Beruflich Dokumente
Kultur Dokumente
1 Experiments
2 Basic dye
3 Vat dye
4 Acid dye
4.1 Structures
6 Direct dye
7 Disperse dye
8 Azo dye
9 Anthraquinones
o
10 Sulphonic dye
11 Triaryl dye
12 Cationic dye
13 Anionic dye
14 Polyphenols
16 References
17 Sources
Experiments[edit]
Onion skin dye.
Basic dye[edit]
Basic dyes are water-soluble cationic dyes that are mainly applied to acrylic fibres, but find some
use for wool and silk. With cellulosic fibres an anionic tannic acid mordant is required. Usually
ethanoic ('acetic') acid is added to the dyebath to help the uptake of the dye onto the fibre. Basic
dyes are also used in the colouration of paper.
The first synthetic dyes, such as mauveine (developed in 1856), are basic. They have a wide colour
range, but a reputation for poor light fastness. Modern basic dyes are light fast, and if water can be
excluded from the chemical strucutres the lightfastness is further increased. They are fairly fast to
washing except on acrylics; however, the newer basic dyes are very fast on acrylics. They contain a
=NH2+ or a -NH3+ group, giving them a charge in solution of +1.
Vat dye[edit]
Vat dyes are an ancient class of dyes, based on the natural dye, indigo, which is now produced
synthetically. Modern vat dyes (1901) include anthraquinone derivatives, but indigo remains the
most important vat dye. They are useful mainly for cotton; but also for wool and other fibres.
The process "vat dyeing" refers to dyeing in a bucket or vat. It can be performed whenever a solid,
even shade over the entire garment is desired. Almost any dye can be used, including fiber reactive
dyes, direct dyes, and acid dyes. One alternative to vat dyeing is direct dye application, such as the
process used for tie dyeing. "Vat dyes" are a special class of dyes that work with a special chemistry.
Note that not all vat dyeing is done with vat dyes!
About Vat Dyes
Most vat dyes are less suitable than, say, fibre reactive dyes, for the home dyers, as they are difficult
to work with; they require a reducing agent to solubilise them. The dye is soluble only in its reduced
(oxygen-free) form. The fibre is immersed repeatedly in this oxygen-free dyebath, then exposed to
the air, whereupon the water-soluble reduced form changes colour as oxygen turns it to the waterinsoluble, oxidised form. Indigo is an example of this dye class; it changes from yellow, in the
dyebath, to green and then blue as the air hits it.
Instructions for dyeing with vat dyes
PRO Chemical & Dye, which sells some vat dyes, provides instructions online for Immersion Dyeing
using PRO Vat Dyes. The process requires the use of lye (sodium hydroxide), which must be used
with due care, including the use of safety goggles.
Indigo is subject to major crocking (rubbing off of the dye onto other items) unless it is applied
carefully. This means use a weaker dyebath, and dipping many times, rather than a single strong
dipping.
Light-oxidised Vat Dyes
Ink-o-dye is a type of vat dye which uses light rather than oxygen to 'fix' the dye, with an
inspirationally wide variety of possible effects. These dyes, which are chemically similar to vat dyes,
Inkodyes are developed by light instead of being applied in an oxygen-free bath and being
developed in the fabric by exposure to oxygen. Inkodyes are true dyes, not fabric paints. (A dye
actually itself attaches to the fabric; fabric paint includes a glue-like binder, which imparts a stiffer
feeling to the fabric.) The process is more difficult than the process of tie-dyeing with fiber reactive
dyes. One retail source of Inkodye is Dharma Trading Company.
Further Reading
Imagery on Fabric by Jean Ray Laury
The Chemistry of Vat Dyes by Dianne Epps
Acid dye[edit]
Acid dyes (developed in 1862) are water-soluble anionic dyes that are applied to fibres such
as silk, wool, nylon and modified acrylic fibers using neutral to acid dyebaths. Attachment to the fibre
is attributed, at least partly, to salt formation between anionic groups in the dyes and cationic groups
in the fibre.
Acid dyes are have good fastness if the appropariate dye is chosen; but in general they are not
substantive to cellulosic fibres. They have a good colour range.
Chemically they are carboxylic or sulphonic acid salts used in an acid dye bath. In the home or art
studio, the acid used in the dyebath is often vinegar ('acetic' or ethanoic acid) or citric acid. The dye
molecule forms an anion with a charge of -1 to -4, occasionally more.
