Revista Amateur Photographer (22/11/2014)

Saturday 22 November 2014
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ts
raphers have donated prin
Top photog
the NSPCC
to AP to raise money for
Passionate about photography since 1884
Britains best
landscapes
The LPOTY 2014 winning images,

and how they were made
Lytro Illum
New version of the camera
that lets you refocus after
youve taken the shot
Home
to roost
David Tipling shows

how to get the best
photos of ocking birds
Rise of the
drones
How photographers are taking to the

skies and creating a legal mineeld
PLUS More classic ads from the AP archives Olympus Pen E-PL7 budget CSC on test
Bag a free gift
Spend 50 or more on any Lowepro bag and

receive a free Joby 3-Way Camera Strap
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DRONES have been around for
many years, but 2014 will go
down as the year that they
broke out from their niche as
militarised tools of warfare and
surveillance to become
affordable toys for the masses. Photographers
and lmmakers have seized upon their potential
and are exploiting the many commercial
opportunities they open up. Even wedding
photographers are using them now. This surge of
In this issue
10 Landscape
Photographer
of the Year
A selection of images
from the 2014 Take a
view competition
19 Win a signed print

To celebrate our 130th
birthday and raise money
for the NSPCC, you could
win a signed print from your
favourite photographer
JOIN US
ONLINE amateurphotographer.co.uk
interest is due in no small part to the inexpensive

DJI Phantom, which can now be found on the
high street for the groundbreaking price of under
400 with an HD camera. But technology
moves a lot faster than the lawmakers; theres
now a huge grey area over the rules and etiquette
that need to be established, and concerns over
privacy and security that must be resolved. This
week we look at the issues involved in drone
photography, and talk to some of their advocates
(pages 24-27). Nigel Atherton, Editor
Like us on
Facebook.com/Amateur.
photographer.magazine
Join our Flickr group

at ickr.com/groups/
amateurphotographer
Follow us
on Twitter
@AP_Magazine
ONLINE PICTURE OF THE WEEK
20 Coming home
to roost
David Tipling on how best
to photograph ocks of
birds at this time of year
24 Game of drones
Chris Cheesman looks
at the rules, while Matt
Satell talks about his love
of drone photography
32 Keep calm and

carry on
Richard Sibley takes a
look at advertisements
published during the
Second World War
37 Evening class
Martin Evening sorts out
your photo-editing and
post-processing problems
45 Lytro Illum
Andy Westlake tries out a
camera that allows images
to be refocused after
shooting
51 Olympus
Pen E-PL7
Is the E-PL7s design
feature just a gimmick?
Jon Devo nds out
59 Win a Leica M
Collect your token for your
chance to win a Leica M
and 50mm lens
Regulars
3 7 days
17 Inbox
42 Accessories
55 Technical
Support
90 Final Analysis
DUNCAN HERRING
COVER PICTURE SVEN MUELLER, JOHN SWANNELL, BARRY LATEGAN, MARK BAUER
A week in photography
Web Spinners and Deer Stalkers

by Duncan Herring
Canon EOS 5D Mark III, 24-105mm, 1/25sec at f/8, ISO 125

I TOOK this photograph while shooting the
corner of my eye I saw the gure of another
annual deer rut at Bushy Park in south-west photographer strolling off after the deer. I
London, says Duncan Herring. Id arrived at
just had time to crouch down, frame the shot
the park for sunrise and had already been
and release the shutter.
following various stags around for an hour,
If you would like to be in with a chance of
trying to capture them in the magical golden seeing your image in our Online Picture of
light and heavy mist. I had previously noticed the Week, upload your favourite shots to our
the dew-laden webs. However, out of the
Flickr, Facebook or website gallery pages.
Send us your pictures
Win!
Each week
we will choose
our favourite
picture posted
on the AP Facebook and Flickr
communities and the AP forum.
The winner will receive a years
digital subscription to AP
worth 79.99.
If youd like to see your work published in Amateur Photographer, heres how to send us your images:
Email Email a selection of low-res images (up to 5MB of attachments in total) to appicturedesk@timeinc.com.
CD/DVD Send us a disc of high-resolution JPEG, TIFF or PSD images (at least 2480 pixels along its longest length), with a contact sheet, to the address on page 18.
Via our online communities Post your pictures into our Flickr group, Facebook page or the gallery on our website. See details above.
Transparencies/prints Well-packaged prints or slides (without glass mounts) should be sent by Special Delivery, with a return SAE, to the address on page 18.
NEWS ROUND-UP
The week in brief, edited by Chris Cheesman
Best online store

Camera retailer Wex
Photographic has won the title
best online shop in a survey of
more than 10,000 people by
Which?. Wex achieved a
customer score of 91%, beating
well-known brands such as John
Lewis, Amazon and Sainsburys
in the survey of nearly 100
retailers. Almost one in four
customers praised Wex for
its range of products.
First in space
A camera that was reportedly
the first Hasselblad in space in
1962 is due to go on sale at RR
Auction in Boston, US. Camera
enthusiast and astronaut Wally
Schirra bought the 500C at a
camera shop in Houston, Texas,
in 1962, complete with an 80mm
Zeiss Planar f/2.8 lens.
Over 350 previously unpublished

Victorian portraits by an
amateur photographer were due
to be auctioned in London as we
went to press. The photographs
were captured between 1858
and 1864 by Emma Johnston,
who auctioneers describe as
one of the lost figures of 19th
century photography. The
images were expected to
fetch 10,000-15,000.
Sharing milestone
The smartphone has overtaken the laptop as the main device used to
share photographs with friends and family, says a poll by
Futuresource Consulting. Facebook was the most popular way to
share photos via an app or
website, in the poll of 4,000
adults in the UK, USA,
France and Germany. In the
UK, WhatsApp was second.
Museum fears
Top jobs are at risk at the
National Media Museum (NMM).
The NMM said the Science
Museum Groups core funding
has been cut by more than 27%,
in real terms, since 2010. A
spokesman confirmed the
museum had begun consultation
with five staff members
affected by proposed changes to
the NMM Senior Management
Team and Film department.
4
ANTONIO OLMOS
EMMA JOHNSTON
History uncovered
WEEKEND PROJECT
Stick to one lens

Sometimes the best way
to inspire creativity is
through limitation. It
forces you to look at a
scene in a new light,
presents new challenges
and ultimately enhances
your ability to overcome
these obstacles.
A great example is
setting yourself the task
of choosing one lens
from your kit bag and
sticking to it for the entire
weekend. Selecting a
prime lens for this

project would be best, as
it will constrain you to a
single focal length. Wed
recommend using either
a 50mm for full-frame
users, or 35mm for APS-C
DSLRs, as these generally
provide a happy
medium between wide
and tele. Ultimately,
though, its your choice,
so select a lens that will
force you to rethink your
compositions.
Being limited to a single

focal length doesnt mean
you cant add variety to
your shots. Experiment with the
aperture setting to either isolate
a subject with a shallow depth
of field, or capture the whole
scene using a large f-number.
As a prime lens doesnt

offer the flexibility of
being able to zoom in
and out of a scene, its up to you
to physically move yourself
closer or further away from a
subject in order to gain the
correct composition.
22 November 2014 I www.amateurphotographer.co.uk I subscribe 0844 848 0848
BIG
picture
Antonio Olmos images of
Mexicos annual Day of
the Dead festival
You may recognise the name
Antonio Olmos. He is an
internationally renowned
documentary photographer
who has shot in areas such as
Afghanistan, Angola, Palestine and
Nicaragua. However, last month
Antonio returned to the land of
his birth for the rst project in the
Sony RX Celebrate the Streets
series. Mexicos Day of the Dead
festival is a spectacularly vibrant
and colourful festival that sees
people of all classes and
backgrounds come together to
honour their deceased loved ones
by lighting candles, incense and
decorating the graves. While it is of
course a time of sorrow, it is also
one marked by the joy and
celebration of life, and as a result is
becoming an increasingly popular
festival throughout the world.
Words & numbers
To consult the rules

of composition
before making a
picture is a little like
consulting the law
of gravitation before
going for a walk
One of the added

benefits of shooting with
a single prime lens is the
reduction in weight. Generally,
primes are lighter than zoom
lenses, meaning that youll most
likely find it less of a chore to
carry your camera about.
Edward Weston
TOM CALTON
Prime lenses offer a

much wider maximum
aperture than most
zooms, allowing you to shoot as
wide as f/1.8, f/1.4 or even f/1.2.
This provides a host of practical
advantages, particularly when
shooting in low light.
Try photographing
with one lens for
the entire weekend
subscribe 0844 848 0848 I www.amateurphotographer.co.uk I 22 November 2014
SOURCE: GADGET PROTECTION SPECIALISTS SQUARETRADE
American photographer
86%
UK smartphone users who have

tripped, stumbled or hit a
lamppost or wall when
distracted using a mobile
Yevgeny Khaldeis image

was altered to add more
smoke, creating extra
drama in the shot
ALL IMAGES, COURTESY BONHAMS
Store granted
coat of arms
Leica behind iconic war

pic set to fetch 1/4m
A LEICA camera believed to
have been used to take an iconic
photograph that marked the Allies
victory over Nazi Germany in the
Second World War is to be auctioned
on 29 November.
Yevgeny Khaldei captured the
famous image of Russian soldiers
hoisting the Soviet ag over the
Reichstag in Berlin, Germany, in
May 1945.
Khaldei used a Leica III, and
Bonhams will auction the camera in
Hong Kong where it is expected to
fetch at least 230,000.
Khaldei, who worked for Soviet
news agency TASS, restaged the
moment when Red Army ghters had
COURTESY, BONHAMS
Ukraine-born Yevgeny Khaldei
rst own the ag over

the Reichstag building
two days earlier, before
the Germans dislodged
them. The soldiers in
Khaldeis photograph
are not the original men
and the image has been
altered to add more
smoke, adds Bonhams.
Jon Baddeley, head of
scientic instruments at
Bonhams, said: It is a great
privilege to be selling a camera with
such evocative associations.
Raising a ag over the Reichstag is
a dening image of victory over evil
that affected people deeply at the
time and has continued to resonate.
The image (above) became one of
the most reproduced in the world,
its signicance compared to Joe
Rosenthals image Raising the Flag
on Iwo Jima.
Khaldei was familiar with the image
and knew that a similarly important
photograph could be created in the
ruins of Berlin, wrote David Clark
in a feature for AP in 2012.
However, the Red Army had no
The Leica III is expected to fetch

230,000-340,000 at auction
ags of a suitable size to make an

impact in a photograph, so, as the
battle continued, Khaldei returned
to Moscow to look for some. In the
end, he improvised by borrowing
three red tablecloths.
To transform the tablecloths into
ags, Khaldeis uncle, a tailor, sewed
the Soviet hammer, sickle and star
onto the material.
Khaldei ew back to Berlin and
photographed the ags after placing
them around the city. One was saved
for the Reichstag building.
LONDON Nikon dealer

Grays of Westminster
has been granted a coat of
arms, stating it is the rst
camera shop in the world
to be awarded the honour.
Grays of Westminster
boasts more 47,000
customers worldwide.
Its clients include Lord
Snowdon and the actor
David Suchet.
The store wanted a coat
of arms that would visually
identify its role in the
photographic industry.
A lion depicts the
stores founder Gray Levett
amicably communing with
the [national] bird of Japan,
the green pheasant.
There are no xed
criteria of eligibility for
a grant of arms.
A fee of 16,400 is
payable once a grant of
arms and crest are awarded
to a commercial company.
Subscribe to
SAVE
43%
*
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direct.com/CDG4
* when you pay by UK Direct Debit
David Seymour
(left), with Robert
Capa (centre), 1947
Get up & go
The most interesting things to see, to do
and to shoot this week. By Jon Stapley
MAGNUM COLLECTION/MAGNUM PHOTOS
STEVE MCCURRY, COURTESY OF BEETLES+HUXLEY AND OSBORNE SAMUEL
LONDON
Magnum story to be
turned into TV drama
hand and private lives
often in turmoil, Magnums
photographers sacriced
everything to capture
history through the lens.
Magnum will tell of the
human stories of love,
honour, laughter, betrayal
and heartbreak that
existed at the agencys
Paris HQ, while capturing
the action and danger
the photographers
experienced travelling
the worlds hotspots
in the second half of
the 20th century.
Gareth Neame,
managing director of
Carnival Films, added: We
can get right inside the key
events of the second half
of the 20th century
through the lives and
lenses of these
photographers in a
bold and completely
original way.
A Magnum UK
spokesman said the
project is still in the very
early stages. It is due to air
in 2017, but the agency
does not yet have
conrmation on which TV
channel it will be screened.
Jessops opens new fagship store
20 November-23 December
www.beetlesandhuxley.com, www.osbornesamuel.com
FIFE
VARIOUS
Calumet Open Days Coastline

Calumet is inviting
photographers to its locations
around the country. Get a free
sensor clean, enter a draw to
win a Canon PowerShot G7 X
or learn something at a mini
seminar. See the website for
dates and location details.
Every Thursday until 4 December
www.calphoto.co.uk/opendays
The St Andrews Photographers

presents an exhibition on the
Fife and Angus coastline in a
variety of photographic styles.
This week is your last chance
to support the club.
Until 29 November
sites.google.com/site/
thestandrewsphotographers
www.scotfishmuseum.org
Snap a Christmas cover shot

The deadline is fast approaching to have your
image featured on the cover of Amateur
Photographers Christmas issue! We want an
image that typifies the season, something
stunning and eye-catching that avoids the
EVERYWHERE old clichs. See our site for details.
Until 30 November, www.amateurphotographer.co.uk/competitions/
christmas-cover-competition-cover-star
COURTESY OF HILLA BECHER
JESSOPS has opened its nextgeneration agship store, at a

shopping centre in Reading, Berkshire.
The two-level store includes a Jessops
Academy training room, offering a variety
of photography courses, plus a gallery.
Jessops chief operating ofcer Neil
Old claimed: With its innovative design
and state-of-the-art equipment,
coupled with services such as printing,
camera trade-in, equipment rental
and a wide range of photography
courses all delivered by our expert,
friendly staff we are able to offer
everything our customers could possibly
need, in a completely unique and
exciting environment.
This collaboration between two galleries offers an exhibition that

charts photographys history from the 19th century to the present
day. Cartier-Bresson, Lange, Horst, Evans, Beaton, Brassa, Brandt,
Abbott, Bourke White and new unseen shots by the recently
discovered Vivian Maier what more could you want?
NICOLA SHEPHERD, LRPS, AFIAP
A TV SERIES
dramatising the
life and work of the
photographers who
launched Magnum
Photos in 1947 is being
developed by Carnival
Films, producer of
Downton Abbey.
The series, to be called
Magnum, is set to focus
on the agencys founders
Robert Capa, Henri
Cartier-Bresson, George
Rodger and David Chim
Seymour.
On its website, Magnum
says: With cameras in
The Photographers 2014
Constructing Worlds
The shop, at the Oracle shopping centre, is
the 31st Jessops store under new ownership
For the latest news visit www.amateurphotographer.co.uk

Eighteen photographers are brought

together to show off architecture
from around the world at the Barbican.
Skyscrapers in New York, halfconstructed bridges in China and
collapsed former-Soviet palaces in
Kabul are just some of whats on offer.
Until 11 January 2015, www.barbican.org.uk
LONDON
Viewpoint
Tony Kemplen
New Books
The latest and best books from the world
of photography. By Oliver Atwell
BOTH PICTURES TONY KEMPLEN
n AP 7 June, I wrote about the

Minolta Vectis S-100 a fully
featured SLR that uses the now
obsolete APS lm format. I lamented
the fact that with a dwindling supply of now
expired lm, any APS cameras in my
collection were unlikely to get an outing. So
it was a pleasant surprise to nd a package
containing 15 unused APS lms handed to
me by the postman. An AP reader had seen
my column and sent them to me.
The Minolta was one of the most
sophisticated APS models, so I decided to
go to the other end of the range. The
Fujilm Nexia Q1 (below) is a shiny silver
disc with a built-in cord, and as I hung it
round my neck I felt like a 1980s medallion
man. In fact, that may even have been
Fujilms intention. It seems to have been
marketed as much as a fashion accessory
as a photographic tool the perfect party
camera, with the built-in ash guaranteed
to capture the moment with the minimum
of fuss, and perhaps with the added delight
on the subjects faces as they marvelled at
your cutting-edge good taste. In the words
of the manufacturer, the Q1 is the ultimate
marriage of style and function.
One of the main selling points of the APS
system was its simplicity, as you simply
dropped the cassette into the camera, and
started shooting. The Nexia Q1 has no
confusing knobs or dials, just the on-off
switch and the shutter release. The 22mm
lens (which equates to around 35mm in
full-frame 35mm terms) is a useful length
for social occasions, and according to the
manual, the autofocus works from 0.6m to
Marching to the
Freedom Dream
By Dan Budnik, Trolley Books, 50, hardback,
300 pages, ISBN 978-1-90711-247-8
Tonys photograph of the gold statue taken at
Londons Barbican centre with the Nexia Q1
innity. I must confess that I was sceptical

about whether there really was any
focusing involved, or whether those two
dark windows either side of the viewnder
were purely decorative, to suggest a
sophistication that didnt actually exist. This
is a trick Ive seen on a number of cheap
cameras, but my negatives were nice and
sharp at both extremes, although the xed
aperture of f/8 would give plenty of depth
of eld to play with.
The camera is low-tech, and so was my
approach to processing the lm. While APS
processing is still available commercially, I
prefer to do my own. APS was never
intended as a hobbyist format, and Im not
aware of any home darkroom equipment
that was made for it. I therefore modied
an old Patterson spiral to develop the lm,
then, in the absence of a dedicated APS
negative holder, simply laid the lm on my
scanner bed and weighted it down with
some glass microscope slides.
I didnt go to any parties, but I was able to
try out the ash in one of the gloomy nooks
and crannies of Londons Barbican Centre,
where it occurred to me that the gold
statue (above) wouldnt look out of place in
medallion mans tasteful bachelor pad!
Tony Kemplens love of photography began as a teenager

and ever since he has been collecting cameras with
a view to testing as many as he can. You can follow
his progress on his 52 Cameras blog at 52cameras.
blogspot.co.uk. You can also see more photos from the
Fujilm Nexia Q1 at www.ickr.com/tony_kemplen/
sets/72157645032691410
Do you have something youd like to get off your chest? Send us your thoughts in around 500 words
to the address on page 22 and win a years digital subscription to AP, worth 79.99
DAN BUDNIK
When Tony Kemplen resolved to use a

diferent flm camera each week, he found a
treasure trove of lost gems. Here he looks at
the Fujiflm Nexia Q1
THIS book has been a long time

coming. Marching to the Freedom
Dream was the result of a
Kickstarter campaign back in
2013. The project smashed the
ceiling of its intended monetary
goal and managed to raise over
5,000 more than was needed.
Its not difcult to see why. Dan Budniks historic
photographs cover the seminal marches of the Civil
Rights Movement from 1958-1965 and the book is
being published to coincide with the 50th anniversary
of the momentous passing of the Civil Rights Act.
Luckily, Budniks images were recently rediscovered by
Time magazine and it soon became clear that the
photographer was perhaps one of Americas best-kept
secrets. Everything you would want to see is here: the
people, the places and the speeches. It was an
incredible time and it is now preserved within this set of
remarkable images. This is a beautifully produced
volume and a more than worthy purchase.
The Epilogue
By Laia Abril, Dewi Lewis, 35, hardback,
172 pages, ISBN 978-1-90789-354-4
LAIA Abrils book tells a tale that is
at once simple yet deeply moving.
The Epilogue is the story of the
Robinson family and how they cope
in the aftermath of losing their
26-year-old daughter to bulimia.
Abril, in collaboration with art
director Ramon Pez, reconstructs
the life of the deceased, Cammy
Robinson. Here we see ashbacks in the form of
memories, testimonies, objects, letters, places and
images. Moving through the volume, we get a sense of
how a family deals with grief and guilt, all of which are a
result of a dark and modern ghost. Beneath all this we
nd not just a story about one girls family. Instead, we
discover a story that has affected countless individuals
and families throughout the world.
COMPETITION
10
TAKE A VIEW LANDSCAPE PHOTOGRAPHER OF THE YEAR 2014
Breathtaking
beauty
With competition as strong as ever,

the winners of Take a view Landscape
Photographer of the Year 2014 have
been announced. Here are our favourites
ake a view Landscape

Photographer of the Year,
one of the most eagerly
anticipated competitions,
returns for its eighth year. It is a
major event in any photographers
diary, especially as its such an
accessible subject that everyone
can capture and interpret in
their own way.
Each year, the prestigious
competition receives a staggering
number of entries from amateurs
and professionals around the
world, celebrating the stunning
and varied landscape of the
British Isles. Its then left to the
judges (including AP Editor

Nigel Atherton) to pore over the
submitted images and pick those
that really stand out and inspire.
This year also sees the awards
being held in association with
VisitBritain and its Countryside
is GREAT campaign that
aims to get the world thinking
differently about Britain so it is
seen as a vibrant, inspiring and
innovative place to visit. And as
you can see from our selection, the
photographs clearly highlight this.
All the fnalists can be seen at
the Awards exhibition turn to
page 15 for more information.
The Arts Tower,

Sheffield,
Yorkshire
Daniel Cook
Winner Adult
Urban View
To capture the tallest

university building in
England, Daniel took this
shot from the public park
and duck pond that sits
at the base of the tower.
While walking around
the area, he noticed the
position of the small, bare
tree contrasting with the
light wall created by the
building in the foreground,
and used that to convey
the clinical feel of the
towers architecture.
daniel cook
A Beginning and
an End, Glencoe,
Scotland
Mark Littlejohn
Landscape
Photographer
of the Year 2014
subscribe 0844 848 0848
MaRk liTTleJoHn
To capture his winning shot,

Mark got up 1.30am to drive to
Glencoe. Following torrential
rain, water levels were the
highest hed ever seen. It was
while wandering around looking
for gaps in the weather that
Mark spotted this stream
forming on Gearr Aonach. When
the light became more diffuse,
he took a quick handheld shot
due to the sideways rain, raising
the ISO to 800 and opting for a
relatively large aperture of f/5.6.
After a cold, clear

night in January,
Harvey knew the conditions
were going to be ideal for
temperature inversions that
morning over the Wye and
Severn rivers. At Lancaut,
the meander in the Wye and
the surrounding cliffs act as
a natural bowl, where the
cold air collects and mist
forms. While the viewpoint
from Wyndcliff is in
Monmouthshire, the view is
across into Gloucestershire,
with the Wye forming the
border between England
and Wales.
TiM HARRiS
HARVEY LLOYD-THOMAS
Lancaut
Peninsula,
Wye Valley
Harvey
Lloyd-Thomas
Highly
commended
Adult Your View
Two Hundred and Six Beach Huts,

Norfolk Tim Harris
Runner-up Adult Your View
Tim wanted to show the diversity of the individual
styles of huts along the coast at Wells-next-the-Sea,
so working along the line of huts one by one, he took more
than 200 shots to create this fnal composite image.
Fred n Sue, Brighton, East Sussex

Jo Teasdale
Winner Adult Living the View
Captured during a blizzard on the Hove Lawns
seafront in Brighton, Jo captured this image of Sue
trying to make her way home in the snow, but Fred was
only interested in having a social with his friends.
jO TEASDALE
Last of the evening light on Durdle

Door, Jurassic Coast, Dorset
Jake Pike Winner Youth Classic View
In this shot, Jake waited for the late evening sun to

shine on the natural archway, while electing to include
the coastal path to add some perspective to the image.
The long exposure allowed him to show some movement
in the clouds and to smooth out the sea.
www.amateurphotographer.co.uk I subscribe 0844 848 0848
jake pike
Derwentwater Refections,
Cumbria Ross Hoddinott
Highly commended
Adult Classic View
Bright Eyes Hope Valley from

the Great Ridge, Derbyshire
Dave Fieldhouse
Winner Adult Classic View
Dave had this shot in mind as he left the house
at 3.30am, and as he watched the sun rise
over Mam Tor he followed the path towards Hollins
Cross. After fring a shot and being happy with his
image, Dave started to enjoy his fask of hot coffee
before noticing he wasnt alone in enjoying the view,
quickly shooting a second photograph to include his
new friend.
This is a favourite part of Ullswater for Mark,

thanks to the two trees giving it a lovely
balance. While the forecast for the July morning
was great, Mark wasnt able to get down there until
a few hours after dawn. However, his timing turned
out to be perfect. With the mist rising fast, it was a
question of jumping in the car to chase the shot,
and minutes later the atmosphere was gone.
MARK LITTLEJOHN
DAVE FIELDHOUSE
Wall Holm Island,

Ullswater, Cumbria
Mark Littlejohn Highly
commended Adult Classic View
14
ROSS HODDINOTT
An early start on a still October morning

rewarded Ross with this shot. Although
overcast, there was just enough light play on Catbells
in the Lake District to give added life and depth to
Rosss composition, while the fooded gate naturally
lends itself to being included as foreground interest.
The shot is a single frame, as Ross envisaged
cropping the photo to a more panoramic ratio.
Bowdown Berries,
Newbury,
Berkshire
Robert Oliver
Winner Adult
Your View
The Take a view Landscape

Photographer of the Year exhibition
can be seen on the Mezzanine level
of London Waterloo station from 1
December 2014 until 31 January 2015.
Admission is free. The accompanying
Awards book, Landscape
Photographer of the Year: Collection
8 (AA Publishing), is available now,
price 25. The Awards are held in
association with VisitBritain and the
Countryside is GReAT campaign.
subscribe 0844 848 0848
ROBeRT OLIVeR
Rob had walked past

this spot in his local
woods on numerous
occasions and had never
given it a second look, but
the dank and misty morning
turned it into a different and
unfamiliar world. The
subdued colour palette of
the lichens, mist and some
dew-laden spiders webs,
together with the vibrant
red berries, attracted Robs
attention this time.
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E
D
Do you use the camera on your phone

for proper photography?
You answered
Film fans views

I was interested to read David Chalwoods
letter in AP 25 October and understand his
sentiments. There is nothing around these
days for us lm fans. On the other hand, I can
appreciate the views expressed by the editor.
Although we are in a minority, I feel that this
minority is a large one. I wonder if there
would be any scope for a supplement or
sister publication to AP just for us?
Peter Flowers letter in the same issue was
also of interest. How much innovation is
really needed? Perhaps not by the top-level
professional photographers but us amateurs?
Which brings me to Dave Kai Pipers
Viewpoint column. How many of us consider
what we need before we part with our
money. Walking around London, I am
amazed at the weight around peoples
necks. In the 1950s, I spent
A Yes, Ive taken some images that Im proud

of using my camera phone
B Sometimes, though Ive never taken anything
decent on a camera phone
C No, I use my phone for snaps, but I save proper
photography for my camera
D No, I dont use the camera on my mobile
phone at all
E No, I dont own a camera phone
many happy years with a Halina 35X before

investing in a Praktica SLR in the 70s. I now
enjoy my Leica IIIc (bought in 2013). Is this
because it does everything I want it to?
Finally, well done Roger Hicks on another
thought-provoking Final Analysis on Ralph
Morses picture of Goering and Dr Stahmer.
Although not a digital person, I still enjoy
AP tremendously. Keep up the good work.
Ted Hart, London SE2
41%
20%
12%
This week we ask
With ultra-fast performance, the new Samsung 16GB EVO SD card,

Class 10, Grade 1, offers up to 48MB/sec
transfer speed and has a ten-year
warranty. www.samsung.com
A quick visit to Dave

Akermans website (www.
daveakerman.com) shows
that he abides by the
guidelines of the United
Kingdom High Altitude
Society (www.ukhas.org.uk),
which states: Permission in
the UK to launch balloons
needs to come from the
CAA (Civil Aviation
Authority). For more details,
see www.caa.co.uk.
4%
The camera thats with you is the important one and

my phone is always with me
I voted that I use my phone camera for snaps, but in
the past I turned one of those snaps into a proper
photograph that did well for me in a club competition
I dont know how often I have complained that I didnt
have a camera with me when a photo oppportunity
came up unexpectedly, totally forgetting that the
phone in my pocket has a camera (that I never use)
It depends what photography means to

you. For some, image quality is king. For
others, it is the content of the image that
is important. Some of my favourite images
have been taken on my iPhone. It is the
memory of a moment that means more
to me than 100 shots of a landscape at
sunrise Richard Sibley, deputy editor
remote, but the chance of

serious damage is well within
the realms of possibility.
I therefore see the
escapades of Dave Akerman
as rather silly, with ngers
crossed that nothing untoward
will occur. Moreover, I see the
desire of AP to write such an
article as uncaring and
irresponsible. There is no
mention of the dangers that
might ensue, nor the possible
criminal and nancial
implications if it all goes wrong.
DMA Smith, Cheshire
23%
What you said
Would you like to try drone

photography if you had the chance?
Vote online www.amateurphotographer.co.uk
DAVE AKERMAN
I have subscribed to AP for

many years and recently
retired after ying
commercially for 36 years, so
your article Up, up and away
in AP 25 October caught my
interest. First, from a hobby
point of view, Dave Akermans
images were unspectacular.
We have all seen far better
photographs since we rst
ventured into space. Second,
from a professional point of
view, those who wish to enjoy
this form of photography
should understand the serious
dangers and possible nancial
downside to their fascination.
Sending up objects to pollute
the levels at which commercial
aircraft operate can only be
seen as irresponsible. I shouldnt
need to mention the obvious
dangers posed to the machines
with which they may come into
contact and also, therefore, the
humans that sit within them.
The chance of causing a fatal
crash to an airliner is quite
In AP 1 November, we asked
LETTER OF THE WEEK
Serious dangers
COMPETITION
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Write to Inbox, Amateur Photographer, Time Inc. (UK), Blue Fin Building, 110 Southwark Street, London SE1 0SU
Win!
Guess the date
Visit www.daveakerman.com for

advice about launching balloons
We should have made

some of these details clearer
when we published the
article, and we would
certainly not recommend
that any readers undertake
any aerial photography with
weather balloons without
someone experienced to
guide them Richard Sibley,
deputy editor
Dave Akerman adds: All
my launches have explicit
permission from the
CAA, which issues a
Every week we post an old AP cover on

Win!
our Facebook page and all you have to do
is guess the issue date (day/month/year). The person
who is closest to the exact date wins a years digital
subscription to AP, worth 79.99. To guess the date of
this cover (above), head over to www.facebook.com/
Amateur.photographer.magazine. Forum members
can also enter via the Forum.
The 1 November issues cover was from
7 September 1985. The winner is Gary
Costello from Manchester, who was closest
with a guess of 3 September 1985.
17
NOTAM (NOtice To
AirMen) so that pilots
know to avoid the area
during the launch window.
I commonly get phone
calls about my launches,
from pilots who see the
NOTAM and want more
details. Usually Ill request
permission for a period of
several hours (in case I need
to wait for rain to stop or
wind to settle, or have any
technical issues). So my
NOTAM might be for, say,
10am-4pm, and a pilot will
call to ask what time I
actually expect to launch, in
case they can still y through
the area. NOTAMs are, by
the way, issued for various
reasons rework displays,
parachute jumps, model
aircraft ying and tethered
balloons, for example. Pilots
have to know about and
check these things.
Unrealistic goals
Michael Nichols has taken

some astounding pictures for
National Geographic magazine
over the years and is without
doubt an artist at his zenith.
However, while his winning
entry in the Wildlife
Photographer of the Year (AP
8 November) is a laudable
chef-doeuvre, I cannot help
thinking that the standard he
has set creates an unrealistic
goal for those of us who aspire
MICHAEL NICK NICHOLS/WILDLIFE PHOTOGRAPHER OF THE YEAR 2014
INBOX
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Advertising
Michael Nichols winning Wildlife Photographer of the Year image
to emulate or compete with his

creations. A quick glance at his
bio and list of equipment
reveals he has no fewer than
21 Canon lenses with a
combined price tag of
35,000! Plus a number of
Canon camera bodies,
including the two top-of-therange models just those two
alone have a price tag of over
6,000! The competition was
open to all and there were
40,000 entries. Are some
competitions unfair? You be
the judge!
Allan Jones, Devon
Despite having all the
equipment in the world, you
can only use one camera and
lens at a time. If you look
through some of the other
cameras used by the nalists,
Nikon D300, D300S and
D7000 cameras are all
listed, as is a Canon EOS
600D all of which are
enthusiast DSLRs, and none
of them current.
I feel that it is the
opportunity to capture some
of the magnicent images
that gives some of these
professional photographers
a great advantage Richard
Sibley, deputy editor
Truly awesome!
Ivor Matanles third article

Cameras at War (AP 8
November) was truly awesome!
We have all read and watched
much about the Great War this
year, yet I learned so much new
information from these pages.
We know what happened,
but through the lens (sorry) of
Ivor, we gain a great insight into
why events happened. And no
one to my knowledge has
previously identied the pivotal
role of photography in shaping
the conict.
The article was a brilliant
insight and written in such
accessible style thank you.
John Kirkham, Kent
In next weeks issue On sale Tuesday 25 November
Email mark.rankine@timeinc.com
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Mark Jacobs
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Special thanks to The moderators of the AP website Andrew

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How to use light to add

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18
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o celebrate APs 130th birthday, weve teamed up

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19
Technique
RoosTing biRds
David Tipling
David is one of the most widely published wildlife
photographers in the world. His pictures appear on hundreds of
book and magazine covers, and have been used in various other
ways, from wine labels to being projected in new Yorks times
square. www.davidtipling.com
Coming home to
roost
With millions of birds gathering
across the UK, David Tipling looks at
the photographic potential on ofer
bove towns and cities

this winter, starling
focks will twist
and pulse like giant
amoebas in the sky. At Terminal
5 of Londons Heathrow
Airport, as people scurry across
departure halls and up and
down escalators, outside in the
gathering gloom, pied wagtails
will descend in their hundreds
to a few dimly lit trees below
a multi-storey car park. In
contrast, on wild windswept
coasts, geese in their thousands
will fll the sky as they arrive at
their safe overnight roost sites.
These are just a few examples
of avian gatherings that serve
up great photography. The
spectacle is the fock and, as
focks can be vast, a short focal

length lens can often be more
use than a telephoto. When
half a million starlings are
murmurating above Gretna
Green in Dumfries and
Galloway on a December
evening, a short zoom such
as a 24-70mm lens is ideal to
capture their twists and turns,
and ensures the whole fock is
included in the shot. The shorter
lens will allow the urban or wild
environment to be very much
part of the picture, too.
It is best to arrive well before
the birds to scout out roosting
locations. Once a roost starts
forming, action can be fast and
sometimes feeting. There
is no substitute for
all pictures DaviD tipling
Pied wagtails
roost in trees
outside Terminal 5
at Londons
Heathrow Airport
20
Starlings arriving to roost

at the Palace Pier in
Brighton, East Sussex, on
a cold winters evening
Red knots at high tide

roost on Snettisham
pits along the Wash in
north Norfolk
DaviDs top tips

Depth of feld
Creative blur
Using a wide depth of feld

when photographing a
large fock will enhance a
feeling of depth to your
image. Conversely, a
shallow depth of feld can
help to single out individuals
or small groups of birds
when used in conjunction
with a long lens.
Using a slow shutter speed

of 1/15sec or less can
create pleasing blurs when
photographing restless
knots or when big focks
are on the move.
Go wide
At many roosting sites, a
wideangle lens can allow
the landscape whether
wild or urban to become
an integral part of the
image, resulting in a
dramatic photograph.
Research
Scour the internet and bird
forums for up-to-theminute information on
roosts. Many new locations,
in addition to annual sites,
pop up each winter, and you
may fnd that a spectacular
roost is occurring close to
where you live. Bird forums
can offer plenty of useful
information.
21
Technique
ROOSTING BIRDS
About a million starlings
arrive to roost and create
a murmuration at Rigg,
Dumfries and Galloway
Location guide
Starlings
Starlings arriving at roost in a car park in Gretna, Dumfries and Galloway
experience, and I nd that

I need one or two visits to
work out the best spots from
which to shoot. The exception
to this is when photographing
murmurating starlings. When
birds of prey are actively
hunting, these displays can
be spectacular. There will,
however, be evenings when the
birds y in and little happens,
so visiting over a number of
nights will pay dividends.
Spectacular roosts are not
conned to our towns and
cities. Wild geese, and in
particular pink-footed and
barnacle geese, roost in their
thousands at traditional sites
around the country. Geese can
be photographed both going to
roost in the evening and when
they leave to feed at dawn. It is
those dawn departures that
often present the best
opportunities, as they may leave
en masse, lling the sky.
However, one group of birds
that roost during the day are
22
knots. They respond not to

night and day, but to the tides,
and are a favourite with
photographers. Once the tide
has covered the mudats on
which these birds feed, head for
higher ground and look for
rivers of knots moving restlessly
throughout the ock. Try using
a slow shutter speed to create
beautiful blurs to give a real
sense of motion.
Both waders and geese are
very susceptible to disturbance,
so never venture away from
paths to approach a roost. Not
only will you leave without
photos, but you will also be very
unpopular with others hoping
to enjoy the spectacle.
The beauty of roosting bird
photography is that even the
shortest of lenses can be utilised,
and while often overlooked, bird
roosts in Britain can offer some
world-class wildlife
photography. If you take the
time to look, theres sure to
be a roost near you.
Photographing murmurating
starlings has become popular with
photographers in recent years.
Some starling roosts may occur
at a particular site one winter,
but move the next. However,
there are a few very reliable
roosts around the country. Peak
times for photographing starling
roosts are from early November
through to early February, and
you need to arrive at least an
hour before sunset.
Gretna in Dumfries and
Galloway hosts a spectacular roost
that has numbered in excess of
one million birds. In recent years
bird numbers have dropped, but it
is still an impressive sight. This
roost tends to move location each
winter, but is normally within one
or two miles of Gretna. You may
need to check the internet or
spend an evening scouting out the
current location.
Brighton Pier in East Sussex
once attracted a roost in excess
of 20,000 birds. There has been
a steady decline in recent years,
so expect fewer birds, although
they will still put on a show.
Aberystwyth Pier in
Ceredigion can be a great
location for shooting ocks of
starlings against the pier and
the setting sun.
Ham Wall RSPB Reserve on the
Somerset Levels accommodates
a roost in excess of a million birds
each winter.
Other notable locations around
Britain include the Leighton
Moss RSPB Reserve in
Lancashire and Snape, near
Aldeburgh in Suffolk.
Pied wagtails
Pied wagtails ock to town

centres and supermarket car
parks to roost in winter, as these
sites are always a degree or two
warmer than the countryside.
Trees with Christmas lights are
often a favourite. Top sites include
the trees lying in the quadrangle
between the multi-storey car
park and Terminal 5 at Londons
Heathrow Airport.
In Tunbridge Wells, Kent, a
roost of a few hundred birds favour
the trees in the paved shopping
area at Royal Victoria Place. Many
other towns and cities host pied
wagtail roosts, so its worth
searching the internet to nd
information on a roost near you.
Geese
Pink-footed geese roost at a

number of locations around the
north Norfolk coast, including the
Wash at Snettisham. View them
from the sea wall at Snettisham
RSPB reserve.
On the Solway in Dumfries
and Galloway, close to 40,000
barnacle geese lift off at dawn
with many heading over to the
Wildfowl and Wetlands Trust
reserve at Caerlaverock to
graze. This is a great site, not
just for photographing geese,
but also for ducks and especially
whooper swans.
Waders
Wader roosts are dependent on

the tide and at some sites only the
highest tides of the year offer
good photography. The Wash at
Snettisham RSPB Reserve in
Norfolk is a popular location.
DRONE PHOTOGRAPHY
A Panasonic Lumix DMC-GH4

attached to a DJI drone, for
professional aerial photography
and cinematography
Game
drones
of
Drones may conjure up images of spies in the sky,

military air strikes or Amazon testing them to deliver
shopping to customers, but what are the rules for
photographers looking to make use of this developing
technology? Chris Cheesman explains
24
rones are
big news
right now. The
sprightly, unmanned
devices have been used for many
things, such as ferrying wedding
rings to happy couples during
the ceremony and could
one day be called upon to deliver
pizzas to guests at the reception
afterwards, if required.
Business is brisk, for one
manufacturer at least. This is not
surprising, perhaps, when you
can pick up a basic AA batterypowered model for less than 350,
with a GoPro camera mount, plus
spare propellers.
Photographic drone maker DJI
Innovations says its sales have
grown as much as ve times
year-on-year since 2009. Customers
include the BBC, which used one
of its Hexacopter models to garner
footage of Brazil ahead of the World
Cup, explains DJI spokesman
Michael Perry, adding that
enthusiasts make up roughly
half of DJIs market.
So, what are the rules on drone
operation, and can anyone use them?
Taken in the
skies above Bali
Barat National
COMPETITION
Park, Indonesia
The thorny issue

of privacy
Rules for hobbyists

Photographers who plan to use a
small unmanned aircraft (20kg or
less) for commercial purposes
require permission from the Civil
Aviation Authority (CAA). However,
enthusiasts dont actually need CAA
permission, unless they plan to y a
drone close to people or objects.
Specically, states the CAA, this
means ight over or within 150m of
any congested area, over or within
150m of an organised open-air
assembly of more than 1,000
persons, or ight within 50m of any
person, vessel, vehicle or structure
not under the control of the pilot.
It should be noted that ights
are also restricted to 400ft above
surface-level, unless appropriate air
The Information
Commissioners Ofce
(ICO) treats photos as
data, but domestic use of
drone-captured images is
completely exempt from
the Data Protection Act.
Journalism, literature and
art are also exempt, under
Section 32 of the 1998 legislation. The
ICO the UKs privacy watchdog
says that, unless exempt, drone users
must comply with the Act if the
images are for business use and the
people pictured are identiable.
However, where a photography
business becomes art and
therefore exempt from the Act
is unclear. Asked at which point
photography becomes art, an
ICO spokesman told AP: We cant
comment on hypothetical situations.
It is ultimately down to the owner of
the organisation to comply with the
law and determine if [the photos]
have artistic merit.
Drone use is covered by the CCTV
Code of Practice. The regulator
says it deals with each on a
CAPUNGAERO
wedding (not commercially), would

require CAA approval because this is
a larger group and it is unlikely all
the guests would be under the pilots
control. Its down to peoples common
sense, adds the CAA spokesman.
View from above

Eric Dupin is the founder of
the website Dronestagram,
a site that aims to build a
birds-eye-view of the world
What led you to set up Dronestagram?

