Beruflich Dokumente
Kultur Dokumente
CURA
TORIAL
PER
SPECT
IVES
TABLE OF CONTENTS
1
2
Welcome
Fall/Winter 2014 Calendar
EXHIBITIONS
4
6
8
10
12
14
16
17
EN MAS
Free Play
do it
Martha Wilson
Project 35 Volume 2
Performance Now
With Hidden Noise
Living as Form (The Nomadic Version)
Online Networks
Publications
New York Art Book Fair
Allen Ruppersberg Sourcebook
Limited Editions
40
42
43
44
45
46
47
48
ICI Awards
Leadership Council
International Forum
The Independents
ICI Conversations
Thank You
Access ICI
Booking Information
WELCOME
In just a few months, ICI will enter
its 40th year40!dedicated to
curators, artists, and art spaces
everywhere, and to advancing
contemporary art through
exhibitions, events, research
initiatives and training programs
for curators, and publications. It
was in 1975 that Nina Castelli
Sundell and Susan Sollins came together to dream up a
unique organization centered on the fundamental role of
curators, with a vision of a truly global and collaborative
art world.
As we are getting ready to celebrate ICIs 40 years, we
move forward at great speed, but we also look back in
of the death of ICIs co-founder Nina Castelli Sundell on
August 3. Nina curated many early ICI exhibitions, and
later served on ICIs Board of Trustees, always setting a
standard of excellence which we strive to maintain. The
ICI Board, staff, and community also greatly lament the
passing of our long-time Treasurer and Vice Chair of the
Board, Mickey Straus, who from 1986 until his death in
May, resolutely championed innovation in our programs.
Both Nina and Mickey were precious links in a chain
of individuals who make ICI what it is today, a dynamic
international organization connecting ever more
curators, artists, and art spaces to share a multiplicity
of perspectives that are fundamental in understanding
worked in 8 countries on programs with emerging and
states.
From California to Indonesia, ICI exhibitions provide a
forum for the exchange of ideas and the developments
live inwith the belief that contemporary art can impact
audiences everywhere, and that we all gain by bringing
people together around the critical work of artists.
Following programs in Addis Ababa, Beijing, Mexico
City, Moscow, and New York, a week-long Curatorial
Renaud Proch
Executive Director
CALENDAR
SEPTEMBER
EVENTS
ICI Conversations:
Brunch & Artist Talk
with Helene Appel
Saturday, September 6
James Cohan Gallery
New York, NY
The Curators
Perspective: Valerie
Cassel Oliver
10, 78:30pm
Hunter College
New York, NY
MoMA PS1
Long Island City, NY
EXHIBITIONS
Living as Form
(The Nomadic Version)
HUB EVENTS
REBELS REBEL
Performance Now
New York, NY
Curatorial Intensive
Public Symposium:
Curating Now
Tuesday, September 30,
10am6pm
New York, NY
Richard E. Peeler
Art Center, DePauw
University
Greencastle, IN
do it (archive)
SeptemberOctober
The Episcopal Academy
Newton Square, PA
do it
September 513
Michaelis Galleries,
Michaelis School of Fine
Art
Cape Town, South Africa
September 13December 6
CURATORIAL
INTENSIVE
Curatorial Intensive:
Curating Now
New York, NY
Project 35 Volume 2
Robert Morris University
Pittsburgh, PA
September 13October 10
Messy Sky / Cloud
Bangkok, Thailand
OCTOBER
EXHIBITIONS
EVENTS
Project 35 Volume 2
The Curators
Perspective: Raphael
Chikukwa
Tuesday, October 7,
78:30pm
The New Museum
New York, NY
CURATORIAL
INTENSIVE
September 8December
Richard E. Peeler
Art Center, DePauw
University
Greencastle, IN
New York, NY
Curatorial Intensive in
Beijing
Central Academy of Fine
Arts, Beijing, China
September 6October 3
Messy Sky / Cloud
Bangkok, Thailand
Design
Philadelphia, PA
October 6November 16
DeVos Art Museum,
Northern Michigan
University
Marquette, MI
do it (archive)
SeptemberOctober
Episcopal Academy
Newtown Square, PA
do it
September 13December 6
Design
Philadelphia, PA
October 16November 13
Denler Art Gallery
St. Paul, MN
Performance Now
London, U.K.
Krakow Theatrical
Reminiscences
Krakow, Poland
NOVEMBER
DECEMBER
EVENTS
Auction
Monday, November 17,
6:3011pm
The Cunard Building
New York, NY
ICI at NADA Miami
Beach
December 47
Deauville Beach Resort
Miami Beach, FL
EXHIBITIONS
Project 35 Volume 2
Richard E. Peeler
Art Center, DePauw
University
Greencastle, IN
October 6November 16
DeVos Art Museum,
Northern Michigan
University
Marquette, MI
Stamp Gallery, University
of Maryland
College Park, MD
London, U.K.
