BRADLEY LUNA WILSON/

CONTACT INFORMATION

PHONE/
512.695.6539

E-MAIL/
b.luna.wilson@gmail.com

ADDRESS/
6303 Needham Ln
Austin, TX 78739
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 WORKS/
COMPILATION OF PROJECTS

REFUGE IN ART/ URBAN RESIDENCE 3-10

STUDIO MODEL/ REFUGE IN ART 11-12

CLAY STUDIO/ ARCHITECTURAL CERAMICS 13-16

URBAN REVIVAL/ A MODEST ASPIRATION 17-20

FIELD SKETCHES/ ILLUSTRATED VISIONS 21-26

AQUATIC CENTER/ PERMANENT ROOF STRUCTURE 27-34

ENVELOPE INVESTIGATION/ THE MOIRÉD EFFECT 35-38

STUDIO MODEL/ ENVELOPE INVESTIGATION 39-40

CHELSEA/ NY . ART . LIVING 41-46

STUDIO MODEL/ CHELSEA 47-48

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REFUGE
IN ART/
URBAN RESIDENCE

LOCATION Urban West Texas

DISCRIPTION Intent was to design a landscape reminiscent of the West Texas land-
scape through the investigation in the grains of a chosen piece of wood. The art on the
landscape and residence are also derived from those investigations. The residence and
land art needed to be a visual representation and continuation of the underlying spirit of
our chosen grain. The residence was to also be environmentally conscious in design.
PROFESSOR Assistant Dean of Admissions Lahib Jaddo
WHEN Spring 08
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 NORTH ELEVATION/ SCALE 1’:1/32”

SOUTH ELEVATION

WEST ELEVATION

EAST ELEVATION

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SECTION AA/ VENTILATION/ SCALE 1’:1/16”

SECTION BB/ SEASONAL SUN ANGLES/ SCALE 1’:1/16”

WINTER SUN

SUMMER SUN

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SITE PLAN
 ROOF TERRACE/ SCALE 1’:1/32”

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 A

MAIN FLOOR BASEMENT

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STUDIO
MODEL/
A REFUGEE IN ART

DISCRIPTION MDF cut with lazer cutter in layers and stacked. You can take part some
layers to see the spaces within the structure.
PROFESSOR Lahib Jaddo
WHEN Spring 08
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CLAY
STUDIO/
ARCHITECTURAL CERAMICS

DISCRIPTION A three part clay wall mounted piece. The design intent was to
symbolize a personal inner struggle in life. Depicting the deep seeded rage and
passion to which it burns in your soul, on a continuous journey to a complete
contentness with all the wonderfully tragic complexities life has to offer.
PROFESSOR James Watkins
WHEN Spring 09
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LOCATION Passage DuCaire, Paris, France`
DISCRIPTION Isolated in the center of Paris, Passage DuCaire is currently stagnated
by the local textile and clothing industry. While the passage was once a vibrant social
scene it is now a sore in the city, infected by abandoned buildings, thugs, and prosti-
tutes. Any plans for further development of the site have come to a halt. Now, with the
passage being used for storage and local distribution of industrial textile goods, it has
driven out families, tourists, and locals as there are no services to provide for them. At
night the streets quickly become unsafe. The idea for the intervention was to open up
major axis, create public spaces, and redirect the passage usage to the pedestrian,
executing this with a cultural consciousness and contextual responsibility to the continu-
ity of the city of Paris.
PROFESSOR Dean Andrew Vernooy & Chair of Instruction, Dr. Clifton Ellis
WHEN Summer 09

URBAN
REVIVAL/
A MODEST ASPIRATION
NORTH FACADE SECTION 1’:1/4”
ELEVAT
ELE
ELEVATION
LE
EVAT
E VAT
VATION

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NORTH FACADE 1’:1/8”
FIELD
SKETCH-
ES/
ILLUSTRATED VISIONS

LOCATION Paris, France

DISCRIPTION Sketches are from my personal sketchbook used during the studio in
Paris. This gives light to my train of thought and ability to put what is in my head, on
paper.
PROFESSOR Dean Andrew Vernooy & Chair of Instruction, Dr. Clifton Ellis
WHEN Summer 09, Dean Andrew Vernooy & Dr. Clifton Ellis
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AQUATIC
CENTER/
PERMANENT ROOF STRUCTURE

LOCATION Texas Tech Recreation Center Pool, Lubbock, TX

DISCRIPTION The design for the new permanent roof structure is constructed with a
poured-in-place, post-tensioned concrete slab. The roof slab rests on columns that sit
behind insulated operable glass panels. The roof was designed to have elegant over-
lapping layers that shelter the pool without making the interior space feel too confined.
As the individual slabs have their own unique movement they have a cohesive sense of
direction. They are reminiscent of a sheet in the wind. At the west facade, the material
changes to a reflective permeated thin metal sheeting. This provided a playful light to
enter the skylights in the baths and main entryway.
PROFESSOR Associate Dean for Research Gary Smith
WHEN Fall 08
SECTIONS
DETAILS 1.2;1.2
1 STEEL BEAM
2 3/4” REFLECTIVE PERMIATED METAL SHEETING
3 3/4” STEEL IMBEDDED PLATE
4 6” POURED REINFORCED POST TENTIONED IN PLACE CONCRETE SLAB
5 STEEL COLUMN
6 1” THICK BOLT WITH EPOXY SEALANT
7 EXISTING CONCRETE WALL
8 1/2“ IMBEDDED PLATE WITH ALUMINUM MULLION
9 1” INSULATED GLASS
10 ALUMINUM MULLION WITH CONNECTION TO STEEL PLATE
O