Last year, I attended a conference trip in St Petersburg
in Russia. At the end of the event, we had a group
picture. A drone came up from the sky, hovered over
the eld near the group, and took pictures and videos
for the event website. I asked myself, Where can I see
the pictures? Is there a platform that gathers pictures
made with drones? The answer was no and the idea
was born! I decided to create Dronestagram.
What makes drone photography so different

from other forms of aerial photography?
It is a kind of new visual language, a birds-eye view,
something weve never seen before. We had satellite
view, airplane view and Street View. Now theres a new
layer: the drone view. Its more spectacular, and closer
to the ground and to the landscapes.
Why is there such concern about drones?
Provided users adhere to the distance guidance,

drones weighing 20kg or less can be used for
personal use without CAA approval. However,
they must be fown within visual line of sight
People are always worried about their privacy. It was

the same when camera phones arrived on the market.
But people will soon realise the positive things that
drones can bring to them, such as stunning aerial
views, helping to nd lost people, and even saving lives
by bringing medicines in some emergency cases.
trafc control unit permission is

obtained. Provided users
adhere to the distance
guidance (outlined above),
drones weighing 20kg or
less can be used for
personal use without CAA
approval. However, they
must be own within
visual line of sight [of the
pilot] and well away from
people, property and
congested areas.
That said, if you plan to
use one privately, with a
few friends on public
parkland, for example,
then you shouldnt need
permission, provided the
people are in your control,
according to a CAA
spokesman. However, this appears
to be a grey area, as the CAA
suggests that using one to shoot a
Do you think the strict laws and regulations

surrounding drones are necessary or an
overreaction?
In certain countries like Spain, where they banned
drones, it is clearly an overreaction and a denial of
democracy. For the rest of us, we need clever
regulations for the good of everyone.
What drone models/cameras do you use for your

own work and why?
POST AND FLY
I mainly use a DJI Phantom with an on-board GoPro

3 camera for aerial shots. And for fun and immersive
ights, I own a Hubsan X4 FPV with a pair of video
goggles. Thats a totally amazing machine!
The Tamul
waterfall in
Mexico
Drones can be fitted with an action camera,

like this GoPro model, a CSC or even a DSLR
25
DRONE PHOTOGRAPHY
Provided they are fown responsibly, users should

not encounter any public backlash. But as with
other new technologies such as Google Glass
theres a period where user etiquette is not clear
case-by-case basis and can
be contacted for advice (see
contacts information below). The
distinction is important because
data-protection rules also give people
in such images a right to ask for their
photos to be deleted if they have not
given consent beforehand. Also,
drone operators must alert potential
subjects that they plan to use the
device for such purposes in a given
area. The ICO says such privacy
notices could take the form of letters
posted to peoples homes (with the
address of a website where the
photos will be published), or
messages on social media.
Matt Setalls
stunning aerial
views of
Philadelphia,
and below, the
Phantom 2 Vision
Plus drone he uses
a major issue, there may need to be

specic legislation.
Spies in the sky

A row about drone use on a US beach
in June, over perceived invasion of
privacy, may be a case in point. It
actually led to a womans arrest. Part
of the social acceptance is about
educating the public about the
technology, asserts Perry. Either way,
the UK, France and Germany are
Prepare for take-of
leading the way in drone take-up

across Europe, with the US being
DJIs largest market, and growing
demand from the Middle East.
Recent clients include the Peruvian
government, which plans to use a
Phantom drone to help create a 3D
map of ancient ruins.
The evolving technology is allowing
users to focus more on their images
than navigating the drone. The latest
tech involves a ground-station
capability for a DJI Phantom drone,
previously only available for higherend systems. It allows you to set GPS
waypoints on your phone, says Perry.
You then hit go and the system will
navigate the course by itself.
So, while there are many laws and
regulations for photographers to
consider, it seems drone imagery is
well within the reach of amateurs
and professionals looking to create
captivating images using this
still relatively new technology.
all
areas
Access
Matt Satell is a drone

enthusiast and founder of
Philly By Air, a website that
showcases his aerial images
of Philadelphia in the USA.
He talks to Oliver Atwell
Contacts: Training and accreditation EuroUSC: www.eurousc.com, 0208 133 2651; Resource Group:
www.resourcegroup.co.uk, 01905 368 550; Civil Aviation Authority: www.caa.co.uk, 0207 379 7311; Flight
Operations Inspectorate: 01293 573 525; Information Commissioners Ofce: www.ico.org.uk, 0303 123 1113;
RC Geeks (one of DJI Innovations main dealers in the UK): rcgeeks.co.uk, 01737 457 404
26
MATT SATELL
No specic permission is required

from a landowner to operate a drone
over private land (subject to the safety
distance rules), but permission of the
landowner would be required if an
unmanned aircraft is taking off from,
and/or landing on, private land.
The CAA will not allow unmanned
aircraft to present or create a greater
hazard to anyone (or anything)
than the equivalent operations of
manned aviation.
Drones may not be toys but they
are ying off the shelves, it seems.
And provided they are own
responsibly and not close to people
and airports, for example users
should not encounter any public
backlash, says DJIs Michael Perry.
However, he admits that, as with
other emerging technologies such
as Google Glass theres a period
where user etiquette is not clear.
This month, British pilots called
for tougher regulations on drone
use, for public protection.
London-based lawyer Charles
Swan says drones are a massive area
legally, with different laws that may
apply to different situations.
Whether current privacy,
harassment, trespass and other laws
in the UK are adequate to deal with
disputes involving drones remains
to be seen, as and when the use of
drones becomes more widespread in
the UK, explains Swan. If it becomes
DRONE PHOTOGRAPHY
MATT SATELL
will end up needing to be passed

by Congress to be enacted. Its
a bit of an unknown.
Many big businesses have
been wary about embracing
drones because of that
uncertainty. But I know there
are a lot of drone pilots out
there who have started to
commercialise. Ive personally
had a few opportunities to
take aerial photographs of
businesses. There are tons
of opportunities out there.
Why do you think people

are so wary of drones?
Ive always been really interested

in technology and drones
fascinate me. Ive had mine for
around six months. I initially
started ying it around the
suburbs of Philadelphia taking
aerial videos. Eventually, I
decided it would be really great
to have a place to showcase my
images, as they offered a unique
vantage for the city and the
surrounding area. Thats why I
started Philly By Air. Its had a
really good reception.
What makes drone

photography so different
from other aerial
photography?
Its a lot more accessible and you
have a lot more exibility. When
youre ying a helicopter, you
cant go any lower than 400500ft. With a drone, youre able
to manoeuvre it into tight
spaces, or at least places that
would be inaccessible for a
helicopter. Then you can achieve
a whole different vantage point
and range. Drones give you very
different shots to the kind of
thing youd usually see.
When you rst started

producing your images, did
you do a lot of research into
the rules and regulations
surrounding drones?
I denitely did. I had to nd

out what the situation was out
there. Actually, theres a decent
amount of grey area regarding
the US regulations on it. As
it stands now, the Federal
Aviation Administration
(FAA) has put out guidelines
that state you cant y any
higher than 400ft. Also,
you have to maintain line of
sight eye contact with the
drone. That makes practical
sense. In addition, you cant
use the drones for any
commercial purposes. Thats
been an interesting one, because
there are so many different
potential uses for drones in
industry and business.
With that in mind, weve
recently seen that the ban on
commercial use has been
challenged in the US court
system. The FAA tried to ne
an aerial photographer for using
a drone in a particular area.
However, the judge ruled
that they didnt have any
enforcement mechanism
because the FAAs rules are
just guidelines, as opposed to
formal regulations. So thats
why we have a grey area right
now. The FAA has these
guidelines, but the court system
says they cant be enforced.
Right now theyre working
on creating more formalised
regulations, which I believe
I think its like any new

form of technology: people
are apprehensive about it.
I think theres a lot of
misunderstanding about
drones, to be honest. A lot
of it gets sensationalised by
the media and there are a lot
of privacy concerns about
drones being own into
peoples backyards. That said,
the drones on the market are
What kind of angle of view

are you able to achieve
with the camera?
pretty loud, so honestly, if you

want to spy on someone, there
are much better and quieter
ways to do it.
What about image quality?
You can achieve wideangle,

denitely. When you take the
pictures, it comes with a slight
sheye effect. I do some
post-processing work to take
that out. But Ive also done
some work where Ive stitched
together multiple photos to
create a panorama.
MATT SATELL
How did you get into

drone photography?
app, and the phone and receiver

connect wirelessly. They talk to
the drone through a localised
Wi-Fi network. Through my
phone, Im able to see in real
time exactly what the drone is
seeing. That offers me a proper
perspective and allows me to set
up the perfect shot. Using the
phone, I can tell the drone to
take a picture or video, and I
can also see all the ight data
as well: how high it is, how
fast its moving, how far away
it is basically everything that
I need to y safely.
Tell me about the drones

you use for your own work
I use a drone from DJI called
the Phantom 2 Vision Plus. DJI
really is the leader in consumer
drone technology. Every six
months to a year, it releases a
new model. The newer models
will be capable of ying further
and have a better camera. Its
going to be amazing to see
where the technology goes in
the next ve years or so.
How are you able to control

what you photograph?
The drone comes with a
remote-control receiver and
you connect that to your
smartphone. You download an
The image quality is pretty

strong its a 14-million-pixel
camera. I do a fair amount of
post-processing on the back
end to edit the colour saturation
and things like that to really
make the images pop. But
overall, the quality for still
images is pretty high.
How far away can the drone

travel from the controller?
It can go to around 1,000ft.
Is there anything youd like

to see added or improved in
future drone models?
I hope future models continue
to improve on the camera
sensor so they can take better
and better images. The video
footage is OK but its not
great. Thats a real area
of opportunity.
27
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10.5mm f/2.8G AF DX ED FiVheye........................................ 545.00

AF-S 35mm f/1.8G DX........................................................... 149.00
AF-S 10-24mm f/3.5-4.5G IF-ED DX..................................... 639.00
AF-S 12-24mm f/4G IF-ED DX.............................................. 829.00
AF-S 16-85mm f/3.5-5.6G ED VR DX................................... 439.00
AF-S 17-55mm f/2.8G DX IF-ED........................................... 1,049.00
AF-S 18-55mm f/3.5-5.6G VR ED DX................................... 145.00
AF-S 18-55mm f/3.5-5.6G VRII ED DX................................. 199.00
AF-S 18-105mm f/3.5-5.6G VR DX IF-ED............................. 209.00
AF-S 18-140mm f/3.5-5.6G VR DX ED................................. 449.00
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AF-S 55-200mm f/4-5.6G VR DX IF-ED................................ 245.00
AF-S 55-300mm f/4.5-5.6G DX VR....................................... 279.00
AF FX Nikkor Lenses
14mm f/2.8D AF ED.............................................................. 1,219.00

16mm f/2.8D AF FiVheye....................................................... 619.00
20mm f/2.8D AF..................................................................... 465.00
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245.00
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AF-S 18-35mm f/3.5-4.5G................................................ 519.00
AF-S 24-70mm f/2.8G IF-ED............................................ 1,235.00
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60mm f/2.8D Micro........................................................... 365.00
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AF-S 105mm f/2.8G AF-S VR Micro IF-ED....................... 619.00
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SB-910 Speedlight............................................................
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24mm f/2.8 Nikkor............................................................. 608.00
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85mm f/2.8D ED PC-E Nikkor.......................................... 1,275.00
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Nikon F2 Data Camera Set
In this issue we feature one of the rarest Nikon cameras ever made, the F2 DATA camera. There were two versions made for advanced
scientific/industrial applications the F2 Nikon MF-10 36-exposure and the MF-11 250-exposure Data Backs.
The F2 DATA cameras were only available in a black finish with F2 DATA engraved beside the serial number. They were sold with either the
F2 eye-level (DE-1) the F2A (DP-11) or F2AS (DP-12) Photomic finders. Built into the Data Backs was a high-intensity, short duration electronic
flash capable of synchronisation at any shutter speed which allowed you expose your chosen data onto the film. The film is illuminated from
the rear via a precision 10mm f/1.8 lens (comprising of 4 elements in four groups). Both MF-10 and MF-11 databacks offer three separate
devices for entering data a clock, a dating unit and memo plates. The memo plates could be used for entering hand-written information such
as lens settings, shooting location, type of film, etc.
The design of the MF-10 and MF-11 data backs enables one to superimpose exposure-related information onto the left edge of the frame,
including date, time, etc. The F2 Data camera bodies are virtually standard except for two unique elements to ensure the most precise datarecording operation. The F2 Data cameras were supplied with the MD-2/MB-1 Motor Drive unit sets. This example is in like-new condition
complete with all original makers boxes.
Find us on Facebook: www.facebook.com/graysofwestminster
Visit our website: www.graysofwestminster.co.uk
AP ADVERTISING
and carry on
Continuing our look at the history of photography and

AP through its advertising, Richard Sibley looks at the
ads that were published during the Second World War
n the years between the

First and Second World
Wars, Britains appetite for
photography grew rapidly.
Cameras became smaller and
photography became more accessible
to those who wanted to take up
the pastime.
With this increase in popularity
came a growth in the number
products available, and the number of
shops and services looking to satisfy
the demands of photographers. The
amount of advertising in Amateur
Photographer increased as a result,
and as would be the case for many
years, photographers bought AP as
much to nd out the latest prices
and stockists for products as they
did for advice and commentary
on their pastime.
32
The outbreak of war

In 1939, everything was to change.
When Germany invaded Poland, just
over 20 years since the end of the
First World War, the Editor of AP
was FJ Mortimer. He wrote of the
Great War in the issue of AP dated
Wednesday 6 September 1939:
Many prophesied in 1914 that
amateur photography would be
one of the casualties of the war;
actually, in spite of uncommon
difculties, it thrived more than
ever, because it proved itself an
invaluable link between men on
service and their homes.
However, once again, the reinstated
Defence of the Realm Act (DORA)
was about to be put into place.
Mortimer tried to be positive about
the impending restrictions on
Above: The front

covers of AP
regularly featured
Ilford adverts, such
as these for the
Men of Arnhem
exhibition at the
Ilford Gallery
Below: With
night-time blackouts
across the UK, many
companies took
the opportunity
to advertise their
enlargers and
darkroom supplies
photography that were about to be

enforced: The resurrected DORA,
of course, has her eye on cameras,
which are unknown instruments
of destruction; but the amateur
photographer, with the common
sense which all amateur
photographers possess (or they would
not be amateur photographers), will
not stray in specied areas without a
permit. In any case he will not want
to do so, for his subjects lie in other
directions, more than ever in
wartime, because, whilst the world
descends to ugliness, it will be all
the more incumbent upon him to
seek what remains of the beautiful
and the quiet.
Escapism
Photography was an
excellent form of
escapism for its
practitioners during the
war, and advertisers
AP ADVERTISING
The Angels of Mons

ONE OF the more interesting
advertisements featured a
reference to the legendary
Angels of Mons, a group of
angels that are said to have
protected the British Army
during the Battle of Mons in
1914. There seems to be no
evidence that the story was
started by any of the soldiers
took this opportunity to sell their

goods in a variety of different ways.
On 1 September 1939, until 23
April 1945, darkness descended on
Britain. Street lights were turned off,
car headlights were dimmed and
home windows were covered with
blackout cloth. The night-time
darkness and blackout blinds had an
unintended benet to photographers
rooms could be easily transformed
into home darkrooms.
Ensign was one of the largest
photographic manufacturers in
Britain, making everything from
cameras to enlargers and projectors,
and along with other manufacturers
it seized the opportunity to advertise
its goods.
Photographers need not
present at the battle; instead, it

appears to be a myth.
GB Equipments Ltd came up
with a solution for the origin of
the legend, saying in its adverts
that the celestial images seen
by the soldiers were actually
projected images sought to
strike fear into the hearts of
battle-weary men.
worry. They have the nest hobby in

the world to practice and the most
suitable one, too, read the Ensign
Advert in AP 27 September 1930.
Think of the pleasures in enlarging
all the good summer negatives,
taking more by articial light,
Above: GB
Equipments
Angel of Mons
advertisement from
January 20 1943
Left: Supplies
of the Super Eljy,
and other French
cameras, became
hard to find
That somewhat tenuous

advert went on to explain that:
As in the last war so in this,
cinematography is playing an
important role. Much will be
written when the war is over on
the numerous ways in which its
application has helped the war
effort. So you will not expect to
see GeBescope 16mm
projectors and equipment
again in the civilian market
until the war is won.
developing, printing, making and

projecting slides and transparencies.
Is there any limit to what the
photographer can do this winter?
The Westminster Photographic
Exchange even wrote in its adverts
that some of its customers have told
us that they are have taken their
enlarging equipment to their ARP
[Air-Raid Precaution] Shelters!
Never let it be said that
photographers are anything
other than resourceful.
Supply and demand

All over the world factories diverted
their attention to the war effort.
However, many photographic
factories simply supplied the
majority of their goods to the armed
forces. New products were designed
and developed, with an obvious need
for cameras, lenses and lm for aerial
reconnaissance.
Ilford even managed to develop
new lms during the war, including
HP3, which has since evolved into
the HP5 lm that is still available
today. Many lms and
chemicals were in short supply,
33
AP ADVERTISING
Above left: German

cameras were still
advertised in the
pages of AP when
war broke out
FJ Mortimer (1874-1944)
FJ MORTIMER remained as Editor of AP for most
of the Second World War, but died when he was
killed in a German bombing raid on his way to
the editorial ofce.
though, and Ilford liked to

remind AP readers, on an
almost weekly basis during the war,
that it hadnt forgotten about them.
During this time, Ilford
advertisements dominated the covers
of AP. Many of the images that
featured in these adverts were
of soldiers or sailors in combat,
although a number were staged or
were pictures of combat training
civilian photographers were banned
from photographing scenes of battle.
Some of the patriotic and rousing
images used in the Ilford
advertisements were also featured in
exhibitions held at Ilford Galleries, at
101 High Holborn in London.
Ross Lenses also promoted the part
34
that its goods were playing in the

war effort, with a full-page advert
picturing a young pilot getting in his
plane with the slogan Ross lenses: At
present focused on Victory! and
then for every photographic purpose!
(See image on opposite page).
It does seem a little strange that
companies were advertising products
that photographers may have found
difcult to source, let alone afford,
but it was all part of a greater
marketing and PR plan to keep the
brands in the public eye. It also
served to keep Amateur
Photographer going during the war
years. The magazine was in limited
supply due to restrictions on the use
of paper, and as such it had to be
Above: As the war

came to an end,
Ilford reminded us
that stocks of its
various films would
slowly return to
normal
Above right: Like
Ilford, Dufay
Chromex films were
also in limited
supply during
the war
Above far right:
Many Ross lenses
were used for
military purposes
during the Second
World War
ordered specically from the

newsagent to make sure that excess
copies werent wasted and more
precise numbers of the magazine
could be published.
Of course, it wasnt just Britain that
was affected. All over the world, and
more specically Europe, limited
production of certain goods meant
they were difcult to obtain.
Interestingly, there were still
German-made Leica and Contax
cameras advertised for sale in some
issues of AP during the war. Other
stores traded on the fact that certain
cameras were in limited supply.
One such camera was the Frenchmade Super Eljy. In 1939, Claude
Lyons, of Tottenham Court Road in
AP ADVERTISING
The war effort

With the end of the war in sight, many
companies again reminded us that much
of their stock was being used for the war efort
London, explained that, Increased
production costs have already
enhanced the price of the Eljy in
France, but we foresaw importation
difculties and secured adequate
stocks before the outbreak of the war.
Hence, while these stocks last, there
will be no increase on the modest ve
guineas your dealer asks for this
amazing camera.
Indeed, the Super Eljy is quite an
impressive camera. At the time, it
was one of the smallest and lightest
cameras you could buy. I have a
personal interest in them, having
been given one by a family friend
whose father had owned it. It is
incredible to think that cameras such
as mine were being used not just at
home, but also by British, French and
possibly even American and German
soldiers at war. This camera is also
rumoured to have been used by spies
due to its small size.
The end of the war

With the end of the war in sight, many
companies again reminded us that
much of their stock was being used for
the war effort. Dufay Chromex took
out a full-page advert in AP 16 May
1945 stating that: Every bomber
that ies carries at least one part
made by Dufay Chromex Limited.
Dufaycolor lms are available only
in very limited quantities. Full
Dufaycolor services will be restored
as soon as conditions permit.
Perhaps more notable was APs
front cover of the 4 July 1945 issue,
where the very simple image
reminded us that despite the war in
Europe being over, The quota
restrictions are still in operation
But normal times are coming when
ample supplies of Ilford Selo lms
and Ilford plates and papers will be
available, and we hope it wont
be much longer.
In the next instalment of this series, we will look at the advertising that featured in AP in the 1960s, 70s
and 80s as SLR cameras from Japanese manufacturers rose to dominate the camera industry
THERE was obviously a

demand for photographic
equipment from the
military, which needed
cameras, enlargers and
lenses for a variety of
different purposes the
RAF demanded cameras
for reconnaissance, for
example. Interestingly,
German cameras were
still on sale, and Wallace
Heaton even posted
adverts saying: The RAF
needs your Leica or
Contax now! (above).
Another advert stated:
In order to win the war
quickly, everyone must
make their maximum
effort now. And there
is a part a very
important part which
every photographer can
play; it is to see that
your apparatus is doing
a WAR JOB. Cameras,
accessories, projectors,
micro-apparatus are
all wanted for work
of the highest
importance.
Prices of goods,
new or second-hand,
were subject to price
controls, to prevent
rises in ination and
the cost of living. As
such, Wallace Heaton

guaranteed that the price
paid by them for any Leica
or Contax would be the
highest price possible. We
are convinced that the
amount we pay now will
buy you far more after the
war than the camera you
sell now. Until further
notice we guarantee that
every Leica and Contax we
buy will be sent to the
Ministry.
Wallace Heaton took
out an advert asking for
cameras on the cover of AP
13 January 1943 (below).
35
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Evening Class
Photoshop guru Martin Evening sorts out your photo-editing and post-processing problems
Adding dramatic contrast

THIS photograph from Colin Howard comes from a Kodak
Tri-X negative, with a scan then made from a black & white
print. The scanner has captured a wide range of tones,
although the highlights were most likely burnt out in the
original print. However, the sharpness falls off from the
foreground onwards and I can see halos around the

people. These were probably caused at the scanning stage.
This is a photograph that needs more contrast in order to
convey the dramatic contrast of the original scene and give
photo the photo the appearance of having extra sharpness.
AFTER
Submit your images

Please see the Send us your
pictures section on page 3 for
details or visit www.amateur
photographer.co.uk
1 Basic panel
adjustments
I opened the original TIFF
scan in Camera Raw. In the
Basic panel I carried out a
few tone edits. I decreased
the Exposure, but boosted
the Contrast slider so the
image was slightly darker,
but a lot more contrasty. I
then applied a negative
Highlights adjustment to
preserve the highlight
tones, and a negative
Shadows adjustment to
darken the shadows.
2 Add Clarity
The previous step did a lot

to boost the tone contrast,
but I also found it necessary
to apply a high Clarity
setting. Doing so helped
boost the midtone contrast,
which was particularly
noticeable in areas such as
the cobbled street and the
details on the sides of the
buildings, where the
increase in Clarity helped
add more definition to the
overall scene.
BEFORE
3 Add a postcrop vignette

In this last step I went to the
Effects panel and adjusted the
sliders to add a darkening
vignette. The low Midpoint
setting focused the vignette
more towards the centre. The
+100 Feather setting made the
vignette edges nice and soft,
and the +100 Highlights setting
used here (in conjunction with
a Highlight Priority Style
vignette) preserved the
highlight detail towards
the edges of the photo.
37
YOUR PICTURES
AFTER
BEFORE
Lightening an image
IVOR Levys raw image has been carefully
exposed to preserve the detail in the bright
highlights where the sun is clipping the man.
However, when shooting in raw mode there is
usually room for manoeuvre at the postproduction stage, where one can adjust things like
the Exposure setting to achieve the desired
overall brightness. Because this image was

captured using a good-quality DSLR and a good
lens, using a fast shutter speed, there was plenty
of sharp detail and tonal information. I opted for a
delicate tone output, in which the subtleties of the
shadow tones were brought out and balanced
with the highlight detail in the clouds.
1 Exposure
lightening
2 HSL
adjustments
The first step was to open

the raw image via Camera
Raw and lighten it using
the Exposure slider in the
Basic panel. As the original
image was quite dark, I
needed to raise this to
+1.65. The as shot colour
balance in the original was
a bit on the cool side, so I
went through the White
Balance menu options and
selected the Flash preset
setting, which made the
photograph appear warmer
in colour.
I then adjusted the

remaining Basic panel
sliders to optimise the tone
contrast. In particular, I
adjusted the Whites and
Blacks sliders in order
to maximise the tone
contrast. Having done
that, I went to the HSL/
Grayscale panel and
adjusted the Saturation
sliders in order to
selectively boost the
colour saturation for the
Yellows, Reds, Greens,
Aquas and Blues.
3 Graduated flter
adjustments
I selected the Graduated Filter tool and added a
graduated filter adjustments to darken the outer areas
of the image. The highlighted filter adjustment was used
to selectively darken the road using a combination of a
negative Exposure and a negative Highlights adjustment.
White balance adjustments

One of the advantages of shooting in raw mode is that
the only thing you have to get right is the ISO and
exposure settings. When processing a raw image using
a program like Camera Raw, you can set the white
balance later. Having said that, I nd it saves time if I
set the white balance setting on the camera to auto.
but you can change this easily later if you need to.
Shown here is the Camera Raw White Balance
menu, which lists a number of useful presets. Among

them is an Auto option, whereby Camera Raw carries
out its own auto-analysis of the image and selects a
white balance setting. There are also the Temperature
and Tint sliders, where you can adjust the white
balance manually, and there is the White Balance
Eyedropper tool that can be used to calculate a white
balance setting based on a measured reading.
Martin Evening is a noted expert in both photography and digital imaging. He is well known in London for his fashion and beauty work, for which he has won several awards. Martin has worked
with the Adobe Photoshop and Adobe Lightroom engineering teams over many years and is one of the founding members of a software design company. Visit www.martinevening.com
38
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Accessories
Useful gadgets to enhance your photography, from phones to flters
Think Tank Photo

Airport Roller Derby
Hand
luggage
The Airport Roller Derby
case is close to the
maximum size most airlines
will allow to be used as
hand luggage.
Around 305 www.thinktankphoto.com
The Airport Roller Derby is an ideal case

for the frequent fyer. Jon Devo tries it out
At a glance
Space for two DSLRs, a 15in laptop,
up to seven lenses and a tripod
Removable four-wheel system
with smooth rolling action
Rapid-access side pocket

Meets most aeroplane
carry-on limitations
MADE from high-quality nylon

thats coated in durable waterrepellent fabric and measuring
35.6 x 55.9 x 22.9cm, the Airport
Roller Derby case is a premium
option for the frequent yer.
Spacious and well designed, the
Airport Roller Derby from Think
Tank Photo has capacity for two
DSLRs, up to seven lenses
(depending on size), a 15in laptop,
accessories such as chargers and
some carry-on essentials.
Depending on your conguration,
its also possible to t a 400mm
prime lens inside.
The replaceable wheels roll
smoothly and make transporting
heavy equipment a lot less taxing
than carrying it.
Roller
Premium build
The cases telescopic trolley

handle can be extended to either
39in or 42in, while its four wheels
can be removed when
necessary.
A reinforced back plate,

abrasion-resistant zips and
durable water-repellent nylons
are all part of what make this
case hard-wearing.
Rain protection
A removable rain cover is
provided, which fits around the
entire case to further protect
kit against bad weather.
GOLD
ALL PRICES ARE APPROXIMATE STREET PRICES
Verdict
This is a case that has it all, from
space to attach a tripod to a
dedicated sleeve for a tablet and
notebooks that slips into the front
of the laptop slot. A quick-access
side pocket and reinforced back
panel have also been included. The
case features soft padding on the
handles that makes it comfortable
to use, and complies with most
airline restrictions. It also has lock
and cable security zippers for
peace of mind whenever it has to
be left in storage. Although its
pricey, it denitely feels worth it.
42
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Manfrotto Professional Roller Bag 70 Lowepro Pro Roller x300 AW
Tamrac Big Wheels SpeedRoller 2X
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www.tamrac.com
With room for two DSLRs with attached

medium and long telephoto zoom lenses,
plus six more optics, two flashguns
and up to a 17in laptop,
this case is designed
to protect kit
against shocks
and rain.
This case has a ballistic nylon hardshell

exterior intended to provide
high-impact protection. It also
has a shockabsorbing
design and an
all-weather
cover built
into it.
Two pro DSLRs, 4-6

additional lenses,
accessories and up
to a 17in laptop can
fit inside this case,
depending on
configuration. The
oversized wheels are designed to
take on difficult surfaces.
Out now
Expert reviews of the latest kit to look out for
Triggertrap Mobile App 3.0

Free (iOS requires additional hardware)
www.triggertrap.com
TRIGGERTRAP Mobile is an app that allows you to release your cameras
shutter using a smartphone or tablet. While its capable of being a simple
cable release, it also offers multiple time-lapse options and sensor modes
that use your devices camera, microphone or accelerometer to re the
shutter. The app is free, but it requires a dongle that plugs into your smart
devices headphone socket and a connector cable for your camera. A kit
with both costs 22.99, and additional cables for other types of camera
are 6.99 each. Alternatively, a 19.99 adapter allows the app to trigger
ash units for high-speed photography.
Version 3.0 is available for Apple users,
and besides being optimised for iOS 8 it
has been redesigned to work better on
larger-screen devices. Its also been
streamlined, with some functions
removed. As a result, it feels
more focused on its primary
purpose. Some tuning of the
settings can be required
for certain cameras,
but its certainly
worth a try for
experimenting
with time-lapse
Recommended
photography.
Andy Westlake
The latest photography kit and

technique at your ngertips
LockCircle Camera Professional Body Cap

e102.53 (around 80.89/including shipping)
www.lockcircle.com
THE LOCKCIRCLE is a metal body cap for your camera that is precisionmilled from a chunk of aluminium so its just what youve always needed.
The only differences between this and the plastic body cap that came with
your camera (for free) are that it has a protruding grip with a knurled edge
and a small divot in it that catches the locking mechanism of the camera
lens mount. It also adds 108g to the weight to your camera, but
who cares, right?
The LockCircle is available in Canon EF and Nikon F
mounts, and comes in silver, titanium and matt black
variations. Its easier to remove and signicantly
more durable than the provided plastic body
cap, but if you lose body caps like I do, at
E100 a pop, misplacing this is going to hurt
you a lot more. The LockCircle body cap is for
the photographer who has everything, being
wonderfully overengineered and wholly
unnecessary, but
tempting enough to
still be considered.
Jon Devo
More great pictures

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43
Camera
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Testbench
IN THE FIELD
At a glance
40-megaray, 1/1.2in sensor

30-250mm (equivalent) f/2 lens
ISO 80-3200
4in, 1.15-million-dot
tilting touchscreen
1,299.99
Is this
the future?
The Lytro Illum is a unique camera featuring Light Field

technology that allows images to be refocused afer shooting.
Andy Westlake investigates its exciting potential
Data file
Sensor
Lens
Sensitivity
Screen
Dimensions
Weight
Website
40 megaray, 1/1.2in
Light Field CMOS sensor
30-250mm (equivalent) f/2
ISO 80-3200
4in tilting touchscreen,
480 x 800-pixel resolution
86 x 145 x 166mm
940g
www.lytro.com
ack in October 2011,

Lytro announced its
intention to transform
photography with
its rst Light Field camera. By
measuring the angle at which light
rays hit the sensor, as well as their
intensity, the company promised
the ability to refocus images after
shooting. The company coined the
term Living Images to describe this
ability to explore depth and focus.
Unfortunately, the rst
Lytro camera looked
more like a toy than
a tool, and at
400 it was pretty
expensive for a
product that
promised to solve
the problem
of focusing for
consumers
especially as even
the cheapest digital
compact cameras
The Illum uses a large
tilting touchscreen
to change many of
its settings
have pretty sophisticated and

accurate autofocus systems
anyway. Its image quality wasnt
up to much, either, so the camera
garnered little interest among
buyers, despite its undoubted
technical cleverness.
What the rst model did provide,
though, was proof of concept: it
genuinely produced images that
could be refocused after shooting,
Now Lytro is back with a completely
different product, aimed at a very
different target market and with a
price to match. At a penny under
1,300, the unusually designed
Illum is being put forward as a
serious creative tool for professional
and enthusiast photographers.
Its pretty important to
understand, however, that Lytro
doesnt want you to replace your
existing camera with an Illum.
Instead, its positioned as a rather
different kind of tool one that
can complement a conventional
camera rather than replace it. Its
still offering images that can be
refocused after the event, but now
this isnt necessarily being proposed
purely as a x for autofocus. In

fact, as the image can only be
refocused within certain bounds,
the lens does still have to be
focused almost as usual.
What the Illum offers is the ability
to manipulate focus, depth of eld
and even perspective (to a degree),
after the image has been taken.
This is done using the supplied
software, which is available for
both Mac and Windows computers.
It doesnt just generate stills as
output, either, as it can also be used
to create animations that explore
the depth properties of the subject,
with transitions between focus
planes and different depths of eld.
Some of the effects it is capable of
producing seem, at rst sight, to be
impossible from a single exposure.
Its clear that with these abilities,
Lytro sees the Illum as a unique
creative tool in its own right a way
of making and manipulating images
thats completely new and different
to anything else on the market.
After some time using the camera,
Im beginning to think that the
company may have a point.
45
Testbench
IN THE FIELD
Lytro Desktop
sofware
Of course, theres not a lot of
point in shooting Lytros Living
Images if you cant do anything
with them, and this is where the
Lytro Desktop software comes in.
It imports the cameras huge LFR
raw les 55MB a shot and
converts them to something that
can be viewed and shared.
The software has conventional
processing controls such as
exposure, white balance,
and shadow and highlight
adjustments. But crucially, it also
offers refocusing and depth of
eld controls. You can focus on
any subject in the frame simply
by clicking on it, and move an
aperture slider from f/1 to f/16,
watching more and more of the
scene come into focus as you do
so. Its even possible to emulate
the effects of a tilt lens, making a
focus plane thats not parallel with
the sensor. Needless to say, this is
all very impressive, especially the
rst couple of times you use it.
Eventually, of course, you
become used to all this technical
wizardry and have to start trying
to do something practical with
your images. Here you get several
choices. Still images can be
output at 4-million-pixel
resolution, and you can also
create stereoscopic pairs in the
JPS format, if thats your thing.
However, 3D never really caught
on when camera makers tried to
push it a few years ago, so we
dont imagine it will suddenly
come into fashion now.
Processed LFR les can also be
uploaded to Lytros website with
your exposure and colour

adjustments intact, where users
can explore their depth by clicking
on the various planes of focus.
Perhaps most interestingly,
though, it is possible to create
animated videos that explore the
depth of your pictures in detail.
You can create keyframes with
different focus points, and apply
a variety of preset transitions
between them. At the moment,
you dont get as much control
over this process as Id personally
like, but with the right images
these animations can be very
effective indeed. Obviously, we
cant show these in a printed
magazine, but you can see some
examples on our website.
One drawback right now is the
sheer amount of time needed
by the Lytro Desktop software
merely to import your les, or
output them to easily viewable
formats. On a high-end MacBook
Pro dedicated to running the
software, I found it took 8mins to
import just 24 image les using
the internal SD card reader.
Extrapolate this to a not especially
intensive shooting session of 100
images and youre looking at half
an hour just for import and this
is on a fast computer. Using a
mid-range Ultrabook running
Windows 8.1, it took me more
than 38mins simply to copy and
process the same 24 raw les off
an SD card, and over 1min to
output a 4-million-pixel JPEG
still. Its difcult to see many
photographers nding this
entirely acceptable.
The Lytro Desktop software allows refocusing by clicking on the image, and
has an aperture slider to manipulate depth of field
46
Design and operation

From the moment you rst lay
eyes on the Illum, its clear that this
is something really quite different.
Industrial design is often as much
about conveying a message as
anything else, and in this case the
point is clear. With its prominent
lens section and handgrip, and
matt-black nish, Lytro is saying
that this is a serious camera. But
the futuristic shape, and especially
the angled body and handgrip, is
very carefully making another
statement. Yes, this is a camera,
but its quite unlike anything youve
seen before. The Illum looks as
though its come straight off the
set of a science-ction movie, and
thats probably no coincidence.
The lens and sensor are housed
within a large cylindrical structure
that dominates the design, fully
8.5cm in diameter and 11.5cm
in length. Zoom and focus are
controlled by large rubberised
grips around this barrel, and both
operate internally, meaning the lens
never extends during operation.
The zoom covers a useful 30250mm (equivalent) range, and
has a xed f/2 aperture. Not just a
xed maximum aperture every

single image is taken at f/2.
The lens projects images onto a
1/1.2in CMOS sensor that captures
40 megarays of information. As
well as the usual colour and spatial
information about where the light is
hitting the sensor, it records angular
information describing from where
exactly it has exited the rear of the
lens. From this extra information
the camera can reconstruct the
path the light took through the
lens, allowing it to produce a depth
map of the image, which is
essentially a three-dimensional
model of the subject (or at least
those parts of it the lens can see).
The camera outputs image les
purely in Lytros proprietary raw
(LFR) format. It doesnt record
JPEGs that would somewhat
miss the point and the camera
isnt capable of movie recording.
A sensitivity range of ISO
80-3200 is offered.
The wedge-shaped body is
perhaps something of a styling
affectation, but I found it
surprisingly comfortable to hold
thanks to the large rubberised
handgrip. The angled back
Focal points
The Illum has a wantonly unconventional design,
but still fits in a number of familiar features
Wi-Fi
Filter thread
Built-in Wi-Fi allows

connection to an iOS
device for upload of
images to Lytros site.
A 72mm thread at
the front of the lens
accepts screw-in
filters, including
the supplied 4-stop
neutral density filter.
Lens hood
The huge included
lens hood attaches
via an unconventional,
and rather fiddly,
locking-pin
mechanism.
Battery
166mm
The chunky 3.7V, 3,760mAh

Lytro B2 battery slots into
the handgrip, and can be
topped up using either the
supplied charger or
in-camera via USB.
The f/2 lens can give shallow

depth of field effects, and this
shot can be refocused from
foreground to the background
playback mode, for example.

On the top-plate theres a
power button, a conventional
shutter button, and beside it
the unique Lytro button. This
changes the display mode to
assist with focusing, using the
depth information supplied by the
sensor to give a multi-coloured
focus-peaking display. This
outlines edges and colours
them according to where they
will fall within the potential depth
of eld ranging from blue towards
the front, and to red towards the
rear. Beside the preview image the
camera displays a clever distance
histogram that shows how objects
within the frame are distributed in
terms of focus distance, and how
much (if any) will fall outside the
refocusable range.
I found these displays to be a
huge help when composing images,
allowing me to gauge the range of
refocusing available for any given
picture. This is really important,
as theres no point in shooting
refocusable images if theres only
one real plane of interest in the
frame. With the Illum, you
therefore have to consciously
Connectors
Hotshoe
A hinged flap on the left

side conceals a USB
3.0 port and a 2.5mm
electronic-release jack
that accepts Canon and
Pentax-compatible
remotes.
The Illum has no

In one area where form
built-in flash. The
has rather triumphed
hotshoe on the
over function, the strap
top-plate is
attaches to lugs at
designed to take
opposite corners of
upcoming dedicated
the body.
flash units.
Strap attachment
86mm
encourages you to shoot at waist

level using the tilting screen, giving
a more stable hold. The design is a
bit less successful when shooting in
portrait format, but you can at least
tilt the screen back so its square
with the lens.
The external controls are pretty
minimal, and generally quite
conventional. The camera has twin
control dials, front and rear, to
change the exposure settings. As
the aperture is xed, these are
limited to shutter speed, ISO and
exposure compensation. The
available exposure modes reect
this the camera offers program,
ISO priority, shutter priority and
manual. This seems odd at rst,
but I found it easy enough to get
to grips with.
The back of the camera has a
cluster of four buttons. The one
top-left activates autofocus, and
beside it is a fairly conventional
auto-exposure lock button.
Beneath it is one marked with an
innity symbol that sets the lens to
its hyperfocal distance. The fourth
button is customisable to the users
preference, and can be used to
change exposure mode or access
145mm
47
Testbench
IN THE FIELD
IMAGE QUALITY AND ISO SETTING
ISO
The Illum is ultimately a camera, which means we have to assess its
image quality. Below were showing examples printed at 300ppi,
equivalent to an 8.2 x 5.5in print.
Even at low ISOs theres not a lot of
ne detail, and the image can show
strange jaggies along straight edges.
Noise is becoming quite visible at
ISO 800, and shadow detail starts to
disappear at ISO 1600. The ISO 3200
setting really isnt very good at all.
The distance histogram shows which areas fall within the refocusable range
set up your shots to take

advantage of its abilities.
The rest of the cameras
operation is controlled using the
large 4in tilting touchscreen. This
provides a second access point to
exposure settings, and also allows
you to change a range of other
options via a scrollable strip of
short-cut buttons on the right side
of the display. Some of these are
toggles that change settings simply
by being touched, which means
its all too easy to nd youve
inadvertently switched to the wrong
mode to self-timer or manual
focus, for example.
Once youve taken a picture,
swiping rightwards on the screen
enters playback mode. Here you
can tap different areas of the image
and watch them come into focus,
as if by magic.
Image quality
All this is great, but what about
image quality? Well, to be honest,
as a 1,300 stills camera, the
Illum isnt great. It may collect 40
megarays of information, but only
a small subset of this data is used
for any given image. The upshot
is that the software only creates
4-million-pixel images, and these
arent even technically all that good,
with little in the way of ne detail
and a tendency to show some
rather strange processing artefacts.
The les are ne for small prints, up
to 7x5in perhaps, but beyond that
the lack of quality starts to tell.
However, at this point wed
reiterate that making still images
from the Illum really isnt the point
the camera is all about making
Living Images or animations.
ISO 80
ISO 200
ISO 400
ISO 800
ISO 1600
ISO 3200
Summary
In its most optimistic moments,
Lytro would have us believe that its
Light Field technology represents
a new age for the medium of
photography. When you rst set
eyes on the Illum and see all the
extraordinary tricks its Light Field
technology offers, its easy to get
swept along by this excitement. The
ability to play with focus and depth
of eld after shooting your images
opens up a whole new set of
creative options, of which xing
out-of-focus images is just about
the least interesting. But you also
have to shoot in a consciously
different way, as theres little point
in being able to do all this if your
image doesnt have real points of
interest at different depths.
So is Lytro the future of
photography? Of course not
image makers will continue to
embrace all kinds of tools, and
the Illums still-image quality really
isnt going to make it a realistic
alternative to conventional cameras
right now, although future iterations
will certainly improve. And like any
specialist tool, many photographers
will struggle to nd a place for it
once the initial novelty wears off.
But Im condent that for others,
the Illum will provide an exciting
new means of creative imaging.
Photographers with the imagination
to exploit its capabilities will surely
be able to make new kinds of
images with it, perhaps for such
things as macro work or clever
advertising images. It may not
represent the future of
photography, but it certainly
has the potential to become
an exciting strand of it.
The Illum looks like its come straight

of the set of a science-fction movie
48
FOCUS AND DEPTH OF FIELD CONTROL IN SOFTWARE

Focus
The Lytro Desktop software allows you to refocus the image, simply
by clicking on any area of the scene you want to appear sharp. In the
example below, Ive developed three still images from a single raw le,
each of which is focused at different depths within the scene.
The image cant be freely refocused from close-up to innity, but instead
only within a particular depth of eld equivalent, stopping the lens down to
f/16. Its therefore imperative to focus carefully using the depth histogram.
While here Ive demonstrated refocusing to different depths in a still life,
this approach can be used with erratically moving subjects. So long as they
fall within the refocusable depth, they can be brought into selective focus.
Depth of field
The softwares second big trick is to be able to adjust the images
depth of eld using an aperture slider. This offers settings from f/1 to
f/16 despite the camera only having an f/2 lens. As you increase the
f-number the depth of eld increases, just as youre used to seeing
from a conventional camera.
As you can see from the sequence below, this genuinely works. Ive
developed the same le at f/1, f/2 and f/16, with the depth of eld
increasing visibly through them even at this rather small print size.
The Virtual camera controls go a step further, allowing you to replicate
the effects of a tilt lens, for example, to generate fake miniature effects.
F/1, focused on background
F/1, focused in centre
F/1, focused in middle
F/1, focused on foreground
49
CAMERA TEST
Testbench
The E-PL7s 16-millionpixel sensor coped with

noise well in low light.
This was shot taken
handheld at ISO 3200
Olympus Pen E-PL7

The E-PL7 has a quality 16.1-million-pixel sensor and a
unique design feature to help it stand out from the crowd,
but is it more than just a gimmick? Jon Devo fnds out
ow in its sixth
generation, the latest
addition to the Pen
Lite family, the E-PL7,
continues Olympuss efforts to reach
out to those photographers who
apparently appreciate the smaller,
more rened design of the
rangender style. This is in contrast
to the intentionally chunkier and
retro DSLR-styled OM-D cameras
that have pretty much stolen the
show at Olympus in recent times.
This latest offering from Olympus
features the 16.1-million-pixel
sensor that has proved popular in
the OM-D E-M5, but as well as the
sensor, the E-PL7 shares many of
the features of the OM-D E-M10,
minus a viewnder and built-in
ash. Based on those features
alone, if there are any enthusiasts
in the market for a compact system

camera but who as yet havent
been tempted by the OM-D series,
the E-PL7 may be just what theyre
looking for.
Features
At rst glance, the E-PL7 could
be mistakenly written off as all
style and no substance, described
by Olympus itself as being wrapped
in an elegant skin, and the very
inclusion of its ip-out-and-under
sele screen will undoubtedly
turn off some photographers
looking for something aesthetically
betting an enthusiast with
more serious pursuits. However,
this camera is powered by the
current top-of-the-range TruePic
VII image processor with Fine
Detail II technology for Olympus
lens-specic advanced aberration

and distortion corrections,
suggesting that its looks may
very well be deceiving.
In the absence of a built-in
viewnder and pop-up ash, the
cameras top-plate gains a control
dial over its predecessor, the
E-PL6, which was only released in
the UK this summer. There is also
a hotshoe and accessory port
to allow photographers to use
the optional pop-up ash provided
in the box, as well as other
additional kit. Besides the inclusion
of a physical control dial and
processing unit, other feature
improvements over the previous
model include an 81-point
contrast-detection AF system
and a higher-resolution 3in,
1.04-million-dot capacitive
Data fle
Olympus Pen E-PL7
Price
Sensor
Output size
Lens mount
Shutter speeds
ISO
Metering system
Exposure comp.
Drive mode
LCD
AF points
Video
Memory card
Power
Dimensions
Weight
399 (kit with 14-42mm zoom)

16.1-million-pixel,
Live MOS sensor
4608 x 3456 pixels
Micro four thirds
60-1/4000sec + bulb to 30mins
Low (equiv ISO 100)-25,600
324-zone multi-pattern
TTL digital ESP, spot,
centreweighted, highlight,
shadow
3EV
Up to 8fps, or 3.7fps
with continuous AF
3in, 1.04-million-dot tilting
touchscreen
81-point system, touch focus,
face and eye detection
Full HD 1080p at 30p, MP4,
H264, MOV compression
SD, SDHC, SDXC, UHS-I
BLS-5 rechargeable Li-Ion

(320 shots per charge)
114.9 x 67x 38.4mm
357g (with battery and card)
51
Testbench
CAMERA TEST
Olympus Pen E-PL7

Resolution
When set to it lowest ISO, the E-PL7 resolves around
3000l/ph. This is quite a high result for its 16-millionpixel sensor, suggesting a relatively weak optical
low-pass filter. Detail levels drop as the sensitivity is
increased due to the effects of noise and noise reduction,
through around 2800l/ph at ISO 800 to 2600l/ph at ISO
3200. At higher sensitivities detail suffers dramatically,
and at ISO 25600 we measure only around 1600 l/ph.
JPEG ISO 800
28
JPEG ISO 100

30
JPEG ISO 3200

26
JPEG ISO 12,800

22
JPEG ISO 6400

24
Build and handling
JPEG ISO 25,600

16
Dynamic range
The E-PL7 achieves a very impressive result of 12.7EV in
our Applied Imaging test at its lowest ISO, dropping only
slightly at ISO 200. However, users need to be aware that
highlights will clip earlier at ISO 100, with the increased
range being in the shadows. The range holds up pretty
well to ISO 1600, but at ISO 3200 and above it falls off,
indicating excessive shadow noise.
15
12.7
12.3
12
12.0
Dynamic range (EV)
11.0
9.5
8.2
ISO sensitivity
204,800
51,200
6400
12,800
3200
800
1600
400
100
200
50
5.8
102,400
6.3
25,600
7.0
Noise
Our grey-card crops show that the E-PL7 gives nice
clean images at base ISO, with a little luminance noise
only starting to creep in at around ISO 800. Images are
still quite usable at ISO 3200, but higher sensitivities
start to suffer excessively from noise. Wed say that ISO
6400 is OK at a pinch, but the top two settings are best
left alone.
JPEG ISO 100
JPEG ISO 6400
52
JPEG ISO 800
JPEG ISO 12,800
LCD screen that is capable of being

positioned in the optimum place for taking
the best seles ever, according to Olympus.
The E-PL7 sports a full complement of
manual and standard automatic modes, as well
as 25 scene modes and 14 art lters, which is a
couple more than its older siblings. As seen on
the E-PL6, the E-PL7s sensitivity range covers
ISO 200-25,600, but an ISO Low
(approximately ISO 100) setting in 1/3 or 1EV
steps is also available. For keeping up with
fast-moving subjects, Olympus has made the
E-PL7 capable of shooting 8 frames per second
continuously, while three-axis image stabilisation
will make it easier to capture steadier shots in
low light as well as during video recording.
JPEG ISO 3200
JPEG ISO 25,600
Measuring 114.9 x 67 x 38.4mm and weighing

357g, the E-PL7s small frame is a mix of metal
and plastic, with brushed metal and leather
effect to convey a sense of quality. An
ergonomic grip, consisting of a raised, contoured
section of rubber that provides a perfect resting
place for small ngers and a 1.5cm-long thumb
rest on the rear, make the E-PL7 a reasonably
comfortable camera to hold. However, people
with medium to large-sized hands may nd the
operating controls slightly cramped. The rear of
the camera is also home to dedicated menu,
movie record, delete and playback buttons, as
well as a four-way selector with an OK/select
button in the centre. All these rear controls are
designed for nimble ngers.
The sprung mechanism of the cameras
LCD screen comes across as disjointed and
overengineered, with Olympus having clearly
spent a large amount of time trying to gure
out how best to enable people to take seles
with a camera thats overqualied for the task.
The screen slips rmly into position when
manoeuvred into one of its three shooting
angles, but its design ultimately feels contrived
and unnecessary. During my time with the
camera, I took it to events and gave it to some
attendees to take seles and not once did they
attempt to use the tilting screen, even when I
showed them how it worked they ipped it
back in and didnt seem to want to use it.
For all its elegant design, I feel like the best
things about the E-PL7 are those elements that
Olympus isnt talking about in its marketing
materials such as its low-angle shooting
capabilities, touch AF and shutter release, and its
mostly solid metal frame, which feels like it could
take a bashing so long as the screen hasnt been
ipped out. Combined with its portable size, the
E-PL7 should be a great pocket companion for
travelling and everyday shooting.
Performance
Having reviewed the Olympus OM-D E-M10 in
AP 22 March, and considering the similarities
between that camera and this, I was expecting
the E-PL7 to perform well and I was pleased
with it overall.
The cameras 81-point contrast-detection AF
system doesnt hunt much for focus, but it does
have a slight tendency to capture some
out-of-focus shots for no obvious reason.
Despite locking as though it were focused, it

seems so eager to re that it jumps the gun on
occasion. This meant that I sometimes had to
take a couple of security frames to ensure that
I had the shot. In low light, the AF-assist beam
does a decent job of nding the correct subject
and locking on, and if I used touch AF results
were quicker still, as well as being more
consistent than half-pressing the shutter.
I forced the E-PL7s 324-zone multi-pattern
metering system to work in some difcult
scenarios and was impressed by its ability to
produce faithful colours and well-balanced
exposures. Spot metering linked to the AF also
works well, especially with the touch AF ability.
Results were a little less consistent when using
the removable ash that comes in the box, as it
overexposed subjects intermittently. However,
when it metered correctly I was pleased with the
results and would happily use the ash in low
light scenarios, such as for taking a picture of a
group of people 1-2 metres away from me.
Looking closely at images straight out of the
camera, I was a little put off by the aggressive
noise reduction, but you can get better results
if you shoot raw and make your own noise
reduction and sharpening adjustments in
post-production. In good and in low light,
the E-PL7 performed as Id expected.
Finally, the battery is CIPA rated to 350
images, which is 30 more than the E-M10, and
I found it delivered close to its rating before
running completely empty. When I was using the
ash, however, the cameras battery depleted
noticeably faster and gave me closer to
250 images, or 4-5 hours of frequent use.
Focal points
This small camera has a range of good features
that will suit a wide variety of needs
Wi-Fi
Using the Olympus Image

Share app, the camera
can be controlled
remotely and images can
be shared wirelessly to
smart devices.
Selfie orientation
Olympus has decided

that the best way to take
selfies is by tilting the
screen downwards below
the camera.
Micro four thirds
Being a micro four thirds

camera, the E-PL7 is
compatible with a wide
variety of Olympus and
third-party lenses.
Flash
To keep this camera compact,

Olympus has provided a hotshoe
flash that can be removed when
not in use.
I was impressed with
the dynamic range
performance of the
E-PL7, capturing a rich
level of tone in this
high-contrast scene
Kit lens
The M.Zuiko 14-42mm

f/3.5-5.6 II R kit lens
is compact and has a
decent focal range for
everyday use and
street photography
Our verdict
Touchscreen
A clear and responsive 3in, 1.04-million-dot

touchscreen features point-to-focus and shoot.
For and against

+ Good-quality, 16.1-million-pixel
Live MOS sensor
+ Metal frame with stylish design

+ Responsive touchscreen
Vulnerable and fiddly tilting screen

Small and tightly packed controls
Portable size
9/10
7.5/10
8/10
8/10
8/10
8/10
8/10
8/10
67mm
FEATURES
BUILD & HANDLING
METERING
AUTOFOCUS
AWB & COLOUR
DYNAMIC RANGE
IMAGE QUALITY
VIEWFINDER/LCD
fundamentally good cameras, and

