Sie sind auf Seite 1von 197
ev. 070510 = EDITION WILHELM HANSEN = —_— WH 31173 Hans Abrahamsen SCHNEE TEN CANONS FOR NINE INSTRUMENTS Score Commissioned by Westdeutscher Rundfunk for Wittener Tage fiir Neue Kammermusik 2008 with support from Ernst von Siemens Musikstiftung and The Danish Arts Council dedicated to Harry Vogt and ensemble recherche Hans Abrahamsen SCHNEE TEN CANONS FOR NINE INSTRUMENTS 2006-08 Duration: 60 min. Score we EDITION WILHELM HANSEN AS Instruments (see next page for set-up) Violin Viola Group 1 Violoncello” Piano I (Grand Piano, lid open) Percussion (1 player : Paper, Tamtam (medium), 4 Schellen (Sleigh Bells) & Piano 2 (Grand Piano, lid open) Flute (db, Piccolo and Alto Flute) Oboe (db. English Horn) Clarinet in Bb and A (db. Cl. in Eb and Bass Cl. in Bb) Group 2 The score is written in transposition 1) Vic: IV. string (C) is tuned down, scordatura to G: 2) Percussion: Paper” (in Canon 1b, 2b and 3b) - “1, Part” and “3. Part”: On Table 1 & 2 the player moves two pieces (one piece for each hand, rh. on table 1 and Lh. on table 2) of ordinary A3 writing paper about on a surface as smooth as possible, producing a very subtle, but still clearly audible whisper/whisker-like sound. “2, Part”: On Table 3, which should have a rough surface, the player moves about two pieces (one piece for each hand) of “grease proof paper”, producing a slightly louder and more pronounced paper-sound than in & 3. Part”. Tables 1 & 2 are both square, with a surface as smooth as possible. Bach with a side-length of appr. 63 cm. Table 3 is rectangular, with a rough surface Side-length approx. 108 x 72 em. ““Schellen”’: (in Canon 4a, 4b) These are same type as Mozart is using in his German Dance “Die Scblittenfahrt” K. 605, No. 3. They are manufactured by for instance B. Kolberg in Germany. ut Set up on stage (player sitting down) rh. guiding Group 1 Lh. guiding Group 2 a or Group 1 Group 2 Audience Hans Abrahamsen_ SCHNEE ‘Ten Canons for Nine Instruments Canon 1a Ruhig aber beweglich Canon 1b Fast immer zart und still Canon 2a, Lustig spletend, aber nicht zu lustig, immer ein bisschen melancholisch Intermezzo 1 Canon 2b Lustig spietend, aber nicht zu lustig, immer ein bisschen melancholisch Canon 3a, Sehr langsam, schleppend und mit Tribsinn im Tempo des. "Tai Chi") Canon 3b Sehr langsam, schleppend und mit Trisinn (Gm Tempo des "Tai Chi") Intermezzo 2 Canon 4a (minore) (Hommage & WAM) Stirmich, unruhig und nervos Canon 4b (maggiore) Sehr stirmich, unruhig und nervés Intermezzo3 Canon Sa (rectus) Einfach und kindlich Canon 5b (inversus) Einfach und kindlich (str3/pfl) (tutti) (ww3/pl2) (str3/ww3) (tutti) (str3/ww3) (pfl/pere/pf2) (str3) (tutti) (tutti) (velpicerel) (vlivalpflpt2ipice/el) (vU/vaipflipf2/pice/el) pl