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Journalism Studies
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Journalism educators were shocked in 2002 when Columbia University president Lee
Bollinger called for curriculum reform of one of the most prestigious journalism programs
in the United States. His decision to suspend hiring a new dean of the Columbia School of
Journalism led to an Association for Education in Journalism and Mass Communication
presidential panel presentation in 2004 on Does Journalism Matter? This standing roomonly passionate panel discussion is presented here. It follows a much more optimistic set
of debate essays presented in Journalism Studies Volume 2 on the future of journalism
education.
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During the debate, President Bollinger also cited an obvious need for ethics,
preferring to see ethics integrated in all courses rather than teaching it as a course on its
own. Again, he was on target, I believe, maybe some of the writers and editors at some of
the nations most prominent newspapers who have been forced to step down recently
due to ethical lapses could have benefited from such an approach in their college years.
As Mitchell Stephens (2000) observed, some of the disciplines most cherished
practices will have to change, because more is needed than just teaching the basics. We
need to advance journalism, as well, he argues. Stephens gives examples tried at New York
University, Stanford University, University of California */Berkeley and others that allow
JMC programs to do more while still introducing students to reporting and writing. He
cites a course taught by Pamela Newkirk that mixes theory and practice, where students
studied and critiqued the problems of press coverage of an area like Harlem, New York and
were challenged within the course to do a better job themselves.
As William Woo (2002) noted, The greatest task for us, as journalism educators, is to
equip our students with a firm sense of the public trust */how it developed, what it means
to America, and how it manifests itself or is betrayed by the work that individual journalists
and news organizations do.
Woo and others argue that educators must be in the vanguard ceaselessly
advocating, nurturing and protecting such concepts so that students leave us armed
with this knowledge */in order for democracy to survive. This is monumentally important.
For journalism is not just a raft or a profession. It is the linchpin of the foundation of
democracy: an informed citizenry making informed judgments about how they will live
together.
Since our countrys beginnings, journalists have been entrusted by the public to
enlighten them with the information they need to have quality debate for making wise
decisions */from the most mundane to the most profoundly far-reaching.
There is a growing concern among many that as media owners gain more and more
control of news organizations (media convergence) there has been an increasing
drumbeat for maximizing profits for shareholders to the detriment of the news-gather
and independent reporting that is so essential to this democracy. Woo and others argue
that it is essential that Americas media owners and shareholders recognize the value of
the journalists role in serving the public interest.
In addition to concern about JMC education, for many years in articles and books,
such leaders as Jay Rosen, Roy Peter Clark, James Carey, Bill Kovach and Tom Rosenstiel
have called for discussions about the roles and responsibilities of journalism in the United
States today. They ask what can be done to improve the quality of the enterprise.
In The Elements of Journalism , Kovach and Rosenstiel (2001) address issues of what
news people should know and what the public has a right to expect from the news
industry. An over-arching goal of the books chief architects was to figure out why the
public no longer trusted the press as it once had. They concluded that advancing selfgovernment is and must be the primary goal of news organizations.
Clearly, the goals of journalism and journalism education are similar: as Nancy Wahl
Nieman noted when she made the gift to establish the Nieman Foundation at Harvard
University, they are to promote and elevate the standards of journalism.
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REFERENCES
(2002) Columbia Journalism Review November/December.
and ROSENSTIEL, TOM (2001) The Elements of Journalism. What newspeople should
know and the public should expect , New York: Crown Publishers.
STEPHENS, MITCHELL (2000) A J-School Manifesto, Columbia Journalism Review May/June.
WOO, WILLIAM (2002) The Bridge Between the Classroom and the Newsroom, Nieman Reports
Winter.
BOLLINGER, LEE
KOVACH, BILL
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Teachers of Journalism, became the Association for Education in Journalism and Mass
Communication; a decade later its flagship journal, Journalism Quarterly , became
Journalism & Mass Communication Quarterly . To this day, with very few exceptions,
American research universities award PhDs in communication or mass communication, not
journalism.
Without discounting the benefits associated with the move to wed science and
communication */the US National Research Council, for example, which rates and ranks
PhD programs and which therefore confers a certain status on the disciplines it recognizes,
recently agreed, after years of lobbying, to add communication to its taxonomy of social
and behavioral sciences */Carey is basically right when he observes that the science of
communication marched into journalism education with generally unfortunate results. It
took some time and it met some resistance, but the study of communication finally
eclipsed the study of journalism in ways that rendered journalism largely unintelligible to
journalists and mostly irrelevant to the practice of journalism.
