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Notice: In these lessons you will learn everything about handwriting and
how to interpret the various styles, slants, loops, sizes and spacing that
reveals truths about our personality and character. It is a free,
comprehensive tutorial that will provide you with all of the knowledge to
make your own analysis of yourself, your friends or business clients.

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See large photo and post your analysis Here.

Also Barak Obama's handwriting analysis.
George Bush's handwriting analysis.
Handwriting Analysis- What is it?
Handwriting analysis, or graphology, is the science involved in producing a
personality profile of the writer by examining the characteristics, traits and
strokes of an individual's handwriting. I know it seems impossible, but a
trained graphologist can gather an astonishing amount of information about
the writer just from analyzing their handwriting. Besides creating a complete
personality profile, many other things are revealed in your handwriting, such
as health issues, morality, past experiences, hidden talents, mental
problems-- to name just a few.
How it works
Your brain guides your hand. Everything put on paper is a result of a twoway circuit between your brain and the motor reflex muscles of your hand.
Thus, your handwriting becomes a Polygraph or Oscilloscope read-out of
your "complete self." To you, it's just handwriting, but to a handwriting
analyst, it paints a picture of the person "behind the pen."
How to Begin
When analyzing writing style, first look at the handwriting in general, much
like you would a painting. Make mental notes of the most outstanding traits
and try to get a general feeling of the writer. (After 20 years of experience I
can usually put the writer in a category right away.) Then, determine the
emotional energy of the writer. This is the most important factor of the
personality of the writer.
The emotional energy has a direct impact on every other trait displayed in

the handwriting. Emotional energy is determined by how much pressure the

writer uses when he writes. If you examine the writing you can determine
how much pressure was used by how "dark" the writing is. Also, if you turn
the page over and feel the underside you can feel how much pressure was
used (especially if the sample was written on a soft surface).

Emotional energy is a combination of the physical and mental energy level.

Writers with heavy pressure are usually highly successful. They have a lot of
vitality and their emotional experiences last for a long time. Writers who
write with average pressure are usually moderately successful and usually
have enough energy to make it through the day. Those with light pressure try
to avoid energy draining situations.
The Slant of the Writing: What Does it Mean?
The slant is the second indicator to look for. The slant indicates the writers
emotional response to external forces. A right slant (////) signals one who
responds strongly to emotional situations. They are caring, warm and
outgoing -- their heart rules their mind. A vertical slant (llll) writer tries to
keep their emotions in check -- mind rules their heart. A left slant writer (\\\\)
will conceal their emotions and is observed as cold and indifferent.

Putting it Together.
Now let's mix some of these traits and see what we come up with.
1. A writer with heavy pressure and a vertical slant:
Heavy pressure = strong emotions and vertical slant = trying to hold
emotions back. This writer is usually the one who keeps his wits about him.
When "all hell breaks loose," his head rules. He will not be as emotionally
responsive as a right slant writer and will "keep cool". This "heavy pressurevertical slant" writer won't be able to keep his cool all of the time. When his
emotions get the best of him he may "fly off the handle" at unpredictable
times.
2. A person with light pressure writing (not much emotional or physical
energy) and a left slant (tries to avoid emotional situations): This person will
be emotionally withdrawn, cold, indifferent and self centered.
There are many steps involved in creating a complete personality profile.
Using these first two steps you can begin to put together your own "profile"
which can be useful in both personal and professional relationships.

Some interesting facts about modern Graphology:

Handwriting-based Tool Offers Alternate Lie Detection Method
According to ScienceDaily, for ages experts and laymen have been
analyzing and trying to crack the code of handwriting characteristics, in
order to detect an individual's personality traits, or in most cases, gauge their
innocence in the case of a crime. Although this science has often gone the
way of pseudoscience, researchers are now discovering that with the aid of a
computerized tool, handwriting characteristics can be measured more
effectively.
The research, headed by Gil Luria and Sara Rosenblum at the University of
Haifa, is published Applied Cognitive Psychology. The researchers utilized a
computerized tablet that measured the physical properties of the subject's
handwriting, which are difficult to consciously control (for example: the
duration of time that the pen is on paper versus in the air, the length height
and width of each writing stroke, the pressure implemented on the writing
surface). They have found that these handwriting characteristics differ when
an individual is in the process of writing deceptive sentences as opposed to
truthful sentences.
The handwriting tool has the potential to replace, or work in tandem, with
popular, verbal-based lie detection technology such as the polygraph to
ensure greater accuracy and objectivity in law enforcement deception
detection.
Additionally, polygraphs are often intrusive to the subject and sometimes
inconclusive. The handwriting tool therefore provides ease and increased
accuracy over common, verbal-based methods.
Steps 3 & 4: Looking into Emotional Control, Reliability and Concentration.
Last time we covered emotional and physical energy, which is indicated by the pressure
applied to the pen when you write. We also covered emotional response to external forces,
indicated by the slant of the handwriting.

