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TABLE OF CONTENT
1.0 Introduction
2.0 Lighting
- 2.1 Lumen and Day lighting Factor Calculation
-2.2 Lighting Conclusion
3.0 Acoustics
- 3.1 Reverberation time calculation
- 3.2 Sound Pressure Level calculation
- 3.3 Sound Transmission Loss calculation
- 3.4 Acoustic Conclusion
Introduction
Lighting Calculation
1) Gallery
Data Collected
Outdoor (Eo)
32000
900
12 noon
23 September 2014
Sunny
DF = (Ei/Eo) x 100%
= (900/32000) x 100
= 2.8 %
Lumen Method
Components
material
colour
Surface type
Area(m2)
Ceiling
Wall
Concrete
Brick wall
Grey
Brownish
Reflective
Absorptive
Openings
Floor
Glass
Glass
Carpet Finish
Transparent
Transparent
Black
Reflective
Reflective
Absorptive
120.12
173.2 64
(painting)
= 109.2
107.2
5.04
120.12
Reflectance
Value
15-40
20
6-10
6-10
10
4
Furniture
Painting
Various
Absorptive
Dimension of Room ( L x W )
15.4 x 7.8
120.12 m
4.0-0.9 = 3.1
Ceiling : 0.7
64
50
Wall : 0.3
Floor : 0.2
Room Index / RI (K)
(
= 1.6
Utilisation Factor / UF
(Based on given utilization factor
table)
Maintenance Factor / MF
Standard Illuminance (lux)
0.49
0.8
300 (Gallery)
N = (E x A) / (F x UF x MF)
N = (300 x 120.12) / (1300 x 2) x 0.49 x 0.8)
N = 36036 / 1019.2
N = 35
Type Of Lighting Fixtures
Quantity
35
2) Office
Data Collected
Outdoor (Eo)
32000
1050
12 noon
23 September 2014
Sunny
DF = (Ei/Eo) x 100%
= (1050/32000) x 100
= 3.2 %
Lumen Method
Components
material
colour
Surface type
Area(m2)
Ceiling
Wall
Concrete
Concrete
Glass
Glass
Carpet Finish
Steel
Wood
Grey
Grey
Transparent
Transparent
Black
Silver
Dark
Reflective
Reflective
Reflective
Reflective
Absorptive
Reflective
Absorptive
40.851
93.2
32
4
40.851
23
5
Openings
Floor
Furniture
Reflectance
Value
15-40
15-40
6-10
6-10
10
70-90
15
Dimension of Room ( L x W )
5.1 x 8.01
40.851m
4.0-1.0 = 3.0
Ceiling : 0.7
Wall : 0.3
Floor : 0.2
= 1.04
Utilisation Factor / UF
(Based on given utilization factor
table)
Maintenance Factor / MF
Standard Illuminance (lux)
0.45
0.8
300 (Office)
N = (E x A) / (F x UF x MF)
N = (300 x 40.851) / (1450 x 1) x 0.45 x 0.8)
N = 12255.3 / 552
N = 22
Type Of Lighting Fixtures
Quantity
22
Colour - Neutral
Wattage Level 30W
Colour Temp. 6500
Luminous Flux Level - 1450
3) Studio
Data Collected
Outdoor (Eo)
32000
1300
12 noon
23 September 2014
Sunny
DF = (Ei/Eo) x 100%
= (1300/32000) x 100
= 4.06 %
Lumen Method
Components
material
colour
Surface type
Area(m2)
Ceiling
Wall
Concrete
Concrete
Glass
Glass
Carpet Finish
Steel
Wood
Grey
Grey
Transparent
Transparent
Black
Silver
Dark
Reflective
Reflective
Reflective
Reflective
Absorptive
Reflective
Absorptive
71.32
93.2
70.92
4
71.32
40
12
Openings
Floor
Furniture
Reflectance
Value
15-40
15-40
6-10
6-10
10
70-90
15
8
Dimension of Room ( L x W )
71.32m
4.0-1.0 = 3.0
Ceiling : 0.7
Wall : 0.3
Floor : 0.2
= 2.57
Utilisation Factor / UF
(Based on given utilization factor
table)
Maintenance Factor / MF
Standard Illuminance (lux)
0.53
0.8
300 (Studio)
N = (E x A) / (F x UF x MF)
N = (300 x 71.32) / (1450 x 1) x 0.53 x 0.8)
N = 21396/ 614.8
N = 35
Type Of Lighting Fixtures
Quantity
35
Colour - Neutral
Wattage Level 30W
Colour Temp. 6500
Luminous Flux Level - 1450
Lighting Conclusion
1) Gallery
The daylight factor for gallery is 2.8%. The standard number day lighting factor for gallery is 1%
which the room has exceeded 1.8%. The natural light must be control because the arts inside the
gallery must be preserved. Therefore, the room needed the usage of tinted glass and low e glass
followed by blinds and curtains which are necessary to reduce the sun glare as well as special
provision is needed to avoid any damage towards the paintings and display arts.
