Beruflich Dokumente
Kultur Dokumente
Reference 30
A/V System Controller
Owners Manual
USER INFORMATION
Model #
Serial #
Date purchased
Purchased from:
1
2
3
4
5
City
State
Phone
Contact
1
2
3
4
5
6
7
8
1
2
3
4
5
6
7
SPEAKER LOCATION
feet
Left Front
Center
Right Front
Right Surround
Right Surr Back
Left Surr Back
Left Surround
Subwoofer
next item
adjust
MENU setup speakers
next item
adjust
MENU setup speakers
1
2
3
4
5
6
7
8
dB
dB
dB
dB
dB
dB
dB
dB
next item
adjust
MENU setup speakers
next item
adjust
MENU setup speakers
B&K Components, Ltd., 2100 Old Union Road, Buffalo New York 14227-2725
Phone (716) 656-0026, Fax (716) 656-1291, http://www.bkcomp.com, E-mail: info@bkcomp.com
TABLE OF CONTENTS
Acknowledgments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Safety Precautions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
The Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Front panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Making the connection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Audio / Video connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Digital Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Surround Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Surround Speaker Output Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Antenna Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Control Outputs / IR Inputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Frequently Asked Questions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
The Menu System . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
System Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Speakers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Speaker Size . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Speaker Location . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Speaker Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
Crossovers + LFE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Room Equalization . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Inputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
Memory Backup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
Power On/Off . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
Sleep . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
Choosing a source . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
AM/FM Tuner . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Adjusting the Volume . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Temporary Level Adjustments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Audio Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
MONO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
STEREO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
SURROUND . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
THX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
DVD Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
Special Considerations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
Equalization EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
Zone Z . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
Zone 1 (A) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
Zone 2 (B) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Zone 1 Favorite Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Zone 2 Favorite Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Getting Processor Status . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
Advanced Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Advanced . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Zone 1 Setup (A) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Zone 2 Setup (B) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
Power On Titles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Control Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Setup Control Out 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Setup Control Out 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
p/n 12857 Rev. 0717A
70
70
71
73
73
75
76
77
78
79
80
ACKNOWLEDGMENTS
Motorola ,
* DigitalDNA, Powered by Motorola, Motorola name and logo are registered trademarks
of Motorola, Inc.
Manufactured under license from Dolby Laboratories. Dolby, Pro Logic, AC-3", and the double-D symbol are
trademarks of Dolby Laboratories. Confidential Unpublished Works. 1992-1997 Dolby Laboratories, Inc. All
rights reserved.
Manufactured under license from Lucasfilm Ltd. U.S. patent numbers 5,043,970; 5,189,703; and/or 5,222,059.
European patent number 0 323 830. Other U.S. and foreign patents pending. Lucasfilm and THX are registered
trademarks of Lucasfilm Ltd. Surround EX is a trademark of Dolby Laboratories. Used under authorization.
THX, Home THX Cinema, Lucasfilm THX, Re-Equalization, Timbre Matching, Adaptive Decorrelation and THX
Ultra are registered trademarks of Lucasfilm Ltd.
Accessories included: Owners manual, Remote control Manual, Power cord, Remote control, 4-AAA batteries
SAFETY PRECAUTIONS
PLEASE READ BEFORE INSTALLING
WARNING: to prevent fire or shock hazard, do not expose this unit to rain or moisture. Care should be taken to
prevent objects or liquid from entering the enclosure. Never handle the power cord with wet hands.
The lightning flash with arrowhead, within an equilateral triangle, is intended to alert the user of the presence of
uninsulated dangerous voltage within the products enclosure that may constitute a risk of electric shock to you.
The exclamation point within an equilateral triangle is intended to alert the user of the presence of important
operating and maintenance (servicing) instructions in the literature accompanying the unit.
Caution: To prevent the risk of electric shock, do not remove cover. No user-serviceable parts inside. Refer
servicing to qualified service personnel.
If an outdoor antenna is connected to the antenna input, be sure it is grounded to provide some protection against
voltage surges and built up static charges. Keep the outdoor antenna away from power lines.
Unplug the processor from the AC outlet when plugging in or unplugging cables, when left unused for an extended
period of time, moving the processor, or when you suspect lightning in your area.
Prevent damage to the power cord. Do not bend, pull, place objects on, alter, etc. Replace the power cord if it
becomes damaged. Always grasp the plug on the power cord when plugging in or unplugging the processor from
the AC outlet.
Your system may produce sound levels capable of causing permanent hearing loss. Do not operate for extended
periods of time at high volume levels.
Make sure the processor is placed on a level surface.
Protect the processor from impact. (Do not drop it!!!)
Do not climb on top of the processor or place heavy objects on its top cover.
The processor is equipped with raised feet to provide ventilation, reduce acoustic feedback, and provide protection
against scratching the surface the unit is resting on. We advise against removing or altering feet.
Do not stack anything on top of the processor (processor, source, etc.) Leave a minimum of 3 clearance from the
top of the processor to the next shelf (or component).
The processor should be located away from heat sources such as heaters or amplifiers.
Do not perform any internal modifications to the processor.
Always connect the processors power cord to an unswitched AC outlet for normal operation.
If young children are present, adult supervision should be provided until the children are capable of following all
rules for safe operation.
Do not plug the processors power cord into an outlet with an unreasonable number of other devices. Be careful if
using extension cords and ensure the total power used by all devices does not exceed the power rating
(watts/amperes) of the extension cord. Excessive loads may cause the insulation on the cord to heat and possibly
melt.
Mistaking CONTROL OUTPUT or IR INPUT connectors for audio/video inputs or outputs may damage your
processor or other components.
