Beruflich Dokumente
Kultur Dokumente
Copyright 2003 SAGE Publications {London, Thousand Oais, CA and New Delhi)
www.sagepubllcations.com Vol 4(3): 455^8511466-1381(200309)4:3:455-485:035818]
Street phenomenology
The go-along as ethnographic research tool
Margarethe Kusenbach
Department
of Sociology,
University
of South Florida,
Tampa
Previous phenomenological investigations i n other disciplines have established that our experience o f the environment is fundamentally based o n the
coordinates o f our living body, giving 'place' primacy over 'space'. Informed
by Merieau-Ponty, the philosopher Casey (1993: 43ff.) describes h o w living
bodies' movements constitute our p r i m o r d i a l sense o f the environment as a
diversity of places. This perspective resembles the concept o f 'perceptual
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article, I predominantly draw on a t h i r d set o f data: my records o f 50 'goalongs', covering 30 residents, during w h i c h I accompanied m y informants
on their 'natural' everyday trips.
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experiences of those phenomena. What w i l l be bracketed and what subsequently appears to consciousness w i l l be dependent on who is bracketing.
(Maso, 2001: 138)
Maso points o u t that the method o f phenomenological reduction is an ideal
that cannot be reached w i t h o u t ehminating the very phenomena sociologists
are Interested in. He argues that fhe bracketing procedure underUes the same
socially contingent prejudices and presuppositions that i t attempts to
d l s m a n e . Maso purs phenomenology where it belongs, back into the canon
of scientific perspectives situated i n history and culture, and he reminds us
to be cautious n o t tiD frame phenomenological goals, methods and findings
in absolute terms.
I n ethnography, i rising awareness o f the researchers' o w n posltionality, sometimes charecterlzed as the 'reflexive t u r n ' (see Emerson, 2001), has
not prevented scholars f r o m practicing their craft. Rather, i t facilitated a
fundamental shift i n the ways ethnographers locate themselves w i t h i n the
context o f their ressarch and w r i t i n g (Coffey, 1999). Similarly, a c k n o w l edging the reflexivity o f the phenomenological method need not p u t an end
to phenomenologie?! practice; i t can Instead contribute to its sophistication
and progress. W i t h Maso, I believe that the phenomenological structures
of lived experience are legitimate objects o f empirical, particularly ethnographic, inquiry. Ir.deed, i f phenomenological inquiry is n o t subject to
empirical testing, on w h a t basis can phenomenologists cUstinguish between
v a l i d and invalid phenomenological propositions? Thus the e f f o r t to
develop a phenomenological ethnography offers the promise o f saving
phenomenology f r e m the Inadequacies o f a solely 'philosophical' f o u n dation.
How, then, should phenomenological structures o f lived experience be
studied? W h a t contribution can ethnographic methods make t o w a r d the
goals o f a more phenomenological sociology and a more sociological
phenomenology? Here, I argue that the innovative method o f the go-along,
tiirough combining some o f the strengths o f ethnographic observation and
interviewing, is a tDol particularly suited to explore t w o key aspects o f
everyday Uved experience: the constitutive role and the
tianscendent
meaning of the physical environment, or place.
S o m e limits o f participant o b s e r v a t i o n a n d i n t e r v i e w i n g
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a Street phenomenology
Some limits o f p a r t i c i p a n t o b s e r v a t i o n
The f o l l o w i n g pair o f fieldnote excerpts clearly illustrates shortcomings o f
the ethnographic method o f participant observation. I recorded the first one
after w a l k i n g around Gilmore Junction at the very beginning o f my fieldw o r k i n this neighborhood.
8-29-97. I t is trash pick up time. I notice one of these huge green garbage
trucks that have an automatic arm on the side which grabs, lifts and empties
the cans without any help by the driver. We have the same system in our
neighborhood: it is fast and clean but it requires that the trash cans stand
properly spaced on the street in front of the curb, and that they are not
blocked by parking cars. This seems to be no problem i n the entire Gilmore
Junction area, whereas the same system causes considerable conflict around
where I live. Here, there is ample parking space available on every street and
there is very littie traffic. . . .
