
28 in. (82.5 cm.) high
1,000-1,500 $1,700-2,400
1,300-1,900
L I T E R AT UR E :
Possibly: Wynyard Park inventory, 1886, vol. ii, p. 583,
sculpture gallery, 2nd Lord Castlereagh (Frederick).
Possibly, Wynyard Park inventory, 1956, p. 91, entrance hall
and statue hall, sculpture.
Possibly, Wynyard Park inventory, 1965, vol. i, p. 82, statue
hall.
Q159 A PAIR OF ANTIQUE HAMADAN RUNNERS
approx: 16ft.5in. x 3ft.11in. & 15ft.7in. x 4ft.1in. (2)
800-1,200 $1,400-2,000
1,100-1,500
158 A GEORGE II SILVER TANKARD
MARK OF GURNEY AND COOKE, LONDON, 1741
Baluster form with chair-back thumb-piece and heart-shaped
terminal, domed cover inset with Queen Anne coin within gilt
border inscribed Libertas Nunquam Gratior Extat, engraved with
coat of arms for Frennelly of Lancashire to front above an inscribed
poem: My Mistress from whose hospitable Mind/ My Birth was dated
and my Form designd/ A Pledge of kindness to her honourd Lord/ To
chear his Meals and grace his friendly Board/ Bids me salute in mutual
Name the Guest/ And let the Welcome give the Liquor Zest/ Mute
as I seemnone more a Friend to Mirth/ Willing for which I left my
native Earth/ In whose dark Womb for many an Age I lay/ A heavy
Mass denyd the Face of Day/ Till my good Benefactress bid me shine/
And deal her Bounty round the Walls of Slyne./ Then when each
Health has circled round its Coast/ Allow for once the Tankards rights
to toast/ This, thisand Honesty I swear I mean/ Drink the best Buck
thats found upon the Green
7 in. high (19 cm.)
27 oz. (837 gm.)
1,400-1,800 $2,300-2,900
1,800-2,300
(part)
30
164 TWENTY ENGRAVINGS OF PARROTS
BY ELIZABETH BUTTERWORTH, CIRCA 1977
Each inscribed in pencil with title, Trial Proof, signed and dated, mounted in ebonized frames
21 x 15 in. (53.5 x 39.5 cm.) (20)
1,800-2,500 $3,000-4,100
2,300-3,200
165 AN AUSTRIAN FIVE-PIECE NOVELTY BRONZE DESK SET
EARLY 20TH CENTURY
Comprising an inkstand, a pair of candlesticks, a penstand, a blotter and paper knife, each
naturalistically cast with bears
Inkstand: 18 in. (47.5 cm.) wide
Candlesticks: 7 in. (18 cm.) high (5)
2,000-3,000 $3,300-4,900
2,600-3,800
166 A PAIR OF GILT-BRONZE TWIN-LIGHT WALL APPLIQUES
OF LOUIS XV STYLE, LATE 20TH CENTURY
Each with rococo scrolled branches and backplate, one stamped R.F. and one drip pan stamped
RF. 11. 25
19 in. (48 cm.) high excluding simulated candle ttings (2)
800-1,200 $1,400-2,000
1,100-1,500
Q167 A VCTORIAN PAINTED WOOD ALTARPIECE
LATE 19TH CENTURY
Carved with a central niche tted with a plaster gure of Christ, two side panels decorated with
carved wood groups of the Nativity and the Annunciation, with pierced giltwood tracery canopies
68 x 101 in. (173 x 256 cm.)
Together with an additional plinth section and pair of low pedestals and a pair of double hinged
doors with paint decoration and iron hinges
1,500-2,500 $2,500-4,100
1,900-3,200
168 A PAIR OF FRENCH GILT-BRONZE NEO-CLASSICAL TWIN-LIGHT WALL APPLIQUES
Each back-plate surmounted by a urn and ambeau nial, each one stamped J.D. to the reverse
24 in. (61 cm.) high (2)
1,000-1,500 $1,700-2,400
1,300-1,900
Q169 A PAIR OF FRENCH CREAM PAINTED AND PARCEL-GILT EASY ARMCHAIRS
EARLY 20TH CENTURY
Each re-upholstered in grey linen, each back leg stamped 18268 (2)
1,500-2,000 $2,500-3,300
1,900-2,500
(part)
31
Q170 A VENETIAN RECTANGULAR MIRROR
MID 20TH CENTURY
With etched border depicting trailing foliage and birds
1,500-2,000 $2,500-3,300
1,900-2,500
Q171 A FINE SOUTH PERSIAN CARPET
1,200-1,800 $2,000-2,900
1,600-2,300
Q172 A PAIR OF ENGLISH CARVED PARCEL-GILT MARBLE
GROUPS OF KNEELING ANGELS
LATE 19TH CENTURY
Modelled in prayer, opposing each other with crowns
31 in. (79 cm.) high (2)
1,200-1,800 $2,000-2,900
1,600-2,300
Q~173 AN EARLY VICTORIAN ROSEWOOD ADJUSTABLE
READING TABLE
MID 19TH CENTURY
With two ratchetted slopes at one end, on pedestal base
36 in. (91 cm.) wide; 17 in. (45 cm.) deep
1,500-2,000 $2,500-3,300
1,900-2,500
174 A SWISS SILVER COFFEE POT
MARK OF ETIENNE TERROUX, ASSAY MASTERS MARK OF JEAN-
JACQUES GIROD, GENEVA, CIRCA 1760/1762
Baluster form on three hoof feet, ebonised wood handle capped
by a carved acanthus leaf, front engraved with coat of arms
9 in. high (25 cm.)
23 oz. (713 gm.)
1,200-1,800 $2,000-2,900
1,600-2,300
Q175 AN EXTREMELY FINE TABRIZ CARPET
approx: 9ft.2in. x 6ft.8in.((279cm. x 204cm.)
1,200-1,800 $2,000-2,900
1,600-2,300
32
Q181 A SET OF TEN ITALIAN WALNUT CHAIRS
SIX 18TH CENTURY, FOUR MODERN
Comprising two pairs, two singles and four modern, each with baluster-turned gallery and uprights
with ball nials, solid seat and baluster legs joined by stretchers
Each 42 in. (107 cm.) high approx (10)
1,000-1,500 $1,700-2,400
1,300-1,900
P R OVE NANC E :
The late Paul Hirsch, believed to have come from a schloss in Frankfurt, and left to the College in
the will of Dr Lawrence Picken in 2001.
180 AN ITALIAN PIETRA DURA AND SPECIMEN MARBLE PANEL
20TH CENTURY
With geometric border, entitled Roma Portico di Ottavia and signed Stefano Macri
22 x 22 in. (56 x 58 cm.) within a giltwood frame
1,200-1,800 $2,000-2,900
1,600-2,300
~179 A FRENCH VERNIS-MARTIN LACQUER, TORTOISHESHELL AND GILT-METAL MOUNTED
SNUFF BOX
LATE 18TH CENTURY
The cover painted with a pastoral scene
3 in. (8 cm.) diameter; 1 in. (3 cm.) high
1,000-1,500 $1,700-2,400
1,300-1,900
Q178 A PAIR OF FRENCH GILTWOOD CONSOLE TABLES
ONE LOUIS XV, MID-18TH CENTURY, THE OTHER OF A LATER DATE
Each with Tavira Breccia marble top, on a foliate, rocaille and diaperwork-carved base
33 in. (84.5 cm.) high; 37 in. (96 cm.) wide; 17 in. (44.5 cm.) deep (2)
4,000-6,000 $6,600-9,800
5,100-7,600
Q177 AN ITALIAN MAHOGANY AND CROSS-BANDED CENTRE TABLE
EARLY 19TH CENTURY
With frieze drawer, each end column with double-facing female busts tapering to feet and with
central ring-turned stretcher, on paw feet
1,200-1,800 $2,000-2,900
1,600-2,300
P R OVE NANC E :
Duke of Girasole, Napoli and thence by descent
Q176 A DUTCH OR FLEMISH BRASS EIGHT-LIGHT CHANDELIER
PROBABLY 18TH CENTURY
With eight clip-in scroll branches with broad drip pans and ovoid nozzles with smaller pans and
spire nials, the baluster stem with an eagle nial supporting rows of clip-in reectors, some lacking
and other damage
42 in. (108 cm.) high
2,000-3,000 $3,300-4,900
2,600-3,800
33
Q187 A FRENCH MAHOGANY AND BRASS-INLAID BONHEUR DU JOUR
LATE 19TH CENTURY
The mirror-back superstructure with galleries and drawers, the hinged writing surface above a
drawer, on uted legs
1,000-1,500 $1,700-2,400
1,300-1,900
Q186 A FRENCH WALNUT SIX-LEG STOOL
MID 19TH CENTURY
With buttoned seat and foliate-headed cabriole legs
32 in. (83 cm.) high; 42 in. (107 cm.) long; 19 in. (48 cm.) deep
1,200-1,800 $2,000-2,900
1,600-2,300
185 TWELVE ENGRAVINGS OF ANCIENT VASES FROM THE COLLECTION OF SIR HENRY
ENGLEFIELD
BY HENRY MOSES, PUBLISHED 1819
Recently mounted in cream card slips and giltwood frames
13 x 15 in. (34.5 x 39.5 cm.) (12)
1,200-1,500 $2,000-2,400
1,600-1,900
Q184 A VENETIAN SERPENTINE SETTEE
LATE 19TH CENTURY
With a foliate-carved arched back, on cabriole legs
1,500-2,000 $2,500-3,300
1,900-2,500
183 AN ITALIAN SORRENTO BURR WALNUT, FRUITWOOD AND EBONISED MARQUETRY
PANEL
BY A. GARGIULO, LATE 19TH CENTURY
The dodecagonal top with scrolling foliate border enclosing two castanet dancers, signed Cav.
AGargiulo / Sorrento Villa, Gargiulo
26 in. (67.5 cm.) wide
2,000-3,000 $3,300-4,900
2,600-3,800
There were numerous marquetry workshops operating in the Sorrento and Mantua regions
throughout the 19th century and the Gargiulo family workshop (established in 1863) was one of the
more prolic examples, producing small tourist pieces as well as ne furniture.
Q182 A PAIR OF PAINTED PLASTER BUSTS OF ROMAN EMPERORS
LATE 20TH CENTURY
Each set on waisted socle
37 in. (94 cm.) high (2)
1,200-1,800 $2,000-2,900
1,600-2,300
(part)
34
Q188 AN ETCHED GLASS AND GILT-BRONZE LANTERN
LATE 20TH CENTURY
With foliate collar
800-1,200 $1,400-2,000
1,100-1,500
Q189 A GEORGE IV MAHOGANY JARDINIERE
EARLY 19TH CENTURY
With triple column support and shelf, on triform base
32 in. (81 cm.) high; 15 in. (39.5 cm.) diameter
1,500-2,500 $2,500-4,100
1,900-3,200
Q190 A LARGE GEORGE III PARCEL-GILT AND MAHOGANY
FRET CARVED MIRROR
LATE 18TH CENTURY
The bevelled plate with gilt border and Ho-ho bird to the crest
1,200-1,800 $2,000-2,900
1,600-2,300
Q191 A BIEDERMEIER FIGURED WALNUT CIRCULAR CENTRE
TABLE
MID 19TH CENTURY
With segmentally-veneered tip-up top, on hexagonal column
and triform base
30 in. (77 cm.) high; 50 in. (127 cm.) diameter
1,000-1,500 $1,700-2,400
1,300-1,900
192 AN AUSTRIAN GILT-METAL MOUNTED GUILLOCHE
PINK ENAMEL TIMEPIECE
20TH CENTURY
Of urn form, decorated with roundels of classical gures and
heads, on an octagonal base
7 in. (18 cm.) high
1,200-1,800 $2,000-2,900
1,600-2,300
Q193 A MAHOGANY TWO-TIER REVOLVING BOOKCASE
GEORGE III STYLE, LATE 20TH CENTURY
The spindle gallery enclosing a lidded metal-lined compartment,
on tripod base
53 in. (135 cm.) high; 20 in. (51 cm.) deep
1,500-2,000 $2,500-3,300
1,900-2,500
35
194 A FRENCH BRONZE FIGURE OF A REVOLUTIONARY
DRUMMER BOY
CIRCA 1890, AFTER ERNEST DAGONET, (1856-1926)
The gure holding a sprig of owers and drumsticks on a
naturalistic base signed E. DAGONET on a green marble plinth
applied with a bronze scroll with a revolutionary inscription
27 in. (69 cm.) high overall
1,500-2,000 $2,500-3,300
1,900-2,500
Q195 A PAIR OF FRENCH ROUGE ROYALE AND BLACK
MARBLE PEDESTALS
Of tapered form, on stepped square bases
47 in. (121 cm.) high (2)
1,200-1,800 $2,000-2,900
1,600-2,300
196 A FRENCH MARBLE FIGURE OF PAGLIACCIO
CIRCA 1920, BY JEAN BAILLEUL (1878-1949)
Signed Jan Bailleul, on an onyx plinth
1,500-2,000 $2,500-3,300
1,900-2,500
Pagliaccio, the clown, is a gure from Italian opera Pagliacci by
Ruggero Leoncavallo, rst staged at the Teatro Dal Verme in
Milan on 21 May 1892, conducted by Arturo Toscanini.

Q197 AN ITALIAN SIENA MARBLE PEDESTAL COLUMN
20TH CENTURY
Of plain cylindrical form on a moulded domed base
800-1,200 $1,400-2,000
1,100-1,500
198 A FRENCH BRONZE GROUP OF A SCOTTISH
HUNTSMAN WITH TWO DEERHOUNDS
CIRCA 1880, AFTER PIERRE JULES MENE (1810-1879)
With cast signature P. J. MENE
20 in. (51 cm.) high on an oak base
1,500-2,000 $2,500-3,300
1,900-2,500
The model is illustrated in Jane Horswell, Les Animaliers, 1971,
P.170, nO. 10 in Menes catalogue.
Q199 A PAIR OF PAINTED WOOD AND GILT-METAL
MOUNTED PEDESTAL COLUMNS
20TH CENTURY
With faux-porphyry and faux-marble painted panels
47 in. (121 cm.) high (2)
1,200-1,800 $2,000-2,900
1,600-2,300
36
205 A PAIR OF MURANO GLASS LAMPS
LATE 20TH CENTURY
Each of lobed baluster form, the glass encasing a purple and silver eck interior, on chromed metal
circular bases
19 in. (48.5 cm.) high, including tment (2)
800-1,200 $1,400-2,000
1,100-1,500
Q204 A PAIR OF COMPTON POTTERY LEIX-PATTERN GARDEN URNS
EARLY 20TH CENTURY
Of lobed bulbous form with a moulded rim and separate square base, one with an impressed
Compton stamp
20 in. (52 cm.) high; 25 in. (64 cm.) diameter (2)
800-1,200 $1,400-2,000
1,100-1,500
203 No Lot

Q202 A CONTINENTAL GILT WROUGHT IRON STANDARD
LAMP
CIRCA 1970, IN THE MANNER OF HANS KOGL
In the form of a palm tree
70 in. (179 cm.) high
1,500-2,000 $2,500-3,300
1,900-2,500
201 A PAIR OF GILT-METAL MOUNTED GLASS CORINTHIAN
COLUMN LAMPS
LATE 20TH CENTURY
With diamond-cut glass stems, on square black veined marble
bases
26 in. (66 cm.) high, including tment (2)
1,000-1,500 $1,700-2,400
1,300-1,900
200 A VICTORIAN SILVER-MOUNTED MOULDED GLASS
CLARET JUG
MARK OF CHARLES EDWARDS, LONDON, 1892
The ovoid spirally uted body with leaf-capped foliate scroll
handle and foliate-chased mount
700-900 $1,200-1,500
890-1,100
37
Q211 A GEORGE III MAHOGANY D-END DINING TABLE
LATE 18TH CENTURY
Comprising a pair of D-ends each with single drop-leaf and a central drop-leaf section, all with
ebonised detail to the frieze, on castors
28 in. (71 cm.) high; 155 in. (394 cm.) fully extended; 42 in. (107 cm.) wide
1,500-2,500 $2,500-4,100
1,900-3,200
Q210 A MAPLE CHAISE
IN THE MANNER OF GUGLIELMO ULRICH, MID-20TH CENTURY
Upholstered in buttoned purple silk
73 in. (185.5 cm.) wide;
1,500-2,000 $2,500-3,300
1,900-2,500
Q209 FIFTEEN FRENCH SILVER-PLATED CHAMPAGNE BUCKETS
CIRCA 1930S AND LATER
Some with enamelled champagne vineyard brands and scrolled handles
8 in. (20 cm.) high on average (15)
1,500-2,500 $2,500-4,100
1,900-3,200
208 A GROUP OF GEORGIAN, VICTORIAN AND MODERN SILVER FLATWARE, PRINCIPALLY
KINGS PATTERN
VARIOUS MAKERS AND DATES
Comprising:- A marrow scoop, London, 1828; 11 salt spoons (4 of which are Kings Honeysuckle
pattern), a set of 8 teaspoons, by George Adams, London, 1844; 4 egg spoons, by Eley & Fearn,
London, 1821; 2 coffee spoons, London, 1890; 4 Old English pattern silver-gilt salt spoons with
shovel bowls, London, 1788; and 22 modern demi-tasse spoons
49.5 oz. (1539 gm.) (52)
600-800 $980-1,300
760-1,000
P R OVE NANC E :
The Marquess of Bristol, Sothebys, London, 16 September 1999, part lot 1200.
207 A SET OF FOUR GEORGE II SILVER CAULDRON SALTS
MARK OF EDWARD WOOD, LONDON, 1754
With shaped gadroon rims, shell and hoof feet and gilt interiors, later blue glass liners; a similar pair by
Mappin & Webb, London, 1913; a pair of mustard pots on lion mask feet, Birmingham, 1934; and a
pair of Edwardian rectangular mustard pots of Regency style, London, 1904, on shell and scroll feet,
gadroon borders with shell corners, all with blue glass liners, the two sets of salts engraved with crest
and initial C for Clark, the mustard pots engraved with a crowned lion issuing from a mural coronet
First set 2 in. diameter (7 cm.)
46 oz. (1426 gm.) (10)
1,000-1,200 $1,700-2,000
1,300-1,500
206 A PAIR OF GEORGE III IRISH SILVER-GILT SAUCE TUREENS
MAKERS MARK INDISTINCT, DUBLIN, 1769
Oval with slightly undulating gadroon rims, on rococo scroll and ball feet, engraved coat of arms to
one side, rococo scroll side handles, the domed covers chased with gadroon and foliate decoration,
poppy husk nials and engraved crest below earls coronet, both inscribed under bases with scratch-
weights, 23=2 and 23=11 respectively
8 in. long (21 cm.)
43.5 oz. (1349 gm.) (2)
2,000-2,500 $3,300-4,100
2,600-3,200
The arms are for Gore with Saunders in pretence for Sir Arthur Gore, 3rd. Baronet and 1st Earl of
Arran, of the Arran Islands, Co. Galway, earl from 1762, died 1773
(part)
38
212 A VICTORIAN SILVER-MOUNTED
ENGRAVED GLASS CLARET JUG
MARK OF W. & G. SISSONS, SHEFFIELD, 1865
Vase-shaped, the sides engraved with swags of
owers above a band of stiff leaves, a further
decorative band above, the mounts with bead
borders, leaf-pierced trefoil thumb-pierce and
engraved bands of scrolls and beads and Greek
key decoration
11 in. high (28.5 cm.)
