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Edition Schott No.

1546

24 leichte melodische Viola=Studien


24 Easy and melodious Studies
for the Viola

24 Etudes faciles et melodiques


pour Alto
von

Johannes Palasdtko
Opus 86

B. S ch o

t t '

S 6 hn e, Ma i nz u nd Lei pzi g

Sch.ott Co. Ltd., London W., 48 Great Marlborough Street


Editions Max Escbig, Paris

Smott Freres, Bruxelles

48 Rue de Rome

30 Rue St. Jean

Printed in Germany- Imprime en Allemagne

INDEX
pag.

1.

3
3
4
4
5

Introduction

2. Cantabile .
3. Skalen-Studie

Scale Study

Scale

4.

Tdiumerei - Reverie - Reverie

5.
6.
7.
8.

In slawismer Weise -

Arioso

9.

Gelaufigkeits-Studie

Air slave

In slav mead .

Smerzino
Erinnerung

Souvenir -

6
7
8
9

Remembrance

Etude de vefocite

10.

Intermezzo

11.

Arabeske -

12.

Scherzo im Stile Beethovens -

13.

Allegro animato

14.

Humoreske -

15.

Chromatisme Studie -

For agility

Arabesque
S<herzo

a Ia

Beethoven -

In Beethovens style

10

11

. 12
. 13

Humoresque .
Etude dlfornatique -

14

Chromatic Study

. 15

16. AHa Marcia


17. Jagerlied -

Chanson de la <hasse -

. 15

Hunting Song

18.

Impromptu

. 16

19.

Capriccio

. 17

20. Volkslied -

Chanson populaire

21.

Chinesis<her T anz -

22.

NoveUette

23.

Indismes Lied

24.

Epilog -

Danse <hinoise -

Chant hindou

Epilogue

Chinese Dance

' 18
. 19

. 19

Hindu Song

. 20

Zeidlenerklarung
Beirn Zeimen ,--, ist der
Finger auf zwei

18

Folk Song

Saiten zu

setzen.
Die Linien hinter den Finger...

Explication des signes

Explanation of the signs

Le signe r-1 indique que

The sign r - t indicates that

le doigt doit presser deux cordes.

the finger must rest on two

Le petit trait place apres l'indi

strings.
The litde lines marked after the

satzzahlen deuten das Liegen

cation du doigte signi6e que le

number of the fingering indicate

bleiben des Fingers an.

doigt ne doit pas st: fever.

that the finger must remain firm.

~reundi?

Melnem

Paul-Louis Neuoertn in Bourg fa Reine gewitfmet

24 leichte melodifche Viola.--Studien


24 Easy and melodious Studies

24 Etudes faciles et melodiques


pour Alto

for the Viola

1)
Introduction

Johannes Pa1aKhko,()p.86

Moderato e sostenuto

II

,.,

1'

...........

t IJ'zlf 1 ,,

cresc. _

,,
4

poco dimin. _
..---.~

II _f

-e-

''

nif
~

-,.--....._-

=- I - If- r- 10
f

If

espress.

ten .

IF

rr

pp

cresc. poco a poco _

poco 0riten.

I P< >IFB
I Elf
dimtn. - pp

(SijQr

dt:mt:n. _

II

stnorzando

2
Cantabile
Andante quasi moderato

~
-o~
~
~ r: ~01,, pc
t
1
r=r
J
r:
1
r
=
r
w
(seconda volta pp)

cresc. 1\F 1r-

dimin. _
~

_ pp dolce

_
~

cresc. _
~

- mf

poco riten.

Iff f r If ry _1@-p 1Ac F ~E lrJ?


fl
1ggp;
IJ.
~
=I
I
f
p
dtm,n. -

> Die Nummern 1-16 sind fiir die erste und


die Nummern 1724 fiir die erste und dritte
Position bestimmt.
Copyright 1930 by Schott~ Co. Ld, London

espress.

pp

Les numeros I ci 16 sont destintis pou1' la

Jl.:~'"pot~Uion et les numeros 17ri 24 pour la

1ere et ameposition.

32646

) Studies Nos. 116 in first position Nos.


17-24 in first and third position.

