Luis Barragn

1980 Laureate
Biography
Luis Barragn (1902-1988) was born in Guadalajara, Mexico. His professional training was in
engineering, resulting in a degree at the age of twenty-three. His architectural skills were
self-taught. In the 1920s, he traveled extensively in France and Spain and, in 1931, lived in
Paris for a time, attending Le Corbusier's lectures. His time in Europe, and subsequently in
Morroco, stimulated an interest in the native architecture of North Africa and the
Mediterranean, which he related to construction in his own country.
In the late 1920s, he was associated with a movement known as the Escuela Tapata or
Guadalajara School, which espoused a theory of architecture dedicated to the vigorous
adherence to regional traditions. His architectural practice was based in Guadalajara from
1927 until 1936 when he moved to Mexico City and remained until his death. His work has
been called minimalist, but it is nonetheless sumptuous in color and texture. Pure planes, be
they walls of stucco, adobe, timber, or even water, are his compositional elements, all
interacting with Nature.
Barragn called himself a landscape architect, writing in the book, Contemporary Architects,
(Muriel Emanuel (ed.) published by St. Martins Press, 1980), "I believe that architects should
design gardens to be used, as much as the houses they build, to develop a sense of
beauty and the taste and inclination toward the fine arts and other spiritual values." And
further, "Any work of architecture which does not express serenity is a mistake."
A religious man, Barragn and his work have been described as "mystical" as well as serene.
His chapel for the Capuchinas Sacramentarias is evidence of both qualities. Because of his
interest in horses, he designed many stables, fountains and water troughs that manifest
many of these same qualities.
Barragn has had a profound influence not only on three generations of Mexican architects,
but many more throughout the world. In his acceptance of the Pritzker Architecture Prize, he
said, "It is impossible to understand Art and the glory of its history without avowing
religious spirituality and the mythical roots that lead us to the very reason of being of the
artistic phenomenon. Without the one or the other there would be no Egyptian pyramids,
nor those of ancient Mexico. Would the Greek temples and Gothic cathedrals have existed?"
Further, he called it "alarming" that publications devoted to architecture seemed to have
banished the words, "Beauty, Inspiration, Magic, Spellbound, Enchantment, as well as the
concepts of Serenity, Silence, Intimacy and Amazement." He apologized for perhaps not
having done these concepts complete justice, but said "they have never ceased to be my
guiding lights." As he closed his remarks, he spoke of the art of seeing. It is essential to
an architect to know how to seeto see in such a way that vision is not overpowered by
rational analysis."

The Hyatt Foundation

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