In textiles, acid dyes are effective on protein fibers, i.e. animal hair fibres like wool, alpaca, mohair
and silk. They are effective in dyeing the synthetic fibre nylon but of minimal interest in dyeing any
other synthetic fibres.
Acid dyes are generally divided into three classes which depend on fastness requirements, level
dyeing properties and economy. The classes overlap and generally depend on type of fibre to be
coloured and also the process used.
Acid dyes are thought to fix to fibres by hydrogen bonding. They are normally sold as the sodium salt
therefore they are in solution anionic. Animal protein fibres and Nylon fibres contain many cationic
sites therefore there is an attraction of anionic dye molecule to a cationic site on the fibre. The
strength (fastness) of this bond is related to the desire/chemistry of the dye to remain dissolved in
water over fixation to the fiber.
Structures[edit]
The chemistry of acid dyes is quite complex. Dyes are normally very large aromatic molecules
consisting of many linked rings. Acid dyes usually have a sulphonyl or amino group on the molecule
making them soluble in water. Water is the medium in which dyeing takes place. Most acid dyes are
related in basic structure to the following:
Anthraquinone type:
Many acid dyes are synthesised from chemical intermediates which form anthraquinone-like
structures as their final state. Many blue dyes have this structure as their basic shape. The structure
predominates in the levelling class of acid dye.
Azo dyes:
Although Azo dyes are a separate class of dyesuff mainly used in the dyeing of cotton (cellulose)
fibres many acid dyes have a similar structure, most are red in colour.
Triaryl type:
have been identified as toxic and their use retricted. There is a growing trend among governments to
ban the importation of dyes synthesised from restricted intermediates. For example: the dye CI Acid
red 128 is banned in Europe as it was found to metabolise in the body back to ortho-toluidine, one of
its chemical intermediates. Many intermediates used in dye manufacture such as o-toluidine,
benzidine etc. were found to be carcinogenic. All the major chemical companies have now ceased to
market these dyes. Some, however, are still produced but they are found to be totally safe when on
the fiber in its final state. The use of these dyes is declining rapidly as cheap and safer alternatives
are now easily available.
The incident concerning the dye Sudan 1 is an example of a suspected toxic dye finding its way into
the food chain. Such incidents are extremely rare.
Its three chlorine atoms can readily form HCl with a hydrogen from -OH or -NH2, leaving the O or N
attached to the triazine ring in place of the Cl.
Reactive Blue 4 is shown with amine groups it can react with on a protein chain. The chromophore is in blue, the
reactive halo-heterocycle in green and the protein in black.
"Cold" reactive dyes, such as Procion MX, Cibacron F, and Drimarene K, are very easy to use
because the dye can be applied at room temperature. Reactive dye is by far the best choice for
dyeing cotton and other cellulose fibres at home or in the art studio. Reactive dyeing is now the most
important method for the colouration of cellulose fibres. Reactive dyes can also be applied
on wool and nylon, in the latter case they are applied under weakly acidic conditions.
Reactive dyes are avaialble in a good range of colours.
For more info Fundamental Chemistry of reactive dyes
Other reactive dyes:
Carbene dyes
Direct dye[edit]
Direct or substantive dye molecules (developed 1884) are attracted by intermolecular forces to the
textile. The amount of this attraction is known as "substantivity": the higher the substantivity the
greater the attraction of the dye for the fibre. They are easy to apply (direct means without
mordant) and come in a wide range of colours.
Direct dyeing is normally carried out in a neutral or slightly alkaline dyebath, at or near boiling point,
with the addition of either sodium chloride (NaCl) or sodium sulphate (Na2SO4). Direct dyes are used
mainly on cotton and paper; but also with leather, wool, silk and nylon. Some are used as pH
indicators and as biological stains.
Direct dyes are fairly fast to washing, and this can be improved by after-treament. Some have high
light fastness. Chemically, the dyes contain the sulphonate group, essential for water-solubility. The
more groups, the more water-soluble. Usually 2-4, occasionally 1 or 5 groups. The chromophore is
usually azo type.
Disperse dye[edit]
Disperse dyes were originally developed (1923) for the dyeing of cellulose acetate, but can also be
used to dye nylon, triacetate and polyester fibres. They are fast if the correct dye is selected for the
fibre. Acrylics can be dyed with disperse dyes, but are only moderately fast and will not take intense
dyeing.
