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COPPERCONCEPT.ORG1
EDITORIAL
Editorial team: Ari Lammikko, Chris Hodson, Graeme Bell, Herbert Mock,
Hermann Kersting, Irina Dumitrescu, Robert Pinter
E-mail: editorialteam@copperconcept.org
Address: CAF, European Copper Institute,
Avenue de Tervueren 168 b-10, B-1150 Brussels, Belgium
Publisher: Nigel Cotton, ECI
Layout and technical production: ECI
Printing: Copy & Consulting Kft., Hungary
Editorial panel:
Birgit Schmitz, De
Kazimierz Zakrzewski, Pl
Marco Crespi, It
Nicholas Hay, UK
Nikolaos Vergopoulos, Gr
Nuno Diaz, Es
Olivier Tissot, Fr
Pia Voutilainen, Se, No, Fi, Dk
Robert Pintr, Hu, Cz, Svk, Ru
Yolande Pianet, Benelux
birgit.schmitz@copperalliance.de
kazimierz.zakrzewski@copperalliance.pl
marco.crespi@copperalliance.it
nick.hay@copperalliance.org.uk
nick.vergopoulos@copperalliance.gr
nuno.diaz@copperalliance.es
olivier.tissot@copperalliance.fr
pia.voutilainen@copperalliance.se
robert.pinter@copperalliance.hu
yolande.pianet@copperalliance.eu
CONTENTS
37
28 31
3
2 35 Copper Presence a bold copper faade creates an urban
3
6 39 A School of Thought this competition-winning new school is
COPPERCONCEPT.ORG3
COPPER OVAL
Bronze cladding and copper mesh help add an extra dimension of material
quality to the sports stadia typology at the newly redeveloped Adelaide Oval
one of Australias most iconic sports venues, as Mee Kyong Kim of architects
WALTERBROOKE (in association with lead architect Cox Architecture) explains
4 COPPER ARCHITECTURE FORUM 37/2014
The new south and east stands reflect the character of the
western grandstand redevelopment completed in 2010.
The design is conceived as a series of pavilions in a parkland
setting and the two new stands consist of strong precast
concrete bases, bronze and copper clad facades, glazed
curtain-walling, expressed precast concrete seating tiers
and diagrid PTFE roofs.
COPPERCONCEPT.ORG5
COPPERCONCEPT.ORG7
A MODERN
MERCHANTS HOUSE
With this conversion of a 1960s office building, BBP Arkitekter have used articulated,
perforated golden copper alloy elements to animate and dramatically transform
the external skin to suit different operational and lighting conditions, as they illustrate here
Located in the Nyhavn district of central Copenhagen,
this conversion forms the new headquarters for the Danish
jewellery firm Trollbeads, who are known for their glass
and gold beads. It is a high security building, organised like
an Italian Renaissance merchant house with goods loaded
safely at the ground floor, stock and offices above, and at the
highest level a residence for the owner with a roof terrace.
COPPERCONCEPT.ORG9
The new faade addresses the fractured street frontage of the original concrete
building. The converted building now respects the massing, scale and urban
context of its historic neighbours
10 COPPER ARCHITECTURE FORUM 37/2014
COPPER CLOSE-UP
ANIMATING ARCHITECTURE
COPPERCONCEPT.ORG11
SOUND
DESIGN
by Chris Hodson
COPPERCONCEPT.ORG13
Photo: KME
Photo: KME
COPPERCONCEPT.ORG15
COPPER
VILLA
16 COPPER ARCHITECTURE FORUM 37/2014
COPPERCONCEPT.ORG17
DECONSTRUCTING
THE VERNACULAR
18 COPPER ARCHITECTURE FORUM 37/2014
Local planning demands also influenced the design of this family home,
sparking a subversion of the room in the roof house typology without
resorting to ubiquitous dormer windows or rooflights. Instead, an ingenious
deconstruction of a vernacular form has been generated, split open by fissures
of generous glazing providing discreet views to both levels. The copper skin
unifying walls and roofs proved central to the concept, explains Basile Graux
COPPERCONCEPT.ORG19
SITE
SINGLE STOREY
+ pitched roof
1
BUILDABLE AREA
2
BUILDING VOLUME
required area
MODIFICATION
of building volume
3
NEW building volume
VIEWS
4
REINTEGRATED
into buildable area
COPPERCONCEPT.ORG21
SHADOW
PLAY
Within the Seventeenth-Century Canal Ring
Area of Amsterdam added to the UNESCOs
World Heritage List in 2010 is an intriguing
new building that respects the history of
its location while exploring contemporary,
deconstructive design. Architect Elsbeth Falk
discusses this modern take on the traditional
gabled merchant house with Chris Hodson
COPPERCONCEPT.ORG23
LONG SECTION
ATTIC
BASEMENT
COPPER IN DETAIL
Y
X
STREET ELEVATION
COPPERCONCEPT.ORG25
MODERN
SURFACE EXPRESSION
by Chris Hodson
COPPER SHINGLES
The new addition adjoins the eastern side of a protected
historic building home to the Erdinger Museums collection
since 1986 and currently under renovation with a glazed link
maintaining a respectful distance between them.