The next step is to determine the emotional control and reliability of the writer. This trait is
shown in the baseline of the writing.
The baseline is a real or imagined line where the small letters rest. Baseline is best determined
if the sample is submitted on unlined paper to ensure that the writer does not follow the preprinted lines. For best results, handwriting analysts always prefer samples written on unlined
paper.

The baseline can be straight, wavy, erratic or sloped. A normal baseline should be slightly
wavy. A person with a straight baseline is tense and over disciplined. A very wavy baseline
signals a person who is on an emotional roller coaster.
An ascending baseline means optimism. A descending baseline means pessimism, tiredness or
depression. A level baseline indicates a healthy balance between optimism and pessimism.
The following is a sample of Charles Manson's handwriting. Notice that baseline is very
wavy, indicating a person whose emotions are unstable and out of control.

Concentration
Step 4 in handwriting analysis determines the writers ability to concentrate. This trait is
indicated by the size of the writing.
Small writing points to someone who has the ability to concentrate on minor details for long
periods of time. They are not easily distracted by outside forces. These writers include
scientists, researchers, bookkeepers, etc. People who write small like to work alone. They can
be trusted to take on tedious tasks and follow them through to completion without being side
tracked. Those who write small are usually conservative and thrifty.
Most of us write average size, indicating an average ability to concentrate. We have to force
ourselves to concentrate on minor details, especially for long periods of time. Large writers
are easily distracted. They have trouble concentrating and easily get "off-track." At work,
these individuals should be given varying duties and assignments that are quick to complete.
Here is a sample of Albert Einstein's handwriting, actual size.

Get a pen and paper and try to write this small. You will feel your whole body go tense as you
concentrate on making the small letters. I have examined this sample with a magnifying glass
and every letter is shaped perfectly. It is a beautiful piece of art.
Putting it all Together
So far, we have covered:
*Emotional and physical energy (pressure applied when writing)
Slant of writing ...\\\.....lll../// (indicates what the writer does with this emotional and physical
energy)
*Emotional control and emotional reliability (baseline)
*Ability to concentrate (size of writing)

Now let's take a look at Sample 1, below:

The writer uses heavy pressure, pointing to a person with deep, long-lasting emotions. The
right slant indicates the writer responds freely with these emotions (heart rules the mind). The
writing is large and indicates that the writer has trouble concentrating on tedious tasks and is
easily distracted. The baseline is only slightly wavy, revealing no inner emotional turmoil.
This is a friendly outgoing person with a lot of energy. This person needs variety and lots of
activity. The emotional stability of the baseline indicates s/he is reliable and dependable.
On to Sample 2:

The writers pressure and size if writing is average, indicating s/he usually has enough energy
to handle daily activities. Emotional response is slightly inhibited (vertical writing) indicating
the head rules the heart. Average size of script shows the ability to concentrate on daily
activities without being distracted too much by what's going on around him/her. The baseline
is wavy indicating changeable moods- sometimes in a good mood, sometimes not. The wavy
baseline is common in vertical writing because people who try to control their emotions have
a certain amount of inner emotional turmoil.
Try analyzing a few samples of friends' handwriting using the skills you've gained from Steps
1-4. In my next article I will cover the three "zones" of handwriting and I will also analyze
Bill Clinton's handwriting.
Step 5: THE THREE ZONES OF HANDWRITING.
There are three zones to examine in handwriting. These zones reflect imagination and desires.
The upper zone reveals intellectual thought, abstract thinking, daydreaming, psychic abilities,
and imagination. The upper zone indicates philosophical imagination.
The middle zone deals with the day to day aspects of life, like home, family, paying the bills,
work and social concerns. The middle zone points to our approach to daily life.
The lower zone emphasizes physical and material drives such as physical abilities, sex drive,
appetite, and the desire for material wealth. The lower zone reveals activities essential to
survival.
Concerns in all areas.

Intellectual thinker

Day to day concerns.

Physical and material drives.

This information provides us with another key to the writer's personality. The zones indicate
three different areas of thought and are dependent on emotional energy (pressure or force
applied while writing), as well as how much or how hard the writer concentrates in these
areas.