Damage can occur to your speakers if the power rating of each individual driver is exceeded by the amplifiers
connected to your processor. Ensure that all the drivers in your system are capable of handling not only the
average power being delivered by the amplifiers, but also the peak power that is likely to be generated during
strong passages. If you are unsure of your speaker's power rating, contact the speaker manufacturer or the dealer
where you purchased them.
The processor should be serviced by qualified personnel when:
The processor is not functioning properly.
Objects have entered the chassis.
The processor was exposed to rain or other type of moisture.
The processor was dropped, or the chassis is damaged.
3
FEATURES
Your new processor is a versatile audio/video control center. The processor is designed to sound sensational and be an
attractive, easy-to-use addition to your audio/video system. Although you already have a good idea of your processors
features, we would like to take a moment to point out certain highlights.
THX Ultra Certified - incorporates Lucasfilm Home THX Re-Equalization, Timbre Matching and Adaptive Decorrelation
to correct for the tonal and spatial errors that occur during the translation from the movie theater environment into the home.
In addition to the these correction processes, the unit has passed a rigorous series of Lucasfilm THX quality and performance
tests which is your guarantee that this Home Theater product will give superb performance for years to come.
THX Surround EX - incorporates further Home THX Cinema processing to allow for the precise decoding of Dolby Digital
Surround EX signals.
Two-zone operation - complete digital/analog preamp/processor for Zone 1 (A) plus an additional independent analog A/V
preamp internally for use with a second listening/viewing area - Zone 2 (B).
Internal Digitally Synthesized AM/FM Stereo tuner - store up to 40 AM or FM stations in A/V presets.
Analog inputs/outputs - seven A/V inputs and five A/V outputs all with stereo audio, composite video and S-video plus one
set of 7.1 surround outputs.
Component Video - two switchable inputs and one set of outputs assignable to any of the seven A/V inputs. Passive design
allows full pass through of HDTV signals and maintains full signal integrity.
Digital inputs/outputs - six coaxial inputs and one coaxial output plus five optical inputs and one optical output.
Control Outputs - four 12 VDC @ 50 mA outputs for turning on amplifiers and controlling external systems such as a
projection screen or B & K amplifier.
IR inputs/outputs - two IR inputs and up to four IR outputs let you integrate the processor with an infrared repeater control
system.
Gold Plated Connectors - better sound with minimum signal loss and degradation.
Plug and Play operation - automatically selects the optimum input, surround sound format, and performs a wide range of
automated functions to provide invisible and easy operation.
A/V presets - 40 preset memories allow instant system configuration recall of user settings.
Customized input and A/V preset names - assign names to presets, inputs, or the turn on message.
Front Panel Operation - nearly all processor functions can be controlled directly from the front panel.
Remote Control - 8 device universal remote control, 100% pre-programmed, 100% learning, provides easy and total control
of B&K and other brand user equipment.
RS-232 Control - easy control and interface of your B&K product with other system controllers.
96/24 bit A/D and D/A Conversion - Ultra High Resolution reproduction of musical details.
96/24 bit processing - 96/24 bit digital data and analog source material use 96 kHz, 24 bit DSP processing during all stereo
listening modes.
Selectable Bass Management Crossover Frequency and Slope - allows system versatility for bass adjustments and
management to assure optimum performance from your speaker system.
Room Equalization - a sweepable notch filter and variable equalization is available in the digital domain for use in achieving
the best possible room response.
Upgradable - modular design allows for future A/D, D/A, DSP, Digital Receiver, and IEEE 1394 enhancements. State of the
art today, state of the art tomorrow.
THE BASICS
The following is intended to familiarize users with common terms and applications of Home Theater equipment.
Sources - your processor can directly provide audio from its built-in AM/FM tuner. It can also provide limited video
from its on-screen menu system. Typically you will want to connect a number of additional sources (VCR, DVD
player, etc.) to your processor. Your processor is designed to accommodate a wide range of audio and video
signals.
The following table lists the most popular home theater media and how the audio information is stored.
Source Media
Analog
PCM
Dolby Digital
DTS
Audio Cassette
Video Cassette
Satellite Broadcast
X (compressed)
X (compressed)
Analog vs. Digital Audio - This refers to the method used to place audio information on the source material and
how they are delivered to your processor from the source. Analog signals exactly represent the sound you will hear
through a continuously varying voltage. Audio and video cassettes are analog recordings and are normally
delivered to your processor over a pair of coaxial audio cables.
Digital signals closely approximate the original audio signals with a set of numbers referred to as a bitstream. CDs
and DVDs are sources of digital audio and are normally connected to your processor through a coaxial or optical
digital cable. There are several different bitstream formats available. The simplest format is called Pulse Code
Modulation (PCM). In PCM, the bitstream directly represents the original 2-channel audio. In Dolby Digital and
DTS (see Surround Formats below) bitstreams are modified using a process called compression to squeeze
more information into limited space. DTS squeezes 5.1 channels into the space normally required for two
uncompressed channels, while Dolby Digital squeezes 5.1 channels into about the space required for two
channels. Your processor automatically detects the bitstream currently being provided from the source and
performs the required decompression and surround processing. If no digital signal is present your processor will
automatically switch to analog processing.
All sounds that you hear from your speakers are analog. Digital signals are automatically converted to analog by
your processor before being output to your the speakers.
If analog signals exactly represent the audio, while digital signals only approximate it, why would I want to
use digital?
All analog sources add some amount of noise and distortion to the audio signal. Additional noise can be
picked up through the cables from the source to your processor. It is impossible for the processor to tell
the difference between the desired signal and the added noise and distortion, so it reproduces both of
them. The result is increased background noise and decreased dynamic range and fidelity. Digital signals
are virtually immune to noise and distortion. The processor can, therefore, reproduce the signal with the
greatest possible fidelity. We recommend you use digital signals wherever possible. Also Dolby Digital and
DTS (see Surround Formats below) work only with digital signals.