ps pag p.49 p.92 p. 104 p. 105 p13 p.181 p. 182 p. 187 g Canon la 9 9 oF (three strings and piano) 2 Ruhig aber beweglich (? = 108, d. =36) Violino Viola Violoncello ees Ruhig aber bewegtich @s= 108, 4. =36) Tait 2 (ie 1H Piantorte 14) sempre 2. ith een) 2 va —— Re a 1 a SS Fey] 999 [7 | TAIT AT IT = \ =e ve rly ylr 17 + | 1).Vn, Wet harmonic high tat there comes cal az ean ey whisper, bat witha pulsation 2) please bere the 15 (Oo otaves up fox bath hands troughot he 17 a 1 Hans Abrahamsen Schnee (2006-08) Canons for nine instruments 7 yr9aft7 “pp slp (s*) vray =! Wy Please observe wi hat th iviton of hands sould be stil adhered to: mg lowe all. uppers spe 5) Te atonal vals inthe square rackets ntcte the poyythms tht re writen ot below(tas be played pecs) 1a iy7 ve oo agg ee oy a mn —=? oe Z | vag irr iy ge ma . 7S. = 2 3 @. Part) pits Inruhig und aufgeregt ve “| regen eee) we (8) DP Unruhig und aufgeregt “| y| aan athe ef get ke eS 7|_%. om» —>=r $n atnente ~ zZ Sc (ae i va sl ahaa|e| 9 er eF ————— = pre 1) Vo Ys gral ransition fon “ae (whieh (Sound). yyy (48) F] (6s!) @ Part 5 > Wieder ruhig va alae eeg) © eee soars coon ve [F] (54) Wieder ruhig me fraypy7 & |rgyry7 et 3 Pr o — Fae Pein a » GyP oe peer pp va, fa pry [aay ore ey Pt ra EPI] 17) a 9aF | 7 PF] FFF HF IF eka = = oe 1) mostly igh cl” i Po rae aay ryrys 7 yaya] 7 [er va. sage aere] ayy liv ay aay Per ve ve Pa Canon 1b (nine instruments) Q Das selbe Tempo (e) = 108, 4. = 36) 8 fast immer sehr zart und stille (1. Part Dg * — eS — | Viow. i Panofae 1 3) raps neat 88 pa) Peruse = at LO TOTS = Q Das selbe Tempo (6) = 108, 4 8 fast immer sehr zart und stille (#8) Panne 2 G2 Piccolo ote Crit oh 1), Nas change bow fr every note. Thess or phrasing. 2) "Gui" lisando wit ngemals on the "white Keys", without deresing the Keys (soon the writen notes, which re jst staring ins forthe for the “i, ory “licks” fom the al past the keys 3) Pre: see Preface 4ySeep.1 2 ve o 1) PF 2 "Gui glsando with ingens onthe "white keys, without epresing th key, only isk fom thems agaist he hys on, ce. ta m5 (ont satay ) Po a. 1) Va, Ver change bow forever aot. The ls fo phasing B va Ve ou 1) Ove: harmonics on he igh Fa i, vs ve Pet Per Pics = moh) ie m2 e. ah —SS>= ot Psa slenia pot occa 1 Te feats ass uni the sound ofthe piano hase out compels, then shor eum (Lapa) before ace, Keep te tension, {D} 2. Pare Etwas unruhig und aufgeregt Va ve Prt geet pe) 7° ‘D)} (2. Part) Etwas unruhig und aufgeregt (#8) m2 fr eu Pa ct ” ve 1 19 Pea a 1) wom goats) BF Pie, = te py mentee) Dae 0 a. 1) Pe, Ob tery, onging fs a posible nd staeaisino (an atertonguing) ce. double oaguing, Oboe dvbleongung i psi ‘tere single tnguing