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http://www.flutetunes.com/articles/sight-reading/
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http://www.flutetunes.com/articles/sight-reading/
Therefore, every time you encounter a direction that you don't know you should look it up on a music glossary.
Finally, and this applies to everything you do, never lose concentration. Good sight-readers are always sight-reading,
even music which is well rehearsed and often performed, because sight-reading every time helps even old warhorses
remain fresh.
Of course, the tips outlined above are not enough by themselves: to become a good sight-reader you need to do
some actual sight-reading. For this reason, you should devote a small part of your daily practice routine to sightreading pieces you have never seen before. This is best done at the end of each practice session, and should not take
more than a few minutes a day.
In fact, when sight-reading it is best to keep going on to new, unfamiliar material, rather than replaying a score to
perfect it. In any case, replaying the same piece more than two times can no longer be considered sight-reading.
Fortunately enough, on flutetunes.com you can find something new every day.
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http://www.flutetunes.com/articles/sight-reading/
You may want to feel at home in the key before beginning. Therefore, if you still have time, play the scale of the key,
and perhaps improvise a short melody as a preparation.
Sight-reading Tips
When you feel ready, reading may commence. You should choose a tempo that is comfortable for reading the music;
a tempo at which even the most difficult passage can be played with some accuracy. We really cannot stress this
enough. Remember, you are not performing, you are sight-reading. Play as slowly as you need to incorporate every
detail printed on the page. Your main goal should be accuracy, not speed.
1. Keep a steady tempo. Make sure that you are always counting, even when you have a rest. You must know
where you are in the piece at any given time. While you can't expect to play with 100% pitch accuracy, tempo
and rhythm should be maintained at any cost. Notes can be sacrificed, time cannot. While practicing, students
often woodshed the notes first and then strive for correct rhythm. This can prove very harmful in the long run,
because rhythmic accuracy should always take precedence over pitch. At first you may want to use a metronome
to help you keep pace, but be aware that you shouldn't become dependent on it. Finally, keep in mind that while
it is important to play on beat, you shouldn't be afraid to put a little heart into what you are playing.
2. Making errors. Right before you start playing, you should promise yourself that you are going to get to the end
of the piece without ever stopping. People like sight-reading to be done without interruptions, even if it goes a
little bit wrong in the middle. So if you make a mistake just keep going, as if you were playing in an orchestra.
Never stop to correct mistakes, and never go backwards. The music must proceed forward in time. Always read
as if you were playing in an ensemble and had to keep up with other players. Serious students tend to strive for
perfection and feel dissatisfied if they cannot play a passage free from errors. For effective sight-reading,
however, we must temporarily set aside our goal of perfection and accept the likelihood that errors will occur.
3. Read ahead. There is no reason to stare at the notes you are already playing. Instead, you should be constantly
looking ahead of what is being played. Try to memorize the music in small blocks, playing each block while
looking at the next. Please observe that you can't read ahead if you are trying to play too fast.
4. Breathing. Many students make errors while sight-reading just because they run out of air in the middle of a
phrase. Since you cannot plan breathing in advance, you must learn to spot phrase endings while playing them
for the first time, and to breathe without breaking the musical continuity.
5. Stay concentrated. Keep your eyes on notation at any time. Never look away from the page. Keep your head
and body still.
6. Play musically. Phrasing, dynamics, intonation, tone quality, and musical expression must never be forgotten.
In fact, your sight-reading ability will most often be judged by how well you capture the musical aspects of a
piece despite pitch or rhythm errors you might make.
7. Relax! Tense muscles make the music harder to play, so try to keep your fingers, hands, arms and body as
relaxed as possible.
We know, all these tips may seem too hard to deal with at first. But don't get discouraged. As the celebrated flutist
Marcel Moyse said, It is a question of time, patience and intelligent work!
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