I feel as though the E-PL7 has
what it takes to pick up the slack.
However, by marketing it solely
at an imaginary, shopaholic,
smartphone-using, city-hopping
female blogger, theyre doing it a
disservice. This camera could and
should have much wider appeal than
Olympus is apparently aiming for.
38.4mm
THE OLYMPUS Pen E-PL7 is a

repackaged Olympus OM-D
E-M10, and for that reason alone it
enters the lower end of the
enthusiast market from a great
vantage point. It is capable of
producing some superb images
and its video is respectable for a
camera of its price, although it is
limited to full HD movies at
29.97fps even some
smartphones are capable of 60p
video. That said, I dont expect
people interested in the E-PL7
to be too concerned by its
video limitations.
I want to like this camera more
than Olympuss marketing tactics
have allowed me to. The Pen series
has struggled in comparison to
the OM-D line, despite being
114.9mm
53
Technical
Support
E X PERT A DV ICE T IP S T RICK S HACK S
Email your questions to: apanswers@timeinc.com, via Twitter @AP_Magazine and #AskAP, or Facebook. Or write to
Technical Support, Amateur Photographer Magazine, Time Inc (UK), Blue Fin Building, 110 Southwark Street, London SE1 0SU
Setting the standard
I have always wondered

what the acronym ISO
stands for and how it
relates to photography. Is it a
Latin phrase?
Steve Lynham
The term ISO has been

used since 1980 to
describe the sensitivity
of lms, and, later, digital camera
sensors. The ISO speed is derived
from standards set by the
International Organization for
Standardization. To avoid different
acronyms being used for the
company in different languages,
the organisation adopted the name
ISO, which is derived from the
Greek word isos, meaning equal.
The organisation was founded a
few years after the Second World
War, with the help of the United
Nations and the previous
International Federation of
National Standardising
Associations, with its headquarters
in Geneva, Switzerland. Its aim is
to create commercial standards to
help companies trade and
produce goods for each other. For
example, ISO 46 relates to
aircraft fuel nozzle grounding
plugs and sockets, while ISO 233
concerns information and
documentation transliteration of
Arabic characters into Latin
characters. ISO 6 denes lm
sensitivity and ISO 12232:2006
covers digital cameras.
Richard Sibley
If you have a problem with oil spots

on your D600, contact Nikon UK
Spot the problem
Two years ago, I bought a

Nikon D600 body, which
has given excellent results.
However, after I bought it there
were reports in the press of a fault
with the model (oil on sensor). As a
result, I now do most of my
photography with my D7000 and
use the D600 when I want large
prints, so I have only taken about
300 shots on the card to date.
Can you tell me how many cycles
it takes before the fault shows (if it
is going to do so) and whether
Nikon would be able to rectify it?
John Allan
The Nikon D600 was

indeed plagued by user
reports of the shutter
splattering oil onto the sensor,
which was very difcult to clean
off. The bad news is that it doesnt
necessarily need many frames to
show up some users saw a
visible accumulation of oil over
1,000 frames or so. This
typically shows up as black
spots in the upper left of
your images, which are
especially visible if you
shoot at small
apertures.
However, the
good news is that
if you have a
problem with oil
spots, Nikon says
it will service your
camera free of
charge, including
BLAST FROM THE PAST
Pentax SV
if necessary cleaning the

sensor and replacing the shutter.
Details can be found in the
customer support section of
Nikons UK website at
nikoneurope-en.custhelp.com/
app/answers/detail/a_id/60009
or call 0330 123 0932.
Andy Westlake
The seminal 1960s

Pentax with M42
screw mount is simple,
reliable and a joy to
use, says Ivor Matanle
Clear astro shots
GUIDE PRICE TODAY 25-50

with 50mm f/1.8 lens
I have developed a love for

astro images, but sadly all I
seem to get are a few faint
stars and the amber glow of light
pollution. How can I get the clarity
I see in other peoples images?
Dan Rooke
There is a lot to learn

about astrophotography,
and far too much for a
single answer here. However, your
main issue seems to be the getting
as far away from urban lights as
possible which is easier said
than done. You need a perfectly
clear sky that is as far away from
major conurbations as possible. So
the simplest solution is to head to
the countryside, but even then be
careful which direction you point
your camera as you can pick up
lights many miles away.
There are various websites that
list the best locations in the UK,
with www.britastro.org/dark-skies/
bestukastrolocationmap1.html
having a detailed map that shows
the darkest areas. Obviously,
mountainous regions such as the
Highlands of Scotland, the Lake
District, the Peak District, and
large parts of Wales and Ireland
are the best areas, along with
parts of Northumberland, the
North York Moors and Exmoor.
There are also a few darker areas
in south-east England, although
they are quite scarce. The map
also shows how clear the sky will
be in terms of cloud cover, so if
you do plan a long trip you can
nd a spot where your chances of
being able to photograph the stars
are far higher. Richard Sibley
LAUNCHED 1962/63
PRICE IN 1963 99 19s 6d (99.97)
THE PENTAX SV, the most

versatile of the pre-Spotmatic
Caption Idelit, quatur
Pentax models,
had delay action,
si torrovid et faccus
a particularly bright
viewevendit
nder
corepudaes
and excellent microprism atibus
focusing. It was the most
successful and desired 35mm
SLR in the enthusiast market in
1963 and 1964. Many
professionals also used it,
because of the superb optical
quality yet reasonable price of
Super Takumar lenses. The
Pentax Spotmatic, with TTL
metering, effectively replaced
it in 1964.
Whats good It was light (by
1960s standards), and had a full

range of Super Takumar lenses
and accessories. Any M42
screw-mount lens ts, so a vast
range of inexpensive lenses is
available. A CdS coupled
exposure meter was available as
an accessory.
Whats bad Not much, although

shutter servicing is usually
necessary if you buy one now
and focusing screens are
often marked.
Technical Support
MY HOME-MADE CAMERA
Made by
Mike Rignall is an
81-year-old retired
engineer. He spent
his working life in
electronics, but has always had a
passion for cameras and optics. On
retirement, he set up a fully equipped
workshop to indulge himself in his
love of camera design and fabrication,
The perfect
Christmas
gift.
The components
6mm and 12mm MDF sheet

10cm of 82mm PVC tube
A small 50mm lens (an old
enlarging lens will t in the
space available if an SLR lens
is too large)
Save up to 43%
Overview
Swing-lens
camera
Retired engineer Mike Rignall on taking true
panoramic images with a swing-lens camera
THE SEITZ Roundshot panoramic
camera is a beautiful piece of
engineering, but beyond my means.
However, it seems that the basic
principle behind swing-lens cameras
is not too complex. It is based on the
fact that if you rotate a lens about its
node point, then the image will not
move (or not much).
I made a simple optical bench
(two pieces of wood and a piece of
ground glass) to investigate this
problem. Once you have found the
node, you can also measure the
node-to-focal-point distance. Now,
make a cylinder whose diameter
equals the focal length of the lens,
and place the lens in the centre of a
rotating cylinder. You then have a
The component parts before painting
swing-lens camera.
The Roundshot is motor-driven,
but it is easy to obtain evenly
exposed shots by turning an
operating lever that rotates the lens
cylinder by hand. The exposure time
is determined by the fact that you
expose the lm through a narrow slot
It would help if you have a small

lathe, if not ask around the world is
full of model engineers who like a
challenge. The interesting part is just
looking at the lens to find its node
point. This is the point where all rays
pass through. When this is located,
the rest is mere detail.
about 1mm wide. This helps to
ensure that the image does not
move it paints it on the lm as the
lens is rotated in the cylinder. You
can move the lens through 120 in
about 2secs, and since the lm,
which is wrapped around the outer
cylinder, is around 120mm long, your
exposure time is about 1/60sec.
The lens, an old Patterson 50mm
enlarging lens, was set at f/8 for the
sample shown. A 50mm lens is
something of a compromise. It has
a diagonal coverage of 43mm,
which means that the coverage on
a 120 lm width is not perfect. I
have built another camera with a
Wray 75mm lens. This makes the
cylinder that guides the lm 50%
larger and the whole camera
becomes too bulky and the
camera has to be tripod-mounted.
Go digital, its free
every subscription
comes complete with a free trial
digital version for iPad and iPhone.
FREE Christmas Card to give to

your friend or family member to
announce their gift*
Convenient home delivery on all

magazine subscriptions
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Subscribe online at
magazinesdirect.com/CVY4
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Quote code: CVY4
7 days a week from 8am to 9pm (UK time)
Mike Rignalls swing-lens home-made camera can shoot 120 panoramas
Have you made your own camera? Tell us the story and you could win a years digital subscription to AP worth 79.99.
Email us at amateurphotograher@timeinc.com for details
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If you do not supply an email address you will automatically
be sent a postal Christmas card.57
Technical Support
Professor Newman on
Canons dualpixel technology

Current technology doesnt allow for autofocus on
DSLRs during video, but all that is about to change
images from each half of the exit

pupil can be detected and used to
determine the extent and
direction of defocus, and thus the
new focus position can be found
with a minimum of hunting.
A DSLR uses a separate
autofocus module, using light
reected by a sub-mirror behind
the main reex mirror. The
problem with using this method
for video is that the reex mirror
must be raised during video
shooting, rendering the AF unit
Canons dual-pixel AF sensor has

two photosites per pixel, allowing
phase-detection AF
inoperative. To overcome this,

several cameras have seconded
some of the pixels on the main
image sensor to act as AF
sensors. By placing masks behind
the microlenses of the pixels,
they may be made to accept light
from only one half of the lenss
exit pupil or the other, and thus
act as AF pixels.
Canon, in the EOS 70D and
now the EOS 7D Mark II, has gone
one step further: every imagesensor pixel may act as an AF
sensor. Instead of masking the
pixels, each microlens covers a left
and right pixel, receiving light
from the two halves of the exit
pupil. For autofocus the two
subpixels are used separately,
while for image capture they are
combined. The outcome is a
sensor capable of performing
phase-detection focus
measurement over its whole area.
Instead of masking the pixels, each

microlens covers a lef and right pixel
WIN
A LEICA M
AND SUMMARIT-M 50mm f/2.5
TO CELEBRATE APs 130th
anniversary, we are giving you the
chance to win a Leica M, along with
a Leica Summarit-M 50mm f/2.5
lens. To enter the Amateur
Photographer/Leica prize draw,
collect six differently numbered
tokens and ll in one of the forms
published in either AP 11 October
(includes token 1) or AP 18
October (includes token 2). It can
also be downloaded online at
www.amateurphotographer.
co.uk/apis130. Token 7 is
published here and token 8
will be published in AP 29
November. Send your completed
coupon and six tokens in an
envelope to: Amateur
Photographer/Leica Competition,
9th Floor, Blue Fin Building, 110
Southwark Street, London, SE1
0SU. The closing date for
receipt of the completed form
is Friday 5 December 2014.
TOKEN
he advent of video on
DSLRs has fostered
a small revolution in
the video-production
industry. However, as video
cameras, DSLRs are quite crude,
lacking renements such as
autofocus during video. This
doesnt bother professional lm
crews so much, because they
always employ a focus puller, a
member of the team whose role
is solely to adjust the manual
focus. However, for those working
without a camera team, autofocus
would be a major boon.
Until now, contrast-detection
autofocus has been problematic
for video cameras. It relies on the
contrast of an in-focus image
being higher than an out-of-focus
image. Thus, the camera adjusts
the focus back and forth until the
highest contrast setting is found,
inevitably hunting before it nds
sharp focus, which can be visible
in video footage. Phase-detect
autofocus, the type used in DSLR
cameras, works on a different
principle that rays from different
parts of the lenss exit pupil only
meet at a point when an object is
in focus. The separation between
WORTH
6,300
The EOS 7D Mark II is one

of two Canon cameras in which
every image-sensor pixel can
act as an AF sensor
Bob Newman is currently Professor of Computer Science at the University of Wolverhampton. He has been working with the design and development of
high-technology equipment for 35 years and two of his products have won innovation awards. Bob is also a camera nut and a keen amateur photographer
For full details and terms and conditions

please see www.amateurphotorgapher.
co.uk/apis130
59
To advertise please call 020 3148 2508 Fax 020 3148 8155 Email julia.laurence@timeinc.com
Peak Imaging (ProPix).....................................86
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EEW 7D Mark II
1.0
700D Body
Inc. 50 Cashback*
+ 18-55mm IS STM Inc. 50 CBack*
+18-135mm IS STM Inc. 50 CBack*
+ 18-135mm IS STM + 40mm STM
0 Inc. 50 Cashback*
80
CMOS sensor
From 75
75 Inc. 50 Cashback*
70D + 18-55mm f3.5-5.6 IS STM
Inc. 50 Cashback*
70D + 18-135mm f3.5-5.6 IS STM
100 Inc. 50 Cashback*
70D Body
EOS 1D
.0 fps
100
megapixels
1.0 fps
Full Frame
Full Frame
1.1
CMOS sensor
CMOS sensor
5D Mark III From
From 1
D
D Body
11 Inc. 0 Cashback*
EEW D + 24-70mm f4.0 L IS USM
11 Inc. 0 Cashback*
7D Body
7D + 15-85mm f3.5-5.6 IS USM 11.
70D
movie mode
CASHBACK*
Full Frame
CASHBACK*
movie mode
7D Body
movie mode
megapixels
.5 fps
100
.0 fps
100
60
7.0 fps
100
From 7
700D
0.
movie mode
50
CASHBACK*
movie mode
megapixels
1.0
megapixels
5.0 fps
100
5D Mark III
EOS D
megapixels
0.
megapixels
15
EOS 7D
70D
EOS 700D
5D Mark III Body

5D Mark III + 24-105mm
f4.0L IS USM
5D Mark III + 24-70mm f2.8 II
1D Body
CUSTOMER REVIEW: EOS 1D X Digital SLR Camera Body

honestly say that I hae neer been
so ecited about my euiment
Snappersh Oxford

bought this as an ugrade to the 5D
Mk and hae neer looked back.
Dave Cornwall
CUSTOMER PRODUCT REVIEWS
Canon mas cashback* ends 1.01.15

Canon lens cashback* ends 1.01.15
There are currently oer 7000 roduct reies on our site isit us today to read
hat our customers think of the roducts e sell
Tradeto in,
trade

The full frame sensor is suerb
Sandan Cath Luton
Triods
up
Triod Christmas Deals

'T5L
178cm Max Height
16cm Min Height
Trade in without fuss

the Wex Part-Ex Promise
www.wex.co.uk/part-ex
Mountaineer
Carbon eXact Triod:
GT0532....................................................... 7
GT1532....................................................... 55
GT2542....................................................... 7
GT3542L ..................................................... 7
MT10XPRO
160cm Max Height
9cm Min Height
MT10XPRO ..............15
MT10XPRO ..............1
MT10CXPRO Carbon Fibre ..............
MT10CXPRO Carbon Fibre ..............
MT10XPRO + 496RC2 Ball Head......1
MT10XPRO + 496RC2 Ball Head......1
FREE
RC ,ead
SAVE 11
RRP 260
Worth 26
Manfroto 7B
Monopod
zTL5 3D
Carbon Fibre
Only .5
Only 1
Flashguns & Lightng Accessories

Macrolites:
Seedlites:
430EX II
0
600EX-RT
5
SB700
MT-24EX
7
MR-14EX
Flashguns:
<its:
Seedlights:
Macro ash:
SB910
R1 Close-Up
15
HVL-F43M
75
R1C1
55
HVL-F60AM
5
Flashguns:
Flashguns:
24 AF-1
.
44 AF-1
1 .
52 AF-1
1 .
58 AF-2
15 MS-1
7
EF 610 DG ST
10 .
EF 610 DG Super
1 .
Di622 II.............11.
Di700................15
Di866 Mark II...1
FL-300R
1.
MiniTT1 1
FlexTT5 1
Micro Apollo
5.
Plus III Set
Collapsible
Umbrella Flash Kit
5
PlusX Set
1.
Ezybox
Sofbox .
Sand Bag
.
3m Background
Support
Light Stands
From
10.
Background
Ezybox Hotshoe EzyBalance
Grey 1. Support 1.
From .
TriFlip Kits
From .
FlashBender
From .
AF 540FGZ AF 360FGZ
PZ42X
PF30X...............7.
16R Pro ............7.
Rogue
Soflite
Reector Kits
Inc Honeycomb
& Diuser:
cm
55cm
70cm 1
FL-600R
Flashguns:
Flashguns:
MG8000
EM-140 DG
Macro Flash
From 1.
Flashguns:
Flashguns:
Folding Sofbox
From 5.
Reectors:
0cm
1.50
50cm
.
75cm
.
Urban Collapsible 5cm
5
15
10cm 7.
Reector
Bracket
.
O Camera
ash Cord
From 0.
Tilthead
17.
Sekonic L-308s
1
Pro 478DR
.
DigiPro F
15.
Terms and Conditons All rices incl. VAT at 0. Prices correct

at tme of going to press. FREE Delivery** available on orders
over 50 (based on a 4-day delivery service). For orders under
50 the charge is 2.99** (based on a 4-day delivery service).
For Next Working Day Delivery our charges are 4.99**.
Saturday deliveries are charged at a rate of 8.95**. (**Deliveries of very heavy items, or to some European countries, N.I.,
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availability. Live Chat operates between 8am-7pm Mon-Fri and
may not be available during peak periods. Subject to goods
being returned as new and in the original packaging. Where
returns are accepted in other instances, they may be subject to
a restocking charge. Applies to products sold in full working
conditon. Not applicable to items specically described as IN
or incomplete (ie. being sold for spares only).
Wex Photographic is a trading name of Warehouse Express
Limited. Warehouse Express 2014.
*CAS,BAC<S Are redeemed via product registraton with
the manufacturer. Please refer to our website for details.
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DSLR Lenses
CANON LENSES
EF 20mm f2.8 USM ........................................... 409
NEW EF-S 24mm f2.8 Pancake ......................... 179
EF 28mm f1.8 USM ........................................... 379
EF 35mm f2.0 IS USM ....................................... 469
EF 40mm f2.8 STM............................................ 134
Including 25 Cashback*....Price you pay today 159
TS-E 45mm f2.8................................................. 1129
EF 50mm f2.5 Macro Lens ................................ 203.60
MP-E 65mm f2.8 1-5x Macro............................ 853
TS-E 90mm f2.8................................................. 1124
EF 100mm f2.8 USM Macro.............................. 385
NEW EF 400mm f4.0 DO IS USM II ................... 6999
EF-S 10-22mm f3.5-4.5 USM ............................ 404
EF-S 15-85mm f3.5-5.6 IS USM......................... 579
EF-S 17-55mm f2.8 IS USM ............................... 531.89
Including 45 Cashback*....Price you pay today 576.89
EF-S 18-55mm f3.5-5.6 IS STM Lens ................. 188
EF-S 18-135mm f3.5-5.6 IS STM ....................... 334
EF-S 18-200mm f3.5-5.6 IS................................ 354
EF 24-70mm f4 L IS USM................................... 729
Including 160 Cashback*..Price you pay today 889
EF 24-105mm f4.0 L IS USM.............................. 727
NEW EF 24-105mm f3.5-5.6 IS STM ................. 479
EF 28-135mm f3.5-5.6 IS USM.......................... 359
EF 70-200mm f4.0 L USM ................................. 495
EF 70-200mm f4 L IS USM................................. 879
EF 70-300mm f4.0-5.6 IS USM.......................... 324
NIKON LENSES
10.5mm f2.8 G IF-ED AF DX Fisheye ................. 549
14mm f2.8 D AF ED Lens................................... 1239
NEW 20mm f1.8 G AF-S ED............................... 679
24mm f1.4 G AF-S ED........................................ 1465
NEW 28mm f1.8 G AF-S.................................... 495
NEW 35mm f1.8 G ED AF-S Nikkor ................... 465
40mm f2.8 G AF-S DX Micro ............................. 165
50mm f1.4 G AF-S ............................................. 279
50mm f1.8 G AF-S Lens.5-5.6 G ED VR ............. 149
50mm f2.8 G AF-S ED Micro ............................. 369
60mm f2.8 D AF Micro Nikkor Lens .................. 368
NEW 58mm f1.4 G AF-S Lens............................ 1599
85mm f1.4 G AF-S ............................................. 1177
105mm f2.8 G AF-S VR IF ED Micro .................. 589
Including 40 Cashback*....Price you pay today629
135mm f2.0 D AF DC......................................... 1029
180mm f2.8 D AF IF-ED..................................... 695
200mm f4.0 AF Micro ....................................... 1179
300mm f4.0 D AF-S IF ED .................................. 1029
10-24mm f3.5-4.5 G AF-S DX ............................ 639
12-24mm f4 G AF-S IF-ED DX............................ 839
14-24mm f2.8 G ED AF-S .................................. 1140
Including 175 Cashback*..Price you pay today1315
16-85mm f3.5-5.6 G ED AF-S DX VR ................. 438
17-55mm f2.8 G ED DX AF-S IF ......................... 1049
18-35mm f3.5-4.5G AF-S ED Nikkor.................. 519
NEW 18-55mm f3.5-5.6 G F-S DX NIKKOR VR II 229
18-105mm AF-S DX Nikkor f3.5-5.6 G ED VR.... 204
18-140mm f3.5-5.6 G ED AF-S DX VR ............... 459
18-200mm f3.5-5.6 G ED AF-S DX VR II ............ 534
18-300mm f3.5-5.6 ED AF-S VR ........................ 679
24-70mm f2.8 G ED AF-S................................... 1060
Including 175 Cashback*..Price you pay today 1235

24-85mm f3.5-4.5 AF-S G ED VR....................... 399
24-120mm f4 G AF-S ED VR .............................. 799
28-300mm f3.5-5.6 G ED AF-S VR..................... 659
55-200mm f4-5.6 G AF-S DX VR IF-ED .............. 221
55-300mm f4.5-5.6 G AF-S DX VR..................... 249
70-200mm f4 G ED VR ...................................... 864
70-200mm f2.8G ED AF-S VR II......................... 1494
70-300mm f4.5-5.6 G ED AF-S IF VR................. 419
SIGMA LENSES - with 3 Year Warranty

30mm f1.4 DC HSM .......................................... 369
35mm f1.4 DG HSM .......................................... 649
50mm f2.8 EX DG Macro .................................. 269
50mm f1.4 EX DG HSM ..................................... 329
70mm f2.8 EX DG Macro .................................. 359
85mm f1.4 EX DG HSM ..................................... 649
105mm f2.8 APO EX DG OS HSM Macro .......... 379
150mm f2.8 EX DG OS HSM Macro .................. 699
8-16mm f4.5-5.6 DC HSM................................. 549
10-20mm f4.0-5.6 EX DC HSM.......................... 349
10-20mm f3.5 EX DC HSM ................................ 399
12-24mm f4.5-5.6 EX DG HSM II....................... 579
17-70mm f2.8-4.0 DC OS HSM ......................... 329
18-200mm f3.5-6.3 DC OS HSM II .................... 239
18-250mm f3.5-6.3 DC OS HSM ....................... 306
18-250mm f3.5-6.3 DC Macro OS HSM............ 295.90
Perfect for
carrying a Pro
DSLR plus a
standard lens
plus
accessories.
NEW
Pro Trekker
450 AW NEW
Black
Perfect for
carrying 1-2
Pro DSLRs, 4-7
lenses, 2 ash, a
tripod plus a 15
laptop.
Hadley Pro
Original
Khaki
Manfroto
Professional
Backpacks
NEW Pro Trekker:

450 AW.............................. 325
NEW Toploader:
650 AW.............................. 365
Pro 70 AW II ...........................75 Lens Trekker:
Pro 75 AW II ...........................85 600 AW II........................... 255
Designed
to hold
a DSLR,
lenses and
several accessories.
40
65x
Expediton:
5x.....129
6x.....144
7x.....179
8x.....199
9x.....219
Spyder4 Pro.....114
i1 Display Pro . 160
ColorMunki
Smile................67
20.2
CASHBACK*
12.8
megapixels
4.2x
NEW
optcal zoom
1080p
50
CASHBACK*
megapixels
5.0x
optcal zoom
1080p
1080p
movie mode
movie mode
movie mode
NEW PowerShot SX60 HS
NEW PowerShot G7 X
PowerShot G1 X Mark II
409 Including 40 Cashback*
WG-4 GPS
Blue or Black...........229
WG-30
Red or Black........... 229
Ricoh GR
16 Megapixel with
xed f2.8 GR lens ...469
GR
399
20.1
megapixels
Black
Cyber-Shot RX100 III
699
NEW
Black or
Silver
Intuos5 Pro Professional

Pen and Touch Tablet
Small ..................... 174
Medium ................ 259
Large ..................... 369
30
CASHBACK*
18.1
optcal zoom
NEW Lumix LX100 699
Cyber-shot HX400
299 Inc. 40 C/Back*
Cyber-shot HX60
+ FREE case
229 Inc. 30 C/Back*
Cyber-shot WX350
172 Inc. 20 C/Back*
Cyber-Shot RX100 II
+ FREE case
429 Inc. 50 C/Back*
Cyber-Shot RX10
649 Inc. 50 C/Back*
Cyber-Shot RX1
2049 Inc. 200 C/Back*
Cyber-Shot RX1 R
2099 Inc. 200 C/Back*
RX100
319 Inc. 30 C/Back*
Sony Cashback* ends
25th January 2015
FREE delivery on orders over 50**
Lumix TZ60
289 Including 30 C/Back*
Black
20.1
megapixels
Lumix DMC-FZ1000 749
16.1
60x
megapixels
Black or
Silver
optcal zoom
349
Lumix TZ55................................................................179
Lumix FT5 Orange....................................................255
Lumix LF1......................239 Including 30 Cashback*
Price you pay today.................................................269
Lumix FZ72.................. 239 Including 30 Cashback*
Price you pay today ................................................269
Lumix FZ200................ 319 Including 30 Cashback*
Price you pay today ................................................349
Panasonic Cashback* ends 12th January 2015
Coolpix P600 Black or Red...................................279
Coolpix AW120 Black, Orange or Camoage......219
Coolpix S9700 Black, Red or White .....................179
Coolpix S3600 ......................................................79
Coolpix S5300 ......................................................109
Coolpix S6800 ......................................................149
megapixels
12.2
Coolpix P7800
IXUS 265 HS ...................................................119

PowerShot SX600 HS.....................................129
PowerShot SX700 HS.....................................189
Including 30 Cashback*.Price you pay today. 219
PowerShot D30..............................................214
NEW PowerShot SX520 HS ...........................249.95
PowerShot S120 ............................................279
PowerShot G16..............................................339
megapixels
24x
Stylus SH-1..............................................................249
Stylus Tough TG-3...................................................325
Stylus SP-100EE.......................................................249
Stylus Tough TG-850 Black, Silver & White ............229
Stylus 1
PIXMA Pro 100...... 364

PIXMA Pro 10.........499
PIXMA Pro 1...........645
Canvas/Leather: Khaki, Black

FibreNyte/Leather: Khaki,
Sage, Black.
Digital.........................109
Small ..........................139
Large...........................154
Pro Original................169
50
NEW
optcal zoom
WG-4
Tamron Cashback* ends 31st December 2014

Canon Cashback* ends 21st January 2015
Nikon Cashback* ends 25th January 2015
Digital compact camera bateries, cases and accessories are available on our website
CASHBACK*
16.1
Expediton
5x Black
20 ...........................124
30 ...........................189
50 ...........................219
Digital Compact Cameras
megapixels
TAMRON LENSES - with 5 Year Warranty

90mm f2.8-4.0 VC USD Macro.......................... 399
180mm f3.5 Di SP AF Macro............................. 698
10-24mm f3.5-4.5 Di II LD SP AF ASP IF............ 359
17-50mm f2.8 XR Di II VC.................................. 349
18-200mm f3.5-6.3 AF XR DI II.......................... 132
18-270mm f3.5-6.3 Di II VC PZD ....................... 279
24-70mm f2.8 Di VC USD SP ............................. 799
28-75mm f2.8 XR Di.......................................... 359
70-200mm f2.8 Di VC USD................................ 1089
70-300mm f4-5.6 SP Di VC USD........................ 289
Computng
Photo Bags & Rucksacks

Toploader Pro
70 AW II Black
NEW 18-300mm f3.6-6.3 C DC Macro OS HSM 499

24-70mm f2.8 IF EX DG HSM............................ 595.90
50-150mm f2.8 EX DC APO OS HSM................. 739
50-200mm f4.0-5.6 DC OS HSM ....................... 119
50-500mm f4.5-6.3 DG OS HSM....................... 999
70-200mm f2.8 EX DG OS HSM ........................ 799
70-300mm f4.0-5.6 APO Macro Super DG From150
70-300mm f4.0-5.6 DG OS................................ 275
120-300mm f2.8 OS.......................................... 2799
120-400mm f4.5-5.6 DG OS HSM............From 639
150-500mm f5.0-6.3 DG OS HSM..................... 699
NEW 150-500mm f5.0-6.3 S DG OS HSM......... 1599
EX DG APO Tele Converters .....................From 198
Coolpix P600 279

NEW
12.0
megapixels
16.3
megapixels
APS-C
optcal zoom
size sensor
NEW FinePix X100T 999
4x
NEW FinePix X30 479
FinePix XP70 ........................................................137

FinePix S9200.......................................................174
Including 20 Cashback*.... Price you pay today.194
FinePix HS50 ........................................................279
FinePix S1.............................................................279
Including 50 Cashback*.... Price you pay today.329
FinePix X100s Silver or Black ...............................799
Fujilm Cashback* ends 11th January 2015
**Based on a 4-day delivery service, UK only.
Visit our website - updated daily
www.ParkCameras.com/AP
or phone us 7 days a week
01444 23 70 60
Canon EOS 6D
NEW!
A 20.2-megapixel DSLR featuring a full-frame sensor and

compact design. Ideal for portrait photography
and travel, oering tight control over depth of
eld and a large choice of wide-angle EF lenses.
Body Only
1,219.00*
Get more out of your Canon EOS 7D II
with our training course - held at our
Burgess Hill store - 07.02.15 - 99.99
Limited numbers now in stock!

Visit us in store, online or call 01444 23 70 60
Canon EOS 1200D

20
18.0
MEGA
PIXELS
Canon EOS 100D
cashback
3 FPS
Body Only
259.00*
+ 18-55 IS II
309.00*
*Prices include 20 cashback

from Canon UK. Ends 21.01.2015
MEGA
PIXELS
cashback
4 FPS
Body Only
345.00*
+ 18-55 IS STM
419.00*

Canon EOS 7D
60
20.2
MEGA
PIXELS
cashback
7 FPS
Body Only
755
.00*
+ 18-135 IS
1,010
.00*

20.2
MEGA
PIXELS
NEW
LOW
PRICE
7 FPS
Body Only
699
.00
1,719.00*

from Canon UK. Ends 21.01.2015.
T&Cs apply. See website.
+ 17-55 IS
1,299
.00
Purchase a USED EOS 7D from

only 499! Call 01444 23 70 60
50
18.0
MEGA
PIXELS
cashback
5 FPS
Body Only
429.00*
+ 18-55 IS STM
489.00*

Understanding your
Canon EOS 5D Mark III
12th Dec 2014
30th Jan 2015
Burgess Hill store London store
Canon EOS 5D Mark III Canon EOS-1D X

0%
22.3
MEGA
PIXELS
FINANCE
7 FPS
Body Only
2,299
.00
+ 24-105 f/4 L
2,899
.00
12 months interest free credit

on the EOS 5D Mark III. See web.
18.1
MEGA
PIXELS
In stock from 4,845.00

See website for full details
See our website for some
recommended lenses
Canon PowerShot SX60 HS
Canon PowerShot S120
Canon PowerShot G7 X
Canon PowerShot G1X II
16.1
12.1
20.2
12.8
MEGA
PIXELS
65x
NEW!
Now only 409.00
MEGA
PIXELS
5x
MEGA
PIXELS
Now only 279.00
SRP 449.99
SRP 449.99
*Price includes 40 cashback

Canon PIXMA iP8750
50
cashback
Add a Canon NB-6LH spare

battery for only 39!
Vibrant and exciting A3+ printer
30
5x
50
cashback
Now only 599.00*


SRP 749.00
Canon PIXMA PRO-10

Gallery quality A3+ printer
FREE
GIFTS
cashback
MEGA
PIXELS
Now only 529.00*
SRP 579.00
Canon PIXMA PRO-100
A3+ wireless printer
4.2x
Canon PIXMA PRO-1
SRP 562.80
SRP 788.80
Now only 499.00
Now only 645.00

FREE X-Rite ColorMunki Smile &

Canon Luster A3 paper! See web
FREE X-Rite ColorMunki Smile &

Canon Luster A3 paper! See web
FREE DataColor Spyder 4 Elite &

Canon PP 201 A3 paper! See web
Canon EOS 300D Body (Silver)

from 69.00
Canon EOS 500D Body
from 169.00
Canon EOS 30D Body
109.00
Canon EOS 40D Body
140.00
Canon EOS 50D Body
249.00
Canon EOS 600D + 18-55mm IS II
299.00
Canon EOS 7D Mark I Body
from 499.00
Canon EOS 5D Mark I Body
from 299.00
Canon EOS 5D Mark II Body
from 699.00
14mm f/2.8L II USM

1,669.00
20mm f/2.8 USM
409.00
24mm f/1.4L Mk II USM 1,224.00
24mm f/2.8 IS USM
458.00
EF-S 24mm f/2.8 STM NEW See web
28mm f/1.8 USM
379.00
28mm f/2.8 IS USM
409.00
35mm f/1.4L USM
1,099.00
35mm f/2.0 IS USM
469.00
40mm f/2.8 STM
159.00
50mm f/1.2 L USM
1,149.00
50mm f/1.4 USM
279.00
50mm f/1.8 II
80.00
50mm f/2.5 Macro
234.00
EF-S 60mm f/2.8 Macro
365.00
MP-E 65mm f/2.8
853.00
85mm f/1.2L II USM
1,549.00
85mm f/1.8 USM
289.00
100mm f/2 USM
359.00
100mm f/2.8 USM Macro 385.00
100mm f/2.8L Macro IS USM 699.00
135mm f/2.0L USM
769.00
180mm f/3.5L USM Macro 1,109.00
200mm f/2.0L IS USM
4,449.00
200mm f/2.8L USM/2
569.00
300mm f/2.8L USM IS II 4,899.00
EF 300mm f/4.0L USM IS 1,079.00
400mm f/2.8L USM IS II 7,799.00
400mm f/4.0 DO L USM IS 4,999.00
400mm f/4.0 DO IS II USM See web
400mm f/5.6L USM
989.00
500mm f/4.0L USM IS MK II 7,049.00
600mm f/4.0L USM IS MK II 8,899.00
800mm f/5.6L IS USM
9,999.00
TSE 17mm f/4.0L
1,659.00
TSE 24mm f/3.5L II
1,479.00
1,129.00
TSE 90mm f/2.8

1,124.00
8-15mm f/4L Fisheye USM
999.00
EF-S 10-18mm IS STM
299.00
EF-S 10-22mm f/3.5-4.5 USM 449.00
EF-S 15-85mm f/3.5-5.6 IS
579.00
16-35mm f/2.8L II USM 1,199.00
16-35mm f/4.0L IS USM 1,199.00
17-40mm f/4.0L USM
619.00
EF-S 17-55mm f/2.8 IS USM 619.00
EF-S 17-85 IS (No packaging) 189.00
EF-S 18-55 IS ll (No packaging) 70.00
EF-S 18-135mm IS STM
359.00
18-135 IS STM (No packaging) 299.00
EF-S 18-200mm f/3.5-5.6 IS 399.00
24-70mm f/2.8L II USM 1,549.00
24-70mm f/4.0L IS USM
889.00
24-105mm f/4.0L IS USM 813.00
24-105mm (White Box)
739.00
24-105mm f/3.5-5.6 IS STM See web
28-135mm f/3.5-5.6 USM IS 359.00
28-300mm f/3.5-5.6L IS USM 1,899.00
EF-S 55-250mm f/4-5.6 IS STM 284.00
EF-S 55-250mm f/4-5.6 IS II 169.00
70-200mm f/2.8L IS II USM 1,699.00
70-200mm f/2.8L USM
1,019.00
70-200mm f/4.0L IS USM 959.00
70-200mm f/4.0L USM
495.00
70-300mm f/4.0-5.6 IS USM 389.00
70-300mm f/4.0-5.6L IS USM 1,069.00
70-300mm DO IS USM
1,138.00
75-300mm f/4.0-5.6 III
188.00
75-300mm f/4.0-5.6 USM III 209.00
100-400mm L IS USM
1,239.00
100-400mm L IS USM II
See web
EF 200-400mm f/4.0L USM IS8,749.00
1.4x III Extender
329.00
329.00
SRP 958.80
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CANON LENSES
Canon EOS 700D

30
18.0
+ 24-105 f/4 L IS + 24-70 f/4 L IS
80
cashback
inc. ashguns, see our website
STOCK AVAILABLE AT OUR LONDON & BURGESS HILL STORES.

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Canon EOS-1D Mark IV Body from 1,799.00

Canon EOS-1D C Body
4,999.00
Canon EOS-1Ds Mark III Body
1,349.00
Canon BG-E13 Battery Grip
99.00
149.00
69.00
Canon TS-E 24mm f/3.5L Mk. I
749.00
Canon EF-S 60mm Macro f/2.8 USM
199.00
Canon EF-S 17-55mm f/2.8 IS USM
399.00
Canon EF 17-85mm f4-5.6 IS USM

129.00
Canon EF 24-105mm f/4L IS USM
499.00
Canon EF 28-135mm f/3.5-5.6 IS USM 149.00
Canon EF 400mm f/4L IS DO
3,100.00
Canon EF 70-200mm f/4L IS USM
599.00
Canon XA10 HD Camcorder
899.00
If you're looking for something in particular,
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NIKON D750
Nikon D3200
150 trade-in bonus!
See website for details
24.2
1080p
Full HD
MEGA
PIXELS
NEW!!
20
cashback
Body Only
229.00*
NOW IN STOCK!
See web for full details
Body SRP 1,799.00
+ 18-55 VR II

from Nikon UK. Ends 25.01.2015
Nikon D3300
Nikon D7000
Nikon D7100
24.2
16.2
24.1
MEGA
PIXELS
30
5 FPS
Body Only
364.00*
+ 18-55 VR II
369.00*

Nikon D610
24.3
MEGA
PIXELS
FREE
GRIP!
QUIET
RELEASE
MODE
Body Only
1,285.00
MEGA
PIXELS
cashback
Body Only
579.00
+ 24-85 VR
Purchase before 04.02.15 and

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NIKON LENSES
AF-G 10.5mm f/2.8G ED DX 549.00

AF-D 14mm f/2.8D
1,239.00
AF-D 16mm f/2.8D Fisheye 625.00
AF-S 20mm f/1.8G ED NEW See Web
AF-D 20mm f/2.8
463.00
AF-D 24mm f/2.8D
369.00
AF-S Nikkor 24mm f/1.4G 1,465.00
PC-E 24mm f/3.5D ED
1,465.00
AF-D 28mm f/2.8
243.00
AF-S 28mm f/1.8G
495.00
AF-S 35mm f/1.4G
1,295.00
35mm f/2 AF Nikkor D
255.00
AF-S 35mm f/1.8G ED
465.00
AF-S 35mm f1.8G DX
148.00
AF-S 40mm f/2.8G ED
185.00
PC-E 45mm f/2.8D ED
1,393.00
AF 50mm f/1.4D
244.00
AF-S 50mm f/1.4G
279.00
AF-D 50mm f/1.8
109.00
AF-S 50mm f/1.8G
149.00
AF-S 58mm f/1.4G
1,599.00
AF-D 60mm f/2.8 Micro
368.00
AF-S 60mm f/2.8G Micro ED 404.00
AF-S 85mm f/3.5G DX Micro 375.00
+ 18-105 VR
Nikon D810
769.00
36.3
+ 18-105 VR
899.00
Nikon D4s
MEGA
PIXELS
0%
nance!
16.2
7 FPS
now in stock!
Prices updated DAILY!

See www.ParkCameras.com/AP for details.
AF-D 85mm f/1.8D
299.00
AF-S 85mm f/1.8G
375.00
AF-S 85mm f/1.4G
1,177.00
AF-S 105mm f/2.8G VR
629.00
PC-E 85mm f/2.8D ED
1,299.00
AF-DC 105mm f/2 Nikkor 805.00
AF-D 135mm f/2.0D
1,029.00
AF-D 180mm f/2.8 IF ED
695.00
AF-D 200mm f/4D IF ED 1,179.00
AF-S 200mm f/2G ED VR II 4,099.00
AF-S 300mm f/2.8G ED VR II 3,999.00
AF-S 300mm f/4 D IF-ED 1,029.00
AF-S 400mm f/2.8G ED VR6,589.00
AF-S 400mm f/2.8 FL ED VR 10,399.00
AF-S 500mm f/4G ED VR 5,849.00
AF-S 600mm f/4G ED VR 7,069.00
AF-S 800mm f/5.6 FL ED VR 13,995.00
AF-S 10-24mm f/3.5-4.5G ED 639.00
AF-S 12-24mm f/4 G IF-ED 839.00
AF-S 14-24mm f/2.8G ED 1,315.00
AF-S 16-35mm f/4G ED VR 829.00
AF-S 16-85mm f/3.5-5.6G VR 438.00
AF-S 17-35mm f/2.8 IF ED 1,499.00
AF-S 17-55mm f/2.8G DX 1,049.00
AF-S 18-35mm f/3.5-4.5G ED 519.00

AF-S 18-105mm ED VR
234.99
AF-S 18-105mm VR (White Box)175.00
AF-S 18-140mm ED VR DX 459.00
AF-S 18-200mm ED DX VR II 584.00
AF-S 18-300mm ED VR DX 629.00
AF-S 18-300mm ED VR DX 679.00
AF-S 24-70mm f/2.8G ED 1,245.00
AF-S 24-85mm ED VR
409.00
AF-S 24-85mm VR (White Box)375.00
AF-S 24-120mm f/4G ED VR 799.00
AF-S 28-300mm ED VR
659.00
AF-S 55-200mm DX Black 199.99
AF-S 55-200mm VR DX
241.00
AF-S 55-300mm VR DX
279.00
AF-S 70-200mm f/2.8 VR II1,579.00
AF-S 70-200mm f/4.0 ED VR 949.00
AF-S 70-300mm IF ED VR 439.00
AF-D 80-400mm ED VR
939.00
AF-S 80-400mm ED VR
1,899.00
AF-S 200-400mm VR II
4,899.00
TC-14E II 1.4x Teleconverter 309.00
TC-14E III 1.4x Teleconverter 449.00
TC-17E II 1.7x Teleconverter 309.00
Visit our London or Burgess Hill stores where you can try out the
range of Sony cameras and lenses, to help choose the perfect product.
In stock from
2,049.00
Meet the full-frame, palm sized a7 range: portability and capability in one.
Featuring a 35mm Full-Frame sensor into a body half the weight of leading
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Sony QX1
20.1
NEW!!
MEGA
PIXELS
Sony 6000 + 16-50mm
Sony RX100 III
24.3
20.1
MEGA
PIXELS
11 FPS
Add an Olympus VF-4 digital

viewnder only 200!
Panasonic DMC-GM5
50
E-mount lens compatibility

lets you get creative
MEGA
PIXELS
Body Only
499.00
2.9x
FREE
CASE
Now only 699.00
SRP 729.00
SRP 759.00

Add a Sony LCJ-RXF case for FREE

worth 69 whilst stock lasts!
MEGA
PIXELS
+ 14-42 EZ
659.00
NEW!
NEW & COMING SOON!!

Add a DMW-BLH7E spare battery

for only 44!
16.0 3.2
MEGA
PIXELS
SCREEN
50
MEGA
PIXELS
1080p
MOVIES
5 FPS
Body Only
499.00*
+ 12-50mm
949.00
1,249.00
Test drive this camera for FREE!

Available at both stores. See web
100
Body Only
499.00
+ 20mm
649.00*

from Panasonic. Ends 12.01.2015
16.2
MEGA
PIXELS
cashback
+ 12-35mm
1,199.00

16.0 3.0
MEGA
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50
SCREEN
cashback
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Panasonic LUMIX GH3 Panasonic LUMIX GH4

16.0
Black Body
Panasonic LUMIX GX7 Panasonic DMC-G6
16.0
MEGA
PIXELS
16.3
1080p
Full HD
Test drive this camera for FREE!

Available at both stores. See web
4K
MOVIES
5 FPS
Body Only
1,099.00*
100
cashback
+ 14-140mm
1,549.00*
*Prices includes 100 cashback

+14-42mm
399.00*
Twin lens kit
629.00

Panasonic
M. 4/3 LENSES
Lumix G 8mm f/3.5 Fisheye 555.00

Leica Summilux 25mm f/1.4 429.00
Leica Nocticron 42.5mm f/1.21,199.00
Lumix G 12-32mm f/3.5-5.6 429.00
Lumix G 12-35mm f/2.8*
789.00
Lumix G 14-42mm f/3.5-5.6* 199.00
Lumix G 45-150mm OIS
199.00
Lumix G 45-200mm f/4-5.6 249.00
*unboxed NEW item
Panasonic DMC-TZ60 Panasonic DMC-FZ200 Panasonic LX100

18.1 3.0
MEGA
12.1
SCREEN
MEGA
PIXELS
30
24x
30
4K
LEICA
LENS
cashback
NEW!
Now only 269.00*
Now only 319.00*
NEW & NOW IN STOCK!!


Purchase before 30.11.14 &

receive a FREE retractable lens cap
SRP 399.99
Try out the latest Panasonic products & get expert

advice in our Burgess Hill or Central London stores
T
Tamron 16-300mm
f/5-6.3
f/3.5-6.3 Di II VC PZD
Tamron 70-200mm
f/2.8 Di VC USD
50
cashback
cashback
NEW & NOW IN STOCK!! Now only 499.00*

FREE 8GB
Flash Air card
SRP 349.99
In stock from
1,099.00
In stock from
1,499.00
16.3
cashback
7S
Olympus OM-D E-M10 Olympus OM-D E-M1

MEGA
PIXELS
429.00
PIXELS
7R
NEW!
16.1
+ 14-42 EZ
9mm Fish-Eye Body Cap

89.00
12mm f/2.0 Silver
556.00
15mm f/8.0 Body Cap
59.00
17mm f/1.8 Silver / Black 359.00 *
17mm f/2.8 Silver
229.00
25mm f/1.8 Silver / Black 319.00
60mm f/2.8 Macro
365.00
9-18mm f/4-5.6
479.00
12-40mm f/2.8 Pro
799.00
12-50mm f/3.5-6.3 (Unboxed)249.00
14-150mm f/4.0-5.6 ED
489.00
40-150mm f/4.0-5.6R
129.00
14-42mm Black (Unboxed) 99.99
14-42mm f/3.5-5.6 II R MFT 239.00
40-150mm f/2.8 Pro MFT See web
75-300mm f/4.8-6.7 ED II 389.00

See instore or online.
Olympus E-PL6
Purchase before 04.02.15 & benet

from 12 months 0% nance!
Visit us in store & try these leneses out for youself & receive expert advice
SONY OFFERS
Limited numbers
Purchase before 04.02.15 & benet

from a 300 trade-in bonus!
HD
SCREEN
MEGA
PIXELS
11 FPS
In stock from 4,679.00*
Body Only 2,399.00
8.3 FPS
3.2
FREE
GRIP!
Purchase before 04.02.15 and

claim a FREE GRIP from Nikon!
300
trade-in
bonus
MEGA
PIXELS
7 FPS
Body Only
699.99
Add a Nikon MB-D11 battery

grip for only 224!
MEGA
PIXELS
See web
MEGA
PIXELS
6 FPS
23.3
309.00*
OLYMPUS
M. 4/3 LENSES
Limited stock at 949
.00
Limited stock at 529.00

Now only 1,099.00

SRP 1,649.99
For the complete Tamron range, visit us in store, online or call 01444 23 70 60
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Sigma 30mm
Sigma is a world leader in the optical eld

with top quality lenses available in Sigma,
Canon, Nikon, Pentax, Sony and FourThirds t. See below to nd a lens for you
at LOW PARK CAMERAS PRICES!
Sigma 50mm
f/1.4 DC HSM
f/2.8 Macro EX DG
Available in Canon,
Nikon, & Sigma ts
Available in Canon,
Nikon, Pentax, Sony
& Sigma ts
Available in Canon,
Nikon, Sony &
Sigma ts
Available in Canon,
Nikon, Pentax,
& Sigma ts
f/4-5.6 EX
In stock at 209.00
In stock at 679.00
In stock at 349.00
Add a Sigma 62mm DG MC UV

lter for only 35!
Add a Sigma EM-140 DG Macro

ring ash for only 309.99!
Add a Sigma Cleaning Cloth

for only 6!

lter for only 45!
Sigma 120-400mm
Available in Canon,
Nikon, Pentax, Sony &
Sigma ts
Available in Canon,
Nikon, Pentax, Sony
& Sigma ts
Available in Pentax,
Sony & Sigma ts
f/4.5-5.6 APO DG OS HSM
NEW!!
Sigma 10-20mm
f/4.5-5.6 DC HSM
In stock at 369.00
Sigma 18-300mm
f/3.5-6.3 DC Macro OS HSM
Sigma 8-16mm
Sigma 18-35mm
f/1.8 DC HSM
WHILST
STOCK
LASTS
WHILST
STOCK
LASTS
Sigma 150-500mm
Sigma 150-600mm
Sigma 70-200mm
Available in Canon,
Nikon, Pentax,
& Sigma ts
Available in
Canon, Nikon,
& Sigma ts
Available in Canon,
Nikon, Sony &
Sigma ts
f/5-6.3 APO DG OS HSM
FREE
FILTER
f/5-6.3 DG OS HSM | Sports
f/2.8 APO EX DG OS HSM
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lter for only 29!

lter for only 45!
Claim a FREE 86mm DG UV lter

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SIGMA LENSES
4.5mm f/2.8 Fisheye EX DC 599.00

8mm f/3.5 Fisheye EX DG 618.00
10mm f/2.8 EX DC HSM
489.00
15mm f/2.8 Fisheye EX DG 474.00
19mm f/2.8 DN
159.00
20mm f/1.8 DG Asph. RF
389.00
24mm f/1.8 DG Asph. Macro 399.00
28mm f/1.8 DG EX Macro 299.99
30mm f/1.4 DC HSM
379.00
30mm f/2.8 DN
159.00
35mm f/1.4 DG HSM
669.00
50mm f/1.4 EX DG HSM
329.00
50mm f/2.8 Macro
209.99
60mm f/2.8 DN
159.00
70mm f/2.8 Macro
299.99
85mm f/1.4 EX DG HSM
649.00

See www.ParkCameras.com/AP for details.
105mm f/2.8 EX DG OS HSM 399.00
150mm f/2.8 OS Macro
699.00
180mm f/2.8 EX DG OS HSM1,199.00
300mm f/2.8 APO EX DG 2,179.99
500mm f/4.5 APO EX DG 3,399.99
800mm f/5.6 APO EX DG 4,349.99
8-16mm f/4.5-5.6 DC HSM 549.00
10-20mm f/4-5.6 EX DC
349.00
10-20mm f/3.5 EX DC HSM 399.00
12-24mm f/4.5-5.6 II DG HSM 589.00
17-50mm f/2.8 DC OS HSM 309.00
17-70mm f/2.8-4 Macro OS 344.00
18-35mm f/1.8 DC HSM
639.00
18-200mm f/3.5-6.3 II DC OS 209.00
18-200mm f/3.5-6.3 OS HSM 269.00
18-250mm Macro OS HSM 299.00
24-70mm f/2.8 IF EX DG
599.00
24-105mm f/4 DG OS HSM 679.00
50-150mm f/2.8 OS
739.00
70-200mm f/2.8 OS
799.00
70-300mm f/4.0-5.6 Macro 150.00
70-300mm f/4.0-5.6 DG Macro 99.00
70-300mm f/4.0-5.6 DG OS 199.00*
120-300mm f/2.8 OS HSM S 2,799.00
120-400mm f/4.5-5.6 DG OS469.99*
150-500mm f/5.0-6.3 DG OS699.00
200-500mm f/2.8 EX DG 12,799.99
300-800mm f/5.6 EX DG HSM5,498.00
EX DG 1.4x APO
198.00
EX DG 2x APO DG
232.00
USB Dock
39.95
Sigma Filters
from 17.99
Visit us in store & try these leneses out for youself & receive expert advice
Fujilm X30
A premium quality compact

camera oering a range of classleading functions, unrivalled
image quality and superb design!
In stock at only 429.00*
12.0
MEGA
PIXELS
50
cashback
*Price after 50 cashback. You pay 479.00 & claim 50 from Fujilm.
Fujilm X-E2 + 18-55mm

16.3
MEGA
PIXELS
FUJI
X-MOUNT
100
cashback
Now only 729.00*

SRP 1,049.00
*Price after 100 cashback. You
pay 829.00 & claim 100 from Fuji.
Fujilm X-T1 Body

16.3
Now only 799
2 FREE
LENSES
MEGA
PIXELS
HD
cashback
SRP 1,049.99
Buy the X-Pro 1 and receive the

XF18mm & XF27mm for FREE!
*Price after 100 cashback. You
Samsung NX300 + 20-50mm Samsung Galaxy NX + 18-55mm
20.3
20.3
Now only 569.00
SRP 899.00
Add a SanDisk 16GB Ultra

SDHC Card for only 10!
MEGA
PIXELS
20.3 4.8
MEGA
HD
PIXELS
SCREEN
Now only 349.00
Now only 689.00
Supplied with Adobe Photoshop

Lightroom 4.0 FREE
Supplied with Adobe Photoshop

Lightroom 5.0 FREE
SRP 599.99
Samsung NX1
15fps continuous shooting
200+ point wide-area autofocus
4K and UHD Video
Durable body
Choice of 18 lenses including primes,
zooms and specialist optics
See web
for full
details
SRP 999.99
NEW&COMING SOON!!
Pre-order the Samsung NX1 and receive a FREE Samsung

Case & Samsung 16-50mm lens! Oer ends 23.11.2014
FIXED
19MM
LENS
SD
card
MEGA
PIXELS
7 FPS
3.0
FIXED
30MM
LENS
SCREEN
Learn more about this camera at

our team about

this camera on
01444 23 70 60
QUICK
SET
MENU
SD
card
In stock at 799.99
NEW & COMING SOON!! Speak to one of

Learn more about this camera at
Speak to one of
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Sigma EF 610
ST DG
Sigma EF 610
Super DG
Sigma EM-140
DG Macro Flash
Now only 119.99
Now only 155.00
Now only 319.99
SRP 169.99
SRP 259.99
SRP 379.99
Pentax K-50
40
cashback
16.2
MEGA
PIXELS
23.3
MEGA
PIXELS
8.3 FPS
3.2
HD
SCREEN
SD
card
Body Only
309.00*
+ 18-55 WR
355.00*

from Ricoh. Ends 10.01.2015
Our Price
from 749.00*
70
Looking at the K-3?