3
Skalen-Studie ,_ Scale ,_ Scale Study

4
Traumerei ,_ Reverie ,_ Reverie

An~an~e ~moto 4

llbf J~ 11__19 lt@9 1/21(=) d IF Lif11Q3JJ I


PP sostenuto ed espress.

~~4

~0~~

11 J t pp
lt]JI{gj I~
lr~s
1r f r r r IP dtmzn.
J. .E _lzfg
I
cresc. _
_
_ f
_
_
1
,

32646

a tempo) tlla tranquillo


,.,

1.

pp

smorzando

5
In f1awif<her Weife -

Air slave ,_ In slav Mead

Andante cantabile
~r--1

cresc. -

32646

6
Scherzino

7
Erinnerung _, Souvenir _, Remembrance
~

Andante moderato e spianato

Jr

11 1' vfliciU=1tf&GJ ,,JJP Utllctfr~rp mf....::::=::::::


,rugl,
=:::::::=::::::==-

fitrh Cf?~ 8J I@JD fJ I' fWr:f ff1 (iff ~t) I

11 1 = --

-=::::::: mf

~~~

==-=-=-

pp

'-._j

&I ,p u~w,r~rcr~fv, f Uf~ j#{r!tt) lfiTr, lff1tf v,


cresc. _

- "If espress.
32646

4.:::---.

dt'mtn. _

~:::> _

8
Arioso

32646

9
Gelaufigkeits-Studie __. Etude de velocite __. For agility

11,, rn~rrcedlikfrtt& ,qtft:ftWcrrrrrd lfic~rfrrrrifll


-

111!

- 11if

dt'mz*n. _

Eifceith\rr&1ii5B5~ ciin; I@GllJJ I


dun1n. _

...

~-~::::=--==::::::::::~::..

m" gj{i&rr~br&ir l(ij)tfi~Ciqaita&-lcrrribr1rrrfll


p

11" u~aErcrrrtijQj ltifCsL;crcr itf!Jj E~cf?dJ~:Difjl


11/"p
y .

d'un ut.
. _

32646

poco rz'ten.
4

10
Intermezzo

32646

10

11
Arabeske -- Arabes~e

32646

11

12
Scherzo im Sti1e Beethovens
Scherzo a 1a Beethoven ~ In Beethoven's style
~

Allegro

uJG;>t'J rr 1in ''r N= 16ti ~ 'e f ,r Er

lbl pf(JIJ
(seconda voltapp)

&

crese.-

n:r r J ,m =}gj , :ll:r&JIT;B atTrrF


f;f} IE Ffi 1Cfrli111tr1l1r 1ti" rtfS l#f7~ I

11 ~
-

.-...

dim in. -

cresc. -

ditnin. -

- PP

12

13
Allegro animato
Leggiero
M

---======= p segue

dz'mt:n._

cresc..

lb~ tC; Err IE!J iJJ Iqafl] IEJb 0d lftr l U 1tf:r ~t! I
f

cresc. _

82646

...

13

14
Humoreske --

Humoresque

Poco allegretto e con delicatezza

C?

II & 4~
J j 1 I&H I ffi
tJ It
J.~ .
~
PP

-==-=-

II & [

dolce

<>
_

p_oeorz"tf!_!!.

.
_''if

d. .
unzn._

"'--

r-1

poco ri"ten.

II & r L r I

tt It v 1t f r; I 3 1~ 1

~~

t:.~

espress.
eresc._
_
_

<::::::::-

atempo

a tempo

fi I (Jljj It} ltJ J 4#) 14 ) Ji I t 6J t ~t I


f

pp

.9f:_ .,...-..

~~

.~

t tt l#rgE t t I cr 13--1 Lu- t t I~r ([j I~-w ~] I t E rFI


P

~ _
_, ~

crese..

~
iJ'

-nif

4 .

11 & '- 4.~


w~ 1 &r EtJ=[ . ~ 1 t c'FJ
LZ-- E#rrr r-dzm. poco a poco_

32646

.:.

-f'-

1r
-PP

poco rz'ten.

~ J
*1
=
====4

1w

PPP

w=t

1w

14

15
Chromatifme Studie ...., Etude chromatique ...., Chromatic Study

15 .

16
Alla Marcia

m_,..
:7

32646