CURATORIAL
INTENSIVE
Curatorial Intensive in
New Orleans
Prospect New Orleans
/ Contemporary Arts
Center, New Orleans
New Orleans, LA
EXHIBITIONS
Performance Now
December 6March 1
QUT Art Museum
Brisbane, Australia
do it
September 13December 6
Design
Philadelphia, PA
October 16November 13
Denler Art Gallery
St. Paul, MN
Living as Form
(The Nomadic Version)
JANUARY
FEBRUARY
November 8December 13
La Quionera, Coyoacn
Mexico City, Mexico
Project 35 Volume 2
Martha Wilson
Van Every/Smith
Galleries, Davidson
College
Davidson, NC
January 15June 8
Art Gallery, University of
Saint Joseph
EXHIBITIONS
EN MAS
EN MAS: CARNIVAL AND PERFORMANCE ART OF THE CARIBBEAN
Curated by Claire Tancons and Krista Thompson, co-organized with Contemporary
Arts Center, New Orleans
EN MAS: CARNIVAL AND PERFORMANCE ART OF THE CARIBBEAN is a pioneering
exploration of the influences of Carnival on contemporary performance practices in the
Caribbean, North America, and Europe. Conceived around a series of 9 commissioned
performances across 8 cities in 6 different countries, the exhibition considers the
connections between Carnival and performance, masquerade and social criticism,
diaspora and transnationalism.
Performance Art of the Caribbean, co-published by ICI
and synonymous with Carnival in the English-speaking
Caribbean), EN MAS considers a history of performance
that does not take place on the stage or in the gallery but
rather in the streets, addressing not the few but the many.
EN MAS presents performance practices that do not
trace their genealogy to the European avant-gardes of
the early twentieth century, but rather to the experiences
of slavery and colonialism; the independence struggles
and civil right movements; and the population migrations
to and from former colonial centers during most of the
last hundred years. The exhibition interrogates this
history in light of todays global forms of public address
from the resurgence of the Mardi Gras Indian and Social
Aid and Pleasure Club traditions in post-Katrina New
Orleans to carnivalesque protests.
EN MAS tracks 9 artists as they engage, transform,
or critique historical and contemporary Caribbean
performance practices from Brooklyn, New York;
Junkanoo in Nassau, Bahamas; Kingston, Jamaica;
London, UK; Miami, Florida; Port of Spain, Trinidad and
Tobago; Santiago de los Caballeros, Dominican Republic;
to New Orleans, Louisiana. Performances will take place
according to different modes of public address and
audience engagement including semi-private rituals at
the margin of festival celebrations and street processions
in the midst of Carnival revelry.
Opening at Contemporary Arts Center, New Orleans
Carnival and related masquerading traditions in the
Caribbean and its diasporas have had on contemporary
performance discourse and practice in artistic and
curatorial realms. Bringing together photographic and
reconstitutions from the performances, the exhibition
and videographers working in the region today. An
accompanying publication, En Mas: Carnival and
Charles Campbell,
EXHIBITIONS
BASIC FACTS
Number of artists: 9
For further booking details see page 48
ARTISTS
John Beadle, Mario Benjamin, Charles Campbell, Nicols
OGrady, Ebony Patterson, Cauleen Smith
EXHIBITIONS
FREE PLAY
Curated by Melissa E. Feldman
No vital periods ever began from a theory. Whats first is a game, a struggle, a
journey. Guy Debord
Seeking the initial moment described by Debord, FREE PLAY explores the work of
artists who borrow from play and games to reveal social, philosophical, and cultural
issues. From playfulness, to mathematical strategy, the artists in FREE PLAY have mined
the significance of games, reinventing them to create experiences often meant to be
involving the viewer, and reflecting on the nature of participation in art.
Artistic processes tied to game playing have historically
attracted the avant-garde, most famously the chess
master Marcel Duchamp. His every artistic move had
his chess partner the viewer in mind. Games were
also intrinsic to the work of war-addled Surrealists
and Dadaists, the inventors of exquisite corpse and
automatic drawing, in their quest to upend the bourgeois
pretensions of art and free the artistic imagination. In the
1960s and 70s, the countercultural and antiwar Fluxus
group and the New Games Foundation questioned
capitalism and corporate culture by staging massive
public games in city parks. Moving away from the
classical chess period of kings, queens, and bishops,
the works in
but strategies of decision making around contemporary
issues.