Audio and Surround Formats - Your source material will be in one of seven possible formats described below.
Monaural (Mono) - This is the oldest format available. It contains a single, full range audio channel.
Modern recordings are seldom made in this format, but most older movies and music are available only in
this format. You may get mono from any source - digital or analog. Sound will normally come from the
5
seven speaker channels, but your processor can produce mono in one to seven channels (see Audio
Modes under Operation). Since all modern sources are stereo, the mono information is usually replicated
from both the left and right channels.
Stereo - Stereo contains two discrete, front left and right full range audio channels. This is the most
common format for music and is also used on many movies. You may get stereo from any source - digital
or analog. Sound will normally come from the seven speaker channels, but your processor can produce
stereo in one (mono) to seven channels (see Audio Modes under Operation).
Dolby Pro Logic - Dolby Pro Logic is a refinement of Dolby Surround which was the earliest form of true
surround processing. Like Stereo, Dolby Surround contains two discrete, full range audio channels. In
addition, a monaural, limited range surround channel is encoded on the two stereo channels in a process
called matrixing. The surround channel information is encoded in positive polarity on the left channel and
in negative polarity on the right channel. The Dolby Processor can detect this encoding (left minus right)
and send that information to the surround channels. Dolby Pro Logic adds additional processing to
produce a full range center channel by extracting the mono information from the left and right channel.
This is the most common format for all but the most recent movies. Music sources are occasionally
encoded in Dolby Surround. However, many people prefer to use Pro Logic processing on all of their
stereo sources. The center channel extraction process often yields improved stereo imaging, especially
when you are sitting away from the sweet spot at center of the listening area. The surround channel
processing often lends a pleasing ambiance even to material that is not encoded in Dolby Surround. Dolby
Pro Logic is fully compatible with stereo and you may get it from any source - digital or analog. Sound will
normally come from all seven speakers in your system, but your processor can produce sound in one
(mono) to seven channels (see Audio Modes under Operation).
Dolby Digital - Dolby Digital contains up to five discrete, full range audio channels plus an additional Low
Frequency Effects (LFE) channel. The LFE channel contains only low frequency information for enhanced
sound effects in movies. This combination of five discrete channels plus a LFE channel is often referred to
as 5.1 channels. Dolby Digital is a digital format only. It must be delivered to your processor over a coaxial
or optical digital cable. As of the writing of this manual, Dolby Digital is commercially available on DVD and
Satellite (Also see Dolby Digital RF below). It is also possible to create your own Dolby Digital CDs and
DATs if you have the recording equipment. You cant directly record Dolby Digital onto mini disc or digital
compact cassette since these devices add their own compression which is incompatible with the Dolby
Digital compression. Not all Dolby Digital recordings will include all five channels, and, in fact, it is
common on DVDs to have two channel Dolby Digital with or without Pro Logic processing. Sound will
normally come from all seven speakers in your system, but your processor can produce sound in one
(mono) to seven channels (see Audio Modes under Operation).
Dolby Digital RF - Dolby Digital RF is identical to normal Dolby Digital except that it uses a special RF
encoding scheme to put the bitstream on Laser discs without replacing the normal stereo (or Dolby
Surround) PCM bitstream that is normally available from laser disc. In order to use Dolby Digital RF laser
discs you must have a B&K DT-1 RF demodulator or similar product from another manufacturer. For best
results with your processors Plug and Play capability we recommend the B&K DT-1.
Dolby Digital Surround EX - Dolby Digital Surround EX is a new movie sound track that greatly
enhances the sense of spatial and positioning of the surround channel sound. This system was developed
jointly by Lucasfilm THX and Dolby Laboratories, using Lucas films idea of improving spatial expression
and achieving a 360 degree sound positioning with Dolby Laboratories matrix encoding technology. The
surround back channel is matrix-encoded and inserted into both Dolby Digital SL (surround left) and Dolby
Digital SR (surround right) channels. Upon playback, the signals may be decoded by a high precision
digital matrix decoder within the Dolby Digital decoder into SL, SR and SB channels.
DTS (Digital Theater Systems) - DTS is similar to Dolby Digital in that it provides 5.1 discrete audio
channels. However, it uses more digital data to encode the information and may provide greater fidelity
than Dolby Digital. DTS is a digital format only. It must be delivered to your processor over a coaxial or
optical digital cable. No RF demodulator is required for DTS laser discs since the DTS bitstream replaces
the normal PCM bitstream. Like Dolby Digital,
you can create your own DTS DATs or CDs but not mini disc or digital compact cassette. As with Dolby
Digital, sound will normally come from all seven speakers in your system, but your processor can produce
sound in one (mono) to seven channels (see Audio Modes under Operation).
DVD Audio (also referred to as MLP) - Meridian Lossless Packing (MLP) is a lossless coding system for
high-quality linear PCM audio. For DVD-Audio MLP performs lossless compression of up to 6 channels of
up to 24-bit material sampled at rates between 44.1kHz and 192kHz. Lossless coding does not alter the
final signal, it packs the audio data into a smaller rate and space. Currently, DVD Audio can only be
delivered to your processor via the analog 5.1 input. Sound will normally come from all seven speakers in
your system, but your processor can produce sound in one (mono) to seven channels (see Audio Modes
under Operation).
Home THX Cinema Processing - THX is an exclusive set of standards and technologies established by
the world-renowned film production company, Lucasfilm Ltd. THX grew from George Lucas personal
desire to make your experience of the film soundtrack, in both movie and in your home theater, as faithful
as possible to whatever the director intended.
Movie soundtracks are mixed in special movie theaters called dubbing stages and are designed to be
played back in movie theaters using similar equipment and conditions. The soundtrack created for movie
theaters is then directly put onto reproducible media, DVD, VHS tape Laser disc, etc... With no changes to
account for playback in a smaller home theater environment.