2) Office
The daylight factor for office is 3.2%. The day lighting factor standards for office is 2%. The room has
exceeded the limit for 1.2%. Therefore the usage of sun control device such as blind and curtain is a
must to reduce the sun glare.
3) Studio
The daylight factor for studio is 4.06%. The standard number day lighting factor for studio is 2%
which the room has exceeded 2%. The advantage of this number is that the room has more than
enough natural light for the day but it has disadvantage as well. The natural light must be control.
Therefore, the room needed the usage of tinted glass and low e glass followed by blinds and curtains
which are necessary to reduce the sun glare in relation to the human comfort of the room.
10
Component
Material
Function
Area , M2
Absorption
Coefficient, S
Sound Absorption,
SA
Ceiling
Concrete
Ceiling
120.12
0.02
2.4
Wall
1) Brick wall
109.2
0.02
2.18
2) Glass
Curtain Wall
107.2
0.04
4.28
Floor
1) Carpet
Flooring
120.12
0.06
7.21
Furniture
Paintings
Exhibition Item
64
0.25
16
Opening
1) Glass
Entrance Door
5.04
0.04
0.2
20
0.35
People
Total Absorption, A
39.27
=0.161V/A
= 0.161 x 480.48 / 39.27
Answer = 2s
The reverberation time for gallery space is 2s which is slightly more than the standard RT for gallery.
Necessary action such as putting acoustic absorber panels on walls should be done to reduce the RT
to match the standards.
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2) Office
Component
Material
Function
Area , M2
Absorption
Coefficient, S
Sound Absorption,
SA
40.851
0.02
0.816
93.2
0.02
1.864
32
0.04
1.28
40.851
0.06
2.451
Ceiling
Concrete
Ceiling
Wall
1)Concrete
1)Load Bearing
Wall
2) Glass
2) Glass Wall
Floor
Carpet
Flooring
Opening
Glass
Entrance Door
0.04
0.16
Furniture
1) Steel
Tables
23
0.22
5.06
2) Wood
Chairs
0.1
0.5
20
0.35
People
Total Absorption, A
19.131
=0.161V/A
= 0.161 x 163.2 / 19.131
Answer = 1.4s
The reverberation time for office space is 1.4s which is 0.4s more than it should be. Improvement
such as putting a gypsum ceiling and acoustic absorber might improve the RT of the space.
12
3) Studio
Component
Material
Function
Area , M2
Absorption
Coefficient, S
Sound Absorption,
SA
Ceiling
Concrete
Ceiling
71.32
0.02
1.426
Wall
1)Concrete
1)Load Bearing
Wall
93.2
0.02
1.864
2) Glass
2) Glass Wall
70.92
0.04
2.836
Floor
1) Carpet
Flooring
71.32
0.06
4.279
Openings
Glass
Openings
0.04
0.16
Furniture
1) Steel
Table
40
0.22
8.8
2) Wood
Chair
12
0.1
1.2
10
0.35
3.5
People
Total Absorption, A
T
24.065
=0.161V/A
= 0.161 x 285.28 / 24.065
Answer = 1.9s
The reverberation time for Studio space is 1.9s which is 0.9s more than the standards. Same as the
office space, improvement such as putting a gypsum ceiling and acoustic absorber might improve
the RT of the space.
13
Traffic Noise
82 = 10 log I / Iref
Antilog 8.2 = I / 1 x 10-12
I = 1.58 x 10-4
Activity Noise
68 = 10 log I / Iref
Antilog 6.8 = I / 1 x 10-12
I = 6.3 x 10-6
Combined Intensities
= 1.58 x 10-4 + 6.3 x 10-6
= 1.643 x 10-4
Combined SPL
Using SPL Formula
= 10 log I / Iref
= 10 log (1.643x10-4) / 1 x 10-12
= 82.2dB
14
Very Noisy
Noisy
Quiet
Very Quiet
Sources
Concert
120
Accelerating Vehicle
110
Pneumatic Hammer
100
Factory
90
Busy Street
Shouting
80
Busy Traffic
70
Department Store
60
Quiet Restaurant
50
40
Theatre
30
Leaves Rusting
20
Human Breathing
10
The combined noise for both activity is 82.2dB which is considered in Very Loud category. This
number shows that in every studied spaces, the number is not acceptable. Therefore, usage of
suitable material as the building envelope is a compulsory to reduce the noise from outside.