800-1,000 $1,400-1,600
1,100-1,300
Q213 A FINE ARDEBIL CARPET
700-1,000 $1,200-1,600
890-1,300
Q214 A FINE NORTH-WEST PERSIAN CARPET
OF ZEGLER DESIGN
800-1,200 $1,400-2,000
1,100-1,500
Q215 A VERY FINE PART SILK NAIN RUG
AND FINE QUM RUG
approx: 8ft.11in. x 5ft.3in. and 7ft.1in. x
4ft.9in. (2)
800-1,200 $1,400-2,000
1,100-1,500
Q216 AN ARTISTS EASEL
LATE 19TH CENTURY
Ebonised and gilt heightened, with adjustable
picture rest and spindle galleries
73 in. (186 cm.) high
1,000-1,500 $1,700-2,400
1,300-1,900
217 CHANNEL ISLANDS INTEREST:- A
GEORGE II SILVER SALVER
MARK OF RICHARD RUGG, LONDON, 1759
With shell and scroll border, centred by a
rococo coat of arms, on three hoof feet
29.5 oz. (915 gm.)
700-1,000 $1,200-1,600
890-1,300
The arms are for Dumaresq, Seigneur de la
Haute,St. Gorge, Samarez, Jersey impaling De
Saumarez of Guernsey
Q218 A FINE HEREKE CARPET
800-1,200 $1,400-2,000
1,100-1,500
219 A PAIR OF GEORGE I IRISH SILVER
TRENCHER SALTS
MARKED WITH CROWNED HARP AND DATE LETTER
ONLY, DUBLIN, 1717
Circular with sunken recess, bases engraved
with initials I.S over H, also two small modern
salt spoons
2 in. diameter (7 cm.) across base
6 oz. (210 gm.) (2)
1,000-1,200 $1,700-2,000
1,300-1,500
Q220 A FINE MESHED CARPET
800-1,200 $1,400-2,000
1,100-1,500
221 TWELVE PAIRS OF GEORGE I SILVER
CANNON-HANDLED DESSERT KNIVES
AND FORKS
UNMARKED, CIRCA 1715, THE BLADES AND TINES
PROBABLY OF A LATER DATE
The faceted cannon handles engraved with
a crest coronet of a human arm embowed
terminating in a hoof shod with horseshoe, in
a later tted wooden box with brass stringing
Knives 8 in. long (20.8 cm.) (24)
1,000-1,500 $1,700-2,400
1,300-1,900
222 A SET OF THREE REGENCY STEEL FIRE
TOOLS
EARLY 19TH CENTURY
With baluster handles and cylindrical stems
30 in. (78 cm.) long (3)
800-1,200 $1,400-2,000
1,100-1,500
Q223 A PAIR OF RED-JAPANNED
RECTANGULAR MIRRORS
MODERN
Each with trailing foliate boxed frame
26 in. (67 cm.) high; 21 in. (53 cm.) wide; 2
in. (6.5 cm.) deep
800-1,200 $1,400-2,000
1,100-1,500
(part)
(part)
End of Day 1
39
CONTEMPORARY ART FROM THE COLLECTION OF
and Pascin. His taste was innovative and modern.
He also promoted local artists, such as Nachum
Gutman, an established gure at the time, and more
contemporary gures such as Aharon Messeg.
Jean realised that he was not fully exploiting
his knowledge and potential in Israel. First,
encouraged by American collectors, he opened
galleries in Palm Beach, Florida and New York;
from 1982, he refocused his attention, moving
part-time to Europe and selling to an increasingly
international market that included Japan. Tall and
red-headed, he became a familiar gure in auction
houses around the world. He was also widely
respected for his expertise.
Jean passed away in Tel Aviv in 2007 and Simone
in April this year. They are survived by their three
children and seven grandchildren. Their legacy lives
on in their three children, who are each committed
to careers in the art world and are experts in their
chosen elds.
joined the Zionist movement and helped young
Jews eeing Morocco to reach Marseilles and later
Paris on their way to Israel. Later, she too decided
to move there, arriving in 1948. In 1950, she met
Jean at the home of mutual friends. They married
the following year. Jean and Simone were soon at
the heart of bohemian nightlife in Tel Aviv. They
were gracious and generous hosts at home and
in bars and restaurants, where they entertained a
circle of bon vivant contemporaries.
In 1959, following a visit to Jaffa, Jean was
inspired to close his shop on Dizengoff Street.
Instead, he bought a former brothel in Old Jaffa
and converted it into the old citys rst art gallery,
opening in 1960. The exotic exhibition space
of the Tiroche Gallery and its steady inux of
inuential visitors markedly enlivened Jaffas night
life. The Tiroches relished its Parisian salon-like
lifestyle, entertaining the well-known artists,
actors and singers of the day.
Jean was a self-taught and self-made man. The
artists of the School of Paris were his main eld of
expertise. In his Jaffa gallery, he exhibited works
by artists such as Modigliani, Chagall, Kisling
Jean Tiroche was born in Poland in 1925. At the
age of three, he moved with his family to France.
In his teens he began working as an apprentice
to his father, a cabinetmaker working in the ea
market in Paris. Young Jean managed to convince
his father not only to conserve antique furniture but
also to start dealing in it. When the Second World
War broke out, Jean joined the French Resistance.
It was only after the end of the war, when he
returned to Paris, that Jean learnt of the death of
his parents and both of his elder brothers.
With his uncles nancial assistance, Jean bought a
small truck and began travelling through the French
countryside on weekdays, seeking out furniture,
silverware, glassware, decorative paintings, carpets
and so forth. Within a few months, he was able
to pay back his uncles loan. In 1949, after the
establishment of the State of Israel, he decided
to move there. A year later, he opened an antique
shop on Ben Yehuda Street in Tel Aviv, before
subsequently moving to premises on Allenby Street
and then Dizengoff Street.
Simone Tiroche (ne Nahon) was born in
Casablanca, Morocco. As a young teenager, she
40
301 CORRADO CAGLI (AMERICAN/ITALIAN, 1910-1976)
Bozetto del sipario per il Tancredi di Rossini al Maggio
Fiorentino
signed and dated Cagli./52 (lower left) and signed, inscribed
and dated Cagli/Sipario del il Tancredi,, di Rossini/maggio
orentino 1952 (on the reverse)
mixed media on paper laid on canvas
28 x 40 in. (73.4 x 101.6 cm.)
3,000-5,000 $4,900-8,100
3,800-6,300
302 LOWELL NESBITT (AMERICAN, 1933-1993)
Rose
signed, inscribed and dated Rose 73/ L.Nesbitt (on the reverse)
oil on canvas
38 x 30 in. (96.5 x 76.2 cm.)
1,000-2,000 $1,700-3,300
1,300-2,500
303 GERARD BARTHELEMY (FRENCH, 1927-2003)
Commode avec pommes de terre
charcoal on paper
14 x 14 in. (36.2 x 36.8 cm.)
600-800 $980-1,300
760-1,000
P R OVE NANC E :
Galerie Claude Bernard, Paris, 1982.
*304 HELMUT MIDDENDORF (GERMAN, B.1953)
Tag Nacht Kopf Pinsel - Gestirn
signed and dated - Middendorf 80 - (lower left) and inscribed
Tag Nacht Kopf Pinsel -/gestirn (lower right)
pencil, black chalk, coloured chalk and watercolour on paper
24 x 34 in. (61 x 87 cm.)
1,500-2,000 $2,500-3,300
1,900-2,500
*305 GEORGE SEGAL (AMERICAN, 1924-2000)
Untitled
signed and dated Segal 61 (lower right)
pastel on paper, unframed
17 x 11 in. (45.5 x 29.9 cm.)
1,000-2,000 $1,700-3,300
1,300-2,500
P R OVE NANC E :
Sidney Janis Gallery, New York;
acquired from the above, and thence by descent to the present
owners.
*306 AKIRA KITO (JAPANESE/FRENCH, B.1925)
Drawing of a child
signed Kito (upper left)
oil on canvas
21 x 18 in. (54.6 x 46.1 cm.)
500-700 $820-1,100
640-880
P R OVE NANC E :
Gifted by the artist, Paris, 1963.
M. Novitch.
Private Collection;
acquired from the above, and thence by descent to the present
owners.
301
302
303 306
305
304
41
*307 PAUL WUNDERLICH (GERMAN, 1927-2010)
Daniela im Seitenlicht
signed Paul Wunderlich (lower right)
oil, spray enamel, acrylic and graphite on canvas
51 x 38 in. (130 x 97 cm.)
5,000-7,000 $8,200-11,000
6,400-8,800
P R OVE NANC E :
Private collection, Europe.
Anonymous sale; Christies London, 5 December 2002, lot 208.
Acquired at the above sale, and thence by descent to the present owners.
308 PAUL WUNDERLICH (GERMAN, 1927-2010)
Daniela 3 mal
inscribed Daniela 3 mal (on the reverse)
oil, spray enamel, acrylic and graphite on canvas
57 x 44 in. (146.8 x 114 cm.)
Executed in 1971
6,000-8,000 $9,800-13,000
7,600-10,000
309 GERARD TITUS-CARMEL (FRENCH, B.1942)
Suite Narwa Grand Arc IV
signed and dated G. Titus-Carmel 78 (lower right) and inscribed Suite Narwa/ AN/ Grand
Arc IV (lower left)
pencil and charcoal on paper laid on board
47 x 92 in. (110.5 x 234.3 cm.)
1,000-2,000 $1,700-3,300
1,300-2,500
42
29 OCTOBER 2014 1960s DESIGN & STYLE
1960s DESIGN & STYLE
I was very lucky, I was part of the Post-War period
when everything had to be re-done.
Pierre Cardin
LOT 319
43
1960s DESIGN & STYLE 29 OCTOBER 2014
LOT 317 LOT 474
LOT 392
44
Q315 A PRISMA CHAIR BY VOITTO HAAPALAINEN
CIRCA 1965
Manufactured by Tehokaluste-Oy, leather upholstery, chromed steel, with swivel and tilt
mechanism
1,000-1,500 $1,700-2,400
1,300-1,900
Q314 A ROBERT STEPHENSEN HANDMADE CARPET DESIGNED BY MELISSA WYDHAM
DOT BLOCK, CIRCA 2010
Wool, woven with a repeating pattern, made in Northern India
127 in. (324.5 cm.) x 123 in. (314.5 cm.)
1,000-1,500 $1,700-2,400
1,300-1,900
313 BENJAMIN RAVENSCROFT (B. 1971)
Untitled Anatomy, Bare
signed and dated Benjamin Ravenscroft. / 1998 (on the reverse)
primer and acrylic on scored aluminium, unframed
35 x 33 in. (90.8 x 85.8 cm.)
800-1,200 $1,400-2,000
1,100-1,500
P R OVE NANC E :
with Hales Gallery, London.
With Untitled Anatomy, Bare, Ravenscroft challenges the established ideology of what a painting
should look like. At a rst glance the work appears to be a painting of a painting. The artist prompts
us to ask ourselves, why do we view a painting the way we do and; why are we conformed by
established rules in the way we view art. This painting is not simply a representation of an object
that has been painted, but it is the painting as a whole.
Q312 LE CORBUSIER, PIERRE JEANNERET AND CHARLOTTE PERRIAND
AN LC/2 SOFA AND LC/3 ARMCHAIR
Originally designed 1928, these examples of recent manufacture, tubular steel and black leather
The sofa: 70 in. (178 cm.) wide (2)
2,000-3,000 $3,300-4,900
2,600-3,800
Q311 A ROBERT STEPHENSEN HANDMADE CARPET DESIGNED BY MELISSA WYDHAM
DOT BLOCK, CIRCA 2010
Wool, woven with a repeating pattern, made in Northern India
129 in (328 cm.) x 114 in. (289.5 cm.)
1,000-1,500 $1,700-2,400
1,300-1,900
VARIOUS PROPERTIES
310 A SET OF TEN LALIQUE CLEAR AND FROSTED GLASS WINE GLASSES
ANGES, NO. 13-645
The stems moulded with angels heads, the bowls engraved with wings, signed Lalique France
8 in. (20.3 cm.) high
1,000-1,500 $1,700-2,400
1,300-1,900
Q319 PIERRE PAULIN (1927 - 2009)
CANAPE AMPHYS
Originally designed 1969, this example of recent manufacture,
blue fabric and expandable foam stufng, on articulated metal
bases
Maximum length: 235 in. (597 cm.)
Height of back: 24 in. (62 cm.)
Height of seat: 17 in. (43 cm.)
Overall depth: 30 in. (76 cm.)
1,500-2,500 $2,500-4,100
1,900-3,200
318 NUNZIO (ITALIAN, B.1954)
Untitled
signed and dated NUNZIO 1999 (lower right)
pastel and charcoal on paper
18 x 12 in. (46.1 x 32.4 cm.)
1,000-1,500 $1,700-2,400
1,300-1,900
317 AN ALESSANDRO PIANON PULCINO GLASS BIRD
PRODUCED BY VISTOSI
CIRCA 1960S
Blown glass with applied glass eyes and textured body, supported
on copper legs
9 in. (23 cm.) high
900-1,200 $1,500-2,000
1,200-1,500
Q316 DEL FILARDI (AMERICAN)
ABSTRACT WALL SCULPTURE, 1975
Painted and brushed steel, signed Filardi 1975
60 in. (152.5 cm) long
800-1,200 $1,400-2,000
1,100-1,500
45
46
320 TWO GARRARD & CO SILVER, ABSTRACT STEMMED
BOWLS CONCEIVED BY ROBERT MARSDEN
1993
Each having a bowl supported on a column and base formed
from abstract shapes, stamped Garrard & Co silver makers stamp,
London hallmarks for 1993, engraved Conceived by Robert Marsden for
Garrard & Co 112 Regent St.
7 in. (19 cm.) high
46 oz. (1430.6 grams) (2)
1,000-1,500 $1,700-2,400
1,300-1,900
Q321 JORN UTZORN
A LOUNGE CHAIR
Circa 1969, for Fritz Hansen, tubular steel, plywood and
upolstery
1,000-1,500 $1,700-2,400
1,300-1,900
322 KATE BRINKWORTH (B. 1977)
Green six
indistinctly signed, inscribed and dated Green Six/ March
2010 (on the reverse)
oil on canvas
52 x 35 in. (132.1 x 88.8 cm.)
3,000-5,000 $4,900-8,100
3,800-6,300
Q323 A CONTINENTAL NOVELTY BRASS UPLIGHTER
LATE 20TH CENTURY
Modelled with a French horn, on a perspex and brass pedestal
base
72 in. (183 cm.) high
1,000-1,500 $1,700-2,400
1,300-1,900
Q324 A LARGE PAINTED FIBREGLASS OR COMPOSITION
VASE
LATE 20TH CENTURY
Fitted with black painted simulated bamboo
92 in. (234 cm.) high
1,000-1,500 $1,700-2,400
1,300-1,900
325 A FORNASETTI MACHINE WOVEN WOOL RUG
DESIGNED BY BARNABA FORNASETTI AND MADE BY
LOUIS DE POORTERE
TIGRE, CIRCA 1990S
Woven with a tiger lying amidst leaves, woven Fornasetti with a
hand holding a pen in the weave, label on reverse for decorwool,
Wools of New Zealand
78 in. (198 cm.) x 56 in. (142 cm.)
1,800-2,200 $3,000-3,600
2,300-2,800
47
Q326 AN ITALIAN BRASS AND WHITE-PAINTED WROUGHT
IRON STANDARD LAMP
LATE 20TH CENTURY
Modelled as a palm plant with three branches, the leafy nials
with glass shades covering the tments
58 in. (148 cm.) high
800-1,200 $1,400-2,000
1,100-1,500
327 ROGER HILTON (1911-1975)
Untitled, 1973
signed and dated Hilton 73 (lower left)
pencil, black chalk and bodycolour
10 x 18 in. (27.3 x 45.8 cm.)
2,000-3,000 $3,300-4,900
2,600-3,800
328 BAMBI (20TH/21ST CENTURY)
Amy Green
screenprint in colours, 2011, signed in pencil, inscribed AP
an artists proof, published by Hyde Image Ltd, with their
blindstamp, the full sheet, in good condition
sheet: 1114 x 765 mm.
1,200-1,800 $2,000-2,900
1,600-2,300
Q329 AN ITALIAN GILT-METAL AND AMBER GLASS
SUNBURST MIRROR
LATE 20TH CENTURY
Of stylised sun form
43 in. (109 cm.) diameter
1,500-2,000 $2,500-3,300
1,900-2,500
Q331 AN ART DECO SUITE
EARLY 20TH CENTURY
Comprising a circular table and a pair of chairs, in maple and oak
The table 28 in. (72 cm.) high; 30 in. (76 cm.) diameter (3)
1,500-2,000 $2,500-3,300
1,900-2,500
330 A KEVIN COATES PATINATED BRONZE HEAD
HEAD OF ARIEL, 1987, EDITION OF NINE
Modelled and cast with wind swept hair and supported on his
hand and forearm, the pentelikon marble base carved with an
arrowed A heightened with gold leaf, signed on the side of neck
Coates 87
6in. (15.8cm.) high
1,200-1,500 $2,000-2,400
1,600-1,900
L I T E R AT UR E :
Kevin Coates, A Hidden Alchemy, Arnoldische, 2008, p. 255
(illustrated).
Ariel was the spirit of nature freed by Prospero and sent by him
to control the Tempest.
48
Q337 A MATCHED AND ADAPTED PAIR OF ENGLISH ARTS AND CRAFTS OAK BOOKCASES
CIRCA 1930
Each with three shelves, the top edges with exposed dove tails, the sides with exposed joints, with
shaped apron at the base and having stepped and chamfered feet
38 in. (96.5 cm.) high x 33 in. (84 cm.) wide (2)
1,200-1,800 $2,000-2,900
1,600-2,300
Probably adapted from two Loughborough College compendiums which were designed by Peter
Waals (Head of Furniture at Loughborough College) and made by students under his supervision for
Hazelrigg Hall, circa 1935.
336 A DAUM CAMEO GLASS BOWL WITH SILVER COVER
CIRCA 1895
The frosted bowl overlaid and acid-etched with dog roses, the blooms picked out in gilt, the silver
cover embossed with dog roses and rose hips, glass signed Daum Nancy with Cross of Lorraine, the silver
cover stamped with faint French poinons and makers lozenge
4 in. (12.5 cm.) diameter
400-600 $650-980
510-760
P R OVE NANC E :
Phillips London, 18th June 1987
335 No lot
Q334 A LIBERTY & CO. MOORISH WALNUT BUREAU
CIRCA 1900
The raised shelf and fabric-panels above a fall enclosing pigeonholes, with velvet-lined writing
surface, above a drawer and an arcaded shelf, with small shelves to the opposing side, labelled twice
Liberty & Co.,/941/REGENT ST., LONDON and Liberty & Co., Rd. 113559,/REGENT ST.