THX engineers developed patented technologies to accurately translate the sound from the movie theater
environment into the home, correcting for the tonal and spatial errors that occur. While Home THX
Cinema mode is active, THX processing is added after the Dolby Pro Logic, Dolby Digital or DTS decoder.
Sound will normally come from all seven speakers in your system, but your processor can produce sound
in one (mono) to seven channels (see Mode Operation).
Re-Equalization - restores the correct tonal balance for watching a movie soundtrack in a small home
theater.
Timbre Matching - filters the information going to the surround speakers so that they more closely
match the tonal characteristics of the sound coming from the front speakers. This ensures seamless
panning from the front to surround speakers.
Adaptive Decorrelation - slightly changes one surround channels time and phase relationship with
respect to the other surround channel. This expands the listening position and creates a more spatial
sense using only two speakers.
THX Surround EX Dolby Digital Surround EX is a joint development of Dolby Laboratories and the THX
division of Lucasfilm Ltd.
In a movie theater, film soundtracks that have been encoded with Dolby Digital Surround EX technology
are able to reproduce an extra channel which has been added during the mixing of the program. This
channel, called Surround Back, places sounds behind the listener in addition to the currently available
front left, front center, front right, surround right, surround left and subwoofer channels. This additional
channel provides the opportunity for more detailed imaging behind the listener and brings more depth,
spacious ambiance and sound localization than ever before.
When released to the home consumer market, movies that were created using the Dolby Digital Surround
EX technology, may have a note to that effect on the packaging. A list of movies created using this
technology can be found on the Dolby web site at http://www.dolby.com.
Only receiver and controller products bearing the THX Surround EX logo, when in the THX Surround EX
mode, faithfully reproduce this new technology in the home.
This product may also engage the THX Surround EX mode during the playback of 5.1 channel material
that is not Dolby Digital Surround EX encoded. In such case the information delivered to the Surround
Back channel will be program dependent and may or may not be very pleasing depending on the
particular soundtrack and the tastes of the individual listener.
7
Bass Management - Dolby Digital and DTS formats contain up to 5 full range channels plus LFE. Only a system
with five full-range (large) speakers plus a subwoofer can directly reproduce these formats. However, almost all
commercially available center channel speakers are small and incapable of reproducing the lowest bass
frequencies without distortion or even damage to the speaker. Many people also use small speakers in the rear of
their system, while others use small speakers all around. Use of a subwoofer is almost mandatory when using five
small speakers, but people with at least two large speakers may or may not choose to use a subwoofer. Some
people may not use a center channel or surround speakers at all. In order to handle any possible combination of
large, small, or missing speakers, a home theater system must contain good bass management, a concept often
missing from two-piece systems where the Dolby Digital or DTS decoder is separate from the preamp. Your
processor contains a complete bass management system. You can use as few as two large front left and right
speakers or two small left and right speakers plus a subwoofer or as many as seven full range speakers plus a
subwoofer or any combination in between without missing any information. Wherever small speakers are used the
bass management system prevents low bass information from going to that speaker (high pass). This bass
information is rerouted to a speaker that can handle it, usually a subwoofer, but it can also send center, surround,
or LFE bass to large front speakers if no subwoofer is available. When center or surround speakers are not used
at all, the missing channel is sent (down mixed) to the front speakers.
Preamp - A preamp typically includes the capability to select from a number of sources, adjust volume levels and
route the data to an amplifier. Your processor includes a high quality preamp.
Processor - A processor typically includes the capability to decode one or more surround formats, and convert
between digital and analog as required. Your A/V system controller includes a high quality processor capable of
decoding the surround formats described above.
Zone - A zone is usually a room that has speakers installed in it. Your processor includes a full preamp/processor
for Zone 1 (A) plus an additional analog stereo preamp for Zone 2 (B). This allows, for example, watching a Dolby
Digital movie in zone one while simultaneously using the built-in AM/FM tuner in another room.
Amplifier - An amplifier takes the output of a preamp/processor and increases its level to that necessary to drive a
speaker.
Speakers - A surround sound system use to typically use 5 speakers located left front, center front, right front,
right surround, and left surround plus a subwoofer located anywhere in the room. With the new developments in
surround technology from companies such as Dolby Laboratories, DTS, and Lucasfilm, it is now possible to
improve spatial expressions with an additional channel of information for use with a 6th and/or 7th surround back
speaker. Although best results are achieved using seven large speakers plus a subwoofer, this is not always
practical. Excellent results can be achieved using small and/or fewer speakers, as long as you go through the set
up procedures described later in the manual. Your processor includes the capability of reproducing up to 6.1
channels of surround information.
Component video vs. S-video vs. Composite video - Composite video is the oldest standard for color video. It
combines the luminance (brightness or black-and-white) and chrominance (color) information onto a single
conductor. These signals must be separated again for display resulting in some degradation of the video quality.
S-video is a newer standard that uses separate conductors for the luminance (Y) and chrominance (C) information
resulting in better video quality. Component video is the newest form of video introduced with DVD. This video
format uses separate conductors for luminance (Y), red - luminance (R - Y), and blue - luminance (B - Y). Using
these signals a component video capable monitor allows for even better and higher resolution video quality. Your
processor is capable of switching composite, S-video and component signals, but it cannot convert between video
types. In addition, your processor is capable of switching between two pairs of component video inputs.
FRONT PANEL
1. Headphone Jack - Stereo headphones having a standard inch binaural plug can be connected to the
headphone output. The processor must be on and in HEADPHONE Mode for proper headphone operation.
