Sie sind auf Seite 1von 25

Shape_Part1.

notebook

Tomakeart,artist'suseknowledge,observation,skill,hardworkandespecially
creativity.Belowarethetoolsthatartistsusetomakeart.Theyusethesetools
inskillful,knowledgeableandcreativeways.

repetition
emphasis

UNITY

balance
movement

CONTRAST

Shape_Part1.notebook

The Elements of art and principles of Design

Shape Part1
Learning Goal(s)

1.
2.
3.
4.

Distinguish between geometric and freeform shape


Understand what it means for a shape to be "expressive"
Recognize expressive contours around shapes
Create shapes with expressive contours

Shape_Part1.notebook

SHAPE
Ashapeisanareathatisseparatefromotherareasand/oritsbackground.
Theseparationcanbebyaboundarylineorachangeinvalue/color,textureor
anyotherdifferencethatletsyouseethattheshapeisdifferent.
Theboundarycanbeanoutlineoradistinctedgelikecutpaper,aroughedgelike
tornpaperorasoftedgelikeasmearofcharcoal.

Shape_Part1.notebook

Someshapesaregeometric,

whileothersareorganic
orfreeform
(liketheonesfoundinnature)

Shape_Part1.notebook

Objectsareoftenrecognizablejustbecauseoftheirshape.

Shape_Part1.notebook

Objectsareoftenrecognizablejustbecauseoftheirshape.

Shape_Part1.notebook

hendesigningcompositions,artiststry
touseshapesthatareexpressive,
variedandinteresting.

Shape_Part1.notebook

hatmakesashapeexpressive?

Shape_Part1.notebook

It'scontour.

Shape_Part1.notebook

ontouristhewordusedtoreferto
theouteredgequalityoroutlineof
ashape.

Artistspayparticularattentiontoanobjectscontour.

10

Shape_Part1.notebook

contours

11

Shape_Part1.notebook

G oodartistsexaggeratethecontoursoftheirshapes,in

ordertomakethemmoreexpressive.Thisaddsenergy
andexpressiontotheirartwork.
checkouttheexpressivecontour!

12

Shape_Part1.notebook

exaggeratedcontours

13

Shape_Part1.notebook

expressivecontours

14

Shape_Part1.notebook

Artistsfineuniqueandcreativewaystoemphasizeexpressivecontours.
inthiscase,GaryKelley
usesmeaningfulline
toemphasizecontour

15

Shape_Part1.notebook

A rtistsuseline(variedweight)andvalue(tones)toemphasizeexpressivecontours.
tonal
contrast

tonal
contrast

line

tonal
contrast

line

line
line

line

16

Shape_Part1.notebook

Contour
Drawing

17

Shape_Part1.notebook

Artistsusecontourdrawingsasawayofpracticingtheskillof"seeing"expressive
contoursinthesubjectmatterthattheyobserve.Thenit'samatterof"drawing"the
expressivecontours.

18

Shape_Part1.notebook

Tryone!
putyournondrawinghandinapose,thenkeepyoureyeson
yourhand,whileyoucarefullyandslowlydrawyourhand,
focussingespeciallyonthebumps,creases,dipsandcontours.
Useacontinuouslinethatdoesnotstop.

drawinteriorcreases,
linesandfoldsby
makingtheline,then
looparoundand
continuebackthe
samewayyoucame.

19

Shape_Part1.notebook

Pretendyourpencilistracingthecontours
ofyourhand.

20

Shape_Part1.notebook

Asanartist,trytoseeobjectsas"shapes"
andpayparticularattentiontothecontour
oftheshape.

21

Shape_Part1.notebook

Study

Quick

Draw this horse as a single shape.


Focus on the contour (outer edge).
-it's like doing an outline!

22

Shape_Part1.notebook

likethis

23

Shape_Part1.notebook

Whenchoosingreferencephotosforprojects,usean"artist'seye"
andchoosesubjectmatterthathasinterestingshape.
Thisphotoofatigerlacksinterestingshape.

Thisphotoismuchbettertheshapeismore
interesting,withmoreexpressivecontours.

24

Shape_Part1.notebook

endofshapepart1

25

Das könnte Ihnen auch gefallen