LONDON
1,000-1,500 $1,700-2,400
1,300-1,900
333 AN ART NOUVEAU COLD-PAINTED BRONZE CANDLEHOLDER
CIRCA 1900
Modelled and cast as a water Lilly, the sconce inside the bud, with bulrushes and leaves spreading
out to the side, indistinct stamped mark
14 in. (35.5 cm.) long
800-1,200 $1,400-2,000
1,100-1,500
332 AN EMILE GALLE (1846-1904)
ENAMELLED SCENT BOTTLE AND
STOPPER
LATE 19TH CENTURY
The bottle of lobed form, painted en grisaille
with a landscape, the foreground decorated in
coloured enamels with owers and leaves, the
stopper modelled as a ower decorated with
enamel and gilt, signed Emile Gall engraved 27
4 in. (12.4 cm.) high
1,000-1,500 $1,700-2,400
1,300-1,900
P R OVE NANC E :
Phillips, 18th June 1987
49
Q343 AN AESTHETIC MOVEMENT
MAHOGANY, EMBOSSED PAPER AND
BLACK AND GILT-LACQUER TWO-
FOLD SCREEN
CIRCA 1870
Of hinged construction and stepped form,
with scroll nials and a hinged candle-stand to
one side
Each panel: 76 in. (194 cm.) high; 20 in. (51
cm.) wide
1,000-1,500 $1,700-2,400
1,300-1,900
342 A WMF PARTLY PATINATED AND POLISHED METAL FIGURAL CENTREPIECE
CIRCA 1900
Cast as an art nouveau maiden, her skirt spreading out to form four dishes, stamped makers marks
WMF
800-1,200 $1,400-2,000
1,100-1,500
341 A DAUM ENAMELLED GLASS WINTER LANDSCAPE VASE
CIRCA 1895
The vase of elliptical section, acid-etched in relief and painted in coloured enamels with trees in a
snow covered landscape, painted signature Daum Nancy with Cross of Lorraine
3 in. ( 8 cm.) high; 4 in. (10.2 cm.) wide
1,600-2,000 $2,700-3,300
2,100-2,500
340 A PAIR OF ART NOUVEAU GILT-METAL FIGURAL TABLE LAMPS
CIRCA 1900
Each modelled and cast as a female Herm, the arms supporting the light tments and shades
13 in. (33.5 cm.) high (2)
600-800 $980-1,300
760-1,000
339 A GROUP OF SEVEN WMF FIGURAL METAL WARES
CIRCA 1900
Comprising: a tazza with a winged maiden holding a dove, a centrepiece, a vide poche with ginko
leaves and a crab, a leaf form pen tray, a cigar lighter and a pair of twin handled vases (without
liners), stamped makers marks; together with a pair of ISIS gural candlesticks, stamped marks, and a
WILLIAM NEALE silver tray, and pin-tray, tray stamped makers marks WN, Chester 1903, Rd. no.
412167
Tallest 14 in. (36 cm.) high (11)
2,000-3,000 $3,300-4,900
2,600-3,800
338 A DAUM CAMEO AND ENAMELLED SCENT BOTTLE AND STOPPER
CIRCA 1895
The internally decorated bottle of attened form acid-etched in relief with owers heightened with
enamels and gilding, signed Daum Nancy with Cross of Lorraine
3 in. (8.5 cm.) high
1,000-1,500 $1,700-2,400
1,300-1,900
P R OVE NANC E :
Christies London, 8th June 1993, lot 6 (2,070)
50
344 SIR WILLIAM ORPEN (1878-1931)
Figure drawing of a seated male nude
signed and dated William Orpen 1903
(lower right)
black chalk
11 x 8 in. (29.8 x 22.3 cm.)
800-1,200 $1,400-2,000
1,100-1,500
345 WILLIAM HEATH ROBINSON
(1861-1945)
The Magician
signed with monogram and inscribed To Alan
Staines/with sincere/regards from/W. Heath
Robinson/1921 (lower right)
pen and ink and coloured wash
11 x 8 in. (28.5 x 21.6 cm.)
800-1,200 $1,400-2,000
1,100-1,500
346 AUGUSTUS EDWIN JOHN, O.M., R.A.
(1878-1961)
Mavis
signed John (lower right)
pencil
13 x 10 in. (34.2 x 26 cm.)
1,000-1,500 $1,700-2,400
1,300-1,900
347 No Lot
348 EDWARD SEAGO, R.B.A., A.R.W.S.,
R.W.S. (1910-1974)
A set of four illustrations (possibly for
The Rabbit Skin Cap)
all variously annotated
pen and black ink
14 x 9; and similar (4)
1,200-1,800 $2,000-2,900
1,600-2,300
(1878-1961)
Full length female nude gure study
signed John (lower left)
charcoal
23 x 18 in. (59.8 x 47 cm.)
1,500-2,000 $2,500-3,300
1,900-2,500
P R OVE NANC E :
Augustus John Studio Sale; Christies, London,
21 June, 1963 (untraced)
350 ERNST MICHAEL DINKEL (1894 - 1983)
Still-life with birds and shells (illustrated);
and A Scottish moorland landscape
the rst signed and dated E. M. Dinkel/1953
(lower right); the second signed and dated E.
Michael/Dinkel/1969 (lower right)
pencil and watercolour on oatmeal paper
21 x 13 in. (54 x 35 cm.); 14 x 12 (37 x
31.7 cm.) (2)
700-1,000 $1,200-1,600
890-1,300
351 GWEN JOHN (1876-1939)
Study of a plant
signed Gwen John (lower right)
pencil with green wash on brown paper
8 x 5 in. (21.6 x 13.4 cm.)
1,500-2,000 $2,500-3,300
1,900-2,500
P R OVE NANC E :
with Xanthus Gallery, Norwich
Anonymous sale; Bonhams, London,
3 December 2002, lot 34
20th Century British Art & Dreaming Spires:
Watercolours of Oxford & Cambridge
Colleges; Christies, South Kensington,
7 December 2006, lot 79
E XHI B I T E D:
London, Faerber and Maison, Gwen John, 1876-
1939, 13th November - 12th December 1964
352 GEORGE GROSZ (1893-1959)
Berliner Mietshuser
dated 4.6.12 (lower right) with the Nachlass
stamp and number 4/174/6 (on the reverse)
cont crayon
7 x 4.6/8 in. (20 x 12 cm.)
1,000-1,500 $1,700-2,400
1,300-1,900
P R OVE NANC E :
Anonymous sale; Christies, South Kensington,
10 February 2012, lot 156
E XHI B I T E D:
Baden Baden, Galerie Elfriede Wernitzer, 23.
Stuttgarte Antiquariatsmesse, January 1984.
353 AVIGDOR ARIKHA (1929-2010)
Portrait of Dr. Spitzer
signed Arikha (upper centre) and dated
19.X.66 (lower right)
pen and black ink
11 x 7 in. (28 x 19.7 cm.)
800-1,200 $1,400-2,000
1,100-1,500
354 PAUL LUCIEN MAZE (1887-1979)
Jessie, the artists wife, seated in an
armchair
signed and dated Paul Maze/1955 (lower
right)
coloured pastel on ochre paper
28 x 20 in. (73 x 52.1 cm.)
800-1,200 $1,400-2,000
1,100-1,500
344
345
346
349
348
350
351
352
353
354
51
355 ERNST MICHAEL DINKEL (1894-1983)
Autumn landscape, Kirkcudbrightshire,
Scotland (illustrated); and Rocks and a
Rowan tree, Arisaig, Scotland
the rst signed and dated E.M.Dinkel 1960
(lower right); the second indistinctly inscribed
and signed and dated E Michael/Dinkel/1961
(lower right)
17 x 13 (43.8 x 34.3 cm.); and 15 x 13 in.
(39.4 x 34.3 cm.) (2)
700-1,000 $1,200-1,600
890-1,300
Ernest Michael Dinkel was a versatile painter,
sculptor and designer. After graduating from
the Royal College of Art in 1925, he went to
study art and architecture in Italy and France.
He exhibited at the Royal Watercolour Society,
the New English Art Club and at the Royal
Academy from 1927 to 1976. He taught at
the Royal College of Art (1925-1940), was
Head of Stourbridge School of Art (1940-
1947), and Head of the School of Design at
Edinburgh College of Art (1947-1961). He was
commissioned by London Transport in 1931
to design a series of posters that resulted in
several iconic images and copies of which were
sold in these rooms on 4th October 2012 as
part of the Posters with Purpose: The London
Transport Museum Sale.
356 ERNST MICHAEL DINKEL (1894-1983)
Landscape near Sneem, County Kerry,
Ireland (illustrated); and Cockleshell
Beach, North bay, Barra, Outer
Hebrides
the rst signed and dated E. Michael/1969/
Dinkel; the second signed and dated E. M.
Dinkel/1951 (lower right)
13 x 14 in. (33 x 37.5 cm.); and 13 x 16 in.
(33 x 41.3 cm.) (2)
700-1,000 $1,200-1,600
890-1,300
357 No Lot

358 WALTER RICHARD SICKERT, A.R.A.
(1860-1942)
Enid Bagnold asleep, Red Lion Square
signed and inscribed Sickert. Rd Lion Sq.
Enid (lower left)
pencil on brown paper
9 x 14 in. (22.9 x 35.5 cm)
800-1,200 $1,400-2,000
1,100-1,500
P R OVE NANC E :
with Abbott and Holder, London
Anonymous Sale; Christies, London, 8 March,
1990, lot 11
Anonymous Sale; Phillips, London, 29
January, 1991, lot 52
Enid Algerine Bagnold, Lady Jones, CBE (27
October 1889 31 March 1981) was a British
author and playwright and sometime pupil of
Sickert in London.
(1878-1961)
Female nude, full length, reclining on a
sofa
pencil on ochre paper
13 x 18 in. (34.3 x 45.7 cm.)
1,000-1,500 $1,700-2,400
1,300-1,900
THE PROPERTY OF A PRIVATE COLLECTION
360 MOHAMMED NAGHI BEY (1888-1956)
Egyptian women and child with pestle
and mortar
signed Naghi (lower right)
coloured chalk and watercolour
8 x 12 in. (20.3 x 30.5 cm.)
200-400 $330-650
260-510
361 JAMES McINTOSH PATRICK, R.S.A.
(1907-1998)
View of Arles; and A view Nimes,
France (one illustrated)
the rst signed, inscribed and dated ARLES/26
J. MCINTOSH PATRICK (lower right);
the second NIMES/26 J. MCINTOSH
PATRICK (lower centre)
pencil, pen and black ink and watercolour
9 x 12 in. (22.8 x 30.5 cm.); and similar (2)
700-1,000 $1,200-1,600
890-1,300
Dated 1926 these are relatively early works in
McIntosh Patricks ouevre, he was still studying
at the Glasgow School of Art having started in
1924 and nally leaving in 1928. During this
time he also spent a period working in Paris
and travelling in France.
362 MICHAEL AYRTON, R.A. (1921-1975)
Blue dispersing
signed and dated 25.6.64/michael ayrton
(lower right)
ink and watercolour
14 x 19 in. (36.8 x 48.2 cm.)
600-800 $980-1,300
760-1,000
P R OVE NANC E :
with Blain, London.
363 MADDOX, CONROY (1912-2005)
Decoding the signs
signed and dated Conroy Maddox/ 72 (lower
right)
pencil, watercolour and bodycolour
8 x 11 in. (20.6 x 28.6 cm.); unframed
600-800 $980-1,300
760-1,000
This work will be included in the forthcoming
Catalogue Raisonn
364 JAMES FITTON, R.A. (1889-1982)
Pot Black
signed with initials (lower right)
9 x 10 in. (24.7 x 25.5 cm.)
600-800 $980-1,300
760-1,000
E XHI B I T E D:
Dulwich Picture Gallery, London, James Fitton
R.A. 1899-1982, 1980, no. 48.
355 (part)
356 (part)
358
359
364
363
362
361 (part)
360
52
29 OCTOBER 2014 SIMPLE, BOLD, BRITISH
LOT 442 LOT 446
LOT 383
53
SIMPLE, BOLD, BRITISH 29 OCTOBER 2014
SIMPLE, BOLD, BRITISH
LOT 386
LOT 361
54
Q370 PENTHESILIA QUEEN OF THE AMAZONS, A MARCEL ANDR BOURAINE (1886-1948)
PATINATED BRONZE
CIRCA 1925
Modelled and cast as a naked woman in streamlined pose holding a bow, integral base and
mahogany plinth, signed in the cast Bouraine and Susse Frs Edt Paris
18 in. (47 cm.)
1,000-1,500 $1,700-2,400
1,300-1,900
369 EIGHT BRASS HANGING YACHT LIGHTS
SECOND HALF 20TH CENTURY
Each with hanging loop and domed glass shade
8 in. (22 cm.) high; 12 in. (30.5 cm.) diameter (8)
1,200-1,800 $2,000-2,900
1,600-2,300
Q368 A PAIR OF WROUGHT IRON AND GLASS HANGING LANTERNS
Each of octagonal form, supported by four chains
34 in. (87 cm.) high, 33 in. (84.5 cm.) wide (2)
2,000-3,000 $3,300-4,900
2,600-3,800
By repute, removed from the Midland Hotel, Morecombe, Lancashire
Q367 A GILT-BRASS BAMBOO FLOOR LAMP ATTRIBUTED TO JACQUES ADNET
CIRCA 1950
Cast in the form of bamboo; together with three 1950s gilt-painted wrought-iron oor lamps
Bamboo lamp 58 in. (140 cm.) high (4)
1,000-1,500 $1,700-2,400
1,300-1,900
366 A PETITO FRENCH ART DECO SILVERED BRONZE AND ALABASTER CHANDELIER
CIRCA 1925
The ribbed column supporting four arms with alabaster up-lighter shades, signed under the swag motifs
1,000-1,500 $1,700-2,400
1,300-1,900
365 AN ITALIAN MOULDED GLASS NINE LIGHT CHANDELIER
CIRCA 1960S
The descending tiers hung with moulded scrolling leafs, tted for electricity
26 in. (67 cm.) high; 18 in. (45.5 cm.) wide
1,200-1,800 $2,000-2,900
1,600-2,300
(part)
55
Q374 ROBERT MOUSEMAN THOMPSON
LATE 20TH CENTURY
Comprising: an oak open bookcase with three adjustable shelves; together with a bar stool with
metal footrest, a small open bookcase with adzed top and two adjustable shelves and depth
measures, a pair of book troughs and a pair of bookends, each signed with a mouse
The larger bookcase: 71 in. (82.5 cm.) high; 32 in. (82.5 cm.) wide; 12 in. (31.5 cm.) deep
The smaller bookcase: 27 in. (70 cm.) high (7)
800-1,200 $1,400-2,000
1,100-1,500
LATE 20TH CENTURY
Comprising: two oak nests of tables, all with adzed tops, one book trough, one cigarette box, an
ashtray and a lighter, each signed with a mouse
The largest of the tables: 18 in. (47 cm.) high; 24 in. (61 cm.) wide; 14 in. (37 cm.) deep (10)
800-1,200 $1,400-2,000
1,100-1,500
LATE 20TH CENTURY
Comprising: a pair of oak open bookcases, each with three adjustable shelves and depth measures;
together with a pair of oak book troughs and an octagonal oak and brass wall clock, each signed
with a mouse
The bookcases: 48 in. (122 cm.) high; 33 in. (84 cm.) wide; 10 in. (26 cm.) deep (5)
1,000-1,500 $1,700-2,400
1,300-1,900
LATE 20TH CENTURY
Comprising: an oak and leather chair, a tea trolley with folding frame and two removable trays, a
three-legged stool, a pair of book troughs, one bowl, one breadboard and one cheeseboard, each
signed with a mouse
The trolley: 29 in. (75 cm.) high; 33 in. (86 cm.) wide; 15 in. (39 cm.) deep (8)
800-1,200 $1,400-2,000
1,100-1,500
56
*375 NORMAN THELWELL (1923-2004)
Its a good job its only a friendly match
signed .thelwell. (lower right)
pen and black ink and blue wash heightened with white,
unframed
7 x 10 in. (19 x 26.7 cm.)
400-600 $650-980
510-760
L I T E R AT UR E :
Daily Express, London, 7 February 1965
Remember to take a few simple remedies with you. For
bites & Stings...For minor accidents..and for nervous
upsets; and Be prepared to try local food & drink when
travelling abroad...respect the manners and customs of
the natives..and dont be afraid to let the people know
youre British
pen and black ink heightened with white; unframed
800-1,200 $1,400-2,000
1,100-1,500
L I T E R AT UR E :
the rst Daily Express, London, 19 July 1964
the second Daily Express, London, 26 July 1964
377 RONALD WILLIAM FORDHAM SEARLE (1920-2011)
Beauty Factory
signed and dated Ronald Searle/1991 (lower right)
12 x 24in. (31 x 61.5cm.)
1,000-1,500 $1,700-2,400
1,300-1,900
P R OVE NANC E :
Anonymous Sale; Christies, London, 16 June, 2000, lot 223
E XHI B I T E D:
London, Chris Beetles, The British Art of Illustration 1850-2000,
no. 697
An original illustration for TV Guide, New York, 1991
The next time a fault develops while Im out of the
room, youll all sit quietly in your seats until I return;
and Giving them a lift was one thing!
both signed thelwell. (lower right) and inscribed as title (lower
centre)
pen and black ink heightened with white, unframed
7 x 10 in. (19 x 27 cm.); and similar (2)
800-1,200 $1,400-2,000
1,100-1,500
L I T E R AT UR E :
the rst Daily Express, London, 17 October, 1965
the second Daily Express, London, 11 July, 1966
379 MADGE GILL (1884-1961)
Lady in the garden: abstract triptych
pen and black ink, unframed
5 x 3 in. (14 x 9 cm.) (3)
600-800 $980-1,300
760-1,000
380 PATRICK PROCKTOR (1936-2003)
Double image with tulips
signed and dated Patrick Procktor 1969 (lower right)
watercolour
18 x 27 in. (45.7 x 68.6 cm.)
2,000-3,000 $3,300-4,900
2,600-3,800
That would make a nice little farm for someone; and
Never camp on agricultural land without rst obtaining
the farmers permission
both signed .thelwell. (lower right)
pen and black ink, unframed
7 x 10 in. (19 x 26.6 cm.); and similar (2)
800-1,200 $1,400-2,000
1,100-1,500
L I T E R AT UR E :
the rst Daily Express, London, 7 May 1967
the second Daily Express, London, 30 August 1964
382 AUGUSTUS EDWIN JOHN, O.M., R.A. (1878-1961)
Study of a girl crouching
pencil
8 x 11 in. (20.3 x 28 cm.)
1,500-2,500 $2,500-4,100
1,900-3,200
383 STANLEY CURSITER, C.B.E., R.S.A., R.S.W. (1887-1976)
Mentone, France, with boats in the foreground and the
Basilica of St Michael beyond
signed Stanley Cursiter (lower left)
9 x 14 in. (24.2 x 36.3 cm.)
1,000-1,500 $1,700-2,400
1,300-1,900
This painting can probably be dated to around c. 1915-20.
(part) (part)
(part)
57
*384 PIERRE BONNARD (1867-1947)
Une scne prs du port; and Femme au Chien
pencil, unframed
4 x 6.6/8 in. (11.4 x 19.3 cm.); 5 x 4 in. (15 x 11.5 cm.) (2)
1,000-1,500 $1,700-2,400
1,300-1,900
Deux femmes aux chapeaux; and Deux Paysannes
one with atelier stamp
the rst coloured chalks; the second pencil
3 x 5 in. (9.5 x 14.7 cm.); 7.6/8 x 5 in. (19.5 x 12.6 cm.) (2)
1,000-1,500 $1,700-2,400
1,300-1,900
386 EDWARD SEAGO, R.B.A., A.R.W.S., R.W.S. (1910-1974)
The gateway to Marrakech, Morocco
signed Edward Seago (lower left)
13 x 20 in. (33 x 50.8 cm.)