2. Front panel buttons
SLEEP
PRESET
ENTER
SAVE
DOWN
SOURCE
MODE
MENU
3. Main power switch - Removes all power to the processor. Normal operation of the processor requires the
power switch to remain on. Use the Sleep button for daily on and off of the processor. It places the unit in standby
mode that allows turning back on with the remote control. Turn the processor off with the main power switch when
not using the processor for an extended period of time.
4. Volume control - For controlling system volume. Turning the encoder-type volume control clockwise increases
the volume level, counterclockwise decreases the volume level. The volume knob is also used to change other
processor settings. See THE MENU SYSTEM and OPERATION
5. Status indicators - Displays current status of the processors audio processor. Indicators have been supplied to
show when the DSP is decoding Dolby Digital
Digital, Dolby Pro Logic
Pro Logic, or DTS audio. There is
an indicator to show the input to the S/PDIF digital receiver is 96kHz 24 bit data 96/24 or an analog input that is
being sampled using 96kHz/24bits. Finally, there is an indicator to show processed audio is sourced from the
selected analog input Analog. See MODE OPERATION
6. Display - The processor display is a 16 character alphanumeric fluorescent display. Displays current status of
processor and any changes being performed.
10
REAR PANEL
The processors back panel is organized into groups of inputs and outputs for audio and video as shown below.
11
12. Component Video inputs - Switched input connections for two component video devices.
12. Component Video inputs - Switched input connections for two component video devices.
Red RCA jack
- typically connect to the red output of a component video source
Green RCA jack
- typically connect to the green output of a component video source
Blue RCA jack
- typically connect to the blue output of a component video source
13. Line inputs - Connections from your audio/video sources.
Red RCA jacks
- right analog audio
White RCA jacks
- left analog audio
Yellow RCA jacks
- composite video
4 pin din jacks
- S-video
14. Line level outputs - Fixed level outputs to an audio or video recorder.
15. Zone 2 (B) outputs - Variable level outputs to your video monitors and external amplifiers.
16. Zone 1 (A) outputs - Variable level outputs to your video monitors.
17. Optical Digital inputs - Optical digital inputs are used to connect digital audio signals from your source to the
processor. The incoming signal may be PCM, Dolby Digital or DTS.
18. Optical Digital output - Zone 1 (A) optical output to carry digital information from the selected digital input of
the processor out to digital recorders, personal computers, etc.
19. Coax Digital inputs - Coax digital inputs are used to connect digital audio signals from your source to the
processor. The incoming signal may be PCM, Dolby Digital (AC-3) or DTS.
20. Coax Digital output - Independent Zone 1 (A), and Zone 2 (B), coax outputs to carry digital information from
the selected digital input of the processor out to digital recorders, personal computers, etc.
21. AC fuse holder - Holds the AC Line fuse. Replace only with same type and value.
12
y
y
The answers to your questions determine how many cables you need to connect to the back of the processor.
Good preplanning equals great sound. Keep these recommendations in mind:
y
y
y
y
y
List all components in your system and indicate which jacks of the processor each component will be
connected to. Your processor has seven sets of inputs. It is convenient to connect a DVD player to the input
labeled DVD or a VCR to the input labeled V1 or TAPE, etc. However, your equipment may differ from the
labeling on the back of your processor. In most cases you can connect any type of source to any input (see
FREQUENTLY ASKED QUESTIONS). For example, if you dont have a satellite receiver you can connect a
DAT player or a second cassette deck to SAT. You can also reprogram the source name that will appear on
your processors front panel and on-screen display (see SYSTEM SETUP - INPUTS)
Also note the length of the cable for each components connection and describe how it should be routed or
draw your routing scheme below your list. You may want to label each cable with a name or number at both
ends. Use high quality connections to maintain high quality audio and video.
Think about the type and length of cable you need and obstacles in the cables path (doorways, furniture,
walkways, etc.). To decide which ones are right for you talk to your dealer about the various cable products
that are available.
For safety, keep all cables out of high traffic areas (hallways or doorways) and away from equipment that
radiates power, including amplifiers, power cords, heaters, etc.
If you might expand your audio/video system later, keep these ideas in mind as you plan current cable runs.
To provide the best tuner reception, make sure the antenna is at least several feet away from the processor
and any other equipment that may produce high frequency interference such as Personal computers, CD
players, halogen lamps, etc.
Take a look at the back panel of the processor. You will notice that the RCA-type audio input and output
connectors are identified by colors, red for right channel and white for the left channel audio. Component video
input and output connectors are identified by Red/Green/Blue. Composite video input and output connectors are
identified by yellow. Coaxial digital inputs are identified by orange. The surround outputs are identified by
Red/White/Grey.
13
S-Video input
from DVD output
Attach one end of the audio interconnect cable to the left audio
output on the DVD/VLD player, then attach the other end to the
left (white) DVD/VLD audio input on the processor. Repeat for
the right (red) audio connection. Attach one end of the
composite video interconnect cable to the video out on the
DVD/VLD player, then attach the other end to the yellow video
input on the processor labeled DVD/VLD. Repeat for the
S-video connections if you are using S-video.
ZA
S-Video output
to monitor input
Composite video output
to monitor input
S BACK
V1
S-Video output
to VCR input
S-Video input
from VCR output
LINE OUTPUTS
LINE INPUTS
Attach one end of the audio interconnect cable to the left audio output on the VCR, then attach the other end to the
left (white) V1 audio input on the processor. Repeat for the right (red) audio connection. Attach one end of the
composite video interconnect cable to the composite video output on the VCR, then attach the other end to the
yellow video input on the processor labeled V1. Repeat for the S-video connections if you are using S-video.
Attach one end of the audio interconnect cable to the left audio input on the VCR, then attach the other end to the
left (white) V1 audio output on the processor. Repeat for the right (red) audio connection. Attach one end of the
composite video interconnect cable to the composite video input on the VCR, then attach the other end to the
yellow video output on the processor labeled V1. Repeat for the S-video connections if you are using S-video.
