Beruflich Dokumente
Kultur Dokumente
1. Notes and Rests need to be LEGIBLE! Use big round noteheads. The eighth note rests should touch the middle two lines of
the staff. The quarter note rest should touch all four spaces. Halfnote rests sit on top of the center line and the Whole-note rest hangs above the center line.
E7
B7
E7
Long
Difficult to read
Bmin7
Short
Bmin7
E7
B7
E7
(top note of voicing)
Ghost
Shake
Bending effect (mainly for brass)
gliss
10. DO NOT use repeats within repeats. If there is a large repeated phrase which contains short repeated phrases
within it, the short phrases must be written out. Otherwise the repeat indications become unclear.
11.You must use bar numbers and rehearsal markings. You can indicate bar numbers at the beginnings of each
system. This is mandatory for your music to be rehearsed quickly and efficiently.
12. When using rehearsal letters, repeats, or DS. CODA always keep the parts consistent with each other. When
rehearsing the music it will become quickly difficult for the musicians to find their place.
13. Use key signatures on each system. This is a good habit to get into especially if you write in condensed score.
If you don't have much experience copying parts its easy to forget the key signature especially when there are
a lot of accidentals in the bar as in the case of block chords.