3,000-5,000 $4,900-8,100
3,800-6,300
P R OVE NANC E :
with Colnaghi, London
387 MAURICE UTRILLO (1883-1955)
Le Moulin
signed and dated Maurice, Utrillo, V, Septembre 1938, (lower right)
coloured pencil
8 x 10 in. (21 x 27 cm.)
Executed in September 1938
2,000-4,000 $3,300-6,500
2,600-5,100
P R OVE NANC E :
Nicolas Landau et Jacqueline Goldman; their sale, Sothebys Paris, 8 April 2013, lot 306.
Acquired from the above sale by the present owner.
Three nude gure studies
one inscribed and dated f 1337 Tome III Et 1922 (verso)
two coloured chalks, the third pencil on squared paper, all on buff paper
1,000-1,500 $1,700-2,400
1,300-1,900
389 EUGENE BOUDIN (1824-1898)
La plage de Berck, mare basse
stamped with initials E.B. (twice, lower right)
4 x 7.6/8 in. (11.2 x 19.8 cm.)
2,000-3,000 $3,300-4,900
2,600-3,800
P R OVE NANC E :
Brian Juhos Collection; Christies, South Kensington, 1 May 2013, lot 332
58
Q395 CHARLES & RAY EAMES
SIX DKW SIDE CHAIRS
Designed 1951, manufactured by Herman Miller, steel wire, walnut and hide
32 in. (82.5 cm.) high (6)
2,000-3,000 $3,300-4,900
2,600-3,800
VARIOUS PROPERTIES
394 A CHRISTOFLE GALLIA METAL TEA AND COFFEE SET DESIGNED BY LINO SABATTINI
CIRCA 1955
Comprising: a tea pot, sugar bowl, milk jug, tray and a coffee pot with a scroll terminal to the
handle, stamped with Christoe makers marks, France
Tray 14 in. (36 cm.) diameter
1,200-1,800 $2,000-2,900
1,600-2,300
393 GEROME KAMROWSKI (AMERICAN, 1914-2004)
Landscape
signed and dated G.KAMROWSKI 72 (lower left)
acrylic on canvas, unframed
16 x 29 in. (40.6 x 75 cm.)
1,000-1,500 $1,700-2,400
1,300-1,900
P R OVE NANC E :
Gifted by the artist to the present owner.
Q392 OSVALDO BORSANI (1911-1985)
A DINING TABLE
Designed circa 1960, oval marble top on scrolled chromium-plated supports, applied makers mark
TECNO MILANO
28 in. (73 cm.) high; 78 in. (199.5 cm.) wide; 46 in. (118 cm.) deep
2,000-3,000 $3,300-4,900
2,600-3,800
VARIOUS PROPERTIES
391 MARK BRAZIER-JONES (B. 1956)
GUARDIAN EGG CUP OR NIGHT LIGHT, CIRCA 2000
A set of six bronze, dual purpose, sculptures modelled, cast and patinated as a winged eye raised on a
single stem with four feet, unsigned
1,500-2,500 $2,500-4,100
1,900-3,200
THE COLLECTION OF THE BERTRAND RUSSELL PEACE FOUNDATION (LOTS 390, 393, 396, 399)
Artists from many countries generously donated work to the Bertrand Russell Peace Foundation, which was
established in 1963. They did so particularly on the occasion of Russells centenary, in 1972. Russell, philosopher
and Nobel Laureate, had died two years earlier, in 1970, age 98 years. He had continued his lifelong work for
peace and nuclear disarmament until the time of his death. The Foundation that bears his name continues his
work for peace, human rights and social justice.
390 SEYMOUR FOGEL (AMERICAN, 1911-1984)
Geologic form 3
signed and dated Fogel 71 (lower left)
acrylic on board
30 x 20 in. (76.2 x 50.8 cm.)
1,000-1,500 $1,700-2,400
1,300-1,900
P R OVE NANC E :
59
Q401 PREBEN FABRICIUS AND JORGEN KASTHOLM
A PAIR OF MODEL 6720 LOUNGE CHAIRS
Designed 1968, for Alfred Kill, steel and leather (2)
1,500-2,500 $2,500-4,100
1,900-3,200
VARIOUS PROPERTIES
400 BRUNO GAMBONE (B.1936)
CAT, LATE 20TH CENTURY
Modelled and cast as a stylised cat, signed with Bruno Gambone facsimile signature, and paper label for
Esart Made in Italy
9 in. (24.8 cm.) long
1,000-1,500 $1,700-2,400
1,300-1,900
399 KLAUS STAUDT (GERMAN, B.1932)
Circulierend
signed Klaus Staudt (on the artists label on reverse) and signed and inscribed Circulierend for the
Bertrand/ Russell Peace/ Foundation/ Klaus Staudt (on another artists label attached to the reverse)
plexi-glass, acrylic and cardboard on board
31 x 31 in. (80 x 80 cm.)
Executed in 1970
3,000-5,000 $4,900-8,100
3,800-6,300
P R OVE NANC E :
Q398 PREBEN FABRICIUS AND JORGEN KASTHOLM
A MODEL 6722 SOFA
Designed 1968, for Alfred Kill, steel and leather
56 in. (143.5 cm.) wide
2,000-3,000 $3,300-4,900
2,600-3,800
VARIOUS PROPERTIES
397 A GROUP OF FOUR ART DECO CHRISTOFLE DINANDERIE METAL VASES
CIRCA 1930
The vases decorated with metallic surface nishes with geometric or stylized patterns, all stamped
with makers marks, and numbered respectively B13J, 187 G, B130 G, B170 G
Tallest 9 in. (24 cm.) high (4)
1,500-2,000 $2,500-3,300
1,900-2,500
396 EILA HILTUNEN (FINNISH, 1922-2003)
Polyphonic
Eila Hiltunen (incised on a plaque attached to base)
patinated bronze
1,000-1,500 $1,700-2,400
1,300-1,900
P R OVE NANC E :
60
29 OCTOBER 2014 PROPERTY FROM A PRIVATE COLLECTION
LOT 402
LOT 478
61
PROPERTY FROM A PRIVATE COLLECTION 29 OCTOBER 2014
LOT 483
PROPERTY FROM
A PRIVATE COLLECTION
LOT 418 LOT 490
LOT 407
62
PROPERTY FROM A PRIVATE COLLECTION (LOTS 402, 407, 412,
418, 478, 483, 490)
*402 CIILO MATINEZ NOVILLO (5PANI5H, 1921-2008)
Village
signed Martinez Novillo (lower right)
oil on canvas
19 x 24 in. (49.6 x 61 cm.)
5,000-7,000 $8,200-11,000
6,400-8,800
NO RESERVE
VARIOUS PROPERTIES
403 fOU fONA5ETTI 'A5TOLAIO' CEAMIC PLATE5 AND A 5ET Of EIGHT
'MELODAMMA' COA5TE5
1950S & 1960S RESPECTIVELY
Each piece lithographically decorated and with gilt decoration, the coasters with lead Operatic
couples, original boxes, plates printed Fornasetti hand and brush mark, Made in Italy, numberes 2,4, 5 &
6, Weihnachten Christmas Noel Van Heughten N.V. Amersfoort;
coasters printed Fornasetti hand and brush mark, Melodramma, Made in Italy for Roseneld Imports Inc;
Coaster 4 in. (10.5 cm.) diameter; plate 9 in. (24 cm.) diameter (12)
1,000-1,500 $1,700-2,400
1,300-1,900
Q404 A VELLUM AND CEAM-PAINTED CAINET
1930S-40S
The doors covered in vellum, with brass handles modelled as bows, enclosing three bays, reduced in
depth and later tted with shelves
72 in. (183.5 cm.) high; 107 in. (272.3 cm.) wide; 18 in. (45.7 cm.) deep
3,000-5,000 $4,900-8,100
3,800-6,300
405 A D.H. CHIPAU5 (1888-1950) AT DECO TEACOTTA fIGUE
CIRCA 1930
Modelled and cast as a partially draped woman sitting amidst wheat sheaves, signed D.H Chiparus
30 in. (77 cm.) long
1,200-1,800 $2,000-2,900
1,600-2,300
Q406 A 5EGU5O VETI D'ATE OCCA5IONAL TALE
CIRCA 1950
The gilt-brass mounted supports internally decorated with coloured streaks and aventurine
23 in. (58 cm.) high; 31 in. (80.5 cm.) diameter
1,500-2,500 $2,500-4,100
1,900-3,200
63
418, 478, 483, 490)
*407 EN1AMIN PALENCIA (5PANI5H, 1894-1980)
Amapolas
signed and dated B. Palencia/1971 (upper right)
oil on canvas
20 x 25 in. (52.4 x 63.5 cm.)
10,000-15,000 $17,000-24,000
13,000-19,000
P R OVE NANC E :
with Galeria Theo, Madrid.
NO RESERVE
VARIOUS PROPERTIES
408 AN ALEXANDE KELETY COLD-PAINTED AND PATINATED ONZE U5T
JEAN MERMOZ (1901-1936), CIRCA 1930S
Modelled and cast as the handsome French aviator, on marble plinth, signed Klty
15 in. (38 cm.) wide
700-900 $1,200-1,500
890-1,100
Q409 A fENCH A55 AND GILT-METAL 5MOKED GLA55 DINK5 TOLLEY
MID-20TH CENTURY, IN THE MANNER OF MAISON CHARLES
The upper tier with collapsible demi-lune drop leaves
1,200-1,800 $2,000-2,900
1,600-2,300
410 A HAGENAUE GILT AND PATINATED ONZE OAT 5CULPTUE
MID-20TH CENTURY
Modelled and cast as a naked woman kneeling on a sail boat, stamped makers roundel, Hagenauer
Wien, Made in Austria, Handmade
800-1,200 $1,400-2,000
1,100-1,500
Q411 A POTO MALE TOPPED AMOYNA AND PATINATED ONZE 5IDEOAD,
ATTIUTED TO MICHEL DUfET(1888-1945)
CIRCA 1930
With twin doors enclosing a shelf and rounded ends with cupboards, each enclosing a shelf
2,500-3,500 $4,100-5,700
3,200-4,400
64
Q417 5TUDIO HAN5 HOLLEIN. EATE KUGEL
A DINING SUITE, CIRCA 1986
Comprising a table and six chairs, oak and stained oak, the table with aluminium line inlay and
tubular steel legs, the chairs with drop-in rush seats
1,500-2,000 $2,500-3,300
1,900-2,500
416 MAK TOEY (AMEICAN, 1890-1976)
Untitled (Blue et jaune)
signed and dated Tobey 54 (lower right)
tempera on board
6 x 8 in. (15.9 x 22.2 cm.)
2,000-3,000 $3,300-4,900
2,600-3,800
P R OVE NANC E :
Mrs. Dorothea Speyer.
Private Collection, France;
where acquired by Gallery Hopkins, Paris;
where purchased by the present owner.
E XHI B I T E D:
Paris, Muse des Arts Decoratifs, Palais du Louvre, Rtrospective Mark Tobey, 1961, no.136.
Hannover, Kestner-Gesellschaft, 1966, no. 63.
Achim Moeller, managing principal of The Mark Tobey Project LLC, has conrmed the authenticity of
this work, which is listed in the archives under MT [177-8-15-14]. Sold with a certicate.
415 MAIA CHEV5KA (. 1948)
Sped
signed and dated M. Chevska 2009 (on the linen fold)
acrylic on linen, unframed
28 x 36 in. (71.8 x 91.4 cm.)
2,000-3,000 $3,300-4,900
2,600-3,800
E XHI B I T E D:
London, Mummery + Schnelle, Free + Easy, London, 2009.
For solo exhibitions Maria Chevska works from a single text reference to highlight their visual and
conceptual language. She has often used literature or texts from the beginning of the 20th century,
which focus on the profound changes modernity brought about. For the Free + Easy exhibition,
where this lot featured, she used My Discovery of America, by Vladimir Mayakovski, 1926. The word
sped seen in this painting was taken from one of Mayakovskis poems, which was a reaction to the
speed and industrial sophistication that he had seen in America.
Q414 EILEEN GAY (1879 - 1976)
A FOUR-FOLD SCREEN
Designed 1930, this edition produced in the 1980s by Vereinigte Werkstatten, Munich, grey-painted
wood and pierced sheet metal, printed manufacturers mark
Each panel: 66 in. (167.5 cm.) high; 13 in. (35 cm.) wide
1,000-1,500 $1,700-2,400
1,300-1,900
VARIOUS PROPERTIES
413 CHALOTTE PEIAND (1903 - 1999)
A SET OF TEN CP1 WALL LIGHTS, DESIGNED CIRCA 1965
Enamelled metal with articulated reectors, manufacturers labels SCE Made in France
Each: 6 in. (16 cm.) x 5 in. (13 cm.)
3,000-5,000 $4,900-8,100
3,800-6,300
PROPERTY FROM A PRIVATE COLLECTION (LOTS 402, 407, 412, 418, 478, 483, 490)
*412 . GELLE, CICA 1996
Street scene
signed and dated R. Geller 96 (lower right)
oil on canvas
40 x 44 in. (102.6 x 112.1 cm.)
1,000-2,000 $1,700-3,300
NO RESERVE 1,300-2,500
65
Q423 A MATCHED PAI Of CHOME AD1U5TALE LAMP5
BY STRAND ELECTRICAL, SECOND HALF 20TH CENTURY
Each stamped STRAND ELECTRIC, with glass lens shades,
on modern tripod adjustable bases, tted for electricity
59 in. (150.5 cm.) high (2)
1,500-2,000 $2,500-3,300
1,900-2,500
422 TOM K1E (DANI5H, .1942)
Untitled
signed and dated Krjer 1982 (lower right)
oil on canvas
79 x 47 in. (200.7 x 121.2 cm.)
600-800 $980-1,300
760-1,000
P R OVE NANC E :
Galerie Nord, Randers.
FIAC Exhibition, Paris, 1982;
where purchased by the father of the present owner.
421 A fENCH WOUGHT-ION LAMP WITH DAUM GLA55
5HADE5
CIRCA 1910
The wrought-iron frame embellished with openwork leaves and
berries, the coloured glass shades ribbed and shaped as buds, glass
engraved Daum Nancy with the Cross of Lorraine
25 in. (63.5 cm.) high
1,200-1,500 $2,000-2,400
1,600-1,900
420 A CLAICE CLIff (1899-1972) APPLIUE OANGE
LUCENE 5INGLE HANDLED LOTU5 1UG
1930-1933
Hand painted in bright colours on a honey glazed ground with
a turreted building, the reverse showing a cottage, signed Clarice
Cliff facsimile signature, Bizarre, Newport Pottery England, Applique
11 in. (29.2 cm.) high
3,000-5,000 $4,900-8,100
3,800-6,300
P R OVE NANC E :
Bonhams, 2nd September 1995
VARIOUS PROPERTIES
Q419 A PAI Of CHOMED METAL AD1U5TALE LAMP5
BY STRAND ELECTRICAL, MID-20TH CENTURY
On later adjustable wood tripod bases, the lamps stamped
STRAND ELECTRIC
52 in. (133 cm.) high, approx. (adjustable) (2)
1,200-1,800 $2,000-2,900
1,600-2,300
418, 478, 483, 490)
418 1UAN A1OLA (5PANI5H, 1919-2004)
Personaje
signed Barjola (lower right)
oil on canvas
28 x 19 in. (72.7 x 50.2 cm.)
Executed in the 1980s
1,000-2,000 $1,700-3,300
P R OVE NANC E :
with Biosca, Madrid.
66
~424 A fENCH ONZE AND IVOY fIGUE Of A WOMAN
WEAING A ONNET
EARLY 20TH CENTURY, AFTER RENE-PAUL MARQUET (1875-1939)
Signature cast to the reverse and stamped 928, on an onyx
plinth
9 in. (24 cm.) high
1,000-1,500 $1,700-2,400
1,300-1,900
425 A PATINATED ONZE fIGUE Y . DENIE
JOCKEY, 2ND QUARTER 20TH CENTURY
Modelled and cast as a jockey, standing with saddle and whip,
marble plinth, signed R.Denier
9 in. (24.5cm.) high
1,200-1,500 $2,000-2,400
1,600-1,900
426 A EDUAD MAXIMILIAN EYE (1866-1934)
PATINATED ONZE
KNIGHT ON HORSE BACK, CIRCA 1910
Modelled and cast as a knight wearing chain-mail and holding a
sword and shield, sitting astride his horse, integral bronze base,
signed E Beyrer and 19
18 in. (48 cm.) high;
1,500-2,000 $2,500-3,300
1,900-2,500
427 A DEMETE H. CHIPAU5 (1880-1950) COLD-PAINTED
ONZE U5T
JEUNE FEMME, CIRCA 1920
Modelled and cast as a smiling young woman with wavy swept
back hair, on shaped black plinth, signed D.H. Chiparus, stamped
Bronze
14 in. (36.5 cm.) high
1,000-1,500 $1,700-2,400
1,300-1,900
428 A AOUL LACHE (1860-1912) PATINATED AND GILT-
ONZE fIGUE
JEANE DARC, CIRCA 1900
Modelled and cast as the French heroine, on integral base, signed
Raoul Larche, with foundry seal for Siot-Decauville Paris, N711
12 in. (31.7 cm.) high
2,000-3,000 $3,300-4,900
2,600-3,800
429 A 1O5Ef LOENZL AT DECO COLD-PAINTED ONZE
fIGUE
DANCER, CIRCA 1925
Modelled and cast as a young woman adopting a stylish pose,
with triangular and stepped onyx base, signed Lorenzl
12 in. (32.5 cm.) high
2,000-3,000 $3,300-4,900
2,600-3,800
67
~430 A fEDINAND PEI55 (1882-1943) COLD-PAINTED
ONZE AND IVOY fIGUAL TALE LAMP
CIRCA 1920
Modelled, cast and carved as a boy in Moorish costume holding
a tray, on stepped onyx base with curved metal support for light
tment and original shade, engraved F.Preiss
7 in. (19.7 cm.) high
2,000-3,000 $3,300-4,900
2,600-3,800
P R OVE NANC E :
Christies London, 16th December 1987, lot 112
431 A PIEE LAUEL 5ILVEED-ONZE fIGUE
TAMBOURINE DANCER, CIRCA 1920
Modelled and cast as a naked woman dancing and holding a
tambourine in one hand, Portoro marble plint, signed Pierre
Laurel, impressed founder Marcel Guillemard 88
20 in. (51.8 cm.) high
1,500-2,000 $2,500-3,300
1,900-2,500
432 A fEDINAND PEI55 (1882-1943) COLD-PAINTED
5PELTE fIGUE
SONNY BOY, CIRCA 1925
Modelled and cast as a boy standing with his hands in his
pockets, on marble base, signed F. Preiss
11 in. (29.2 cm.) high
1,200-1,500 $2,000-2,400
1,600-1,900
433 A PATINATED AND COLD-PAINTED ONZE fIGUE
AfTE A MODEL Y POf. VICTO HEINICH 5EIfET
(1870-1953)
NUDE WITH BUTTERFLY, CIRCA 1910
Modelled and cast as a naked young woman with a buttery
perched on her hand, marble plinth, signed Prof V. Seifert
2,000-3,000 $3,300-4,900
2,600-3,800
434 A 1O5Ef LOENZL PATINATED ONZE fIGUE
GIRL WITH GUITAR, CIRCA 1920
Modelled and cast as a young girl playing a guitar, the integral
base inscribed with music, signed Lorenzl
11 (29.2 cm.) high
1,200-1,800 $2,000-2,900
1,600-2,300
435 A PIEE LAUEL COLD-PAINTED ONZE fIGUE
BACCHANALIAN DANCER, CIRCE 1920
Modelled and cast as a naked woman holding a bunch of grapes
in each hand as she dances, on Portoro marble plinth, signed
Pierre Laurel, impressed Bronze and foundry Marcel Guillemard
19 in. (50.5 cm.) high
1,500-2,000 $2,500-3,300
1,900-2,500
68
Q~441 AN AT DECO IVOY-MOUNTED, O5EWOOD AND
MAPLE COCKTAIL CAINET
BY D. BIANCO & SONS, EARLY 20TH CENTURY
The bowfronted radially veneered doors enclosing shelves,
above a slide and one long drawer, on a moulded and slightly
outswept base, with two nesting tables, labelled From D.