Consider the Prestige
Edition with grip, two
batteries and strap.
See web for details.
cashback
pay 949.00 & claim 100 from Fuji.
Samsung NX30 + 18-55mm

MEGA
PIXELS
3.0
SCREEN
100
Now only 849.00*
.99
7 FPS
XF 14mm f/2.8
665.00
XF 18mm f/2.0
399.00
XF 23mm f/1.4
719.00
XF 27mm f/2.8 Pancake
339.00
XC 16-50mm f/3.5-5.6 OIS 339.00
XF 18-55mm f/2.8-4 OIS
489.00
XF 18-135mm f/3.5-5.6 OIS 699.00
XC 50-230mm f/4.5-6.7 OIS 349.00
XC 55-200mm f/3.5-4.8 OIS 539.00
Want to know more about these
lenses? See www.ParkCameras.com
16.3
HD
MEGA
PIXELS
Sigma DP2
NEW!! 29.0
QUICK
SET
MENU
Fujilm Lenses
Fujilm X-Pro 1 Body

MEGA
PIXELS
Sigma DP1
29.0
In stock at 799.00
NEW & COMING SOON!!
Pentax
MEGA
PIXELS
5.4 FPS
Body Only
429.00*
Ricoh WG-M1
Pentax
12.4
14.0
16.7
IS
Body Only
289.00
MEGA
PIXELS
+ 5-15mm
369.00
Add a Pentax 3.8-5.9mm

f/3.7-4.0 lens for only 429!
Pentax Lenses
10-17mm f/3.5-4.5 DA ED IF 329.00

12-24mm f/4 DA ED AL (IF) 739.00
16-50mm f/2.8 DA* ED AL 819.00
17-70mm f/4 DA AL IF SDM 449.00
18-55mm f/3.5-5.6 DA WR 159.00
18-135mm f/3.5-5.6 DA WR 379.00
18-270mm f3.5-6.3 ED SDM 429.00
50-135mm f/2.8 ED IF DA* 849.00
Camera Only
199.00
MEGA
PIXELS
Bundle Kit
249.00
Add a WG Handle bar mount

O-CM1472 for only 29.99!
50-200mm f/4-5.6 ED WR 269.00

55-300mm f/4.0-5.8
359.00
60-250mm f4.0 ED (IF)
1,069.00
02 Std. Zoom 27.5-83mm 249.00
03 Fish Eye 160 Degree
79.00
04 Toy Wide Lens 35mm
59.00
05 Toy Telephoto 18mm
59.00
06 Telephoto 15-45mm
249.00
+ 18-55 WR
459.00*

from Ricoh. Ends 10.01.2015
Pentax Q-S1
MEGA
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40
cashback
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9 FPS
Now only 219.00

SRP 279.00
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O-CM1472 for only 29.99!
07 Mount shield 11.5mm
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LCE BRANCH TODAY!
For amazing part-exchange deals or to sell us your old equipment visit your local LCE branch.
BATH
01225 462234
CHESTERFIELD
01246 211891
GLOUCESTER
01452 304513
LONDON (STRAND)
0207 3790200
PORTSMOUTH
023 9283 9933
TAUNTON
01823 259955
BRISTOL (BALDWIN ST)

0117 929 1935
COLCHESTER
01206 573444
GUILDFORD
01483 504040
MANCHESTER NEW!
0161 834 7500
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0118 9592149
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01962 866203
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0117 927 6185
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01332 348644
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01926 886166
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01603 612537
SALISBURY
01722 335436
WORCESTER
01905 22314
CHELTENHAM
01242 519 851
EXETER
01392 279024
LINCOLN (HIGH ST)

01522 528577
NOTTINGHAM
0115 941 7486
SOUTHAMPTON (CIVIC CTR)

023 8033 1720
CHESTER
01244 326531
FAREHAM
01329 236441
LINCOLN (SILVER ST)

01522 514131
PLYMOUTH
01752 664894
SOUTHAMPTON (HIGH ST)

023 8022 1597
OPENING TIMES:
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28 BRANCHES NATIONWIDE
Selected stores open Sunday

- please check for details.
UK MAIL ORDER Next day delivery available from all LCE branches. Postage & Insurance 4.99 for
most items. E. & O. E. Prices quoted include VAT @ 20%. Prices subject to change. Goods subject to availability.
SEARCH OUR USED EQUIPMENT AT:
www.LCEgroup.co.uk
INVITES YOU TO SEE THE LATEST
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SUNDAY 30TH
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PHOTO
30th Nov 2014 Southampton Novotel
AT THE SOUTHAMPTON NOVOTEL

1 WEST QUAY RD, SOUTHAMPTON SO15 1RA
FREE ENTRY
PLUS
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AMAZBIACK
CASHALS
DE
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,
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from C pus, Sony
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ANIMAL MACRO Studio photo
sessions try out the latest
Canon DSLRs & Macro lenses,
etc. on exotic insects & small
reptiles.
FREE SEMINAR
TALKS
Featuring expert speakers
from leading brands.
Canon UK
- on the new EOS 7D Mk II
Nikon UK
- on the new D750
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Mk II, A6000 & systems
Olympus UK- on the OM-D
System & new 40-150mm
f/2.8 Pro Zoom
Limited availability, sorry no
pre-booking.
FREE PRIZE DRAW!

WIN a superb
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(SRP 499.99).
Open to all visitors. Please ask for details.
MEET THE MANUFACTURERS AT THE SHOW
CANON LATEST PRO/ENTHUSIAST DSLRS & LENSES PIXMA A3/A4 PRINTERS HI-END COMPACTS NIKON LATEST PRO/ENTHUSIAST DSLRS & LENSES HI-END COMPACTS
SONY LATEST ALPHA DSLR LINE-UP PLUS SONY/ZEISS LENSES OLYMPUS OM-D, LATEST PEN CSCs & MICRO 4/3RDS LENSES PANASONIC LATEST G-SERIES MICRO FOUR
THIRDS SYSTEM, NEW LUMIX LX100 & THE LATEST LUMIX COMPACT CAMERAS FUJIFILM LATEST X-SERIES CAMERAS & XF LENSES PENTAX LATEST DSLRS, THE NEW 645Z, LENSES
AND HI-END COMPACTS RICOH GR PLUS ACCESSORIES AND OTHER LATEST COMPACTS SIGMA WIDE RANGE OF PRO/ENTHUSIAST AF DG & DC LENSES TAMRON LATEST DI & DI
II + VIBRATION CONTROL PRO & ENTHUSIAST LENSES TOKINA LATEST ENTHUSIAST & PRO LENS LINE-UP SAMYANG LATEST PRIME LENS SELECTION FOR DSLRs & CSCs
EPSON LATEST PHOTO STYLUS A2 & A3+ PRINTER RANGE LOWEPRO EXTENSIVE GADGET BAG, SLINGSHOT & BACKPACK SELECTION TAMRAC LATEST CAMERA BACKPACK,
SLING & SHOULDER BAG RANGES GITZO LATEST PRO TRIPOD, MONOPOD & HEAD SELECTION MANFROTTO LATEST CAMERA SUPPORT SYSTEMS, CAMERA BAGS & BACKPACKS
PLUS LED LIGHT PANEL RANGE VELBON GEO, SHERPA & SHERPA PRO CARBON TRIPOD & MONOPOD SELECTION JOBY LATEST GORILLAPOD& ULTRAFIT SLING STRAP
RANGE LASTOLITE LUMEN8 STUDIO FLASH KITS COLLAPSIBLE & HI-LITE BACKGROUNDS REFLECTORS METZ LATEST HI-SPEC HOTSHOE FLASHGUN DESIGNS PLUS
EXTERNAL POWERPACK ANSMANN HI-QUALITY CAMERA BATTERIES & CHARGERS SANDISK HI-SPEED PRO MEMORY CARDS & READERS HAMA WIDE RANGE OF GENERAL
PHOTOGRAPHIC ACCESSORIES CAM RANGER WIFI WIRELESS DSLR & IPHONE/IPAD CONTROL SYSTEMS ROGUE FLASH ACCESSORIES PHOTTIX WIRELESS/REMOTE
RELEASES & FLASH TRIGGERS COLOUR CONFIDENCE COLOUR PROFILERS & COLOUR MANAGEMENT SYSTEMS OP-TECH PRO/ENTHUSIAST CAMERA STRAPS LYTRO NEW
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GREAT SHOW DEALS ON THE DAY PART EXCHANGE WELCOME

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LONDON CAMERA EXCHANGE 10 HIGH STREET, SOUTHAMPTON SO14 2DH TEL: 023 8022 1597
E-MAIL: SOUTHAMPTON@LCEGROUP.CO.UK or visit EVENTS at www.LCEgroup.co.uk
The U.K.s Largest Used

Equipment Specialist
The ORIGINAL commission sale specialists
We also PART EXCHANGE and BUY FOR CASH
Good quality equipment always wanted
Bronica ETRS/Si
ETRSi Complete...................................................E+ 249
ETRSi Body + Speed Grip.....................................E+ 149
ETRS Body Only.....................................................E+ 79
30mm F3.5 PE Fisheye..........................E++ 699 - 749
40mm F4 E....................................................As Seen 79
45-90mm F4-5.6 PE..............................E++ 399 - 449
70-140mm F4.5 PE .......................................... E++ 599
75MM F2.8 EII .......................................................E+ 59
100mm F4 E Macro .......................................... E++ 169
105mm F3.5 E...............................................As Seen 49
105mm F4.5 PE Macro ........................................E+ 199
150mm F3.5 E............................As Seen / E+ 49 - 109
200mm F4.5 E...........................E+ / Unused 119 - 219
200mm F5.6 E.................................................. E++ 129
250mm F5.6 E......................... As Seen / E++ 79 - 159
500mm F8 E........................................................E+ 399
2x Converter E.......................................................E+ 59
Polaroid Mag E................................... E+ / E++ 25 - 59
Extension Tube E14 .......................E+ / Unused 39 - 89
Motorwinder E ................................... E+ / E++ 75 - 85
Motorwinder Ei ..........................................E++ 75 - 79
Pro Shade E...........................................................E+ 25
Prism Finder E ......................................................Exc 39
Speed Grip E..................................... Exc / E++ 15 - 35
Bronica GS1
GS1 Complete + AE Prism ...................................E+ 449
50mm F4.5 PG ................................................. E++ 249
250mm F5.6 PG ............................................... E++ 199
1.4x Teleconverter G.....................................Unused 169
GS 120 Magazine ...........................................Unused 75
Polaroid Mag G .................................E+ / Mint- 39 - 45
Prism Finder G.......................................................E+ 59
Bronica RF645 - Please Call
Bronica SQA/Ai/B
SQAI Complete.......................................E++ 389 - 399
SQA Complete......................................................E+ 219
SQA Body + Speed Grip.......................................E+ 149
SQA Body Only.................................................. E++ 129
SQAM + WLF + 120 Mag.....................................E+ 199
40mm F4 PS........................................................E+ 239
50mm F3.5 PS...............................................As Seen 79
50mm F3.5 S.................................................As Seen 59
75-150mm F4.5 PS .............................................E+ 399
140-280mm F5.6 PS ...........................................E+ 399
150mm F4 PS................................. Exc / E++ 99 - 129
200mm F4.5 S.........................................E++ 99 - 129
500mm F8 S........................................................E+ 299
2x Teleconverter PS...................................E++ 89 - 99
2x Teleconverter S.................................................E+ 69
Autobellows S................................................... E++ 149
Extension Tube S36............................................ E++ 49
Proshade S ........................................ E+ / E++ 25 - 35
AE Prism Finder S..................................................E+ 89
CDS MF Finder S....................................................E+ 65
ME Prism Finder S .................................................E+ 79
Motordrive SQi.................................................... E++ 79
Polaroid Mag S .................................E+ / Mint- 25 - 29
SQA 120 Mag ........................................................E+ 35
SQA 220J Mag.......................................................E+ 75
SQAi 120 Mag..................................................... E++ 59
Canon EOS
EOS 1N + E1 Booster.........................Exc / E+ 99 - 149
EOS 1N Body Only.................................................Exc 99
EOS 1 + E1 Booster................................. E+ 129 - 149
EOS 1 + BP-E1 Grip.......................................As Seen 89
EOS 1 Body Only...................................................Exc 59
EOS 3 + E2 Booster.............................................E+ 149
EOS 3 Body Only.....................As Seen / Mint- 79 - 159
EOS 30 + BP300 Grip ............................................E+ 69
EOS 30 Body Only............................ E+ / E++ 39 - 119
EOS 30E Body Only........................................As Seen 39
EOS 30V Date Body Only....................................Mint- 79
EOS 5 Body Only...................................................Exc 29
EOS 50E + BP50 Grip ...................As Seen / E+ 39 - 69
EOS 50E Body Only................................................E+ 49
10-22mm F3.5-4.5 EFS............. E++ / Mint- 359 - 399
14mm F2.8 L USM..............................................Exc 699
17-40mm F4 L USM ....................Exc / Mint- 279 - 429
17-85mm F3.5-5.6 IS USM...... As Seen / E++ 99 - 159
17-85mm F4-5.6 IS USM.....................................E+ 119
18-55mm F3.5-5.6 EFS II .................. E+ / E++ 39 - 49
18-55mm F3.5-5.6 IS EFS.................................. E++ 79
18-55mm F3.5-5.6 IS STM (EOS M)...................Mint- 99
18-135mm F3.5-5.6 IS........................................E+ 149
18-200mm F3.5-5.6 IS EFS.............................. E++ 279
22mm F2 STM.................................................Mint- 129
24mm F1.4 L USM MKII...................................Mint- 989
24mm F2.8 EF............................... E+ / E++ 169 - 199
24mm F3.5 L TSE MkII .................................. E++ 1,099
24-70mm F2.8 L USM ...................................... E++ 749
24-70mm f2.8 L USM II ................................Mint- 1,149
24-70mm f4 L IS USM.....................................Mint- 589
24-85mm F3.5-4.5 USM................................... E++ 129
24-105mm F4 L IS USM ...............E+ / Mint- 449 - 549
24-105mm F4 L IS USM + Hoya Pro Filter .......Mint- 469
28-70mm F2.8 L USM ...................................... E++ 449
28-80mm F2.8-4 L USM......................................E+ 349
28-135mm F3.5-5.6 IS USM............................. E++ 159
35-135mm F3.5-4.5 EF................................Unused 129
35-350mm F3.5-5.6 L USM..........E+ / Mint- 689 - 749
40mm F2.8 STM..............................................Mint- 109
45mm F2.8 TS-E .............................................. E++ 849
Mail
Order
Hotline
50mm F1.4 USM..............................................Mint- 219

50mm F1.8 EF II ............................... Exc / E++ 39 - 59
50mm F1.8 EF Mk1 .......................................As Seen 69
50mm F1.8 EF MkII ............................................ E++ 59
50-200mm F3.5-4.5 EF..................................Unused 79
55-200mm F4.5-5.6 USM...............................Unused 99
55-200mm F4.5-5.6 USM II................................ E++ 69
55-250mm F4-5.6 EFS IS......... E++ / Unused 99 - 179
55-250mm F4-5.6 EFS IS II ...............................Mint- 99
70-200mm F2.8 L IS USM ............. E+ / E++ 849 - 949
70-200mm F2.8 L IS USM II..... E+ / E++ 1,189 - 1,199
70-200mm F4 L IS USM ................................... E++ 679
70-200mm f4 L USM..................... E+ / E++ 359 - 379
70-300mm F4.5-5.6 DO IS USM....................... E++ 449
75-300mm F4-5.6 IS USM............. E+ / E++ 189 - 229
75-300mm F4-5.6 USM II.................. E+ / E++ 89 - 99
75-300mm F4-5.6 USM III........................... E+ 79 - 89
80-200mm F4.5-5.6 EF II ................................... E++ 59
85mm F1.2 L USM............................................ E++ 899
85mm F1.2 L USM MkII ....... E++ / Mint- 1,199 - 1,279
90mm f2.8 TSE Shift............................ Mint- 799 - 849
100mm F2.8 L Macro IS USM..........................Mint- 549
100-400mm F4.5-5.6 L IS USM..... E+ / E++ 799 - 849
135mm F2 L USM...................... E++ / Mint- 629 - 679
180mm F3.5 L Macro USM..............................Mint- 779
300mm F2.8 L IS USM................................... E++ 3,099
300mm F4 L IS USM............................................E+ 749
400mm F2.8 L IS USM......................................E+ 4,399
400mm F2.8 L USM..........................................E+ 2,499
400mm f4 DO IS USM.......................................E+ 3,899
400mm f5.6 L USM .............................................E+ 849
500mm F4 L IS USM............ E++ / Mint- 4,099 - 4,299
600mm F4 L IS USM...................................... E++ 5,499
600mm F4 L USM.............................................E+ 3,499
Cosina 100-400mm F4-6.7 .................................E+ 119
Sigma 10-20mm F4-5.6 DC HSM ..................... E++ 239
Sigma 12-24mm F4.5-5.6 EX DG HSM MKII...... E++ 449
Sigma 15-30mm F3.5-4.5 EX DG...................... E++ 189
Sigma 24mm F2.8 Super Wide II........ E+ / E++ 49 - 79
Sigma 24-70mm F2.8 IF EX DG HSM................ E++ 449
Sigma 28-70mm f2.8 EX DG............................. E++ 129
Sigma 28-70mm F2.8-4 AF............... E+ / E++ 59 - 79
Sigma 28-300mm F3.5-6.3 Macro ..................... E++ 79
Sigma 35mm F1.4 DG HSM A........................... E++ 549
Sigma 55-200mm F4-5.6 DS OS HSM................ E++ 79
Sigma 70mm F2.8 EX DG Macro....................... E++ 229
Sigma 70-210mm F2.8 Apo.................................E+ 179
Sigma 70-300mm F4-5.6 Apo ............................ E++ 89
Sigma 70-300mm F4-5.6 APO DG Macro ..............E+ 69
Sigma 70-300mm F4-5.6 Apo Macro.................. E++ 89
Sigma 100-300mm F4 Apo EX HSM ....................E+ 349
Sigma 105mm F2.8 EX DG Macro..................... E++ 199
Sigma 180mm F5.6 Apo Macro......................As Seen 99
Sigma 300mm F2.8 Apo...............................Unused 399
Sigma 500mm F4.5 Apo EX HSM......................E+ 1,749
Tamron 18-270mm F3.5-6.3 DI II VC...............Mint- 219
Tokina 24-200mm F3.5-5.6 SD....................Unused 129
Tamron 55-200mm F4-5.6 Di II.......................... E++ 45
Tamron 70-300mm F4-5.6 Di............................. E++ 69
Tamron 70-300mm F4-5.6 Di VC USD .............. E++ 219
Tamron 90mm F2.8 SP AF Macro ........................E+ 209
Tamron 200-500mm F5-6.3 Di LD AF............... E++ 499
Tokina 10-17mm F3.5-4.5 DX Fish Eye ATXEx Demo 529
Tokina 12-24mm F4 ATX PRO SD..................... E++ 299
Tokina 16-50mm F2.8 ATX Pro DX.................... E++ 329
Tokina 24-200mm F3.5-5.6 SD....................Unused 129
Tokina 28-70mm F2.6-2.8 ATX Pro ..............Unused 299
Tokina 28-80mm F2.8 ATX Pro......................... E++ 279
Tokina 35mm F2.8 Macro DX ATX ..............Ex Demo 349
Tokina 50-135mm F2.8 DX ATX..................Ex Demo 480
Tokina 80-400mm F4.5-5.6 ATX....................... E++ 249
Zeiss 28mm F2 ZE........................E+ / Mint- 499 - 749
Zeiss 85mm F1.4 ZE..............................E++ / Mint- 699
1.4x EF Extender............................................... E++ 149
1.4x EF MkII Extender............................E++ / Mint- 189
2x EF Extender...........................................E+ / E++ 149
2x EF MkII Extender................... E++ / Mint- 179 - 199
Kenko 2x Converter DG Pro300........................... E++ 79
Teleplus 2x MC7 Converter........................E++ 29 - 39
270EX II Speedlite..................................................E+ 59
270EX Speedlite ................................................Mint- 59
300EZ Speedlite .................................. E+ / E++ 9 - 29
380EX Speedlite ....................................................E+ 69
420EZ Speedlite ................................................. E++ 39
430EX II Speedlite............................................Mint- 139
430EZ Speedlite ........................ As Seen / E++ 35 - 39
480EG Speedlite ................................................. E++ 99
540EZ Speedlite .......................................... E+ 39 - 59
550EX Speedlite ...................................... E+ 119 - 149
580EX MkII Speedlite........................................ E++ 249
580EX Speedlite ...........................E+ / Mint- 149 - 179
Metz 76MZ5 Digital..........................................Mint- 249
Nissin Di866 Flash.............................................. E++ 99
Nissin Di866 Flashgun MKII .............................. E++ 139
Marumi DRF-14C RingFlash................................ E++ 59
Sigma EF430 Flash.........................................Unused 49
Sigma EF430ST Flash.....................................Unused 69
Sigma EF500 DG ST Flash .................................. E++ 79
Sigma EF500 DG ST Flash II................................ E++ 79
Sigma EF500 ST Flash...........................................E+ 49
Sigma EF530 DG ST Flash .....................................E+ 59
Sunpak Auto DX12R RingLight............................ E++ 99
ML3 Macrolite..................................................... E++ 59
MR-14EX Macro Ringlite......... E++ / Unused 329 - 349
ST-E2 Transmitter .........................E+ / Unused 79 - 99
Canon FD Series - Please Call
Contax 645 Series

645 Complete...................................................E+ 1,499
35mm F3.5 Distagon ....................E+ / Mint- 749 - 949
45mm F2.8 Distagon .............................E++ 489 - 499
45-90mm F4.5 Vario...................................... E++ 1,599
120mm F4 Apo Macro ...........................E++ 729 - 899
140mm F2.8 Sonnar..................E+ / Unused 349 - 689
210mm F4 Sonnar........................E+ / Mint- 389 - 499
Cable Switch LA50.................................................E+ 25
GB74 Hood (210mm) .............................................E+ 39
MFB-2 Polaroid Mag....................................E+ / E++ 99
MSB1 Flash Bracket ........................................Mint- 179
Contax G Series
G2 Millennium Kit .............................................E+ 1,599
G2 + 45MM F2....................................................E+ 549
G1 Body + GD1 Back..................... E+ / E++ 169 - 199
G1 Body only ........................................... E+ 179 - 199
16mm F8 G + Finder .......................................Mint- 999
21mm F2.8 G + Finder .............. E++ / Mint- 549 - 649
28mm F2.8 G ............................ E++ / Mint- 249 - 329
90mm F2.8 G ........................................E++ 199 - 229
16mm Viewfnder ............................................Mint- 199
TLA140 Flash....................................E+ / Mint- 35 - 59
TLA200 Flash..................................... E+ / E++ 65 - 79
Contax SLR Series
NX + 28-80mm ...................... E++ / Unused 289 - 389
NX Body Only.................................................... E++ 199
AX Body Only................................. E+ / E++ 249 - 449
RTS3 Body Only...................................................E+ 349
RX Body Only................................. E+ / E++ 169 - 199
S2 Body Only.......................... E++ / Unused 450 - 549
ST Body Only .......................................................E+ 229
RTS2 Body + Motordrive......................................E+ 199
RTS2 Body + Winder ...........................................E+ 169
RTS2 Body Only...................................................E+ 149
RTS + Winder......................................................E+ 149
Aria Body Only .....................................................E+ 129
167MT Body Only ........................................ E+ 59 - 89
137MA Body Only ..................................................E+ 69
137MD Body Only.................................................Exc 35
139 Body + Winder................................................E+ 75
Preview Body Only.......................E+ / Unused 49 - 249
28-70mm F3.5-4.5 MM.........................E++ 259 - 279
28-80mm F3.5-5.6 AF...................................... New 399
35-70mm F3.4 MM .......................................... E++ 299
45mm F2.8 AE........................... E++ / Mint- 189 - 199
60mm F2.8 AE Macro............................E++ / Mint- 399
60mm F2.8 MM Macro C.................................. E++ 349
70-200mm F4-5.6 AF....................................... E++ 499
70-300mm F4-5.6 AF............. E++ / Unused 449 - 799
80-200mm F4 MM ........................ E+ / E++ 149 - 179
100mm F3.5 AE...................................................E+ 239
100mm F3.5 MM.......................E+ / Unused 219 - 389
135mm F2 (60 Year Edition) ......................Unused 2,399
135mm F2.8 MM.............................................. E++ 199
180mm F2.8 AE............................................Unused 599
180mm F2.8 MM.............................................. E++ 349
200mm F3.5 AE................................................ E++ 199
200mm F4 AE................................... Unused 449 - 499
300mm F4 AE......................................................E+ 299
300mm F4 MM................................................. E++ 249
TLA20 Flash....................................... E+ / E++ 15 - 39
TLA280 Flash.......................As Seen / Unused 39 - 149
TLA30 Flash...................................E+ / Unused 25 - 49
TLA360 Flash................................... E+ / E++ 79 - 149
Digital Mirrorless
Fuji Finepix X-S1............................................... E++ 249
Fuji Finepix X10 .....................................E++ / Mint- 219
Fuji Finepix X100 ....................... E++ / Mint- 349 - 399
Fuji Finepix X100 + Hood.....................................E+ 389
Fuji Finepix X100s Silver......................................E+ 699
Fuji Finepix X100s Silver + Case....................... E++ 849
Fuji Fuji Finepix X100 Black LTD......................Mint- 589
Fuji Fuji X-T1 Body...........................................Mint- 749
Fuji X-E1 Black Body Only.............E+ / Mint- 199 - 279
Fuji X-E1 Silver Body + Grip.............................Mint- 249
Fuji X-E2 Black Body Only................................Mint- 419
Fuji X-M1 Black Body Only...............................Mint- 189
Fuji X-Pro1 Body........................ E++ / Mint- 389 - 399
Nikon J1 Black + 10mm.............................Ex Demo 250
Nikon V2 Black + 10-30mm ............................. E++ 449
Olympus E-P2 Black Body Only..................E+ / E++ 139
Olympus E-P2 Chrome Body Only ..................... E++ 139
Olympus E-P3 + 14-42mm Black
.............................................Ex Demo / E++ 249 - 299
Olympus E-P3 Body Only - Black .........................E+ 175
Olympus E-PL1 Black + 14-42 ......................... E++ 119
Olympus E-PL1 Black Body Only........ E+ / E++ 69 - 79
Olympus E-PL1 Blue Body Only........................... E++ 79
Olympus E-PL2 Black Body Only.................Ex Demo 199
Olympus E-PM2 + 14-42mm - Black..........Ex Demo 300
Olympus E-PM2 + 17mm F2.8 - Silver ............. E++ 249
Olympus E-PM2 Black Body Only.....................Mint- 179
Panasonic GF-1 Body Only.....................................E+ 59
Panasonic GF-2 Body Only...................Exc / E+ 59 - 79
Panasonic GF-3 Black Body ........... E++ / Mint- 89 - 99
Panasonic GF-3 Red Body..................................Mint- 99
Panasonic GF-6 Body Only................................ E++ 199
Panasonic GH-2 Body Only............E+ / Mint- 249 - 279
Panasonic GH-3 Body Only......... E++ / Mint- 479 - 499
Panasonic GH1 Body Only................................. E++ 219
Panasonic GM1 + 12-32mm Asph.................... E++ 350
Panasonic GX1 Body Only .............. E+ / E++ 119 - 149
Pentax Q Body Only .......................................... E++ 129
01463 783850
Samsung NX10 + 18-55mm...... E++ / Mint- 139 - 149

Samsung NX100 + 20-50mm............................. E++ 99
Samsung NX11 + 18-55mm OIS....................... E++ 149
Samsung NX1100 + 20-50mm........................Mint- 149
Samsung NX2000 + 20-50mm........................Mint- 159
Sony A7 Body Only..................... E++ / Mint- 749 - 789
Sony NEX-C3 Body + 18-55mm........................ E++ 179
Sony NEX3 + 16mm F2.8 ................................. E++ 239
Sony NEX3 + 18-55mm + Flash....................... E++ 239
Sony NEX3N Body Only..................................... E++ 149
Sony NEX5N + 16-50mm ....................................E+ 249
Sony NEX5N + 18-55mm + Flash........................E+ 219
Sony NEX7 + 18-55mm.................................... E++ 499
Fuji X Lenses
10-24mm XF R OIS........................................... E++ 649
14mm F2.8 XF.................................................Mint- 489
16-50mm F3.5-5.6 OIS XC ........ E++ / Mint- 199 - 239
18-135mm F3.5-5.6 OIS WR XF.......................Mint- 549
18-55mm F2.8-4 XF.....................E+ / Mint- 259 - 299
18mm F2 XF R........................ E++ / Unused 219 - 319
23mm F1.4 XF R..............................................Mint- 599
27mm F2.8 XF........................ E++ / Unused 249 - 279
35mm F1.4 XF R............................................... E++ 279
50-230mm F4.5-6.7 OIS XC ... E++ / Unused 249 - 289
55-200mm F3.5-4.8 OIS XF................. Mint- 399 - 429
60mm F2.4 XF R Macro...................................Mint- 279
4/3rds Lenses
Olympus 7-14mm F4 ED Zuiko ......................... E++ 789
Olympus 8mm F3.5 FishEye Zuiko D................. E++ 379
Olympus 11-22mm F2.8-3.5 ZuikoE+ / Mint- 299 - 349
Olympus 12-60mm F2.8-4 ED SWD...........E+ / E++ 349
Olympus 14-54mm F2.8-3.5 MkII..................... E++ 269
Olympus 14-54mm F2.8-3.5 Zuiko........E++ 179 - 249
Sigma 24mm F1.4 EX DG.................................. E++ 189
Panasonic 25mm F1.4 Summilux D .........................E++ /
Mint- 450 - 599
Olympus 35-100mm F2 Zuiko ......................Mint- 1,189
Olympus 35mm F3.5 Macro Zuiko . E+ / E++ 129 - 149
Olympus 40-150mm F3.5-4.5 Zuiko................... E++ 59
Olympus 40-150mm F4-5.6 ED ZuikoE+ / Mint- 39 - 69
Olympus 50-200mm F2.8-3.5 SWD.................. E++ 549
Olympus 50-200mm F2.8-3.5 Zuiko....................E+ 429
Olympus 70-300mm F4-5.6 ED Zuiko............... E++ 199
Olympus 90-250mm F2.8 ED Zuiko ............... E++ 2,989
Micro 4/3rds Lenses
Panasonic 7-14mm F4 G Vario.......................... E++ 729
Panasonic 12-35mm F2.8 G Vario OIS
.................................................. E++ / Mint- 649 - 679
Olympus 12-50mm F3.5-6.3 M Zuiko
................................................ As Seen / E++ 89 - 189
Panasonic 12.5mm F12 G 3d...........................Mint- 119
Panasonic 14-42mm F3.5-5.6 Asph OIS ............. E++ 79
Panasonic 14-42mm F3.5-5.6 G X Asph OIS....Mint- 139
Olympus 14-42mm F3.5-5.6 M.Zuiko ED............ E++ 69
Panasonic 14-45mm F3.5-5.6 ASPH G Vario..... E++ 129
Olympus 17mm F2.8 M.Zuiko - Black..............Mint- 129
Olympus 17mm F2.8 M.Zuiko - Silver......E++ 99 - 109
Panasonic 20mm F1.7 G PancakeE++ / Mint- 169 - 219
Voigtlander 25mm F0.95 Nokton....................... E++ 489
Panasonic 25mm F1.4 DG Summilux
.................................................. E++ / Mint- 339 - 349
Olympus 40-150mm F4-5.6 ED M.Zuiko........... E++ 119
Olympus 45mm F1.8 M.Zuiko................E++ / Mint- 179
Olympus 75mm F1.8 ED Silver M.Zuiko ............ E++ 599
Sony NEX Lenses
Sony 16-50mm F3.5-5.6 PZ OSS...................... E++ 159
Sony 16mm F2.8 Nex Lens................................Mint- 99
Sony 18-200mm F3.5-6.3 OSS......................... E++ 369
Sony 18-55mm F3.5-5.6 OSS........ E++ / Mint- 79 - 89
Sony 24-70mm F4 FE ZA OSS .......................... E++ 719
Sony 24mm F1.8 E .................... E++ / Mint- 449 - 459
Sony 28-70mm F3.5-5.6 FE ............................Mint- 269
Sigma 30mm F2.8 EX DN ..................................Mint- 79
Sony 35mm F2.8 FE ZA ....................... Mint- 469 - 529
Sony 55-210mm F4.5-6.3 OSS......................... E++ 149
Sony 55mm F1.8 FE ZA ...................................Mint- 579
Digital SLR Cameras
Canon Digital SLR
EOS 1DS MkIII Body Only............................... E++ 1,389
EOS 1DS MkII Body Only......................................E+ 689
EOS 1DX Body Only........................................ E++ 3,789
EOS 1D MKIV Body Only................................Mint- 2,350
EOS 1D MKIIN Body Only...........As Seen / E+ 219 - 299
EOS 1D MkII Body Only.................. E+ / E++ 299 - 449
EOS 5D MKIII Body Only....... E++ / Mint- 1,749 - 1,849
EOS 5D MkII Body Only.................. E+ / E++ 849 - 929
EOS 5D + BG-E4 Grip ...............As Seen / E+ 299 - 399
EOS 5D Body Only................................................E+ 349
EOS 6D Body Only.........................................Mint- 1,099
EOS 7D Body Only..................................E++ 499 - 589
EOS 60D Body Only..............................................E+ 369
EOS 50D Body Only..............................................E+ 279
EOS 40D + BG-E2 Grip ..................................... E++ 199
EOS 30D Body Only.................................. E+ 119 - 159
EOS 20D Body Only............................................. E++ 99
EOS 10D Body Only................................As Seen / E+ 79
EOS 400D Body Only..............................................E+ 89
EOS 350D Body Only..............................................E+ 79
EOS M + 18-55mm .........................................Mint- 249
EOS M + 22mm F2..........................................Mint- 289
EOS Rebel T2i Body Only (550D)..........................E+ 219
Fuji Digital SLR

S5 Pro + MB-D200 Grip.......................................E+ 239
S2 Pro Body Only.............................................. E++ 149
Nikon Digital SLR
D3S Body Only............................................... E++ 2,499
D3X Body Only......................... E+ / E++ 1,499 - 1,799
D3 Body Only....................................................E+ 1,299
DF Body Only................................................Mint- 1,729
D800E Body Only....................E+ / Mint- 1,499 - 1,799
D800 Body Only......................E+ / Mint- 1,299 - 1,599
D700 Body Only............................. E+ / E++ 749 - 899
D600 Body Only............................. E+ / Mint 849 - 899
D300S Body Only................... As Seen / E++ 299 - 479
D300 Body Only................................................ E++ 329
D200 Body Only..................... As Seen / E++ 129 - 219
D100 + MB-D100 Grip...................................As Seen 69
D90 Body Only.....................................................E+ 199
D70 Body Only..............................As Seen / E+ 69 - 89
D50 + 18-55mm AFS III.................................... E++ 119
D50 Body Only.............................................E+ / E++ 79
D40X Body Only.....................................................E+ 99
D40 Body Only...............................................As Seen 49
D7000 Body Only.............................................. E++ 379
D5100 Body only .............................................. E++ 249
D5000 Body Only.............................................. E++ 159
D3100 Body Only.................................................E+ 139
D3000 Body Only.................................................E+ 119
Olympus Digital SLR
E3 Body Only ................................. E+ / E++ 299 - 349
E1 Body Only .................................................... E++ 149
E30 + 14-42mm............................................... E++ 389
E30 Body Only .................................................. E++ 389
E620 + 14-45mm + 40-150mm..........................E+ 289
E620 + 14-42mm............................................. E++ 299
E510 + 14-42mm............................................. E++ 149
E500 + 14-45mm................................................E+ 129
E500 + 17.5-45mm.....................................E+ / E++ 99
E500 Body Only ......................... As Seen / E++ 49 - 79
E450 + 14-42mm................................................E+ 199
E420 + 14-42mm + 40-150mm....................... E++ 199
E420 + 14-42mm............................................. E++ 169
E420 Body Only ................................................ E++ 169
E410 Body Only .................................................. E++ 89
E400 + 14-42mm.................................... E+ 129 - 149
E330 + 14-45mm..................................................E+ 89
E300 Body Only .....................................................E+ 99
Panasonic Digital SLR
L1 Body Only .................................................... E++ 149
Pentax Digital SLR
K5 IIs Body Only................................... Mint- 529 - 549
K7 Body Only.................................................... E++ 269
K50 + 18-55mm WR ........................................ E++ 329
K10D Body Only...................................................E+ 129
*isT D Body Only....................................................E+ 99
Samsung Digital SLR
Samsung EX1 ..................................................Mint- 139
Sigma Digital SLR
SD9 + 24-70mm ...........................................As Seen 99
SD9 Body Only...............................................As Seen 99
Sony Digital SLR
A900 Body + VG-C90AM Grip ........................... E++ 899
A700 Body Only.........................................E+ / E++ 249
A380 + 18-70mm............................................. E++ 189
A350 Body Only................................................ E++ 149
A77 Body Only.................................................. E++ 449
A65 + 18-55mm............................................... E++ 389
A3000 + 18-55mm..........................................Mint- 149
Flash & Lighting - Please Call
Fuji Medium Format - Please Call
Hasselblad - Please Call
Large Format - Please Call
Leica M Series
M (240) Chrome Body Only ............................ E++ 4,099
M9 Steel Grey Ffordes Edition Body (4/4) ......Mint- 2,699
M9 Black Body Only....................................... E++ 2,649
M9 Steel Grey Body Only...................................E+ 2,699
M8 Black Body Only.............................. E+ 999 - 1,149
M8 Chrome Body Only .........................................E+ 849
M6TTL Millennium + 35mm F2 Asph + 50mm F1.4
...................................................................... E++ 5,950
M6 Platinum + 50mm F1.4............................ Mint 6,499
M6 Titanium + 35mm F1.4...............................E+ 3,499
M6 Historica Edition....................................... Mint 3,799
M7 0.58x Black Body Only................................E+ 1,289
M7 0.72x Black Body Only....... E+ / E++ 1,099 - 1,199
M6TTL 0.72x Titanium Body Only .................. E++ 1,799
M6TTL 0.58x Black Body Only .......................... E++ 899
M6TTL 0.72x Black Body Only .............................E+ 899
M4P Anniversary Chrome + 50mm F2 ........... E++ 1,875
M4-P Black Body Only ............................. E+ 549 - 599
M4-2 Black Body Only .........................................E+ 449
M2 Chrome Body Only .....................Exc / E+ 399 - 449
MD2 Black Body Only ..........................................E+ 349
MDA Chrome Body Only.......................................E+ 329
CL + 40mm F2 ....................................................E+ 499
Konica Hexar RF Limited Edition..................... Mint 2,499
Konica Hexar RF + 50mm F2 + Flash ..................E+ 799
Konica Hexar RF Body Only..................................E+ 379
16/18/21mm F4 Tri Elmar + Finder ..............Mint- 3,199
21mm F2.8 Asph M Black.... E++ / Mint- 1,499 - 1,699
21mm F2.8 Asph M Black 6bit....................... E++ 1,699
21mm F2.8 M Black ................... E+ / E++ 989 - 1,299
21mm F2.8 M Black 6bit ................... E+ 1,199 - 1,249
21mm F3.4 R + 122228 M Mount ...................Mint- 799

21mm F4 Chrome + Finder...............................E+ 1,199
24mm F2.8 Asph M Black................E++ 1,399 - 1,499
24mm F2.8 Asph M Black 6bitE++ / Mint 1,499 - 1,599
28/35/50mm F4 Tri Elmar.............................. E++ 2,499
28mm F2 Asph M Black 6bit............E++ 1,799 - 1,849
28mm F2.8 M Black ............................................E+ 749
35mm F1.4 Asph M Black........ E+ / E++ 1,949 - 2,149
35mm F1.4 Black ......................Exc / E+ 1,150 - 1,199
35mm F2 Asph M Black 6bit.............................E+ 1,449
35mm F3.5 Chrome.......................................... E++ 299
50mm F1.4 Asph M Black.............................. E++ 1,899
50mm F1.4 Asph M Black 6bit......................Mint- 1,899
50mm F2 Collapsible...................................As Seen 249
50mm F2 M Anniversary Chrome..................Mint- 1,799
50mm F2 M Black .................. E++ / Mint- 899 - 1,099
50mm F2 M Black 6bit .................................Mint- 1,199
50mm F2 M Chrome............................................E+ 799
50mm F2 Summicron Chrome.....................As Seen 299
65mm F3.5 Elmar.................................... E+ 245 - 299
75mm F2 Apo M Black 6bit....E++ / Mint 1,749 - 1,849
90mm F2 Black ................................................ E++ 649
90mm F2 M - Black.......................................... E++ 799
90mm F2.5 Black 6 BIT .................................... E++ 949
90mm F2.8 Black .....................As Seen / E+ 299 - 349
90mm F2.8 Chrome.........................Exc / E+ 289 - 449
90mm F2.8 M Black ...........................................Exc 550
90mm F4 Collapsible...........................................E+ 225
90mm F4 Elmar..........................As Seen / E+ 69 - 199
90mm F4 Elmar E39................................ E+ 199 - 249
90mm F4 M Macro Black............................... E++ 1,199
90mm f4 M Rokkor..............................................E+ 249
135mm F2.8 Black ....................................E+ / E++ 349
135mm F2.8 M Black ...............As Seen / E+ 250 - 329
135mm F3.4 Apo M Black ................................E+ 1,499
135mm F4 Black .............................Exc / E+ 349 - 389
135mm F4 Chrome..............................................E+ 229
135mm F4.5 Hektor.......................................As Seen 99
18mm Chrome Viewfnder ................................ E++ 399
21/24/28mm Viewfnder - Black..........................E+ 219
21mm Black Viewfnder.................................... E++ 179
24mm Black Viewfnder................E+ / Mint- 199 - 249
28mm Black Viewfnder.................................... E++ 199
Universal Wide Angle Finder M.......................... E++ 399
Bellows II...............................................................E+ 85
Large B&S Head ............................... Exc / E++ 35 - 45
Small B&S Head.................................................. E++ 39
M6 Leather Case ................................................ E++ 59
M6TTL/M7 Leather Case........................................E+ 65
MR3 Chrome Meter................................................E+ 69
Macro Adapter M.............................................Mint- 299
Handgrip M............................................................E+ 35
Leicavit M......................................................... E++ 249
Motor M.................................................E++ 189 - 249
Winder M...............................................................E+ 75
Leica R Series
R9 Anthracite Body Only ................ E+ / E++ 699 - 749
R9 Black Body Only................................E++ 749 - 789
R8 Black Body Only................................E++ 299 - 349
R8 Chrome Body Only..........................................E+ 349
R7 Black Body Only........................ E+ / E++ 299 - 349
R7 Chrome Body Only.................... E+ / E++ 299 - 349
R6.2 Black Body Only..................... E+ / E++ 399 - 449
R6.2 Chrome Body Only.........................E++ 449 - 599
R6 Black Body Only.................................. E+ 289 - 349
R6 Chrome Body Only................ E++ / Mint- 299 - 399
R5 Black Body Only........................ E+ / E++ 239 - 299
R5 Chrome Body Only............................E++ 249 - 349
RE Black Body Only.................................. E+ 179 - 219
R4S Black Body Only ...........................................E+ 119
R4 Black Body Only.................................. E+ 125 - 159
R3 MOT + Winder.......................... E+ / E++ 239 - 299
R3 Black Body Only.......................... E+ / E++ 99 - 159
SL2 Anniversary Body Only ............................... E++ 649
SL2 Black Body Only............................................E+ 299
SL Chrome + 50mm F2 .......................................E+ 289
SL Chrome Body Only .................... E+ / E++ 149 - 249
21mm F4 R 3cam............................Exc / E+ 399 - 599
21mm F4 ROM ....................................................E+ 599
24mm F2.8 ROM ...................................E++ 949 - 999
28mm F2.8 PCS Shift ..........................................E+ 899
35mm F2.8 ROM .................................................E+ 399
35mm F4 PA Curtagon...................................... E++ 399
35-70mm F3.5 R Japan.......................................E+ 249
50mm F1.4 ROM .................................................E+ 699
50mm F2 ROM ................................................. E++ 499
60mm F2.8 Macro ROM.................................... E++ 549
60mm F2.8 R 3cam Macro ..................................E+ 299
70-210mm F4 R 3cam ..........................E++ 349 - 449
75-200mm F4.5 R 3cam .....................................E+ 149
80-200mm F4.5 R 3cam ......................... E+ 189 - 199
80mm F1.4 R 3cam..........................................E+ 1,599
90mm F2.8 R 3cam................................. E+ 299 - 349
90mm F2.8 ROM ...................................E++ 399 - 499
100mm F4 Macro R 3cam ...................................E+ 349
105-280mm F4.2 Vario ROM............................E+ 2,499
135mm F2.8 R 2cam........................................ E++ 199
135mm F2.8 R 3cam............................... E+ 179 - 249
180mm F2.8 R 3cam.................... Exc / E++ 299 - 499
180mm F3.4 Apo R 3cam.............. E+ / E++ 649 - 699
180mm F4 R 3cam..............................................E+ 299
250mm F4 R 3cam........................................... E++ 299
560mm F5.6 Telyt R ......................................... E++ 599
1.4x Apo Extender R ......................................... E++ 349
The Kirk, Wester Balblair, E: info@ffordes.com