15
Materials
Surface Area,m2
Transmission on Coefficient
Sn X Tcn
Material
Brick wall
109.2
1.99 x 10^-6
2.17 x 10-4
Glass Wall
107.2
2.51 x 10^-4
2.69 x 10-2
Glass Door
5.04
2.51 x 10^-4
1.265 x 10-3
221.44
= 1.288 x 10-4
SRI= 10log10 X 1/T
= 10log10 X 1/ (1.288 x 10-4)
=38.9 dB
16
2) Office
Materials
Surface Area,m2
Transmission on Coefficient
Sn X Tcn
Material
Concrete wall
93.2
1.99 x 10^-6
1.85 x 10-4
Glass Wall
32
2.51 x 10^-4
8.032 x 10-3
Glass Door
2.51 x 10^-4
1.004 x 10-3
129.2
= 7.136 x 10-5
SRI= 10log10 X 1/T
= 10log10 X 1/ (7.136 x 10-5)
= 41.5 dB
17
3) Studio
Materials
Surface Area,m2
Transmission on Coefficient
Sn X Tcn
Material
Concrete wall
93.2
1.99 x 10^-6
1.855 x 10-4
Glass Wall
70.92
2.51 x 10^-4
1.78 x 10-2
Glass Door
2.51 x 10^-4
1.004x10-3
168.12
= 1.129 x10-4
SRI= 10log10 X 1/T
= 10log10 X 1/ (1.129 x10-4)
= 39.5 dB
18
Acoustic Conclusion
1) Gallery
Since the gallery needs to follow the standard noise level at least 50dB, the total SPL from outside
which is at 82.2dB should be reduce by the building envelope to total of 43.3dB ( SPL minus SRI
value). SRI value for Gallery envelope is 38.9 dB. According to the noise level table and the standard
noise level for rooms, 43.3dB is considered as quiet and it has already match the standard.
2) Office
SRI for office envelope is 41.5dB. Total noise level inside the office after noise from outside passes
through the building envelope is 40.7 dB which is also consider as quiet and has already match the
noise level standard for office.
3) Studio
Recommended noise level for studio is around 50 dB while the SRI for the envelope is 39.5dB.
Therefore, the noise level of the room after noise from outside passes through the building envelope
is 42.7dB. Which is suitable and match the standards.
19
References :
11.0 REFERENCES
1. Lighting Design Basics [Paperback] (2004) by Mark Karlen , James .R.Benya
2. www.veelite.com
3. http://www.sae.edu/reference_material/pages/Coefficient%20Chart.htm
4. Neufert Architects' Data, Third Edition [Paperback] (2002)
5. Energy Efficient Building Systems: green strategies for operation and maintenance by Dr.lal
jayamaha, (2006)
6. http://www.mjcladding.co.uk/brochure_2009.pdf
7. http://mfk.co.id/product/detail/90/Confectionery-Showcase-1200-mm
8. http://opticalinstructor.homestead.com/files/lightformulas.html
9. E. J. Evans and E. N. Bazley (revised 1978) Sound Absorbing Materials
10. http://www.ebay.com/itm/SIMONELLI-AURELIA-II-T3-SEMI-2-GROUP-COMMERCIALESPRESSOMACHINE-1-800-533-7214-/150803721728
11. http://www.lightsearch.com/resources/lightguides/formulas.html
12.http://www.buildingsystems.basf.com/p02/USWebInternet/buildingsystems/en_GB/function/conversi
ons:/publish/content/microsites/buildingsystems/Color_Cards/Final_Fan_Deck.pdf
13.http://www.osram.fr/osram_fr/Outils_et_services/Training_%26_Knowledge/Encyclopedia_of_Light/p
opups/pop_Illuminance_E_c.jsp
14. http://www.archdaily.com/550018/ramona-mm18-arquitetos/
15. http://www.archdaily.com/550018/ramona-mm18-arquitetos/53fb9541c07a80388e000808_ramonamm18-arquitetos_mm18_ramona_-8-jpg/
16. http://mapleintegration.com/sound_ab.php
17. http://www.osram.com/osram_com/products/lamps/halogen-lamps/osram-halopar/osram-
20
halopar-16-e14/index.jsp
18. http://www.fujitsugeneral.com/cassette_specs.htm#specs
19. http://www.archdaily.com/550018/ramona-mm18-arquitetos/53fb960cc07a80388e00080e_ramonamm18-arquitetos_mm18_ramona_-17-jpg/
20. F. Fahy (1985) Sound and structural vibration, Academic Press.
21. http://www.archdaily.com/550018/ramona-mm18-arquitetos/53fb9501c07a80c3840008bd_ramonamm18-arquitetos_mm18_ramona_-4-jpg/
22. http://www.sae.edu/reference_material/pages/STC%20Chart.htm
23. Heating, Cooling, Lighting: Design Methods for Architects [Hardcover] (2002)
24. http://www.cs.cdu.edu.au/homepages/jmitroy/sph244/Lecture06.pdf
25. Environmental Issues for Architecture [Hardcover] (2000) by David Lee Smith
26. http://www.stcratings.com/assemblies.html
27. All graphical data is produce and simulated in Ecotect 2011 by Autodesk
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