BIANCO & SONS, LTD., FITZROY WORKS, CHENIES
MEWS, LONDON, W.C.1 and inscribed in pencil TO MR.
FAITH, GORDONS LIMITED, 67 CLAYTON STREET,
NEWCASTLE-ON-TYNE
66 in. (168 cm.) high; 39 in. (99.5 cm.) wide; 18 in. (46 cm.)
deep
1,500-2,000 $2,500-3,300
1,900-2,500
*440 OMAIN DE TITOff 'ETE' (1892-1990)
scale a Bali, c. 1920
signed Ert (lower right) and inscribed as title and numbered
with gallery stamp (on the reverse)
pencil and bodycolour heightened with metallic ink
11 x 9 in. (29.2 x 23.5 cm.); unframed
800-1,200 $1,400-2,000
1,100-1,500
439 A CHALE5 CATTEAU (1880-1966), fO OCHE
fEE5, CEAMIC 'PENGUIN' VA5E
CIRCA 1927
The oviform decorated in colours and a crackled glaze with
seven penguins, impressed 895, printed Boche La Louviere Made in
Belgium
1,000-1,500 $1,700-2,400
1,300-1,900
438 OMAIN DE TITOff 'ETE' (1892-1990)
Woman in a pink oral dress
signed Ert (centre right) and with studio stamp (on the
reverse)
pencil and bodycolour
13 x 10 in. (35 x 26 cm.)
1,200-1,800 $2,000-2,900
1,600-2,300
Q437 AN AT DECO U-WALNUT AND 5ATIN ICH
COCKTAIL CAINET
POSSIBLY MADE BY EPSTEIN, CIRCA 1930
Demi-lune shaped, top cupboard enclosing mirrored and
shelved interior with chromed metal rails, centre with two
glazed slides, base enclosing shelves
61 in. (168.5 cm.) high; 48 in. (122 cm.) wide; 24 in. (61 cm.)
deep
1,500-2,000 $2,500-3,300
1,900-2,500
436 OMAIN DE TITOff 'ETE' (1892-1990)
Green carnival dress design
signed Ert (lower right) and with studio stamp (on the reverse)
pencil and bodycolour
13 x 10 in. (34.3 x 26 cm.)
1,200-1,800 $2,000-2,900
1,600-2,300
69
Q447 1ACUE5 ADNET, PO55ILY DE5IGNED Y
A BOOKCASE, MID-20TH CENTURY
Green-painted metal, elm, gilt-brass
55 in. (141 cm.) high; 41 in. (104 cm.) wide; 14 in. (35.5 cm.)
deep
1,500-2,000 $2,500-3,300
1,900-2,500
446 DAME LAUA KNIGHT, .W.5., .A. (1877-1970)
The Green Room at the Repertory Theatre,
Birmingham, 1921
signed, inscribed and dated Green Room/Repertory Theatre/
Birmingham/Laura Knight/1921 (lower right)
charcoal heightened with white
12 x 9 in. (31.8 x 24.2 cm.)
1,500-2,500 $2,500-4,100
1,900-3,200
P R OVE NANC E :
Anonymous Sale; Phillips, London, 25 September 2001
Q445 A VALET 5TAND
IN THE MANNER OF JACQUES ADNET, 1960S
Red-stained leather and steel
42 in. (108.5 cm.) high
1,200-1,500 $2,000-2,400
1,600-1,900
444 A 5AINO 5ILVEED ONZE AND fO5TED GLA55
TALE LAMP
CASCADE, CIRCA 1925
The silvered bronze base cast with stylised motifs supporting the
frosted glass shade moulded as cascading water, shade moulded
Sabino, 4649 Paris Depose
1,000-1,500 $1,700-2,400
1,300-1,900
443 A PAUL KI55 AT DECO WOUGHT-ION TALE
MIO
CIRCA 1920
The bevelled glass in an oval frame, supported on a frame
embellished with open work owers and uted base, stamped P
Kiss Paris
19 in. (48.3 cm.) high
1,200-1,800 $2,000-2,900
1,600-2,300
442 AUGU5TU5 EDWIN 1OHN, O.M., .A. (1878-1961)
Prole of a young man, head turned
charcoal
10 x 7 in. (25.3 x 19.7 cm.)
1,500-2,500 $2,500-4,100
1,900-3,200
70
448 A LARGE WILLIAM MOORCROFT (1872-1945) WISTERIA PATTERN CERAMIC
JARDINIERE
1929
Tube-lined, coloured and glazed, impressed Moorcroft, painted blue W. Moorcroft signature, dated 1929
14 in. (36.2 cm.) high
1,500-2,000 $2,500-3,300
1,900-2,500
449 A HORTON & ALLDAY ART NOUVEAU SILVER AND OAK PEACOCK PHOTOGRAPH
FRAME
1901
Silver embossed with a peacock, its tail feathers forming a decorative frieze along the base, further
embellished with heart-shaped leaves, mounted on oak with easel support, glazed, stamped H & A
makers mark, Birmingham hallmark 1901, Rd.374240
8 in. (21 cm.) x 6 in. (16.5 cm.)
1,500-2,000 $2,500-3,300
1,900-2,500
Q450 A FRENCH TABLE FOOTBALL GAME
CIRCA 1942
The beechwood and ebonised table on shaped supports with wooden players, coin in the slot
operation and a makers applied plaque entitled CHAMPIONAT / Modele Depose
35 in. (89 cm.) high; 56 in. (144 cm.) long
2,500-4,000 $4,100-6,500
3,200-5,100
451 A SET OF TWELVE CHRISTOFLE
GALLIA METAL KNIFE RESTS
CIRCA 1930
Comprising: six pairs of rests modelled as
stylised lions, doves, bears, pigs, cats and dogs,
each with stamped makers marks, in tted case
printed makers mark, stamped makers marks
Cat 4 in. (10.5 cm.) long
800-1,200 $1,400-2,000
1,100-1,500
452 A GERMAN SILVERED PEWTER NOVELTY DESK PIECE MODELLED AS A MOTOR CAR
BY W.M.F. CIRCA 1920
Cast with two drivers, the hinged bonnet and back enclosing various recesses and a pen tray to the
front, indistinctly stamped makers marks to the base
1,000-1,500 $1,700-2,400
1,300-1,900
Q453 A SET OF TWELVE FRENCH ART DECO MAHOGANY AND STAINED BEECH DINING
CHAIRS
CIRCA 1930
Each with a veneered shaped back and seat reupholstered in chequered silk, on square tapering legs (12)
1,500-2,500 $2,500-4,100
1,900-3,200
71
Q454 A PAIR OF FIBREGLASS WALL UPLIGHTERS
BY ANTHONY REDMILE, LATE 20TH CENTURY
In the form of male caryatids supporting shells
88 in. (224 cm.) high (2)
1,200-1,800 $2,000-2,900
1,600-2,300
455 A WILLIAM COMYNS SILVER AND OAK PHOTOGRAPH
FRAME
1903
The silver openwork mounted on oak, showing a jardinire of
climbing owers on trellis with two small birds, easel back and
glazed, stamped makers mark WC, London hallmarks for 1903
9 in. (23.5 cm.) x 7 in. (18 cm.)
1,200-1,500 $2,000-2,400
1,600-1,900
Q456 A NEW ZEALAND BRASS NAVAL GUN SPOTTING
TELESCOPE
DATED 1942
With numerous numbered registration stamps and inscriptions,
on an adjustable wood tripod stand
Telescope: 30 in. (76 cm.) high; Stand: 46 in. (117 cm.) approx.
1,000-1,500 $1,700-2,400
1,300-1,900
457 A WILLIAM MOORCROFT (1872-1945), MACINTYRE,
LANDSCAPE PATTERN CERAMIC VASE
CIRCA 1905
Tube-lined, coloured and glazed, printed Macintyre Florian marks
and green painted W. Moorcroft signature, Rd.No.397964
1,000-1,500 $1,700-2,400
1,300-1,900
Q458 A PAIR OF ANTHONY REDMILE FIBREGLASS NUBIAN
FIGURES
LATE 20TH CENTURY
Each gure on an ebonised uted column with silvered metal
spears
70 in. (178 cm.) high to top of hands; 90 in. (229 cm.) to top of
spears (2)
2,500-3,500 $4,100-5,700
3,200-4,400
P R OVE NANC E :
Acquired directly by the vendor from Anthony Redmiles shop
in Pimlico, London, in the 1980s.
459 A CHARLES S GREEN & CO LTD SILVER AND OAK
PHOTOGRAPH FRAME
FOR AULD LANG SYNE, 1904
The silver embossed with fruiting and leafy trees and with
Robert Burns words on two ribbons, with textured ground,
mounted on oak with easel back and beveled glass, stamped CSG
& Co, Birmingham 1904
8 in. (21.5 cm.) x 8 in. (21 cm.)
2,000-2,500 $3,300-4,100
2,600-3,200
72
Q465 A MODERNIST ALUMINIUM HALL STAND
CIRCA 1930S
Openwork construction with mirror, glass shelf, hat hooks and
umbrella holders with drip-trays
43 in. (186 cm.) high; 42 in. (107 cm.) wide; 7 in. (17.8 cm.)
deep
1,000-2,000 $1,700-3,300
1,300-2,500
464 CONROY MADDOX (1912-2005)
Cloudburst (illustrated); and Flying objects
the rst signed and dated Conroy Maddox/39 (lower right); the
second signed and dated Conroy Maddox/41 (lower right)
watercolour and bodycolour
15 x 11 (39.4 x 29.3 cm.); and 14 x 11 in. (37 x 29.8 cm.) (2)
1,200-1,800 $2,000-2,900
1,600-2,300
Q463 A PAIR OF FRENCH CLUB ARMCHAIRS
20TH CENTURY
Each upholstered in close-nailed tan leather (2)
1,500-2,500 $2,500-4,100
1,900-3,200
462 A PAIR OF GIO PONTI (1891-1979) GALLIA METAL
TUBULAR VASES DESIGNED FOR CHRISTOFLE (EST.
1831)
CIRCA 1960
Five tubular columns, stamped makers marks, Christoe France
coll-Gallia
13 in. (33 cm.) high (2)
1,200-1,500 $2,000-2,400
1,600-1,900
Q461 A TOM DIXON (B.1959) SPIRAL FLOOR LAMP
LATE 20TH CENTURY
The coiled gilt metal stem on a domed gilt-steel base
62 in. (158 cm.) high
1,000-1,500 $1,700-2,400
1,300-1,900
P R OVE NANC E :
With Themes and Variations, Westbourne Grove, 1993.
460 MICHAEL JOHNSON (B.1938)
Untitled
signed with initial and dated M 91 (lower right)
mixed media on paper
30 x 22in. (76.2 x 57.2cm.)
38 x 30in. (96.5 x 77.4cm.) including frame
1,000-1,500 $1,700-2,400
1,300-1,900
P R OVE NANC E :
Private collection, United States of America.
73
471 AN EDMUND DE WAAL (B.1964) PORCELAIN AND
WIRE TEAPOT AND COVER
EARLY 21ST CENTURY
The cylindrical vessel with dimples and an impressed motif, with
lid, covered with a celadon glaze, having a wire-work handle,
apparently unmarked, paper label to base and lid numbered 46
11 in. (28.3 cm.) high
1,000-1,500 $1,700-2,400
1,300-1,900
469 GIO PONTI (1891-1979)
CIRCA 1925
For Richard Ginori, glazed ceramic ribbed vase, Richard Ginori,
S. CRISTOFORO MILANO, MADE IN ITALY with cipher
(restoration)
10 in. (26.7 cm.) high
800-1,200 $1,400-2,000
1,100-1,500
467 A FORNASETTI BRASS AND CERAMIC CAMMEO
FLOOR STANDING ASHTRAY
CIRCA 1960S
Ceramic dish with raised and gilded prole of a Roman that slots
into the brass support, on column with weighted base, ceramic
impressed E, with makers printed hand and brush mark, painted P.A
22 in. (56.5 cm.) high
1,500-2,000 $2,500-3,300
1,900-2,500
Q470 AN ITALIAN CHROME AND GLASS HANGING LIGHT
CIRCA 1960S, IN THE MANNER OF MAZZEGA
The metal interlinking loops with frosted glass shades
43 in. (109 cm.) long
1,200-1,800 $2,000-2,900
1,600-2,300
468 MARTIN BRADLEY (B. 1931)
Festival
inscribed Festival (lower left) and signed and dated Martin
Bradley 1969 (lower right)
watercolour
30 x 21 in. (76.2 x 53.4 cm.)
800-1,200 $1,400-2,000
1,100-1,500
466 A LARGE MURANO HAND BLOWN GLASS BOTTLE AND
STOPPER
2ND HALF 20TH CENTURY
Clear glass with streaks and ne silver inclusions, the globular
cover with nodules; together with a spare cover
40 in. (103 cm.) high (3)
2,000-3,000 $3,300-4,900
2,600-3,800
74
472 NAN GOLDIN (AMERICAN, B.1953)
Brian with three beds. Hotel Seville. Merida, Mexico
signed, inscribed and dated Brian with three beds. Hotel Seville. Merida, Mexico. 1982/Nan
Goldin/A.P. 2 (on the reverse)
cibachrome print
5 x 23 in. (40.3 x 59.1 cm.)
Executed in 1982. This work is an artists proof.
1,000-2,000 $1,700-3,300
1,300-2,500
Q~473 A PAIR OF SHAGREEN OPEN ARMCHAIRS
MODERN, ART DECO STYLE
Each with curved back, padded seat and tapering legs with faux ivory feet
1,200-1,800 $2,000-2,900
1,600-2,300
Q474 JOE COLUMBO (1930 - 1971)
A LEM LOUNGE CHAIR
Designed 1965, white-painted laminate wood and black leather
1,500-2,000 $2,500-3,300
1,900-2,500
Q475 A PAIR OF CHROMED STEEL ROLLS ROYCE JET FAN BLADE MIRRORS
CIRCA 1960 AND LATER ADAPTED
One with seventy three blades, the other with fty three
32 in. (81.5 cm.) high (2)
1,500-2,000 $2,500-3,300
1,900-2,500
By repute, built by the Rolls Royce Avon company for an engine that would have been in a lightning
jet aircraft. The fan blades would have been taken from a dismantled engine.
476 GIO PONTI (1891-1979)
VASE, CIRCA 1925
for Richard Ginori, glazed ceramic, stamped Richard Ginori, S. CRISTOFORO MILANO, MADE
IN ITALY with cipher (small restoration)
10 in (26.7 cm.) high
1,000-1,500 $1,700-2,400
1,300-1,900
Q477 ARTHUR BRACEGIRDLE
A TELEVISION MONITOR
Designed 1969, for Keracolor, plastic and electrical components, inset label to the reverse DESIGN
REGISTRATION PATENT NO. 942763
34 in. (86.5 cm.) high
700-1,000 $1,200-1,600
890-1,300
75
PROPERTY FROM A PRIVATE COLLECTION (LOTS
402, 407, 412, 418, 478, 483, 490)
s HANS POTTHOF (SWISS, 1911-2003)
Austernscher
signed and dated Potthof 87 (upper left)
oil on canvas
28 x 39 in. (73.1 x 100 cm.)
5,000-7,000 $8,200-11,000
VARIOUS PROPERTIES
479 GIO PONTI (1891-1979)
RECTANGULAR FLOWER VASE, 1929-1930
For Richard Ginori, glazed ceramic, stamped Richard Ginori, S. CRISTOFORO MILANO, MADE
IN ITALY, (restoration)
7 in. (17.8 cm.) high (2)
1,000-1,500 $1,700-2,400
1,300-1,900
L I T E R AT UR E :
For other examples, please see:
L. Licitra Ponti, Gio Ponti: The Complete Work 1923-1978, Milan, 1990, p. 74.
Q480 EDWARD BARBER (B.1969) & JAY OSGERBY (B.1969)
LOOP TABLE, CIRCA 1998
Stainless steel, 1 of 10 by B.O.A
2,000-3,000 $3,300-4,900
2,600-3,800
P R OVE NANC E :
twentytwentyone, London, Tectonic Exhibition, 1998
481 AN ETLING OPALESCENT GLASS FIGURE
CIRCA 1930
Moulded as a partially draped naked woman adopting a stylish pose, stepped glass and nickel plated
base, moulded Etling France
8 in. (20.5 cm.) high
1,800-2,200 $3,000-3,600
2,300-2,800
Q482 LUDWIG MIES VAN DER ROHE (1886 - 1969)
A SET OF FOUR BRNO CHAIRS
Originally designed 1929, these examples produced circa 1970-1980 by Knoll International, tubular
steel and leather upholstery (4)
1,000-1,500 $1,700-2,400
1,300-1,900
Q486 A STUART DEVLIN DESIGNED CROWN LOVE SEAT
LATE 20TH CENTURY
Indian rosewood, green velvet upholstery, with applied label Stuart Devlin
LONDON
3,000-5,000 $4,900-8,100
3,800-6,300
485 ELIZABETH GAROUSTE (B.1949) & MATTIA BONETTI (B.1953)
JUG, CIRCA 1990S
Cast bronze with shaped handle, signed BG
5 in. (12.7 cm. high
800-1,200 $1,400-2,000
1,100-1,500
VARIOUS PROPERTIES
484 ELIZABETH GAROUSTE (B.1949) & MATTIA BONETTI (B.1953)
TWO CANDLESTICKS, CIRCA 1990S
Cast bronze, each with shaped base, signed BG
5 in. (12.7 cm.) high (2)
1,200-1,800 $2,000-2,900
1,600-2,300
s ANTONIO QUIRS (1912-1984)
Untitled
signed Quirs (lower right)
oil on canvas laid over board
51 x 35 in. (129.6 x 88.9 cm.)
5,000-7,000 $8,200-11,000
76
77
Q489 A KAARE KLINT (1888-1954) MAHOGANY AND LEATHER UPHOLSTERED TWO SEATER
SOFA
CIRCA 1960
Model no. 5011, manufactured by Rud. Rasmussen, seat and back with black leather upholstery,
the supports united by X shape stretchers, manufacturers label RUD RASMUSSEN/
SNEDKERIER/45 NORREBROGADE/KOBENHAVN, artist monogram, and numbered 28814
2,500-3,500 $4,100-5,700
3,200-4,400
Q488 A NEST OF THREE POUL KJAERHOLM (1929-1980) PK71 TABLES
DESIGNED 1957
Manufactured by E.Kold Christensen, of varying heights, the acrylic square top resting on brushed
steel frame and supports, stamped Denmark
largest: 11 in. (28.5 cm.) high, 11 in. (28.5 cm.) square (3)
800-1,200 $1,400-2,000
1,100-1,500
487 JOSE PARLA (AMERICAN, B.1973)
Untitled
incised with the artists signature Parla (lower right)
ceramic
21in. (54cm.) diameter
Executed in 2008
1,000-1,500 $1,700-2,400
1,300-1,900
P R OVE NANC E :
Galleria il Trifoglio Nero, Genova.