The arcade of games in
include a version
of Guitar Hero by Cory Arcangel, hopscotch by Mary
Flanagan, and Ryan Ganders version of blackjack
while the more mystically inclined may gravitate toward
Allan McCollum and Matt Mullicans divining game.
CURATOR
Melissa E. Feldman is a Seattle-based independent
curator and writer, and holds the position of Distinguished
Visiting Faculty at Cornish College of the Arts. She is
a frequent contributor to Art in America,
, Third
Text,
, among others. Her recent exhibitions
include Dance Rehearsal: Karen Kilimniks World of
Ballet and Theatre
Art Museum, Oakland, which traveled to the Museum
of Contemporary Art Denver, CO; Afterglow: Rethinking
California Light and Space Art
Notre Dame de Namur University Art Gallery, Belmont,
CA and the Hearst Art Gallery at St. Marys College,
Sampler: Textiles at Creative
Growth
Feldman has taught at the California College of the
Arts, the San Francisco Art Institute, and Goldsmiths
monographic exhibitions in America for Kilimnik, Martin
Kippenberger, and Hiroshi Sugimoto in the early 1990s
Philadelphia, PA.
ARTISTS
BASIC FACTS
Cory Arcangel, Patrick Bernier and Olive Martin, Ruth
Catlow, Mary Flanagan, Futurefarmers, Ryan Gander,
Jeanne van Heeswijk and Rolf Engelen, Allan McCollum
and Matt Mullican, Paul Noble, Yoko Ono, Pedro Reyes,
Jason Rohrer, David Shrigley, Erik Svedng
FREE PLAY
7
EXHIBITIONS
DO IT
Curated by Hans Ulrich Obrist
What would happen if an exhibition never stopped? Since it began in 1993, with this
question being asked by Hans Ulrich Obrist and artists Christian Boltanski and Bertrand
Lavier, DO IT has become the longest-running and most far-reaching exhibition to ever
happenconstantly generating new versions of itself.
do it has been
shown in 11 art spaces internationally, with many more
exhibitions scheduled to take place in the fall. Many
new versions and projects were also generated in
collaboration with curators in presenting venues and can
now be found on ICIs website. Several of them, such as
and
can even
be shown alongside future do it presentations, offering
different layers to the project.
publications include
, Project
,
, Think Like
along with new
DO IT
in the making of
Torihara.
10
EXHIBITIONS
MARTHA
WILSON
Curated by Peter Dykhuis
Martha Wilsons 40-year career encapsulates the key debates in feminist and socially
engaged practices, wherein identity and positioning are not just self-defined or projected
but also negotiated, disputed, and constantly reimagined. The complex nature of
Wilsons work encompasses her activities as an artist since the early 1970s, her position
as the director of Franklin Furnace, and her music collaborations in DISBAND.
CURATOR
gained attention in 1973 through Lucy R. Lippard, who
contextualized her early work within the parameters
of conceptual practice, and among other women artist
contemporaries. A year later, Judy Chicago denounced
conceptually based performances, videos, and phototexts, or focus on Franklin Furnace, an arts organization
, 1973.
11
EXHIBITIONS
PROJECT 35
VOLUME 2
In 2010, ICI launched PROJECT 35, a program of single-channel videos selected by 35
international curators who each chose one work from an artist they think is important
for audiences around the world to experience today. The resulting selection was
presented in more than 30 venues around the globe, at times simultaneously. Following
the widespread popularity and success of the first exhibition, ICI collaborated with 35
more international curators to produce PROJECT 35 VOLUME 2 in 2013, which has
already been seen in 16 art spaces in 10 countries, from Canada to Sri Lanka.
ICI has once again drawn from its extensive network of
curators to trace the complexity of regional and global
connections among practitioners and the variety of
approaches they use to make video. 35 curators from
6 continents each chose one work for this compilation,
showcasing a variety of artists takes on the medium.
ARTISTS
can be shown in almost any space
worldwide. It can be projected in a gallery, featured in
monthly screenings, or shown on a monitor running in
a caf or education room. A pamphlet accompanies the
exhibition with a short introduction to each work by the
selecting curator, along with the curators and artists bios.
has been on view in over 16 international art
spaces from Addis Ababa, Ethiopia to Jaffna, Sri Lanka
and Montevideo, Uruguay.
CURATORS
Screening of
Installation view of
Sara Ramo,
Film Still. Courtesy of the artist.
13
BASIC FACTS
14
EXHIBITIONS
PERFORMANCE
NOW
Curated by RoseLee Goldberg, co-organized with Performa
In her groundbreaking book PERFORMANCE ART: FROM FUTURISM TO THE PRESENT
(1979), art historian and curator RoseLee Goldberg showed that performance is central
to the history of twentieth-century art. In 2005, she launched PERFORMA 05, the first
biennial of visual art performance, and predicted that performance would become
the medium of the twenty-first century. Indeed, its time has come.