14
Component Video - in addition to S-video and composite video switching, your processor provides two sets of
component video inputs for DVD and TV/DBS type inputs, and one set of component video outputs. Your
processors component video connection are passive to minimize the possibility of video format compatibility
issues. Use the same instructions to connect a second (TV/DBS) component video device.
COMPONENT VIDEO
IN 1
IN 2
OUT
Attach one end of a video interconnect cable to the red video output on the DVD, then attach the other end to the
red component video input (IN 1) connector on the processor. Repeat for (green) and (blue) video connections.
Repeat for the other (TV/DBS) component source device using component video input (IN 2). Attach one end of a
video interconnect cable to the red component video output (OUT) on the processor, then attach the other end to
the red video input on the video monitor. Repeat for (green) and (blue) video connections.
DVD Audio - connect a DVD Audio or other 5.1 surround format device, to the processors DVD Audio input.
DVD AUDIO IN
SUB CENTER
Connect to the DVD audio
player Subwoofer output
Connect to the DVD audio
player Left Surround output
FRONT
Attach one end of an audio interconnect cable to the center output on the DVD Audio source device, then attach
the other end to the FRONT center (gray) DVD Audio input on the processor. Repeat for the front left (white) and
front right (red) audio connection. Attach one end of an audio interconnect cable to the sub output on the DVD
Audio source device, then attach the other end to the SURR subwoofer (gray) DVD Audio input on the processor.
Repeat for the surround left (white) and surround right (red) audio connection.
15
DIGITAL CONNECTIONS
Connect digital inputs (DVD, VLD, etc.) to the processor. You will need either coaxial or optical digital inputs to
play Dolby Digital (AC-3) or DTS surround sound
COAX DIGITAL
processing.
Digital
connections
are
also
ZA OUT TV
V2
V1
recommended for PCM sources. If your source has
both optical and coaxial outputs connect only one.
ZB OUT SAT
SAT
CD
OPTICAL DIGITAL
CD
DVD
V2
DVD
V1
DT-1
SURROUND OUTPUTS
Your processor has multiple surround outputs for use with external amplifier(s) or powered speakers. The
Reference 30 processor allows THX Surround EX compatibility via its two Surround Back S BACK processor
outputs.
Here is a typical processor surround output setup:
ZA AUDIO OUT
SUB CENTER
Connect to the Subwoofer 'SW'
power amplifier input
Connect to the Surround Left
'Sl' power amplifier input
FRONT
Connect to Zone 1 (A)
composite video monitor input
Subwoofer Output - Connect an RCA cable from the processors SW output (part of the surround outputs). If
your subwoofer does not contain its own amplifier you will need to purchase an external B&K or other power
amplifier. Connect the processors SW output to the audio input of the external amplifier. Connect the external
amplifiers speaker output to your subwoofer.
17
FRONT
LEFT
FRONT
RIGHT
CENTER
PLUS
MINUS
CENTER
PLUS
PLUS
MINUS
MINUS
PLUS
MINUS
MINUS
MINUS
FRONT RIGHT
PLUS
PLUS
Sl
FRONT LEFT
PLUS
MINUS
Sr
Sbl
Sbr
SURROUND
LEFT
SURROUND
RIGHT
SURROUND
BACK LEFT
SURROUND
BACK RIGHT
18
ANTENNA CONNECTIONS
TUNER
FM antenna
FM Antenna Input
from Indoor/Outdoor Antenna,
Cable Box, etc.
AM Antenna Input
from Loop Antenna
AM antenna
IR IN
ZA
CAUTION!
3.5 mm IR in
from remote repeater
3
ZB
The Control outputs are programmable for each source in your system (see Advanced Setup). However, the
processor provides the following factory preprogrammed setup that should serve for most standard system
applications.
Control 1 - HEADPHONE - On (+12 VDC) when Zone 1 (A) is on and not in Headphone mode, off when Zone 1
(A) is off or in Headphone Mode. This mode may be used for controlling external amplifiers or powered
subwoofers in Zone 1 (A).
Control 2 - Zone 2 (B). On (+12 VDC) when Zone 2 (B) is on, off (0 VDC) when Zone 2 (B) is off. This mode is
used for controlling external amplifiers, projection screens, etc. in Zone 2 (B).
Control 3 - Z1 + Z2. On (+12 VDC) when Zone 1 (A), Zone 2 (B), or both zones are turned on. Off (0 VDC) when
both zones are off.
Control 4 -REMOTE. It will repeat a received 38 kHz modulated IR signal. The processor will transmit received IR
signals even in sleep mode.
Note - The control outputs can output a maximum of 50 mA. Check to see that the source you are connecting to
the control out requires 50 mA or less current.
WARNING - Not all manufacturers adhere to the +12 VDC control specification. Check to see if your
sources control inputs are +12 VDC compatible. Do not connect your processors control outputs to a
source with control or remote inputs rated at +5 VDC or other voltage rating. Damage to your source may
result.
IR Inputs - Your processor can be controlled by a directly connected IR repeater system in combination with or in
place of the supplied remote control. Connect your IR input cable to the processor using a mono 3.5 mm jack
shown above. The plug must be wired as tip (+) and the long barrel section (-). The inputs are standard 38kHz
modulated IR type with a voltage range of +5 to +12 VDC.
19
My DVD player (or other source) has both optical and coaxial digital outputs. Should I connect both?
No, connect only one digital cable per source.
Do I need an AC-3 RF demodulator (B&K DT-1 or equivalent) to playback DTS laser discs?
No, this is required only for Dolby Digital laser discs.
Do I need to connect both analog and digital audio from my DVD player (or other digital audio source) to
the processor?