Private Collection, Italy.
End of Sale
The next Interiors sale will be held on
Tuesday 25 November 2014 at 10.00 am
s ANTONIO QUIROS (1912-1984)
Mujer en azul sentada
signed Quiros (upper left)
oil on board
35 x 22 in. (90.8 x 57.8 cm.)
5,000-7,000 $8,200-11,000
christies.com Contact
Kate Buchanan
kbuchanan@christies.com
+44 (0) 20 7752 3241
Fire and Light is a one-of-a-kind sale focused on winter
interior style; from grand candelabras, elegant replaces
and magnicent chandeliers to contemporary lighting designs.
For more information please do not to hesitate to contact
one of our specialists.
London, South Kensington
3 December 2014
London Modern and
Contemporary Art Certicate
This part-time programme is designed to provide a
platform from which to participate condently, creatively
and professionally within the contemporary art world.
Accessible and thorough, the London Modern and
Contemporary Art Certicate will develop your knowledge
of modern and contemporary art and art-world practice
as well as providing specialist insight into the workings of
the market. It also offers an introduction to broader issues
of arts development and contemporary arts patronage,
considering the wider role the arts have within diverse
social and economic contexts.
We are now accepting applications for September 2014.
Contact
Admissions Ofcer
admissionsUK@christies.edu
+44 (0) 20 7665 4350
+ 971 4425 5674
Christies Education
153 Great Titcheld Street
London W1W 5BD

www.christies.edu
Your Introduction
to the Art World
A GUIDE TO
CHRISTIES CATALOGUING PRACTICE
Some of the terms we use in catalogue descriptions
might be unfamiliar to you. Weve outlined below
these expressions and their explanations.
Style
In conjunction with a monarch. Eg. George III style
In our opinion the piece is a later work (of any date) and
not of the period.
Recent manufacture
In our opinion the piece is less than ten years old.
By (Furniture and decorative arts)
In our opinion the artist has been directly involved in the
production of the work.
Name(s) or recognised designation of an artist
without any qualification
In our opinion a work by the artist
Cast from a model by
In our opinion a work from the artists model, originating
in his circle and cast during his lifetime or shortly
thereafter
Attributed to
In our qualified opinion the piece is probably a work by
the artist in whole or in part
Studio of / Workshop of
In our qualified opinion a work executed in the studio or
workshop of the artist, possibly under his supervision
Circle of
In our qualified opinion a work of the period of the artist
and showing his influence
Follower of
In our qualified opinion a work executed in the artists
style but not necessarily by a pupil
Manner of
In our qualified opinion a work executed in the artists
style but of a later date
After
In our qualified opinion a later copy or aftercast (of any
date) of a work of the artist
Signed / Dated / Inscribed
(Pictures, drawings, prints or miniatures)
In our qualified opinion the work has been signed / dated
/ inscribed by the artist
With signature / With date / With
inscription (Pictures, drawings, prints or miniatures)
In our qualified opinion the signature / date / inscription
appears to be by a hand other than that of the artist
Labelled / Dated / Inscribed / Carved
with / Signed / Stamped (Furniture and
decorative arts)
In our qualified opinion the label / date / inscription /
carving / signature / stamp is contemporary
The term bears / bearing
In conjunction with the above indicates that in our
opinion the feature described is not by the artist or
manufacturer or has been added at a significantly
later date.
Mark of, 1725 (Silver)
In our opinion either made in the workshop of the
master or struck with his sponsors mark prior to retailing
between 19th May of the year specified and 18th May of
the following year until 1660 and thereafter between 29th
May of the year specified and 28th May of the following
year until 1975 and thereafter between 2nd January of the
year specified and 1st January of the following year. All
other countries have varying dating systems.
1725, mark (Silver)
In our opinion dated as above and struck with an
unidentified sponsors mark as described.
All You Need to Know
1725 (Silver)
In our opinion dated as above and struck with an illegible
sponsors mark or no sponsors mark at all.
Bearingmarks for 1725 (Silver)
In our opinion having either spurious or
transposed marks.
(oz.) (Silver)
In our opinion weighing not less than the specified
number of ounces Troy.
(grossoz.) (Silver)
In our opinion weighing not less than the specified
number of ounces Troy including any non silver additions
(e.g. wooden handles)
Glass and Ceramics
Reference is made for damage and/or restoration on
the illustrated lots only. The absence of such a reference
does not imply that a lot is free from defects nor does
any reference to particular defects imply the absence of
others. Such information is given for guidance only and
the condition of any lot and the nature and extent of any
damage or restoration should be confirmed by examination
prior to the sale. In this connection you are specifically
requested to read Condition 2 of the Conditions of Sale.
Other
Unless otherwise stated miniatures are on ivory
Descriptions of metals conform to the Hallmarking
Act 1973.
All electrical goods offered in this catalogue have
either been tested and certified by an appropriately
qualified electrician or have been operationally disabled.
We would strongly advise that any intended
re-commissioning is undertaken by an
appropriately qualified electrician.
In respect of mechanical pieces such as clocks, no
representation is made or warranty given that any such
item is in working order and nothing in the catalogue
description should be taken as such.
The date given for Old Master, Modern and
Contemporary Prints is the date (or approximate date
when prefixed with circa) on which the matrix was
worked and not necessarily the date when the impression
was printed or published.
Measurements of Prints are taken where possible from
the platemark (P), otherwise they record the size of
the sheet (S) or the borderline of the subject (L). All
measurements are in centimetres to the nearest centimetre
and are approximate.
Christies does not accept liability for failing to describe
any alteration or addition to an item of furniture or
an object which is concealed by upholstery, gilding
or painted decoration and could only be detected by
physically dismantling the lot.
Post 1950 Furniture
All items of post-1950 furniture included in this sale are
items either not originally supplied for use in a private
home or now offered solely as works of art. These items
may not comply with the provisions of the Furniture and
Furnishings (Fire) (Safety) Regulations 1988 (as amended
in 1989 and 1993, the Regulations). Accordingly, these
items should not be used as furniture in your home in their
current condition. If you do intend to use such items for this
purpose, you must first ensure that they are reupholstered,
restuffed and/or recovered (as appropriate) in order that they
comply with the provisions of the Regulations.
SALEROOM NOTICES
Details in this catalogue can be subject to change after it
has been printed. For example, some extra provenance or
information might have come to light over a particular lot,
or the lot itself might have been withdrawn from the sale,
or the estimate might have changed.
These details will appear in the saleroom notice for that
particular sale and is available at the Bids Office,
Tel: +44 (0)20 7752 3225.
HOW DOES THE AUCTION WORK?
Bidding generally opens below the low estimate
and advances in increments of up to 10%, subject
to the auctioneers discretion. Written bids that do
not conform to the increments set below may be
lowered to the next increment.
UK50 to UK1,000 by UK50s
UK1,000 to UK2,000 by UK100s
UK2,000 to UK3,000 by UK200s
UK3,000 to UK5,000 by UK200, 500, 800
(ie: UK4,200,
4,500, 4,800)
UK5,000 to UK10,000 by UK500s
UK10,000 to UK20,000 by UK1,000s
UK20,000 to UK30,000 by UK2,000s
UK30,000 to UK50,000 by UK2,000,
5,000, 8,000
(ie: UK32,000, 35,000,
38,000)
UK50,000 to UK100,000 by UK5,000s
UK100,000 to UK200,000 by UK10,000s
above UK200,000 at auctioneers discretion
The auctioneer may vary the increments during the
course of the auction at his or her own discretion.
Auction Results: +44 (0)20 7839 9060
A GUIDE TO NON-VAT RELATED SYMBOLS

No reserve
In these cases the lot is sold without reserve.
~
Property incorporating materials from endangered and
other protected species
Please see Property Incorporating Protected Species for
further information.

Artists Resale Right (Droit de Suite)
In these cases the lot is subject to Artists Resale Right.
The buyer agrees to pay to Christies an amount equal to the
resale royalty. Resale royalty applies where the Hammer Price
is 1,000 Euro or more and the amount cannot be more than
12,500 Euro per lot. The amount is calculated as follows:
Royalty For the portion of the Hammer Price (in Euro)
4.00% up to 50,000
3.00% between 50,000.01 and 200,000
1.00% between 200,000.01 and 350,000
0.50% between 350,000.01 and 500,000
0.25% in excess of 500,000
Invoices will, as usual, be issued in Pounds Sterling. For the
purposes of calculating the resale royalty the Pounds Sterling/
Euro rate of exchange will be the European Central Bank
reference rate on the day of the sale.

Christies Interest
From time to time, Christies may offer a lot which it owns in
whole or in part. Such property is identified in the catalogue
with the symbol next to its lot number.
On occasion, Christies has a direct financial interest in lots
consigned for sale which may include guaranteeing a minimum
price or making an advance to the consignor that is secured
solely by consigned property. Such property is identified in the
catalogue by the symbol next to the lot number. This symbol
will be used both in cases where Christies holds the financial
interest on its own, and in cases where Christies has financed all
or a part of such interest through a third party. Such third parties
generally benefit financially if a guaranteed lot is sold successfully
and may incur a loss if the sale is not successful. Where Christies
has an ownership or financial interest in every lot in the
catalogue, Christies will not designate each lot with a symbol,
but will state its interest at the front of the catalogue.
PAYMENT & SUCCESSFUL BIDS
All you need to know on how, when and where to pay
Bidder Registration
If you have not previously bid or consigned with Christies, you
should bring with you:
Individuals: government-issued photo identification (such as a
photo driving licence, national identity card, or passport) and,
if not shown on the ID document, proof of current address, for
example a utility bill or bank statement.
Corporate clients: a certificate of incorporation.
For other business structures such as trusts, off-shore companies
or partnerships, please contact Christies
Credit Department at +44 (0)20 7752 3137 for advice
on the information you should supply.
If you are registering to bid on behalf of someone who has not
previously bid or consigned with Christies you should bring
identification documents not only for yourself but also for the
party on whose behalf you are bidding, together with a signed
letter of authorisation from that party. To allow sufficient time
to process the information, you are encouraged to register at
least 48 hours in advance of a sale.
You should register for a numbered bidding paddle at least 30
minutes before the auction.
Successful Written Bids
Christies South Kensington is not able to notify successful bidders.
While invoices are sent out by mail after the auction we do not
accept responsibility for notifying you of the result of your bid.
Buyers are requested to contact us by telephone or in person as
soon as possible after the sale to obtain details of the outcome of
their bids to avoid incurring unnecessary storage charges.
Payment
Buyers are expected to make payment for purchases
immediately after the auction. To avoid delivery delays,
prospective buyers are encouraged to supply bank or other
suitable references before the auction. Please note that Christies
will not accept payments for purchased Lots from any party
other than the registered buyer.
Lots purchased in London may be paid for in the following
ways: wire transfer, credit card: Visa and MasterCard
& American Express only (up to 25,000), and cash (up
to 5,000 (subject to conditions)), bankers draft (subject to
conditions) or cheque (must be drawn in GBP on a UK bank;
clearance will take 5 to 10 business days).
Wire Transfers: Lloyds TSB Bank Plc City Office PO Box
217 72 Lombard Street, London, EC3P 3BT A/C: 00172710
Sort Code: 30-00-02 for international transfers, SWIFT
LOYDGB2LCTY. For banks asking for an IBAN: GB81
LOYD 3000 0200 1727 10.
Credit Card: Visa and MasterCard & American Express
only A limit of 25,000 for credit card payments will
apply. This limit is inclusive of the buyers premium and any
applicable taxes. Credit card payments at London sale sites will
only be accepted for London sales. Christies will not accept
credit card payments for purchases made in any other sale site.
The fax number to send completed CNP (Card Member not
Present) authorisation forms to is +44 (0)20 7389 2821.
The number to call to make a CNP payment over the phone
is +44 (0)20 7752 3388. Alternatively, clients can mail the
authorisation form to the address below.
Cash is limited to 5,000 (subject to conditions).
Bankers Draft should be made payable to Christies (subject
to conditions).
Cheques should be made payable to Christies (must be
drawn in GBP on a UK bank, clearance will take 5 to 10
business days).
In order to process your payment efficiently, please quote
sale number, invoice number and client number with
all transactions.
All mailed payments should be sent to:
Christies, Cashiers Department, 8 King Street, St Jamess,
London, SW1Y 6QT
Please direct all inquiries to King Street
Tel: +44 (0)20 7389 2996 Fax: +44 (0)20 7389 2863 or
South Kensington Tel: +44 (0)20 7752 3138
Fax: +44 (0)20 7752 3143
LOTS OF IRANIAN/PERSIAN ORIGIN
Bidders are kindly reminded that some countries (such as the
USA and Canada) prohibit or restrict the purchase and import
of Iranian origin works of conventional craftsmanship (works
that are not by a recognized artist and/or that have a function,
for example: bowls, tiles, ornamental boxes and carpets).
Informational materials (such as paintings, drawings
and pastels, executed entirely by hand, collages and similar
decorative plaques, framed or not framed; original engravings,
prints and lithographs, printed books, newspapers and
manuscripts) are not subject to the restrictions.
All bidders are responsible for familiarizing themselves with
the laws that apply to them and ensuring that they do not bid
on or import property in contravention of relevant sanctions
or trade embargoes.
If Christies cancels a sale due to any sanction or trade
embargoes, the successful bidder will be accountable for any
shortfall between the total amount originally due to us and the
proceeds from a resale of the property.
PROPERTY INCORPORATING PROTECTED SPECIES
Property made of or incorporating (irrespective of
percentage) endangered and other protected species of
wildlife are marked with the symbol ~ in the catalogue. Such
material includes, among other things, ivory, tortoiseshell,
crocodile skin, rhinoceros horn, whale bone and certain
species of coral, together with Brazilian rosewood.
Prospective purchasers are advised that several countries
prohibit altogether the importation of property containing
such materials, and that other countries require a permit
(e.g., a CITES permit) from the relevant regulatory agencies
in the countries of exportation as well as importation.
Accordingly, clients should familiarise themselves with
the relevant customs laws and regulations prior to bidding
on any property with wildlife material if they intend to
import the property into another country. Please note that
it is the clients responsibility to determine and satisfy the
requirements of any applicable laws or regulations applying
to the export or import of property containing endangered
and other protected wildlife material. The inability of a client
to export or import property containing endangered and
other protected wildlife material is not a basis for cancellation
or rescission of the sale. Please note also that lots containing
potentially regulated wildlife material are marked as a
convenience to our clients, but Christies does not accept
liability for errors or for failing to mark lots containing
protected or regulated species.
Recent changes to imports of elephant ivory and
other wildlife material into the USA
The USA has recently changed its policy on the import of
property made of or containing elephant ivory. Only Asian
Elephant ivory may be imported into the USA, and imports
must be accompanied by DNA analysis and conrmation
the object is more than 100 years old. We have not obtained
a DNA analysis on any lot prior to sale and cannot indicate
whether the elephant ivory in a particular lot is African or
Asian elephant. Buyers purchase these lots at their own risk
and will be responsible for the costs of obtaining any DNA
analysis or other report required in connection with their
proposed import of such property into the USA.
The USA is also currently requiring all imports of property
made of or containing wildlife material to be accompanied
by a scientic conrmation of species and in some cases an
additional conrmation of age. We have not obtained such
conrmations prior to sale (unless specically indicated) and
buyers will be responsible for the costs of any such additional
conrmations or opinions required for their proposed import
into the USA.
A buyers inability to export or import any lot containing
elephant ivory or other wildlife material is not a basis for
cancelling the purchase.
11/04/14
VAT AT CHRISTIES (UK)
No symbol VAT is accounted for by Christies under the
Auctioneers Margin Scheme. No VAT is charged
on the Hammer price; VAT is charged at 20% on
the buyers Premium on a VAT inclusive basis. This
VAT is not shown separately on the invoice.
VAT is charged at 20% on both the Hammer and
Premium (subject to the usual UK VAT rules).
* These lots have been imported from outside the
EU for sale using a Temporary Import regime.
Import VAT is payable (at 5%) on the Hammer
price. VAT is also payable (at 20%) on the buyers
Premium on a VAT inclusive basis. This VAT
is not shown separately on the invoice. When a
buyer of such a lot has registered an EU address
but wishes to export the lot or complete the
import into another EU country, he must advise
Christies immediately after the auction.
These lots have been imported from outside the
EU for sale using a Temporary Import regime.
Import VAT is payable (at 20%) on the Hammer
price. VAT is also payable (at 20%) on the buyers
Premium on a VAT inclusive basis. This VAT
is not shown separately on the invoice. Where
applicable Customs duty will be charged (per rate
specified by HMRC guidance) on the Hammer
price and VAT will be payable at 20% on duty.
When a buyer of such a lot has registered an EU
address but wishes to export the lot or complete the
import into another EU country, he must advise
Christies immediately after the auction.
The VAT treatment of the lot is determined by
the registered address of the purchaser:
Purchaser from within the European Union
(EU) VAT is accounted for by Christies under
the Auctioneers Margin Scheme. No VAT
is charged on the Hammer price; VAT is
charged at 20% on the Buyers Premium on a
VAT inclusive basis. This VAT is not shown
separately on the invoice.
Purchasers from outside the European Union
(EU) VAT is charged at 20% on both the
Hammer and Premium (subject to the usual
UK VAT rules).
No VAT charged.
Can I reclaim the VAT?
Christies VAT refund rules are governed by the
current EU and UK tax legislation. The ability to
reclaim VAT depends on the particular circumstances
of the buyer and the information below, which is not
exhaustive, is therefore to be used as a general guide.
If you have any further queries then please contact the
VAT department here at Christies.
Where a buyer has purchased an item and intends to
export the item outside the EU, a VAT refund can be
obtained subject to ALL of the following conditions
being satisfied:
Buyer must have registered to bid
with a NON EU address
Lots must be exported within
3 months.
Lots subject to Import VAT, shown with the Star
(*) or Omega () in the catalogue, must be
exported within 30 days of collection.
Proof of export in the appropriate
form (please see section headed VAT
consequences on shipping) must be
provided to the VAT department at Christies.
Christies cannot refund VAT paid if the above
conditions are not met.
Refunds cannot be made where lots have been purchased with
an inside EU address. Christies can only refund Import VAT
(Lots with * or symbol) if lots are exported within 30 days
of collection. Valid export documents must be returned within
the stipulated time frame. No refund will be paid out where
the total amount is less than 100. UK & EU private buyers
cannot reclaim VAT. Christies will charge 35 for each
refund processed. For detailed information please see the leaflets
available, or email info@Christies.com
Where non-EU buyers have failed to export their lots outside
of the EU within the required time, HM Revenue & Customs
will not allow a VAT refund to be made. This is a requirement
of UK legislation and Christies do not have discretion to make
exceptions to the rule. UK and EU private buyers cannot reclaim
any VAT charged.
UK and EU private buyers cannot reclaim any
VAT charged
Symbol UK/EU
Buyer
UK Trade VAT
Registered
Purchaser
EU VAT
Registered
Purchaser
Non EU
Purchaser
No
Symbol
No VAT
refund
No VAT refund.
Clients can request
to be reinvoiced
under standard
UK VAT rules
VAT can be
reclaimed through
purchasers own
VAT returns
VAT in the
Buyers Premium
will be refunded
upon proof of
movement within
the EU
VAT refund.
