Beruflich Dokumente
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NATIONAL DAY
ALAYSIAN theatre
appears to have had a new
spark of life over the past
few years. While the industry
remains relatively small, there is
little doubt that works have moved
on by leaps and bounds over the
past couple of decades.
For one, the faces have
changed. The generation hailed as
pioneers that of the late Krishen
Jit, the late Leslie Dawson, the late
Kuo Pao Kun, Datuk Faridah
Merican, and Chin San Sooi have
already passed the baton to a new
Local flavour: The 2006 hit musical Broken Bridges, created by Teng and Lim, is set in Ipoh and deals with how people respond to progress
generation of heavyweights.
These thespians Datuk Zahim and the changes it brings.
Albakri, Datin Seri Tiara
Of course, the attention given to closest effort would probably be
Jacquelina, Jo Kukathas and Jit
Jits The Storyteller back in 1996.
performing arts of late has to be
Murad, among others began their largely attributed to Tiaras efforts
But it is efforts by these elders
journeys almost 20 years ago but
that seem to have lit the path for
in producing what was arguably
have finally taken over the mantle
the new writers.
the biggest local theatre producand become elders of sorts.
We need original text and stotion the country had ever seen.
Now it appears that we are facries that Malaysians can hold on
The adaptation of her awarding yet another renaissance, and in winning movie Puteri Gunung
to, says 30-year-old Shanon
the driving seat is a generation of
Ledang (PGL) to the stage in 2006 Shah.
new writers who are determined to has sparked a wave of large-scale
I write plays not because of
bring Malaysian stories and Malay- musical theatre productions,
people like Arthur Miller or
sian voices to the stage.
Tennessee Williams. I write
almost non-existent before. The
because of people like Jit Murad.
Finding a voice
Indeed, Shanons first play, Air
Con, debuted last month and has
been hailed as the breakthrough
play of the year by aficionados, not
only because of the solid performance, but also because the story
struck home with the audience.
The play was essentially in
Bahasa Malaysia and English with
Changing
Malaysia
We've come a long way in
terms of democracy,
especially in recent years. I am
waiting for the day that we
are not classified
as Malay-IndianChinese-Others
when filling
out forms.
Lisa Lui, 23
Engineer
NATIONAL DAY
Thoughtprovoking:
Shanon's Air
Con looks at
teens in an
all-boys
schools
coming to
terms with
sexuality,
bullying and
social
prejudice.
Building bridges
This seems to be an opinion that
all four writers share.
Theatre in Malaysia has long
been fragmented until recently,
most collaborations between the
different languages were isolated
productions.
There seems to be a conscious
effort to collaborate most significantly the 2006 Break-ing (Ji Po)
Ka Si Pe Cah, a multi-lingual joint
effort between Kukathas, Loh Kok
Man and Nam Ron, respected within the English, Chinese and Bahasa
Malaysia language theatre communities respectively.
Just look at the works of Low
Kok Man, who has been trying to
narrow the gap between the races
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