Beruflich Dokumente
Kultur Dokumente
PRI.GAME
By Enrique Krauze
I sing to the feet of those who,
weary of their labors in the mountaitis,
descended to the plains,
there to invent football.
Antonio Deltoro, 1990
Mexican revolution (1910-1920), which postponed economic progress and cost the country 1 million lives. No
soccer fiesta could take place in the midst of that "fiesta
of bullets," as the Mexican writer Martin Luis Gttzman
called it. (In peaceful, prosperous Argentina, by contrast, every neighborhood of Buenos Aires had a soccer
club, and tangos were composed in honor of the
game.) When the civil strife finally settled, the stage was
open for the Americans. From that time on, soccer was
confined to the center of the country. In the northern.
Pacific and Gulf Coast states the big sport thenas
now^was baseball, spread by the Americans throughout the Caribbean and Central America.
In cttlture and in art, the Mexican Revolution revived
an old confiict between Spaniards and AztecsDiego
Rivera even painted a syphilitic Cortes into one of his
murals. In somewhat less sensational fashion, the same
thing happened to soccer. The sanguinary cry, "Death
to the Spaniards!"which opened the war of independencewas heard once again in the stadiums of the
capital. On the one hand, there were the teams sttpported by Spanish businessmen in Mexico (the Espafia
and the Asturias). On the other, there were Mexican
teams drawn from the most varied economic, social and
ethnic categories: the military elite (the Mars); the
workers of the electric company (the Necaxa); the team
of the well-to-do, founded by French Marist fathers (the
America); the shoemakers and masons (the Atlante),
known as the "little darkies."
Though beloved at home, these teams were no match
for their international neighbors: the tough Uruguayans of Basque origin; the versatile Argentinians of
British, Spanish or Italian origin; the nimble Brazilians,
for whom soccer and the samba were two variations on
the same carnival theme. (The musician Vinicitis de
Moraes would accept only two excuses for refusing to
dance the samba or play footballa headache or a
footache.) Mexico lacked genuine professional clubs.
Instead, it fielded teams of amateurs brought together
only by a love for the game.
ENRIQUE KRAUZE
VICTORY
By Friedrich Christian Delius
could at last shoot only goals and compete just for fun.
A few of the men who played for West Germany in the
1954 World Cup had lain in trenches, and a few had been
in captivity; all had the "defeat" of 1945 in their bones.
Never again would a German team be so representative
of the nation; The coachthe legendary Sepp Herberger, who as Reichstrainer under Hitler had been a
prominent fellow-travelerbecame the Konrad Adenauer of German football. Like the first chancellor of the
Federal Republic, he used an authoritarian leadership
style, an insistence on loyalty to principles, and cunning
and luck to reconcile the Germans to themselves and
their achievements. "Achievements," therefore, became
an important ideological term of the postwar era.
The Germans had been banned from the 1950 World
Cup, but in 1954 they were back in. After making it
through the qualifying gamesone of their victories
was over the Saar, which soon after became a part of the
Federal Republicthe team headed to Switzerland for
the final rounds. To be able to participate at all counted
as success, as retaliation. The unfolding of the weeks
that summer exceeded all expectations. Herberger's
team entered the finals as an underdog against the
formidable Hungarians.
On July 4 many West Germans sat in front of a television for the first time; people gathered in taverns before
tiny screens. Millions more heard the play-by-play on the
radio. The citizens of East Germany, then called the
Soviet zone, listened with open or concealed sympathy
for West Germany. The game's ninety minutes, culminating with the astonishing West German victory, served
as the initiation ritual for the fiedgling Federal Republic.
In the rain of Bern, in a mud fight that must have
reminded all the former soldiers of the trenches, eleven
men in soiled, wet tricots fought for a happy 3-2 decisionand more. They transformed the West German
self-image: the time of defeat was past; from now on victory was the aim.
Even the language of the radio announcer, who sensed
all these connections but did not express them aloud,
was mixed with religious vocabulary. "Toni, you are a
football god!," he exclaimed after the goalkeeper, Toni
Turek, made a dazzling save against the Hungarians. The
victory was celebrated as a "wonder," a heavenly gift.
("Economic wonder," the primary expression of West
Germany'sfiscalrecovery, sprang from the same vocabulary.) The very fact that a football game could be understood as a "wonder" demonstrates the psycho-social
needs of the Germans just after the war. They longed for
redemption and a future, for freedom from guilt and the
past. The Cup triumph, combined with the auto racing
victories of the Mercedes "Silver Arrow" that same Sunday, allowed one to say with ever-increasing brazenness,
as they did in the taverns and in the Bundestag, "Wirsind
wiederwer": we are somebody again. Just about everyone,
and not just the old Nazis, could exult and once again
make too much out of his or her Germanness.
So at the victory celebration in the Bern stadium, the
West German soccer fans did not sing the official hymn
of the Federal Republicthe third stanza of the