In general, it is simpler to connect both. However, if you can meet all of the following criteria you need only
connect digital:
1. I do not use Zone 2 (B). (Zone 2 (B) is analog only - if you use Zone 2 (B) you must connect both left and right
analog to hear audio.)
2. I do not own any old laser discs. (Early laser discs contained only analog audio tracks - you must connect both
left and right analog audio to play these back.)
3. I do not use Tape Monitor. (It is possible to tape digital-only sources. However, if you wish to listen directly to
the tape as you are recording - you must connect both left and right analog audio - the tape monitor loops are
strictly analog.)
If the tape monitor loop is strictly analog, how do I make an analog recording of a digital-only source?
Do not select TAPE. Select the source you wish to record. Select STEREO 9, the LtRt mode. If that
source is digital, the converted digital-to-analog will appear at the tape and V1 outputs. V2 out, like Zone 2 (B) out,
is analog only. (See also Operation - Zone 1 Operation - Mode.)
I want to make direct digital recordings from my CD player (or other digital source) on my CD Recorder,
DAT (or other digital recorder). Can my processor make this connection for me?
Yes, your processors digital outputs act much like the analog tape outputs. When you select a source, if
that source has a digital connection to your processor, then that digital signal will appear on the processors
coaxial and optical digital outputs. Simply connect all of your sources digital outputs to your processors digital
inputs. You can then connect up to three digital recorder inputs to your processors three digital outputs.
20
My laser disc player (or other digital source) has only optical output, but my CD recorder (or other digital
recorder) has only coaxial input. Do I need some sort of converter to make direct digital recordings?
No, your processor will convert optical to coaxial and coaxial to optical. The currently selected digital input
(optical or coaxial) will appear at both of the processors digital outputs (optical and coaxial).
Do I need to connect both analog and digital audio from my processor to my CD, DAT, MD, etc. recorder?
In general, yes. If all of the sources you wish to record are digital, then you need only connect digital to
your recorder. However, your processor does not provide digital outputs for non-digital inputs. If you wish make a
digital recording from an analog-only source you must also connect analog from your processor (Tape or V1 out)
to your recorder.
21
SETUP
For best results, perform the following set up procedure when you initially install your processor and anytime you
change or add sources, speakers, etc. or when you rearrange your listening area
22
SYSTEM SETUP
You should always perform System Setup after first installing your processor and after adding/changing speakers
or sources or rearranging your listening area. Check that the remote is in B&K mode.
From Remote
Action
1 B&K or POWER
A SLEEP
turn on processor
2 MENU
MENU
3 (PAUSE) or (STOP)
(UP) or (DOWN)
4 SEL or ENTER
(ENTER)
1
2
3
4
5
6
MAIN MENU
Zone 1 Operation
Zone 2 Operation
Zone 1 Favorite Presets
Zone 2 Favorite Presets
System Setup
Memory Backup/Restore
next item
MENU
1
2
3
4
SETUP SYSTEM
Speakers
Displays
Inputs
Presets
SEL select
exit menu system
next item
SEL select
MENU main menu
6<67(0 6(783
From Remote
6(783 63($.(56
Action
1 (PAUSE) or (STOP)
(UP) or (DOWN)
move to Speakers
2 SEL or ENTER
(ENTER)
Speakers
The speakers menu lets you tell your processor how many speakers you have in your system, the relative size of
the speakers, and their location in the room. This is the most important setup procedure you will perform. The
processor comes from the factory setup for 7 small speakers and a subwoofer. If this does not match your
speakers then audio information will be lost. For example, if you do not currently have a center channel speaker
and you do not perform this setup procedure, the center channel information will be lost. If you perform this setup
correctly, the processor will know that you have no center channel speaker and send this information to your front
left and right speakers (along with the normal front left and right information) so no audio information is lost.
Speaker Size
Speaker size generally refers to the size of your speakers. Audio material, particularly Dolby Digital and DTS
movies, often contain large amounts of bass. If this bass information is sent to small speakers that are incapable
of reproducing so much bass, then the bass information will be lost or distorted. MANY SMALL SPEAKERS MAY
BE DAMAGED BY TOO MUCH BASS. By telling your processor the size of your speakers, it will be able to
intelligently route the bass to speakers that can reproduce it correctly. Typically, all bookshelf or satellite speakers
are considered small. Smaller floor standing speakers with single woofers 8 or less should also be considered
small. Floor standing speakers with 10 or larger woofers or multiple smaller woofers may be considered large.
These are general guidelines only - if you are unsure consult your speaker manufacturer or check with the dealer if
they are unsure. If you have all small speakers we strongly recommend use of a subwoofer. If your front left and
right speakers (or more) are large then you may not require a subwoofer, but you may still get better results using
a subwoofer, especially with Dolby Digital and DTS movies. All THX certified speakers are small, regardless of
their physical size, and should be used in audio systems along with a subwoofer.
23
Set the size for your front left and right, L and R speakers - You must have front speakers.