d
zmzn -

::::--pp
pp Da vapo
n
v
a l rtne

16

18
Impromptu

cresc. assai-

cresc. poco a poco_

-f

poco r#en. t
a
a empo

32646

largamente

17

19
Capriccio
_

_Allegro moderato

ak~o
r"~

P,OCI!, riten.

11 # 1 }1P, iij @, 6(hi1 PctP\ ijl?l';'VIJ EV ,'1


p

It

eresc.-

. .

-f

V 112. espress.

espress.
o
3

'f

P PP ujf -==::::::

-=:::::

ten.

1
~

~-

grazzoso
( seeonda voltapp)

I M

II ~p 'iPEY IH@=IIl jff!ji44!J ' I

dtmzn. .. pp

PP

~~

fJ!9 ItoE" Imt= I


a ten.

r-,

ped arnabz'le ::::==-

_____ ,
0

ten. o

I # r PJ. If rrEttl t P=~ It Wtirl r F'l tJ1 dJ'= Ir Vr It11EU I


~r--..

=::::::::::-.

eresc.-

if

11

_._

'\

dim in.-

'

- p e dolczssinzo

.....-::

'

cresc.

:::::=-

if_ .L.. - . . .'-. ......I# ~rgr]lfcrPrfl (W9JI.r1JQJ1 tJi!li,=f,Q=I v''*v' @1


11'

.:!.

%;--:

/1::

r iten.
0

r""_,.....,

P~p

w
.
.
,
_
_

ltll ,go ,tLIV,fPVI=, ,u1v qcia ,Tij 'flEiY 14@ VI


poco apoeo_

...------f

fL'

poco cresc.-

I#

..

..

,....---~

,.-::-;4

dz"mz"n.
r:::-i_en.

pp

0
a empo
0
~

~2 '2

::::=- uo
-1 ~~
ce

espress.

cresc. ..

..

..

.. njf

i
3

poco rz"ten.
1

poco ritei

J# tFf Ir6 r IJ)J p~ lbJ=o ll13J:JEJ@ IJ_JE] IJ,)f' 't 'I

~14

23

dimz'n.-

.._:___/

32646

'

-pp::::::-pPp

18

20
Volkslied ,..., Chanson populaire _, Folk Song

21
Chinefifcher Tanz ,..., Danse <hi noise -- Chinese Dance
Vivace
~

9-

ten.

i_ 1!:.

V
4

1!:_ ~ t: (/en.
.J

f! . _,;..

11 1~ t!rFrlttt ILtELdiL"tiLlfFrlrtt ltLttUir- il


'IIJT

-~

"en.

ten.

IE ) pP:1. 81 t 4J I J P. J;n
I
J.
t I ~J @I t r J Ir P J1J1 IJ t I
. .
.
-=====-

ppsaltato

~ ~'t:.t:.

. . ..

,..! ::f ten.

::f

,.--. -j 2

. 1

-Iff ===4ttrlttttF
ti~-+J
~ l~t ~ J I@ J. 4J. I@*IR
~~ r IE FJ I
pp
\.._~ .
'-~ ---==:====J'e gt,'ocoso
.

pizz.

I #f

~=~ 4Jll':t.
*
If
r
r
f
1t ft t1 r Crr IJ fFrIt Ff r I[f rt If LFrI
"-"
V
~
2 ~
p grazzoso) ma poco marcato

arco

#1

.--;'!

4IAn.

punta d'arco

pIZ z "

rr - I;fQ Pt =I t=[!OiJJ ~ t I~ irf I 4J ~ ~ I t L1f I; i -mit t - I


r'l

d1;nin. _

.---.

_
32646

ten.

===-:pp

Flag.

1ft

19

22 .
Novellette

Indifc:hes Lied _, Chant hindou ,..., Hindu Song


Andantino
consordino

IJ b~~ I J:1U :OlJ'i J. JZJlO


~

pl'

77

f''--

~......-::::;

I iT) IJ5[JJ'I

2'""'

~ ~im~

g:ij ~ t V1=

77
..,::r.

pi-c:::::. :::::::=:- Idz)nzn . .. pp'-:;;(oreru:lo

.....-...

~I

p con malt.n-

20

24
Epilog ,..., Epilogue

32646

Stichu.Druckvon B. Schott's Siibnein Mainz

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