Performance Now is a selection of works by artists
from a vast repository of new performance from around
CURATOR
RoseLee Goldbergs seminal study, Performance
Performance Now
surveys critical and experimental currents in performance
internationally, featuring key Performa commissions,
others.
Together, the works in the exhibition are an indication
of the extent to which visual artists use performance as
part of their creative process; how that process produces
objects, installations, video, or photography; and how
these mediums have been enlivened by the demands
of recording performance in innovative ways. Exploring
live performance, artists capture its ephemerality and
transform it into new work that contains the power and
content of the original.
in many major museums throughout the world and
15
ARTISTS
Kelly Nipper,
BASIC FACTS
Performance Now
16
EXHIBITIONS
WITH HIDDEN
NOISE
Curated by Stephen Vitiello
WITH HIDDEN NOISE is an exploration of sound art that asks gallery and museum
visitors to spend time listening with ears they may not know they hadWith too few
important exhibitions focusing on the experience of sound art and the contemporary
history of the practice, this artist-curated project is accessible to a wide range of venues
across continents, in a flexible way that allows for curators to build upon it creatively
and explore sound art further.
Cages seminal
Allison Young, Artforum
CURATOR
Stephen Vitiello is a sound and media artist whose
sound installations have been presented internationally
both in public spaces and museums. Among his recent
projects,
commissioned by Creative Time for the High Line, New
Featured artists in
include legendary
composer Pauline Oliveros as well as Steve Roden,
Andrea Parkins, and the projects curator, Stephen
Vitiello. Titled after Duchamps readymade ball of string
containing a mysterious sound-making object hidden in
its folds, this exhibition brings together evocative sounds,
some recognizable from traditional instruments and
exhibition
Vitiello has collaborated extensively, working with artists
such as Tony Oursler, Julie Mehretu, Joan Jonas,
Steve Roden, Nam June Paik, and Ryuichi Sakamoto.
Originally from New York, he is now based in Richmond,
Virginia where he is a professor in the Department of
Kinetic Imaging at Virginia Commonwealth University.
processes.
ARTISTS
BASIC FACTS
Number of artists: 8
Number of works: 7
For further booking details see page 48
LIVING AS
FORM
EXHIBITIONS
17
the
Award for distinguished writing. His
publication, Seeing Power: Art and Activism in the Age of
is forthcoming from Melville House.
THANK YOU TO THE ARTISTS
ITINERARY
Videotage
Kadist Art Foundation
McDonough Museum of Art,
University of California,
Diego, CA); ARTifariti
Sahara); Moore College of Art & Design, January
CCI Fabrika, February
TheCube Project Space,
Richard E. Peeler
Art Center
IN); The 4th Anyang Public Art Project, OctoberMay
Museo de Arte Sinaloa,
Artport
Tel Aviv
Carpenter Center for the Visual Arts, FebruaryApril
Antioch College
Israel Institute of Technology,
Plains Art Museum,
Art & Society
Research Center
18
CURATORIAL
INTENSIVE
ICIs Curatorial Intensive program was established in 2010 as the worlds first shortcourse, low-cost training program for curators. Intended to bring working professionals
together to gain new skills and perspectives on pragmatic aspects of curating, as well
as to increase dialogue in curatorial ideas, the Intensive supports early- to mid-career
curators working independently or institutionally in emerging and established art
centers around the world. Programs are held at ICI in New York, and around the world
in collaboration with institutional partners.
The Curatorial Intensive consists of a weeklong schedule
of seminars, workshops, advisement meetings, and site
visits developed by ICI and taught by leading curators,
artists, critics, and directors. Participants apply with an
exhibition proposal to workshop through the program, the
outcomes of which are presented to a public audience
on the last day. Through their intensive engagement
with each other during the sessions, participants realize
opportunities for developing new collaborations and
networks.