The taller, upper level main exhibition space is a simple,
flat-roofed cubic form. It is encased by unbroken surfaces,
relieved by the strong geometric texture of large interlocking
shingles manufactured from a golden copper alloy.
This bold, golden form floats above the generously glazed
lower level which houses a new entrance, caf, training
rooms, offices and special exhibition spaces. The new
addition is thoroughly modern but does not attempt to
compete with its historic host.
COPPERCONCEPT.ORG27
COPPER SHINGLES
BAROQUE
INTERVENTION
Our second golden shingle example
this time in Cergy Pontoise, France
takes an even bolder stance, explained by
its architects GPAA, based on their entry for the
2013 European Copper in Architecture Awards
Thtre 95 is housed in the third building of the new town that
arose in the 1970s. This emblem of the towns history was
once the home to the Cergy Pontoise School of Architecture
and Urban Planning, before becoming an arts school and
then being transformed into a theatre. The new addition is
a complex project, framed by more general considerations
about emerging social and urban developments and cultural
practices. The aim is to invite the wider public to discover new
strategies to reinvent the town.
The buildings pleated, gabled roof first strikes the visitors
eye: this is the outline that the new intervention has borrowed
to link old and new. The connection exists in a semi-public
hall-atrium, which follows the "Fil D'Ariane" a public
footpath that winds its way, without interruption, from
the south-east to the north-west of the town and is thus
integrated into the building.
The saw-tooth outline of the existing roof is continued over
the hall-atrium volume, where it transforms into juxtaposed
strips creating shafts of light entering the hall. The pleated
forms are also echoed in the auditorium addition, facing
south. Here, they create a new rhythm, emphasizing the
orientation of the new structure out of line with Cergy's
traditional orthogonal grid. The pleated outline has become
the "crown" of the volume of the new auditorium.
The auditorium rises in an almost baroque posture, as if in
confrontation with what is already there. The existing building
conserves its identity, with the atrium linking it to the new
400-seat auditorium, setting up a face-off relationship
between two visions that mix, stand in opposition and join
together in a boldly chaotic statement. The auditorium
addition is a blind mass, covered with golden scales that add
light to this fairly colourless urban environment.
COPPERCONCEPT.ORG29
4
1
3
2
2
2
PLAN 04
1- dressing rooms and artistic
annexes
2- storage area
3- auditorium
4- void over existing stage
9
10
2
PLAN 03
6- bridges in the atrium
7- collective dressing room
8- existing auditorium
9- bookshop
10- hall
1- auditorium
2- control room
3- caretakers room
4- technicians office
5- void over storage areas
10
3
3
3
8
4
6
1
4
7
1- auditorium
2- proximity dressing room
3- storage area
4- atrium
5- library
PLAN 02
6- bar
7- foyer
8- existing auditorium
9- hall
10- service area
COPPER SHINGLES
COPPERCONCEPT.ORG31
COPPER PRESENCE
A long, pre-oxidised copper rain-screen detaches from its host building, creating
an impressive urban presence for this innovative community facility for young people
in North Wales. Julien Denis of John McCall Architects tells us more
32 COPPER ARCHITECTURE FORUM 37/2014
The aim of the project was to create a centre that will provide
support to young people in general, particularly those at
risk of under-achieving in life, and to reduce homelessness
amongst the young. The project aims to be inclusive and
accessible to the whole community, attracting a broad crosssection of Denbigh residents, particularly young people.