Journalism studies will succeed, then, if it can reconnect the study of journalism to
the practice of journalism, making it not only relevant to the education of journalists but
relevant as well to the education of readers, viewers and listeners who need to understand
precisely what practitioners need to understand: how to tell the difference between good
and bad journalism. To accomplish this, journalism studies will need to free itself from the
delusional quest for the kind of propositional knowledge that other professions, like law
and medicine, tout as evidence of their practitioners education and expertise; it will need
to find a middle ground between the sanitized versions of journalism which measure the
immeasurable and, at the other extreme, the disconnected and undigested anecdotes
from newsrooms of the past which substitute description for explanation; and it will need
to fashion a truly independent research agenda, focused on the quality and value of
journalism and insulated from pressure to accept the realities of current practices and
arrangements. In short, journalism studies will make a real and lasting difference to the
education of journalists and others if it can demystify journalism for the purpose of making
journalism better */and for the purpose of making us all better at understanding what
better journalism means.
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becomes an opportunity to refine skills, not acquire them; it fosters an appreciation for the
proposition that practice improves practice, where the ambiguity of the term practice,
to pirate a couple of sentences from a paper Jim Ettema and I wrote a couple of years ago,
nicely captures the relationship between experience, when practice means repetition
and experimentation, and performance, when practice means attainment or accomplishment. But an education in journalism also involves the study of journalism, an enterprise
that benefits students not because it provides a foundation for the practice of journalism
but because it provides a context in which to critique and improve the practice of
journalism.
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Mitchell Stephens introduces 13 principles that he contends will be needed for practical
journalism education .
A new-model journalism education is being born */right now, around us. Many of
the elements of this new model are, of course, not so new. Most of us who have been
teaching journalism have been including some of them in our classes. Indeed, for this
discussion I have borrowed elements from courses that have been taught over the years
by colleagues at New York University and elsewhere. I will insist, however, that this new
model */this new mix of elements !/ is important, necessary even, if this peculiar discipline
(too often unloved both by the profession and by other academics) is, finally, to actualize
its potential.
To make clear that we are talking practical journalism education */not some
theoretical lecture or PhD seminar */I will introduce the 13 principles I believe underlie the
new journalism education in the context of a course. It might even be an introductory
course */offered to graduate or undergraduate students. Here then: a new-model
journalism course.
The course would begin not with an exercise or fact sheet */Jennifer Jones of 23
Hayloft Lane was walking home from the supermarket when. . . */but by sending
students out to cover a real story.
.
This first assignment should not be ridiculously simple */student reaction to the
heat wave, say, or to lines for advisement. If undergraduates can be handed a book by
Nabokov in a literature course or a text by Nietzsche in a philosophy course, they can be
assigned to cover a complicated issue */the cost of air-conditioning college classrooms,
the reasons for the shortage of registration advisors */in a journalism course, even an
introductory journalism course.
.
Principle Number 2 : Journalism education has been too basic; it has been insufficiently
intellectually challenging.
Perhaps the students should not be told what style to employ in this first
assignment. The instructor could still point out factual errors and note lapses in syntax,
clarity or logic in the various foolish, weird, traditional or interesting stories they produce.
But, by looking openly and generously at the different styles and approaches the students
have employed, the instructor could also begin a consideration of the strengths and
weaknesses of various story forms. This discussion would then continue throughout the
semester. Along with practicing the inverted pyramid and anecdotal leads, all the students
in the class might be asked to have a go at a first-person story, an essay and a vignette.
Along with experiencing the power of Olympian objectivity, the students might be given
an occasion to deploy some analysis or opinion. (Were this a broadcast course students
might hazard a bit of cinema verite and fast-cut editing as well as the traditional narration/
two-sound-bites/one-stand-up package.
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.
Principle Number 3 : Journalism courses should be places to try out different styles and
approaches */styles that are currently being used in other countries or that have been
used at other times in this country, not just the styles that have been insisted upon by
journalists in the United States in the last half of the 20th century.
And students should be encouraged to come up with new styles and approaches.
Journalism courses should not just prepare students for the profession by imitating the
profession. Is the quality of journalism currently so high that our only responsibility is to
preserve it by replicating it? Journalism courses should, instead, be places where new
ideas */ideas that might improve the quality of journalism */are born and tested.
Principle Number 5 : Universities should provide a home for the stories that should be
reported, not just the stories that might get published.
Students in this course might take some weeks, or even the entire semester, to
investigate some such serious topic */in depth.
.
To help students reach those deeper understandings experts from elsewhere in the
university might be invited into the classroom. If a focus of the class is reporting on issues
related to immigration, a sociology professor who has researched such issues might be
invited to conduct a seminar on them.