Picea Ob, have not to be coodiated in ped 2) Vn, Pi, Ob accent with nly othe is oe the tem: the fllowting notes [* on a 2 a. au 1) As before, ete pan de out completly, afer which te cello ote is stained nil complt eal Rabe) i pest 2 @.Parp F] Ruhig, wieder sehr zart und stille vu ety a 2 ot ve Pr Pe nem AS ape ai ‘Bplay ego Part) Ruhig, wieder sehr zart und stille m2 " = ty 2 a ev) Pcs = oe - oa vom cimn a va SSS > cont oa ae wt) ve 2 ato? vt ty vo nt vo ct 1) Via: double tp harmonies bth fingers harmonic sop on he same sng va Ve Pt 2 Pros, 0, a 26 at oa oe? 7 va mr m2 Poe ce. va 30 © 1e 1 va. uta in FL cont Pcs. stain Cig. 31 Canon 2a (thee woodwinds and piano) 8 9 9 8 8 8 8 8 Lustig spielend, aber nich zu lustig, immer ein bifchen melancholisch (¢. = 108) tie lau conta Como inglese CClarineto in La] = => i Winaramtt, Winoraut a! 2 tai) me Pantone 2 Be (sempre senza ped.) 3 8 (2-Totig) we 00 me 8 8 8 o mS a, 8 fo 1) ha pith and ha aie, 2) J mod with“Bl- Tec” r similar throughot the movement 3): key depres len with ef hand ‘di: owe vale. 5) PE. :plce a pin A envelope wih of el. writing pape ise the PF. oveing ‘the suings from Ab (below middle C) and upwards, with long sie towards player, ooo 2 Taki 00 ‘000 oo 00 C _~ 8 D) Bs 8 gu 8 exer ie SS > 5 Winer Jot Be 8 3 Zo E Hy 2-Taktig) BAU 6 8 sau" g 8 8 Be Wisecondt, Waser je HoT) G 8 8 cont z BAU Foon orig china 3 tai oni) oT) F orate, 8AuU Boras we con SSNS 8 era we BUA 8 Ss TF Ware sae, Wii wet| eras) 5 8 wont wo 6 8 § 5 uA g G] c-rae) on oN c dD wo spat nn: — Po > tings?) tanga?! Foon ——a Poca 8 an rT TR Ap a ite china 39 gat) m2 3, Ped, 2 H| - 2 (2. Part) craig) _z Sehr schnell, aber immer leise d = 81/4. = 108 wee Foon con ng. Chits ata 3 PLD 7 =m} Ped.) aston as icaks forte piano toring ot, 2) pf: et he harming out, then leas the ey, (e-rakig) 3 2 8 4 Co: (eTakip) .Ped) T = z Taio) Oe aki) 3 z Foon. oni chinks 2 orrasy) me G. Ped . 2 Za eta erin 3 ‘ 2 eraip 3 z w 3 Foote coin. china = = e 2.0-Takti) Ped.) 1 diamond shaped notes are payed the piven pitches with the right hang (90 et hand). The fet tha be wo B late falling it sl isan. The second start ite mote at. 37 Font con ing uinta 2 : h Gres) ' ™ =~ 2 oro geome z 4 —. conte coring — cointa St Z (@-Tattig) . oe . Zz m2 ‘apa eee Se Se, A Z eraip ara - IK , 3 Z x SS cute cunts Q eri asl 7 m2 G.Ped) 38 L] (rane on. ig. hint Tai) (oie cuinta e-nstip Pa Fara) con ing Clint 2 3 8 eran cont, ce ng. cuints @-ratip ery 2 ona taki Loon core hints @-rig eri 39 IN taki 3 Taig z = — Bit Win fr melt, Win er ont ra) 3 ons 8; Me Win rot jt 3 Qa-tas 8 Faw (tang 1) depos sey th C wid the let and white ight hand plays th es. o-Taki) Qctaie) mee cont ae tie con. ing hints e-raig .Pe s @. Ped.) Cor. ing. | Gina Take) (stag) z 2 Per Zo gem 2 ara) eri 3 wn 4 8 Poem coring. cunts e-tki gous (Taki) @rakaig) ma win a en er ee G. Ped) 1 depres sey the Ck with he et and while the ight nd pay the es. 41 . zome a cating. Ginte Qonio 3 4 8 z 3 e Be We eh Ws wr ste § (eee, eee a Fleon. tege coring = = - a tanga ChinLa — - 6 - 8 2 Taal niente *3-Ped. Zz 6 Ped.) al - @.Part) ora g Au 6 ‘es tee 8 © cont: = cone cinta phe (G.Ped) 1) aang a ites forthe piano toring on 2) release first thesilely deed Key when te harmonics have dou, Te Aiea hy aking away the pedal - ‘or the weight andthe Cy he fthand, Then goon ad silent depres the F with he ft hand and keep with rd Ped eras BAU wo won cuinta era AZ Ped Bou -risig 5 erase 6 quem BAU 8 we “i ing. Wt me ont i : 7 + a hints GS tau Goran 8 8 Bie Sime ene. sw @. Ped.) (1-Talsigy BAU g BAL am AN 8 im 2 ws wo con. ee coring 7 ons 1 ts I toy ee = e Sein Win eran, Min rt, See Taki) wo m2 Ped) 1 FL overblowing up and down with "aie sun 8 gg mt 5 Givtase) FT] eri Bu az g w8 8 coo = on ne = ee Same eat |p Wie Seren jt ek ont chinks = —* e e ent Ee me Wan er, Wie re tt - Geni a e-Takia) 5 6 + + 8. 8 % con.ing. hints - om G.Ped.) 44 atti dim, al fermata Take) BUA § 00 Cov. ma ne cuinta = anise 5 8 m2 G.Ped.) F cre su we 8 8 er "ein ert Rms, sie Rn, St, coring. gorau 8 eg g 3 8 = =~ ! stasis te (ses, Teo ans Ee (es, She con ine. | = = china aid 2 gem g m2 1) se oe page2. 2) mute the D with he gh and and pla he est wth he et hand 80 g gn g a a 3 ooo we 8 8 wo ee ee Sn, Ge Ste wo 000 wo ‘Since, Es it Sete 8 tatig) 47 (ai: 7 min) Intermezzo | (etuning Va., Va, Ve. Fl. contr Cor ing. and Cl ba. 1/6 tone down) Senza misura, sempre pp dolce ® @ @ @ ® @ Vion Vieloncto Fut tao ormo Ingle aso ‘Ve. gives th 7th patil as harncon the IVth sing (C), which she U6 lowered? (Duran appro 200) Coring. bjs owning eine with the We Cor ing gives a Concer a nea lowered 6. Ve fades ut Vn, Va, Ve, Fl com (CL. haso in Sib tne down their, tne wih the Cor ng. ‘The sings tne down soy the remaining open strings, wiht the we of harmonies. ‘The Vi sung (G) 0 the Ve now ted down 16 not ike the other open sings ® 98800 ‘When the deusning is compl in @) Va, Va, Ve. roca nividaly nto @ and fade ot ogee 49 Canon 2b (nine instruments) ff Part) an J. =108/d =81 /d = 72) Tn : 8 en ae yD Vito = oe, 4 o Fe, Slee “ages 1 Viola J ‘tee tee d Violoneto Sy) Pastore 3) E 3 ——— mo Pape a 8 pape hort 2X 2 © Pocus FFE - ’ thon Table? J =108/d=81 = 2 . 