I think I w i l l make the entire Gilmore Junction neighborhood my study
area. The number of housing units to draw informants i r o m is l o w (I estimate
that the number of people living here on eight blocks equals the number of
people living on two blocks i n my other neighborhood). The houses all look
very similar: there are no multiple-unit or courtyard buildings, no abandoned
or empty buildings, and no converted garages. I see a number o f 'for sale'
signs by real estate companies but I don't notice any signs advertising places
for rent.
The above excerpt is taken f r o m the first set o f fieldnotes that I t o o k after
scouting out Gilmore Junction as a research site. I t is obviously the descript i o n o f an outsider w h o knows next to nothing about the area. M y efforts
to make sense of m y observations are focused on comparing this area w i t h
the other neighborhood I had already been living i n and stud3dng f o r several
months. The absence o f traffic, the availability o f parking space, the orderly
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process o f the trash pick-up, and the lower concentration and homogeneity
of buildings are a l l features that become noticeable and meaningful i n
contrast to features o f an area I was m u c h more famiUar w i t h . However,
these observations and comparisons reveal Uttle i f anything about h o w the
area's residents perceive and interpret their local environ&ent. A n y
outsider's view o f a setting that lacks a local vantage point necessarily
remains superficial, revealing more about the observer's o w n standpoint
than anything else.
Yet even when i n f o r m e d by intimate local knowledge, observations o f
natural settings can be problematic. O u r research team learned through t r i a l
and error that independent, solitary observations - even when done as
insiders - are not weU-suited to access local culture as i t unfolds through
other members' experiences and practices. Echoing the dUemma that distant
or novice observers r u n into, we also f o u n d that the detaUed observations
o f weU-lmmersed researchers similarly emphasize,
Instead o f overcome,
their independent reference points. Consider tills second excerpt taken f r o m
fieldnotes recorded five months into my research In Gilmore Junction.
1-31-98. O n my way to the copy shop I pass the two-storied white house on
Gilmore that sits directiy behind Cam's. He had told me earlier that the house
had been owned by two elderly sisters who were badly tricked into selling
their valuable home under price. I t now seems to be on sale again after undergoing remodeling. . . . O n one side of fhe front lawn, I have previously
noticed a sign o f the real estate company that Nick Russell works f o r ('Tuft
and Associates'). A plate w i t h his f u l l name used to be displayed on top of
the sign. I saw i t several times; it was the only sign in f r o n t of this building.
N o w I discover something very interesting: on the other side of the f r o n t
lawn, another sign has been put up by a company called ' B & H Realtors'.
Under the big sign stands a smaller one that reads: Tom and Jean Stark.
The 'Tuft and Associates'-sign is still there, not even six yards next to the
new one, but N i c k Russell's personal name plate has been removed. I take
these observations as a sign of the ongoing t u r f war between Tom and N i c k
that Tom had told me about. Both are rivals i n their attempt to control the
real estate market i n the neighborhood. A n d i t is out there f o r everyone to
see.
Five months into the fieldwork, I had interviewed many Gilmore Junction
residents and was n o w quite familiar w i t h the area. I had learned about and
spoken to t w o local realtors, both residents and active members o f the
neighborhood association. I also knew that there existed a professional
rivalry between the t w o w h i c h made i t impossible f o r them to, f o r Instance,
serve o n the same neighborhood committees, as one of the men admitted.
W h a t i n my early observations seemed to be a bunch o f real estate signs originaUy I had only noticed the absence o f ' f o r rent' signs as significant -
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strengths, this method is neither the only nor the first choice f o r a l l areas o f
sociological and phenomenological inquiry.
S o m e limits o f intfirviewing
Because o f its abiUty to go beyond w h a t is visible and thus observable, sitd o w n interviewing is an exceUent phenomenological t o o l . Ethnographic
interviews can provide unique access to informants' biographies and f u t u r e
plans, to their subjective interpretations o f others and social interaction
(Holstein and G u b r i u m , 1995; Seldman, 1998). Yet there are at least t w o
shortcomings o f the interviewing method w i t h respect to its abUity to reconstruct the informants' Uved experience o f place. The first is posed by the
limits o f narrativity: the second by the limits o f the interview situation.
