Beruflich Dokumente
Kultur Dokumente
10
3. Boogie Woogie
from Solfege Suite #3 (Modern Dances)
for Unison /2-Part Choir and Piano
As with most of the other Solfege Suite selections, this piece can be sung entirely in unison by following
the Melody Voice throughout. The divisi in the Melody lines are either in octaves or very simple 3rds.
The Harmony Voice, while really cool, is entirely optional. Directors may choose to use them with a
section of voices or an ensemble of voices, or not use them at all. When any word in the text is in ALL
CAPS, it signifies an altered tone.
3
,
2
,
D
1
Ken Berg
R R =R F
" D
O
5 O ! ! ! ! 6
4
O
D , , , ,
"D
D
7
p
w
ie
RI
mi do la do
K
O
!
v
e
r
"
D or O
!
F!
!
o
s
e K
la so
do
mi
K
!
RI
K
O
!
P1382
Copyright 2010 by Pavane Publishing. All rights reserved. Made in U.S.A. www.PavanePublishing.com
la do
mi
re
RI
ic
s
u
m
is
h
t
ing
p
o
c
oto
h
P
.
y
l
n
O ! !
do re RI mi
s K !
o
p
ur
K
!
all voices
O
O ! ! !
!
12
o
n
is
d
e
t
it
mi do la do
la so
rm
e
p
15
14
13
Piano
mi do la do
11
fa
FI
so
so FI so RI mi do la
16
la so
do
mi
RI
19
mi
20
re
RI
mi do la do
la do
21
la so
RI
mi do la do
(hey!)
18
17
mi do la do
do
ME re
(meh)
do re
RI mi
fa
FI
so
22
23
so FI so RI mi do la
ME re
(meh)
do
(ka chng!)
FI la do mi
26
28
so
27
mi
FI so
30
do mi
32
v
e
r
r
p
w
ie
la do fa la
re
re
33
SI la
fa
FI
is
th
ing
p
o
c
oto
h
P
.
y
l
n
FI la do mi
3
36
d
e
t
it
mi
o
n
is
rm
e
p
39
mi ti la mi
do mi
re
re mi
mi
fa FI
so!
RI
so
FI so
o
s
e
35
37
mi
s
o
p
r
u
34
so do mi so
3
mi la
so
so
so SI
Fo
29
31
la do fa la
3
SI la
fa
so do mi so
25
24
41
mi do la do
42
la so
do
mi
RI
mi do la do
40
ic
s
u
m
38
la do
44
45
mi
re
RI
mi do la do
la so do re RI mi
fa
FI
so
43
46
47
so FI so RI mi do la
49
ME re
(meh)
48
do
52
54 R
53
mi
do
mi
do
mi
R
56 L
57
L
R
55
so la
w
p
so
vie
me
do
3
re
r
o
o
p
r
u
me
do
me
o
s
e
so la
mi
do
re
so
3
3
59
mi
so la
RI
s
thi
64 L
me
do
me
do
60
so
do la so
mi
do
me
so la
so
3
68
67
so
la
do
mi
do
la
me
L
R
so
3
66 R
3
65
63
mi
so la
la mi
mi
do
p
t
o
.
d
e
t
FI la do mi
i
m
er
s
i
ic
s
u
m
ing
py
o
c
o
t
ho
P
.
y
l
n
3
mi
do
R
L
62 R
61
50
51
58 R
mi
do
mi
mi
do
3
3
do
re
do
me
re
do
9
Harmony Voice
69
Melody Voice (a
key
(a
key
change!)
change!)
71
We're
72
sing - in'!
bng
do la
do
bop
bop
bop
mi do la do
73
bop
bng
so la
(meh)
75
bop
bop
mi do la do
bop
la so
do re RI
bng
mi
fa
fa
FI
FI
so
so
* Choirs who prefer fewer notes in the Harmony Voice may follow the top line or bottom line as fits their choir best.
A simpler option is for all voices to sing in unison with the Melody Voice.
g
n
i
y
bop
c
o
t
o
op
83
bop
bng
do re RI mi
sic
81
o
n
is
bng
do la
bng
so la
do
rm
e
p
bop
d
e
t
it
bop
79
la so do
mi
RI
bop
mi do la do
82
la do
mi
re
RI
mi do la do
bop
mi do la do
so FI so FI so FI so
so FI so RI mi do la
da bop
RI
80
do
76
78
bi
u
m
is
th
h
P
.
ly
n
o
s
e
s
o
p
r
u
p
w
mi
la do mi
re
RI
bop
fa
ME re do
la so
77
FI
do
mi
RI
mi do la do
bop
70
RI
do
bop
bop
la so
*
85
84
fa FI
so
so FI so FI so FI so
FI fa
mi
so so so
fa FI
so
so FI so RI mi do la
ME re
do
so so so
(meh)
discretion,singers
singersmay
maysing
singthe
theoctave
octavethat
thatworks
worksbest
bestfor
forthem.
them.
** At
At the
the directors
diector's discretion,
10
11
89
so so so
re
ti
so
re
ti
fa
re
fa
re
FI
( )
SI
LI
90
so
so
mi
bop
bop
do
( )
h
P
.
y
l
n
c
o
t
o
pa
bop
pa
da
do
do
sic
u
m
is
h
gt
in
y
op
so
91
bop
li
so
so
e
os
li
so
r p
u
p
ti
ti
w
e
i
v
r re
Fo
la
so so so
so
ti
so
so
87
so so so
so
88
so so so
re
re
mi
mi
()
so
86
so
93
do
do
()
d
e
t
it
bop
bop
erm
94
p
t
o
is n
da
92
pa
Ti.
So.
Mi.
Re.
Ti.
Mi.
cresc
95
da