An amount in-lieu
of the VAT in the
Buyers Premium
will be refunded
No VAT
refund
VAT may be
reclaimed through
purchasers own
UK VAT returns.
No VAT will be
charged on the
Buyers Premium
and the VAT on
the Hammer price
will be refunded
upon proof of
movement within
the EU
VAT will be
refunded on the
Hammer price by
Christies. VAT
in the Buyers
Premium may be
reclaimed back by
Trade clients from
Christies.
*
No VAT
refund
Import VAT
on the Hammer
is reclaimable
through purchasers
own UK VAT
return with C79
issued from
HMRC.
Clients can request
to be reinvoiced
under standard
UK VAT rules
Clients may
request to be
reinvoiced under
standard UK VAT
rules and both
Hammer and
Premium VAT
will be refunded
upon proof of
movement within
the EU
VAT refund.
VAT will be
refunded on the
Hammer price and
an amount in-lieu
of the VAT in the
Buyers Premium
will be refunded
No VAT
refund
Import VAT
on the Hammer
is reclaimable
through purchasers
own UK VAT
return with C79
issued from
HMRC.
Clients can request
to be reinvoiced
under standard
UK VAT rules
Clients may
request to be
reinvoiced under
standard VAT
rules and both
Hammer and
Premium VAT
will be refunded
upon proof of
movement within
the EU
VAT refund.
VAT will be
refunded on the
Hammer and an
amount in-lieu of
the VAT in the
Buyers Premium
will be refunded
No VAT
refund
No VAT refund.
Clients can request
to be reinvoiced
under standard
UK VAT rules
Clients may
request to be
reinvoiced under
standard UK VAT
rules and the VAT
charged of the
Buyer's Premium
will be refunded
upon proof of
movement within
the EU.
VAT will be
refunded on
the Hammer by
Christies. VAT
charged in the
Buyers Premium
can be claimed
back by Trade
clients directly
from Christies.
N/A N/A N/A N/A

VAT refunds: What can I reclaim?
1
VAT on Premium may be reclaimed from HM Revenue
& Customs where the purchaser is taxable in their
home jurisdiction.
No VAT refund will be processed where the total
VAT amount is under 100.
A refund processing fee of 35 will be charged for
each refund processed (regardless of the number of
lots processed).
VAT Consequences on Shipping
CHRISTIES AUTHORISED SHIPPER If a buyer
exports the purchased goods outside the EU and a
CHRISTIES AUTHORISED SHIPPER is used, the
buyer will not be required to pay the VAT at the time
of settlement.
Own Shipper If the buyer exports the purchased
goods outside the EU and does not use a CHRISTIES
AUTHORISED SHIPPER, VAT will be charged
on the invoice. This VAT will be refundable upon
receipt of the correct export documentation by
Christies VAT department.
Hand Carried Lots Purchased
If the buyer exports the purchased goods outside the
EU himself, VAT will be charged on the invoice. For
lots that are to be hand carried, the following must be
adhered to:
For lots that carry the Star (*) or Omega () symbol in
the catalogue, a C88 can be obtained from Christies
Shipping department. This must be stamped by UK
Customs on leaving the UK and sent to the VAT
department for a VAT refund to be issued.
For lots that carry no symbol or are daggered () in
the catalogue a Global Refund form can be obtained
from Cashiers and the VAT can be reclaimed by the
purchaser at the airport (subject to an admin fee).
The buyer must provide valid proof of identity (i.e.
passport/credit card) at time of collection and present
the same proof at the Global Refund desk at the
airport. Alternatively any commercial evidence of
export is acceptable.
VAT Queries
If you still have any queries about VAT, please contact the
following:
Telephone number: +44 (0)20 7389 2886
Email: info@Christies.com
HM Revenue & Customs
Telephone Number +44 (0)28 7137 5100
1
CHRISTIE'S AS AGENT
Except as otherwise stated Christies acts as agent for
the seller. The contract for the sale of the property is
therefore made between the seller and the buyer.
2
CATALOGUE DESCRIPTIONS AND CONDITION
Lots are sold as described and otherwise in the
condition they are in at the time of the sale,
on the following basis.
a Condition
The nature of the lots sold in our auctions is such that
they will rarely be in perfect condition, and are likely,
due to their nature and age, to show signs of wear
and tear, damage, other imperfections, restoration or
repair. Any reference to condition in a catalogue entry
will not amount to a full description of condition.
Condition reports are usually available on request,
and will supplement the catalogue description. In
describing lots, our staff assess the condition in a
manner appropriate to the estimated value of the item
and the nature of the auction in which it is included.
Any statement as to the physical nature or condition
of a lot, in a catalogue, condition report or otherwise,
is given honestly and with appropriate care. However,
Christies staff are not professional restorers or trained
conservators and accordingly any such statement will
not be exhaustive. We therefore recommend that you
always view property personally, and, particularly in
the case of any items of significant value, that you
instruct your own restorer or other professional adviser
to report to you in advance of bidding.
b Cataloguing Practice
Our cataloguing practice is explained in the All You
Need to Know section of the catalogue, which appears
after the catalogue entries.
c Attribution etc
Any statements made by Christies about any lot,
whether orally or in writing, concerning attribution
to, for example, an artist, school, or country of origin,
or history or provenance, or any date or period, are
expressions of our opinion or belief. Our opinions and
beliefs have been formed honestly and in accordance
with the standard of care reasonably to be expected
of an auction house of Christies standing, due regard
having been had to the estimated value of the item
and the nature of the auction in which it is included.
It must be clearly understood, however, that, due to
the nature of the auction process, we are unable to
carry out exhaustive research of the kind undertaken
by professional historians and scholars, and also that, as
research develops and scholarship and expertise evolve,
opinions on these matters may change. We therefore
recommend that, particularly in the case of any item of
significant value, you seek advice on such matters from
your own professional advisers.
d Estimates
Estimates of the selling price should not be relied on as
a statement that this is the price at which the item will
sell or its value for any other purpose.
e Fitness for Purpose
Lots sold are enormously varied in terms of age, category
and condition, and may be purchased for a variety of
purposes. Unless otherwise specifically agreed, no promise
is made that a lot is fit for any particular purpose.
3
AT THE SALE
a Refusal of admission
Christies has the right, at our complete discretion, to
refuse admission to the premises or participation in any
auction and to reject any bid.
b Registration before bidding
Prospective buyers who wish to bid in the saleroom
can register online in advance of the sale, or can come
to the saleroom on the day of the sale approximately
30 minutes before the start of the sale to register in
person. Prospective buyers must complete and sign a
registration form with his or her name and permanent
address, and provide identification before bidding. We
may require the production of bank details from which
payment will be made or other financial references.
c Bidding as principal
When making a bid, a bidder is accepting personal
liability to pay the purchase price, including the buyers
premium and all applicable taxes, plus all other applicable
charges, unless it has been explicitly agreed in writing
with Christies before the commencement of the
sale that the bidder is acting as agent on behalf of an
identified third party acceptable to Christies, and that
Christies will only look to the principal for payment.
d Absentee bids
We will use reasonable efforts to carry out written bids
delivered to us prior to the sale for the convenience of
clients who are not present at the auction in person,
by an agent or by telephone. Bids must be placed in
the currency of the place of the sale. Please refer to the
catalogue for the Absentee Bids Form. If we receive
written bids on a particular lot for identical amounts, and
at the auction these are the highest bids on the lot, it will
be sold to the person whose written bid was received and
accepted first. Execution of written bids is a free service
undertaken subject to other commitments at the time of
the sale and provided that we have exercised reasonable
care in the handling of written bids, the volume of goods
is such that we cannot accept liability in any individual
instance for failing to execute a written bid or for
errors and omissions in connection with it arising from
circumstances beyond our reasonable control.
e Telephone bids
If a prospective buyer makes arrangements with us prior
to the commencement of the sale we will use reasonable
efforts to contact them to enable them to participate
in the bidding by telephone but we do not accept
liability for failure to do so or for errors and omissions
in connection with telephone bidding arising from
circumstances beyond our reasonable control.
f Currency converter
At some auctions a currency converter may be
operated. Errors may occur in the operation of the
currency converter. Where these arise from circumstances
beyond our reasonable control we do not accept
liability to bidders who follow the currency converter
rather than the actual bidding in the saleroom.
g Video or digital images
At some auctions there may be a video or digital screen.
Errors may occur in its operation and in the quality of the
image. We do not accept liability for such errors where
they arise for reasons beyond our reasonable control.
h Reserves
Unless otherwise indicated, all lots are offered subject to
a reserve, which is the confidential minimum price below
which the lot will not be sold. The reserve will not
exceed the low estimate printed in the catalogue. If any
lots are not subject to a reserve, they will be identified
with the symbol next to the lot number. The auctioneer
may open the bidding on any lot below the reserve by
placing a bid on behalf of the seller. The auctioneer may
continue to bid on behalf of the seller up to the amount
of the reserve, either by placing consecutive bids or by
placing bids in response to other bidders.
i Auctioneers discretion
The auctioneer has the right to exercise reasonable
discretion in refusing any bid, advancing the bidding
in such a manner as he may decide, withdrawing or
dividing any lot, combining any two or more lots and,
in the case of error or dispute, and whether during
or after the sale, determining the successful bidder,
continuing the bidding, cancelling the sale or reoffering
and reselling the item in dispute. If any dispute arises
after the sale, then, in the absence of any evidence
to the contrary the sale record maintained by the
auctioneer will be conclusive.
j Successful bid and passing of risk
Subject to the auctioneers reasonable discretion, the
highest bidder accepted by the auctioneer will be
the buyer and the striking of his hammer marks the
acceptance of the highest bid and the conclusion of a
contract for sale between the seller and the buyer. Risk
and responsibility for the lot (including frames or glass
where relevant) passes to the buyer at the expiration
of seven calendar days from the date of the sale or on
collection by the buyer if earlier.
4
AFTER THE SALE
a Buyers premium
In addition to the hammer price, the buyer agrees
to pay to us the buyers premium together with any
applicable value added tax. The buyers premium is
25% of the first 50,000 of the hammer price on each
lot plus 20% of the excess of the hammer price above
50,000 up to and including 1,000,000 plus 12% of
any amount in excess of 1,000,000.
b Artists Resale Right (Droit de Suite)
If the Artists Resale Right Regulations 2006 apply to
the lot the buyer also agrees to pay to us an amount
equal to the resale royalty provided for in those
Regulations. Lots affected are identified with the
symbol next to the lot number.
c Payment and ownership
The buyer must pay the full amount due (comprising the
hammer price, buyers premium and any applicable taxes)
immediately after the sale. This applies even if the buyer
wishes to export the lot and an export licence is, or may
be, required. The buyer will not acquire title to the lot
until all amounts due to us from the buyer have been
received by us in good cleared funds even in circumstances
where we have released the lot to the buyer.
d Collection of purchases
We shall be entitled to retain items sold until all
amounts due to us, or to Christies International
plc, or to any of its affiliates, subsidiaries or parent
companies worldwide, have been received in full in
good cleared funds or until the buyer has performed
any other outstanding obligations as we, in our sole
discretion, shall require, including, for the avoidance
of doubt, completing any anti-money laundering or
anti-terrorism financing checks we may require to our
satisfaction. In the event a buyer fails to complete any
anti-money laundering or anti-terrorism financing
checks to our satisfaction, Christies shall be entitled to
cancel the sale and to take any other actions that are
required or permitted under applicable law. Subject to
this, the buyer shall collect purchased lots within two
calendar days from the date of the sale unless otherwise
agreed between us and the buyer.
Conditions of Sale
These Conditions of Sale and the information set out in the All You Need to Know
section of the catalogue set out the terms governing the legal relationship of Christies
and the seller with the buyer. You should read them carefully before bidding.
11/04/14
e Packing, handling and shipping
Although we shall use reasonable efforts to take care
when handling, packing and shipping a purchased
lot and in selecting third parties for these purposes,
we are not responsible for the acts or omissions of
any such third parties. Similarly, where we suggest
other handlers, packers or carriers if so requested,
our suggestions are made on the basis of our general
experience of such parties in the past and we are not
responsible to any person to whom we have made a
recommendation for the acts or omissions of the third
party concerned.
f Export licence
Unless otherwise agreed by us in writing, the fact
that the buyer wishes to apply for an export licence
does not affect his or her obligation to make payment
immediately after the sale nor our right to charge
interest or storage charges on late payment. If the buyer
requests us to apply for an export licence on his or
her behalf, we shall be entitled to make a charge for
this service. We shall not be obliged to rescind a sale
nor to refund any interest or other expenses incurred
by the buyer where payment is made by the buyer in
circumstances where an export licence is required.
g Remedies for non payment
If the buyer fails to make payment in full in good cleared
funds within 7 days after the sale, we shall have the right
to exercise a number of legal rights and remedies. These
include, but are not limited to, the following:
i to charge interest at an annual rate equal to 5%
above the base rate of Lloyds TSB Bank Plc;
ii to hold the defaulting buyer liable for the total
amount due and to commence legal proceedings
for its recovery together with interest, legal fees
and costs to the fullest extent permitted under
applicable law;
iii to cancel the sale;
iv to resell the property publicly or privately on such
terms as we shall think fit;
v to pay the seller an amount up to the net proceeds
payable in respect of the amount bid by the
defaulting buyer;
vi to set off against any amounts which we, or
Christies International plc, or any of its affiliates,
subsidiaries or parent companies worldwide, may
owe the buyer in any other transactions, the
outstanding amount remaining unpaid by the buyer;
vii where several amounts are owed by the buyer to
us, or to Christies International plc, or to any
of its affiliates, subsidiaries or parent companies
worldwide, in respect of different transactions, to
apply any amount paid to discharge any amount
owed in respect of any particular transaction,
whether or not the buyer so directs;
viii to reject at any future auction any bids made by or
on behalf of the buyer or to obtain a deposit from
the buyer before accepting any bids;
ix to exercise all the rights and remedies of a
person holding security over any property in our
possession owned by the buyer, whether by way
of pledge, security interest or in any other way, to
the fullest extent permitted by the law of the place
where such property is located. The buyer will be
deemed to have granted such security to us and we
may retain such property as collateral security for
such buyers obligations to us;
x to take such other action as we deem necessary
or appropriate.
If we resell the property under paragraph (iv) above,
the defaulting buyer shall be liable for payment of any
deficiency between the total amount originally due
to us and the price obtained upon resale as well as for
all reasonable costs, expenses, damages, legal fees and
commissions and premiums of whatever kind associated
with both sales or otherwise arising from the default.
If we pay any amount to the seller under paragraph (v)
above, the buyer acknowledges that Christies shall have
all of the rights of the seller, however arising, to pursue
the buyer for such amount.
h Failure to collect purchases
Where purchases are not collected within two calendar
days from the date of the sale, whether or not payment
has been made, we shall be permitted to remove the
property to a third party warehouse at the buyers
expense, and only release the items after payment in full
has been made of removal, storage, handling, and any
other costs reasonably incurred, together with payment
of all other amounts due to us.
i Selling Property at Christies
In addition to expenses such as transport, all consignors
pay a commission according to a fixed scale of charges
based upon the value of the property sold by the
consignor at Christies in a calendar year. Commissions
are charged on a sale by sale basis.
5
LIMITED WARRANTY
In addition to Christies liability to buyers set out in
clause 2 of these Conditions, but subject to the terms
and conditions of this paragraph, Christies warrants
for a period of five years from the date of the sale that
any property described in headings printed in UPPER
CASE TYPE (i.e. headings having all capital-letter
type) in this catalogue (as such description may be
amended by any saleroom notice or announcement)
which is stated without qualification to be the work
of a named author or authorship, is authentic and
not a forgery. The term author or authorship
refers to the creator of the property or to the period,
culture, source or origin, as the case may be, with
which the creation of such property is identified in
the UPPER CASE description of the property in
this catalogue. Only UPPER CASE TYPE headings
of lots in this catalogue indicate what is being
warranted by Christies. Christies warranty does
not apply to supplemental material which appears
below the UPPER CASE TYPE headings of each
lot and Christies is not responsible for any errors or
omissions in such material. The terms used in the
headings are further explained in the All You Need
to Know section of the catalogue. The warranty does
not apply to any heading which is stated to represent
a qualified opinion.
The warranty is subject to the following:
i It does not apply where (a) the catalogue description
or saleroom notice corresponded to the generally
accepted opinion of scholars or experts at the
date of the sale or fairly indicated that there was a
conflict of opinions; or (b) correct identification of
a lot can be demonstrated only by means of either
a scientific process not generally accepted for use
until after publication of the catalogue or a process
which at the date of publication of the catalogue
was unreasonably expensive or impractical or likely
to have caused damage to the property.
ii The benefits of the warranty are not assignable and
shall apply only to the original buyer of the lot as
shown on the invoice originally issued by Christies
when the lot was sold at auction.
iii The original buyer must have remained the owner
of the lot without disposing of any interest in it to
any third party.
iv The buyers sole and exclusive remedy against
Christies and the seller, in place of any other
remedy which might be available, is the cancellation
of the sale and the refund of the original purchase
price paid for the lot. Neither Christies nor the
seller will be liable for any special, incidental or
consequential damages including, without limitation,
loss of profits nor for interest.
v The buyer must give written notice of claim to us
within five years from the date of the auction. It is
Christies general policy, and Christies shall have
the right, to require the buyer to obtain the written
opinions of two recognised experts in the field,
mutually acceptable to Christies and the buyer,
before Christies decides whether or not to cancel
the sale under the warranty.
vi The buyer must return the lot to the Christies
saleroom at which it was purchased in the same
condition as at the time of the sale.
6
COPYRIGHT
The copyright in all images, illustrations and written
material produced by or for Christies relating to a
lot including the contents of this catalogue, is and
shall remain at all times the property of Christies and
shall not be used by the buyer, nor by anyone else,
without our prior written consent. Christies and the
seller make no representation or warranty that the
buyer of a property will acquire any copyright or other
reproduction rights in it.
7
SEVERABILITY
If any part of these Conditions of Sale is found by
any court to be invalid, illegal or unenforcable, that
part shall be discounted and the rest of the conditions
shall continue to be valid to the fullest extent
permitted by law.
8
LAW AND JURISDICTION
The rights and obligations of the parties with respect
to these Conditions of Sale, the conduct of the auction
and any matters connected with any of the foregoing
shall be governed and interpreted by the laws of
England. By bidding at auction, whether present in
person or by agent, by written bid, telephone or other
means, the buyer shall be deemed to have submitted,
for the benefit of Christies, to the exclusive jurisdiction
of the courts of the United Kingdom.
Conditions of Sale
All You Need to Know - Taking it Home
Every year we sell tens of thousands of lots of all shapes and sizes. We dont store
everything at our saleroom in South Kensington. All lots from Interior Sales marked
with a filled square go to a warehouse in Park Royal.
Its outside the congestion charge zone and theres plenty of dedicated free parking.
10/06/14
WHERE TO COLLECT
You can pay for and collect all sold lots from the
Interior Sales, including Sunday Sales, from Christies
South Kensington only on the day of the sale until
5.00 pm. Items marked with a filled square ( Q ) in the
catalogue are transferred to an offsite warehouse at the
close of business on the day of the sale. We give you
2 weeks free storage from the date of the sale and after
that point charges apply (ie, up to and including the
2nd Tuesday after the sale and in the case of Sunday
Sales we give you slightly more than 2 weeks free
storage, ie, up to and including the 3rd Tuesday after
the sale). All other lots will be held at Christies South
Kensington until 5.oopm the fifth Friday after the sale.