1.1

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 3
2 4
3

1 4
5
5
8
6
6 9
7 10

7
DETAIL 1.1 1/4”=1’

DETAIL 1.2 1/4”=1’

1.2

SECTION AA 1/32”=1’

SECTION BB 1/32”=1’

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POOL PLAN B

4
2

14

16

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6 7 8
9 11 12

5
13

15
A

SITE PLAN 1/32”=1’

1 STORAGE
2 WOMENS BATH
3 MENS BATH
4 CHECKING OFFICE
5 WEST ENTRANCE
6 OFFICE
7 STORAGE
8 JANITORS CLOSET
9 EQUIPTIMENT STORAGE
10 STAIR TO BASEMENT
11 WATER LEVEL CONTROLE
12 CLORINE FEEDER
13 MECHANICAL EQUIPTMENT
14 REC ENTRANCE
15 POOL
16 S.E. EXIT

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ENVE-
LOPE
INVESTI-
GATION/
THE MOIRÉD EFFECT
PRECEDENCE Louis Vuiton Building, Nagoya, Japan
ARCHITECT Tadao Ando
DISCRIPTION Investigation of the double layer building skin creating an optical illusion
called the moiré effect. Created two identical surface patterns separated 1.15 meters,
creating the moiré effect. The effect essentially creates a new pattern developed in the
ambiguity between the two planes. Misconstruing your depth perception to combine
the two independent patterns into one new pattern that changes with you perspective.
PROFESSOR Christian Pongratz
WHEN Spring 09
SECTION DETAIL/ SCALE 1/80

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 STAINLESS STEEL PARAPET

REINFORCED CONCRETE

STAINLESS STEEL L. BRACKET

STELL I BEAM 200x80x7.5x11mm

PLASTER BOARD t=12.5+9.5mm

STRUCTURAL RIBBED FLOAT GLASS t=25mm

EXTERIOR FLOAT GLASS t=25mm

ALUMINUM LOUVERS

STEEL CHANNELS

LIGHTS

STEEL BRACKETS

STAINLESS STEEL COVER PLATE

STAINLESS STEEL C CHANNEL t=2mm

STAINLESS STEEL COVER PLATE

STEEL C CHANNEL

STEEL BRACKET

STAINLESS STEEL C CHANNEL t=2mm

STEEL I BEAM 200x80x7.5x11mm

PLASTER BOARD t=12.5=9.5mm

EXTERIOR FLOAT GLASS t=25mm

ALUMINUM LOUVER

STAINLESS STEEL L BRACKET

STAINLESS STEEL C CHANNEL

LIGHTS

CONCRETE FOUNDATION

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STUDIO
MODEL/
THE MOIRÉD EFFECT

PRECEDENCE Louis Vuiton Building, Nagoya, Japan

ARCHITECT Tadao Ando
DISCRIPTION Bass wood hand cut and built model. Vertical lines for skin pattern cut
with laser cutter and plexi glass for structural glass panes.
PROFESSOR Christian Pongratz
WHEN Spring 09
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LOCATION Chelsea, Manhattan, New York
DISCRIPTION Luxurious mixed use Residential/Restaurant/Art Gallery building
adjacent to the Chelsea Highline. The focus in the studio was to investigate the under-
lying logic of screens/envelopes and materials. In the design process we focused on
understanding the interrelation between the buildings envelope, interior spaces, and the
practicality of natural daylight and ventilation.
PROFESSOR Christian Pongratz
WHEN Spring 09

CHELSEA/
NY . ART . LIVING
B

THRID FLOOR BAR/CAFE & TERRACE

W/ ACCES TO HIGHLINE

10

41
 A 1’:1/32”

43
43
A

1
10

FIRST FLOOR/ GALLERY SECOND FLOOR/ BAR/CAFE

GROUND FLOOR/ GALLERY & PRIVATE

RESIDENTIAL ENTRANCE

3 4 4 4 4

6 6

10

5 5

4 4

THIRD FLOOR/ PRIVATE ENTRANCE/GYM FOURTH FLOOR/ FLOOR N.1 RESIDENCE FIFTH FLOOR/ FLOOR N.2 RESIDENCE

7 7
8 8
PLANS 1’:1/32”
1 GALLERY
2 PRIVATE ENTRANCE
3 GYM
4 ROOM
5 LIVIING
6 STUDIO
7 KITCHEN
5 5
8 ROOF TERRACE
9 COURTYARD
10 BAR/CAFE

SIXTH FLOOR/ FLOOR N.3 RESIDENCE ROOF/ PRIVATE TERRACE

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SOUTH

NORTH

46
EAST
STUDIO
MODEL/
CHELSEA

DISCRIPTION MDF cut with lazer cutter. Black string was woven through the
base and attached at the roof to represent the facade cables.
PROFESSOR Christian Pongratz
WHEN Spring 09
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