Beauly, Inverness. IV4 7BQ. F: 01463 782072
www.ffordes.com
See up to 3 images of each used item on website

Website updates used equipment list 10-15 times daily
All items come with 6 month warranty - (unless stated)
Our knowledgeable staff are on hand and ready to help
2x Extender R .................................E+ / Mint- 49 - 129

Nikon 35mm F3.5 PC Shift...................................E+ 249
Tamron 70-350mm F4.5 .....................................E+ 169
Angle Finder R................................... E+ / E++ 59 - 99
Angle Finder R (14300)............................E++ 59 - 125
Bellows Unit R .................................................. E++ 125
Macro Adapter R.......................... E++ / Mint- 69 - 125
Macro Adapter ROM.......................................... E++ 125
Motorwinder R8/R9........................ E+ / E++ 129 - 249
R Ever Ready Case.............................................. E++ 29
R8/R9 Remote control................................E++ 89 - 99
Leica Screw Series
IIIG Chrome Body Only .........................................E+ 549
IIIF R/Dial Chrome Body Only........................As Seen 189
IIIF B/Dial Chrome Body .......................................E+ 249
III Chrome Body Only........................Exc / E+ 225 - 275
50mm F2 Summitar............................................Exc 199
85mm F1.5 Summarex.................................. E++ 1,489
90mm F4 Elmar................................... As Seen 49 - 69
135mm F4.5 Hektor....................As Seen / E+ 69 - 119
135mm F4.5 Hektor + Tubes.......................As Seen 119
200mm F4.5 Telyt .....................As Seen / Exc 75 - 145
Voigtlander 21mm F4 + Finder ......................... E++ 239
Voigtlander 75mm F2.5 Color Heliar.....................E+ 199
Mamiya 645 Series
1000S Body + PD Prism ......................................E+ 139
24mm F4 ULD Fisheye...........................E++ 499 - 599
35mm F3.5 C.......................................................E+ 169
45mm F2.8 C.................................................As Seen 59
45mm F2.8 N .......................... As Seen / E++ 99 - 169
55-110mm F4.5 N...............................................E+ 159
70mm F2.8 Leaf Shutter......................................E+ 125
75-150mm F4.5 C............................................ E++ 249
80mm F2.8 C.................................................As Seen 39
80mm F4 Macro C...............................................E+ 129
80mm F4 Macro N + Macro Spacer.....................E+ 125
105-210mm F4.5 C ULD.......... As Seen / E++ 79 - 149
150mm F2.8 A............................... E+ / E++ 169 - 199
150mm F3.5 C............................As Seen / E+ 45 - 115
150mm F3.8 Leaf Shutter................................. E++ 199
150mm F4 C...................................... E+ / E++ 69 - 99
210mm F4 C............................ As Seen / E++ 49 - 139
210mm F4 N ..................................... E+ / E++ 69 - 99
300mm F5.6 C...........................................E+ / E++ 129
Komura 2x Converter.............................................E+ 35
Teleplus 2x Converter......................................... E++ 29
Vivitar 2x Converter................................................E+ 49
120 Insert........................................................... E++ 10
120 Insert x3 ...................................................... E++ 25
120 Super Mag......................................................E+ 29
Polaroid Mag ..................................... E+ / E++ 20 - 25
AE Prism Finder (FE401) ..................................... E++ 99
AE Prism Finder (FK402) .......................................Exc 49
AE Prism Finder 645..............................................E+ 59
AE Prism Finder N..................................................E+ 69
Prism Angle Finder.............................................. E++ 35
Prism Finder 645 ....................... As Seen / E++ 29 - 59
Prism Finder N.......................................................E+ 49
AD401 Strobe Bracket ....................................Unused 45
Auto Extension Tube 1 ...........................................E+ 15
Auto Extension Tube 2 ....................... E+ / E++ 15 - 25
Auto Extension Tube 3S..................... E+ / E++ 19 - 25
Deluxe Grip............................................................E+ 20
Flash L Grip (Super/Pro).........................................E+ 15
Power Drive 645....................................................E+ 45
Power Drive N........................................................E+ 45
Power Drive WG401........................... E+ / E++ 45 - 59
Waist Level Finder .................................................E+ 35
Mamiya RB67 Series
Pro S Gold Edition................................ Mint- 749 - 949
Pro S Complete............................................As Seen 199
50mm F4.5 C.................................................As Seen 79
90mm F3.8 C.........................................................E+ 95
140mm F4.5 C Macro....................................As Seen 99
180mm F4.5...............................As Seen / E+ 69 - 149
180mm F4.5 C............................As Seen / E+ 75 - 149
210mm F4.5 Apo.............................................Mint- 349
250mm F4.5..........................................As Seen / E+ 99
250mm F4.5 C...............................................As Seen 89
360mm F6.3........................................................E+ 199
Komura 2x Converter.......................................... E++ 45
Vivitar 2x Converter............................................. E++ 45
Auto Extension Tube No1................... E+ / E++ 39 - 59
Auto Extension Tube No2................... E+ / E++ 29 - 39
Angle Finder ....................................................... E++ 79
ProS 220 Mag................................................... E++ 145
Mamiya RZ67 Series
Pro II + 140mm Macro + 120 Mag ................... E++ 550
Pro + 140mm Macro + 120 Mag.........................E+ 449
50mm F4.5.........................................................Exc 350
50mm F4.5 W................................ E+ / E++ 149 - 199
75mm F4.5 Shift W..............................................E+ 399
100-200mm F5.2 W ...................... E+ / E++ 249 - 399
140mm F4.5 Macro W................... E+ / E++ 189 - 259
180mm F4 Soft VSF D/L ................ E+ / E++ 249 - 399
180mm F4.5 WN ........................As Seen / E+ 79 - 149
250mm F4.5....................................Exc / E+ 129 - 179
350mm F5.6 Apo.................................................E+ 429
360mm F6........................................................ E++ 199
1.4x Converter.............................. Exc / E++ 119 - 199
120 Pro Mag (6x4.5)............................................E+ 145
Auto Extension Tube No 1.................. E+ / E++ 39 - 49
Auto Extension Tube No 2......................................E+ 49
Front Bellows Hood G3.......................................Mint- 45
Winder II..............................................Exc / E+ 39 - 49
Mamiya 645AFD Series - Please Call
Mamiya Twin Lens - Please Call
Nikon Manual - Please Call
Nikon AF
F6 Body Only ................................E+ / Mint- 599 - 799
F5 Anniversary Body Only ................................. E++ 699
F5 Body + DA-30 Action Finder............................E+ 349
F5 Body Only ............................As Seen / E+ 149 - 299
Connect
NOW
F4E Body Only .....................................................E+ 249

F100 Body Only ..........................As Seen / E+ 79 - 129
F90 Body + MF26 Back ........................................Exc 39
F80 Chrome + 28-100mm.................................. E++ 89
10-24mm F3.5-4.5 G AFS DX ........................... E++ 499
14-24mm F2.8 G AFS ED.................................. E++ 989
16mm F2.8 AFD Fisheye................................... E++ 479
16-35mm F4 G AFS ED VR...............................Mint- 679
16-85mm F3.5-5.6 G ED VR AFS DXE+ / E++ 269 - 329
17-55mm F2.8 G AFS DX IFED....... E+ / E++ 499 - 599
18-35mm f3.5-4.5 AFD .................................... E++ 239
18-55mm F3.5-5.6 G AFS VR ....................E++ 59 - 79
18-55mm F3.5-5.6 G AFS VR II........................... Mint 89
18-70mm F3.5-4.5 G AFS ED DX..... E+ / E++ 89 - 129
18-135mm F3.5-5.6 G AFS DX ......................... E++ 139
18-200mm F3.5-5.6 G AFS DX VRII .................. E++ 389
20-35mm F2.8 AFD.............................................E+ 449
24mm F2.8 AF.....................................................E+ 159
24mm F1.4 G AFS ED .........................E++ / Mint- 1,189
24-50mm F3.3-4.5 AF...........................................E+ 79
24-50mm F3.3-4.5 AFN.........................................E+ 99
24-85mm F2.8-4 AFD..........................................E+ 269
24-120mm F3.5-5.6 ED AFD ...............................E+ 109
28mm F2.8 AF................................. E+ / E++ 99 - 139
28mm F2.8 AFD ........................ E++ / Mint- 149 - 169
28-200mm F3.5-5.6 AFD............... E+ / E++ 129 - 149
28-300mm F3.5-5.6 G ED AFS VR . E+ / E++ 499 - 549
35mm F1.4 G AFS ...........................................Mint- 989
35mm F1.8 G AFS DX .............. As Seen / E++ 69 - 119
35mm F2 AFD .................................................. E++ 189
35-70mm F2.8 AFD.............................................E+ 299
35-135mm F3.5-4.5 AFN............................. E+ 79 - 99
45mm F2.8 D PC-E ED Macro.......................Mint- 1,099
50mm F1.4 AFD ....................................E++ 179 - 189
50MM F1.4 G AFS............................................Mint- 229
50mm f1.8 AFD .................................................. E++ 79
50mm F1.8 G AFS (Retro) ................................Mint- 169
55-200mm F4-5.6 AFS DX G VR.. E++ / Mint- 99 - 109
55-300mm F4.5-5.6 G AFS VR ........................Mint- 189
60mm F2.8 AFD Micro...................................... E++ 249
60mm F2.8 AFS ED Micro................................. E++ 289
70-200mm F2.8 G AFS ED VR..............................E+ 789
70-210mm F4-5.6 AF............................................E+ 59
70-300mm F4-5.6 AFG....................................... E++ 59
70-300mm F4-5.6 ED AFD ....................E++ 129 - 149
70-300mm F4-5.6 G AFS VR ......... E+ / E++ 249 - 279
75-240mm F4.5-5.6 AFD.............................E+ / E++ 55
80-200mm F2.8 ED AF.............As Seen / E+ 199 - 299
80-200mm F4.5-5.6 AFD.......................................E+ 59
85mm F1.4 AFD ........................... Exc / E++ 549 - 749
85mm F1.4 G AFS ...........................................Mint- 889
105mm F2 AFD DC................................E++ / Mint- 549
105mm F2.8 AF Micro .........................................E+ 299
105mm F2.8 AFD Micro................. E+ / E++ 349 - 399
200-400mm F4 G VR AFS IFED...........E++ / Mint- 2,989
300mm F4 AF ED.................................................E+ 349
300mm F4 AFS IFED............................................E+ 549
500mm F4 G AFS VR IF ED ............................ E++ 4,799
Samyang 35mm F1.4 AE AS UMC........................E+ 299
Sigma 10-20mm F4-5.6 EX DC HSM ................ E++ 259
Sigma 17-35mm F2.8-4 EX.................................E+ 129
Sigma 18-50mm F2.8 EX DC Macro ................. E++ 149
Sigma 24-70mm F2.8 EX D ...........................As Seen 99
Sigma 24-70mm F3.5-5.6 D Asph.........................E+ 49
Sigma 30mm F1.4 EX DC HSM ........................Mint- 239
Sigma 35mm F1.4 DG HSM ....... E++ / Mint- 499 - 549
Sigma 50mm f1.4 EX DG ............... E+ / E++ 219 - 239
Sigma 50-150mm F2.8 Apo EX DC HSM..............E+ 299
Sigma 50-150mm F2.8 Apo HSM II................... E++ 349
Sigma 50-500mm F4-6.3 Apo DG HSM ...............E+ 449
Sigma 70mm F2.8 EX DG Macro....................... E++ 199
Sigma 70-300mm F4-5.6 Apo DG.As Seen / E+ 49 - 79
Sigma 70-300mm F4-5.6 Apo Macro Super........ E++ 89
Sigma 105mm F2.8 D Macro................... E+ 169 - 199
Sigma 135-400mm F4.5-5.6 Apo DE+ / E++ 179 - 249
Sigma 150mm F2.8 Apo DG HSM Macro........... E++ 349
Sigma 300-800mm F5.6 Apo EX DG HSM.........E+ 3,399
Tamron 14mm F2.8 Asph (IF) AF SP.................. E++ 349
Tamron 17-35mm F2.8-4 XR Di........................ E++ 189
Tamron 17-50mm F2.8 XR Di II ..........................Exc 149
Tamron 18-250mm F3.5-6.3 Di II..................... E++ 119
Tamron 18-270mm F3.5-5.6 Di VC......................E+ 199
Tamron 28-75mm F2.8 XR Di........................... E++ 219
Tamron 70-300mm F4-5.6 AF LD....................... E++ 59
Tamron 90mm F2.8 SP Macro AF ..............E+ / E++ 159
Tamron 200-400mm F5.6 AF LD ...................... E++ 249
Tamron 200-500mm F5-6.3 Di LD AF..................E+ 499
Tokina 10-17mm F3.5-4.5 DX Fish Eye ............ E++ 329
Tokina 12-24mm F4 ATX PRO SDE++ / Mint- 279 - 299
Tokina 35mm F2.8 Macro DX ATX
.............................................Ex Demo / E++ 249 - 349
Tokina 100mm F2.8 AF PRO D ATX................... E++ 249
Zeiss 18mm F3.5 ZF......................................... New 899
Zeiss 21mm F2.8 ZF...................................... New 1,099
Zeiss 50mm F2 ZF Macro ................................. New 789
Zeiss 85mm F1.4 ZF......................................... New 799
Teleplus Pro300 2x Converter................................E+ 79
TC-20EII Converter............................................ E++ 219
Metz 54MZ4 Digital................................................E+ 79
Metz 54MZ4i Digital...............................................E+ 79
Metz 58AF1 Digital ........................................... E++ 139
Metz 76 MZ5 Digital.......................................... E++ 249
Nissin MG8000 Flash.......................................Mint- 279
Sigma EF430 Super Flash......................................E+ 39
Sigma EF500 Super Flash...............................Unused 75
Sigma EF530 ST DG TTL Flash............................ E++ 79
SB21B Ringfash......................................E++ 99 - 179
SB22 Speedlight................................................. E++ 35
SB22S Speedlight..................................................E+ 39
SB23 Speedlight................................................. E++ 35
SB24 Speedlight....................................................E+ 35
SB25 Speedlight............................... Exc / E++ 29 - 49
SB28DX Speedlight...................................... E+ 59 - 69
SB400 Speedlight............................................... E++ 75
SB50DX Speedlight............................ E+ / E++ 59 - 69
SB600 Speedlight................................................E+ 129
SB900 Speedlight..................................E++ / Mint- 229
Olympus OM - Please Call
PHOTO SHOW
Pentax 6x7 - Please Call

Pentax 645 - Please Call
Pentax AF
Z1-P Body Only.................................. E+ / E++ 69 - 79
Z50P Body Only .................................................. E++ 29
SFX Body Only ...............................................As Seen 39
12-24mm F4 DA ED AL (IF)..............................Mint- 489
14mm F2.8 SMC DA......................................... E++ 399
17-70mm F4 DA AL (IF) SDM............................ E++ 289
18-35mm F4-5.6 FA J...........................E++ / Mint- 149
18-55mm F3.5-5.6 DA AL .................................. E++ 39
21mm F3.2 DA AL LE................. E++ / Mint- 279 - 349
24mm F2 SMC FA IF AL.................................... E++ 499
28-70mm F4 FA AL ...................................E++ 49 - 69
28-80mm F3.5-5.6 FA....................... E+ / E++ 25 - 49
28-200mm F3.8-5.6 FA IF AL ........................... E++ 119
35mm F2.4 DA AL .............................................. E++ 99
35mm F2.8 DA Limited Edition.......................... E++ 269
50mm F1.4 SMC FA....................... E+ / E++ 169 - 219
50mm F2.8 SMC D FA Macro............................ E++ 249
50-135mm F2.8 DA* ED SDM..........................Mint- 549
50-200mm F4-5.6 DA ED................................Mint- 109
55-300mm F4-5.8 DA-L ED.................................E+ 129
70-200mm F4-5.6 SMC FA................................. E++ 69
75-300mm F4.5-5.8 FA J AL .........................As Seen 49
80-200mm F4.7-5.6 FA........................................Exc 39
100-300mm F4.5-5.6 F.........................................E+ 79
Samsung 24mm F1.4 ED AS UMC....................Mint- 399
Sigma 10mm F2.8 EX DC Fisheye....................Mint- 369
Sigma 15mm F2.8 EX DG Fisheye....................Mint- 339
Sigma 24-70mm F2.8 IF EX DG HSM................ E++ 489
Sigma 28-105mm F3.8-5.6 Asph IF.................... E++ 59
Sigma 70-300mm F4-5.6 Apo Macro.................. E++ 89
Sigma 70-300mm F4-5.6 DG.............................. E++ 69
Tamron 28-200mm F3.8-5.6 XR....................... E++ 119
Tamron 70-300mm F4-5.6 Di............................. E++ 69
Tamron 90mm F2.8 SP Di Macro...................... E++ 249
Metz 36AF5 Digital ........................ E++ / Mint- 39 - 49
Metz 58 AF2 Digital .......................................... E++ 189
AF360FGZ Flash ................................................. E++ 99
AF400FTZ Flash................................. E+ / E++ 49 - 89
AF500FTZ Flash................................. E+ / E++ 59 - 79
Pentax Manual
LX + FA1 Prism........................................ E+ 199 - 249
KM Chrome Body Only...........................................E+ 69
K1000 + 50mm F2................................................E+ 75
Program A Body Only.............................................E+ 59
P30T Body Only .....................................................E+ 25
P30 + 28-80mm + AF260Sa Flash..................... E++ 59
P30 Body + AF260Sa Flash ...................................E+ 35
MEF + 35-70mm F2.8 AF................................... E++ 99
MEF + 50mm F1.7.................................................E+ 75
MV Black Body Only...............................................E+ 39
A3 + 50mm F2......................................................E+ 69
A3 Body Only..................................... E+ / E++ 29 - 49
24-35mm F3.5 SMC M.............................. E+ 99 - 149
28mm F2.8 SMC A ............................................. E++ 75
28mm F2.8 SMC M................................................E+ 49
28mm F3.5 SMC Shift....................................... E++ 349
28-80mm F3.5-4.5 A.............................................E+ 49
35mm F2.8 SMC M............................................. E++ 49
35-70mm F3.5-4.5 SMC A.............................As Seen 39
35-80mm F4-5.6 SMC A.................... E+ / E++ 19 - 25
40mm F2.8 SMC M................................................E+ 89
40-80mm F2.8-4 SMC M.................. Exc / E++ 25 - 59
50mm F1.4 SMC A ........................................... E++ 149
50mm F1.7 SMC A ............................................. E++ 59
50mm F1.7 SMC M................................................E+ 39
50mm F2.8 SMC A Macro....................................E+ 149
50mm F4 SMC M Macro.................. E+ / E++ 99 - 119
70-200mm F4 SMC A............................................E+ 49
70-200mm F4 Takumar A......................................E+ 39
75-150mm F4 SMC M...................................As Seen 19
135mm F2.5 Takumar........................................ E++ 45
200mm F4 SMC M.............................................. E++ 59
300mm F4 SMC A*........................................... E++ 499
500mm F4.5 SMC................................................E+ 299
Tamron 300mm F2.8 SP LD.................................E+ 499
Autobellows A + Copier .................................... E++ 149
Dial Databack LX ................................................ E++ 35
FB1 + FC1 Action Finder.................. E+ / E++ 99 - 125
FD2 Prism fnder................................................. E++ 89
FE1 Magni Finder...................................................E+ 49
Hotshoe Grip............................................E++ / Mint- 25
Winder MX.............................................................E+ 29
Winder LX..............................................................E+ 59
Winder MEII ....................................... E+ / E++ 19 - 29
Rollei 6000 Series
6008AF Complete.......................................... E++ 1,699
6008AF Body + Magazine................................. E++ 999
6008 Pro Complete........................................... E++ 649
6008 Pro Body + Magazine............................... E++ 499
6003 Complete....................................................E+ 399
6006 Mk1 Complete ..............................E++ 349 - 399
50mm F4 FLE PQ.............................................. E++ 799
50mm F4 PQ ................................ Exc / E++ 399 - 599
50mm F4 PQ EL..................................................Exc 249
75-150mm F4.5 PQ Vario ...................................Exc 999
80mm F2.8 HFT....................................... E+ 129 - 149
120mm F4 PQS Macro...................................... E++ 799
150mm F4 EL................................................... E++ 499
150mm F4 HFT................................Exc / E+ 129 - 149
150mm F4 PQ ............................... E+ / E++ 399 - 449
180mm F2.8 PQ ............................................ E++ 1,099
350mm F5.6 PQ Tele Tessar.........................Mint- 1,299
1.4x Longar PQ Converter................................. E++ 349
2x HFT Converter................................................ E++ 75
Polaroid Mag 6008 .................................... E+ 35 - 139
Polaroid Mag SLX/6002/3 ............................E+ / E++ 29
Aluminium Case........................................... E+ 49 - 69
Autobellows...................................................... E++ 389
Extension Tube 9mm.......................................... E++ 79
Extension Tube ET17 .......................................... E++ 79
45 Degree Prism............................ E+ / E++ 149 - 299
Rollei TLR - Please Call
Established 1960
21st-22nd NOVEMBER
10am UNTIL 4pm
LOTS OF OFFERS
ON THE DAY by
phone / internet / @show

BUY ANY OLYMPUS
OMD EM-1, EM-5 OR
EM-10 TO RECEIVE...
Olympus 40-150mm F4~5.6

ED plus Olympus Pen Street M
case plus table top tripod, LCD
screen protector plus cleaning
kit for just 139
139
BUY ANY FUJI X SERIES CAMERA

BODY OR KIT TO RECEIVE...
FREE
Delkin Reader 41 USB2.0
Universal card reader +
16GB SD 163x speed
Class 10 Memory +
Delkin Weather
Resistant
Memory Card
Tote Case for
only 19.99
Better
than
VELBON
SHERPA
630+ LEGS
HALF
Price
SRP 179.99
Show price
85
Tamrac shock absorbent

Neoprene strap plus
table top tripod, lens brush
plus cleaning cloth FREE
TAMRAC
VELOCITY 6Z
GREY
HALF
Price
SRP 59
Show price
29
TAKE AN EXTRA
5%
OFF ANY
LEICA
LENS OR ACCESSORY IN STOCK

OTHER PACK OFFERS ON THE DAY
All offers are over and above current manufacturer promotions

All offers available to visitors plus telephone and internet mail order
Many more Show Specials available on the day - please visit the
show or check website/ring us for details
All offers subject to availability. E&OE.
Shop On-Line 24/7

Shop open Mon-Fri
9 till 5.30
Pay by Cash or Cheque plus...

Prices correct when compiled. E&OE.
Mail Order :
U.K. Stock
Only
PHONE LINES OPEN
MON -FRI 8am - 5pm,

01803
852400
info@mifsuds.com
Email -
www.mifsuds.com
27-29, Bolton Street, Brixham. Devon. TQ5 9BZ.
SAT 9am - 5pm,

SUN 10am - 1pm.
SHOP OPEN
MON -SAT 9am - 5pm,
SUN 10am - 1pm.
MIFSUDS ARE CANON PROFESSIONAL STOCKISTS

EOS FULL FRAME
EOS APS-C
1DX
7D MKII
Please ask us about

extra 400 part
exchange allowance
against Canon 1DX
70D
5D MKIII
100D
body .................................4844
body .................................2299
plus 24-105 IS..................2899
body .................................1599
body ...................................799
plus 18-55 STM .................929
plus 18-135 STM .............1069
700D
body ...................................479
plus 18-55 STM .................549
body ...................................375
plus 18-55 STM .................449
1200D
6D
body .................................1299
plus 24-105 IS..................1799
body ...................................289
plus 18-55 IS II ..................379
COMPACT CAMERAS
NEW G7X . . . 579 SX60HS . . 449
G1X MKII . . . . . . . . . . . . . . . . . . 649
EF-S NON FULL FRAME LENSES
10-18 F4.5/5.6 IS STM. . . . . . . . 239
10-22 F3.5/4.5 USM . . . . . . . . . . 449
15-85 F3.5/5.6 IS USM no box. . . 599
17-85 F4/5.6 IS U no box. . . . . . 199
18-55 F3.5/5.6 IS no box . . . . . . 129
18-135 F3.5/5.6 IS STM. . . . . . . 319
24 F2.8 STM. . . . . . . . . . . . . . . . 179
60 F2.8 Macro USM . . . . . . . . . . 359
EF FULL FRAME LENSES
8-15 F4 L USM Fisheye . . . . . . . 998
14 F2.8 L USM . . . . . . . . . . . . . 1669
16-35 F2.8 MKII L USM . . . . . . 1099
16-35 F4 L IS USM . . . . . . . . . 1079
17 TSE F4 L Shift . . . . . . . . . . . 1959
17-40 F4 L USM . . . . . . . . . . . . . 594
20 F2.8 USM . . . . . . . . . . . . . . . 389
24 F1.4 L II USM . . . . . . . . . . . 1224
24 F2.8 IS USM . . . . . . . . . . . . . 457
24 F3.5 L TSE MKII . . . . . . . . . 1479
24-70 F2.8 L II USM. . . . . . . . . 1549
24-70 F4 L IS USM . . . . . . . . . . . 869
24-105 F4 L IS USM no box . . . . .599
24-105 F3.5/5.6 IS STM . . . . . . . . .479
28 F1.8 USM . . . . . . . . . . . . . . . . . .389

28 F2.8 IS USM . . . . . . . . . . . . . 409
35 F1.4 L USM . . . . . . . . . . . . . 1099
35 F2 IS USM. . . . . . . . . . . . . . . 466
40 F2.8 STM. . . . . . . . . . . . . . . . 159
50 F1.2 L USM . . . . . . . . . . . . . 1149
50 F1.4 USM . 279 50 F1.8 II . . 80
65 F2.8 MPE macro . . . . . . . . . . . .853
70-200 F2.8 IS LII USM . . . . . . . .1699
70-200 F2.8 non IS L USM . . . . . 989
70-200 F4 L IS USM. . . . . . . . . . 959
70-200 F4 L USM . . . . . . . . . . . . 489
70-300 F4/5.6 L IS USM. . . . . . . .1069
70-300 F4.5/5.6 IS USM . . . . . . 429
85 F1.2 USM L II . . . . . . . . . . . 1549
85 F1.8 USM . . . . . . . . . . . . . . . 288
100 F2.8 IS L USM macro . . . . . 699
100 F2.8 Macro USM . . . . . . . . . . 385
100-400 F4.5/5.6 IS L USM . . . . 1239
180 F3.5 L USM Macro . . . . . . 1109
200 F2.8 II L USM . . . . . . . . . . . 569
300 F4 L IS USM . . . . . . . . . . . 1079
400 F4 DO IS II USM . . . . . . . . 6999
400 F5.6 L USM . . . . . . . . . . . . . 989
Ext tube 12II .59 Ext tube 25II . . . . 115
1.4x III converter. . . . . . . . . . . . . 329
2x III converter . . . . . . . . . . . . . . 329
FREE
1.4x MKIII
or 2x MKIII
converter with
these lenses...
200-400 F4 IS L U . 8749
300 F2.8 IS L USM II4899
400 F2.8 IS L USM II7799
500 F4 IS L USM II 7049
600 F4 IS L USM II. 8899
FLASH & ACCESSORIES
320EX . . . . . 169 430EX. . . . . . .208
600EX RT. . . 468 MR-14EX II . 599
MT-24EX ringflash . . . . . . . . . . . 739
BG-E16 grip (7D MKII) . . . . . . . . 249
BG-E11 grip (5D MKIII) . . . . . . . 229
BG-E13 grip (6D) . . . . . . . . . . . . 169
BG-E14 grip (70D) . . . . . . . . . . . 219
MIFSUDS ARE NIKON PROFESSIONAL DEALERS

NIKON FULL FRAME
NIKON APS-C
D4S
D7100
Why not PART EXCHANGE

and UPGRADE to the
latest technology
body ...................................569
plus 18-105 VR..................699
body .................................4677
D810
body .................................2398
D750
body .................................1797
plus 24-120 F4 VR...........2349
D610
body .................................1279
X-T1 blk + 18-135mm..........1366

X-T1 blk + 18-55mm............1265
X-T1 b/o graphite/silver .......1199
X-T1 body blk ........................897
X-E2 + 18-55mm OIS ............799
X-E2 body..............................519
X-E1 blk + 18-55mm OIS ......566
X-E1 body black ....................259
body ...................................766
plus 18-105 VR ..................897
D7000
D5300
body ...................................497
plus 18-55 VR....................549
plus 18-140 VR..................837
D3300
body ...................................369
plus 18-55 VR....................399
10-24mm F4 XF.....................798
14mm F2.8 XF.......................664
18mm F2 XF..........................349
18-55mm OIS no box ............439
18-135mm F3.5/5.6 XF............. 698
23mm F1.4 XF.......................698
27mm F2.8 XF.......................338
35mm F1.4 XF.......................398
DX NON FULL FRAME LENSES

10.5 F2.8 . . . . . . . . . . . . . . . 539
10-24 F3.5/4.5 AFS G . . . . . 639
16-85 F3.5/5.6 AFS VR . . . . 439
18-55 F3.5/5.6 AFS VR . . . . . 99
18-105 F3.5/5.6 AFS
G no box. . . . . . . . . . . . . . . . 149
18-140 F3.5/5.6 AFS VR . . . 479
18-300 F3.5/6.3 AFS
G ED VR (latest) . . . . . . . . . . . 617
35 F1.8 AFS G . . . . . . . . . . . 169
40 F2.8 AFS G . . . . . . . . . . . 199
55-300 F4.5/5.6 AFS G VR . 259
85 F3.5 AFS G VR . . . . . . . . 349
FX FULL FRAME LENSES
14 F2.8 AF D . . . . . . . . . . . 1239
14-24 F2.8 AFS G ED AFS 1315
16-35 F4 AFS VR . . . . . . . . . 829
18-35 F3.5/4.5 AFS G . . . . . 517
20 F1.8 AFS G ED . . . . . . . . 677
24 F3.5 PCE. . . . . . . . . . . . 1499
24-70 F2.8 AFS G ED . . . . 1245
24-85 F3.5/4.5 AFS G ED VR 399
50-140mm F2.8 R OIS .......... 1249

55-200mm OIS XF....................518
56mm F1.2 R APD...............1099
56mm F1.2 XF.......................799
60mm F2.4 XF.......................433
X100T Black/Silver ................997
X30 Black/Silver ....................477
EF-X20 Flash.........................169
24-120 F4 AFS G ED VR . . . 797

28 F1.8 AFS . . . . . . . . . . . . . 495
28-300 F3.5/5.6 AFS G ED VR . 659
35 F1.4 AFS G . . . . . . . . . . 1295
35 F1.8 AFS G FX . . . . . . . . 465
35 F2 AF-D . . . . . . . . . . . . . . 269
50 F1.4 AFS G . . . . . . . . . . . .299
50 F1.8 AFS G . . . . . . . . . . . 149
58 F1.4 AFS G 1 only. . . . . 1379
60 F2.8 AFS . . . . . . . . . . . . . 419
70-200 F2.8 AFS VRII . . . . 1619
70-200 F4 AFS G ED VR . . . 947
70-300 F4.5/5.6 AFS VR . . . 439
80-400 F4.5/5.6 AFS G VR 1899
85 F1.4 AFS G . . . . . . . . . . .1179
85 F1.8 AFS G . . . . . . . . . . . 374
105 F2.8 AFS VR macro . . . 629
200 F2 AFS G VRII . . . . . . 4079
200-400 F4 AFS VRII . . . . . 4888
300 F2.8 AFS G VR II . . . . 3999
300 F4 AFS . . . . . . . . . . . . 1029
400 F2.8 EFL ED VR . . . . . 10399
500 F4 AFS VRII . . . . . . . . 5847
10-20 F3.5 EX DC HSM. . . . . . .399

10-20 F4/5.6 EX DC HSM . . . . .349
12-24 F4.5/5.6 EX DG
HSM macII . . . . . . . . . . . . . . . . .599
17-50 F2.8 EX DC OS HSM . . .309
17-70 F2.8/4 DC OS HSM . . . . .349
18-35 F1.8 DC HSM. . . . . . . . . .639
18-200 F3.5/6.3 DC
OS HSM mac . . . . . . . . . . . . . . .269
18-250 F3.5/6.3 DC
OS HSM mac . . . . . . . . . . . . . . .299
600 F4 AFS VRII . . . . . . . . 7069

TC14EIII converter . . . . . . . . 448
TC17EII converter . . . . . . . . 319
TC20EIII converter . . . . . . . . 389
FLASH & ACCESSORIES
MBD16 Grip (D750) . . . . . . . 229
MBD15 Grip (D7100) . . . . . . 249
MBD14 Grip (D600) . . . . . . . 219
MBD12 Grip (D800/E) . . . . . 279
SB-500 flash. . . . . . . . . . . . . 198
SB-700 flash. . . . . . . . . . . . . 239
SB-910 flash. . . . . . . . . . . . . 337
I AM HERE!!
body
1797
+ 24-120
f4 2349
PRO LENS STOCKIST
18-300 F3.5/6.3 DC
OS HSM mac . . . . . . . . . . . . . . .499
24-70 F2.8 EX IF DG HSM. . . . .599
30 F1.4 DC HSM Art . . . . . . . . .379
35 F1.4 DG HSM . . . . . . . . . . . .669
50 F1.4 EX DG HSM Art . . . . . .699
50-500 F4/5.6 OS HSM . . . . . . .999
70-200 F2.8 EX DG OS HSM . .799
70-300 4.5/5.6 APO
DG HSM mac . . . . . . . . . . . . . . .169
85 F1.4 EX DG HSM . . . . . . . . .659
105 F2.8 EX DG OS HSM . . . . .399

120-300 F2.8 DG OS HSM . . .2599
150 F2.8 EX DG OS HSM . . . . .699
150-500 F5/6.3 DG OS HSM . . .699
150-600 F5/6.3 DG
OS HSM sport . . . . . . . . . . . . .1499
180 F2..8 EX DG OS HSM . . .1299
1.4x EX DG . . . . . . . . . . . . . . . .199
2x EX DG . . . . . . . . . . . . . . . . . .239
MORE ON WEBSITE
WWW.MIFSUDS.COM
PART EXCHANGE WELCOME

Use your unwanted equipment to purchase the latest models.
We always offer a fair price - quoted quickly.
WE PART EXCHANGE, BUY FOR CASH
OR COMMISSION SALE
Collection can be arranged, contact us at
info@mifsuds.com or ring 01803 852400
Family Run Pro Dealership with Friendly, Knowledgeable Staff. Open 7 days per week. Prices inc VAT - correct 07/11/2014. P&P Extra. E&OE.
FREE COURIER DELIVERY FOR NEW ITEMS ORDERED ON-LINE (U.K. Mainland only)
Although we are the best stocked dealer in the West Country,

we cannot always have every item listed in stock at all times,
so we are happy to reserve new & used items for customers
planning to visit. Prices correct at time of compilation
07/11/2014 but are subject to change without notice so
please see website for the most up to date prices.
For PANASONIC. PENTAX. TAMRON.

LOWEPRO. VANGUARD. Please see web
BUY ONLINE (new stock only) - CHECK LATEST PRICES AND
MANUFACTURER CASHBACKS/PROMOTIONS
www.mifsuds.com
QUALITY USED EQUIPMENT. See website for full list. Call us for condition and to buy secondhand stock. 6 Month warranty on most secondhand.
5x4 USED
Walker Titan XL M- ....... 849
Schneider 180 F5.6 ...... 179
BRONICA ETRS 645 USED
ETRSi + 75 PE + 120 back
+ AEII prism.................. 299
ETRSi + 75 EII + 120 RFH +
AEII prism + speed grip 249
ETRSi + AE prism +
speedgrip + 120 back... 199
ETRSi body .................. 139
ETRS + 75 + PE
+120 RFH ..................... 199
ETRS body ..................... 99
45-90 F4/5.6 PE box .... 449
60 f2.8 PE..................... 199
75 F2.8 PE ................... 139
75 F2.8 EII.................... 129
100 F4 PE macro ......... 249
135 F4 PE .................... 199
150 F3.5 E...................... 99
150 F3.5 PE M- Box..... 149
200 F4.5 PE ................. 199
250 F5.6 ....................... 149
500 F8 EII..................... 299
2x extender E ................. 79
E14 ext tube ................... 49
120 RFH ......................... 69
Polaroid Back ................. 25
WLF...69 Rotary prism 129
AEIII prism.................... 179
AEII Prism ...................... 79
Plain Prism E.................. 29
Angle viewfinder E........ 129
Winder..79 Winder EI 149
Speed Grip E.................. 39
Auto Bellows E ............. 179
Tripod adapter E............. 39
Winder early ................... 49
Metz SCA 386 ................ 49
Ext tube 14 or 42 each... 49
BRONICA SQ 6x6 USED
SQAi complete ...... 299/449
SQAi body .................... 249
SQA + 80 F2.8 PS + RFH. 269
SQB + 80 + RFH .......... 299
SQ body ......................... 99
40 F4 PS ...................... 379
40 F4 S......................... 299
50 F3.5 S...................... 149
110 F4.5 PS macro....... 349
135 F4 PS M- ............... 249
150 F3.5 S...................... 79
150 F4 PS ............. 149/199
200 F4.5 PS M- box ..... 199
S36 ext tube box ............ 79
2x PS converter M- ...... 179
Polaroid back.................. 25
135N back .....................119
SQAi 120 RFH................ 79
SQA 120 RFH................. 49
Plain Prism S Boxed ...... 69
AE Prism Early ............... 79
ME Prism Finder............. 69
Metz SCA 386 ................ 49
Pro shade S.................... 59
Lens Hood 65-80............ 20
SQAi Motorwinder ........ 149
Speed grip S................... 69
BRONICA GS 6x7 USED
Polaroid Back ................. 25
Speed Grip .................... 49
CANON DIGITAL AF USED
1DX Mint unused........ 3899
1DX body box............. 2999
1D MKIII body........ 599/699
1D MKIIN body ............. 399
1D MKII body box....... 1099
7D body ................. 499/599
5D MKI body box............449
50D body.........................299
40D body box..................199
30D body.........................139
20D body.........................149
700D body.......................369
450D body.......................149
400D body.......................149
350D body blk.................129
BG-E2N......59 BG-E2 ...39
BG-ED3.............................39
BG-E4 (5D MKI) ...............49
BG-E5 ...............................49
BG-E7 ...............................99
BG-E11 (5D MKIII)..........189
G1X compact box...........299
G15 compact M- box......279
G10 compact ..................199
G9 compact.......................99
CANON AF USED
EOS 1N RS body ......... 249
EOS 3 + PB-E2 ............ 239
EOS 3 + BP-E1 ............ 199
EOS 3...................... 99/149
EOS 1n body ................ 129
EOS 3 body .................. 129
EOS 5 body .................... 39
EOS 300V body.............. 29
EOS 600/500 b/o ea....... 20
10-22 F3.5/4.5 U box ... 349
16-35 F2.8 LII box ........ 869
17-40 F4 L M- box........ 479
17-40 F4 L box ............. 449
17-85 F4/5.6 IS U EFS. 169
18-55 F3.5/5.6 IS EFS ... 79
18-55 F3.5/5.6 IS STM ......99
18-55 F3.5/5.6 EFS............59
24-70 F2.8 U MKII..........1199
24-70 F2.8 U MKI............ 849
24-85 F3.5/4.5 U silv/blk. 149
24-105 F4 L M-................ 529
28-135 F3.5/5.6.................219
50 F1.4 U M- box ......... 239
50 F2.5 macro .............. 179
55-200 F4/5.6 U ............. 69
55-250 F4/5.6 IS EFS ....119

60 F2.8 EFS .................. 269
70-200 F2.8 IS U LII M- 1479
70-200 F2.8 U L box .... 799
70-200 F4 IS U L M-..... 749
70-200 F4 IS U L.......... 699
70-200 F4 L .................. 399
70-300 F4/5.6 IS U....... 299
75-300 F4/5.6 MKIII........ 89
85 F1.2 L MKI M-.........1199
90-300 F4/5.6 ................. 69
100 F2 USM box .......... 289
100 F2.8 IS L U ............ 599
100 F2.8 U mac box..... 299
100-400 F4.5/5.6 L ....... 949
200 F2.8 LII U .............. 479
300 F2.8 IS LII U M-... 3999
300 F2.8 IS L USM..... 3199
300 F4 IS USM ..............899
400 F2.8 LII IS USM ....6499
500 F4 L IS USM 4499/4999
600 F4 LII IS USM .......7499
600 F4 L IS USM .........4799
1.4x extender MKIII box.259
2x extender MKII............199
2x extender MKI.............149
Kenko Pro 300 DG 2x.... 119
Teleplus 2x DG conv ...... 89
Kenko ext tube set Mint.. 99
Jessops ext tubes........... 69
Tripod mount ring C (WII)99
BP-50.............................. 20
LC-4 wireless kit ............119
Angle finder C................. 99
WFT-E5 M- box ............ 379
PB-E2 ............................. 99
SIGMA CAF USED
10 F2.8 DC Fisheye........ 369
10-20 F4/5.6 HSM box ... 289
18-50 F3.5/5.6 DC box .... 49
20 F1.8 EX DG box........249
20-40 F2.8 DG box ........199
24-70 F2.8 EX DG HSM 479
30 F1.4 EX DC box........179
50 F1.4 EX DC...............249
100-300 F4 EX DG ........499
105 F2.8 EX DG.............. 249
120-400 F4/5.6 DG OS box 499
150 F2.8 EX DG macro.. 399
150-500 F5/6.3 DG OS... 549
300-800 F5.6 EX DG HSM 2999
600 F8.............................. 349
1.4x EX DG conv box ..... 169
1.4x EX conv ................... 129
2x EX DG conv ............... 149
OTHER CAF USED
TAM 10-24 F3.5/4.5 Di.... 249
TAM 17-50 F2.8 Di VC XR 289
TAM 18-270 F3.5/6.3 VC DiII 239
TAM 28-300 XR Di.......... 179
TAM 50-600 F5/6.3 Di VC .799
TAM 70-300 F4/5.6 Di VC 199
TAM 70-300 F4/5.6 Di ........ 99
TAM 90 F2.8...................199
TOK 17-35 F4 Pro FX .. 379
Zeiss 35 F2 ZE............. 449
CANON FLASH USED
ST-E2 transmitter ........... 99
270EX box...................... 89
430EX II........................ 169
540EZ non dig ................ 49
550EX........................... 179
580EX box.................... 249
580EXII box.................. 299
600EX RT box .............. 329
MR-14EX ring............... 279
CANON MF FD USED
F1 body early box......... 149
T90 body box.................. 79
A1 body .......................... 79
FX body .......................... 49
24 F2.8 FD ..................... 79
28 F2.8 FD ..................... 49
35-105 F3.5/4.5 FD ........ 99
50 F1.4 FD ..................... 99
50 F1.8 FL ...................... 25
50 F1.8 BL...................... 29
80-200 F4 ....................... 69
135 F3.5 BL.................... 39
200 F2.8 box ................ 239
2X B Extender ................ 69
TOK 60-300 F4/5.6......... 69
WLF fits F1 early ............ 79
Motor drive MA ............... 49
Winder A......................... 19
Angle finder B................. 49
Bellows FL + slide dup ... 89
PB-E1 power booster ..... 69
CANON FLASH USED
199A ............................... 49
244T ............................... 29
300TL ............................. 49
CONTAX SLR USED
137 Quartz body............. 39
28-70 F3.5/4.5 MM M-.. 349
50 F1.4 AE M- .............. 199
TLA360 flash M- box ...... 99
TOKINA 500 F8 mirror.... 49
FUJI DIGITAL USED
S2 body box ................... 99
XE-1 body..................... 239
18 F2 M- box ................ 299
50-230 F4.5/6.7 XC M-. 189
X100 Ltd Ed kit blk ....... 599
X100 silver.................... 399
X20 silv/blk box ............ 299
X10 box ........................ 189
FUJI MED FORMAT USED
G617 + 105 F8 ............. 899
250 F5.6 GX680 ............. 99
GA645 M- ..................... 349
GSW690 MKIII ............. 679
GSW690 MKII .............. 499
GW690III M- box .......... 499
GITZO TRIPODS USED

GT2540EX ........................ 299
GT3200LS......................... 299
GT3541LS......................... 399
GT5541LS box ................. 439
G1177M head M- box .........59
GH1720FQR head M-...... 139
GH1780QR head M-........ 149
GH5380SQR head M- ..... 179
HASSELBLAD XPAN USED
XPan 2 + 45 box............. 1299
30 F5.6 box ..................... 1999
90 F4 M-............................ 249
Centre filter 49mm............ 149
HASSELBLAD 6x6 USED
503CXI body chr........... 399
501CM ch + A12
+ 80 F2.8 CB .............. 1099
500CM complete .......... 799
PM45 prism box ........... 299
PM90 prism tatty ............ 99
PME prism box ............. 149
45 Prism late.............. 149
45 Prism early.............. 69
NC1 prism ...................... 69
WLF early ....................... 49
A16 black...................... 149
A12 latest chr ............... 179
A12 late blk/chr............. 129
503CW winder box ....... 179
50 F2.8 FE M- box ....... 649
250 F4 FE M- box ........ 449
40 F4 CF FLE box...... 1399
40 F4 CF ...................... 999
50 F4 CF ...................... 499
150 F4 CFI ............ 449/499
150 F4 CF .................... 399
Vivitar 2x conv ................ 69
Polariser - 60mm ............ 79
LEICA DIGITAL USED
M240 body M- box ..... 3999
M8 body box................. 999
Handgrip M240............. 159
LEICA M/COMPACT USED
M4 chrome body..............649
21 F2.8 blk ASP M- box . 1699
24 F2.8 blk M- ............ 1349
28 F2.8 M- box ............. 749
35 F2.8 Asp silv M- box.1499
Zeiss 50 F2.8 ZM ............649
LEICA SLR USED
R7 body blk box ........... 349
R6.2 body blk ............... 499
24 F2.8 3 cam .................379
28 F2.8 PC shift box........749
28-70 F3.5/4.5 ROM box 479
35 F2 (F3 cam)............. 499
60 F2.8 inc tube (3cam) 499
70-200 F4 (3 cam)........ 249
250 F4 (3 cam)............. 399
Bellows box .................... 99
Angle finder R............... 149
LIGHTMETERS USED
Gossen Digipro F ......... 179
Minolta Autometer III ...... 49
Minolta Flashmeter V ... 149
Minolta Spotmeter F ..... 179
Pentax digital spot M.... 269
Pentax spotmeter V........... 99
Polaris Flashmeter + 10. 129
Sekonic L408................ 129
Sekonic L508 Cine ....... 219
Sekonic L508................ 189
MAMIYA 645 AF USED
55-110 F4.5 box ........... 379
Ext tube NA401/2/3 ea ... 69
MAMIYA 645 MF USED
645 Pro body ................ 179
645 Pro + 80 F2.8 N
+ 120 RFH + prism....... 299
645E + 80 + winder ...... 199
645E body .................... 129
645 Super comp ........... 179
645 Super body .............. 89
45 F2.8 N M- Box ......... 149
50 F4 shift..................... 249
55 F2.8 N................... 79/99
55-110 F4.5 ........... 199/299
105-210 F4.5 ULD C....... 179
150 F2.8 A .................... 249
150 F3.5 N...................... 79
210 F4 N M- ................... 79
Ext Tube 1, 2, 3S each... 29
Teleplus 2x converter ..... 49
Vivitar 2x converter......... 39
FE401 AE prism box .... 179
AE prism 645 Super ....... 79
Plain prism (645 Super) . 39
WLF 645N/1000S/J ........ 49
Polariod Back HP401 ..... 29
Polaroid back.................. 29
120 Insert ....................... 20
HA401 120 RFH Box...... 49
120 Back ........................ 39
Winder ............................ 79
645 winder WG401......... 99
MAMIYA TLR 6x6 USED
C330 S B/O + WLF....... 139
C330 S B/O + WLF....... 199
C330 F Body + WLF..... 149
55 F4.5 ......................... 199
65 F3.5 box late............ 199
65 F3.5 serviced ........... 149
80 F2.8 late serviced .... 139
80 F2.8 early................... 99
105 F3.5 ....................... 129
180 F4.5 ....................... 149
250 f4.5 late serviced ... 249
250 f4.5 early serviced . 179
Paramender.................... 49
MAMIYA 7 RF 6x7 USED
43 F4.5 + VF box ......... 899
50 F4.5 L + VF ............. 699
150 F4.5 M- .................. 399
210 F8 + VF box M- ..... 499

