Beruflich Dokumente
Kultur Dokumente
Eero Ehanti
The National Board of Antiquities of Finland, Maritime Archaeology Unit
Hylkysaari, 00570 Helsinki, Finland
Abstract
The current condition of the almost complete wreck of the 18th century merchant ship Vrouw Maria lying on
the bottom of the Baltic Sea has been investigated and the physical, biological and chemical processes
threatening it have been identified. The wood of the wreck appear to be in a good state of preservation and the
environment is not immediately threatening to the materials. Due to the good condition of the hull and the
artifacts of great cultural historical interest in it, there has been discussion about excavating the wreck or
possibly even raising the whole hull.
1. INTRODUCTION
In 1771 a Dutch merchant ship Vrouw Maria was on her way from Amsterdam to St. Petersburg.
She passed the Danish straits and according to the entries of the Sound customs house of Denmark
she was carrying typical goods for Dutch trade with Russia: sugar, dyestuff, zinc and other metals,
cloths, coffee and foodstuffs. There were also art objects and valuable 16th and 17th century Dutch
paintings, which were bought for the Russian Empress Catherine the Great from the auction of the
estate of art collector Gerrit Braamcamp. [1]
Unfortunately, in a stormy night Vrouw Maria hit rocks in the South-western archipelago of
Finland and eventually, after several days of salvage attempts, sunk. There had been time to salvage
parts of the cargo, but the majority of it went down, including many of the paintings. Diplomatic
correspondence between Russian and Swedish authorities on the lost ship and its cargo started
immediately. There were attempts of salvaging the paintings,
without success, and eventually the wreck was forgotten. [2]
The ship’s story started emerging again in 1970’s through
archive research. A Finnish researcher of maritime history, Dr.
Christian Ahlström, found diplomatic letters concerning Vrouw
Maria, and brought the story to the wider public. Thus Vrouw Maria
became a legendary treasure ship and was searched for extensively,
in vain for the time being. She was finally found with side scan
sonar in 1999 by the Pro Vrouw Maria association established
particularly for the purpose. In authorization and supervision of the
National Board of Antiquities of Finland six artifacts were raised for
confirming the identification of the vessel. [3]
Since then the wreck has drawn wide attention. Research
has been done by the Maritime Archaeology Unit of the National
Board of Antiquities of Finland and samples have been taken and
analyzed, but excavations have not taken place. Currently there is a
lively discussion about the future of the wreck, one of the possible
scenarios being to raise and conserve the hull and its contents. Figure 1: Cat-head in the
bow. Photo: Jouni Polkko
2. THE WRECK AND ITS CULTURAL HISTORICAL VALUE
The wreck is located in the outer archipelago of South-Western Finland in the waters administered
by the Metsähallitus, the Finnish government land authority. It is protected by the Antiquities Act,
according to which a circular exclusion zone with a diameter of 1500 meters has been established. In
addition and very significantly, the wreck happens to lie within a so-called “strict preserve” part of
the Archipelago National Park. This is bound to affect any actions being planned in the wreck-site,
possibly even banning any drastic actions. [4]
The wreck lies at a depth of 41 meters on an even depression surrounded by rocky skerries,
on a bottom consisting of clay topped by sand and gravel. It lies evenly on its keel, almost
completely exposed, listing slightly to starboard. The hull is carvel-built and made of oak, with a
length of 26 meters and beam of seven meters. It appears as exceptionally well preserved with about
90 % of the hull preserved and the lower sections of the two masts remaining in place. [5]
Archival sources classify Vrouw Maria as a snow-ship, meaning that it had certain type of
rigging. It was a relatively small ship of modest outlook built for practical purposes. Still, there are
some deck fixtures adorned with vine patterns and other decorations. Inside the hold, most visible
items are hundreds of clay pipes scattered on the rest of the cargo. Zinc ingots, packing crates and
barrels can also be seen, but none of the Empress Catherine’s art objects have been seen. [6]
The Vrouw Maria report published in 2007 by the Maritime Archaeology Unit of the
National Board of Antiquities of Finland states that based on the excellent state of preservation, on
the wide variety of its contents and on the extensive range of historical data, the wreck is of major
cultural historical value on the national and international levels. It is a link in the long history of
East-West merchant route in the Baltic Sea. While snow-rigged ships were common in the 18th
century, this is the only known wreck of such a ship in Finland and the only comparable wreck
known elsewhere is the Sjöhästen in Sweden, which is a warship and thus differs from Vrouw Maria.