.
Principle Number 7 : Since journalism inevitably finds itself discussing issues studied by
other disciplines in the university, journalism education should be more interdisciplinary.
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.
Principle Number 8 : Journalism courses should attempt to broaden the focus, as well as
the style, of journalism.
And students should read books and articles on the subjects, traditional or
experimental, about which they are writing. They should also read books and articles
about journalism. They should also read examples */including book-length examples */of
journalism.
Principle Number 9 : Journalism students, even in practical courses, should read more.
In literature courses students read the best work that has ever been written */
Austen and Tolstoy, not the latest beach thriller. In art or film courses they see the best
work. But our students too often are exposed only to the merely workmanlike. Journalism
education should reclaim its canon: the great works of nonfiction writing and
documentary film. If students are writing about poverty, they should be reading Charles
Dickens journalism on the subject or watching the great CBS documentary Harvest of
Shame.
.
Principle Number 10 : Journalism courses should expose students to the best work that
has been done in journalism; these courses should inspire as well as instruct.
If this is primarily a print course, students might still sometimes be given a chance to
take along a camera or recorder. If it is a broadcast course, they might occasionally be
asked to return with a print story. And digital publication, along with the use of digital
reporting tools, should always be encouraged. A journalism course */particularly an
introductory course */should give students a taste of different media and an opportunity
to evaluate the strengths and weaknesses of different media.
.
These media */particularly the newer ones */should not be treated as if they are
finished, established forms. The techniques of television journalism are still changing */the
cutting gets ever faster, computer graphics add new layers of meaning. And if television
still seems to be finding itself, where does that leave the Internet? Certainly, it is absurd to
pretend we already know */at this early stage in its history */how a blog should be
written, how a video story for the Web should be constructed. Surely we have much to
learn. Suddenly, for example, we have forms of communication that, for the first time in
history, can literally make words move. How might that help us tell our stories?
.
Could students handle the freedom, the challenges, imposed by such new-model
journalism courses? I believe it is a mistake to underestimate them. Could instructors
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handle the challenges of teaching outside of rigid forms and familiar routines? Lets not
underestimate ourselves. Would there be jobs for students who have been encouraged to
experiment? Dont underestimate the hunger in the profession for fresh ideas. Could we
do all this and still manage to insist upon accuracy and the difference between stated
and maintained? Why not? Might the adoption of such principles help move journalism
education from the rear guard of the profession */merely defending old standards */to
the avant garde , the place where law schools and medical schools have managed to
position themselves? I hope so.
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These axes bring a fundamental structure into being. But much depends on how
that structure is organized and expressed. Furthermore, much depends on the principal
meaning curriculum builders attach to the concepts of journalism and journalist. For the
record, I see journalism in the first instance less as a form of media and more as a form of
expression in the sense that novels and poems are forms of expression. Education in this
form, regardless of secondary goals and outcomes, involves steps that promote its
mastery. For the same record and for the purposes of curriculum building, I see journalists
as professionals who are employed to create journalistic texts in the public media. It
follows that a curriculum in journalism should promote teaching in the range of activities
that mark the life of a working journalist.
My own experience with this subject was the product of administrative responsibility. I started thinking about it as a young professor in the late 1960s when I chaired a
committee that upgraded the journalism degree at Carleton University in Ottawa to what
in Canada we call an honours degree. I continued to reflect on the subject in the early
1970s when, as a newly appointed director of the school, I assumed continuing
responsibility for curricular development. I began by writing memos to my colleagues
on what I thought individual syllabuses in journalism should look like, how they should
cover the territory of professional practices, and how they should be located in a
comprehensive curriculum that involved academic courses both in journalism and other
university disciplines. These administrative memos led in due course to more formal and
published reflections (including Adam, 1968, 1989a, 1989b, 2001, 2004).
When I look back, I can see that I built my approach by providing a detailed answer
to an obvious and fundamental question. I asked what should a curriculum in journalism
studies in a university aim to do? The answer flowed naturally after I owned up to the fact
that it has been asked in a university setting. The university setting pointed to a field of
opportunity and obligation that is substantially different from a technical institute where
the same question might be asked and technology and infrastructure (rather than human
expression) are central concepts. The study of journalism in a university, by contrast,
should involve learning to apply the knowledge formalized in the university to the events
of the here and now.
