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he wasnt. which makes it fall, for all intents and purposes, flat. Though the experience is
obviously of importance to the writer, it doesnt have any purposeor real connection toits
audience.
What I want you to do is read over this passage and, without changing ANY of the substance,
revise it so that the moment shines as it should. Rearrange sequence, take out the clichs, add
specificity, change the verbsits up to you. Make it have meaning.
(ask participants to share their revisions and talk about what they changed)
(20) Now, lets turn to our own work. If you didnt bring something, find a blog post you
struggled with. Using that same razor-sharp attention to detail, Id like for you to:
1. Define, in your mind, what the experience is that you want to write about. Maybe its
about the first time you tasted raclette in Switzerland last summer, or the time you stayed
at a hostel in Cambodia. Sit quietly, take your time, let the memory resurface, and hold it
there.
2. Share your experience with the person sitting next to you. How did you tell the story?
Where did you start? What detail did you include? What did you leave out? Try to
remember where your listener was the most interested.
3. Now, start writing it downdramatize it, think about the elements of storytelling: setting,
character, dialogue, tension, emotions, revelations. Dont use the verb to be and avoid
telling us about it as much as you canshow us!
4. Go back to your original work. How are you opening the story? Where are you showing?
Telling? Where are the clichs? Start revising this work with that new attention to detail
and the new purpose you have.
5. Has your purpose shifted/changed? What is your piece really about now?
Let me explain how this has worked for me in my own writing. A few years ago, on my first
press trip to Taiwan, I heard a story about these women called betelnut princesses. If you havent
heard of them, they are women who stand in glass houses and sell betelnut to truckers and men
who are driving on the roads late at night and need to stay awake. They dress in scantily-clad
costumes and wait in those little glass houses for customers. I wanted to see onebecause I was
interested and, as a feminist, a little concernedbut all I saw, all week, were empty glass houses
on the sides of the road or women sitting in them like cashiers at a parking garage. The
experience often surfaced when I sat down to write about my trip, but it seemed too trivial since I
hadnt actually seen anything. I tried to write about it a few times but always got frustrated.
But then, I did this very exercise, and I found myself writing not about the lack of princesses I
saw but about my longing to understand why I felt so unfeminine among the Taiwanese women
Im met on my journey, how they wondered why I didnt wear more makeup or 3-inch platform
heels with crop tops to the discoes. I never would have realized this had I not let my work sit
with me for a while.
(10) Now, lets hear a paragraph or two from your revisions. Dont be afraid to share your work
this is a safe space!