[7]
5. FUTURE PERSPECTIVES
It seems that the various physical, chemical and biological processes are slow and we have good
reasons to believe that the hull is in a good state of preservation. Despite the yearly cycle of
condition changes caused by water stratification breaking periodically, for now the environmental
conditions are relatively favorable for long term preservation of the wood of the wreck.
Nevertheless, although the deterioration pattern seen in the actual sample and the analogous
samples seem to correlate and there is a good understanding of the environmental conditions, we do
not have a complete picture of present state of preservation of the hull, nor of the deterioration
patterns. The overall interpretation of all the existing data has not been done properly yet and more
samples are needed particularly from the hull. These have to be analyzed together with the analogous
samples. Significantly, the overall situation of accumulated iron and sulfur in the wood has to be
clarified. And it has to be remembered that there is not only wood down there. The condition
evaluation of the iron parts is so far based mostly on hands-on experiences rather than on research of
scientific standards. For all we know the iron fastenings might have been rusted largely away leaving
the whole structure fragile and unable to withstand stresses such as the possible raising would cause.
There is not enough information about the condition of the artifacts either. The hold is largely intact
and it is intended to remain so to keep all the artifacts there undisturbed until clear decision are made
for excavations or other actions.
Now research and monitoring of the wreck should be continued. There are several ways to
proceed. One would be to leave the wreck as it is and monitor it properly and take protective actions
should there be reasons for those. Another option would be to carry out proper excavations, raising
and conserving the artifacts from the hold. The third option would be to raise the whole wreck and
make it a museum exhibit. Although in-situ preservation would be in accordance with the current
international conventions and statutes, valid arguments for the other options have been raised too.
Therefore I now conclude the article by discussing the possible interventive actions.
If the wreck is to be raised, the fundamental problem is the fact that it is a large composite
object made of several contrasting materials. Conservation methods needed for organic materials are
basically damaging to metals and vice versa. Conserving and storing wood and metals separately is
straightforward enough but together they form a tricky combination. For instance, iron has readily
corroded and fused tightly on and in the wood, spreading corrosion products everywhere in the wood
matrix. Furthermore, plenty of other substances, such as the mentioned sulfur compounds, have
accumulated in the materials. It goes without saying that very dramatic deterioration reactions would
take place rapidly if the whole entity is brought up.
How to preserve it then? Mimicking and maintaining the underwater environment already
familiar to the wreck would be one option, and stabilizing the wreck to withstand new kind of
conditions another. The first option refers to storing and displaying the wreck in some kind of an
aquarium – which was actually suggested to us – and the latter option to more conventional
interventive conservation actions that would stabilize the wreck and display it dry.
In theory not actively conserving the wreck but keeping it in an aquarium replicating the
underwater environment could avoid the sulfur-problem and other difficulties of conserved wrecks,
but there are some serious questions marks, at least considering biological problems threatening the
materials and ruining the visibility in the aquarium. It is hard to keep the water clear and artifacts
stable even in a small tank in conservation laboratory. Many methods have been tried to prevent
these biological problems, but none seems to be satisfactory in such a large scale and in a situation
where divers should be able to go into the aquarium.
One interesting approach was investigated in a recent article by Charlotte Björdal et al,
which discusses the possibility of storing and displaying marine archaeological wood in a sealed
aquarium in anoxic conditions. According to this study, the method works and water should remain
clear as far as the material inside is solely wood, but the presence of iron brings up preservation and
visibility problems. The article concludes that so far wrecks containing iron can not be stored this
way. [17]
Another approach after raising the wreck would be to conserve it as has been done with the
Vasa for instance. This would certainly be a very difficult task, mainly because of the presence of
contrasting materials and the mentioned accumulation problems. The sulfur-iron issue is still to be
solved, although good progress is being made in the Vasa project and elsewhere. It seems
established now, that iron has to be extracted from the wood-matrix prior or within conservation,
which is a difficult and time-consuming process no doubt. Research is needed, but even so this
option seems more realistic than the aquarium plan.