CURATORIAL INTENSIVE
19
, Curatorial Intensive in
Meskerem Assegued
Art Center, Addis Ababa), Mara del Carmen Carrin
Raphael Chikukwa
Naima J. Keith
The Studio Museum in Harlem, New York), Riason
Naidoo
Town House Museums, Cape Town), Jimmy Ogonga
Nairobi), Elvira Dyangani Ose
Art, Tate Modern), Renaud Proch
ICI), Tracey Rose
Seyoum
Konjit
CURATORIAL INTENSIVE
Participating curators included: Philip
Balimunsi
Helen Carey
Ireland), Makeda Damtew
Mohamed Hussein
Mihret
Kebede
Wanja Kimani
Ababa, Ethiopia / Nairobi, Kenya),
Georgina
Maxim
Jillian Schultz
Angeles, CA), Fitsum Tefera
and Zoma Wallace
Meskerem Assegued
CURATORIAL INTENSIVE
Mark Beasley
Carmen Carrin
Mara del
Deborah Cullen
ALUMNI
UPDATES
There are currently 303 alumni of the Curatorial Intensives, based in 60 different
countries and 21 U.S. states. ICI remains in contact with alumni through the Curators
Network, and keeps updated on the exhibitions and projects that become fully realized
after the Intensives, as well as all alumni curatorial projects around the world.
Miguel Amado
Mariana Lorenzi
ALUMNI UPDATES
Shabbir Hussain Mustafa was selected as curator for
Wassan Al-Khudhairi was appointed the Curator
of Modern and Contemporary Art at the Birmingham
Museum of Art in Alabama.
Victor Wang
in residence at Contemporary Art Heritage Flanders
with CAHF and its 4 partner museums.
Didem Yazici recently curated A Tale of Shahmaran:
at BERLINARTPROJECTS in Berlin,
Germany.
Euridice Kala
A Tale of Shahmaran
Photo: Bernd Borchardt.
For more information about the Curatorial Intensive and the programs
alumni, visit ICIs website, www.curatorsintl.org, under the Curatorial
Intensive section.
RESEARCH
FELLOWSHIPS
ICIs Curatorial Fellowship, The Coleccin Patricia Phelps de Cisneros (CPPC) Travel
Award, the SAHA Research Award, the Dedalus Foundation Award, and the French
Institute Fellowship support curators in providing opportunities for in-depth research,
and Curatorial Intensive Alumni by facilitating collaborative projects among them and
broaden the international networks created through the Intensive.
ICI AND THE DEDALUS FOUNDATION RESEARCH
Award were
Labastida
Alejandra
RESEARCH UPDATE
RESEARCH UPDATE
Thank you to SAHA for their generous support of this fellowship. SAHA
aims to contribute toward the presence and visibility of art from Turkey
and supports artistic projects and research working in contemporary art.
Thank you to lInstitut franais in Paris, and the Cultural Services of the
French Embassy for generously supporting this fellowship. LInstitut
franais in Paris promotes French culture abroad and the Cultural
Services of the French Embassy provides Americans access and
resources to engage with French culture.
Sumesh Sharma is a curator based in Mumbai who coShipping Company, which seeks to address the freedom
CURATORS
PERSPECTIVE
The CURATORS PERSPECTIVE is a free, itinerant public discussion series ICI developed as
a way for international curators to share their interests and experiences with audiences in
New York. These talks provide an opportunity to access information about a wide variety
of international perspectives on art today. This year, ICI has invited curators based in
Glasgow, Utrecht, Buenos Aires, Houston, and Harare to speak about art, culture, and
the exhibitions in which they are most interested, as well as the artists and the sociopolitical contexts that are shaping curatorial practice now.
UPCOMING EVENTS
Raphael Chikukwa
Tuesday, October 7
78:30pm
New Museum of Contemporary Art
CURATORS PERSPECTIVE
CURATORS PERSPECTIVE: PAST PROGRAMS
Victoria Noorthoorn
Maria Hlavajova
the
network.
current work.
In order to conceive the program of the
loosing their grip and collapsing as the
neoliberal addition, seem to have become
30
CURATORIAL
HUB
Over the past year, ICI hosted 22 events in the Curatorial Hub, all of which were
free and open to the public. Intended to better facilitate the informal exchange of
ideas and experiences between professionals, the Curatorial Hub provides a flexible
and discursive space for artist and curator talks, panel discussions, small press events,
performative lectures, reading sessions, and training programs. It also houses a
curatorial library of periodicals and books from institutions all over the world. Events
at the Hub are announced throughout the year.
UPCOMING EVENTS
REBELS REBEL
The Curatorial Hub was established with the support of the Rockefeller
Brothers Fund, and programs at the Hub were made possible in part by
CURATORIAL HUB
Eoin Dara: the spaces through which we go daily
31
Sonel Breslav of Blonde Art Books, ICI Curatorial Hub, New York,
ONLINE
NETWORKS
Last spring, ICI worked with visual design studio FusionLab to introduce major new
upgrades to its website, including a new navigational structure that is mobile-ready
and includes more interactive components. A new Research section offers both familiar
and original resources, recordings of ICI programs, and commissioned writings. And
The Curators Network, ICIs online professional membership program, with over
500 members from more than 60 countries, has been expanded to better facilitate
international exchange and dialogue.
