Annotate Bibliography: Two Hamlets Levin, Kate D. Two Hamlets Shakespeare Quarterly 53 .1 (2002) 106-115. Web. 30 April 2011. Levin begins her article by describing the importance of plays and the performance given between actors and an audience. Throughout her article, Levin also describes a fascination along with the improvisation approach to life, and how in a play should have rearrangements and additions to provide a sort of life like experience for the audience . Her article is called Two Hamlets because it refers to two Hamlet plays that have been interpreted and acted in a different way. In her article, she brings up the controversial relocation of To be or not to be . Hamlets encounter with Ophelia was not preceded by the soliloquy, [Hamlets] savagery on get thee to a nunnery included ripping the returned letter from strenuously wiping nonexistent paint off Ophelias face and pulling her hair (108) . The relocation of To be or not to be and the addition of wife beating brutal Hamlet would disappoint writer Harold Bloom, whose shown his fascination with Shakespeare and his play . Such a change to the play gives off a very negative view, and removing the most crucial moment of the play changes the entire story, no longer making it Shakespeares masterpiece . Bloom would argue that this modification is completely pre-critical, and no changes should be made to the Shakespearean representation and the originality of his play. Bloom would also add that the idea of a violent Hamlet attacking his love would deprive the audience of the poetic and pre-critical Hamlet, and give them the wrong idea of changes Hamlet is going through, both mentally and emotionally. Florain would disagree with Bloom and think that the changes made in the play make it more critical, by adding abstract and unexpected ideas . Florians Dumb Show and Noise is her personal take on Hamlet, as she takes the story and puts it into her own words. Florian would also agree with Levin on importance of improvisation in the play. Her entire short story can be considered an improvisation, making it no surprise that she supports changes made to Hamlet. Hamlets inability to take violent action is an innate characteristic, one the production thematized in a several bits of business with weapons (111). Bloom would argue that Hamlets inability to take violent action is a critical characteristic, showing that Hamlet is fully in tune with his thoughts and not forgetting that violent action would only cause death, and may keep him from fulfilling his dead fathers wishes. Making a more violent Hamlet would show his immaturity in regards to handling his fathers murder, and keep him from killing Claudius for the crimes he had committed . This article supports more of Florians views, as improvisation, changes, rearrangements and additions are what she is best at . Bloom would disagree with Levin and Florian by arguing that Shakespeares play should not be tampered with and only through his interpretation can the audience fully grasp the meaning that he tries to portray .