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Ayurveda is a vast store house of knowledge and a fruitful source of research. It deals not only with
the body and mind, but also with the highest thoughts of Philosophy. It has, therefore, formed the basis of
study of eminent thinkers, Indian and European, and we have got some valuable and instructive treatises on
different subjects included in that system. But so far, nobody has attempted any serious study of Hindu
Medicine from the physiological point of view.
1. The Principle of Vyu. Pitta and Kapha
The Physiology of yurveda is the physiology of the all-important trio, Vyu, Pitha and Kapha or
Tridosha as they are generally called. Anybody, even faintly acquainted with Ayurveda, must have frequently
come across the terms Vyu, Pitha and Kapha. But very few have any clear idea of what is really meant by
the terms. Every grown-up Indian has some vague idea about Vayu, Pitta and Kapha, and the terms are also
used in common parlance. But in the majority of instances, the popular conception is quite different from the
medical one. We have ample reference in Ayurvedic literature to the properties and different functions of
Vayu, Pitta and Kapha, both in their normal and abnormal conditions. But we have no direct evidence by
which we can come to a definite conclusion regarding the ultimate nature of these three substances. All that
we can do is to make some inference based on reason, by a comparison of the original texts of Charaka,
Sushruta and others and supplemented by such evidence as we can get from non-medical sources. Yet
Vtha, Pitha and Kapha are the three entities on which stands the whole foundation of Ayurveda; we have to
deal with them from the beginning to the end. Without their proper knowledge, successful treatment of
diseases according to the Ayurvedic System is quite impossible. Before proceeding further, it is necessary
that we should know something of the conception of the ancient Hindus regarding the physical world.
Charaka and Sushrutha have mainly followed the Nyya-Vaisheshikha and Smkhya-Yoga systems of
Philosophy and occasionally the Vedanta view of the five Bhuta.
2. The Smkhya System
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The gross atoms or Mahbhuta which are formed from the compounding of the five Tanmtra
constitute the inorganic as well as the organic bodies, and in the development from the one to the other,
there is no breach of continuity. Inorganic, vegetable and animal kingdoms are the three stages in the
process of development marked only by changes in the qualities of the constituents and not in the
constituents themselves. The gross body is composed of the five bhuta, though there are some who think
that the ksha bhuta is not necessary, and others who hold that prithvi alone will do. We shall see later on
what the view of yurveda is about this point.
"The order of Cosmic Evolution according to the Smkhya is shown below :
http://www.yogakshemam.net/English/PrincipleTridosahainBook/Part_II_Natural%20Philosophy.html[26/01/2015 12:45:29 PM]
p ART TWO
These five bhutas are the atomic and molecular constituents of gross matter.
The Nyya Vaisheshika system
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Charaka in the first chapter of his book has, after indicating the six padrthas, defined them one by
one. We shall first deal with dravya, because being the substratum of all the rest, it is the most important.
SUBSTANCE
5. Dravya described
Dravyas are nine in number, viz. the five Bhutas,
1. Prthivi (Earth)
2. Apah (Water)
3. Tejas (Fire)
4. Vyu (Air)
5. ksha (Ether)
and
6. tman (Soul)
7. Manas (Mind)
8. Dish or dik (Space) and
9. Kla (Time).
These nine substances are intended to comprise all corporeal (murta) and incorporeal (a-murta)
things. Ether, time and space are all-pervading, have the largest dimensions and are the common
receptacles of all corporeal things. Soul and mind, Ether, time and space, Air and the ultimate atoms are not
ordinarily perceptible, (V. S. VIII. 1.2).
[It must be clearly understood here that whenever we use the terms Earth, Water, Fire, Air and Ether,
p ART TWO
we use them only to denote the five bhutas and not in the sense of ordinary earth, water, air, fire or ether]
Charaka says that dravyas are of two varieties, - animate and inanimate. Those endowed with the
senses
are
called
animate;
those
devoid
of
senses
are
inanimate,
nirindriyam acetanam, C. S. I. 1. 47.)
While a substance is capable of existing independently by itself, quality or guna cannot so exist. It
should be pointed out here that the gunas of the Vaisheshika are quite different from the three Gunas of the
Smkhya where the term has been used in a distinct and special sense.