Chemically, disperse dyes are water-insoluble azo and anthraquinone dyes. The dyes are finely
ground in the presence of a dispersing agent and then sold as a paste, or spray-dried and sold as a
powder.
The dyes are applied as dispersions (emulsions). In some cases, a dyeing temperature of 130 C is
required, and a pressurised dyebath is used. The very fine particle size gives a large surface area
that aids dissolution to allow uptake by the fibre. The dyeing rate can be significantly influenced by
the choice of dispersing agent used during the grinding.
Disperse Yellow 7 is a diazo disperse dye. Note the lack of -NH (basic) or -SO3(acidic) groups.
Azo dye[edit]
Azo dyeing is a technique in which an insoluble azo dye is produced directly onto or within the fibre.
This is achieved by treating a fibre with both diazoic and coupling components. With suitable
adjustment of dyebath conditions the two components react to produce the required insoluble azo
dye. This technique of dyeing is unique, in that the final colour is controlled by the choice of the
diazoic and coupling components.
Azo compounds generally have a molecular formula of the form R-N=N-R', in which R and R' can
be either aromatic or aliphatic. The N=N group is called an azo or diimidefunctional group. The
aromatic groups help to stabilise the N=N group by making it part of an extended delocalised
system. This also has the effect of making many azo compounds coloured, as delocalised
or conjugated systems often absorb visible frequencies of light.
The name azo comes from azote, an old name of nitrogen that originates in French and is derived
from the Greek a (not) + zoe (to live). Aromatic azo compounds (R = R' = aromatic) are usually
stable and have vivid colors such as red, orange, and yellow. Therefore, they are used as dyes,
which are called azo dyes. Some azo compounds, e.g. Methyl orange, can also be used as acidbase indicators, due to their ability to function as weak acids, and the different colours of the acid
and salt forms. Azobenzene is another typical aromatic azo compound. Their colour originates from
absorbance in the visible region of the spectrum due to the delocalisation of electrons in the
benzene and azo groups forming a conjugated system, whereby the N=N group is the chromophore.
Aliphatic azo compounds (R and/or R' = aliphatic) are rather unstable. At an elevated temperature or
by irradiation, two carbon-nitrogen (R-N) bonds are cleaved simultaneously with the loss of nitrogen
gas to generate carbon-centered radicals.
Aromatic azo compounds can be synthesized by using an azocoupling reaction, that is, an
electrophilic substitution reaction on aromatic rings with diazonium salts. Diazonium salts
decompose at temperatures warmer than about 5 degrees Celsius, so the reaction must take place
in solution under freezing conditions:
Anthraquinones[edit]
Template:Chembox header| Anthraquinone
Chemical name
Anthraquinone
Chemical formula
C14H8O2
Molecular mass
208 g/mol
CAS number
[84-65-1]
Density
x.xxx g/cm
Melting point
286 C
Boiling point
379.8 C
SMILES
O=C2c1ccccc1 C(c3c2cccc3)=O
Natural occurrences[edit]
Anthraquinone naturally occurs in some plants (e.g. aloe, senna, rhubarb, and Cascara buckthorn),
fungi, lichens, and insects, where it serves as a basic skeleton for their pigments. Natural
anthraquinone derivates tend to have laxative effects.
Industrial applications[edit]
Anthraquinone is used in production of dyes, such as alizarin. Many natural pigments are derivatives
of anthraquinone.
Alizarin is a typical anthraquinone dye. Formerly extracted from the madder plant, it is now synthesised.
Sulphonic dye[edit]
Direct dyes and acid dyes contain sodium sulphonate groups.
Triaryl dye[edit]
Triphenylmethane
Dyes having structures related to triphenylmethane are known as triaryl ('aryl' refers to the 'phenyl'
(benzene) rings).
There are many yellow and green dyes commercially applied to fibres that are related to
triphenylmethane.
Cationic dye[edit]
See Basic dye
Anionic dye[edit]
See Acid dye
Polyphenols[edit]
Many coloured plant compounds are classed as polyphenols as they contain multiple benzene rings
with multiple -OH groups attached. (A benzene ring with a single -OH group is called phenol.)
