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THIS LONG OVERDUE POST IS ABOUT THE TRUTH AND ACTUAL PROVENANCE OF WHAT WAS
ALLEGEDLY SAID BY ROWLING AND HOW THE SO-CALLED FAMOUS QUOTES OF THE POTTER
CHARACTERS ACTUALLY CAME ABOUT. YOU MAY HAVE WONDERED WHY ROWLING HAS NEVER
COMMENTED ON THEIR ORIGINS. SIMPLE. SHE DID NOT KNOW WHAT THEY WERE. I DO.
IF DIARIES, NOTES ETC ARE MIRACULOUSLY PRODUCED SUBSEQUENT TO THIS POST WELL, FIRST
OF ALL, DO NOT BE SURPRISED SECONDLY, IT IS ALL A BIT TOO LATE, DONT YOU THINK?
(This is hereby stated February 7/ 2015).

STRICTLY FOR THOSE WHO WISH TO LIVE OUTSIDE OF DELUSION AND MEDIA CONDITIONING.
OTHERWISE STAY UNDER YOUR HYPNOTIC WRAPS AND READ NO FURTHER.

IT IS STATED HERE FOR POSTERITY, SO THAT TRUTH IN ART AND LIFE CAN BE RESCUED FROM
MEDIA CONTROL AND THAT FREEDOM OF SPEECH CURRENTLY UNDER ATTACK FROM IT BE
PROTECTED. THESE INSTRUMENTS OF GREED ARE THE SAME MALEVOLENT PEOPLE WHO
PROMOTE ROWLING AND HER ENABLERS. FOR YEARS, THESE INDIVIDUALS, WITH POLITICAL
HELP FROM THE LIKES OF GEORGE BROWN, HAVE BEEN HIDDEN AWAY FROM LEGITIMATE
INVESTIGATION. William Kelly (The Bogside Artists).

YOU HAVE BUT TWO OPTIONS WHEN YOU READ THIS THE AUTHOR IS A COMPLETE NUTTER
OR HE IS TELLING THE TRUTH. YOUR CALL.

VERBATIM QUOTATIONS LIFTED FROM MY LETTERS TO ROWLING

First of all, some of the questions I remember that Rowling asked me in

the words she used and the answers I gave her, in blue.
1. Where did you get the idea for your character (Owen Muldoon)?
A: He sprang fully formed into my head.
2. How do you construct your characters?
A: Exaggeration.

3. Who do you write for?

A: Myself.
4. Where did the story come from?
A: Ace of Hearts. Realization that kids desperately need a hero to speak for
them. My teaching experience.
5. I am really interested in the philosophy behind it. Can you tell me more?
A: Jung. Krisnamurti. Christianity. Perennial Philosophy. Existentialism. Art
and magic. The pursuit of Enlightenment (Selfhood) through alchemy.
6. Where do you see the series going?
A: Seven books. Many trials and tribulations at the college for sorcerers for
our hero. One year in college to each book. NB: This information was also imparted
to Fidra Books Edinburgh run by a full cousin of Rowlings first editor Barry Cunningham.
My manuscript entire with notes was passed to Christopher Little who discovered
Rowling subsequently. My information is that Little knew Rowling long before he
discovered her. This is why he has remained virtually in hiding all these years. There is no
footage to my knowledge of Rowling and Little being interviewed together on the
internet. That by itself should give ANYBODY with a shred of common sense serious cause
for concern. Why not? This is the famous publisher and this is his greatest discovery.
Clearly they intend to take their big secret to the grave with them leaving their countless
millions to their families winners all. I think not.

Not a word recorded on tape not even a still of the two of them togetherand it would
seem that at this date Feb/05/2015 it would be idiocy to post any after all these years; but
idiocy alas, is what we are actually talking about and I did not need David Markson of the
Willy the Wizard case to tell me. I knew from the start only idiots and greedy idiots at that
could be so foolish. That is where the Virtue Agency added to Li Po comes from. Little is
Yuthere and his dumb secretary is Rowling.

What little footage there was has been removed. The system of which Little, Bloomsbury,
Rowling et al, live in, through, for and by is SECRECY. Hence the Leveson Inquiry and all
other attempts to control the rightful flow of facts and truth into public consciousness. The
world is increasingly in the tightening grip of Mind Control via education and the media.

The Bogside Artists are well known opponents of this and are accordingly stifled in their
art and life and have been so for many years with great help from those functionaries and
beneficiaries of this morally redundant game. Sinn Fein.