Not raising the hull but protecting it in situ and excavating the artifacts could be initiated by
the high historical and artistic values of the contents of the hold, especially the art objects. Starting
such a project for the sake of raising something as delicate as the paintings, which most likely have
not survived well or at all, would definitely call for a thorough ethical debate. Nevertheless, it has to
be done properly fulfilling all the archaeological standards and securing full conservation resources.
In practical view, bringing up individual artifacts rather than whole wreck would certainly be easier.
Generally, whatever is decided to be done, the costs will be great, especially if the wreck is
raised, in which case they will be enormous, both in the beginning and during the coming decades.
The time perspective is very important. Problems will follow if funding and personnel are not
secured for many decades. This would also be an international project, and negotiations for
collaborations with Russians are currently taking place. What happens now largely depends on
resources available, and for now this issue – which in the end is the vital one – unfortunately remains
unclear.
References
1-2. Gelderblom, O. (2003): Coping with the Perils of the Sea: The Last Voyage of Vrouw Maria in
1771. International Journal of Maritime History, Vol. XV, No. 2. 95-115.
3-7. Pelanne, M., Tikkanen, S. (eds.) (2007):Vrouw Maria – selvitys tutkimuksista, tuloksista ja
tulevaisuuden eri vaihtoehdoista (the Vrouw Maria report). The Maritime Archaeology Unit of the
National Board of Antiquities of Finland. Erikoispaino Oy, Helsinki.
8. Gregory, D. (2004): Degradation of wooden shipwrecks: threats. MOSS newsletter 2/2004. 4.
(available on-line: http://www.nba.fi/internat/moss/download/moss_newsletter7.pdf )
9. Ibid. and Jones, M., Eaton, R. (2006): Conservation of Ancient Timbers from the Sea. In
Conservation Science – Heritage Materials. May, E.; Jones, M. (Eds). RSC Publishing, Cambridge
UK. 266-308.
10. See the recent doctoral theses: Fors, Y. (2008): “Sulfur-Related Conservation Concerns for
Marine Archaeological wood”. PhD thesis. Department of Physical, Inorganic and Structural
Chemistry. Stockholm University -.Almkvist, G (2008). “The Chemistry of the Vasa”. PhD thesis.
Faculty of Natural Resources and Agricultural Science, Department of Chemistry. University of
Uppsala.
11. Gregory, D., Matthiesen, H. (2006): In-situ Preservation of Waterlogged Archaeological sites. in
Conservation Science – Heritage Materials. May, E.; Jones, M. (Eds). RSC Publishing, Cambridge
UK. 309-329.
12. Hietala, R. et al (2004): The Physical and Chemical Measurements at the Vrouw Maria Wreck
Site from 12th September 2002 to 26th August 2003. in MOSS project Final Report. (available on-
line: http://www.nba.fi/internat/moss/download/final_report.pdf )
13-15. Kinnunen, V. (2008): Vrouw Maria hylyltä kesällä 2007 nostetun puunäytteen kunnon ja
puun hajottajamikrobien tutkimus sekä puun alkuaineanalyysi. Master’s thesis, Department of
Biological and Environmental Sciences, University of Helsinki.
16. Palma, P. (2004): Final Report for the Monitoring Theme of the MOSS Project. in MOSS project
Final Report. pp 32-36. ( http://www.nba.fi/internat/moss/download/final_report.pdf )
17. See Bjordal, C., Nilsson, T., Petterson, R. (2007): Preservation, storage and display of
waterlogged wood and wrecks in an aquarium: ”Project Aquarius”. Journal of Archaeological
Science 34 (2007) 1169-1177.
Acknowledgements
I would like to thank the following for valuable discussions concerning the conservation challenges
of Vrouw Maria: Ulla Klemelä, Ian MacLeod, Paul Mardikian, Mark Jones, Emma Hocker, Martijn
Manders, Christopher Dobbs.