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Dunumb

Dumumb origines from Hamana, Siguiri and Kankan. The Dunumb is


called the "Mother of all dunumba-rhythms" (about 20): the dance of
the strong men.
WAP-pages / Paul Nas / Last changed at 03-01-2003

Call
.

. S S T S S S .

r l r l r l

. O . O O

. O .

. O O . O O

Kenkeni : The kenkeni-drum-pattern is typical for the Dunumba-family,


and always the same. Here are four possible bell patterns. Beginners
use 1 and 2. In a full orchestra the third bell-pattern is appropriate.
Bell no 4 is traditionally also played (but very hard to play for longer
time).
.

. O . O O .
. x .

. O . O O .

. x .

. x .

. O . O O .

. x .

. x .

. O . O O

x .

. x .

. x .

x . x . x . x . x . x . x . x . x . x . x . x .

. x x . x x . x x . x x . x x . x x . x x . x x

x x x x x x x x x x x x x x x x x x x x x x x x

Sangban
C .

. O .

. C .

. O .

x . x x . x . x x . x . x . x x . x . x x . x .

Dun Dun
.

. O O . O O .

. O O . O O

. x x . x x . x x . x x . x x . x x . x x . x x

Dun Dun variation 1


.

. O O . O O . O O .

. O O . O O

. x x . x x . x x . x x . x x . x x . x x . x x

Dun Dun variation 2


.

. O O . O O . O . O . O . O O . O O

. x x . x x . x x . x x . x . x . x . x x . x x

Sangban variation 1
C .

. O .

. o . O . O . O .

. O .

x . x x . x . x x . x x . x . x . x . x x . x .

Sangban variation 2
C .

. O O .

. C .

. O O .

x . x x . x x . x x . x x . x x . x x . x x . x

Sangban variation 3
C .

. O O .

. C .

. O .

x . x x . x . x x . x . x . x x . x . x x . x .

Sangban variation 4
C .

. O .

. O O O O .

. O O .

x . x x . x . x x . x . x x x x . x x . x x . x

Sangban variation 5
C .

. O .

. O .

. O .

. O O .

x . x x . x . x x . x x . x . x . x x . x x . x

Sangban variation 6

C .

. O .

. C .

. O .

. O .

x . x x . x . x x . x . x . x x . x x . x x . x

Echauffement ; the Sangban always starts and ends the echauffement


C .

. O .

. C .

. O .

x . x x . x . x x . x . x . x x . x . x x . x .
.

. O O . O O .

. O O . O O

. x x . x x . x x . x x . x x . x x . x x . x x
.

. O O .

. O O .

. O O .

. O O .

x . x x . x x . x x . x x . x x . x x . x x . x
.

. O O . O O . O O . O O . O O . O O

. x x . x x . x x . x x . x x . x x . x x . x x
.

. O O .

. O O .

. O O .

. O O .

x . x x . x x . x x . x x . x x . x x . x x . x
. O 0 . 0 0 . O O . O O . 0 0 . 0 0 . O O . O O
. x x . x x . x x . x x . x x . x x . x x . x x

Ending the echauffement : the sangban announces it with a single hit.


.

. O O .

. O .

. o . O . O . O .

. O .

x . x x . x x . x . x x . x . x . x . x x . x .
. O O . O O . O O . O O . O . O . O . O O . O O
. x x . x x . x x . x x . x x . x x . x x . x x
C .

. O .

. C .

. O .

x . x x . x . x x . x . x . x x . x . x x . x .
.

. O O . O O .

. O O . O O

. x x . x x . x x . x x . x x . x x . x x . x x

Sangban echauffement variation 1


.

. O .

. O .

. O .

. O .

x . x x . x x . x x . x x . x x . x x . x x . x

Sangban echauffement variation 2

. O .

. O .

. O .

. O .

x . x x . x x . x x . x x . x x . x x . x x . x

Djemb 1
S . T S .

. S . T S .

. S . T S .

. S . T S .

. r

r l

. r l

r l

. r l

Djemb 2
S .

. S T T S .

. S T T S .

. S T T S .

. S T T

l r l r

l r l r

l r

l r

l r l

Djemb 3
.

. S . T S .

. S . T S .

. S . T S .

. S . T S

r l

r .

r l

r l

r .

r l

Djemb solo accompagnement


S S S S T T S S S S T T S S S S T T S S S S T T
r

l r l r

l r l r

l r l r

l r l r

l r l r

l r l

Djemb : an example of returning to normal rhythm after a solo


S S S S . T T T T . S .

2 r l r

. 2 r l r . f .

Djemb solo 1 ; use these elements


T T S S .

. T T S S .

. T .

2 r l r

. 2 r l r .

T T S S .

. T T S S .

. T T S S .

. T T S S .

2 r l r .

. 2 r l r .

. 2 r l r .

. 2 r l r

S T T S T T S T T S S .

. T .

l 2 r l 2 r l 2 r l r .

S T T S T T S T T S T T S T T S T T S T T S .

. T

r .

r .

l 2 r l 2 r l 2 r

l 2 r l 2 r l 2 r l 2 r

. r

S T T S S . S T T S S .

. T .

2 r l r l

S T T S S . S T T S S . S T T S S . S T T S S .

2 r l r l

. 2 r l r l
. 2 r l r l

r .

. 2 r l r

. 2 r

l r l

S S T S S S .

. S S T S S S .

r l r l r l

. r l r l r l

S S T S S T S S T S S T S S T S S T S S T S S .
r l r l r l r l r l r l r l r l r l r l r l r .
S S S S . T T T T . S .

2 r l r

. 2 r l r . f .

Djemb solo 2 ; use these elements:


S T T T S S S T .

l 2 r l 2 r l r .

. S .

. S .

. S .

. S .

. S .

. S .

. S .

. S .

. f .

. f .

. f .

. f .

. f .

. f .

. f .

. f .

. S .

. S .

. S .

. S .

. T T T .

. f .

. f .

. f .

. f .

. f r f .

. S . T T T S .

. S . T T T S .

. f . 2 r l r

. f . 2 r l r .

. S S . T T T .

. f f . 2 r l

. S S S . S S S . S S S .

l r l

l r l

l r l

S S T T S S .

. S S T T S S .

. S S T T S S .

r l 2 r l r

. r l 2 r l r

. r

l 2 r l r