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Joyce D. Hammond is Professor of Anthropology at Western Washington University where she teaches a course on visual anthropology. Recent publications
include: Telling a Tale: Margaret Mead's Photographic Portraits of Fa'amotu, A Samoan Taupou (2003), Difference and the I/Eye of the Beholder: Revisioning
America through Travelogues (2002), and Photography, Tourism and the Kodak Hula Show (2000).
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RATTLESNAKE SHRINE
PARATROOPER WHO LOST HIS LEG IN A
MORTAR BLAST
SHALAKO GODS
THE SIOUX AND JOE ZONKED ON ACID
Through the ironic ploy of fabricating captions in the
scientific mode of her predecessor, Tedlock draws a
reader's attention to the objectifying properties of past
anthropological research and the dangers of her own
discussion of Zuni lives. At the same time though, she
undermines the stereotypes of Native Americans by
assigning brief descriptions of constructed moments
from one of her consultant's lives that he and others
created for his own use. She safeguards his privacy as
well by not including any of the images from his
personal collection.
With an interest in their consultants' own photography,
Tedlock and Hastrup are able to 'see' further into the
actual versus the ideal of certain societal behaviors.
Tedlock, for example, comes across a photograph of
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