The structure of phenol can be shown in two ways. One emphasises the aromatic ring, the other shows the C=C
bonds which can conjugate.
Demethoxycurcumin and bis-Demethoxycurcumin are also present, in smaller quantities. They lack
one or both methyl groups present in curcumin.
Flavonoids are polyphenols based on the flavone structure:
The yellow dye in onion skins is made a of mixture of flavonoids: quercetin, kaempferol and
quercetin-3-glucoside.[1]
Quercetin
Kaempferol
Quercetin-3-glucoside = Isoquercitin
Indigo
LeucoIndigo
References[edit]
Sources[edit]
w:Acid dye
w:Vat dye
w:Reactive dye
w:Azo compound
Category:
thiazole. The second carbon adjoining the azo group may also be part of an aliphatic
derivative, e.g. acetoacetic acid.
In general, an azo colorant molecule can be summarised as follows:
aryl - N = N - R,
where R can be an aryl, heteroaryl or -CH = C(OH) - alkyl derivatives.
Stability of azo linkage
The azo linkage is considered the most labile portion of an azo dye. The linkage easily
undergoes enzymatic breakdown, but thermal or photochemical breakdown may also
take place. The breakdown results in cleavage of the molecule and in release of the
component amines. However, the azo linkage of azo pigments is, due to very low
solubility in water not available for intracellular enzymatic breakdown.
The component amines which may be released from azo dyes are mostly aromatic
amines (compounds where an amine group or amine-generating group(s) are
connected to an aryl moiety). In general, aromatic amines known as carcinogenic may
be grouped into five groups (Clayson & Garner, 1976).
Anilines, e.g. o-toluidine.
Extended anilines, e.g. benzidine.
Fused ring amines, e.g. 2-naphthylamine.
Aminoazo and other azo compounds, e.g. 4-(phenylazo)aniline.
Heterocyclic amines.
The aromatic amines containing moieties of anilines, extended anilines and fused ring
amines are components of the majority of the industrially important azo dyes.
Azo dyes
Azo dyes are, due to their relative simple synthesis and almost unlimited numbers of
substituents, the most numerous group of synthetic dyes. Azo dyes do not occur
naturally.
Azo dyes may have one or more azo groups. Azo dyes with one azo group are called
mono azo dyes, with two azo groups, diazo dyes, followed by triazo and polyazo dyes.
Azo dyes with more than three azo linkages are designated polyazo dyes. The most
commercial important are mono- and diazo dyes, triazo dyes, whereas polyazo are
much less important.
Nomenclature
Due to the complexity of the chemical names, azo colorants are only rarely referred to
using the IUPAC or CAS nomenclatures. Technical literature has adopted the
classification of azo colorants either by the chemical constitution or by the colour.
All commercial important azo colorants are identified by the Colour Index system.
Each colorant is given a generic name, e.g. Direct Brown, which briefly gives
information on application and colour. In addition to the generic name, a five-digit
number is allocated which unambiguously identifies the chemical structure of the
colorant.
In the Colour Index system, the azo colorants are provided with numbers ranging from
11,000 to 39,999 in correspondence with the Chemical Class shown in Table 3.1:
Table .1
Colour Index classification of azo colorants.
Klassificering af azofarvestoffer i henhold til Colour Index systemet.
Chemical Class
CI constitution no.
Mono azo
11,000-19,999
Diazo
20,000-29,999
Triazo
30,000-34,999
Polyazo
35,000-36,999
Azoic
37,000-39,999
Azo pigments
Azo pigments constitute the largest group of organic pigments due to the relatively
easy synthesis and the good technical performance.
Acid dyes
Basic dyes
Direct dyes
Disperse dyes
Mordant dyes
Reactive dyes
Solvent dyes
The acid, basic, direct and reactive azo dyes are ionic, whereas disperse, mordant and
solvent azo dyes are non-ionic dyes.
Acid dyes
Acid dyes are the most widely used azo dye in Europe. The dyes are manufactured
and employed as water-soluble sodium salts of the sulfonic or carboxylic acid groups.
Acid dyes, which are anionic, are used in the textile industry for dyeing of all natural
fibres, e.g. wool, cotton, silk and synthetics, e.g. polyesters, acrylic and rayon. To a
less extent they are used in a variety of application fields such as in paints, inks,
plastics and leather.