8, 20%) g, 27° 9 BP BB eons 3 8 Weseae a _ - 9 Pantone sean!) —a Fi am a 5 1 saa tml . oe 7 = - D| _——., _———., Carcin oy 6) 1) Von Wl Ve Fl cont C. ng and Cas. ate tuned down oe sinh ofa one from Terme 1 2) @ =futshont movement. © = slow and dragzing movement See Peformance notes 53) F and 2 depres the law G sll and sep i deposed ding the wolf the movement wi she sustaining Sr) pedal, ‘Ts that rng 8 eonance are pat ca this low. C. 4) and2-J uted with"B- Teck (oe smi) towphowthe movement, 5) PF. Land Se note $) 0 page 3 6) All instruments: Hairpins up and down ate always repeated. 7) fr woodwinds: kay cick 30 8 Bs wo Pet Pa. Al @-tatiy Font Coin Css. ano st 9 8 9 ota) 8 8 wo ve 8 o-rakig) cor. ing cot, 32 Be wo 00 2 erat sa 0000 Cc gnats) ic gent con Cb, 56 2-3 j= 12961 “Sad d= 1081 E oF. a) Qomis 6 3 8 8@ Ses va ve Pe conte coving Clb, ce —a ° ” 38 = mos ase > > dad (Tak 2° io § ora RW! OR ve F oe) ad ~~ 6 8 Fone Co. yuu yyy VOG G OPH e-taaip tai) cone org. tots. yyy va ve. ve. Pere m2 Ct (-Takig) me 6 ea taki 2 a = ve —= Bin Some tap - Pa cor. tba, ve me Taig) Par ; (Taki) srt cont » os, 21) gen neowing. us niin Vian a so nse 8 mee Q ora sal pont, pie: ota) 3 Q eras) 4 a vay -~ omg zone pene m2 —— con coin = i See Bs Som bes va Tag) one Pew @tatip Ve cone coring. Cubs. 65 ve com Coin Chih 3 Bora) 4 Q ord) 6 gow og Kone 3 pee lieu Poa orig) Taig Seine, cox ing. Q etatig T= 4 mu va Pa 2 eat) crak) 4 Fone Coin Chee 0 i] ome 3 mee ee it Win = er fae, win we | att jn orig pea ig. " Ni ana orn geome 9 10 8 4 * ms ota) 2 ~ 4 ma mot ont am Le co _——! o —_——_— 2 ata era 3 Q 0-70 q : crt era 3 oa sine 8 Zorn peo | con Cho. (e-Takig) Taki) cos. Cubes B " (Taki) 3 Qivraig 4 va ’ YER va Taki Q eta) 4 FL cont coe. ing. Cho, 5 era) ve P ara, taki) 3 e-rakig) FL cont Clb. ve come coring. 6 -takug) erakia) Q ota 4& takin rai tutti dim, al fermata va va ve n tutti dim. al fermata 2 8 4 Pe Fr cont Co. ces , Wie ac, jek 8 ee (Q) 3.97 an > G G. Part) G-Taltiey 2 6 en 8 K-16 Bd. =109 = va fp Per | Pew a , we Z 6 (3. Part) ore) z e-Taktig) 2 38 =1296 Bid. =108) & cor. bw. ny ve va Per 2 cebu. vo Per Pee os. ing. cebu. d=) d=) R] eran Qeraie awh ms 2 a es 23 a — oe oo d=) Winer a f= > 1): overbowing up and down with “sound va 2 Poon coving. Chas. fe mchjt ae D> =) 22° 2 ‘amie 2 gine TF] ease 2 4 § 4 8 4 va ve Per coring. Clb. 83 84 tutti dim. al fermata o-d > HRW |! DO 3 ve tutti dim. al fermata cone rig cbs. 00 85 ie B gone 8/3 wo 00 g eri 00 ve Pot Per 2 con ne ht, ‘000 wo 00 we [=] 00 va Pi cot. ing. ces 00 wo 00 § gow 88 ‘ingesting vo ve. ve Pers Cori Ch. 00 we 8 e-Takug) xX Pre pe wire Loon x! Coin ve ve Pa 2 (cor. Ch.b, 1 ve ve ue _ a == = Es = cor ing. [ cxtas 1 aus unis (aes? 2) PI, 2:zemove the pape fom te suings Group 1 Group? 