7. Who has influenced you most?

Plato. Jung, Krishnamurti, Camus, etc, etc, great artists many of whom were
involved with alchemy.
Rowling was clearly aware that this was no ordinary kids book and needed
top know the intellectual provenance of it if she was to pass herself off as the
original creators which of course she managed to do with enormous political
and media help and backed up extensively by the Freeemasons of whom
both her friends Neil Blair and George Brown are high ranking members as
well as being lunatics in their own right.

Next, Rowling has put aphorisms and maxims into the mouths of Dumbledore etc. I
have a fondness for these via La Rochefoucauld and G.B.Shaw and used to collect
them as they occurred to me and still do. I was in the habit of creating my own. The
pithy insight was a distinct feature of Li Pos personality. A sort of Confucius he
say. trait. I have only managed to crawl through two of Rowlings books and I
dare say I would find a whole lot more than the ones below if I did. These serpents
of course have put everything I said on the net and had Rowling repeat them to
boot so that if push comes to shove they could always say; Well, Mr. Kelly, you got

all this from the net, didnt you. I didnt. I didnt need to as they came originally
from me, word for word.

All of the following come verbatim or almost verbatim from my correspondence with
her. They are cited as the work of Rowling and categorized as "famous quotations". In
reality they come from me. Beside them you will see what their true origins are.
Maxim writing was something of a hobby for me in those days and I still practise it.
(1)"To the well-organized mind life is just another great adventure.
(Me. Rowling substitutes "philosopher" for the well-organized mind in other
versions of this quote.)
(2)"Fear of the name increases fear of the thing itself." (Actual
Provenance -J. Krishnamurti).
(3) "Truth is a beautiful and terrible thing." (Actual Provenance - W.B.
Yeats' poem "A Terrible Beauty is Born".)
(4) "Hearing voices no one else can hear isn't a good sign...." (Me.
Said by Li Po and relates to schizophrenia from which Ireland suffers more than
most.)
(5) "Humans have a knack for choosing precisely the things that are
worst for them." (Provenance - G.B.Shaw)
(6) "Indifference and neglect often do much more damage than
outright dislike." (Me. From my experience of teaching damaged kids).
(7) "It is our choices... that show what we truly are, far more than
our abilities." (Me. Actual Provenance A. Adler. Basic tenet of Existentialism.)
(8) "It does not do to dwell on dreams and forget to live. (Me- Li Po)

(9) "There is no good or evil: only power and those too weak to seek
it." (Me. Actual Provenance by way Nietzsche's essay "Beyond Good and Evil".
Note the phrase as I wrote it is There is no such thing as good or evil, only power
and those weak enough to seek it. Her version is tweaked to disguise where she
got it and actually makes no sense.)
(10 Decisions make us what we are. (Actual Provenance Existentialist
philosophy. Central theme of Li Po. )
(11) I just write what I wanted to write. I write what amuses me.
It's totally for myself. (See question 3 above).
(12) .. .people find it far easier to forgive others for being wrong
than being right.

(Me. Catholic upbringing dont you know!)

(13) Indifference and neglect often do much more damage than

outright dislike. ( The N.Irish experience. Why I wrote the book. The subtheme
of The Ace of Hearts prize winning short story.)
(14) It does not do to dwell on dreams and forget to live. ( Advice I
gave to my own children more than once, as it was given to me by my own dad).
(15) If you want to know what a man's like, take a good look at how
he treats his inferiors, not his equals. (Me.).
(16) Greatness inspires envy, envy engenders spite, spite spawns
lies. ( From my teaching experience. Explaining to Rowling why my hero lies, but
only when he has to, usually to save his hide.).

THE FOLLOWING ARE LIKEWISE TAKEN VERBATIM FROM MY LETTERS TO HER.

The idea that we could have a child who escapes from the confines of the adult
world and goes somewhere where he has power, both literally and metaphorically,
really appealed to me," Rowling said. "There's always room for a story that can
transport readers to another place in which they can thoroughly enjoy themselves."
Asked why the story appeals to adults as well as children, the author responded, "I
think some of the reason is that Harry has to accept adult burdens in his life, although
he's a child. There's something very endearing about that to kids and adults as well.
"Harry is also an old-fashioned hero," she said. "What I mean by that is - there's
enough human frailty in Harry that people of all ages identify with him, but he's also
an honorable, admirable person. Harry can only get to a certain point in an adventure
by breaking some rules. His particular role in the group [of three friends] is
conscience. He will break the rule if he thinks he's doing for the greater good. But he
has a fundamental sense of honor, and he learns that choices show more of who one
is than abilities.

'Harry just strolled into my head fully formed' . "Harry as a character came fully
formed, as did the idea for his sidekicks, the characters of Ron and Hermione, who is
the brains of the threesome," she said. "It started with Harry, then all these
characters and situations came flooding into my head. At that point it was essentially
the idea for a boy who didn't know he was a wizard, and the wizard school he ended
up going to. The author has described herself as "I have a very visual imagination. I
see it, then I try to describe what is in my mind's eye."