6. Guna defined
Knada defines Guna as "that which has substance for its substratum, has no further qualities and is
not cause of, nor has any concern with conjunction or disjunction", (V. S. I. 1.16 ; Cf. C, S. I,1.50.) We see
that quality can reside in substances only. At first sight it appears difficult to see the correctness of this
notion; as we often make use of such expressions as 'red colour', 'sweet taste', etc., where qualifications of
the redness and sweetness are found to be spoken of with reference to colour and taste, which are
themselves qualities. But what the Vaisheshika will say is that the redness has for its substrate the coloured
substance and not the colour or that sweetness is an attribute not of taste but of the tasteful substance.
7. Karma defined
Karma is defined to be "that which resides only in one substance, is devoid of qualities and is the
direct and independent cause of conjunctions and disjunctions", (V. S. I. 1.17 ; C. SI. 1.51 ).
Karma here signifies movement, and voluntary action or the law of moral causation. All movements
belong to substances as much as qualities, only while a quality is a permanent feature of the substance,
activity is a transitory one. The heaviness of the body is a quality, while its falling is an accident. Qualities
which continue to exist are called Guna, while those that cease to exist are called Karma. It is a distinction
between continuant and occurent qualities.
The Vaisheshika mentions seventeen qualities, (V.S.. 1. 1.6 ),
1. Colour (rupa)
2. Taste (rasa)
3. Smell (gandha),
4. Touch (sparsa)
5. Number (samkhya)
6. Size (parimna)
7. Individuality (prthaktva)
8. Conjunction (Samyoga)
9. Disjunction (Vibhaga)
10. Priority (paratva)
11. Posteriority (aparatva)
12, Knowledge (buddhi)
13. Pleasure (sukha)
p ART TWO
8. Guna enumerated
Charaka enumerates 41 gunas as : "Srtha gurvdayo buddhi prayatnntah pardayah Guh prokth
" ( C. S. I. 1.48 ).
These are :
I. (5) Artha (i.e. the five sense-objects), Sound, touch, colour, taste and smell.
II. (20) Gurvadaya (i.e. Guru etc.). These are twenty in number, as mentioned in C. S. I. 25. 35, given
below.
III (1). Buddhi.
IV (5). Prayatnnta (i.e. ending with prayatna), viz. Iccha, dvesha, sukha, dukha and prayatna.
V (10). Paradaya ( i. e. para etc.),- Para, apara, yutkti, samkhya, samyoga, vibhga, prthaktva,
parimna, samskra and abhysa (C, S I. 26,27, 28 ). Apart from the twenty qualities of Guru, etc., we see
that Ayurvedxa accepts practically all the qualities mentioned by Prashastapda. Dharma and adharma are
included in Samskra and two extra qualities are mentioned,--Yukti (reason) and Abhysa (habit).
Ayurveda deals with the human body and is primarily concerned with the gross Pnchabhautika
matter. That is why it has to enumerate the twenty special qualities to suit its special need. For our purpose,
it is very important to explain the definite meaning conveyed by these terms. These twenty Gunas are:
1: Guru heavy
2. Laghu - Iight.
3. Shtha - cold.
4. Ushna - hot.
5. Snigdha - viscous.
6. Rukshma - dry.
7. Manda - Inactive (Cirakri i.e., slowly, according to Arunadatta, A. H. I. 1).
8. Tikshna - Actlve, energetic ( Sighrakri, i.e. that which acts quickly).
9. Sthira - motionless (as a solid )- avyptishila i.e. that which does not spread out.
p ART TWO
10. Sara - fluid (vyptishila, i.e. that which spreads upwards, downwards etc.: does not stand still ).
(There is another term 'Cala' used instead of 'Sara'. It means that which flows - does not remain in
one place ).
11. Mrdu - soft, acting,
12. Kathin - hard.
13. Vishada - clear, transparent.
14. Picchala - Slimy.
15. Slakshna - Smooth.
16. Khara - rough.
17. Sthula - bulky, coarse.
18. Sukshma - penetrative (shrotah-pravesitvt, "that which can penetrate into the finest interstices).
19. Sndra - dense, solid.
20. Drava - liquid.
Of the above qualities, we see that Guru is opposite to Laghu, Shita is opposite to Ushna and so on.
p ART TWO
SAMAVYA