The design concept, derived from the clients aspirations,
provides openness, visibility and accessibility from the street,
as well as ownership by the young. The building is flexible
and able to respond to different users needs, allowing local
training and support services to be delivered and links with
local businesses to be fostered.
COPPERCONCEPT.ORG33
BREEAM Rated
Care has been taken to ensure that the ecological and
environmental impacts of the redevelopment are positive.
The building has achieved a BREEAM excellent rating
for energy use and very good rating for the overall scheme.
Copper and other materials were carefully selected for
recyclability and reduced environmental impact,
in line with The Green Guide to Specification.
In compositional terms, the design defines two main masses:
the copper-clad volume of the Youth Enterprise Centre/
College and the concrete-faced volume of the supported
housing block. The main entrance of the complex is through
a glazed atrium which links the two parts across a doubleheight reception space.
SECOND FLOOR PLAN
Copper Ribbon
The pre-oxidised copper rain-screen of the front elevation
extends past the glazed wall of the atrium to provide some
solar shading and to frame views of the nearby castle. Tall
windows in this copper ribbon also reflect the medieval
architecture of the castle. The prominent sign above the
entrance was also made of copper to match the main
elevation.
COPPER IN DETAIL
continuous sill
C
SECTION C-C
140 mm insulation
5050 mm vertical battens
18 mm plywood
membrane
vertical standing seam copper
PLAN A-A
aluminium window
copper returned into reveal
continuous sill
PLAN B-B
COPPERCONCEPT.ORG35
A SCHOOL OF THOUGHT
This compact, low energy secondary school for 450 students uses pre-oxidised, profiled
copper cladding to celebrate its locality. Thomas Landenberg, a partner in White arkitekter AB,
describes its competition-winning design and rigorous response to the programme
The new school Brtejordet skole is situated in Strmmen,
an old industrial town around 20 km northeast of central
Oslo and considered a part of Greater Oslo. Strmmen has
its origins in sawmills along the local river and, later on, in
heavy industry. The school is built on top of sloping farmland,
right next to an old farmhouse. It is the first building in what
will be a new housing area and east of the school there will
be a new kindergarten. The view over the surrounding open
landscape is one of the main qualities of the site.
The client wanted a school with a hundred year life-span and
copper provided a long-term facade solution that combines
a living material, developing its beauty over time, with the
feeling of a lightweight box hovering over the plateau.
The pre-oxidised copper boxs impact is reinforced with
matching dark window frames and sun shades, and also by
the returning copper soffits above the entrance opening.
COPPERCONCEPT.ORG37
C
SECTION A-A
A
B
B
C
SECTION B-B
D
A
SECTION C-C
SECTION D-D
The competition project was called Rammer og Niver or Frames and Levels. Our design concept was centred on a clearly
defined spatial hierarchy. This sequence from larger to smaller provides the structured teaching environment required by the
teachers and headmaster. It defines clear spatial thresholds:
YARD
PLATEAU
BOX
ROOM
COPPERCONCEPT.ORG39
WINNER 2009
WINNER 2011
WINNER 2007
2015
ARCHITECTURAL
AWARDS LAUNCH
Entries are invited for the 2015 European
Copper in Architecture Awards a showcase
for architects designing with copper
and its alloys to promote their work to an
international audience.
Final deadline for receipt of entries: 30th April 2015
WINNER 2013
All entries must incorporate facades, roofing or other
architectural elements of copper or copper alloys. Any scale
or type of project can be entered from major landmark
buildings to modest schemes.
Architects and critics, drawn from a panel including some
of the most influential designers in Europe, will judge all
the entries on their architectural qualities from graphic
submissions.
For more information on entering the 2015 Awards-17 and on
previous awards entries and results, visit:
www.copperconcept.org/awards
COPPERCONCEPT.ORG