Basic dyes
Basic dyes include water-soluble cationic azo dyes, characterised by positive
charge(s) introduced to the molecule.
Basic azo dyes belong to the oldest known class of synthetic dyes. Their first
application was in colouring of natural fibres, e.g. cotton, silk and wool. Later, they
were applied for the colouring of synthetics, like e.g. polyesters, acrylics and rayon.
Azo dyes with several cationic charges are important dyes for polyacrylonitril fibres.
Some of the basic azo dyes are used in medicine for treatment of bacterial infections.
Direct dyes
Direct dyes include water-soluble anionic azo dyes, which require the presence of
electrolytes for the dyeing process. Most of the direct dyes are benzidine-based. They
are classified as direct dyes, because they may be applied directly to celluloid fibres.
Furthermore, they are used for co- louring of rayon, paper, leather and to a less extent
nylon.
Disperse dyes
Disperse dyes encompass azo dyes, which are sparingly soluble in water and mainly
used for dyeing of synthetic (hydrophobic) fibres. The disperse dyes are clearly the
dominating group within azo dyes used world-wide. The fibres shall be in an organic
medium, in which the dye is more soluble than in water. The disperse dyes have been
used for cellulose acetate fibres, but now they are used in large quantities for dyeing
of polyester, polyamide and acrylic fibres.
Mordant dyes
Mordant dyes include azo dyes, which are converted into their final, insoluble form on
the fibres. A mordant is a metal, most commonly chromium, aluminium, copper or
iron. The dye forms together with a mordant, an insoluble metal-dye complex and
precipitates on the natural fibre. The application area is limited to the colouring of
wool, leather, furs and anodised aluminium.
Reactive dyes
Reactive dyes encompass azo dyes, which form covalent bonds with the fibres they
colour, e.g. cotton, rayon, cotton, wool silk and nylon. The dye molecule contains
specific functional groups, which can undergo addition or substitution reactions with
the -OH, -SH and -NH2groups present in the fibres. Due to very good fastness of the
substrate, the reactive dyes are one of the most important group of dyes for colouring
of textiles.
Solvent dyes are used on a large scale in many industrial sectors. They are dissoluted
in the substrate they colour. The small fastness to light of these dyes depends heavily
on the substrates being coloured. They are used for coloration of inks, plastics (mainly
for polystyrene and resins of polymethacrylate), wax and fat products and mineral oil
products (gasoline, fuels lubricants and greases).
Solvent dyes
Technical properties of azo pigments
Pigments are widely used. The most important area of use is in the graphic printing
inks, where approximately 50% of all pigments are used. 25% of the pigments are
used in paints and coatings and less than 20% in plastics and fibres. The remaining
application fields are e.g. textile printing, office articles, wood, paper, cosmetics and
food and feed colouring.
The industrial production and use of pigments, including azo pigments, are expanding
world-wide. Most probably 50% of the organic colorants applied within industrial
processes are today organic pigments (Ullmann, 5th Edition).
Physical properties like size and shape of pigment particles, crystal geometry and
presence of impurities are responsible for the efficacy of the colouring process. The
maximum particle size of most of the commercial pigments is less than 1 m and
often even smaller than 0.3 to 0.5 m. The smallest particles may be one to more than
two orders of magnitude smaller. The small particles tend to agglomerate and form
crystallites, and this tendency increases with decreasing particle size. Organic
pigments, as powders, will therefore comprise of a mixture of such crystallites and
single crystals.
Pigment particles may assume a variety of shapes, such as cubes, platelets and needles
as well as a number of irregular shapes in combination.
Commercial pigments are available as powdered crystalline solids or already
dispersed forms. Dispersion is performed by the manufacturer and may contain carrier
material and dispersing agent. The efficiency of dispersion is very important for the
process of colouring. After dispersion of the pigment, particles may be stabilised in
order to avoid flocculation. This is particularly important for the application of
pigments in thermoplastic materials, e.g. polyvinylchloride.
Technical properties of azo pigments always refer to the complete pigment system,
which beside a pigment constitutes of e.g. solvents and binders etc. Of particular
interest are migration, thermal stability, fastness to light and weather resistance. In
solvent-based printing inks, pigments must be extremely resistant to the solvent used
in the ink.