Look at the "l" in log. Consider the baseline reality. When the writer left the baseline
(reality ), he went the upper zone, grasped an idea, and returned to reality. There are many
things realized in the upper zone-- ambition, goals, philosophical and abstract thinking and
daydreaming. Now imagine this "l" written just as high but having a thinner loop. This writer
is considered a quick thinker. The writer with the fatter loop is a slower methodical thinker,
but when he was in the upper zone he stayed longer, realizing more, which tends to make him
more creative.
Now look at the "o." The "o" is in the mid zone which concerns daily activities. If the "o" was
written thin ( not round but skinny), the writer would be narrow minded. If mid zone letters
are very fat the writer worries too much.
Now, observe the lower loop in "g". Lower loop letters concern desires for material wealth,
sex, appetite, and physical drives. This works the same as upper loops-- the fatter the loop, the
more the desire. The thinner the loop, the less the desire. Lower loop letters ( y g p f) indicate
desires in different areas. The "y" represents sex drive and money. The "g" (gregarious),
socializing and sexual fantasy. The "p" (physical), a fat "p" loop points to someone who does
not mind hard work.
Putting it all Together
Using what we have learned so far we can analyze Bill Clinton's handwriting.

The pressure is very heavy. This usually indicates greater accomplishments. Heavy pressure
writers' emotions are very strong and long lasting. Bill may be inclined to hold grudges and he
will not quickly forget the actions of his friends or enemies. His pressure will amplify all
other traits found in his writing.
The slant is vertical. He tries not to show his emotions. He makes decisions based on logic,
not emotions (his head rules his heart). Anyone who holds back their emotions makes a
conscious effort to do so, causing a certain amount of stress and inner turmoil. Bill's baseline
is also very straight, indicating even more control over his emotions. These emotions buildup
over time and have to be released.
Bill concentrates on the middle zone (daily activities, running the country, etc.), and the lower
zone (desire for material wealth, sex drive, etc.). There is not much going on in the upper zone
at all ( Bill has advisors to do his thinking for him).
Clinton's handwriting is smaller than normal, giving him the ability to concentrate. His lower
loops are quite large compared to the size of the rest of his script. If you look closely, you will
see the lower loops in his g's, p's y's are very fat and are magnified by his deep emotions.
Bill is under emotional pressure and he has to release some steam from time to time. He
releases some of this physical desire by running two or three miles, and then stops and has a
couple of Big Mac's. But there is the strong sex drive. How does he relieve that?
In the next article we will examine these lower zone traits further. You'll find out
how to pick a good lover, and also a lover that is compatible to you.

Steps 6 and 7 of a basic "profile" or analysis deal with the spacing

between letters and the spacing between words. These traits
indicate how you feel about yourself and how you feel about
others.

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Step 6:
SPACING BETWEEN LETTERS
Average spacing between letters points to a person who is self-confident and feels
comfortable and at ease.

Letters written close together or "compressed" indicate a person who feels uncomfortable
about themselves, and usually has low self-esteem or is self-conscious.

Irregularly spaced letters indicate that the writer is confused, uncertain, or mixed up.

Step 7:
SPACING BETWEEN WORDS
Compressed spacing between words- needs to be close to others; likes crowds.

Average spacing between words- feels comfortable contact with others.

Wide spacing between words- avoids people contact; has problems dealing with others.

EXAMPLE:
Notice the word spacing on the note below. The writing indicates a person who isolates
themselves from others. He or she has difficulty dealing with others so would avoid people
contact, if possible.

This is the handwriting of Ted Kaczinski the "uni-bomber," who lived like a hermit in an
isolated cabin in Montana. He had difficulty dealing with people and society in general.
All wide space writers aren't like Ted, but they usually avoid people contact as much as
possible. Many wide space writers are married and have children, but, even then, they are
usually loners. They normally have a hobby, second job or some other excuse to avoid the
family and friends as much as possible.
PUTTING IT ALL TOGETHER
Now let's add these traits to Bill Clinton's analysis from my last article

Pressure- heavy, strong long lasting emotions

Slant- vertical, Bill tries to control his emotions and bases his decisions on logic.
Size of writing- slightly smaller than normal, giving him good concentration skills.
Zones- Mid- concentrates on daily activities (running the country), and lower- desire for
material wealth and physical drives like appetite, sex, exercise etc.
Spacing between letters- mostly average but sometimes compressed, he is a little uncertain
about how he feels about himself. We know it's not low self-esteem, but it could be selfconsciousness or guilty conscious.
Spacing between words- crowded, Bill likes to be close to others and loves crowds.