4 ‘ick 2) 2 Canon 3a (six instruments) (1. Part) Sehr langsam, schleppend und mit Tribsinn (im Tempo des "Tai Chi") $> =32 Qe 96) — 4 3 Oe 4 iio a Via Sehr langsam, schleppend und mit Triibsinn (im Tempo des ""Tai Chi") > nd =96 3 é oe 4) (we Shae) sere PROT 5 F [preps etm) 1) Allistruments ae tuned down a sith fa tone from the previous movement an 2) Ve escort, the 4 string tuned down a four 3) ETA = soatt dynamic vibration made with pressure from the stomach, 4) aks Cl basta made on Ve. a comblation of bow pressure and iba, Vo, va cot. ing. ba. Vo. ve hbo (2, Part) 3 | 3 8 8 Sehr traurig, nicht eilen 8 pws . ze = =» 4[P] 3 8 Sehr traurig, nicht eilen . i 1) Va, FL com, = CL bs. and Ve, 2) Ve harmonic fingerings notated in stops on he 4h Scola) sing ve ve con na Clb. cw oon rit. emorendo ____----.-- Bo. 8 atempo F & Sehr stille und leise Va. va Coin. Ch.ba, a 4 con ww on =| bam roma va ve cons co. hts. Canon 3b (dhree instruments) (1. Part) Sehr langsam, schleppend mit Triibsinn (im Tempo des "Tai Chi") hy, 8 ri g ri d=26d =96) 8 mn 8 a ——_— Paint 1 Peruone Schr langsam, schleppend mit T y 3 4& d=28 = 8 é 8 Pranofoe 2 2 3 3 ga 8 4 5 8 é Pre oon pa fv he Jost a bret pse wo heathen soon” 1) €2} = Depot atc, i eats jos sha glinpse of "ona" white resonance, wien weseeAuslang aut en schwartz Hiner) (2. Part) 3 eae traurig, nicht sien é D| 3 8 as a ie —_——. : e 4 4 é 8 3 8 ea a : 4 g | oo 2 a a a a (atocca) 1 Pr. 2: ke se that onthe Ferma i given ime wo behead 101 (3. Part) F 4& 3 8 Sehrstille undleise § atempo _. 8 © Sehr stille und leise atempo = a (Fm sempre 103 104 Intermezzo 2 (detuning Vn. and Va. one further 1/6 tone down (i.e. 2/6 tones down) Senza misura, sempre pp dolee —a— —7— ” tina Vita », Viorel ® @ @ @ ® 0 ™ (ae 2 in) ‘Vn, Wa, Weary tne 16 sme down fom atrez20 | page "73 ‘Ve. ives th th patil hamnic on he Ih sng, which she 16 lowered ‘Vn. and Vs. tine down tei and Dsrings in tune with the of the Ve jhe Vand Va. ae down an aon 1 tne the detaning now 246 tones down, ‘Vn.andVa- tue tei stag together with the A sting ‘Vr. and Va- pw une dwn sol he emaing open sins. ‘Vos and Vs. chock softy the tning by esing octave amon, No open sits. ‘Vand Vi. check softy te taning by axing ith harmonies, No open stings, ‘Vn. and Vs. enon wo oper sing, wth ema, diiauendo. 105 Canon 4a (minore) (cine instruments) (1. Part) oraip 3 Tempo 8 Stiirmisch, unruhig und nervis (Deutsches Tanz) 2 = 120 (¢. = 40) vey — " Vitino ” Vota tonto Pastore Schni9 )ndG aape WA) Peron rap Tempo I Stiirmisch, unruhig und nervis (Deutsches Tanz) 2 = 120 (¢. = 40) Pot? » Gono com * carne De eered sede tom inemenon — 2N6CHE ai Vue dwn em emeOT. 