None of the above statements are germane or original to the fictional entity J.K.
Rowling. All of it comes directly, almost word for word, from my voluminous

breakdown and explication of the story that I created out of my own experience
and mistakenly sent to her.
Children having to bear adult burdens is precisely what children have to do in areas
of conflict all around the world and forms one of the many strands of inspiration
that drove me to write the story in the first place. Nobody who has not had direct
experience of this would ever be impelled to write about it. Rowling extracts the
necessary authenticity form her stint at Amnesty leaving one to ponder what really
took her there. How long was she there for? And why did she leave?

"One of the unifying characteristics of any given society is sport." (This was stated by
me in connection with explaining how and why children of both sexes make
winning at ANYTHING so important and adults much the same, the reason indeed
why we have sports in the first place. I mentioned in this connection the film The
Man Who Would be King that she mentions in an article in Womans Weekly ( Oz
version, March 2006).

My wizarding world is a world of the imagination. I think its a moral world." "I
don't believe in the kind of magic that appears in my books." she confessed. "But I do
believe something very magical can happen when you read a good book." (Me. In
line with my argument to her that all art is a form of magic.)

"Professor Lupin, who appears in the third book, is one of my favourite characters.
He's a damaged person, literally and metaphorically. I think it's important for
children to know that adults, too, have their problems, that they struggle." (There's
that "literally and metaphorically thing again (from me) and the "damaged'

epithet again that derives from my discussion of "damaged" children in Derry

caught up in an embattled society with civilization falling about their ears.)

"Yeah, Voldemort. In the second book, Chamber of Secrets, in fact he's exactly what
I've said before. He takes what he perceives to be a defect in himself, in other words
the non-purity of his blood, and he projects it onto others. It's like Hitler and the
Aryan ideal, to which he did not conform at all, himself. And so Voldemort is doing
this also. He takes his own inferiority, and turns it back on other people and attempts
to exterminate in them what he hates in himself." - CBC Interview, July 2000 (Taken
from my letters where I explain to her how I construct characters and the
phenomena of THE SHADOW and the projections of the Shadow (transference) in
Jungian psychotherapy.)

I see Harry as someone who is struggling to do the right thing, who is not without
faults, who acts impetuously as you would expect someone of his age to act, but who
is ultimately a very loyal person, and a very very courageous person. So, in as much
as he has qualities that I admire most I would say he is a good role model. That
doesn't mean that he is saintly, but then frankly, who is? But I think you do see
enough of Harry's inner life, the workings of his mind in the books to know that he is
ultimately human, struggling to do the right thing, which I think is admirable." (Me
almost verbatim concerning Owen Muldoon. Simply substitute Sam (my original
name of Owen) and you have it.).

"The basic idea was of a boy who didn't know he was a wizard, and then received this
letter out of the blue. So that was the idea that came to me. Harry as a character was

very real to me from the start. And as a character was entirely imaginary and he
came first. Harry came first and then everything came out from harry." (The telling
self-correcting hiatus between Harry was very real to me etc swiftly followed
by ....."as a character was entirely imaginary" gives her game away right there!
Owen Muldoon, in other words, is the original that she is very well familiar with
even before she puts pen to paper.)

Internet. As obsessed fans of the HP series, many of us wonder if Rowling is listening

to her fans. A number of questions raised in various cyberspace forums devoted to
HP were seemingly answered or explained in Goblet of Fire, leading to some
speculation that she or her publishers are monitoring online discussions to some
extent. (I told her that once my first book was published I would set up a website
for the series and listen carefully to critical feedback. Thats back in the days when
the website was just taking off).
The following is merely for your interest as I place little importance on
happenstance. However, if you subscribe to Jungian Synchronicity, this is for
you;

The Chinese are thrilled at the fact that the Chinese for Harry Potter

"Ha-li-Po-ta", that embodies the name of their national poet LI PO.

"If it's yes, I hope that everything will work out exactly as Alex Salmond
promises, because I love this country," she wrote, telling her followers "people
before flags, answers not slogans, reason not ranting, unity not enmity".
(Hmm sounds very familiar stuff to me directly out of the Northern
Ireland experience I told her all about about
http://www.theguardian.com/books/2014/sep/08/jk-rowlingagainst-scottish-independence-harry-potter

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Putting it all together what you have in Potter is one of the most
devious and clever literary heists, the most shamless example of
plagiarism in literary history. The fact that I havent been dragged into
court for saying should, if you have any intelligence , tell you that what
is stated here is the truth and cannot be other.