In addition, I concluded that the concept of journalist */unmodified and
unembellished */was insufficiently rich to guide curriculum building. So I decided it
should be divided into bits. I argued that the curriculum should be aimed not simply at the
formation of journalists, but more precisely to the formation of reporters, writers, and
critics. In this view, the reporter in the journalist is concerned with the identification of
news and the discovery of facts that support the accounts of it. The writer in the journalist
seeks to create intelligible */at best, elegant, literate, and faithful */texts. The critic in the
journalist judges the significance of things and, by a number of devices, adds layers of
meaning and interpretation to their description. It follows that a curriculum in journalism
should promote the formation of a person who is at once an expert at identifying news
and a master of reporting methods, who can write (as Hemingway said) well and truly and
assume responsibility for broader representational tasks, and who is sufficiently educated
and thoughtful to judge the significance of things and to give them meaning.
By breaking apart the concept of a journalist into these constitutive categories it
seemed possible to construct a professional curriculum that could be articulated
successfully to the universitys intellectual culture.
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For example, such a conceptualization can be seen as a basis on which to build and
stratify the reporting and writing program. An introductory course stresses news and basic
methods of reporting and writing. A second course or tier strengthens students literary
and investigative capacities. A third tier seeks to specialize students in a single field such as
politics, economics, fine arts, or science where skills of analysis and qualities of a critic are
sharpened. But what of the rest of the curriculum? The basic frame calls not only for a
writing and reporting program, but also for media studies, liberal arts, and specialized
study.
Journalism law and ethics courses promote prudence and professional morality.
Courses in journalism history and media and society promote a wider understanding of
the cultural, economic, political, and social settings within which journalism occurs and the
debates that mark its evolution and role in a modern democratic society. Together such
subjects constitute the media studies portion of a curriculum formalized and administered
within the journalism school or department in the name of its deeply professional goals.
These subjects promote the development of reflective practitioners. But there remains the
vast territory of the university to which journalism undergraduates (and even graduate
students) should be directed as they pursue their journalism degrees. In my view, their
choices should be narrowed in this domain to ensure that they receive what I would call a
literary and civic education.
The literary part of general study in a university involves minimally the formal study
of the poetry and fiction */not only for their own sake, but also as inspirational models of
expression. Journalism is a literary field and the education of journalism students should
seek to connect them to the society of writers, which in due course they will join. The civic
part of general studies calls for an immersion in the study of the basic institutions and
processes of modern democratic society with special emphasis on the institutions of
governance. The basics are communicated in such courses as law, political theory, and
sociology. These disciplines describe a world that circumscribes the practice of journalism.
More fundamentally, they shape the languages in which that worlds events are noted and
described.
The final axis of this ideal curriculum involves specialization in a single discipline. In
the best of circumstances the specialization in a single discipline should support a finalyear course in writing and reporting. The subjects of this reporting course */and the
university discipline */could include one of politics, economics, law, sociology, fine arts or
culture. The idea at work here is to sharpen a student journalists knowledge and to
strengthen his or her judgment of the significance and meaning of events in a single
domain or beat. In my view it is desirable that students of journalism be joint majors and
that their capstone courses should blend the dividends of the two majors.
To summarize my thoughts on this subject, permit me quote from an essay on this
subject that I wrote for the Australian Journalism Review :
. . . the curriculum is . . . conceived in a University, not against or in spite of it. Its aim must
be an immersion in an intellectual culture . . . as well as an immersion in professional
practices. It makes no sense to make journalism a distinctive path within the University
unless, at the same time, the path it carves involves the intellectual (and even moral)
development of students. For the purposes of constructing a journalism program in a
university, it is best to think of [journalism] not only as the product of reporting, but
comprising in a broad [and] decisive sense the application of disciplinary knowledge to
the interpretation of events in the here and now. Moreover, the curriculum as a whole
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should be designed [to promote] the formation of individuals skilled in the languages of
public life. (Adam, 2004, p. 12)
It follows that:
REFERENCES
(1968) The New Curriculum at Carleton, Nieman Reports XXIII, p. 3.
(1989a) Journalism and the University: reporters, writers, and critics, in: Jaeger
Kathleen (Ed.), The Idea of a University, Kings College, 1789 !/1989 , Halifax, NS: Kings
College University, pp. 58 !/70.
ADAM, G. STUART (1989b) Journalism Practice and Journalism Knowledge: the problems of
curriculum and research in university schools of journalism, Canadian Journal of
Communication 14, pp. 70 !/80.
ADAM, G. STUART (2001) The Education of Journalists, Journalism: theory, practice, criticism 2(3),
pp. 315 !/39.
ADAM, G. STUART (2004) The Events at Columbia, The Design of Journalism Programs in
Universities, and the Sources and Nature of Professional Knowledge, Australian
Journalism Review Summer.
ADAM, G. STUART
ADAM, G. STUART