Panoramic kit.................. 49
MAMIYA RB 6x7 USED
Pro SD + 127 KL
+ RFH + WLF ............... 549
Pro S body.................... 149
Pro S body scruffy.......... 99
Prism late ..................... 179
Prism early ..................... 69
WLF ................................ 79
Chimney ......................... 49
120 645V back ............... 99
Pro S Polaroid back ....... 29
Pro SD Polaroid back..... 69
90 F3.5 KL.................... 249
127 F3.5 KL.................. 299
180 F4.5 C...................... 99
250 F4.5 KL M- box ........ 249
45mm tube SD M-..............79
Ext tube 2............................49
MAMIYA RZ 6x7 USED
RZ Pro body ................. 149
50 F4.5 W.............. 199/299
65 F4 box M- ................ 399
90 F3.5 W M- box......... 299
127 F3.5 box ................ 299
180 F4.5 W box............ 199
No 2 ext tube.................. 49
WLF ................................ 79
AE prism early ................ 79
Pro II Polaroid back........ 39
Pro shade ....................... 49
MANFROTTO USED
MT0573C3 non geared 299
190CXPRO4................. 169
190XPROB ..................... 89
METZ USED
45CL1 batt...................... 29
45CL4 batt...................... 39
MINOLTA/SONY DIGITAL USED
Sony RX10 M- box.........549
Sony RX100 MKII box ...329
Sony A99 body box...... 1199
Sony A77 body box........469
Sony A700 body box......249
Sony A350 body.............129
Sony A300 body...............99
Min VC7D grip box...........69
Sony VGC99 grip...........169
Sony VGC77AM.............139
Sony VGC70AM.............139
Sony HX300 box............199
SONY NEX USED
NEX7 body M- box.........469
NEX 6 body box................299
NEX 5 + 18-55 + 16........ 269
NEX 5 body....................219
Zeiss 32 F1.8 M- box...... 369
MINOLTA/SONY AF USED
Dynax 9 body ............... 249
Dynax 700Si + VC700.... 69
700Si/7xi body ea........... 49
Dynax 5 body .................... 39
505Si Super....................... 25
5000i or 300Si body ....... 19
17-35 F2.8/4 ................. 249
20-35 F3.5/4.5 M- box.. 249
24-50 F4 ....................... 149
24-105 F3.5/4.5 AFD box 179
28-85 F3.5/4.5 .............. 129
35-70 F4 ......................... 39
35-70 F3.5/4.5 ....................25
35-80 f4/5.6.........................25
35-105 F3.5/4.5..................99
50 F2.8 macro ................. 179
85 F1.4 G box ................. 699
100-300 F4.5/5.6 APO D 219
100-300 F4.5/5.6............. 129
500 F8 box....................... 389
VC9 grip........................... 149
VC700 grip 700si................29
BP200 grip..........................39
RC1000S/L cord.................15
SONY LENSES USED
18-55 F3.5/5.6 SAM...........39
18-70 F3.5/5.6 DT..............49
18-200 F3.5/6.3 DT......... 199
50 F1.8 DT..........................79
50 F2.8 macro ................. 199
SIGMA MIN/SONY AF USED
28-135 F3.8/5.6................79
50 F1.4 ...........................149
50 F2.8 EX DG mac ......149
55-200 F4/5.6...................69
70 F2.8 EX DG................ 169
70-200 F2.8 G box ..... 1399
600 F8 .......................... 299
1.4x EX DG conv.......... 149
2x EX conv ..................... 99
TAM 70-300 F4/5.6 Di .... 89
Teleplus 1.4x conv.......... 69
Teleplus 2x conv............. 79
Kenko 1.4x Pro 300DG 149
VC600 (600Si)................ 29
Min 350Xi ....................... 20
Min 3600HSD ................. 49
Min 5200i........................ 39
Min 5400HS.................... 69
Min 5600HSD M-.......... 129
Min 1200 Ringflash......... 69
MINOLTA MD USED
XD7 body blk ................ 139
X700 body blk................. 69
X300s body blk............... 49
X300 chr body ................ 49
XGM chr body ................ 49
SRT101 body chrome .... 49
MD 28 F2.8..................... 49
MD 28 F3.5..................... 29
MD 35-70 F3.5 ............... 49
MD 35-135 F3.5/4.5 ....... 79
MD 50 F1.4..................... 49
MD 50 F1.7..................... 39
MD 70-210 F4 ................ 89
MD 75-210 F4.5 ............. 49

MD 70-300 F4.5/5.8 ....... 69
MD 100 F4 + 1:1 tube .. 129
TOK 400 F5.6 SL ......... 129
NIKON DIGITAL AF USED
D4s body Mint box ..... 4499
D4 body box ............... 2899
D3S body box............. 2499
D3 body box ........ 749/1299
D2XS body ................... 499
D2X body...................... 349
D800E body box......... 1399
D800 body box .. 1299/1399
D700 body box ...... 699/849
D600 body box ............. 799
D300s body .................. 499
D300 body box ...... 299/399
D200 body .................... 129
D7000 body .................. 379
D5200 body blk box ..... 279
D3200 body blk box ..... 189
D90 body ...................... 199
D80 body ...................... 129
MBD-10 ................... 49/149
MBD-11......................... 139
MBD-12 ........................ 229
MBD-14 M- box ............ 169
MBD-200 box ................. 39
ME-1 microphone box .... 69
Coolpix P6000 compact 129
Coolpix P510 compact ... 89
Coolpix P500 box ........... 69
NIKON 1 SYSTEM USED
AW1 + 11-27.5 M- box . 469
J2 + 10-30 blk M- ......... 149
V3 body blk box............ 599
6.7-13 F3.5/5.6 box ...... 299
30-110 F3.5/5.6 VR blk 129
70-300 F4.5/5.6 VR blk 779
DF-N1000 VF ............... 179
FT-1 mount adap box ... 139
NIKON AF USED
F5 body ................... 99/249
F4s body....................... 179
F4 body ........................ 149
F100 + MB-15 .............. 149
F90x body....................... 79
F80 blk/F801 body each. 49
F70 body black ............... 39
F50/F55/F65/F601 b/o ea..29
10.5 F2.8 AFG fisheye M-. 399
10-24 F3.5/4.5 AFS DX...549
12-24 F4 DX ....................499
16-85 F3.5/5.6 AFS VR...329
17-35 F2.8 AFS ............. POA
17-55 F2.8 AFS DX.........469
18-35 F3.5/4.5 AFD.........199
18-200 F3.5/5.6 AFS VRI.. 299
18-300 F3.5/5.6 AFS VR M- 479
20 F2.8 AFD box .............399
24 F2.8 AFD ....................299
24 F3.5 TSE M- box......1099
24-50 f3.5/4.5 AF.............129
24-70 F2.8 AFS ...............899
24-120 F4 AFS VR..........719
24-120 F3.5/5.6 VR.........199
28 F2.8 AF N .....................99
28-80 F3.5/5.6 AFD box....69
28-100 F3.5/5.6 AF G ........69
28-105 F3.5/4.5 AFD....... 149
28-300 F3.5/5.6 AFS VR 549
35 F1.8 AFS DX M- box ..119
35 F2 AFD M- box........... 189
35 F2 AF .......................... 149
35-80 F4/5.6 AFD...............49
50 F1.4 AFS G M- box.... 229
50 F1.4 AFD box............. 199
50 F1.8 AFS G box ......... 139
50 F1.8 AFD box................79
50 F1.8 AF..........................69
60 F2.8 AFS M- box........ 319
60 F2.8 AFD micro.......... 199
70-200 F2.8 VRI M-...... 999
70-200 F2.8 VRI .... 799/949
70-300 F4.5/5.6 AFS VR 319
70-300 F4.5/5.6 AFD .... 129
70-300 F4.5/5.6 G box ... 69
80-200 F2.8 AFD N M- . 649
80-200 F2.8 one touch . 249
80-400 F4.5/5.6 VR ...... 649
85 F1.8 AFS G M- box . 329
85 F3.5 DX VR M-........ 229
105 F2 DC .................... 629
105 F2.8 AF non D ....... 349
200 F2 AFS VRI ......... 2699
200-400 F4 AFS VRI M-... 2999
300 F4 AFS M- ............. 799
400 F2.8 AFS VR II .... 5899
600 F4 VR .................. 6299
TC17EII box ................. 269
TC20EIII ....................... 339
TC20E box ................... 169
Kenko Pro 300 DG 1.4x 119
Kenko 1.5x DG ............... 69
Kenko MC7..................... 69
SIGMA NAF USED
10-20 F4/5.6 DC HSM.. 229
18-35 F1.8 DC HSM A M- .479
18-200 F3.5/6.3 DC OS.. 179
18-200 F3.5/6.3 DC box . 139
24-70 F2.8 EX DG HSM. 479
24-70 F2.8 EX DG mac.. 299
28-200 F3.5/5.6............... 129
28-300 F3.5/6.3..................99
30 F1.4 EX DC box......... 169
50 F2.8 EX DG................179
70-200 F2.8 EX DG OS..649
120-300 F2.8 EX DG...1199
120-300 F2.8 EX DG.... 899
150 F2.8 EX DG box ...... 429
150-500 F5.6/6.3 DG OS 549
300 F2.8 EX DG............ 1499
1.4x EX DG M-................ 139
1.4x EX conv ......................99
Mail order used items sold on 10 day approval. Return in 'as received' condition for refund if not
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the first to learn about special offers and promotions - ask us for details. E&OE.
2x EX DG conv ............... 159

2x EX conv ...................... 109
TAMRON NAF USED
17-50 F2.8 XR VC........... 249
17-50 F2.8 XR Di ............ 199
18-200 F3.5/6.3 XR DiII.....99
18-250 F3.5/6.3 DiII box . 179
24-70 F2.8 Di VC ............ 649
24-70 F3.3/5.6 ....................79
24-135 F3.5/5.6 box.........119
60 F2 Di M- box .............. 249
70-300 F4/5.6 ............... 69/89
90 F2.8 Di box.......... 249/299
90 F2.8............................. 199
TOK 11-16 F2.8 ATX Pro.. 349
TOK 16-50 F2.8 ATX Pro 369
TOK 80-400 F4.5/5.6 ATX 249
ZEISS 21 F2.8 M- box.. 799
FLASH / ACCESSORIES USED
SB-24...................................49
SB-25...................................49
SB-27...................................39
SB-29...................................79
SB-28DX.............................69
SB-700 M- ....................... 199
SB-800............................. 199
SB-900............................. 269
SB-910............................. 279
SU-800 commander........ 179
SD-8 box.............................49
SD-8A..................................79
DR-6 angle finder............ 169
MB-10 (F90X).....................19
MB-21 (fits F4)....................99
MC-30 remote ....................49
MC-36 remote ....................99
MF-23 (date back F4) ........99
ML-3 remote M- box ........119
WT-2 box ............................99
WT-5 box ......................... 299
NIKON MF USED
F2 + DP-1 blk ............... 199
F3HP body.................... 249
F3 body ................... 99/199
FA body blk................... 169
FE-2 body chr............... 179
FM2n body chr ............. 179
FM2n body blk.............. 199
FM body ........................ 79
24 F2 AIS...................... 339
28 F3.5 AI ....................... 99
35 F1.4 AI ..................... 299
35-70 F3.3/4.5 AIS ......... 99
35-105 F3.5/4.5 AIS ......119
50 F1.8 AIS..................... 89
50 F1.8 AIS pancake.... 139
50 F1.8 E........................ 59
55 F2.8 AIS micro......... 149
55 F3.5 AI ....................... 99
85 F2 AIS...................... 199
100-300 F5.6 AIS ......... 149
135 F2.8 AIS................. 149
180 F2.8 AIS ED .......... 399
200 F4 micro AIS.......... 279
200 F4 AIS.................... 149
200 F4 AI ........................ 99
300 F2.8 AIS box.......... 999
500 F8 late box ............ 279
TC14A........................... 129
TC16A............................. 99
TC200............................. 59
TC300 .................................99
DE-3 fits f3 box................ 129
MD-4 fits f3 .........................49
MD-12 winder.....................49
SB-15 flash..................... 29
SB-16 flash..................... 49
SB-17 flash..................... 49
SC-17 TTL lead .............. 25
SC-29 TTL lead .............. 39
DW-4 6x mag find fit F3 . 99
PB-6 bellows ................ 169
PB-4 bellows ................ 169
PK-12.............................. 29
PN-11.............................. 99
OLYMPUS DIGITAL USED
E3 body box ................. 299
E1 + 14-42.................... 149
E500 body ...................... 69
E420 body ...................... 79
E300 body ...................... 69
11-22 F2.8/3.5 M- ......... 469
12-60 F2.8/4.5 SWD box. 599
14-42 F3.5/5.6 ................ 49
14-45 F3.5/5.6 ................ 99
14-50 F3.8/5.6 .............. 199
35 F3.5 ........................... 99
40-150 F3.5/4.5 .............. 39
40-150 F4/5.6 ................. 39
50 F2 ED macro ........... 299
50-200 F2.8/3.5 ED ...... 399
70-300 F4/5.6 box ........ 249
75-300 F4.8/6.7 MKII.... 299
25mm ext tube................ 79
Sigma 30 F1.4 DC HSM 179
FL-36 flash ....................119
OLYMPUS PEN USED
Pen E-PM1 body ............ 99
12 F2 M- box ................ 369
17 F2.8 ......................... 129
25 F1.8 ......................... 229
75-300 F4.8/6.7 II ......... 299
Pen VF2 ....................... 129
HLD7 grip M- .................119
OLYMPUS MF OM USED
OM-4Ti body blk box...... 299
OM-2SP body ................ 149
OM-2n body chr M-........ 219
OM-2n body chrome...... 169
OM-2n body black ......... 149
OM-2 chr body............... 129
OM-1N body chr/blk....... 129
OM-1 body chrome........ 129
21 F3.5 M- box ............. 279
28 F2.8 ........................... 49
28 F3.5 ........................... 34
28-48 F4 ......................... 99
35 F2 ............................ 149
35 F2.8 shift.................. 329
35-70 F3.5/4.5 ................ 79
35-70 F4 ......................... 79
35-105 F3.5/4.5 .............. 79
50 F1.8...............................29
50 F3.5 macro....................89
75-150 F4 box ................ 49
180 F2.8 ....................... 299
200 f4 M- ........................ 99
300 F4.5 box................. 199
Sigma 500 F7.2 ............ 149
T32 ash......................... 29
Olympus Auto bellows
+ slide copier M- ............. 99
Man ext tube 7/14/25 ea. 15
Auto ext tube 14/25 each .... 29
PANASONIC DIGITAL USED
LX7 box ..........................279
LX3 box .......................... 119
GH2 body box ................219
G1 body.......................... 69
GX1 body sil/blk box .... 169
GF1 body blk box ........... 89
GF2 body........................ 79
GF3 body mint- box........ 69
14 F2.5 ......................... 149
14-42 F3.5/5.6 PZ silv .. 169
14-42 F3.5/5.6 ................ 49
25 F1.4 Mint box .......... 369
45-200 F4/5.6 box ........ 199
BG-GH3 grip................. 149
LVF2 Viewfinder ........... 149
LVF1 Viewfinder ............. 79
MS1 stereo microphone 129
FZ200 ........................... 219
PENTAX DIGITAL AF USED
K20D body.................... 149
K10D body...................... 99
DBG2 grip....................... 69
DBG4 grip M- box ........ 129
PENTAX 35mm AF USED
15 F4 M- ....................... 369
16-50 F2.8 .................... 679
17-70 F4 SDM M- box.. 349
18-55 F3.5/5.6 ................ 29
18-270 F3.5/6.3 SDM ..... 299
20-35 f4 box....................POA
21 F3.2 AL Limited .......... 299
28-70 F4 AL........................59
28-80 F3.5/5.6 ................ 39
31 F1.8 Limited Mint..... 769
31 F1.8 Limited M- box 639
35 F2.8 Limited M-........ 299
35-80 f4/5.6 .................... 29
40 F2.8 Limited M-........ 249
43 F1.9 Limited Mint..... 539
43 F1.9 Limited M- box 439
50-135 F2.8 SDM M- box 499
70 F2.8 Limited............. 349
70-200 F4/5.6 ................. 69
70-300 F4/5.6 ................. 79
80-200 F4.7/5.6 .............. 49
100-300 F4/5.6 ............... 79
200 F2.8 ....................... 599
560 F5.6 AW Mint box 2799
SIGMA PKAF USED
8 F4 EX M- box ............ 199
12-24 F4/5.6 EX DG Mint 499
50-200 F4/5.6 WR .......... 99
105 F2.8 EX DG M- box329
TAM 17-50 F2.8 XR Di . 249
PENTAX 35mm MF USED
LX + FA1W prism ......... 299
LX + FA1W prism ......... 199
LX body no prism ......... 149
K1000 body chr .............. 79
P30N body...................... 59
17 F4 Fisheye M- ......... 399
28-80 F3.5/4.5 ................ 49
50 F1.7 PKA ................... 59
50 F1.7 ........................... 49
50 F2 .............................. 39
55 F1.8 ........................... 49
135 F3.5 ......................... 39
400-600 F8/12 .............. 249
1000 F11....................... 699
FB1 + FC1 LX V/F.........119
Rear converter A 2x........ 79
Rear converter T62 ........ 69
Angle finder K1000......... 49
PENTAX 645AF USED
645N body .................... 399
120 insert........................ 49
PENTAX 645MF USED
645 + 75 F2.8 ............... 249
45-85 F4.5 .................... 269
150 F3.5 EX++ ............. 149
200 F4 ......................... 149
2x converter ....................179
120 Insert M- box............ 49
PENTAX 67 USED
67II + AE prism ............. 799
45 F4 ............................ 249
90 F2.8 leaf................... 149
135 F4 mac late............ 249
165 F4 leaf latest .......... 249
200 F4 latest................. 169
200 F4 early .....................99
300 F4 early scruffy......... 99
Pentax rear conv 1.4x... 249
2x rear converter .......... 179
Auto ext tubes................. 49
Vivitar 2x conv ................ 49
Folding focus hood ......... 79
TAMRON ADAPTALL USED
90 F2.5 ........................... 99
VOIGTLANDER USED
Bessa R body blk scruffy 99
MORE ON WEBSITE
WWW.MIFSUDS.COM
USED HIGHLIGHTS
Canon
300mm f2.8 L
IS II USM M-
3999
Canon
400mm f2.8 LII

IS USM
6499
Canon
500mm f4 L
IS USM
4499/4999
Canon
600mm f4 L
IS USM
4799
Sigma
CAF t 300-800mm
f5.6EX DG HSM
2999
Nikon
200-400mm f4
AFS VR1 M-
2999
Nikon
400mm f2.8
AFS VR1I
5899
Sigma
NAF t 300mm
f2.8 EX DG
1499
Connect now with your QR app
www.mifsuds.com
KOOD
KOOD MANUFACTURE THE
MOST COMPREHENSIVE
RANGE OF FILTERS AVAILABLE
OPTICAL FILTERS
MADE ON A
MERCURY BED
MADE IN JAPAN
Underwater Filters Blue

water for water with Coral
UK OPTICAL RESIN
MADE IN UK
Blue Water 100mmx100mm
Blue Water 104mm Disc
Blue Water 125mmx125mm
Blue Water 27mm
Blue Water 30mm
Blue Water 30.5mm
Blue Water 34mm
Blue Water 37mm
Blue Water 37.5mm
Blue Water 40.5mm
Blue Water 43mm
Blue Water 46mm
Blue Water 49mm
Blue Water 52mm
Blue Water 55mm
Blue Water 58mm
Blue Water 62mm
Blue Water 67mm
Blue Water 72mm
Blue Water 77mm
For water without
Coral
Green Water 100mmx100mm
Green Water 104mm Disc
Green Water 125mmx125mm
Green Water 27mm
Green Water 30mm
Green Water 30.5mm
Green Water 34mm
Green Water 37mm
Green Water 37.5mm
Green Water 40.5mm
Green Water 43mm
Green Water 46mm
Green Water 49mm
Green Water 52mm
Green Water 55mm
Green Water 58mm
Green Water 62mm
Green Water 67mm
Green Water 72mm
SLIM KOOD FILTERS
MADE IN CHINA
37mm PLC
40.5mm PLC
52mm Close UP Set +1+3+4+10
82mm Close UP Set +1+3+4
46mm Neutral Density 8X
ND8 55mm
ND8 58mm
ND8 62mm
ND8 67mm
ND8 72mm
ND8 77mm
ND8 82mm
ND8 86mm
UVC 46mm
UVC 49mm
UVC 52mm
UVC 55mm
UVC 58mm
UVC 62mm
UVC 67mm
UVC 72mm
UVC 77mm
UVC 82mm
UVC 86mm
52mm UV Multi Coated

46mm PLC
49mm PLC
52mm PLC
55mm PLC
58mm PLC
62mm PLC
67mm PLC
72mm PLC
77mm PLC
82mm PLC
86mm PLC
UV
UV
UV
UV
UV
UV
UV
UV
UV
UV
UV
UV
UV
UV
UV
UV
UV
UV
UV
UV
UV
UV
UV
UV
UV
24mm
25mm
27mm
28mm
30mm
30.5mm
34mm
35.5mm
37mm
37.5mm
39mm
40.5mm
43mm
46mm
48mm
49mm
52mm
55mm
58mm
62mm
67mm
72mm
77mm
82mm
86mm
OPTICAL FILTER
GROUND GLASS
Skylight
Skylight
Skylight
Skylight
Skylight
Skylight
Skylight
Skylight
Skylight
Skylight
Skylight
Skylight
Skylight
Skylight
1B
1B
1B
1B
1B
1B
1B
1B
1B
1B
1B
1B
1B
1B
37mm
40.5mm
43mm
46mm
48mm
49mm
52mm
55mm
58mm
62mm
67mm
72mm
77mm
82mm
OPTICAL FILTERS MADE

ON A MERCURY BED
Skylight
Skylight
Skylight
Skylight
Skylight
Skylight
Skylight
Skylight
Skylight
Skylight
Skylight
Skylight
Skylight
Skylight
Skylight
Skylight
Skylight
Skylight
Skylight
Skylight
Skylight
Skylight
Skylight
Skylight
Skylight
Skylight
Skylight
24mm
25mm
25.5mm
27mm
28mm
30mm
30.5mm
34mm
35.5mm
37mm
37.5mm
40.5mm
43mm
46mm
48mm
49mm
52mm
55mm
58mm
62mm
67mm
69mm
72mm
77mm
82mm
86mm
95mm
INFRA RED 720nm

Opt. GROUND GLASS
Infra Red 49mm
Infra Red 52mm
Infra Red 55mm
Infra Red 58mm
Infra Red 62mm
Infra Red 67mm
Infra Red 72mm
Infra Red 77mm
Infra Red 82mm
Infra Red 86mm
Skylight 105mm
Opt. GROUND GLASS

2 STOPS
ND4
ND4
ND4
ND4
ND4
ND4
ND4
27mm
28mm
30.5mm
34mm
35.5mm
37mm
37.5mm
ND4
ND4
ND4
ND4
ND4
ND4
ND4
ND4
ND4
ND4
ND4
ND4
40.5mm
43mm
46mm
48mm
49mm
52mm
55mm
58mm
62mm
67mm
72mm
77mm
All Japanese filters are packed in a twist box

Close Up Set 58mm
Close Up Set 62mm
Close Up Set 67mm
Close Up Set 72mm
Close Up Set 77mm
Close Up Set 82mm made in
China
Opt. GROUND
HALF DIOPTER
Split
Split
Split
Split
Split
Split
THREE STOP
ND8 37mm
ND8 40.5mm
ND8 46mm
ND8 49mm
ND8 52mm
ND8 55mm
ND8 58mm
ND8 62mm
ND8 67mm
ND8 72mm
ND8 77mm
4 STOPS
ND16 46mm
ND16 52mm
ND16 55mm
ND16 58mm
ND16 62mm
ND16 67mm
ND16 72mm
ND16 77mm
ND16 82mm
Opt. GROUND GLASS
Opt. GROUND
Polariser
Polariser
Polariser
Polariser
Polariser
Polariser
Polariser
Polariser
Polariser
Polariser
Polariser
Polariser
Polariser
Polariser
Linear
Linear
Linear
Linear
Linear
Linear
Linear
Linear
Linear
Linear
Linear
Linear
Linear
Linear
Polariser
Polariser
Polariser
Polariser
Polariser
Polariser
Polariser
Polariser
Polariser
Polariser
Polariser
Polariser
Polariser
Polariser
Polariser
Polariser
Polariser
Polariser
Polariser
Polariser
Polariser
Polariser
Polariser
Polariser
Circular
Circular
Circular
Circular
Circular
Circular
Circular
Circular
Circular
Circular
Circular
Circular
Circular
Circular
Circular
Circular
Circular
Circular
Circular
Circular
Circular
Circular
Circular
Circular
39mm
43mm
46mm
48mm
49mm
52mm
55mm
58mm
62mm
67mm
72mm
77mm
82mm
86mm
25mm
25.5mm
27mm
28mm
30mm
30.5mm
34mm
35.5mm
37mm
37.5mm
40.5mm
43mm
46mm
48mm
49mm
52mm
55mm
58mm
62mm
67mm
72mm
77mm
82mm
86mm
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Starburst
Set
Set
Set
Set
Set
Set
Set
Set
4X 27mm
4X 28mm
4X 30.5mm
4X 34mm
4X 35.5mm
4X 37mm
4X 40.5mm
4X 43mm
4X 43.5mm
4X 46mm
4X 49mm
4X 52mm
4X 55mm
4X 58mm
4X 62mm
4X 67mm
4X 72mm
4X 77mm
4X 82mm
6X 27mm
6X 28mm
6X 30.5mm
6X 34mm
6X 37mm
6X 40.5mm
6X 43mm
6X 46mm
6X 49mm
6X 52mm
6X 55mm
6X 58mm
6X 62mm
6X 67mm
6X 72mm
6X 77mm
8x 37mm
8x 49mm
8x 52mm
8x 55mm
8x 58mm
8x 62mm
8x 67mm
8x 72mm
8x 77mm
Soft
Soft
Soft
Soft
Soft
Soft
Soft
Focus
Focus
Focus
Focus
Focus
Focus
Focus
THREE STOP
55mm
58mm
62mm
67mm
72mm
Opt. DIOPTER
WITH CENTER HOLE
FOR SHARP CENTER
Centre
Centre
Centre
Centre
Centre
Mulit
Mulit
Mulit
Mulit
Multi
Multi
Spot
Spot
Spot
Spot
Spot
Image
Image
Image
Image
Image
Image
Clear
Clear
Clear
Clear
Clear
3x
3x
3x
3x
5x
5x
49mm
52mm
55mm
58mm
62mm
49mm
52mm
55mm
58mm
52mm
58mm
Colours for B&W

Ground optical glass
49mm
52mm
55mm
58mm
62mm
67mm
72mm
FOG OPTICAL GLASS

Fog 49mm
Fog 52mm
2x
2x
2x
2x
2x
2x
2x
2x
2x
2x
2x
2x
2x
2x
2x
2x
2x
2x
2x
2x
2x
2x
46mm
49mm
52mm
55mm
58mm
62mm
67mm
72mm
77mm
82mm
86mm
ONE STOP
Y/G 2x 49mm Yellow Green
Y/G 2x 52mm
Y/G 2x 55mm
Y/G 2x 58mm
Y/G 2x 62mm
Y/G 2x 67mm
Y/G 2x 72mm
ONE AND ONE

THIRD STOP
Orange
Orange
Orange
Orange
Orange
Orange
Orange
Orange
Orange
Orange
Orange
2x
2x
2x
2x
2x
2x
2x
2x
2x
2x
2x
46mm
49mm
52mm
55mm
58mm
62mm
67mm
72mm
77mm
82mm
86mm
Green
Green
Green
Green
Green
Green
Green
Green
Green
Green
Green
2x
2x
2x
2x
2x
2x
2x
2x
2x
2x
2x
46mm
49mm
52mm
55mm
58mm
62mm
67mm
72mm
77mm
82mm
86mm
We are unable to replace

these with Japanese filters
- replacements will
be UK Optical
resin filters
JAPANESE
OPTICAL GLASS
OR UK OPTICAL
RESIN
80A 52mm
80A 55mm
80A 58mm
80A 62mm
80A 67mm
80A 72mm
80A 77mm
80B 49mm
80B 52mm
80B 55mm
80B 58mm
80B 62mm
80B 67mm
80B 72mm
80B 77mm
81A 49mm
81A 52mm
81A 55mm
81A 58mm
81A 62mm
81A 67mm
81A 72mm
81A 77mm
81B 49mm
81B 52mm
81B 55mm
81B 58mm
81B 62mm
81B 67mm
81B 72mm
81B 77mm
82A 49mm
82A 52mm
82A 55mm
82A 58mm
82A 62mm
82A 67mm
82A 72mm
82A 77mm
82B 49mm
82B 52mm
82B 55mm
82B 58mm
82B 62mm
82B 67mm
KOOD
KOOD International Limited, Unit 6, Wellington Road, London Colney AL2 1EY
Tel: 01727 823812 Fax: 01727 823336
E-mail: info@koodinternational.com / koodinternational@gmail.com
www.koodinternational.com
KOOD BRAND PRODUCTS ARE EXPORTED WORLDWIDE
KOOD SUPPLIES EVERY PART OF THE PHOTO TRADE - HOME AND EXPORT.
EMAIL: info@koodinternational.com FOR DETAILS OF STOCKIST IN YOUR AREA OR, IF YOU ARE A CAMERA EQUIPMENT TRADER,
|
TRADE AND IMPORTERS CAN PAY BY
46mm
49mm
52mm
55mm
58mm
62mm
67mm
72mm
77mm
82mm
86mm
Conversion Filters
CAN BE ORDERED FROM ANY INDEPENDENT RETAILER

KOOD EXPORTS WORLDWIDE TO DISTRIBUTERS OR RESELLERS
37mm
40.5mm
43mm
43.5mm
46mm
49mm
52mm
55mm
SEND YOUR DETAILS FOR ACCOUNT APPLICATION AND TRADE SUPPLY PRICES
Red
Red
Red
Red
Red
Red
Red
Red
Red
Red
Red
ONE STOP
Yellow
Yellow
Yellow
Yellow
Yellow
Yellow
Yellow
Yellow
Yellow
Yellow
Yellow
TWO STOPS
DIFFUSER
Opt. GROUND
CLOSE UP SETS
+1, +2, +3
Up
Up
Up
Up
Up
Up
Up
Up
49mm
52mm
55mm
58mm
62mm
67mm
Opt. GLASS VERY

FINE ETCHED
9 STOPS
ND 400 52mm
ND 400 58mm
ND 400 62mm
ND 400 67mm
ND 400 72mm
ND 400 77mm
ND 400 82mm
Close
Close
Close
Close
Close
Close
Close
Close
Field
Field
Field
Field
Field
Field
Fog
Fog
Fog
Fog
Fog
82B 72mm
82B 77mm
85A 49mm
85A 52mm
85A 55mm
85A 58mm
85A 62mm
85A 67mm
85A 72mm
85A 77mm
85B 49mm
85B 52mm
85B 55mm
85B 58mm
85B 62mm
85B 67mm
85B 72mm
85B 77mm
FLD 49mm
FLD 52mm
FLD 55mm
FLD 58mm
FLD 62mm
FLD 67mm
FLD 72mm
FLD 77mm
FLW 49mm
FLW 52mm
FLW 55mm
FLW 58mm
FLW 62mm
FLW 67mm
FLW 72mm
FLW 77mm
KOOD
A FILTER TO FIT ALL
COKIN A SIZE SYSTEMS
A Filter Holder Set

Adapter Rings Only Fit Kood Holder
A Filter Holder Cap
A Filter Holder Hood
A Adapter Ring 37mm
A Adapter Ring 38.1mm
A Adapter Ring 40.5mm
A Adapter Ring 46mm
A Adapter Ring 49mm
A Adapter Ring 52mm
A Adapter Ring 55mm
A Adapter Ring 58mm
A Adapter Ring 62mm
GRADIENTS
Light Grey Graduated
Dark Grey Graduated
ND8 Grad 3 Stops
ND8 Grad Hard Cut
Light Blue Graduated
Dark Blue Graduated
Cool Blue Gradient
Light Green Graduated
Dark Green Graduated
Light Mauve Graduated
Dark Mauve Graduated
Light Red Graduated
Dark Red Graduated
Light Tobacco Graduated
Dark Tobacco Graduated
Light Fog Graduated
Strong Fog Graduated
Light Yellow Graduated
Dark Yellow Graduated
Light Sunset Graduated
Dark Sunset Graduated
POLARIZERS
Linear Polariser Filter
Circular Polariser Filter
NEUTRAL DENSITY
Neutral Density 2
Neutral Density 4
Neutral Density 8
STARS AND DIFFRACTIONS
Star x 4
Star x 6
Star x 6 with centre spot
Star x 8
Difraction 2x
Difraction 36x
Difraction 4x
Difraction Star 4
Difraction Star 8
Difraction Square
Difraction Halo
CLOSE UPS
Close Up 1
Close Up 2
Close Up 4
Split Field
MULTI IMAGE AND SPEED

Multi Image 3
Multi Image 5
Multi Image 7
Speed
COLOURS
20 x Polyester colour set
Yellow
Orange
Green
Red
Sepia
Sky
SLOT FILTERS THAT DO NOT DEGRADE
A unique system ensures the material is completely cured before we dye the filters. This and the KOOD
Filter Wallet ensures the colour and density remain the same year in, year out. Other makes can lose
up to 30% over three years. All KOOD slot filters are manufactured by KOOD in the UK and we have
control of all processes from the casting of the base material to the finished filter ready for sale.
CONVERSION
20 x Wratten polyesters set
80A
80B
80C
81A
81B
81C
82A
82B
82C
85A
85B
85C
FLB
FLD
FLW
DOUBLE EXPOSURE AND MASKS

A
A
A
A
Double Exposure
Double Mask 1
Double Mask 2
PSF
DIFFUSERS AND FOGS

A
A
A
A
light Diffuser
Strong Diffuser
Fog 1
Fog 2
NETS
Net
Net
Net
Net
Net
Net
Net
Blue
Grey
Green
Orange
Red
Violet
White
SPOTS
Oval Spot Blue
Oval Spot Clear
Oval Spot Grey
Oval Spot Red
Oval Spot White
Spot Blue
Spot Clear
Spot Grey
Spot Green
Spot Orange
Spot Red
Spot Violet
Spot White
Wide Spot Blue
Wide Spot Clear
Wide Spot Grey
Wide Spot Green
Wide Spot Orange
Wide Spot Red
Wide Spot Violet
Wide Spot White
P SYSTEM TO FIT ALL
COKIN P SIZE SYSTEMS
P Size Holder
Kood Adaptor Filter Rings + Cokin Holders
P Adapter Ring 38.1mm
P Adapter Ring 49mm
P Adapter Ring 52mm
P Adapter Ring 55mm
P Adapter Ring 58mm
P Adapter Ring 62mm
P Adapter Ring 67mm
P Adapter Ring 72mm
P Adapter Ring 77mm
P Adapter Ring 82mm
Light Mauve Graduated

Dark Mauve Graduated
Light Red Graduated
Dark Red Graduated
Dark tobacco Graduated
Light Yellow Graduated
DarkYellow Graduated
POLARIZERS
Linear Polariser
Circular Polariser
NEUTRAL DENSITY
ND400 9 Stops (Japanese Glass)
available Round (Back Slot) Square
(for use with PL, star etc)
ND16 4 Stops (Japanese Glass)
Neutral Density x2
Neutral Density x4
Neutral Density x8
Neutral Density x8 (Glass)
INFRA RED 720 P FILTER

Infra Red 720 Optical Glass
STARS AND DIFFRACTIONS

Starburst x4
Starburst x6
Starburst x8
Difraction 2x
Difraction 36x
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CLOSE UP FILTERS
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100 MM FILTERS
GRADIENTS 100 X 125MM
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DIFFUSERS AND FOGS

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CAN BE ORDERED FROM ANY INDEPENDENT RETAILER
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GG4 ND8 3 stop Grad
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KOOD International Limited, Unit 6, Wellington Road, London Colney AL2 1EY
Tel: 01727 823812 Fax: 01727 823336
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DIGITAL PHOTOGRAPHY
CANON EOS 1D MK IV BODY COMP WITH ALL ACCESS ..MINT-BOXED 1,895.00

CANON EOS 1DS MK III COMP WITH ALL ACCESS............MINT-BOXED 1,495.00
CANON EOS 5D MK II COMPLETE WITH ALL ACCESS......................MINT- 899.00
CANON EOS 5D BODY WITH ALL ACCESSORIES.................MINT-BOXED 375.00
CANON EOS 5D BODY WITH BATT & CHARGER............................EXC+++ 325.00
CANON EOS 7D BODY COMP WITH ALL ACCESSORIES.....MINT-BOXED 575.00
CANON EOS 50D BODY WITH ACCESSORIES....................................MINT- 295.00
CANON EOS 30D BODY COMPLETE WITH ALL ACCESS .....MINT-BOXED 155.00
CANON EOS 30D BODY COMPLETE WITH ALL ACCESS ..... MINT BOXED 165.00
CANON EOS 40D BODY COMP ONLY 400 ACTUATIONS...... MINT BOXED 249.00
CANON EOS 350D BODY COMPLETE WITH ALL ACCESS .....MINT-BOXED 95.00
CANON EOS 400D COMPLETE 18-55 MKII + ACCS ...............MINT-BOXED 175.00
CANON EOS 400D COMPLETE WITH ACCESSORIES...........MINT-BOXED 145.00
CANON EOS 400D + GRIP WITH Ni-CAD BATT + CHGR ..................EXC++ 165.00
CANON EOS 1000D BODY WITH CANON 18-55 LENS.........................MINT 175.00
CANON 550 EX SPEEDLITE.....................................................EXC++BOXED 145.00
CANON 550 EX SPEEDLITE......................................................MINT-BOXED 179.00
CANON 550 EX SPEEDLITE..................................................................... EXC+ 80.00
CANON 580 EX SPEEDLITE.........................................................MINT boxed 199.00
CANON 580 EX MKII SPEEDLITE ............................................. MINT BOXED 275.00
CANON MR-14EX MACROLITE................................................. MINT BOXED 299.00
CANON CP-E4 POWER PACK FOR MR14/580/580MKII etc...... MINT BOXED 99.00
CANON SB-E1 SPEEDLITE L BRACKET.................................... MINT BOXED 99.00
CANON WFT - E4 II WIRELESS FILE TRANSMITTER
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CANON BG-E1 BAT GRIP FOR EOS 300D.................................MINT-BOXED 35.00
CANON BG-E2 GRIP FOR EOS 20/30/40D...............................................MINT 49.00
CANON BG-E3 BATT GRIP FOR EOS 350D/400D.....................MINT-BOXED 39.00
CANON BG-E6 BATTERY GRIP FOR EOS 5D MK II ................. MINT BOXED 99.00
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NIKON D3S BODY COMPLETE ONLY 14,251 ACTUATIONS............MINT- 1,875.00
NIKON D700 BODY COMPLETE ONLY 41 ACTUATIONS BOXED . AS NEW 975.00
NIKON D600 BODY AS NEW VERY LOW USE......................................MINT 765.00
NIKON D7100 BODY WITH ALL ACCESSORIES ...................................MINT 575.00
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NIKON D80 BODY COMPLETE WITH ALL ACCESS.............................MINT- 165.00
NIKON D80 BODY COMPLETE WITH ACCESS.................................... EXC+ 145.00
NIKON D70 WITH NIKON 18 - 70 AFS LENS COMPLETE....... MINT BOXED 225.00
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NIKON SB600 SPEEDLIGHT ..................................................................MINT- 169.00
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CANON EOS 1 BODY.............................................................................. EXC+ 115.00

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CANON 28 - 300mm F3.5/5.6 USM L ................................................MINT- 1,495.00
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CANON 70 - 200mm f4 USM L ................................................ MINT BOXED 445.00
CANON 70 - 200mm f4 USM L ................................................ MINT CASED 425.00
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CANON 100 - 400mm f4.5/5.6 USM L IMAGE STAB .............. MINT CASED 865.00
CANON 135mm f2 USM L WITH 82mm FILTER..................... MINT CASED 645.00
CANON 200mm f2.8 USM L MK II WITH HOOD...................................MINT 475.00
CANON 400mm f5.6 USM L WITH HOOD AND CASE........... MINT BOXED 845.00
CANON 400mm f4 DO USM IMAGE STABILIZER LENS....... MINT-CASED 3,495.00
CANON 20mm f2.8 USM COMPLETE ....................................... MINT BOXED 299.00
CANON 24mm f2.8 EF LENS REALLY SHARP LENS ............................MINT 195.00
CANON 40mm f2.8 STM LENS .................................................. MINT BOXED 129.00
CANON 50mm f1.8 MARK 1 (VERY RARE NOW)...................................MINT 155.00
CANON 50mm f2.5 COMPACT MACRO...............................................EXC++ 125.00
CANON 60mm f2.8 USM MACRO LATEST............................... MINT BOXED 279.00
CANON 85mm f1.8 USM LENS COMPLETE WITH HOOD....... MINT BOXED 245.00
CANON 100mm f2.8 MACRO................................................................EXC++ 199.00
CANON 15 - 85mm f3.5/5.6 EF-S USM IS + CAN HOOD ..........MINT+HOOD 475.00
CANON 17 - 55mm f2.8 USM IMAGE STABILIZER................................MINT- 445.00
CANON 17 - 55mm f2.8 USM IMAGE STABILIZER + HOOD ... MINT BOXED 475.00
CANON 17 - 85mm f4/5.6 IMAGE STABILIZER......................... MINT BOXED 175.00
CANON 18 - 55mm f3.5/5.6 MK II ..............................................................MINT 59.00
CANON 18 - 55mm f3.5/5.6 MK II IMAGE STABILIZER............................MINT 99.00
CANON 18 - 135mm f3.5/5.6 STM IMAGE STABILIZER.........................MINT 275.00
CANON 18 - 200mm f3.5/5.6 EF-S IMAGE STABILIZER ...........MINT+HOOD 325.00
CANON 28 - 80mm f3.5/5.6 USM MK V.....................................................MINT 49.00
CANON 28 - 90mm f4/5.6 USM..................................................................MINT 69.00
CANON 28 - 105mm f3.5/4.5 USM...........................................................MINT 145.00
CANON 28 - 135mm f3.5/5.6 USM IMAGE STABILIZER........... MINT BOXED 245.00
CANON 28 - 200mm f3.5/5.6 USM...........................................................MINT 179.00
CANON 35 - 80mm f4/5.6 EF MKIII............................................................MINT 39.00
CANON 55 - 250mm f4/5.6 MKII IMAGE STABILIZER.............. MINT BOXED 159.00
CANON 55 - 250mm f4/5.6 STM IMAGE STABILIZER.............. MINT BOXED 199.00
CANON 70 - 300mm f4.5/5.6 USM IMAGE STABILIZER........................MINT- 295.00
CANON 70 - 300mm f4/5.6 USM IMAGE STAB DO LENS........ MINT BOXED 499.00
CANON 75 - 300mm f4.5/5.6 + HOOD.......................................................MINT 89.00
CANON 75 - 300mm f4.5/5.6 USM............................................................MINT- 99.00
CANON 75 - 300mm f4/5.6 EF MK III (LATEST VERSION) ...... MINT BOXED 129.00
CANON EF25 II EXTENSION TUBE ............................................ MINT BOXED 79.00

CANON EF12 II EXTENSION TUBE ............................................ MINT BOXED 45.00
KENCO DG CANON FIT TUBE SET 12,20,36mm....................... MINT BOXED 99.00
CANON EF 1.4x EXTENDER MK I...........................................................MINT 179.00
CANON EF 1.4x EXTENDER MK II............................................ MINT BOXED 199.00
CANON EF 2.0x EXTENDER MK I............................................. MINT BOXED 175.00
CANON EF 2.0x EXTENDER MK II............................................ MINT BOXED 215.00
KENCO TELEPLUS PRO 300 DGX 2.0 TELECONVERTER..... MINT BOXED 165.00
TELEPLUS MC7 7 ELEMENT 2x TELECONVERTER..............................MINT- 89.00
QUANTERAY 2x TELECONVERTER FOR CANON A/F..........................MINT- 59.00
CANON ST-E2 SPEEDLITE TRANSMITTER............................. MINT BOXED 125.00
CANON 540 EZ FLASH + INST.................................................... MINT BOXED 69.00
CANON 540 EZ FLASH + INST................................................... MINT- CASED 59.00
CANON 420 EZ FLASH................................................................ MINT CASED 39.00
CANON ANGLE FINDER B .......................................................... MINT BOXED 79.00
CANON ANGLE FINDER C........................................................ MINT CASED 125.00
CANON LC3 TRANSMITTER AND RECIEVER.......................................MINT 115.00
SIGMA 4.5mm f2.8 EX DC HSM CIRCULAR FISHEYE............. MINT CASED 475.00
SIGMA 10mm f2.8 EX DC FISHEYE HSM................................. MINT BOXED 345.00
SIGMA 14mm f2.8 ASPHERICAL CANON FIT .......................... MINT BOXED 345.00
SIGMA 30mm f1.4 EX DC HSM CANON FIT..............MINT BOXED AS NEW 199.00
SIGMA 105mm f2.8 EX DG MACRO SUPERB SHARP LENS.. MINT BOXED 265.00
SIGMA 400mm f5.6 APO MACRO.............................................MINT--CASED 295.00
SIGMA 8 - 16mm f4/5.6 EX DC HSM......................................... MINT CASED 399.00
SIGMA 70 - 300mm f4/5.6 APO MACRO + HOOD...................................MINT- 59.00
SIGMA 70 - 300mm f4/5.6 APO MACRO DG + HOOD................ MINT BOXED 95.00
SIGMA 150 - 500mm f5/6.3 DG HSM OPTICAL STABIL........... MINT BOXED 545.00
SIGMA 170 - 500mm f5/6.3 APO COMP WITH HOOD..............MINT-BOXED 299.00
TAMRON 90mm f2.8 SP Di MACRO LENS ............................... MINT BOXED 225.00
TAMRON 28 - 300mm f3.5/6.3 I/F LD Di ASP VIB CONTROL.. MINT BOXED 375.00
TAMRON 55 - 200mm f4/5.6 LD MACRO Di II............................. MINT BOXED 65.00
TOKINA 10 - 17mm f3.5/4.5 AT-X DX LENS (LATEST)...........................MINT 345.00
TOKINA 12 - 24mm f4 IF DX ASPHERICAL AT-X PRO.............MINT+HOOD 265.00
Contax G Compacts & SLR & Ricoh
CONTAX G COMPACTS AND SLR & RICOH
CONTAX G2 BODY WITH STRAP & MANUAL .........................MINT-BOXED 465.00

CONTAX G1 BODY WITH STRAP......................................................EXC+++ 165.00
CONTAX TiX TITANIUM COMPACT + LEATHER CASE.......... MINT CASED 345.00
CONTAX 90mm f2.8 SONNAR G + HOOD...........................................MINT- 185.00
CONTAX TLA 140 FLASH FOR G1/G2........................................ MINT CASED 65.00
CONTAX TLA 200 FLASH FOR G1/G2........................................ MINT CASED 89.00
CONTAX GD1 DATABACK FOR CONTAX T3.............................MINT-BOXED 69.00
CONTAX SA-2 FLASH ADAPTOR .............................................................MINT 55.00
CONTAX AX AUTOFOCUS BODY (RARE NOW) ..................................MINT- 365.00
CONTAX FIT YASHICA 28mm f2.8 SUPERB CONDITION.......................MINT 65.00
CONTAX 45mm f2.8 TESSAR T* PANCAKE LENS + HOOD .................MINT 225.00
CONTAX 50mm f1.7 PLANAR AE............................................................MINT 125.00
CONTAX 135mm F2.8 SONNAR T* MM...................................EXC++BOXED 195.00
CONTAX TLA 280 FLASH.........................................................................MINT- 95.00
Leica M, R & Screw & Binoculars
LEICA M , R , & SCREW & BINOCULARS
LEICA M8 DIGITAL CHROME BODY & 64gb CARD..............MINT-BOXED 1,295.00