4 Sean ned "etd nd GH" ight ad), 3), Chin ib ae te ora 106 Taig) » o-raktin coi ct 107 = “ye va ca coe. a. 108 -4 era) A =150(¢. = 50) Tempo It w ora = 150 (4. = 50) Tempo I 2 con ne. ernie “ me a ernst ma A ve me “Td rL] tate B 3.652 =200) Tempo I winder tii, ber ier, ie der Pr pi — a a cong. te gp 1: make te fgg 4 and make the sane ine fast rw wh recede w6 hen down With nine 2) foto but ony ast ovetow poh cede Va coin a 128 rasp, @-ratip o-ntig 129 ded. [] oma 2 =150 (d. = 50) Tempo It oy en. ene - Pe cori 2 = 150 (d. = 50) Tempo It m2 A ong a. (ota Pa orang) A coring. @-rtip va ve ert 2 (coe. ing 11 dnd ike pe & =120(d. = 40) Tempo T o-ratin ? =120(d. = 40) Tempo 132 eras oratig va. ve Pr Per. @-ratip 2 coe. ing. 133, a “Fy i] Tn ‘J. = 66,66 (2) = 200) Tempo IIL a) va. oe oP lain mo Pes. “> O] eta <4. = 66,66 (2) = 200) Tempo II sa ma eh on. °. 138 GTi wR >)——— 5, o-rakig Coin ct ota) ve eri) fF. Coin ct va. ve Per A con ng. a. o=d ora > P > = 150 (¢. = 50) Tempo II 3 orig P. ° = 150 (¢. = 50) Tempo I fi 137 138 oT) o-raktig Coin. ct 139 ori va ve o-ratip caving. ded fom od =120(d. = 40) Tempo I Va, va 4 =) ] emo 2 =120(d. = 40) Tempo I A. Co ig a. Tag) pr he orig MI 2 orig te va. ve ve Pe ‘SDN Pre . | A co, cor perf «pal atacea al Canon 4 (aes min) 43 Canon 4b (maggiore) (nine instruments) 7 (1. Part) eri Tempol 3g Sehr stiirmisch, unruhig und nervis (Deutscher Tanz) » = 120 (#. —— rs tet he Set) "Viol otc Pans kenny Ls eh mage 4 WAM) Percencee FE etaip 3 Tempo I Sehr stiirmisch, unruhig und nervis (Deutscher Tanz) » = 120 (4. = 40) ~ | maine2 - a wo - ? Commo ile (crane Vou Va, ate tuned 608 down fom Inemezzo M2) Ve, Corin. are tan 16 down om Itrmezz0 1 3) FL CLin Sib are todas roa 4 Scelea wned Deft and) and Eb (ght bara). ora ve Po coin a m2 A Ch @-ratin las 146 rq] onion 2) = 150 (¢. =50) Tempo IT w ve ve mt ra] ono 2 = 150 (d. =50) Tempo —— — m2 A conn a “7 O-Takig va ve Pe hewn) cor ng = 1) A: nae te fingering fr he wl, nd make a fest verlow with crescendo up og and then doen with dininuendo, Taig Per o-ritia pa Coin a 49 3 B] ono <4. = 66,66 (2) = 200) Tempo I orig yo +o — — mo Pe B] ots J. = 66,66 ( = 200) Tempo TIT — ma A ox. og °. 150 7 Taki) va con. ing. a. 1st oe enn > =120(d. = 40) Tempo a Cc e-rauip > =120(d. =40) Tempo I TTT Ee 152 erat 2 A. co. inf ct 153 etaki Dp) eta ee = 150 (d. = 50) Tempo ve Per Pa eras) 2 a 154 @-ratig 155 os oe ve ve. erp — cow. ing cu 156 2° EB] eatio, 4. = 66,66 (2) = 200) Tempo 11 rai ve ve ma ves ersip 4. =66,66 (2 = 200) Tempo III cea —_ Hee Ph? — ap sh A a freee 157 co TV oak ey) ” cera) coin ct 1) "Gui gssando o blak ays without depessng them. No sound, st lik) als on the normal writen noes ace sub al Trio (Pat 2) “They only writen onde approximately where ost sd end, othe speed ofthe movemet bacon ight ‘The accents come, by having a ighly greater spoon thebeats. ve Per Par m2 co ie a 158 dd F] 2. Part, Trio) y 4 J =80 (2 = 160) plotalich ruhig und stille » 1) se noton pe 154 $0 = 160) ptatich rhiguna stile |" 159 va Ve oh ing ih aro on I ie) Coin ag ct Si am PE. and F.2 observe that he glisani ar he sume sees asthe previous bars, athe stance is shorter now, bean the tempos aster. 2) Observe wih care the micr-tnaiy, base of he diferent tunings Some atone are even sso mae at in nono, 4) FC. plnissimo in balince ehind Ve, Coin va ve Per. m2 or. in ct dead J = 133,33 (6 = 66,66)