ONLINE RESOURCES: DO IT AND EN MAS
ICI is developing a new expanded online presence for
its generative exhibitions such as do it, in order to make
more accessible the contents created by each iteration
of the project. Similarly, an expanded online platform for
EN MAS is being created to allow for the presentation
of a wealth of materials tracking the development and
production of the nine performances around which the
exhibition is articulated.
ONLINE RESOURCES: RESEARCH
The new Research section of ICIs website includes
an array of resources such as an archive of audio and
video recordings from ICI produced public talks and
conferences in the Media Room; fellowship reports;
interviews; and online publications that are produced
from commissioned writings under the Journal section.
Most recently, new contents have included a Spanishlanguage series of video interviews with curators from the
Curatorial Intensive in Mexico City.
ICI LIBRARY
Like the Curatorial Hub that houses it, the ICI
Library serves to document recent developments in
contemporary art through the lens of international
curatorial practice. It presents itself as a tool for research
and an accessible resource for curators living in or
coming through New York. The books in the ICI Library
are non-circulating, but we encourage visitors to schedule
an appointment to access this unique resource. You can
begin by exploring the ICI Library holdings through our
digital database, LibraryThing:
33
PUBLICATIONS
For the past 39 years, ICI has been dedicated to producing catalogues to accompany its
exhibitions, as well as publications that reflect on the latest developments of curatorial
practice. Since 2011, ICI also launched two new publication series: the SOURCEBOOK
series of artists-edited publications; and PERSPECTIVES IN CURATING, which offers
timely reflections on emerging debates in curatorial practice, and debuted with the
best-seller Thinking Contemporary Curating.
THE PAPER SCULPTURE BOOK
Introduction by Mary Ceruti, Matt
by Kate Fowle; introduction by Moira
by Frances Richard. Softcover,
David Platzker,
. Boris Groys,
Global Distinguished Professor of Russian and Slavic Studies, New York
University
34
ALLEN
RUPPERSBERG
ALLEN RUPPERSBERG SOURCEBOOK: REANIMATING THE 20TH CENTURY
In 2011, ICI launched a new publication series, SOURCEBOOK, dedicated to artists
personal perspectives on social, political, and cultural issues. Edited by an artist, each
book in the series is a collection of primary research materials consisting of rare archival
documents, artwork studies, and excerpts of landmark publications selected from their
own archive, and annotated with personal commentary. Earlier this year, ICI published
the second title in the series, which follows the development of ALLEN RUPPERSBERGs
practice through the very material that inspires and influences him.
For the second
in the series, ICI invited Allen
Ruppersberg to cull through his archives stored between
turning the microscope onto nine important works from
led to each of the works, as they reanimate twentieth
century popular culture ephemera and pre-digital
materials. The works explored include Ruppersbergs
BOOK LAUNCH
Launch and Book Signing event at the iconinc
bookstore in Chelsea, New York. The packed room
heard Ruppersberg in conversation with his long-time
colleague, curator and author of the introduction to the
, Constance M. Lewallen. The two discussed
the artists use of popular culture as source material,
as well as the process of collaboration behind this
publication. It was moderated by Jay Sanders, Curator at
.
UPCOMING LAUNCH EVENTS
ALLEN RUPPERSBERG SOURCEBOOK:
Book Launch and Conversation with Geoff Kaplan
Edited by Allen Ruppersberg.
Interior Spread,
36
LIMITED
EDITIONS
Since 1990, ICI has commissioned limited edition artworks to raise funds for its programs, by artists including Marina Abramovic, Jacob Kassay, Robert Rauschenberg,
and Laurie Simmons. Most recently, ICI teamed up with Liz Glynn to produce a new
edition of the artists well-known jewelry pieces.
Liz Glynn
Untitled
Gold-plated Bronze, Silver-plated
Bronze, and Plated Bronze necklace
3 Editions of 9, all unique
$1,500
ABOUT THE ARTIST
Liz Glynn is a Los Angeles-based
artist, whose practice draws
frequently on creation myths,
classical antiquity, and some
distant past, as a way to exemplify
humanitys endurance through
timeparticularly honing in on our
failures, which have forced us to
change through a series of rises and
falls. In her relationship to sculpture,
Glynn is inspired by materials of all
sorts, which also recount narratives
of cyclical use, transformation,
change and decay. Installations and
sculptural objects take form from
palettes, scraps, re-used materials,
or papier mache; and her sculptures
have a distinct uniqueness, through
the uneven texture of their surface,
or the changing edges of each of
their editions. Using in this caseas
she often doesfragile, pouredwax molds, Glynn is able to make
each edition work unique in some
ways, as the mold tends to pull apart
each time an edition is created, thus
shaping the next one, and so on
through an ongoing cycle of change.
