Beruflich Dokumente
Kultur Dokumente
Ahmet Ertegun, Atlantic Records, and the Triumph of Rock 'n' Roll by Dorothy Wade;
Justine Picardie
Review by: Leslie C. Gay, Jr.
Notes, Second Series, Vol. 49, No. 2 (Dec., 1992), pp. 621-623
Published by: Music Library Association
Stable URL: http://www.jstor.org/stable/897946 .
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621
Book Reviews
POPULAR MUSIC
traversedifferent
terrainsof popliterary
ular music:Wicke'sworkemanatesfrom
the halls of academe, while Wade and
Picardieproceedfroma journalist'sbeat.
Whileboth have minorfaults,each representsthe bestof its respective
domain.
Wicke'sbooktakesitssubtitle
seriouslythisis no generalhistory
of rock.Like SimonFrith'sSoundEffects
(New York:PantheonBooks,1981),RockMusicbeginswith
thepremisethatrockmusic,musicians,
and
theirmaterial
are partofcomplex
products
social,political,economic,and even technologicalcontexts.For,as Wickesays:
Recordsand songsare not isolatedobof an exjects; theyare the symptoms
tensiveoverall culturalcontextwhich
owes its existencein equal measureto
socialand politicalrelationsas wellas to
the particular
environment
of itslisteners. (P. viii)
This important
notionseparatesthe book
frommore descriptive
historicalor biographicalfarethatmerelycelebrates
artists
and theirrecordings.
The workis organizedas a seriesofnine
essays,each focusingon one topic;some
aredetailedanalysesofparticular
moments
ofrock'shistory,
and othersare delineated
by a culturalor an ideologicalissue.The
openingessaymaybe thebook'smostimportant.Partlythroughan analysisof the
polemicalChuck Berrysong "Roll Over
Wickesituatesrockmusicas a
Beethoven,"
formdistinctfromEuropean art music,
622
NOTES,
December 1992
Book Reviews
623