The rough grouping of azo pigments may be based on the numbers of azo groups
and/or the type of coupling component. Azo pigments may be allocated to the
following groups (Ullmann, 5th Edition):
Benzimidazolone pigments
Diazo pigments
Disazo condensation pigments
Benzimidazolone pigments
Benzimidazolone pigments provide a range of colours ranging from greenish yellow
to orange, medium red to carmine, bordeaux and brown shades. The technical
performance is excellent. Benzimidazolone pigments are used for exterior-use paints
of a high quality, e.g. car finishes. Furthermore they are used for colour plastics and
for high grade printing inks.
Diazo pigments
Disazo pigments may be characterised by a double azo and/or by double coupling
components. Diazo pigments provide colours in the range from very greenish yellow
to reddish yellow and orange and red. In comparison with the yellow and orange
pigments of monoazo, the diazo pigments provide better solvent and migration
fastness, but poorer fastness to light and weather resistance. These pigments are
economically very important, particularly in the production of printing inks. The main
use encompasses printing inks and plastics.
Disazo condensation pigments
Condensation of two monoazo pigments provides a pigment "double in size". The
final colours range from greenish yellow to orange, red and brown. Due to their large
molecular size, they are of very good technical properties, particularly very good
migration fastness and thermal stability. These properties make disazo condensation
pigments suitable for colouring of plastics and paints.
Monoazo Yellow and
Orange pigments
Monoazo pigments provide a range of colours from yellow to orange. The yellow
pigments were introduced 80 years ago and they are relatively cheap and very light
fast. Therefore they are still very widely used, mainly in coating materials and
especially in air-drying and emulsion paints. They are also used in the printing
industry.
Naphthol AS pigments
Naphthol AS pigments, so-called naphthol reds, are all red, providing a range of
colours from yellowish and medium deeply red to brown and violet. The technical
properties vary. In general Naphthol AS pigments have a good fastness to light and
are weather resistant, but they tend to migrate. The main area of use is in printing inks
and interior paints.
b -Naphthol pigments
b -Naphthol pigments belong to the oldest known synthetic colorants. They are
characterised by good fastness to light and weather resistance. On the other hand they
have a poor migration fastness. Today only a few b -naphthol pigments are in use,
mainly for colouring of inexpensive coating materials.
Azo pigment lakes
Azo pigment lakes are synthesised from monoazo dyes, which are converted to an
insoluble form by formation of salt with metals. Azo pigment lakes provide colours
from yellow to red. The red pigments have a brilliant shade and are of great industrial
importance. The technical properties of azo pigment lakes vary, but they have a good
fastness to light, weather resistance and a high thermal stability, whereas some tend to
migrate. They are used in almost all printing sectors and for colouring of plastics.
benzene ring.
Benzenediazonium chloride looks like this:
This is the same reaction that you get if you react phenylamine
with nitrous acid in the warm. The diazonium ion is formed first
and then immediately reacts with the water in the solution to
give phenol.
Note: In this, and all the other reactions of diazonium ions on this
page, I am going to write the attached groups at the side of the
benzene ring rather than at the top. There's no very sophisticated
reason for this! When I write the equations for the coupling reactions
further down this page, that's the way I want to draw the structures,
because I think it makes them clearer. I am just trying to keep
everything else consistent with that.
Note: You might wonder where the hydrogen in the -OH group
comes from. It was pushed off that same ring when the nitrogen
became attached.
I have made a positive decision not to give names for the products of
these coupling reactions. The problem is that there are lots of
different variations on the names in common use. Almost every book
you look in calls them something different. One web source quoted 45
versions for the compound sometimes called "aniline yellow" (see
below). Admittedly, 29 of these were terms like "fast spirit yellow" and
"Sudan yellow R", but 16 were variations on chemical names.
Any name which I give is quite likely to conflict with one which you
have got from another source - teacher, lecturer or textbook. I'm not
going to add to your confusion! Learn the structures, and don't worry
too much about the names.
Note: You may find other structures for the red form (I use a variation
elsewhere in this site!) with different arrangements of the bonds
(although always with the hydrogen attached to that same nitrogen).
The truth is that there is delocalisation over much of the structure, and
no simple picture will show it properly. This case is discussed in detail
on a page in the analysis section of the site about UV-visible
spectroscopy. This is quite difficult stuff, and if you are coming at this
from scratch you will have to explore at least one other page before
you can make sense of what is on that page. There is a link to help
you to do that. Don't start this lightly!