De facto, i t is n o t possible to access all aspects o f Uved experience i n Interviews because informants refuse to talk about certain topics or cannot t a l k
about them because, no matter h o w much they may w i s h to coUaborate,
they overlook issues that do n o t figure prominently i n their awareness.
Ethnographic interviews can miss out on those themes that do n o t lend
tiiemselves to narrative accounting, such as the pre-reflective knowledge and
practices o f the body, or the most trivial details o f day-to-day environmental
experience. Aware o f this problem, interviewers often move away f r o m a
strict question-and-answer f o r m a t , using props such as letters, books, maps
and photographs (sae Harper, 2002), i n order to stimulate the less easily
accessible, non-verbalized regions o f their informants' minds. A l t h o u g h
association props a-e helpful i n broadening the narrative focus o f ethnographic Interviews, they still cannot overcome some of the Umltations posed
by the Interview sitiiation Itself.
Sit-down interviews are primarily static encounters i n w h i c h talking
becomes the center of attention. A n y other activity is usuaUy perceived as
a distraction and pushed into the background. The stiucturing and emphasis
of the interview sitaation n o t only discourage 'natural', that is, contextsensitive reactions o f the interviewer and interviewee, they also magnify the
dialectical relations nip between the participants instead o f p r o m o t i n g a
shared perspective and a more egalitarian connection. I n short, the particular interactional d j n a m i c s and the physical constraints o f most ethnographic interview encotmters separate informants f r o m their routine
experiences and practices i n 'natural' environments. These are serious
disadvantages, espe;iaUy i f they obstruct themes that are the f o c i o f the
Investigation.
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owner's care-taking abilities and taste. Jill sees the many plants as an
adorable e f f o r t by the owner to create an interesting environment, a sign
that they take 'very good care' o f it, as opposed to a sign o f neglect, w h i c h
is h o w Ross reads the excessive vegetation surrounding the home. U l t i mately, these judgments reveal the t w o informants' distinct ideologies c f
w h a t good neighbors are Uke. Note that Ross and JiU d i d not f o r m their
aesthetic and moral judgments o f this site as a reaction t o seeing i t . These
values have been i n place long before, yet they become expUcit i n their
differing depiction o f this site.
I n sum, go-alongs can sensitize ethnographers to the idiosyncratic sets c f
relevances that govern their informants' environmental experiences. Being
able to witness in situ the flltering and shaping o f their subjects' perceptions
de-emphasizes the researchers' o w n perceptual presuppositions and biases,
w h i c h are i n the end irrelevant, and o f w h i c h they might n o t be completely
aware. While lonely observers depend on their imagination i f they w a n t to
reconstruct h o w others perceive a particular place, interviewers r u n into
difficulties because o f the fragUe, pre-reflective nature o f environmental
experience. Remedying these shortcomings, go-alongs provide independent,
empirical evidence o f a phenomenon w h i c h is difficult to access and substantiate by other means.
2. Spatial Practices. The geographer Seamon (1979: 9 9 f ) suggests that our
manifold engagements w i t h the environment can be located on an 'awareness continuum' spanning between complete 'person-environment separateness' at the one end and complete 'person-environment mergence' at the
other. He distinguishes between various kinds of encounters o f hirmans w i f h
the environment^ - such as 'obliviousness', 'watching', 'noticing', 'heightened
contact', 'basic contact' and 'at-homeness' - w h i c h distribute over the entire
spectrum o f the 'awareness continuum'. Seamen's somewhat static model
nevertheless conceptualizes a phenomenological quaUty o f environmentEil
experience that has routinely been overlooked. I t analyticaUy captures the
fact that our immersion i n the environnient can vary i n its strength. I n other
words. Seamen's model takes into accoimt that we can be more or less aware
of, and engage w i t h , the places and objects around us throughout the course
of our everyday Uves. A t times, being i n and moving through the w o r l d
requires a high degree o f commitment and concentration, f o r instance whUe
changing several lanes o n a busy freeway. A t other times, we are able to
(almost) completely w i t h d r a w f r o m our environments and movements. Goalongs aUow ethnographers t o leam more about the various degrees o f our
informants' environmental engagement, especiaUy during moving practices,
and also about the various qualities o f this engagement, about w h i c h we
learn relatively Uttle f r o m Seamon.