LEICA M8 DIGITAL BLACK BODY......................................... EXC+++BOXED 895.00
LEICA M7 FLAG BODY RARE LIMITED EDITION UK FLAG MINT-BOXED 1,295.00
LEICA M6 CLASSIC BODY ........................................................ MINT BOXED 845.00
LEICA M4 CHROME BODY....................................................... MINT/EXC+++ 599.00
LEICA M4-P BLACK BODY ......................................................MINT-/EXC+++ 675.00
LEICA M2 BODY COMPLETE WITH INST BOOK.....................MINT-BOXED 895.00
LEICA M3 D/W BODY...............................................................MINT-/EXC+++ 595.00
LEICA Mda BODY SER No 12659XX CIRCA 1970 ................................MINT- 425.00
LEICA Mda BODY SER No 14111XXCIRCA 1975-76 ..........................EXC++ 399.00
LEICA II & 50mm f2 NICKEL ELM (FROM A COLLECTION).............EXC++ 365.00
LEICA 1F RED DIAL BODY (FROM A COLLECTION).........................MINT- 265.00
LEICA IIF RED DIAL BODY (FROM A COLLECTION)...................EXCX+++ 245.00
LEICA IIIA/STANDARD WITH 5cm f2 COLL SUMMITAR...................EXC+++ 365.00
LEICA IIIB BODY (FROM A COLLECTION) .....................................EXC+++ 195.00
LEICA IIIF RED DIAL...........................................................................EXC+++ 245.00
LEICA IIIG BODY WITH 5cm f3.5 COLL ELMAR & CASE .................EXC+++ 875.00
LEICA III BODY REALLY NICE CLEAN BODY WITH CASE..................MINT- 295.00
LEICA CL BODY COMP WITH 40mm f2 SUMMICRON.........................MINT- 795.00
LEICA CL BODY ......................................................................................MINT- 495.00
MINOLTA CLE BODY COMPLETE WITH CASE..................................EXC++ 365.00
ZEISS 21mm f4.5 BIOGON ZM ...................................MINT BOXED AS NEW 699.00
ZEISS 21mm ZI VIEWFINDER................................................... MINT BOXED 199.00
LEICA 21mm f4 SUP ANGULON + M ADAPTOR + FINDER
............................................................................................MINT IN KEEPER 1,295.00
LEICA 35mm f1.4 SUMMILUX ASPHERICAL + HOOD.......... MINT CASED 1,995.00
LEICA 35mm f2 SUMMICRON ASPHERICAL BLACK............ MINT BOXED 1,595.00
LEICA 35mm f3.5 SUMMARON M WITH LEICA FILTER.......................MINT- 395.00
LEICA 35mm f3.5 SUMMARON M WITH SPECS...................................MINT- 395.00
LEICA 50mm f2 SUMMICRON 6 BIT LATEST........................... MINT BOXED 995.00
LEICA 50mm f2 SUMMICRON CHROME SER No 36301##......MINT+HOOD 995.00
LEICA 50mm f2 SUMMICRON BLACK COMP WITH HOOD .... MINT BOXED 850.00
LEICA 50mm f2 SUMMICRON COLLAPSIBLE.......................................MINT- 399.00
LEICA 50mm f2 SUMMICRON CHROME WITH HOOD.........................MINT- 645.00
LEICA 50mm f2 SUMMICRON CHROME M FIT.................................EXC+++ 595.00
LEICA 50mm f2 CLOSE FOCUS SUMMICRON .....................................MINT- 595.00
LEICA 5cm f3.5 COLLAPSABLE ELMAR FOR M...................................MINT- 245.00
LEICA 90mm f2.5 SUMMARIT M 6 BIT LATEST + HOOD........ MINT BOXED 875.00
LEICA 90mm f2.8 ELMARIT M CHROME WITH HOOD.........................MINT- 295.00
LEICA 90mm f4 ELMAR C........................................................................MINT 275.00
LEICA 135mm f2.8 ELMARIT WITH SPECS.........................................EXC++ 295.00
LEICA 135mm f4.5 HEKTOR..................................................................... EXC+ 75.00
VOIGTLANDER 12mm f5.6 U/W HELIAR + M MOUNT + FDR...............MINT 395.00
VOIGTLANDER 15mm f4.5 S/W HELIAR ASPH + M MOUNT................MINT 285.00
VOIGTLANDER 21mm f4 COLOR SKOPAR BLACK VM ..........MINT-BOXED 275.00
VOIGTLANDER 25mm f4 COL SKOPAR VM.............................MINT-BOXED 275.00
VOIGTLANDER 28mm f2 BLACK VM ......................................................MINT 345.00
VOIGTLANDER 35mm f2.5 COL SKOPAR BLACK VM.............MINT-BOXED 245.00
VOIGTLANDER 40mm f1.4 NOKTON BLACK + HOOD VM.....MINT + HOOD 325.00
VOIGTLANDER 15mm FINDER ................................................................MINT- 79.00
LEICA M GRIP FOR M7/M6/M6TTL etc.....................................................MINT 49.00
LEICA 14870 ERC FOR M2,M3,M4,M6,M6TTL,M7 CASE ........MINT-BOXED 125.00
CANON 28mm f3.5 SERENAR SCREW .................................................MINT- 125.00
LEICA 5cm f2.8 COLLAPSIBLE ELMAR SCREW...................................MINT- 299.00
LEICA 5cm f2 SUMMARIT SCREW ........................................................MINT- 299.00
LEICA 5cm f2 SUMMITAR COLLAPSABLE + M MOUNT ......................MINT- 225.00
LEICA 7.3cm f1.9 HEKTOR SCREW........................................MINT-KEEPER 895.00
LEICA 90mm f4 COLL ELMAR M MOUNT.........................EXC++IN KEEPER 145.00
LEICA 90mm f4 C ELMAR + HOOD.........................................................MINT 395.00
LEICA 135mm f4.5 HEKTOR + HOOD M MOUNT .................................EXC++ 99.00
LEICA 135mm f4.5 HEKTOR IN KEEPER...........................................EXC+++ 199.00
LEICA FIT DALLYMER 13.5cm f4.5 DALRAC.....................................EXC+++ 275.00
LEICA 90mm f4 ELMAR BLACK SCREW.............................................EXC++ 145.00
LEICA 135mm f4.5 HEKTOR + HOOD SCREW .....................................EXC++ 99.00
LEICA SBOO1 FINDER FOR 50mm LENSES + CASE............. MINT-CASED 125.00
LEICA SF24D FLASH ................................................................. MINT BOXED 189.00
LEICA WINDER M4-2 FOR M4 etc.............................................MINT-BOXED 145.00
LEICA R8 BODY BLACK + STRAP AND INSTRUCTIONS ......EXC++BOXED 399.00
LEICA R6.2 BODY BLACK .........................................................MINT-BOXED 399.00
LEICA R5 BODY BLACK .........................................................................MINT- 299.00
LEICAFLEX SL BODY CHROME ...............................................MINT-BOXED 245.00
LEICAFLEX SL BODY CHROME + 50mm f2 SUMMICRON .....MINT-BOXED 399.00
LEICAFLEX SL2 CHROME BODY ......................................................EXC+++ 175.00
LEICA 50mm f2 SUMMICRON R 2 CAM .................................................MINT 199.00
LEICA 90mm f2 SUMMICRON FOR R..................................................EXC++ 375.00
LEICA 180mm f4 ELMARIT R 3 CAM ...................................................EXC++ 345.00
LEICA 28 - 70mm f3.5/4.5 R VARIO ELMAR ROM LENS.........MINT-BOXED 565.00
LEICA 35 - 70mm f3.5 R VARIO ELMAR................................... MINT-CASED 275.00
LEICA MOTORWINDER AND STRAP FOR R6 etc................... MINT BOXED 145.00
LEICA ULTRAVID 8x42 BINOCULARS BLACK......................................MINT- 795.00
LEICA 10 x 40 TRINOVID BA WITH CASE & MANUAL............MINT-BOXED 495.00
ZEISS 6 x 20 B MONOCULAR WITH CASE.............................. MINT CASED 125.00
ZEISS 8 x 56 T*P* NIGHTOWL BINOCULARS.......................... MINT-CASED 699.00
Medium & Large Format
MEDIUM & LARGE FORMAT
BRONICA RF645 COMPLETE WITH 65mm LENS.................... MINT BOXED 499.00

BRONICA 45mm f4 RF LENS FOR RF645 WITH FINDER ....... MINT BOXED 325.00
BRONICA ETRSi COMPLETE WLF,120 BACK, 75mm LENS................MINT- 245.00
BRONICA ETRS + WLF, 75mm + 120 BACK + SPEED GRIP.............EXC++ 195.00
BRONICA GS-1 WITH 110mm PG MACRO,AE FDR,S/GRIP..............EXC++ 299.00
BRONICA 40mm f4 ZENZANON FOR ETRS/ETRSi ..............................MINT- 159.00
BRONICA 50mm f2.8 ZENZANON MC .................................................EXC+++ 99.00
BRONICA 150mm f3.5 ZENZANON E MC................................... MINT BOXED 99.00
BRONICA 150mm f3.5 ZENZANON E MC.................................................MINT 89.00
BRONICA 150mm F4 E .............................................................................MINT- 89.00
BRONICA ETRSi 120 BACK......................................................................MINT- 79.00
BRONICA AEII METERED PRISM............................................................ EXC+ 75.00
BRONICA PLAIN PRISM FOR ETRS/ETRSi .............................................MINT 75.00
BRONICA PLAIN PRISM FOR ETRS/ETRSi ..........................................EXC++ 59.00
BRONICA SPEEDGRIP FOR ETRS/ETRSi ..............................................MINT- 45.00
BRONICA MOTOR WINDER E..............................................................EXC+++ 89.00
BRONICA 150mm f3.5 ZENZANON S.....................................................MINT- 165.00
BRONICA SQAi COMP WITH 80mm PS,WLF,120 BACK.......................MINT 475.00
BRONICA SQA + 80mm f2.8 S, PRISM FDR,BACK, GRIP................EXC+++ 395.00
BRONICA 50mm f3.5 PS LENS.................................................. MINT BOXED 195.00
BRONICA 65mm f4 ZENZANON PS FOR SQ ........................... MINT-CASED 145.00
BRONICA 110mm f4 PS ZENZANON MACRO FOR SQ........... MINT-CASED 365.00
BRONICA 150mm f4 PS ZENZANON FOR SQ ......................... MINT-CASED 145.00
BRONICA 200mm f4.5 PS LENS WITH HOOD ......................... MINT BOXED 179.00
BRONICA PRISM ME METERED FOR SQA/SQAi...................................MINT- 89.00
BRONICA SQAi 120 MAGAZINE BACK.....................................................MINT 69.00
BRONICA SQA/i/M POLAROID MAGAZINE BACK ..................... MINT BOXED 69.00
BRONICA 135W BACK FOR SQ VERY RARE...................................EXC+++ 165.00
BRONICA SPEED GRIP FOR SQA/SQAi .................................................MINT- 59.00
FUJI 645 WIDE S PROFFESSIONAL WIDE 60......................... MINT-CASED 395.00
FUJI GW 690 MK III PROFFESSIONAL.....................................MINT-BOXED 599.00
FUJI GW 670 MK III C/W 90mm f3.5 LENS ............................... MINT BOXED 675.00
MAMIYA 6 WITH 50mm f4 & 150mm f4.5 + HOODS + FILT...............MINT- 1,499.00
MAMIYA 6 BODY WITH 50mm f4 G FOR 6 + HOOD,FILT...............MINT- 1,195.00
MAMIYA 150mm f4.5 G WITH HOOD....................................................MINT 365.00
MAMIYA 43mm f4.5 WITH FINDER & HOOD FOR 7/7II ........... MINT BOXED 799.00
MAMIYA 150mm f4.5 WITH HOOD FOR 7/7II ........................... MINT BOXED 395.00
MAMIYA 150mm f4.5 + HOOD FOR MAMIYA 7/7II.................................MINT 425.00
MAMIYA 180mm F4.5 SEKOR Z W FOR RZ...........................................MINT 199.00
MAMIYA 250mm f4.5 LENS FOR RZ......................................................MINT- 195.00
MAMIYA 150mm f3.5 A/F FOR 645 A/F...................................................MINT 299.00
MAMIYA 210mm f4 SEKOR C FOR 645.................................... MINT CASED 195.00
MAMIYA 180mm F4.5 SEKOR FOR RB...................................................MINT 169.00
MAMIYA 220 BACK FOR RZ 67................................................................MINT- 95.00
PENTAX 645N II A/F WITH PENTAX 45-85 ZOOM LENS .....................MINT- 565.00
PENTAX 6x7 BODY WITH 55mm f4 LENS (DENT TO PRISM)...........EXC++ 645.00
PENTAX 55mm f3.5 TAKUMAR SMC FOR 6x7......................................MINT- 195.00
PENTAX 55mm f2.8 FOR PENTAX 645..................................... MINT BOXED 199.00
PENTAX 200mm F4 FOR PENTAX 67 + FILTER AND HOOD ..............MINT- 199.00
PLAUBEL MAKINA WITH 80mm f2.8 NIKON LENS...............................MINT- 965.00
ROLLEIFLEX SCHNEIDER 150mm f4.6 MAKRO FOR 6008 .................MINT- 575.00
WISTA TYPE N 4x5 MOUNT ROLL FILM HOLDER FOR 6x7 ..MINT-BOXED 145.00
Nikon Auto-Focus, Digital Lenses & Accessories
NIKON AUTO-FOCUS , DIGITAL LENSES & ACCESSORIES
NIKON MB-40 BATT GRIP FOR F6 ........................................... MINT BOXED 169.00

NIKON 10.5mm f2.8 G IF-ED A/F DX FISHEYE LENS ........... MINT BOXED 395.00
NIKON 35mm f1.8 G DX AF-S ................................................. MINT BOXED 119.00
NIKON 50mm f1.8 A/F ................................................................................MINT 85.00
NIKON 50mm f1.8 A/F D ..........................................................................MINT 89.00
NIKON 85mm f1.4 A/F D WITH HOOD.................................... MINT BOXED 575.00
NIKON 105mm f2. A/F DC DEFOCUS CONTROL LENS.......................MINT- 599.00
NIKON 105mm f2.8 A/F D MICRO NIKKOR...............................MINT-BOXED 365.00
NIKON 105mm f2.8 G IF ED AF-S VR..................................... MINT CASED 525.00
NIKON 12 - 24mm f4 G IF-ED AF-S DX .................................. MINT CASED 545.00
NIKON 16 - 85mm f3.5/5.6 G DX ED AF-S VR........................ MINT CASED 325.00
NIKON 16 - 85mm f3.5/5.6 G DX ED AF-S VR........................ MINT BOXED 339.00
NIKON 17 - 55mm f2.8 f2.8 G IF-ED AF-S + HOOD ..............MINT- BOXED 545.00
NIKON 18 - 55mm f3.5/5.6 G DX AF-S VIBRATION RED......... MINT BOXED 99.00
NIKON 18 - 70mm f3.5/4.5 G DX IF ED AF- S CASED............MINT+HOOD 125.00
NIKON 18 - 105mm f3.5/5.6 G DX ED AF-S VR + HOOD....... MINT CASED 165.00
NIKON 24 - 70mm f2.8 G IF - ED AF-S ................................ MINT CASED 1,045.00
NIKON 24 - 85mm f3.5/4.5 G IF ED AF-S................................ MINT BOXED 199.00
NIKON 24 - 120mm f3.5/5.6 ED A/F VIBRATION REDUCTION MINT BOXED 275.00
NIKON 28- 300mm f3.5/5.6 G ED AF-S VR............................. MINT BOXED 475.00
NIKON 35 - 70mm f3.3/4.5 A/F..................................................................MINT- 75.00
NIKON 35 - 80mm f4.5/5.6 A/F D............................................... MINT BOXED 55.00
NIKON 35 - 105mm f3.5/4.5 A/F WITH MACRO......................................MINT 129.00
NIKON 35 - 135mm f3.5/4.5 A/F + HOOD...............................................MINT- 129.00
NIKON 55 - 200mm f4/5.6 IF-ED DX AF-S VR.........................................MINT 165.00
NIKON 70 - 300mm f4.5/5.6 D ED A/F..................................................MINT- 125.00
NIKON 70 - 300mm f4.5/5.6 G IF-ED AF-S VIB REDUC......... MINT BOXED 299.00
NIKON 80 - 200mm f2.8 IF-ED A/F D 2 TOUCH .....................MINT-BOXED 595.00
NIKON 80 - 400mm f4.5/5.6 D ED VIBRATION REDUC ...........MINT-BOXED 675.00
NIKON TC14E MKII 1.4x TELECONVERTER............................ MINT BOXED 275.00
NIKON TC17E MKII 1.7x TELECONVERTER............................ MINT BOXED 275.00
NIKON TC20E AF-1 2.0X TELECONVERTER...........................MINT-BOXED 129.00
NIKON TC20E II AF-S TELECONVERTER.............................................MINT- 195.00
NIKON SB 28 SPEEDLIGHT ........................................................MINT-BOXED 65.00
TAMRON 1.4x A/F D TELECONVERTER NIKON FIT............... MINT BOXED 69.00
NIKON DA20 ACTION FINDER FOR NIKON F4/S/E...............................MINT 195.00
SIGMA 20mm f1.8 EF DG ASPHERIC RF (LATEST)................ MINT BOXED 275.00
SIGMA 24mm F2.8 A/F + HOOD................................................................MINT 49.00
SIGMA 30mm f1.4 EX DC HSM NIKON FIT................MINT BOXED AS NEW 199.00
SIGMA 50mm f2.8 MACRO EX A/F D...................................... MINT BOXED 145.00
SIGMA 70mm f2.8 EX DG MACRO (LATEST VERSION).......... MINT BOXED 275.00
SIGMA 150mm f2.8 EX DG APO HASM MACRO LENS ........... MINT CASED 425.00
SIGMA 500mm f4.5 EX DG HSM .....................................................EXC+++ 1,799.00
SIGMA 15 - 30mm f3.5/4.5 EX DG ASPHERICAL & HOOD...... MINT BOXED 275.00
SIGMA 17 - 35mm f2.8/4 EX ASHERICAL................................EXC++BOXED 159.00
SIGMA 18 - 35mm f3.5/4.5 ASPHERICAL.................................... MINT BOXED 79.00
SIGMA 28 - 200mm f3.8/5.6 WITH RUBBER HOOD................................MINT- 49.00
SIGMA 50 - 500mm f4.5/6.3 DG HSM OPTICAL STABILISER .MINT-BOXED 799.00

SIGMA 120 - 300mm f2.8 EX HSM COMP WITH HOOD .........EXC++CASED 865.00
SIGMA 135 - 400mm f4.5/5.6 D APO..................................................EXC++ 275.00
SIGMA 150 - 500mm f5/6.3 DG HSM OPTICAL STABILISER .. MINT BOXED 549.00
TAMRON 17 - 35mm f2.8/4 SP A/F DI ASPHERIC.................... MINT BOXED 225.00
TAMRON 17 - 50mm f2.8 XR Di II VC WITH MOTOR............... MINT BOXED 265.00
TAMRON 28 - 300mm f3.5/6.3 I/F LD Di ASPHERIC VC ...........MINT+HOOD 399.00
TAMRON 55 - 200mm f4/5.6 LD MACRI Di II .............................. MINT BOXED 99.00
TOKINA 35mm F2.8 ATX-PRO DX MACRO 1:1 (LATEST)....... MINT BOXED 295.00
TOKINA 12 - 24mm f4 IF DX ASPHERICAL AT-X PRO.............MINT+HOOD 299.00
TOKINA 16 - 50mm f2.8 ASPHERICAL AT-X PRO DX ............. MINT BOXED 275.00
TOKINA 300mm f2.8 AT-X A/F II SD WITH HOOD & CASE .....MINT-BOXED 895.00
Nikon Manual
NIKON MANUAL
NIKON F3 HP BODY COMPLETE WITH MANUAL ................... MINT BOXED 475.00

NIKON F3 HP BODY REALLY NICE CONDITION.....................MINT-BOXED 375.00
NIKON F3 HP BODY..............................................................................EXC++ 199.00
NIKON F3 BODY REALLY CLEAN BODY ..............................................MINT- 299.00
NIKON F3 BODY....................................................................................EXC++ 275.00
NIKON F2 PHOTOMIC S BLK WITH NIKON 50mm f1.4........................MINT- 395.00
NIKON F2 BODY WITH MD2/MB1 DRIVE + 50mm f2 NIKKOR.............MINT- 499.00
NIKON F2 PLAIN PRISM (VERY SLIGHT DINK ON PRISM).............EXC+++ 345.00
NIKON F2 PHOTOMIC BODY CHROME................................................MINT- 345.00
NIKON FE2 BODY CHROME..............................................................EXC+++ 145.00
NIKON FE2 BLACK BODY ....................................................................EXC++ 145.00
NIKON FE CHROME BODY......................................................................MINT- 99.00
NIKON FM2N CHROME BODY...............................................................MINT- 265.00
NIKON FM2N CHROME BODY.............................................................EXC++ 145.00
NIKON FM2 BLACK BODY......................................................................MINT- 199.00
NIKON FM2 BLACK BODY....................................................................EXC++ 145.00
NIKKORMAT FTn BODY CHROME ..........................................................MINT- 75.00
NIKKORMAT FT2 BODY CHROME ..........................................................MINT- 89.00
NIKON F3 CF 100 BERGUNDY CASE F3 WITH MD4 (RARE)..........EXC+++ 199.00
NIKON F3 CF 20 BERGUNDY CASE FOR F3..........................................MINT- 69.00
NIKON 28mm f3.5 AIS.............................................................................MINT- 125.00
NIKON 28mm f2 AIS REALLY SHARP LENS .........................................MINT- 295.00
NIKON 35mm f2 AIS................................................................................MINT- 185.00
NIKON 45mm f2.8 GN NIKKOR...............................................................MINT- 199.00
NIKON 50mm F1.8 AIS..............................................................................MINT- 79.00
NIKON 50mm f1.4 AIS.............................................................................MINT- 175.00
NIKON 50mm F1.4 AIS............................................................... MINT BOXED 199.00
NIKON 55mm f2.8 MICRO NIKKOR AIS.................................................MINT- 159.00
NIKON 85mm f2 AIS (FROM A COLLECTION) ......................... MINT BOXED 245.00
NIKON 100mm f2.8 AIS SERIES E GREAT PORTRAIT LENS................MINT- 99.00
NIKON 105mm f4 AIS MICRO NIKKOR..................................................MINT- 275.00
NIKON 135mm f2.8 AIS SHORT TELEPHOTO B/IN HOOD...... MINT BOXED 195.00
NIKON 200mm f4 NIKKOR Q ....................................................... MINT-CASED 95.00
TAMRON 300mm f2.8 SP ID LF WITH TAM 1.4 EXTENDER..............EXC++ 495.00
NIKON 500mm f8 MIRROR LENS WITH FILTER SET.............. MINT CASED 299.00
NIKON 35 - 70mm f3.3/4.5 ZOOM NIKKOR MACRO AIS ......................MINT- 169.00
NIKON 35 - 105mm f3.5/4.5 AIS ZOOM MACRO ...................... MINT BOXED 195.00
NIKON 35 - 105mm f3.5/4.5 AIS ZOOM MACRO .................................EXC++ 139.00
NIKON 35 - 135 f3.5/4.5 AIS.................................................................... EXC+ 165.00
NIKON 43 - 86mm f3.5 AI ZOOM ............................................................EXC++ 69.00
NIKON 70 - 210mm f4.5/5.6 NIKKOR...........................................MINT-BOXED 65.00
NIKON 75 - 150mm f3.5 SERIES E ZOOM TELEPHOTO........................MINT- 75.00
NIKON PB6 BELLOWS WITH DOUBLE CABLE RELEASE....................MINT 199.00
NIKON MF-24 250 EXPOSURE FILM BACK FOR F4S/F4E ..................MINT- 299.00
NIKON MD12 MOTOR DRIVE FOR FM3a/FM2/FE2/FM/FE ................EXC+++ 79.00
NIKON PK13 AUTO EXTENSION RING ......................................MINT-BOXED 55.00
NIKON PK12 AUTO EXTENSION RING .................................................EXC++ 49.00
NIKON PK11 AUTO EXTENSION RING ....................................................MINT 49.00
NIKON TC 16A TELECONVERTER A/F ....................................................MINT 79.00
NIKON TC 200 CONVERTER.....................................................................MINT 69.00
NIKON TC 201 CONVERTER..................................................................EXC++ 89.00
NIKON TC 301 CONVERTER..................................................................MINT- 145.00
NIKON SB 16 FLASH FOR F3/FM2/FM3/FE/FE2...................... MINT-CASED 119.00
NIKON SB 16 FLASH FOR F3...................................................... MINT-CASED 75.00
Olympus Manual
OLYMPUS MANUAL
OLYMPUS OM4Ti BLACK BODY..............................................EXC++BOXED 399.00

OLYMPUS OM4 BODY BLACK REALLY NICE CONDITION.... MINT-CASED 295.00
OLYMPUS OM2SP SPOT BODY COMP WITH CASE.................EXC+CASED 99.00
OLYMPUS OM2N WITH LEATHER CASE..............................................MINT- 125.00
OLYMPUS OM2N WITH LEATHER CASE.............................................. EXC+ 110.00
OLYMPUS OM2 BLACK ............................................................................ EXC+ 99.00
OLYMPUS OM2 BODY CHROME..............................................MINT-BOXED 110.00
OLYMPUS 16mm f3.5 FISHEYE LIGHT COATING MARK.....................MINT- 245.00
OLYMPUS 21mm f3.5 ZUIKO WITH VERY RARE HOOD......................MINT- 225.00
OLYMPUS 24mm f2.8 ZUIKO WITH HOOD................MINT BOXED + HOOD 195.00
OLYMPUS 28mm f2 ZUIKO AUTO W.....................................................MINT- 225.00
OLYMPUS 28mm f2.8 ZUIKO....................................................... MINT CASED 65.00
OLYMPUS 28mm F3.5 ZUIKO...................................................... MINT-CASED 39.00
OLYMPUS 35mm f2 ZUIKO WITH HOOD...............................................MINT- 155.00
OLYMPUS 35mm f2.8 SHIFT CONTROL PC LENS................................MINT 345.00
OLYMPUS 35mm f2.8 ZUIKO....................................................................MINT- 69.00
OLYMPUS 50mm f1.4 ZUIKO.......................................................MINT-BOXED 89.00
OLYMPUS 50mm f1.8 ZUIKO....................................................... MINT BOXED 55.00
OLYMPUS 50mm f1.8 ZUIKO.....................................................................MINT 45.00
OLYMPUS 50mm f3.5 MACRO ...............................................................MINT- 129.00
OLYMPUS 135mm f2.8 ZUIKO..................................................... MINT BOXED 95.00
OLYMPUS 135mm f3.5 ZUIKO..................................................... MINT-CASED 49.00
OLYMPUS 35 - 70mm f3.5/4.5 ZUIKO .......................................................MINT 89.00
OLYMPUS 35 - 70mm f4 ZUIKO ...............................................................MINT- 75.00
OLYMPUS 35 - 105mm f3.5/4.5 ZUIKO .....................................................MINT 75.00
OLYMPUS 50 - 250mm f5 ZUIKO .............................................................MINT- 79.00
OLYMPUS 75 - 150mm f4 ZUIKO ................................................ MINT CASED 59.00
OLYMPUS WINDER II ..................................................................MINT-BOXED 45.00
OLYMPUS WINDER II ...............................................................................MINT- 39.00
OLYMPUS T32 FLASH.................................................................MINT-BOXED 29.00
OLYMPUS T20 FLASH................................................................. MINT CASED 20.00
OLYMPUS F280 FLASH UNIT.................................................. EXC+++BOXED 49.00
OLYMPUS EXT TUBE 14mm, 25mm........................................................MINT- 55.00
We urgently require your used photographic equipment. We have