Like medals, the pendants are also
produced in three different metal
LIMITED EDITIONS
Laurie Simmons
Untitled
do it
wooden box
15 x 15 x 4 inches
, 199091
Duotone offset Lithograph
Edition of 75
$1,200
$5,000
Robert Rauschenberg
, 1979/91
Silver gelatin print
11 x 14 inches
Edition of 75
$1,000
Stephen J. Kaltenbach
Untitled
Stainless steel, secret contents
$8,500
37
38
ANNUAL
BENEFIT
ICIs 2014 Annual Benefit & Auction will celebrate our 39-year commitment to curatorial
excellence, and be an occasion to raise a glass to organizations future together, as
ICI continues to forge important international networks for curators, artists, art spaces
and all practitioners in the field of contemporary art. Join us on Monday, November 17
at 25 Broadway for a magical evening of celebrations, and to honor the philanthropic
work of Dimitris Daskalopoulos, who will receive the 2014 Leo Award; as well as the
work of an emerging curator who will be selected by Nancy Spector to receive ICIs
Independent Vision Curatorial Award.
CELEBRATING ICI
Ann Cook, Belinda Kielland, Noreen K. Ahmad, and
Bridget Finn, as well as the entire ICI Board of Trustees
and staff invite you to join us for an evening of art,
cocktails, dinner and music: celebrations that promise to
be memorable.
ANNUAL BENEFIT
39
New York.
Richard Armstrong
Agnes Gund
Dorothy Lichtenstein
TICKETS
New York.
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ICI AWARDS
At the 2014 Annual Benefit & Auction, ICI will honor Dimitris Daskalopoulos, recipient
of the prestigious Leo Award presented by Agnes Gund. And continuing a tradition
of supporting emerging curators, ICI will also honor a curator with the third Gerrit
Lansing Independent Vision Curatorial Award, selected and presented this year by
Nancy Spector.
New York.
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LEADERSHIP
COUNCIL
ICIs extensive global presence would not be possible without the transformative role
of the Leadership Council. Established in 2013, the visionary group develops new
initiatives that will elevate ICI to the next level. The members of the Leadership Council
share a passion for international perspectives on contemporary art and recognize
the need for strong regional networks of curators and art spaces within ICIs global
scope. In this way, the council works closely together with ICI to nurture the curatorial
network from the inside out, and establishes the crucial foundations for the future of
international exchange.
VISIONARY INITIATIVES
The Council is crucial to shaping the trajectory of ICIs
public programs, exhibitions, and professional training
opportunities in a unique way that is specialized to each
members vision of contemporary art. ICI has expanded
curatorial research opportunities in countries such as
Latin America, Africa, and the Caribbean through the ICI
Leadership Fund; and has allowed ICI to engage with
the largest audience in the organizations history through
the redesign of ICIs online platform. In the last year,
the members of the Leadership Council were involved
in nearly all of the many facets of the organization.
The Leadership Council supported the broad reach of
ICIs exhibitions and publications, as well as pioneering
programs in education and curatorial research. It also
developed new fundraising opportunities and created
scholarship funds that are critical for emerging curators to
attend the Curatorial Intensive internationally
THE LEADERSHIP COUNCIL
Sarina Tang
Josh Brooks and Jung Lee
Jennifer Brown
James Cohan
Faruk and Fusun Eczacibasi
Agnes Gund
Alexei Kuzmichev and Svetlana KuzmichevaUspenskaya
Julie Mehretu and Jessica Rankin
Patricia Phelps de Cisneros
Mercedes Vilardell
For more information about the Leadership Council, contact Joey Lico at
joey@curatorsintl.org.
INTL FORUM
43
The International Forum brings together an exclusive group of people who share ICIs
mission and global reach. Whether near or far, patrons of the Forum stay connected to
the curators and artists who shape the contemporary art world, and gain behind-thescenes access to ICI programs in New York, select international exhibitions, biennials,
and art fairs around the world.
Join ICIs International Forum and support a truly
international art organization that is active in 44 countries
with access to the curators, artists and art spaces that
Sharjah, UAE
ICI was at the March Meeting this year, organized
art professionals presented on the production and
dissemination of art in the Middle East.
ICI Summer Cocktails
ICI welcomed friends and patrons to meet one another
and celebrate the summer at our annual Summer
Cocktails event, held this year at The Roof, atop the
Brooklyn. The event was generously sponsored by
Peroni.
UPCOMING EVENT
EXPO Chicago
Chicago, IL
Meet ICI in Chicago on the occasion of EXPO, the
Chicago Fair of Contemporary and Modern Art, and the
fairs IN/SITU section of large-scale installations, which
was selected by ICIs Executive Director Renaud Proch.