For instance, one interesting aspect o f environmental engagement is the
fact that we are able t o reframe our spatial practices t o enhance their
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a Street phenomenology
Gilmore Junction realtors, w h o during these occasions makes and strengthens i n f o r m a l contacts w i t h other locals that at some point 'might lead to
business', as he volunteers. By w r a p p i n g their activities into multiple
contexts o f meaning, my informants pushed their encounters w i t h the
environment towards the end o f the continuum that Seamon (1979)
described as 'mergence'. The more aspects or nuances o f their selves my
informants were able to tie into a particular activity, fhe better i t expressed
w h o they are, and the more they were able to identify w i t h and enjoy l t . '
It even happens that mundane spatial practices become so saturated w i t h
meaning and experiential depth that they t u r n Into symbols o f someone's
personal identity.
Consider the f o l l o w i n g example, w h i c h Illustrates the emblematic
meaning o f w a l k i n g to one of my Melrose Informants. Andrea, a married
w o m a n and mother i n her 50s, regularly walks around her neighborhood
f o r recreation and to take care o f small errands. However, w h a t captures
the meaning o f her walks better than f u n c t i o n a l goals are the political and
almost subversive implications o f this practice. Ultimately, Andrea walks
because she considers w a l k i n g to be a fundamental right i n need o f being
demonstrated and reclaimed. She explains:
I pay my property tax here. We are very established here. This is our neighborhood. A n d I thinly we SHOULD be able to do this! A n d I think when you
are alwaj^s scared . . . I can't understand that, you Imow? I t gets to you. A n d
then you are too scared to go to the market. A n d now, think about It, Maggie,
if everybody here would think that way! We all walk to the movie [theater];
it is close by, right, the one right here. Or to get a video . . . everything is i n
our vicinity. A n d I think i f everyone, every house, w o u l d have that attitude!
If you like to walk, go out and walk! A n d suddenly we would have so many
people out here at night, and everyone walks a Ute bit, goes f o r a litde walk,
w i t h a dog, without a dog . . . i t w o u l d be safer A n d this is what I think
about how you take back your neighborhood.
I t troubles Andrea that her neighbors seem be too scared to w a l k around
the area. She knows about these fears because f a m i l y members constantly
caution her n o t to wall< around the area, at least not i n the dark or by
herself. Walldng is thus a potentially dangerous practice but f o r Andrea its
benefits outweigh its risks. I t is her personal crusade against the forces out
there that attempt to Umit her freedom. She also walks w i t h the hope o f
setting an example f o r others, encouraging them to j o i n her i n a collective
act o f resistance.
I could speculate about the sources o f Andrea's 'because-motive' f o r
walking, to use another one o f Schutz's terms. Andrea grew up and Uved
part o f her adult life i n a small t o w n i n Germany, i n a place and at a time
where w a l k i n g was a universal, taken f o r granted practice i n everyone's
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daily life. T h r o u g h o u t her Ufe, Andrea has made a number o f decisions that
people around her d i d n o t support and even opposed: such as leaving postwar, small-town life i n Germany behind, m o v i n g to Los Angeles, marrying
a Spaniard and, lately, opening her o w n home business. Being too scared to
w a l k a r o i m d w o u l d mean giving up control over her personal f r i e d o m and
space, Andrea's biography shows h o w she has managed to maintain a sense
of control over her Ufe, and that she is wiUing to stand up f o r her beliefs.''
I n short, spatial practices can become p o w e r f u l tools i n expressing and
shaping our personal identities, and go-alongs provide privUeged access to
this phenomenon.
3. Biographies.
Ideally, go-alongs bring to the foreground the stream o f
associations that occupy informants w h e m o v i n g through physical and
social space. Including their memories and anticipations. Whether we
appreciate i t or not, the environment we dweU i n on a daily basis becomes
a sort o f personal biographer as i t preserves parts o f our Ufe history. N a v i gating familiar environments f u U o f personal landmarks i n many ways
resembles going t h r o u g h the pages o f a personal photo a l b u m or diary. The
foUowing passage f r o m M i c h e l de Certeau's essay 'Practices o f Space'
expresses this idea more poetically.