= 100 Nox ssh) | a coring a Bess 163 ve. ve Pa cow. ing a. (PP sper i 1) Tee upward “Guia” lisando in hereon he he white keys, whore thee comes short so limps forma” lisanio ‘othe white ey tween te writen ots, Let itrng sly with pl 165 (3. Part, Da Capo) “Sed LT] eo <4. = 66,66 (o) = 200) Tempo II wieder stiirmisch, aber stiller, wie aus der Ferne gehirt . aR aR oO Va. 2 = = ws t mt soins re ma A cat @ SS ‘ymemste te ageing 4 and male fs oeblow with sro ups of nd ten do ih mined, 2) ett eto ap gf ie ced e-Takig erat . sp nS Po cu. Ya ve Cor. ing. ot 167 o-3 ork nT 2 =150 (d. =50) Tempo It = oud ota) > =150 (J. =50) Tempo It eran Per era Pee Cor. c. ded IN] otto svi. ) = 120 (4. = 40) Tempo I @-rsip Pt eri d=120¢. 2 oi a. 170 e-Tatig Pe ow. in cu @-ratip ve m Pr Per oak) 2 cor ng. ry “Jed Okan 4. = 66,66 (2) = 200) Tempo TI ~ ® d=) Oa 4. = 66,66 () = 200) Tempo II pony ma oa oo oo == 4 Coin a, 3 14 ora) ve 7 OTs ov. ct 175 ded. Py] orate d= 1506. 50) Tempo II dad. @raig) Pp 2 = 150 (d. =50) Tempo II 176 @-Tatip e-Taki) ‘wn. fk m7 Taki 3S 178 i) fem 2 =120(¢. = 40) Tempo I va Pere gem } =120(d. =40) Tempo I coring. 179 orig ve ve Per Takia) ma A. Coin ct 180 eT o-ratip cone eu in Cin ib Intermezzo 3 (detuning Pice. and Cl in Mib one 1/6 tne down) Senza misura, sempre pp dolce ® ® ® a » i ‘ : Violoncello Piccolo Ciao ‘anh (rc, 0045 min) 1) Ve ies ti be dom oe Ime ® Ve inom the monic ble sp and ® Pics nd. in Mba tiene nee wh i Vs (ie, Vn don, atomatig sty betwen te wo nt ® Wren Pex Cn Mb hve complete deing in @ they ween inva ino) and fae ot ogee 181 182 Canon Sa (rectus) (six instruments) 8 Einfach und kindlich 4. = 42 (2) = 126) "Votine es og amore eh —e im tose Nita inci Fiamste | 9 lee pce spe = 9 8 Binfach und kindlich ¢. = 42 (@ = 126) Praotre2}| eta pam ? Piccolo * crane Pp come deitine 1) Vo, a, ate one 6 oe own om tee229 TL 2) ice, Clin Mib arto 6 te down fom teres IL 183 Va Ps. e. Ist Dg ae 185 enh 186 m2 ‘anaca al Canon 5b tempo (ur: I min) 187 Canon 5b (inversus) (ix instruments) 8 Einfach und kindlich 4. = 42 ( = 126) Viatno (Goerie| Viol cheer Pisnoforte od ~ 9g 8 Einfach und kindlich J. = 42 = 126) Phanofone24| PP levine pen sce ” piccolo Sp hime dni 2 Carnet 1) Vn, Va are ned 26 one down, 2) Pree, Cn Mib aetna 16 tone dow, cc. 188 189 ve a De om 190 Bs 191 a (auc: mt)