customers waiting for: Nikon, Canon, Leica, Contax, Bronica,
Hasselblad and most other makes of camera lenses, accessories,
binoculars and collectables.
We will buy for cash from you, or we are happy to sell on
your behalf on a commission basis. Best prices paid. We can
arrange collection and even call and collect and pay on the
spot if necessary anywhere in the UK.
Visitors are welcome, please phone for an appointment. PO Box 1052, Cottenham, Cambridge, CB4 8WU
Collectab
Cameras
Simon &le
Julie
Chesterman
Minolta Riva Zoom 115 EX 35 compact mint boxed......................29
Minolta
MD 50-135mm
f3.5
MDcompact
Zoom Rokkor
lens VGC.....49
Minolta
Zoom130.
115Quality
EX 35
mint boxed
29
Minolta Riva
Riva Zoom
metal compact
boxed ............
................29
Minolta
Riva
Zoom
115
EX
35 compact
mintwith
boxed.............29
Minolta
MeterM,
M,anan
excellent
example,
with
instr.....
Minolta Spot
Spot Meter
excellent
example,
instr.
............159
159
Minolta
Angle Finder
Finder
mint
and
boxed
with
case
.........25
Minolta
SR
Angle
FinderII,II,
II,mint
mintand
andboxed
boxedwith
with
case.........
25
Minolta SR
SR Angle
case.................25
Minolta
SLR
with
50mm
f1.7
Minolta
lens.........49
Minolta
X-300S
SLRwith
with50mm
50mm
f1.7
Minolta
MD
lens........ 49
Minolta X-300S
X-300S SLR
f1.7
Minolta
MDMD
lens...................49
Minox
case
and
chain
good
condition
......................79
Nikon III,
AF
50mm
f1.8
AFEC
Nikkor
lens.
Near
mint..............................59
Minox
ECwith
outfit:
Black
outfit,
cased
VGC.......................
59
Mizuho
Six
Japanese
6x6
c.1951.
Miltar
Special
lens..........35
Nikon
AF
70-210mm
f4-5.6
AF
Nikkor
zom
lens.
VGC
..................59
Nikon AF Digital 17-70mm f2.8-4 Sigma DC HSM OS...... 199
Mycro
IIIaftHit70-300mm
type subminiature
camera.
Nice with
case.....29
Nikon AF
AF
f4-5.6
DD
Sigma
DLDL
Macro
Zoom
.............59
Nikon
fit 70-300mm
f4-5.6
Sigma
Macro
Zoom
.... 59
Nagel
Klein-Vollenda
127,
5cm
f3.5
Xenar
/
Compur
...........49
Nikon AF-D 28-200mm f3.8-5.6 Tamron XR Di Asph IF ................69
Nikon
Ai
fit 28-85
f3.5-4.5
AT-X
zoom
lens. VGC
.....109
39
Nagel
127 Tokina
flm.
in Compur
........139
Nikon Pupille.
Ai 50mm3x4cm
f1.4 Nikkor
lens.f3.5
VGCXenar
............................................
Nikon
f2.8
Micro
Nikkor
lens
+ PK-13
tube
........119
Nagel
Rolloroy
(British
Pupille).
Tessar
lens,
cased
...........139
Nikon Ais
Ai ft55mm
28-85
f3.5-4.5
Tokina
AT-X
zoom
lens.
VGC
...............39
Nikon
fit18-70
70-210mm
f4.5
Vivitar
Macro
29
Nikon AIS
Ais 50mm
f1.8
Nikkor
lens.
Lovely........................59
Nikon
AF-S
f3.5-4.5
Gcompact
ED DXMulti
SWMCoated
IF Asph
zoom....
...89
Nikon
D50
DSLR
body.
boxed,
tiny
crack,
SALE.................
79
Nikon Ai
Ais55mm
50mm
f1.8
Series
E lens.
Lovely
example.....................49
Nikon
f3.5
Micro-Nikkor
Macro
lens.
Nice..............89
Nikon
F
black
leather
semi
case.
Good
condition........
29
Nikon Ais
AIS
ft 70-210mm
f4.5 hard
Vivitar
Multi
Coated
Macro
Nikon
TC-201
teleconverter.
Very
nice
optics
SALE.............29
.......59
Nikon Ais
Ais Photomic
TC-201 teleconverter.
nice
optics
SALE ..............59
Nikon
F2
black.Very
FairVery
to Good
condition
...... 99
Nikon
TC-300
2Xbody,
teleconverter.
nice
optics............79
Nikon D50
Ais Photomic
TC-300
teleconverter.
Very
nice
optics....................79
Nikon
F2
body,
black.tiny
Good
condition................
139
DSLR 2X
body.
boxed,
crack,
SALE
..................79
Nikon D70
D50HP
DSLR
body.
boxed,
tiny
crack,
SALE............................79
Nikon
body.
Super
near amint
Nikon
F3
body.
In VGC,
nicecondition..........................79
example
..................... 179
Nikon Digital
F3HP body,
signs f2.8
of normal
use.
Working
...............
169
Nikon
11-16mm
Tokina
ATX-Pro
SDwell
IF DX
......249
Nikon
F70
body,
VGC,
working
perfectly..............................
29
Nikon F
F4brown
SLR, with
28-80
f3.5-5.6
Sigma
AF-D
lens................... 169
Nikon
leather
ever
ready
case.plus
VGC.......................29
Nikon
MB-D100
battery
grip
for
D100
2
batteries
........
29
Nikon F70 body, VGC, working perfectly..........................................29
Nikon
F2
Photomic
+
50mm
f2
Nikkor-H.C.
Lovely.............239
Nikon
MC-30
electronic
release.
10
pin
,
F5
+
DSLR's........
29
Nikon FE body, black. Working well ...................................................79
Nikon
F70
body,
VGC,
working
perfectly
..............................29
Nikon
Aibody,
50mm
f2 Nikkor-H
scalloped, Super ...... 55
Nikon non
FM2N
black.
WorkingAuto
well .............................................79
Nikon
body,
black.
Working
......................................79
Nikon FE
MB-D100
battery
grip
for well
D100
plus
2 batteries................29
Nikon
non
Ai 85mm
f1.8
Nikkor-H
Auto
scalloped
lens...... 109
Nikon
body,
Excellent,
new
seals
+ lens
bafe.........99
Nikon FM
Non-Ai
ft
135mm
Vivitar
tele
................35
Nikon
Non-Ai
fit chrome.
135mmf2.5
f2.5
VivitarAuto
Autofast
fast
tele
lens........
35
Nikon
MB-D100
battery
grip for
D100
plus
2lens........................19
batteries.........29
Olympus
AF-10 AF
compact,
with
35mm
f3.5
Olympus
AF-10
AF
with
35mm
f3.5
lens. ............
19
Nikon
Nikkormat
ELcompact,
Auto
AW-1.
Uncommon,
vgc ...29
Olympus
E-400
withWinder
17.5-45
lens,
mint,
boxed...............
Olympus
E-410DSLR,
body
only.
As new,
barely
used.
Boxed
.....109
89
Nikon
Nikkormat
EL body.
Black.
Works
..............49
Olympus
E-410 body
only. As
new,Ding.
barely
used.well
Boxed
..............89
Olympus
Mju 1FTN,
AF compact,
35mm
f3.5
Zuiko.............
29
Nikon
Nikomat
chrome. with
With
50mm
f2 Nikkor
H..........89
Olympus
four thirds
40-150mm
f3.5-4.5
zoom
lens M-.................59
Mju 135mm
IIThirds
zoomtof3.5
80OM
Quartz
weatherproof
AF.......49
..... 29
Olympus
Nikon
Non-Ai
Nikkor-Q
lens.
Chrome
front
Olympus
Four
ft lensDate
adaptor.
mint..........................19
Olympus
Mju
Zoom,
35-70
zoom
lens,
nr
mint
boxed
.........
29
Olympus
Mju 128mm
AF compact,
withlens.
35mm
f3.5 Zuiko
......................29
Nikon
Non-Ai
f3.5 Nikkor
Rubber
focus
grip......59
Olympus
OM IIft
75-150mm
f4 Zuiko
Zoom
nr mint
49
Olympus
Mju
zoom
80 Quartz
Date
weatherproof
AF .............29
Nikon
Non-Ai
135mm
f2.5
Vivitar
Auto
fast
telecased.......
lens
........35
Olympus
Mju
lens,
nr near
mint
boxed...................29
Olympus
OM Zoom,
Bounce
Gripzoom
for
310
flash
lovely
example ..... 29
Nikon
SB-600
fash. 35-70
Cased,
foot,
book,
mint................99
OlympusApollo
OM
Zuiko Auto
T lens.
VGC............................59
Olympus
OM200mm
fitMod
Vivitar
Macro
Focusing
2x,
mint,
boxlens
.........
29
Nishida
IIf4Japanese
645,
Proud
Special
....39
Olympus Handy
OM
f4Stand.
Zuiko Auto-T
Olympus
Copyscreens,
Use
forlens.
OM
cameras
.............29
Olympus
OM200mm
Focus
selection
inNear
stockmint..................69
.................
15
Olympus Mju
OM
f2.8
Zuiko
Auto35mm
WSuper
lens.
Boxed
......................49
Olympus
1holdall.
AF compact,
with
f3.5
Zuiko
.............29
Olympus
OM28mm
Small
version.
condition..........
29
Olympus
OM
35-105mm
f3.5-4.5
Zuiko
Zoom,
nr
mint
.................69
Olympus Mju
IIPower
zoomBounce
80 Quartz
Date
weatherproof
AF ......29
Olympus
OM35-105mm
Grip
2. Mint
andboxed................75
boxed..........
35
Olympus OM
OM
Zuiko.
nr mint,
Olympus
200mm
f4 f3.5-4.5
Zuiko Auto-T
lens.
VGC
.................59
Olympus
OM35mm
T20 flash
and
near
mint
.....................
22
Olympus OM
f2.8 Boxed
MC Zuiko
Auto
lens.............................49
Olympus
OM
75-150mm
f4 Zuiko
lens. W
nrwith
mintcase...............
....................49
Olympus
OM35mm
T20 flash,
VGC
complete
19
Olympus OM
f2.8 Zuiko
Shift
lens. Near
mint.................. 259
Olympus
OM
75-150mm
f4
Zuiko
Zoom
nr
mint
cased........49
Olympus
OM50mm
T32 Wide
Adapter
and ND
filterboxed
set ................
9
Olympus OM
f1.4 Zuiko
Auto-S.
nr mint
..................89
Olympus
OM
Bounce
Grip
for
310
fash
lovely
example
......29
Olympus OM
f1.8 leads,
MC Zuiko
lens
nr mint
boxed ................29
Olympus
OM50mm
TTL Auto
mint
boxed
0.3m-5m
from...... 7
Olympus
OM
brown
real
leather
ever
ready
case.................29
Olympus OM
f4
Zuiko
lens. nr mint...............................49
Olympus
OM75-150mm
Winder
Good
condition
working
well..........
29
Olympus
OM
ft
Vivitar2.Macro
Focusing
mint,
box
..........29
Olympus
OM 75-150mm
f4 Zuiko
Zoom
nr2x,
mint
cased................49
Pathe
Motocamera
9.5mm,
2cm
f3.5
Carl
Zeiss
lens..........
29
Olympus
Power Bounce
2. Auto
Mint and
boxed ...........35
Olympus OM
OM 85-250mm
f5 MCGrip
Zuiko
Zoom
Pentax
Efina
APS
camera.
Lovely
design,
mint,VGC................99
boxed....... 25
Olympus
T20 fash
Boxed
andfash
nearlovely
mint.......................22
Olympus OM
Bounce
Grip
for 310
example .............29
Pentax
fit OM
Pentacon
Magnifying
angle finder.
......................
25
Olympus
T20
fash,
VGCFocusing
complete
with
case................19
Olympus OM
OM ft
Vivitar
Macro
2x,
mint,
box ..................29
Pentax
K OM
135mm
SMC-M
lens,Super
VGC,condition...................29
nice
25
Olympus
T32 f3.5
fash,
with
zoom
adaptor
and optics.........
flters.........35
Olympus
OM
holdall.
Small
version.
Pentax
K OM
AF 200SA
flash,
nrF. mint,
cased
............................
19
Olympus
T32 Wide
Adapter
ND 310
flter
set..................9
Olympus
OM
Mains
adaptor
AC.and
for
QA
fash.....................15
Pentax
K
fit
300mm
f4.5
Soligor
lens.
Top
condition............
39
Olympus
VariMagni
Finder
..........39
Olympus OM Power
Bounce
Gripin2.excellent
Mint andcondition
boxed ...................35
Olympus
T20
fash2.Boxed
and
near
Olympus
Winder
Good
condition
working
well
..........29
Pentax
K OM
fit 75-205mm
f3.8
Vivitar
MCmint..................................22
zoom
+ 2x
conv
..... 39
Olympus
fash,7
VGC
complete
with f4.5
caseSuper
.........................19
Orion
Rio
84AT20
Luxus.
127
camera,
Laack
Dialytar19
in
Pentax
K OM
Kiron
MC7,
element
2x7.5cm
converter.
..........
Olympus
OMAT32
fash,
withhigh
zoom
adaptor
and
flters
................35
Dial
compur.
very
scarce
model
with
lacquered
brass
Pentax
K1000
slr,
with
55mm
f2end
SMC
lens.cased
...............
49
Olympus
OM
T32 Wide
Adapter
and
ND
flterwide
set...........................9
body,
tanKA
bellows
and f3.5-4.5
tan
leather
.......................................129
Pentax
19-35mm
Cosina
ultra
zoom ........ 49
condition
working
well..................29
Olympus
OM Winder9.5mm,
2. Good2cm
Pathe
Motocamera
f3.5
Carl
Zeiss
lens...........29
Pentax
KAF
fit Sigma
100-300mm
f4.5-6.7
DL Zoom ......... 49
Olympus
OM-1,
black,
with
50mmCosmetically
f1.8
Zuiko lens.........................89
Pentacon
SixfitPlain
Prism
fnder.
Pentax
KAF
Sigma
28-200mm
f3.8-5.6
UC VGC.............29
Zoom...........
49
Olympus
OM-1n
chrome
boxed
vgc mark
on base
...........69
Pentacon
SixBellows
withbody,
80mm
f2.8 Zeiss
Biometar,
WLF
.............89
Pentax
M42
lovely
condition,
nr mint,
boxed......
35
Olympus
body,II,
chrome.
A lovelyDA
example
Boxed
............89
Pentax
*IstOM-1n
DS DSLR
+18-55
3.5-5.6
lens. Mint
.............99
Pentax
Right
Angle
finder.
Me/Mx/SP
VGC
cased........
19
Olympus
OM-1n,
chrome
+ 50/1.8
lens. etc,
All boxed.........................99
Pentax
AF
ft
18-35mm
f3.5-4.5
Sigma
Aspherical
zoom
.....79
Olympus
Pen (original
model)
2nd version
nice
order.................45
Pentax
Spotmatic
SP, to
with
55mm
f1.8
SMC
Takumar.........
49
Pentax
cable
release,
suit
digital
bodies.
mint
boxed
.......15
Olympus
Pen EE-3
half camera
frame with
28mm
Zuiko....................29
Photax
french
bakelite
for
6x9fnder.
onf3.5
620
film. ............25
............ 19
Pentax
ft
Pentacon
Magnifying
angle
V
Nice
Olympus
Pen "Linear"
EE-3 halfCDS
frame,
with VGC
28mmboxed.....................
f3.5 Zuiko...................29
Rank
Electra
meter
19
Pentax
K 80-200mm
f4.5 SMC-M
Zoom
lens. ......................29
Pathe Motocamera
9.5mm,
2cm f3.5
Carl Zeiss
lens....................29
Reflecta
S-1
film
and
slide
scanner
to
computer
or
TV........
49
Pentax
200SA
nr mint, cased.............................19
Pentax K
FAAF
43mm
f1.9fash,
SMC Pentax-FA
Limited lens .................... 319
Rollei
70 with
35-70
HFT
Macro
Vario
Apogon ........ 39
Pentax
K
35mm
f2.8
Arsat
PCS
Shift
lens........................99
PentaxPrego
ft ft
Pentacon
Magnifying
angle
fnder.
V Nice.....................25
Rolleiflex
1675-205mm
on f2.8
mask
set,
2.8f,
3.5f
etc.
........... 15
Pentax
f3.8suits
Vivitar
MC
zoom
+boxed
2x conv.......39
Pentax K
K ft
40mm
Pancake
lens.
usable
condition................49
Rolleiflex
Bay
2 filter,
Mid
Yellow.
VGC,
cased.....................
17
Pentax
50mm
f1.7SMC-M
SMC-A
Pentax
VGC
.................39
Pentax KA
K 135mm
f3.5
lens,
VGC,lens.
nice
optics....................25
Pentax
ft200SA
24-70mm
Vivitar
lovely .........49
Rolleiflex
Bayonet
2fash,
lensf3.8-4.8
hood
(suit
3.5fseries
etc) 1......................
22
Pentax KA
K AF
nr
mint,
cased.........................................19
Pentax
KAF
ft
Sigma
28-200mm
f3.8-5.6
UC
Zoom............49
Pentax
K
ft
300mm
f4.5
Soligor
lens.
Top
condition
.....................39
Rolleiflex Bayonet I Rolleinar 2 set ....................................... 29
Pentax
K
ft
75-205mm
f3.8
Vivitar
MC
zoom
+
2x
conv...............39
Pentax LXfolding
+ prism,
50mmBinocular
f1.7 SMC,
ERC, Winder
LX ......199
Rolleiflex
leather
viewing
hood VGC........
49
Pentax MZ-M
K Kiron
MC7,
7 element
2x converter.
Super
....................19
Pentax
With
35-80mm
Pentax
SMC-A
..............29
Rolleiflex
PlateSLR.
adapter
back
set.
with
screen,
3x holder.....
29
Pentax
KAcrf,
19-35mm
f3.5-4.5
Cosina
ultra
wide
Petri
EBN
with
45mm
f1.9
Orikkor
lens,
r/f zoom..................49
out.............29
Rusian
35mm
viewfinder,
ideal
Zorki,
Fed,
Kiev
etc ............ 19
PentaxPrego
KA 50mm
f1.735-70
SMC-A
Pentax
lens.
VGCApogon..........39
............................39
Rollei
70
with
HFT
Macro
Vario
Tamron
Ad
2
28mm
f2.5
BBAR
MC
lens.
Nr
mint
cased
.....
29
PentaxRolleifex
KAF ft Sigma
28-200mm
f3.8-5.6 UC
Zoom......................49
Rollei
Mikro-Tubus
Microscope
Adaptor
boxed......
.....49
Tamron
Adaptall
2 80-210
f3.8-4
CF Tele
Macro
Zoom
29
Pentax M42
lovely
condition,
nr etc.
mint,
boxed...............35
Rolleifex
16Bellows
on maskII,set,
suits
2.8f, 3.5f
boxed............15
Tamron
Adaptall
2 mount
28-70
f3.5-4.5
compact
lens ....... 19
Pentax Right
fnder.
Me/Mx/SP
etc, VGC
cased..................19
Rolleifex
3.5fAngle
Zenotar
model
K4F,
Perfect
user
camera.....599
PraktisixAdaptall
6x6 SLR,28mm
with 80/2.8
Biometar,
Prism,
nice.....................99
Tamron
f2.8
lens.
Original
type....................
19
Rolleifex 4x4 Grey baby. Xenar lens. + Strap, Hood ..........149
Ricoh GR1,
black,
with 28mm
f2.8
lens. processor.
Really nice boxed
..................
199
Tamron
Fotovix
TF-56WE
Film
Video
.....
39
Rolleifex
4x4 Grey
Hood/
2 flter set: mintspeeds
unusedu/s.................59
boxed ....49
Rollei VR,
35T, 40mm
VGC; meter/slow
Taron
35mmTessar
CRF
camera.
With 45mm
f2.8
29
Rolleifex
bayonet
1 hood
+HFT
UV,Macro
Yellow,
cased
setTaronar....
VGC
.......29
Rollei
Prego
70
with
35-70
Vario
Apogon
..................39
Topcon
(Unirex
etc) fitaccessory
200mm f4outift
UV +Topcor
lens................
29
Rolleifex
Plate
back
focus
screen...........29
Rolleifex 16 on mask set, suits 2.8f, 3.5f etc. boxed.....................15
Topcon
(Unirex
etc)
fit 28mm
f4 UV
Topcor
lens
mint-......... 29
Rolleifex
Finder,
Superb,
optics,
cased........159
Rolleifex Prism
Bayonet
1 H1 flter,
VGCperfect
cased...........................................9
Universal
Minute
16
subminiature
camera.
Boxed
..............
49
Rolleifex
Rolleikin,
suit
2.8f,
3.5f,
T
etc.
Complete,
cased....39
Rolleifex Bayonet 1 lens hood, super condition, cased ..............19
Russian
Lens1 Turret
Finder.
with
keeper
......................39
Voigtlander
40.5mm
Focar
set,
A,B,C
and D case.......................9
all
boxed........ 19
RolleifexMulti
Bayonet
UV
flter,
super
condition,
Seagull
TLR with
crank wind.
75mm f3.5
Voigtlander
40.5mm
Orange
Yellow
filtersLens
eachSALE....49
............. 9
Rolleifex4A,
Bayonet
I Rolleinar
2and
set.....................................................29
Seagull
TLR,
Knob
wind.
75mm
f3.5
Seagull 4B1,
4A, Bessamatic
TLR
with
crank
wind.
75mm
f3.5Lens,
Lens SALE........49
VGC..............89
Voigtlander
135mm
f4 Super
Dynarex
............ 19
Showa
Semi
Leotax
japanese
SeagullKogaku
4B1,Bessamatic
TLR,
Knob
wind.
75mmf2.8
f3.56x4.5
Lens,(ikonta)
VGC...................69
Voigtlander
36-82mm
Zoomar
lens ..........29
........ 159
Tamron
Ad
2
28mm
f2.5
BBAR
MC
lens.
Nr
mint
cased
..............29
Taron
VR,
35mm
CRF
camera.
With
45mm
f2.8
Taronar.....29
Voigtlander Bessamatic Deluxe SLR w/Color Skopar-X
..... 49
Tamron Adaptall
2Folding
80-210fitFilma
f3.8-4
CF
TeleSkoparex
Macro
................29
Thornton
Pickard
horizontal
type.Zoom
Vlens..........
rare........69
Voigtlander
Bessamatic
35mm
f3.4
39
Tamron
Adaptall
2
mount
28-70
f3.5-4.5
compact
lens................19
Topcon (Unirex
etc) ft 200mm
f450
UVf2.8
Topcor
lens
................29
Voigtlander
Bessamatic
SLR
w/
Color
Skopar-X
.... 79
Tamron Adaptall
28mm f2.8
lens.
Original
type..............................19
Leica Visoflex 16598 Adaptor ring for bellows unit............... 19 Voigtlander Kontur finder, for 35mm lens on 24x36 ............. 19
35mm
reloadable
cassette.
Wellard
VGC cased..........369
boxed .............12
4x5210mm
5x4
Sinar
F2Rodenstock
MonorailShirley
body
outft;
lovely,
4x5
f5.6
Sironar
lens.
VGC
............... 199
4x5 210mm f5.6 Rodenstock Sironar lens. VGC.......................... 199
5x45x4
MPP
MKF2
VI
cased
outft
with
150
xenar
VGC
SALE....299
4x5
5x4
Sinar
F2Monorail
Monorail
body
outfit;
lovely,
cased
......... 369
369
4x5
Sinar
body
outft;
lovely,
cased
.................
Alpa
Refex
Macro
Bellows,
genuine
Alpa/novofex
item ......79
4x5
90mm
SuperAngulon
AngulonMulti
Multi
Coating
lens.
VGC......
299
4x5
90mm
f8f8Super
Coating
lens.
VGC
.............. 299
Alpa
Refex
of Macro
extension
VGC...................39
4x5
DDS
cut
sheet
film
offtubes.
Graflex
Riteway.
....... 14
5x4
89mm
f6.3set
Wray
wideholders,
angle
in2Epsilon,
MPP
panel...............99
B &MPP
H 627
16mm
movie
body.
2 4Lens
turret,
cased..............39
5x4
MIcro
Technical
MK
VI kit
with
150
xenar
VGC.......... 349
4x5
DDS
cut
sheet
film holders,
off Fidelity
DeLuxe.........
25
Braun
Paxette
ft
13.5cm
f3.5
Enna
Tele-Ennaston
lens
......35
67mm
close
up
set;
no.s
1,2,4
and
10.
SRB
as
new.....................15
5x4 MPP 6x9 Roll Film Holder, Very nice, working well....... 59
Braun Fidelity
Paxette
II (uncr/f).
With
50mm
f2.8boxed
Xenar
lens
..........49
6x9cm
Deluxe
double
flm
holders,
mint.............12
6x9cm
Fidelity
Deluxe
double
film
holders,
boxed
mint-......
12
Bronica
ETR
/
S
/
Si
150mm
f3.5
Zenzanon
MC
lens
..........69
Agfa
Ambi
Silette
CRF
With 50mm
f2.8 Alpa/novoflex
Color Solinar ..................49
Alpa
Reflex
Macro
Bellows,
genuine
item .... 79
Bronica
ETR
S / Si
Motor With
Winder
Ei...................................49
Agfa
Karat
36, /crf
35mm
50mm
f2 Xenon lens...............59
Alpa
Reflex
set/ Sof/for
Macro
extension
tubes.
VGC..................
39
Bronica
ETR
Si Speed
Grip E.Alpa/novofex
excellent.......................29
Alpa
Refex
Macro
Bellows,
genuine
item .............79
Beautyflex
TLR
camera,
1950's
Japanese
TLR
for 6x6 ..... 39
Alpa
Refex
set ofa/f
Macro
extension
tubes.
............................39
Canon
AF35M
compact,
38/2.8
lens,VGC
takes
flters...........29
Braun
Paxette
13.5cm
f3.5
Enna
Tele-Ennaston
lens...... 35
Braun
ftfit13.5cm
f3.5
Enna
Tele-Ennaston
lens...............35
CanonPaxette
Data Back
A, suit
A-1,
AE-1
etc. good condition.......15
Bronica
ETR
f3.5
MC
Zenzanon,
nr
mint,
hood
..... 79
Bronica
/ 150mm
S / Si 150mm
f3.5
Zenzanon
Boxed
.................89
Canon ETR
EF
100-300mm
f5.6
zoom
lens. VPE
nice
example
......69
Bronica
/ S / 120
Si f3.5-5.6
200mm
f4.5
Zenzanon
Boxed
.................99
Bronica
SQ28-135
6x6
film back,
withlens.
insertPE
/ dark
........
35
Canon ETR
EF
IS USM
Like
newslide
boxed
..159
Bronica
/S
/ Si
f4 Zenzanon
MC lens
................99
Bronica
SQA
/ Ai
/ B40mm
150mm
f3.5
Zenzanon-S
lens
VGC....
99
Canon ETR
EF
28-200mm
f3.5-5.6
Sigma
Asphl
AFVGC
Macro
........49
Bronica
ETR
/
S
/
Si
90
degree
prism
fnder
E.
VGC.....................39
Canon EF
28-80mm
f3.5-5.6
USM
III lens. Super................29
Bronica
SQA
/ Ai / B 50mm
f3.5
Zenzanon-S
lens VGC.... 149
Bronica
ETR
150mm
f3.5
MC
Zenzanon,
nr
mint,
hood
...............79
CanonEF
EF 24mm
28-80mm
USMIIMk1
lens. non
Lovely............49
Canon
f2.8f3.5-5.6
Sigma
S/W
AFtolens.
digital .....219
49
Bronica
ETRSi,
complete
camera
ready For
go,
boxed...............
CanonEF
EF 35-105mm
body
to M42
lens adaptor.
infnity
focus. .......19
Canon
f4.5-5.6
USM
lens.
VGC...................
39
Bronica SQA / Ai / B 150mm f3.5 Zenzanon-S lens VGC.............99
CanonEF
EF 35-135mm
ft 70-300 f4-5.6
Sigma zoom
DL Macro non
digital
......39
Canon
f4-5.6
...........
59
Bronica
SQA
/ Ai / B 50mm
f3.5USM
Zenzanon-Slens.
lensVGC
VGC............
149
CanonAV-1,
EOS
5 body, with
plus50mm
VG10
grip.FD
Superb
example..........59
Canon
EF
fitchrome,
70-300
f4-5.6
Sigma
Macro
non digital ..... 39
Canon
f1.8DL
lens ................................39
CanonEF
FD100mm
28mmf3.5
f2.8Vivitar
primeAF
lens.
VGC,
with
caps
...............25
Canon
EF,
black,
with
50mm
f1.4
SSC
Canon
lens.............
99
Canon
Macro
lens.
(Cosina)................79
CanonEF
FD28-200mm
35-70mm
f4 zoom
lens.
Two touch
type
.....25
Canon
f3.5-5.6
Sigma
Asphl
AF
Macro..................49
Canon
EOS
1 SLR With
BP-E1
booseter
grip.
usedVGC
...........
69
CanonEF
FD28-80mm
70-150mm
f4.5 USM
ZoomIIIlens.
Very
boxed......25
Canon
lens.
Supernice,
...........................29
Canon
EOS
3000Vf3.5-5.6
body,
late
ultra
compact
film
SLR.........
25
CanonEF
FDft70-210mm
f4 Sigma
Zoom
lens.
VGC............................39
Canon
70-300
DL
Macro
non digital..............39
Canon
EOS-1D
Mkf4-5.6
IV f4
body.
body,
boxed
nr mint.... 1,999
CanonEOS
FD 80-200mm
FD Full
bayonet
Canon
1 SLR With BP-E1
booseterlens.
grip............................29
used......................69
Canon
FD
f2.8
prime
lens.compact
VGC,Series
with
caps
..............
25
CanonEOS
FD 28mm
ft
19-35mm
f3.5-4.5
1, nr..................25
mint......49
Canon
3000V
body, late
ultra Vivitar
flm SLR
Canon
FD
70-150mm
f4.5
Zoom
lens.
Very
nice, boxed..... 25
CanonFD
FD135mm
Lens Hood
BT-58.
VGC
boxed
............................10
Canon
f2.5 S.C.
Breech
mount
lens..............................69
Canon
FD
70-210mm
f4
Zoom
lens.
VGC...........................
39
CanonFD
FD20mm
Lensf2.8
Hood
W-62.
VGC
boxed
.............................10
............................ 129
Canon
Bayonet
lens.
with
caps
Canon
FD
80-200mm
f4 (T90,
FD
bayonet
lens.
.........................
29
Canon
28mm
f2.8
prime
lens.
VGC,
with
caps
.........................25
CanonFD
Speedlite
300TL
T70
etc)
VGC,
w/manual
......25
Canon
35-70mm
f4 zoom
lens.50mm
Two38mm
touch
type
VGC
.............25
Canon
FTbn
QL, chrome,
with
f1.8 Canon
lens
....... 49
CanonFD
Sure
Shot
AF
compact,
with
f2.8 Prime
.........29
Canon
35mm
S.C.
breech
mount
lens.
VGC
.....................29
CanonFD
Gridf3.5
Screen,
mint, boxed
...................................15
Canon
PT90
(Populaire)
Rangefinder
body.
VGC
with
cap ..... 149
Canon
50mm
f1.4
SSC
Breech
mount
lens...............................69
CanonFD
Wireless
Controller
LC-2
set, mint,
cased.................39
Canon
Power
Winder
A, fits
A1. AE-1
etc
............................
19
Canon
FD
70-150mm
Zoom
lens.
nice,
..............25
Centon
K100
manual
SLR
+ 50mm
f1.7 Centon
MC............29
Canon
Sure
Shot
AFf4.5
compact,
with Very
38mm
f2.8boxed
Prime
....... 29
Canon
f4Biogon
Zoom lens.
ContaxFD
21mm
T* /lens.
boxed,finish,
fnderMint
etc......499
Contax
GG70-210mm
TLA
140f2.8
flash,
for G1
2VGC.........................................39
titanium
..... 39
Canon
FDSister,
80-200mm
f4 120,
FD bayonet
lens
........................................29
Crystar
6x6f40n
c1954,
verylens,
uncommon.............59
Darkroom:
50mm
Minolta
ESuperwide
Rokkor
fboxed
............
19
Canon
FD
ft
24mm
f2.8
Sigma
II,
near
mint
..............39
Darkroom LPL
8x10
inch masking
easel..............................15
Darkroom:
50mm
f4
Nikon
EL
Nikkor,
scalloped,
VGC
.......
25
Canon Power Winder A, fts A1. AE-1 etc.........................................19
Darkroom
Meopta
12x16
inch
masking
easel.
VGC.............25
Enlarging
50mm
f2.8 with
CE lens,
mint
boxed.......... 39
Canon
SureMinolta
Shot AF
compact,
38mmnrf2.8
Prime..................29
Darkroom:
50mm
f4
Nikon
EL
Nikkor,
scalloped,
VGC.........25
Contax
135mm
f2.8 Carl
Zeiss
AE T*Aluminium
lens .....................
Ensign
"Ensignette"
no.1
(theSonnar
small
one)
..........159
29
Enlarging
Minolta
50mm
f2.8
CE
lens,
nr
mint
boxed...........39
Contax
139
Quartz
body.
Nice
example,
new rare....................
covering ...............59
Ensign
British
Ensign
"Flat
Back".
c.1905,
89
Enlarging
Nikon
50mm
f2.8
EL Nikkor,
scalloped VGC ........39
Contax
159MM
body.
VGC,
working
wellN-61
..........................................69
Fed
4 CRF
camera,
with
52mm
f2.8
lens. Super
....... 29
Enlarging:
75mm
EL Nikkor
(scalloped
Super........39
Contax
167MT
body.f4VGC,
working
well
with type).
ERC ........................79
Fed
5C,
with
55mm
f2.8
Industar
61
lens.
VGC,
cased.......
39
Ensign25mm
Ensignette
(the
small one)
Aluminium............29
Contax
f2.8 Carlno.1
Zeiss
Distagon
AE T*
Germany .......... 249
Fujica
mount
200mm
EBC
X-Fujinon
T lens
....139
29
EnsignBayonet
Autorange
220.Zeiss
6x6 Distagon
on f4
120
With
75mm
Ensar.........49
Contax
35mm
f2.8
Carl
AE
T*
lens VGC
..........
Hasselblad
150mm
f4plus
T* Sonnar
silver
finish........
199
Exakta50mm
Macro
fnder
dedicated
lens...................19
Contax
f1.7
Carl
Zeis
Planar lens,
AELoupe
T*inlens,
VGC
...................99
Hasselblad
220Iib,
film
back,
chrome.
matching
....... 49
ExaktaftVarex
with
50mm
f2.8
Tessar
lens.numbers
VGC.............69
Contax
35mm
f2.8
Yashica
ML
lens.
VGC....................................29
Hasselblad
50mm
lens
shade
C
(40274,
67mm
thread)
....
19
Fed 4 CRF
camera,
with 53mm
f2.8 Super
N-61 lens.
Super.........29
Contax
ft 50mm
f1.4 Yashica
ML lens.
example................69
Crumpler
Messenger
Boy
2500 camera
as new
Fujica Bayonet
mount
200mm
f440045.
EBCbag,
X-Fujinon
T..................19
lens
......29
Hasselblad
Microscope
adapter,
Rare
item
............
49
Darkroom:
f4 Minolta
Eflm.
Rokkor
fboxed.......................19
Gelto D-III50mm
camera.
for
Verylens,
pretty
withBoxed
case .........69
Hasselblad
Polaroid
100127
back,
no.30198.
Mint
........ 49
Darkroom:
50mm
f4 Nikon
EL
Nikkor,
VGC.................25
Goerz Vest
Pocket
Tenax
with
case,scalloped,
VeryMint,
nice.....................89
Hasselblad
Variable
Ext Tube
64-85mm.
Boxed....... 299
Eho-Altissa
Altix
ft 90mm
f3.5 Meyer
Telefogar
Grafex
Baby
Speed
Graphic
6x9. Ektar
lens.lens.....................79
Lovely
.........229
Hit
type
camera,
Bell
14
Japanese
subminiature
................
15
Eho-Altissa
Altix
V with
f3.5
Meyer
Telefogar
.....................49
Hasselblad
150mm
f490mm
Sonnar
lens,
chrome.
optics ...129
Kiev
/ Contax
fitV,35mm
f2.8 Jupiter
12
lens,Tessar
inNice
black............
49
Eho-Altissa
Altix
with 50mm
f2.8 Carl
Zeiss
..................79
Hasselblad
150mm
T* Sonnar
lens,
in silver
fnish.........199
Kiev
60 fitMinolta
65mm
f3.5f4Mir-385
wide
angle
lens.
...................
39
Enlarging
50mm
f2.8
CE
lens,
nr
mint
boxed
...................39
Hasselblad
220
flm
back,fitchrome.
numbers........49
Kiev
88 / Kiev
80
/ Salyut
f2.8matching
Kaleinar-3b
lens.........
99
Enlarging
Nikon
50mm
f2.8Sonnar
EL150
Nikkor,
VGC
................39
Hasselblad
250mm
f5.6
lens,scalloped
chro. Nice
optics
.....169
Kiev
88
/
Kiev
80
/
Salyut
fit
300mm
f4.5
Tair
33
lens
..........
79
Ensign
Ensignette
no.1 (the
small one)
Aluminium....................29
Hasselblad
500C,
chrome.
Complete
camera
boxed
.........439
Ensign
220.
6x6 fit
on45mm
120 With
75mm
Ensar
.................49
Kiev
88Autorange
/ Kiev
80
/ Salyut
f3.5
Mir 26b
lens...........
69
Hasselblad
90
degree
prism
fnder.
Hensoldt
type.
..............39
Ensign
British
Ensign
Flat
Back.
c.1905,
rare..............................89
Kodak
Brownie
No. 1,
model
B. from
1900.
VGC................ 29
Hasselblad
Ground
Glass
back
focus
adapter......................49
Exakta
Varex
IIa,
with 50mm
Zeiss
Pancolar
lens.....................79
Kodak
Retinamacro
Automatic
II. f2
With
45mm
f2.8
Xenar
lens...... 29
Hasselblad
chimney
usedlens......................89
example.........25
Exakta
VX 1000,
50mm f2fnder.
Zeiss Well
Pancolar
Kodak
RetinaMicroscope
Cwith
fit 35mm
f5.6
Schneider
Curtagon
lens ..... 39
Hasselblad
adapter,
40045.
Rare
item
..............49
Fed
1 ever ready
case. Also
suitZorki
1, early
Leica
....................19
Kodak
Retina
C Shade.
fit 80mm
f4 Xenon,
some
29
suits
C
and
CF .........39
Hasselblad
Pro
Later
version,
Fed
1 type
E
Berdsk
(Siberia)
1946 with
fedmarks................
lens
...................
129
Kodak
Retina
fit
finder,
35 /80
lenses..............
25
Hasselblad
setCof
3Optical
Autowith
extension
tubes:
10,
21, 55 ..........39
Fed
3 35mm
CRF
camera
lens,for
case,
VGC
.............................29
Kodak
Retina
IIc (small
C) with
f2.8
Xenon,
69
Kiev4 15
TTL
SLR,
+53mm
f2 f2.8
Helios-81
lens.cased..............
Scarce
...........49
Fed
CRF
camera,
with
53mm
N-61
lens.
Super
..................29
Kodak690
Brownie
No.the
1, model
B.f3.5
from
1900.
VGC .................29
Fujica
CRF
with
100mm
Fujinon
lens......................
Konica
Auto
Reflex
A3
+ 50mm
f1.7
lens
serviced
VGC .....299
49
Fujica
Bayonet
mount
200mm
f4
EBC
X-Fujinon
T
lens...............29
Kodak
Kodalux
L
shoe
mount
light
meter.
Lovely,
cased
......49
Korelle Convertible model. folding127 with Xenar, nice....... 79
Gossen
Lunasix
F
light
meter.
Case
&
Manual
...............................59
KodakSuper
No. 3A
Model B-4.plain
Red bellows,
Dagorspot
lens....
....59
Kowa
66FPK,
Screen.boxed,
ground centre
25
Hasselblad
f4 screw
T*The
Sonnar
lens,1900
in silver
fnish................
KodakBlack
No.1150mm
Panoram.
original
Leica
bakelite
top
keeper.
formodel.
13.5,
VVGC
Nice.......199
......199
19
Hasselblad
220Cflm
back,
chrome.
matching
numbers...............49
KodakE.Leitz
Retina
35mm
f5.6 Heligon
C, VGC,
scarce........69
Leica
Newftlens
York
no.12,
leather
zipped
lens
case ..... 19
Hasselblad
50mm
shade
C Schneider
(40274, 67mm
thread)..............19
KodakELDIA
Retina
C ft 35mm
f5.6
Curtagon..............49
Leica
negative
/
film
strip
printer.
boxed....................
29
Hasselblad
Microscope
adapter,
40045.C,Rare
item.......................49
KodakFISON
Retina
C ft 80mm
f4 Elmar
Heligon
VGC,
scarce...........69
Leica
hood,
for 5cm
lens.
A36
clamp
on ....... 35
Hasselblad
Polaroid
100
back,
no.30198.
Mint
Boxed..................49
Kodak Retina
C ft 80mm
f4 Xenon,
some
marks.................29
Leica
lens
forfnder,
M
fit E39
90
/ 135
....................
29
Hasselblad
Variable
Ext Tube
64-85mm.
Mint,
Boxed
...............
299
KodakIUFOO
Retina
C fthood,
Optical
for 35
/80
lenses
..............25
Infra,
Wetzlar.
for Rapid
cassettes,Snapshot
Not common
...........................19
Leica
L39
25mm
f4
Voigtlander
Skopar
lens.....
199
Kodak Retina genuine hood for 50/1.9 Xenon, boxed
..........10
Kiev
/ Contax
ft 35mm
f2.8 Jupiter
12Leica
lens, in
black ....................49
Leica
L39
Russian
50/2.8
Industar,
engraving
........... 25
Kodak
Retina Refex
/S
mount
135mm f4lens.
TeleVGC................69
Xenar..........39
Kiev
10
Automat
SLR,
+
53mm
f2
Helios-81
Leica
L39
screw
mount
f4 Jupiter
silverlens........79
............ 39
Kodak
Retina
Refex
/ S135mm
mount
50mm
f1.911,
Xenon
Kiev
15L39,
TTL
SLR,
+53mm
f2
Helios-81
lens.
Leica
135mm
f3.5Finder,
Canon
lens.
EarlyScarce.....................49
chrome type...... 89
Kodak
Sports
cased..............................25
Kiev
88 /Retina
80
/ Salyut
ft 150VGC
f2.8 Kaleinar-3b
lens.................99
Leica
/Kiev
Screw
for
28/90mm
(Voigtlander)............
25
Konica
Pearl
645, ft
MIOJ,
Hexar
uncommon........59
Kiev
88M/Semi
Kiev
80
/adaptor
Salyut
300mm
f4.5 lens,
Tair
33
lens ...................79
Leica
M
/
Screw
adaptor
for
35/135
(Voigtlander)................
19
Kuribyashi
BB
Semi
First
type
1.
Rare
1940
Jap.
Semi......149
Kiev 88 / Kiev 80 / Salyut ft 45mm f3.5 Mir 26b lens ....................69
L39 IV
camera
Macro
Nr
mint,
boxed...........19
Leica
Mcamera,
/ Screw
lensbellows,
adaptor
135mm
genuine
Leitz ........... 29
Kiev
Metered,
Plus Russian.
Jupiter
lens,
case..........................49
Lastolite
backdrop
cloth.for
Mottled
blue
/ GreyLeica.......
+bag
.....19
Leica
M / large
Screw
lens
adaptor
90mm
genuine
29
Kochmann
Korelle
folding
6x4.5
on
120, f2.9
Radionar
...............59
LeicaM
E.Leitz
York
leather
zipped
lens
case
......19
Kodak
Brownie
No.
1,
model
B. from
1900.
VGC
...........................29
Leica
12538New
50mm
f2no.12,
Summicron
lens
hood.
VGC
........
29
LeicaM
ELDIA
/ flm
strip
printer.Curtagon
boxed ....................29
Kodak
Retina
Cnegative
ftf4.5
35mm
f5.6 Schneider
lens .............39
Leica
135mm
Hektor
lens..........................................
99
Kodak
Retina
Chood,
ftever
80mm
f4 Xenon,
marks...........................29
LeicaM
FISON
forready
5cm
Elmarsome
lens.
A36
clamp
........35
Leica
Leather
case,
suit
M1,
M2,
M3. on
...........
25
Kodak
Retina
C ft Optical
fnder, lens.
for 35Early
/80 lenses.......................25
Leica
L39,
135mm
f3.5
Canon
chrome
type.......89
Leica M4
body,
chrome.
Working
superbly,
nice order ...... 499
Kodak
Retina
IIc
(small
C)
with
f2.8
Xenon,
cased........................69
LeicaVisoflex
M 135mm
f4.5 N
Hektor
lens..........................................99
Leica
16590
Adaptor
ringzipped
for Bellows
unit...........
25
Leica
E.Leitz New
York no.12,
leather
lens case
.............19
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Leica
ELDIA
negative
/ flm
strip printer.
boxed
.............................29
Leica
Visoflex
OTZFO
16464K
focussing
lens
mount .........
29
LeicaFISON
M 35mm
f2.8
Summaron
for
M3A36
(with
spectacles)
...299
Leica
hood,
for
5cm Elmar
lens.
clamp
on ................35
Leica
Visoflex
Telyt
280mm
f4 Lens
head
only.VGC.............49
Boxed
...... 149
LeicaIUFOO
VIOOHlens
zoom
viewfnder,
straight
sided.
Leica
hood,
for
M ftworking
E39
90 / well,
135................................29
Leningrad
8 light
meter,16464K
VGC,
with
case..........29
....... 19
lens
mount
LeicaL39,
Visofex
OTZFO
focussing
Leica
135mm
f3.5 Canon lens.
Early chrome
type...............89
M42
28-200
Vivitar
MC
Macro
Zoom.
M- etc.........399
boxed..... 29
Linhof
6x9.f2
Outft
2x lenses,
Leica
M Technika
12538f3.5-5.3
50mm
Summicron
lens RFH,
hood. Grip
VGC...................29
M42
f5 f4.5
Eyemik
Auto
lens.
NiceZoom.
quality...................
29
M42300mm
28-200
f3.5-5.3
Vivitar
MC
Macro
M- boxed......29
Leica
M
135mm
Hektor
lens
........................................................99
M42
f5
Optomax
Auto
lens,
lovely
............... 25
M42300mm
300mm
f5 ever
Eyemik
Auto
lens.
quality
....................29
Leica
M
Leather
ready
case,
suitNice
M1,
M2,SALE!
M3........................25
M42
50mm
Autofnder.
Rikenon
lens,
nice
quality........
19
Leica
ROSOL
sports
Frames
forVGC,
5with
andcase
13.5cm
.................49
Mamiya
16 f1.7
Automatic.
Nice
example
+ strap
.......39
Leica
copy
London.
shaped.................29
Mamiya
35 model
1Tair
camera.
CRF,
VERY
RARE
................249
M42
fitVIOOH
300mm
f4.5fnder.
3Wray
lens.
Later
allLyre
black
version
........ 39
Leica
Visofex
1659085mm
N Adaptor
ring
for
Bellows
unit
..................25
Mamiya
645mount
105-210
f4.5f2
ULD
C Zoom
lens
caps..........109
M42
Screw
Jupiter
9 lens,
in +black
............ 79
Leica
Visofex
16598
Adaptor
ring
bellows
unit.......................19
Mamiya
645 55mm
120
flm
insert,
x3 infor
stock.
Price
each.............
............15
Mamiya
645
f2.8
Sekor-C
lens.
VGC,
Caps
79
Leica
Visofex
OTZFOf2.8
16464K
focussing
lens boxed................99
mount...................29
Mamiya
55mm
Nf4.5
lens,
NearSuper
Mint,
Mamiya
C645
(TLR)
180mm
Sekor
lens
SALE ......119
Leidolf
Lordomat
CRF, With
50mm f2.8
Leidolf
lens.....................49
Mamiya
ft 110mm
f2.8
lens.
Lovely
optics
......79
Mamiya
C645
180mm
f4.5Sekor
SekorC Super
lenses
Mint....
169
Leningrad
8(TLR)
light
meter,
VGC,
working
well,Nr
with
case
............. 19
Mamiya C645
ft 210mm
f4hood,
Sekor
N lens.
Mint,
boxed.......89
Mamiya
(TLR)
180mm
square
type........................
12
M42
28-200
f3.5-5.3
Vivitar
MC
Macro
Zoom.
Mboxed...............29
Mamiya C645
ft 45mm f2.8
Sekor
C lens. Lovely
optics
........79
Mamiya
f3.5
Sekor
type.........
79
M42
300mm(TLR)105mm
f5 Eyemik Auto
lens.
Nicelenses
qualityearly
...............................29
Mamiya C645
Super 55mm
body; WLF,
crank lenses.
wind, back
vgc
........179
Mamiya
fit
(TLR)
f4.5
Sekor
Late
black
....
89
M42 300mm f5 Optomax Auto lens, lovely SALE!..........................25
Mamiya
645
Super
complete,
boxed,
+
80/2.8
C
lens
........249
M42
85mm
Jupiter
9 lens. f3.5
Black
fnish.
veryhood
good.................
...................69
Mamiya
CC f2
fitTLR
(TLR)
65mm
Sekor
lens
15
Mamiya
55m
f4.5
Lens
hood.
Excellent
condition
.....12
M42
camera
Macro
bellows,
Russian.
Nrlenses
mint, boxed..................19
Mamiya
CC fitTLR
(TLR)
65mm f3.5
Sekor
.......................
69
Mamiya
ft
135mm
f4.5
Sekor
blue
dot
lens
pair
.......79
Mamiya
645
ft 210mm
f4 Sekor
N lens.
Nr(plate
Mint, boxed
...............89
Mamiya
CC TLR
fit
Single
Exposure
set,
back)............
29
Mamiya645
TLR
Focus
control
(rubber
push
on) ...........9
80 N wheel
lens, WLF
, winder
vgc.............
289
Mamiya
Pro TL
comp:
Mamiya
C
TLR
paramender,
Good
condition......................
19
Mamiya645
C3Pro
/ 33TLetc
genuine
Mamiya
hard
leather
Mamiya
comp;
80 lens,
Prism,
Winder
vgccase.......15
............. 299
Mamiya
C3,
with
f2.8
Sekor
lenses
....... 179
139
Mamiya645
C33
Pro later
TLR
+WLF
105mm
f3.5
Mamiya-Sekor
............99
Mamiya
Super
body;black
,80mm
crank
wind,
back vgc
...............
Mamiya
Super
23, black.
withNo.3
90mm
lens,
grip,mint
rfh...............
etc
........29
269
MamiyaPress
C330Super
focus
screen,
splitlens,
image,
boxed
Mamiya
23,
black.
with
90
grip,
rfh
269
Minolta
AF
28-80
Xi
Zoom
lens,
VGC,
works
well................
25
MamiyaPress
C330
focus
screen,
No.5
cross
hair.
boxed ....19
Mamiya
with
90mm
lens,
Hand
grip,
&
6x9VGC
rfh.................
149
MamiyaAuto
C330
Pro TLR
+A
80mm
f2.8 Sekors.
Super
..........189
Manfrotto
482 Meter
Compact
ball
and
head VGC......................17
Minolta
III (3).
verysocket
nice
example,
cased
........ 69
Metz
45 Auto
CT-5
fash
kitV
with
AA
holder,
ideal
med
format
.............49
Mamiya
C330
TLR
Hard
Hide
leather
ever
ready
case
........39
Minolta
Meter
f. excellent
quality
digital
meter.
........
99
Minolta
AF
28-80
Xi Zoom
lens,mint,
VGC,
works
Mamiya
hand
grip,
right
handed.
Suit
TLRwell...........................25
range. ................12
Minolta
Auto
Winder
D, near
boxed.............................
19
Minolta
Auto
Meter
III (3).
A very
nice
example,
Mamiya
Press
/ Super
23
focus
screen
/ single
flm back
....49
Minolta
Dynax
700Si
body,
VGC
working
well.cased................69
Boxed
........
39
Minolta
Dynax
silver.
Withof28-80mm
lens,mboxed
..............29
Mamiya
Press5800Si
/SLR,
Super
23 set
5 ext
rings,
boxed.........39
Minolta
Dynax
body,
working
well.
Boxed..................
39
Minolta
Dynax
700Si
body,
VGC
working
well.grip,
Boxed
..................39
rfh
SALE...239
Mamiya
Press
Super
23,
black
+
90
lens,
MinoltaMC
MC200mm
set of auto
tubes,
21,28mm
mint.................
15
Minolta
f4.5
MC
Tele14,
Rokkor
PF lens.
VGC ................29
Manfrotto
056
Pro
tripod
plus
115
3D
head.
VGC................59
MinoltaMC
MDset
135mm
f3.5
lens.
qualitymint
lens
in VGC ...... 29
Minolta
of auto
tubes,
14,Nice
21,28mm
...........................15
Minolta 110
Zoom
SLR
(original
model) Super,
cased .........29
Minolta
MD
28-70mm
f3.5-4.8
Zoom
29
Minolta
f3.5
lens. lens,
Nice
quality
lensVGC..................
inwell
VGC................29
MinoltaMD
AF135mm
28-80
Xi
Zoom
VGC,lens.
works
................25
Minolta
f4 f4
Zoom
lens.
VGC,
Caps
..........................29
MinoltaMD
MD75-150mm
75-150mm
Zoom
lens.
VGC,
Caps
.............. 29
Minolta MD 45mm f2 Pancake Rokkor lens. VGC ................39
Tamron Fotovix
TF-56WE
Film Video
processor.
boxed
...............39
Voigtlander
Prominent
100mm
f4.5
Dynaron
lens,
super
.... 49
Topcon
(Unirex
etc)
28mm
f4
UV45mm
Topcor
lens
mint.........29
Taron VR,
35mm
CRFftcamera.
With
f2.8
Taronar
..............29
Voigtlander
Prominent
35mm
f4.5
lens,
ding.......
39
Topcon
D1 (US
RE-2),f4
withSkoparon
5.8cm f1.8
lens......69
Topcon Beseler
(Unirex etc)
ft 200mm
Topcor
lensRE
.........................29
Voigtlander
Hood
andUV
O/Y/G
filter
V nice .... 39
Tripod
&Prominent
Socket
Bilora
large
size,
1/4set,
thread........19
TopconBall
(Unirex
etc) fthead
28mm
f4 UV
Topcor
lens
mint-.................29
Voigtlander
Hood
Plus
Yellow
filter...............49
set ...... 19
Universal
16 subminiature
camera.
Boxed
Tripod BallMinute
&Prominent
Socket
head
Bilora
large
size,/ UV
1/4
thread...............19
Voigtlander
Prominent
Proximeter
1 plus
100mm
attm't......
29
Voigtlander
46
Baby
Bessa.
With camera.
f3.5
Voigtar
/ Compur
......49
Universal Minute
16 subminiature
Boxed
........................49
Voigtlander
Prominent,
50mm
f1.5
Nokton
Lovely
..... 399
Voigtlander
6x9with
plate
camera,
Luxe,
Green....199
Voigtlander Bergheil
40.5mm Focar
set,
A,B,C
andDe
D all
boxed.................19
Voigtlander
shoe
mounted
VGC,
cased...........
29
Voigtlander Bessa
40.5mm
and
Yellow
......................9
1 Orange
for 6x9rangefinder,
or 6x4.5
onflters
120. each
Vaskar
lens ...59
Voigtlander Bessamatic
Bessamatic
135mm
f4 S.Dynarex
Voigtlander
Turnit
3 finder,
frames
forf2.8
35,Zoomar
50,(balsam)..............19
100mm
.........
39
ft 36-82mm
SALE
.....99
Voigtlander Prominent,
Bessamatic
36-82mm
f2.8
Zoomar
lens
.................
159
Voigtlander
windf2lever.
F2lens,
Ultron,
case
.....139
Voigtlander
Vitessa
barnwith
doors,
ultron
case
...........119
Voigtlander Vitessa
Bessamatic
SLR
w/Color
Voigtlander
125,Deluxe
Barn
Doors,
f2 Ultron,
average .....69
Voigtlander
Vito
II, folding
35mm
cased,
withSkopar-X...............49
box................
29
Voigtlander
Prominent
Proximeter
1
plus
100mm
attmt..............29
VP Twin camera,
halfwith
frame
on 127.
in Brown
Bakelite
.......29
Voigtlander
Vito
IIa,
50mm
f3.5 Color
Skopar
V nice
... 49
Voigtlander
shoe
mounted
rangefnder,
VGC, cased....................29
Welta
Perle
camera,
Radionar
lens
................29
VP
camera,
half6x4.5
frameon
on120
127.
Brown
Bakelite
...... 29
VP Twin
Twin
camera,
frame
127.
inin
Brown
Bakelite................29
Werra
100mm
/4 half
Carl6x4.5
Zeisson
Cardinar
lens. VGC,
caps
........69
Welta
Perle
camera,
120
Radionar
lens
...............
29
Welta Perle
camera,
6x4.5 onon
120
Radionar
lens
..........................29
Werra
35mm
/2.8
Carl
Zeiss
Flektogon
lens.
VGC,
caps
.....89
Werra
flat top,
top,black
blackpebble
pebblegrain
graincovering................................39
covering. .................... 39
Werra 1, fat
Werra
fat
top,
black,
50
f2.8
Tessar
RVS
Werra flat
fat top,
top, black,
RVS........................39
Werra
black, 50
50f2.8
f2.8Tessar
Tessar/ /Prestor
/ Prestor
Prestor
RVS..............39
............. 39
Werra
withIII2.8
Tessar,
caps,
case, vgc.........................35
WestonMat,
Master
meter,
condition,
working
well...............29
Weston
Euromaster
lightlovely
meter.
VGC,
Cone,
Case.............
49
Weston
meter.VGC
VGCand
andworking
workingwell..............................39
well. ..................39
Weston Master
Master
VV
meter.
Weston
Master
III
meter, VGC,
lovelycased
condition,
well.......
29
Yamato
camera.
with working
hood,
flter
.........49
Yashica Pax
FX-3M4
Super
2000 body,
black.
example
...............49
Weston
Master
IV meter,
in VGC
andLovely
working
wellout
.............
39
Yashica
5000
+ 45/1.8
lens.
Meter
.........39
Yashica Lynx
T4 Special
Edn
with Yashinon
35 f3.5 Zeiss
Tessar
T*...................99
Yashica
Mat 124G
124G,TLR.
with
75mm
f3.5
Yashinon,
case etc....
129
Yashica
Well
used,
nice
lens,
works
well ....79
Yashica Mat
TLR
bayonet
1 lens
hood.
Near
mint
cased.....................19
Yashica
TLR
bayonet
1
lens
hood.
Near
mint
cased...........
19
compact ..........19
Yashica
105 EZ
EZ38-105.
38-105.Nice
NiceAFAFflm
flm
Yashica Zoom
Zoom 105
compact...................19
Yashica
TLR
bayonet
1 Telephoto
set.
nr mint
.............
29
Zeiss
ft
85mm
f4 Pro-Tessar,
usable,
balsam
......19
Zeiss Contafex
Ikon
Baby
Box
Tengor
camera,lens
for 127
flm.
........................29
Yashica
TLR
bayonet
1 wide
angle
lens
set.
mintflm.......49
........... 49
Zeiss Ikon
Contax
/ Contarex
21mm
VGC
Zeiss
Baby
Ikonta
520/18.
forfnder
4x3cm
onnrboxed...............99
127
Zeiss Ikon
Contax
f4.5
Zeiss
Orthometar
BOXED..........
Yashica
Zoom
1053.5cm
EZ 38-105.
Nice
AF432/5,
film compact
........479
19
Zeiss
Contax
35mm
fnder.
Model
c.1938..........79
Zeiss Ikon
Ikon Nettar
Contax
35mm
fnder.
Model
432/5,
Zeiss
517/16,
for 6x6
on 120.
f4.5c.1938...................79
Novar
...........25
Zeiss
Ikon
Baby Box
Tengor
camera,
for 127
film.
..............
29
Zeiss Ikon
Ikon push
Contax
f2close
Zeiss
Sonnar
VGC
Cased
.............
Zeiss
on8.5cm
proxar
setf2.8
x4.
28.5mm.
...........15
Zeiss
Ikon
Contaflex
Prima
SLR.up
45/
Pantar
lens
........199
39
Zeiss Ikonta
Ikon Maximar
207/3with
6x9 10.5
platef4.5
camera
set,/ VGC.................49
Zeiss
520/2 IIa,
(6x9)
Tessar
Compur
.....59
Zeiss
Ikon
Contax
coloured
dial,
+coated
f2
Sonnar
..
269
Zeiss Super
Ikon Movikon
16 Pre
Warwith
outft.
2 lenses,
lovely
.............. 129
Zeiss
Ikonta selenium
531
(645)
75/3.5
Novar,
lovely......139
Zeiss
Ikon
Ikophot
meter.
VGC
Cased
SALE.......25
25
Zeiss Super
Ikon Nettar
517/16,
for(11
6x6n
on
120.
f4.5
Novar...............
Zeiss
Ikonta
532/16
on)
with
80/2.8
Tessar
.......139
Zeiss
Maximar
6x9 plate
camera
set,VGC...............49
VGC ....... 49
Zorki Ikon
4K 35mm
CRF, 207/3
with 50mm
f2 Jupiter
8 lens.
Zenith
80 SLR,CRF
80mm
f2.8fitlens.
WLF,case,
120
back.
VGC.........99
Zenit
(SLR)
135mm
Jupiter
(SLR) ..... 19
Zorki 39mm
5 35mmscrew
camera,
with
lens, f4
VGC11
.........................39
Zorki
5 35mm
CRF
camera,
with
lens,
case,
VGC
...............39
Zorki 66 35mm
35mm CRF
50mm
f3.5f3.5
Industar..................49
Zorki
CRFcamera.
camera.WIth
WIth
50mm
Industar
....... 49
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Lenses
Nikon F1
AFS 1.7X MK2............... 200
Set 3 Extra Tubes A1....... 33
AF Tamron 28-200........ 100
AF Tamron 18-250........ 190
AFS Nikkor 24-120 VR .. 440
AFS G Nikkor 24-85ED.. 299
AFD Nikkor 85/1.8 ........ 299
AFS Nikkor 12-24 GED.. 440
AFD Nikkor 70-300 ED.. 200
AFD Nikkor 18-35 ED.... 299
AF Teleplus PRO 300..... 120
AI Nikkor 300/2.8........ 1150
AFS ED Nikkor 18-200.. 399
NAF 100-300/4 Sigma.. 430
NAFD Sigma 1/4x Ex..... 135
NAFD Sigma 17-70 2-8/4-5
..................................... 199
NAFD 18-70 AFS........... 120
S/H Nikkor 80mm 200mm
F2.8 AF/ED............... 399.99
Hasselblad
Hasselblad HI, 80mm & Hood,
mag & prism outft...... 1450
Telecoverter 1.7x .......... 500
120/4 Macro Planar .... 1250

Magazine 16-32 ........... 200
Film Holder 3053320 .... 100
Mamiya
Mamiya Large Format RB67
Camera......................... 599
140mm Macro / RB ...... 250
50mm 4.5 RB ............... 250
Bronica
Bronica SQ Lens Only 80/2.8
..................................... 200
Bronica SQ 50/4 Lens ... 300
35mm Unusual Camera
Exakta RTL1000, F18/50
.................................. 99.99
Canon EOS 1 Body........ 170
Nikon F2S Body ............ 300
Nikon F2 Data Inc DW2 Finder
..................................... 320
Canon EOS 300v 28/90. 100
Konica ART3 F1.7/50 .... 100
Minolta 700si & 28/80 Cosina
..................................... 125
Minolta XD5 50/1.7......... 80
Olympus OM20 &28/2.8

Zuiko .............................. 99
Tamron
Tamron Ext Tube ............. 25
SP 300mm F5.6............ 100
Adaptall 28-200.............. 99
Adaptall 300/5.6............. 45
SP 28-138 4/4.5............. 70
Fuji x System Used
XEI Body Boxes............. 320
XE2 Body 18-55 ........... 650
X Pro 1 18/f2 ................ 600
27mm f2.8 ................... 299
Leica M Mount Adaptor. 120
Olympus OM Manual
300/45 Zuiko ................ 210
100-200/5 Zuiko............. 65
35/2.8 Zuiko ................... 45
55/3.5 Macro.................. 99
75/150 f4 Zuiko.............. 60
200/4 Zuiko .................... 60
Oly Tube 25..................... 20
Sigma 400/5-6 ............... 70
Tel: 01223 368087, sales@campkinsfuturevision.co.uk
Campkins Future Vision
12a Kings Parade, Cambridge, CB2 1SJ

01223 368087
sales@campkinsfuturevision.co.uk
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ecember
2014.
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ilm/igital.
emnal
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CLASSIFIED
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LINEAR POLARIZING FILTERS

to clear (for Manual Focus only)
49mm, 52mm, 55mm
1.99 ea
58mm, 62mm, 67mm
4.99 ea
BATTERY CLEARANCE
PX625 2.99
PX28 3.99
V76PX 1.49
MN21 99p
CR1/3N 3 Volt Lithium
3.99 each
123A or CR2 Lithium
3.99 each
2CR5 or 2CRP2 Lithium
4.99 ea
All the following batteries
49p each
CR2016, CR2325, CR1620
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27, 28, 30.5mm
4.99 each
Kood 34, 37mm
7.99 each
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8.95 each
Kood 46, 49mm
9.95 each
58mm, 62mm
14.95 each
67mm
16.95 each
COLLECTABLE CAMERAS
Kodak No 3 Autographic
11.95
Olympus XA2/A11 Flash
18.50
Voigtlander Vito Auto 1
34.95
Rollei 16mm & Case, Flash &
Case and 2 Filters
49.95
NEW HOYA MULTI-COATED SLIM

DIGITAL UV FILTERS
11.49
52mm 12.49
13.49
58mm 14.49
15.49
67mm 16.49
19.49
77mm 21.49
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FUJI VHS 180 minute Video
Tapes 2.99 each or two for 5
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2.99
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2.99
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3.99
BETAMAX L750 Tape
3.99
CLIP-ON LENS CAPS 2.75 each

27, 28, 30, 34, 37, 40.5, 43, 46, 48, 49,
52, 55, 58, 62
67, 72, 77, 82, 86mm
49mm
55mm
62mm
72mm
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27/28/30/30.5/34/35.5/37/37.5
39/40.5mm
each
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each
55/58mm
each
62/67mm
each
72/77mm
each
5.99
6.99
7.99
8.99
9.99
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46, 49, 52, 55mm
3.99 each
58, 62, 67, 72mm
5.35 each
77mm 7.99
82mm Metal 8.99
KOOD SOFT LENS POUCHES
75x90 3.49
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Ektachrome Elite 100/36
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Fuji-Astia Pro 100F 135/36
1.49
Ektachrome Pro 64T -120
99p
Fuji Provia 100 120
99p
Fuji Velvia RVP 120
99p
Ektachrome 64 Pro 220
1.49
Kodak Portra 160 220
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22.5mm Sky, Orange, UV, 82A,
Close-up +1, +2
1.99 each
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46mm Centre Spot, Soft Spot, UV
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80B, 81A, FLW, UV, Skylight,
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Sky 1B, 4 Star, Yellow
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58mm Pastel Yellow, Pastel Green
Graduate Green, Graduate Orange
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Green, Pastel Cyan, Pastel Magenta
Pastel Cerise, Centre Spot, 85A,
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2.99 each
62mm Aico Yellow/Green
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Hoya Soft Spot (one only)
4.99
67mm Fog, Star 6, Star 8, 82A,
85, Yellow/Green
3.99 each
72mm Yellow, Green, 80B,
Close-up
6.99 each
77mm Yellow, Red, Star 4, 80B,
Diffuser
11.95 each
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13.95
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Wanted
99p
1.49
1.99
1.99
39p
99p
67 Manchester Road
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norton.d@btconnect.com
OL: +2S O IN, O AN, #mio 2x

50mm =uikos^ 28th iramda^ 75200
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hh experiment^ bargain at 180.00^ no
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Tel] 0132 841654
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89
Photo Critique
Final Analysis
Roger Hicks considers
Still Life with Pears by Cristina Cassinelli
Vision, commerce and art

A few great photographers not
only earn their living from
photography, they also create art
almost in passing. It is one thing
to turn out hack-work for money
and never try to make good
pictures for the love of
photography. It is another to be a
hack and to fall well short in
CRISTINA CASSINELLI
peculiarly repulsive
philosophy
shortsighted,
philistine and
disgustingly materialistic is
summed up in the phrase,
Beauty lies in the eye of the
cheque-book holder. It is wrong
on so many levels that it is hard
to know where to begin. Does it
mean, for example, that unless
we pay for something, we are
not entitled to nd it beautiful?
That leaves out art galleries,
unless we pay to get in, or unless
they pay to have the pictures on
their walls. Does it mean that
until a picture is bought, it is not
beautiful? Hardly. Vincent van
Gogh was not exactly raking in
the money. Does it mean that
money is all that matters? Well,
if you think it is, I feel very sorry
for you. The idea that beauty lies
in the eye of the cheque-book
holder is utter nonsense.
The mirror image of this, of
course, is the view that Art
(with a capital A) should never
sully itself with lthy lucre. The
meaninglessness of this view
was summed up by former AP
contributor George Bernard
Shaw, talking to Henry Ford.
From memory: A h, well, Mr
Ford. There is the difference
between us. You think only of
money, and I think only of art.
We all have to live. Albert
Einstein was a patent clerk,
Philip Larkin was a librarian
and the nanny Vivian Maier
has been hard to avoid of late.
This picture taught me about the value

of diferent shades and tones of white,
mixed and merged and contrasted
ones personal work. Then there
are photographers whose vision
infuses everything they do.
Cristina Cassinelli (www.
cristinacassinelli.com.ar), who
lives and works in Buenos Aires,
is unashamedly an excellent
professional photographer.
Her client for this shot was the
paint company Alba, and its
One Coat product.
There are lots of ways you
could interpret the image, but
this one is particularly subtle

and elegant. Can you tell it from
personal work? Ive loved this
picture since I rst saw it, 15
years ago. It would have been
so easy to spray everything
white blank white, at white
relying principally on shape
and to a lesser extent on texture.
She didnt. She almost subverts
the idea of One Coat. But in
doing so, she creates a
wonderful spectrum of whites.
Its one of the reasons only a

minor one, but still a reason
why so much in my house is
painted white. And, perhaps
still more, why quite a lot isnt.
When I was younger, I tended
to see things in black & white.
Literally. In my teens, my
bedroom had one wall
blackboard-black and the others
dead white. I genuinely could
not understand off white and
pale cream and apple blossom.
But more than anything else,
this picture taught me the value
of different shades and tones of
white, mixed and merged and
contrasted. For me, its a
picture about growing up.
Roger Hicks has been writing about photography since 1981 and has published more than three dozen books on the subject, many in partnership with his wife Frances Schultz (visit his
website at www.rogerandfrances.com). Every week in this column Roger deconstructs a classic or contemporary photograph. Next week he considers an image by Homai Vyarawalla
90
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Saturday 22 November 2014

Passionate about photography since 1884

The LPOTY 2014 winning images,

David Tipling shows

How photographers are taking to the

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interest is due in no small part to the inexpensive

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ONLINE PICTURE OF THE WEEK

32 Keep calm and

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MAGNUM COLLECTION/MAGNUM PHOTOS

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The Photographers 2014

For the latest news visit www.amateurphotographer.co.uk

Eighteen photographers are brought

BOTH PICTURES TONY KEMPLEN

n AP 7 June, I wrote about the

innity. I must confess that I was sceptical

Tony Kemplens love of photography began as a teenager

When Tony Kemplen resolved to use a

THIS book has been a long time

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