They will then be transferred to Cadogan Tate Ltd and
will be available to collect from the following Tuesday.
The offsite warehouse is owned by Cadogan Tate Ltd.
Please see the map and contact details below for their
precise location.
WHEN TO COLLECT
Lots are available to collect from Cadogan Tate Ltd at
12 noon on the Thursday after the sale. In the case of
Sunday Sales, lots are available to collect at 12 noon on
the Tuesday after the sale.
You can pay for items at Christies South Kensington
from Monday to Friday.
Items can be collected from Cadogan Tate Ltd
Monday to Friday 9.00am to 5.00pm.
HOW TO COLLECT
All lots must be paid for at Christies South Kensington
before they will be made available for you to collect.
If you are collecting from Christies South Kensington
please ensure that you bring your invoice as well as some
form of identification such as a drivers licence or passport.
You will need to go to Cashiers first to pay for your lot
and to get a Collection Order and this form will then
allow your lot to be released from the Collection Desk.
If you are collecting from Cadogan Tate Ltd you will
also need your invoice and proof of identification. In
order to ensure a quick collection time please also
bring a copy of your Collection Order with you.
Please note that payment for lots cannot be accepted at
the warehouse.
In a hurry? To ensure a speedy collection you can now
call Cadogan Tate on +44 (0)800 988 6100 and book
a collection time. They will have your purchases ready
for collection.
Carrier / Third Party Collections
Advance booking of collections is compulsory for
commercial carriers.
Please ask your carrier to call Cadogan Tate on
+44 (0)800 988 6100 at least 24 hours in advance to
book a collection appointment. They will have your
purchases/lots ready for collection.
Please provide your carrier with:
1. Written authority to collect
2. Proof of their own identification
3. A copy of your invoice or accurate detail of sale and
lot numbers
TRANSFER, STORAGE & RELATED CHARGES
Cadogan Tate Ltds charges are applied on a per lot
basis and are as follows:
Furniture/ Pictures/
Large Objects Small Items
Transfer / Admin fee 42.00 21.00
Storage per day 5.25 2.65
EXTENDED LIABILITY CHARGE
Extended Liability Charge is charged at the lower amount
of 0.6% of the hammer price plus buyers premium or
100% of the above charges.
All charges are subject to VAT. Very large or heavy items
may be subject to a surcharge.
Christies Fine Art Storage Services (CFASS)
also offers storage solutions for fine art, antiques and
collectibles in New York and Singapore FreePort.
CFASS is a separate subsidiary of Christies and clients
enjoy complete confidentiality.
Visit www.cfass.com for charges and other details.
SHIPPING AND DELIVERY
Our Art Transport Department can organise local
deliveries or international freight.
Please contact them on +44 (0)20 7389 2712 or
arttransport_london@christies.com.
CADOGAN TATE, CONDITIONS OF BUSINESS
All services provided by Cadogan Tate Ltd will be
subject to their standard Conditions of Business, copies of
which are available at Christies South Kensington.
Please note that in particular Cadogan Tate:
does not accept any liability for damage or loss, due to
its negligence or otherwise, exceeding the Hammer Price
of a lot plus Buyers premium, or, at its sole option, the
cost of repairing or replacing the damaged or missing lot
reserves a lien over all goods in its possession for
payment of storage and all other charges due to it
automatically arranges on behalf of the lots owner
and at the owners cost, Extended Liability Charge of
the lot for the sum of the hammer price plus Buyers
premium. This Extended Liability Charge covers the
lot from the time of collection from the saleroom until
release of the lot to the owner or the owners agent. The
Extended Liability Charge payable by the owner of the
lot is 0.6% of the sum of the hammer price and buyers
premium or 100% of the transfer and storage charges,
whichever is the smaller. This Extended Liability Charge
will not be arranged and no charge will be payable only
on receipt by Cadogan Tate of advance written notice
from the owner of the lot together with formal waiver of
subrogation from the owners insurers.
EXPORT/IMPORT PERMITS
Buyers should always check whether an export licence
is required before exporting. It is the buyers sole
responsibility to obtain any relevant export or
import licence.
The denial of any licence or any delay in obtaining
licences shall neither justify the rescission of any sale
nor any delay in making full payment for the lot.
Christies can advise buyers on the detailed provisions
of the export licensing regulations and will submit
any necessary export licence applications on request.
However, Christies cannot ensure that a licence will be
obtained. Local laws may prohibit the import of some
property and/or may prohibit the resale of some property
in the country of importation.
For more information, please contact Christies Art
Transport Department at +44 (0)20 7389 2712 or the
Department of Culture, Media and Sport at
+44 (0)20 7211 6167/8.
Written Bids
To Bid Now
just follow these three steps
ONE
Decide on your maximum bid
You might not end up paying this much. We will bid on your
behalf up to your limit in order to buy the lot for you at the
lowest possible price, bearing in mind the reserve and other
bids. Of course, written bids always remain totally confidential.
Dont forget that your final invoice will also include buyers
premium and any additional applicable charges, such as VAT.
TWO
Place your bid
Complete this form by filling in the lot numbers and your
maximum bids together with your contact details.
Hand this form into the Bids Office or fax it to us
on +44 (0)20 7581 1403.
Please remember this form should only be used for the sale
detailed above. Please write in clear, BLOCK CAPITALS.
or Written bids can be left online at christies.com.
Visit the website and follow the simple instructions.
or By telephone. Please call the Bids Office
on +44 (0)20 7752 3225.
THREE
Check the results
To find out if you have been successful you can call the
automated results line on +44 (0)20 7627 2707.
Remember, lots can be subject to storage charges after the sale.
NOTICE TO BIDDERS
If you have not previously bid or consigned with Christies,
please attach copies of the following documents.
Other business structures such as trusts, offshore companies or
partnerships: please contact the Credit Department at
+ 44 (0)20 7752 3137 for advice on the information you should
supply. If you are registering to bid on behalf of someone who
has not previously bid or consigned with Christies, please
attach identification documents for yourself as well as the party
on whose behalf you are bidding, together with a signed letter
of authorisation from that party. New clients, clients who have
not made a purchase from any Christies office within the last
two years, and those wishing to spend more than on previous
occasions may be asked to supply a bank reference.
LOT NUMBER MAXIMUM BID (UK) (EXCLUDING BUYERS PREMIUM)
YOUR CLIENT ACCOUNT NUMBER
NAME
INVOICE ADDRESS
POSTCODE/ZIP
COUNTRY
EMAIL
TELEPHONE
MOBILE
FAX NUMBER
I HAVE READ AND UNDERSTOOD THE TERMS AND CONDITIONS SET OUT ON THE REVERSE
SIGNED DATE
PLEASE QUOTE NUMBER IF YOU ARE REGISTERED WITHIN THE EUROPEAN COMMUNITY FOR
VAT/IVA/TVA/BTW/MWST/MOMS
Please ensure your details are correct as we cannot change
the invoice name once the invoice has been issued
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Christies South Kensington
If you cant attend an auction in person dont miss out, leave a written bid
and well do the rest bid now its quick, convenient and condential.
Sale Details
Sale title: CHRISTIE'S INTERIORS
Sale date/time: TUESDAY 28 OCTOBER 2014 AT 10.00 AM
Sale number: 5465
Written Bids must be received the day before the sale
AML 10/12/08
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Is it like a Sealed Bid?
A little. The key difference is that a sealed bid is
a fixed sum which, if you are successful, you will
end up paying regardless, whilst a written bid is
your maximum level and you may end up paying
less than that.
What will I pay?
If you are successful, the purchase price
payable will be the aggregate of the final bid
and a buyers premium of 25% on each lot
up to and including 50,000 plus 20% of the
excess above 50,000 up to and including
1,000,000 plus 12% of any sum in excess
of 1,000,000, together with any additional
applicable charges, such as VAT.
Can I change my mind?
Yes of course, but only before the auction
has begun. Contact the Bids Office as soon as
you can on +44 (0)20 7752 3225.
If Im successful, what happens next?
We will send you an invoice and payment
information sheet to the address provided,
you can then make payment and collect your
lots. Remember, lots can be subject to
storage charges after the sale, always check
the catalogue for precise details on when
charges begin.
Can I have my items delivered?
Yes. Our Art Transport team can arrange all
your transport needs, from local deliveries to
international freight. Their telephone number
is +44 (0)20 7389 2712
1
All written bids are subject to the
Conditions of Sale and Notices printed
in the catalogue.
2
Although to be certain of buying a
lot you should attend the auction,
Christies will use reasonable efforts
to carry out written bids delivered to
us prior to the sale. A maximum price
should be given against each lot and
the auctioneer will bid on your behalf.
Written bids should be consistent with
the normal increment in bidding at the
relevant level.
3
If your bid is successful, the purchase
price payable will be the aggregate of
the final bid and a buyers premium of
25% on each lot up to and including
50,000 plus 20% of the excess
above 50,000 up to and including
1,000,000 plus 12% of any sum in
excess of 1,000,000, together with
any additional applicable charges, such
as VAT.
4
Please ensure you have left bids on
the correct lots and that your written
bids are received by no later than the
day before the sale begins. In certain
circumstances it may not be possible to
execute bids received after the start of
the sale.
5
If we receive written bids on a
particular lot for identical amounts,
and at the auction these are the
highest bids for the lot, it will be sold
to the person whose written bid was
received and accepted first. Written
bids submitted on no reserve lots
will, in the absence of a higher bid, be
executed at approximately 50% of the
low pre-sale estimate or at the amount
of the bid if it is less than 50% of the
low pre-sale estimate.
6
Please note that we do not accept
responsibility for notifying you of the
result of your bid and request that you
contact us after the sale for your result.
7
Most purchases must be cleared within
2 days of the sale unless alternative
arrangements are provided for in
the relevant catalogue, after which
time storage charges will accrue in
accordance with notices in salerooms
and/or catalogues.
8
To ensure that bids will be accepted
and that delivery of lots is not delayed,
new clients or existing clients planning
to spend sums inconsistent with
their buying history may be asked to
supply written bank or other suitable
references to Christies. The references
should be supplied in good time
before the sale. Collection orders for
purchased lots will not be posted.
Please enquire with Cashiers
+44 (0)20 7752 3124.
9
At the time of making payment for
successful bids, please inform us if you
wish to contact Christies Art Transport
for shipping or removal.
10
Christies South Kensington Ltd
accepts payment by Visa and
Mastercard subject to conditions.
Switch and Delta are also accepted.
There is no surcharge for debit
card payments.
11
Export Licences: Overseas buyers,
please ensure that you are aware of
any restriction or licence requirements
for your intended purchase. If you
are unsure, please contact your local
customs authority, an international
shipper or Christies Art Transport on
+44 (0)20 7389 2712.
12
Execution of written bids is a free
service undertaken subject to other
commitments at the time of the sale
and provided that we have exercised
reasonable care in the handling of
written bids, the volume of goods is
such that we cannot accept liability
in any individual instance for failing
to execute a written bid or for errors
and omissions in connection with it
arising from circumstances beyond our
reasonable control.
Frequently asked questions Important Information
Written Bids
Christies South Kensington Limited, 85 Old Brompton Road, London SW7 3LD
General Enquiries
+44 (0)20 7930 6074
Fax
+44 (0)20 7581 1403
Bids Office
+44 (0)20 7752 3225
Results Line
+44 (0)20 7839 9060
Written Bids
To Bid Now
just follow these three steps
ONE
Decide on your maximum bid
You might not end up paying this much. We will bid on your
behalf up to your limit in order to buy the lot for you at the
lowest possible price, bearing in mind the reserve and other
bids. Of course, written bids always remain totally confidential.
Dont forget that your final invoice will also include buyers
premium and any additional applicable charges, such as VAT.
TWO
Place your bid
Complete this form by filling in the lot numbers and your
maximum bids together with your contact details.
Hand this form into the Bids Office or fax it to us
on +44 (0)20 7581 1403.
Please remember this form should only be used for the sale
detailed above. Please write in clear, BLOCK CAPITALS.
or Written bids can be left online at christies.com.
Visit the website and follow the simple instructions.
or By telephone. Please call the Bids Office
on +44 (0)20 7752 3225.
THREE
Check the results
To find out if you have been successful you can call the
automated results line on +44 (0)20 7627 2707.
Remember, lots can be subject to storage charges after the sale.
NOTICE TO BIDDERS
If you have not previously bid or consigned with Christies,
please attach copies of the following documents.
Other business structures such as trusts, offshore companies or
partnerships: please contact the Credit Department at
+ 44 (0)20 7752 3137 for advice on the information you should
supply. If you are registering to bid on behalf of someone who
has not previously bid or consigned with Christies, please
attach identification documents for yourself as well as the party
on whose behalf you are bidding, together with a signed letter
of authorisation from that party. New clients, clients who have
not made a purchase from any Christies office within the last
two years, and those wishing to spend more than on previous
occasions may be asked to supply a bank reference.
LOT NUMBER MAXIMUM BID (UK) (EXCLUDING BUYERS PREMIUM)
YOUR CLIENT ACCOUNT NUMBER
NAME
INVOICE ADDRESS
POSTCODE/ZIP
COUNTRY
EMAIL
TELEPHONE
MOBILE
FAX NUMBER
I HAVE READ AND UNDERSTOOD THE TERMS AND CONDITIONS SET OUT ON THE REVERSE
SIGNED DATE
PLEASE QUOTE NUMBER IF YOU ARE REGISTERED WITHIN THE EUROPEAN COMMUNITY FOR
VAT/IVA/TVA/BTW/MWST/MOMS
Please ensure your details are correct as we cannot change
the invoice name once the invoice has been issued
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Christies South Kensington
If you cant attend an auction in person dont miss out, leave a written bid
and well do the rest bid now its quick, convenient and condential.
Sale Details
Sale title: CHRISTIE'S MODERN INTERIORS
Sale date/time: WEDNESDAY 29 OCTOBER 2014 AT 10.00 AM
Sale number: 5777
Written Bids must be received the day before the sale
AML 10/12/08
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,

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.
Is it like a Sealed Bid?
A little. The key difference is that a sealed bid is
a fixed sum which, if you are successful, you will
end up paying regardless, whilst a written bid is
your maximum level and you may end up paying
less than that.
What will I pay?
If you are successful, the purchase price
payable will be the aggregate of the final bid
and a buyers premium of 25% on each lot
up to and including 50,000 plus 20% of the
excess above 50,000 up to and including
1,000,000 plus 12% of any sum in excess
of 1,000,000, together with any additional
applicable charges, such as VAT.
Can I change my mind?
Yes of course, but only before the auction
has begun. Contact the Bids Office as soon as
you can on +44 (0)20 7752 3225.
If Im successful, what happens next?
We will send you an invoice and payment
information sheet to the address provided,
you can then make payment and collect your
lots. Remember, lots can be subject to
storage charges after the sale, always check
the catalogue for precise details on when
charges begin.
Can I have my items delivered?
Yes. Our Art Transport team can arrange all
your transport needs, from local deliveries to
international freight. Their telephone number
is +44 (0)20 7389 2712
1
All written bids are subject to the
Conditions of Sale and Notices printed
in the catalogue.
2
Although to be certain of buying a
lot you should attend the auction,
Christies will use reasonable efforts
to carry out written bids delivered to
us prior to the sale. A maximum price
should be given against each lot and
the auctioneer will bid on your behalf.
Written bids should be consistent with
the normal increment in bidding at the
relevant level.
3
If your bid is successful, the purchase
price payable will be the aggregate of
the final bid and a buyers premium of
25% on each lot up to and including
50,000 plus 20% of the excess
above 50,000 up to and including
1,000,000 plus 12% of any sum in
excess of 1,000,000, together with
any additional applicable charges, such
as VAT.
4
Please ensure you have left bids on
the correct lots and that your written
bids are received by no later than the
day before the sale begins. In certain
circumstances it may not be possible to
execute bids received after the start of
the sale.
5
If we receive written bids on a
particular lot for identical amounts,
and at the auction these are the
highest bids for the lot, it will be sold
to the person whose written bid was
received and accepted first. Written
bids submitted on no reserve lots
will, in the absence of a higher bid, be
executed at approximately 50% of the
low pre-sale estimate or at the amount
of the bid if it is less than 50% of the
low pre-sale estimate.
6
Please note that we do not accept
responsibility for notifying you of the
result of your bid and request that you
contact us after the sale for your result.
7
Most purchases must be cleared within
2 days of the sale unless alternative
arrangements are provided for in
the relevant catalogue, after which
time storage charges will accrue in
accordance with notices in salerooms
and/or catalogues.
8
To ensure that bids will be accepted
and that delivery of lots is not delayed,
new clients or existing clients planning
to spend sums inconsistent with
their buying history may be asked to
supply written bank or other suitable
references to Christies. The references
should be supplied in good time
before the sale. Collection orders for
purchased lots will not be posted.
Please enquire with Cashiers
+44 (0)20 7752 3124.
9
At the time of making payment for
successful bids, please inform us if you
wish to contact Christies Art Transport
for shipping or removal.
10
Christies South Kensington Ltd
accepts payment by Visa and
Mastercard subject to conditions.
Switch and Delta are also accepted.
There is no surcharge for debit
card payments.
11
Export Licences: Overseas buyers,
please ensure that you are aware of
any restriction or licence requirements
for your intended purchase. If you
are unsure, please contact your local
customs authority, an international
shipper or Christies Art Transport on
+44 (0)20 7389 2712.
12
Execution of written bids is a free
service undertaken subject to other
commitments at the time of the sale
and provided that we have exercised
reasonable care in the handling of
written bids, the volume of goods is
such that we cannot accept liability
in any individual instance for failing
to execute a written bid or for errors
and omissions in connection with it
arising from circumstances beyond our
reasonable control.
Frequently asked questions Important Information
Written Bids
Christies South Kensington Limited, 85 Old Brompton Road, London SW7 3LD
General Enquiries
+44 (0)20 7930 6074
Fax
+44 (0)20 7581 1403
Bids Office
+44 (0)20 7752 3225
Results Line
+44 (0)20 7839 9060
These auctions feature
Bid live in Christies salerooms worldwide
register atchristies.com Christie, Manson & Woods Ltd. (2014)
KS = King Street
SK = South Kensington
Modern Interiors, 29 October
Style & Spirit, 18 November
October
01
Wednesday
European Noble & Private
Collections SK 10.30 am
07
Tuesday
Interiors featuring The Illustrated
London News Collection
SK 10.00 am
Oriental Rugs & Carpets
KS 11.00 am
28
Tuesday
Interiors SK 10.00 am
Chteau A Distinguished
American Collection of Important
19th Century Furniture &
Works of Art KS 2.00 pm
29
Wednesday
Modern Interiors SK 10.00 am
Interiors featuring The Illustrated London News Collection,
7 October
Oriental Rugs & Carpets, 7 October
November
04
Tuesday
LuxuryColourTexture:
The Estate of David Collins
KS 3.00 pm
05
Wednesday
Talisman SK 10.00 am
13
Thursday
The English Collector KS 10.30 am
18
Tuesday
Interiors Style & Spirit
SK 10.00 am
25
Tuesday
The John Shearer Collection of
Important Vincennes, Svres and
Meissen KS 10.30 am
Centuries of Style KS 11.30 am
26
Wednesday
Centuries of Style
KS 10.30 am & 2.30 pm
Auction
Calendar 2014

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28 & 29 OCTOBER 2014

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