Memory is only a traveling Prince Charming who happens to awaken the
Sleeping Beauty - stories without words. 'Here, there was a bakery'; 'That
is where old Mrs. Dupuis lived. We are struck by the fact that sites that have
been lived i n are filled w i t h the presence of absences. What appears designates what is no more: 'Loot, here there was . . .', but can no longer be
seen. . . . Every site is haunted by coundess ghosts that lurk there i n sUence,
to be 'evoked' or not. One inhabits only haunted sites - the opposite of what
is set forth in the Panopticum.
(De Certeau, 1984: 143-4, aU italics and
quotation marks i n original)
As sUent witnesses, 'haunted' sites bring back to life the ghosts o f the people,
places and events that together f o r m our biograptries.^ Go-alongs can
unearth the personal, biographic experiences that underUe our subjects'
present engagements w i t h their environments. They can also give clues as
to h o w informants integrate memories o f past events, and anticipations o f
the future, into the ongoing stieam o f their spaUal experiences and activities. I n comparison, these themes are very difficult to retrieve through interviews and almost impossible to observe.
Encountering personal landmarks during their daily routines frequentiy
evoked feelings o f identification and at-homeness i n m y informants.'^
Often, an aura o f nostalgia envelopes their past homes, as the foUowing
excerpt f r o m one o f my walk-alongs w i t h Tony conveys.
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As we come up to another street corner, Tony says: ' I want to show you something that has a little history to it. Do 3'ou see this place there, the bungalow
w i t h the sign N U D E GIRLS?' I say that I see it; I noticed i t many times before.
'That is where I lived once!' says Tony. I am stunned: H o w did that happen?
Tony tells me that when he came home after the war [Second World War], he
and his wife did not have a place to live. Luckily, they were able to stay at
this place that was then owned by one of his wife's twin sisters. 'Do you see
the bungalow behind it?' he asks me as we peek through the fence right next
to the strip j o i n t . I do; I can see a small wooden house right behind the club.
It looks empty and quite run down f r o m the outside. It turns out that this fe
the building where Tony and his wife lived together w i t h their relatives.
I ask: 'What was i n the front at that time?' 'Nothing', says Tony, 'there was
just the house.' Much later, his wife's sister sold it and the strip club was pul;
up in front of it. 'Every time I walk by here, I have to think about that I once
lived here', says Tony. Soon, he remembers something else: one year his sister
in law's children got a duckling f o r Easter which they decided to raise. I t grew
up to be a huge duck, almost the size of a goose. The duck followed the
children around like a dog when they played i n the driveway. I t was aggressive towards others and protected the chUdren just like a dog would have
done. Tony often remembers this too when he walks by this place.
Tony refers to his f o r m e r home behind one o f the area's stiip j o i n t s as ei
place w i t h 'a littie history', glossing over the fact tiiat the places surrounding i t have histories as w e l l . O n l y the fact that i t plays a significant role i n
his biography makes the unnoticeable building special, giving i t 'a little
history' that outside observers could hardly see or Imagine. Interestingly,
Tony says he has to t h i n k about the fact that he once lived here 'every time'
he passes the house. I n fact, he d i d point i t out again during a similar w a l k along about one m o n t h later. I n Tony's memories o f his f o r m e r home, the
strip club w i t h its aggressive signage does not exist, even though i t is d i f f i cult to overlook. He even recalls his nieces and nephews playing w i t h theliduck i n the no longer existent driveway.
I t could be that the place symbolizes the generosity o f his sister i n l a w
w h o offered Tony and his (recentiy deceased) w i f e a place to live while he
was l o o k i n g f o r w o r k . I t was Tony's first residence i n the neighborhood
where he has ended up living and raising his o w n family f o r over 50 years.
The httle house is an Important symbolic landmark i n Tony's biography,
even though i t is no longer intact i n the w a y that i t keeps hving on i n his
memories. Remembering its significance and being reminded o f scenes o:F
dally Ufe that happened here clearly transcends the here and n o w o f Tony's
regular walks. As he encounters this and other personal landmarks, Tony's
current experiences become anchored i n his biography i n ways that remain
invisible to outsiders.
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Conclusion
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Acknowledgemenf.