Join him on an exclusive tour, and a weekend of visits to
galleries, private collections and artists studios.
For more information about the International Forum and the fall calendar,
contact Joey Lico at joey@curatorsintl.org.
44
THE
INDEPENDENTS
ICI connects curators, artists and art spaces to forge international networks and generate
new forms of collaboration. Now these networks expand to THE INDEPENDENTS, an
invitation-only membership group of dynamic individuals active in the contemporary
art world who support the organizations programs and vision for the future.
The Independents is a brand new membership group for
contemporary art world. This invitation-only membership
offers insights into new approaches to contemporary art
and culture by connecting with emerging and established
world.
CONNECT TO ICI
in ICIs international network, the Independents gain
a broader perspective on the latest developments in a
global art world, through shared reading, educational
programs and social events. The Independents also play
a key role in supporting new engagement with ICI and
its programs around the world, connecting in the process
with ICIs staff, Board of Trustees and other patrons.
Shantell Martin
PATRONS
EVENTS
45
New York, NY
guests to an exclusive cocktail reception with Franklin
Sirmans, the Artistic Director of Prospect.3 and the Terri
and Michael Smooke Department Head and Curator of
Contemporary Art at Los Angeles County Museum of
Sirmans presented a sneak preview of the third edition
of New Orleans International Contemporary Art Biennial.
The event, was a collaboration with Prospect, and
UPCOMING EVENT
With Hidden Noise
A Brunch and Artists Talk with Helene Appel
ICI welcomed friends and patrons to ICI Conversation
Conversations:
courtesy of ICI.
46
THANK YOU
On behalf of the ICI Board of Trustees, we would like to thank all of the individuals
whose generous contributions continue to make possible our programs worldwide,
by providing crucial support to our exhibitions, public events, research and training
initiatives, and publications. In memoriam, we also remember the vision, leadership
and generosity of ICI Trustee and Co-founder Nina Castelli Sundell and long-time ICI
Trustee Mickey Straus.
SPECIAL THANKS TO OUR INDIVIDUAL DONORS
AND THE FOUNDATIONS THAT SUPPORT OUR
PROGRAMS
Our most sincere thanks go to Ellen Liman and the Liman
Foundation for their ongoing support of this publication,
keeping you informed of ICIs growing programs and
activities. Special thanks to Augusto Arbizo, Yan Assoun,
IN MEMORIAM
ACCESS ICI
47
ICI STAFF
CONTACT
Renaud Proch
Executive Director
Gerrit L. Lansing**
Kate Fowle
Director-at-Large
Sydie Lansing
Patterson Sims
Chairman
Public Programs
Alaina Claire Feldman
Exhibitions Manager
Melville Straus**
Barbara Toll
Vice Chairs
Frances Wu Giarratano
Jeannie M. Grant
President
Sarah Giovanniello
Ann Schaffer
Vice President
Coordinator
Susan Hapgood
Senior Advisor
Jenn Hyland
Executive Coordinator
Heather Jones
Exhibitions Assistant
Noreen K. Ahmad
Jeffrey Bishop
Jill Brienza
Ann Cook
Mara Constanza Cerullo
Susan Coote
Maxine Frankel,
Carol Goldberg,
Kimberly Kitada
Agnes Gund,
Coordinator
Joey Lico
Director of Strategic Planning
Jessica Yashi Man
Curatorial Intensive Coordinator
Dexter Wimberly
Director of Strategic Planning
Bessie Zhu
Manager
Sarina Tang
International Representative
info@curatorsintl.org
www.curatorsintl.org
www.facebook.com/curatorsintl
www.twitter.com/curatorsintl
www.linkedin.com/curatorsintl
www.instagram.com/curatorsintl
48
EXHIBITIONS
BOOKING
INFO
For a detailed project description, checklist, and images
for any of the exhibitions listed, contact Alaina Claire
alaina@curatorsintl.org
SCHEDULING
For exhibitions other than
it
, and do
arrangements.
PARTICIPATION FEE
period, with adequate additional time for installation
period, the fee is pro-rated on a weekly basis; there is
no fee reduction for short booking periods. For most
exhibitions, a deposit of 30% of the exhibition fee is due
on the exhibitions opening day. For organizations with an
some exhibitions can be reduced.
REGISTRATION / INSURANCE / SHIPPING
do it
Martha Wilson
Performance Now
s International
New York, NY 10013
Non-Profit Organization
U.S. Postage
PAID
New York, New York
Permit No. 5188
05
itions.org
www.ici-exhibitions.org