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Notes
3 Holstein and Gubrium (1994: 269) conclude that: '[A]ll told, the range of
qualitative research approaches manifesting phenomenological sensibility
has grown considerably.' The authors suggest that 'phenomenological sensibility' was brought to sociology by Garfinkel via his Interpretations and
empirical t u m of Schutz's w o r k . While this is a popular view, i t glosses over
the European lineage of Schutz's interpretations, and i t neglects crediting
other phenomenologists who continue to influence sociological theory and
research. A n updated overview of studies and approaches displaying such
phenomenological sensibility is overdue, especially since sociologists today
(symbolic Interactionists and ethnomethodologists included) rarely situate
their w o r k w i t h respect to its phenomenological implications.
There are few exceptions f r o m this rule. James Ostrow's Social Sensitivity (1990). f o r Instance, is an attempt to move 'beyond Schutz' as he
states in the conclusion of his book. Ostrow develops his phenomenological
analysis of intersubjectivity by mainly drawing on the w o r k of Maurice
Merieau-Ponty. Jack Katz's book H o w Emotions
Work (1999) integrates
symbolic interactionism and pragmatism w i t h a phenomenological
approach to the embodied experience of emotions i n everyday life. Like
Ostrow's work, Katz's concepts and ideas go 'beyond Schutz' in their
appreciation of the aesthetic and transformative elements of feelings.
4 Being a resident i n Melrose opened unique access to situations that helped
me to understand the locals and local life to a greater degree than I was
able to do i n Gilmore Junction. Just like some Melrose neighbors, I got wet
feet after torrential rainfalls caused a flash flood over a foot deep on our
street. Like others, I was alarmed when a police helicopters circled low over
the neighborhood f o r several hours, officers shouting down commands to
5 There are always exceptions. In 1959, Lynch and Rivkin claimed to have
conducted the first study 'where respondents have been recorded while
actually moving through tiie city itself' (Lynch and Rivkin, 1970: 631). This
is i n fact not quite correct. The researchers sent 20 subjects - some of them
familiar w i t h the area, others not - on a walk around an urban block i n
Boston and questioned them afterwards
about what they experienced.
Lynch and Rivkin are aware that this technique 'intensifies, and possibly
distorts the usual day-by-day perception of the city' but still assert that i t
has advantages over other approaches. Katz (1999) employs a variety of
ethnographic methods to capture the lived experience of emotions. One
chapter discussing road rage is based on student interviews w i t h Los
Angeles drivers, quite a number of them conducted wtiile driving. This gave
the student interviewers the opportunity to triangulate what they leamed
f r o m their subjects about vehicular behavior w i t h their own observations.
See also Patricia Paperman's article in this issue, where she notes that i t was
only when she accompanied a third team of subway police that she could
access their w o r k i n process.
6
Over the course of the research, as I leamed many intimate details about
the lives of my informants, I had to monitor myself carefully not to use this
vast stock of knowledge as a conversational resource in developing bonds
w i t h new or difficult informants. Some realized that I knew a lot and were
eager to find out intimate details about their neighbors and I had to
consciously resist the tendency to share such information. Because I did not
act in accordance w i t h the rules of casual conversations, go-alongs were
not quite like chats that could have occurred between neighbors. Yet they
were neither very formal nor problematic encounters, even though some
Informants were obviously less comfortable discussing their experiences
and practices w i t h me than others.
Uexkuell (1957) examined how our perception of objects i n the environment is Intimately connected w i t h their practical use. Objects carty a certain
'tone' that corresponds to their culturally speciflc, habitual use. To us,
chairs carry a 'sitting tone' and ladders a 'climbing tone' because we automatically associate the act of sitting w i t h chairs and the act of climbing w i t h
ladders. Individuals and cultures that do not share our use of these artifacts
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References
Altman, L and S.M. Low (eds) (1992) Place Attachment New York: Plenum Press.
Angrosino, M . V . (1994) 'On the Bus w i t h Vonnie Lee: Explorations i n Life
History and Metaphor', Joumal of Contemporary Sociology 23: 14-28.
Becker, H.S. (1958) 'Problems of Inference and Proof i n Participant Observation', American Sociological Review 22i: 652-60.
Becker, H.S. (1961) Boys in White: Student Culture in Medical School. New
Brunswick, NJ: Ti'ansaction Books.
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