1
2
3
4
5
SETUP SPEAKERS
Speaker Size
Speaker Location
Speaker Levels
Crossovers + LFE
Room Equalization
1
2
3
4
5
next item
SEL select
MENU setup system
next item
adjust
MENU setup speakers
)5217
63($.(56 6,=(
From Remote
60$//
Action
1 (PAUSE) or (STOP)
(UP) or (DOWN)
2 SEL or ENTER
(ENTER)
3 (PAUSE) or (STOP)
(UP) or (DOWN)
move to Front
VOLUME KNOB
(REW) or(FF)
Front setting
Subwoofer Ultra
Subwoofer None
Small
THX
Front Bass to SW
Front Hi-Pass to Front
Front Bass to SW
Front Hi-Pass to Front
Front Bass is *
Front Hi-Pass to Front
Large
Front Bass to SW
Front Full Range to Front
next item
adjust
MENU setup speakers
&(17(5
From Remote
1 (PAUSE) or (STOP))
2
(REW) or(FF)
Center
setting
None
Small
THX
Large
60$//
Action
(UP) or (DOWN)
move to Center
VOLUME KNOB
Subwoofer Ultra
Subwoofer None
Front Large
Subwoofer None
Front Small
Center Bass to SW
Center Hi-Pass to Front
Center Bass to SW
Center Hi-Pass to Front
Center Bass is *
Center Hi-Pass to Front
Center Bass to SW
Center Bass to SW
Center Bass is *
Center Hi-Pass to Center Center Hi-Pass to Center Center Hi-Pass to Center
Center Bass to SW
Center Full to Center
24
Center Bass is *
Center Hi-Pass to
Center
Center Full to Center
Set the size for your surround left and right, Sl and Sr speakers 1
2
3
4
5
next item
adjust
MENU setup speakers
6855281'
From Remote
1 (PAUSE) or (STOP)
2
(REW) or(FF)
Surround
setting
60$//
Action
(UP) or (DOWN)
move to Surround
VOLUME KNOB
Subwoofer Ultra
Subwoofer None
Front Large
Subwoofer None
Front Small
None
Surround Bass to SW
Surround Hi-Pass to
Front
Surround Bass to SW
Surround Hi-Pass to
Front
Surround Full to
Front
Surround Bass is *
Surround Hi-Pass to
Front
Small
THX
Surround Bass to SW
Surround Hi-Pass to
Surround
Surround Bass to SW
Surround Hi-Pass to
Surround
Surround Bass is *
Surround Hi-Pass to
Surround
Surround Bass is *
Surround Hi-Pass to
Surround
Large
Surround Bass to SW
Surround Full to
Surround
Surround Full to
Surround
Surround Full to
Surround
Surround Full to
Surround
Set the size for your surround back left and right, Sbl and Sbr speakers -
1
2
3
4
5
next item
adjust
MENU setup speakers
From Remote
1 (PAUSE) or (STOP)
2
(REW) or(FF)
Action
(UP) or (DOWN)
VOLUME KNOB
25
Surround
Back
setting
Subwoofer Ultra
Subwoofer None
Front Large
Subwoofer None
Front Small
Surround Bass to SW
Surround Hi-Pass to
Front
Surround Bass to SW
Surround Hi-Pass to
Front
Surround Full to
Front
Surround Bass is *
Surround Hi-Pass to
Front
1 Small
Sb Bass to SW
Sb Hi-Pass to
Surround Back Left
Sb Bass to SW
Sb Hi-Pass to
Surround Back Left
Sb Bass is *
Sb Hi-Pass to
Surround Back Left
Sb Bass is *
Sb Hi-Pass to
Surround Back Left
1 Large
Sb Bass to SW
Sb Full to
Surround Back Left
Sb Full to
Surround Back Left
Sb Full to
Surround Back Left
Sb Full to
Surround Back Left
2 Small
THX
Sb Bass to SW
Sb Hi-Pass to
Sbl and Sbr
Sb Bass to SW
Sb Hi-Pass to
Sbl and Sbr
Sb Bass is *
Sb Hi-Pass to
Sbl and Sbr
Sb Bass is *
Sb Hi-Pass to
Sbl and Sbr
2 Large
Sb Bass to SW
Sb Full to Sbl and Sbr
None
Setup your subwoofer SW - In the table above, you have the flexibility to choose how bass information is
distributed to your speakers only if you have large speakers and a subwoofer as part of your home theater
speaker system. For example, selecting the "Front Large and "Subwoofer Yes THX" options, bass from the front
left and front right channels will go ONLY to the front left and front right speakers. Bass going to the subwoofer
will only come from the LFE channel and any channels with speakers that you have designated as "Small". This
selection is preferred by THX. However, selecting the "Front Large and Subwoofer Ultra" options, you will send
the bass from the front left and right channels to the front left, right AND subwoofer speakers simultaneously. To
decide which setting is best for your room, once you have positioned all of your speakers, choose the option which
gives you the most solid sounding bass.
* Note: when the subwoofer is set to None, bass is redirected to remaining large speakers. When no speakers are
set to Large, and the subwoofer is set to None, bass information is lost.
1
2
3
4
5
next item
adjust
MENU setup speakers
68%:22)(5
From Remote
1 (PAUSE) or (STOP)
2
(REW) or(FF)
3 MENU
<(6
Action
(UP) or (DOWN)
move to Subwoofer
VOLUME KNOB
MENU
26
Subwoofer Setting
Front
Large
Center
Large
Surround
Large
Surround
Back Large
None
LFE + Bass to
Front
LFE + Bass to
Center
LFE + Bass to
Surround
LFE + Bass to
Surround Back
Yes
THX
LFE + Bass to SW
Front Bass not
Duplicated
LFE + Bass to SW
Center Bass not
Duplicated
LFE + Bass to SW
Surround Bass not
Duplicated
LFE + Bass to SW
Sb Bass not
Duplicated
Ultra
LFE + Bass to SW
Front Bass is
Duplicated
LFE + Bass to SW
Center Bass is
Duplicated
LFE + Bass to SW
Surround Bass is
Duplicated
LFE + Bass to SW
Surround Back Bass
is Duplicated
Note: The subwoofer setting affects the routing of front, center, and surround bass information as shown
previously. This table shows the effect of the subwoofer setting with large speakers.
Speaker Location
Ideally your speakers will be the same distance away from your listening area. However, physical limitations
usually require placing the speaker in other than optimum locations. Your processor contains a means to
electronically move each speakers location. This allows for superior reproduction of the directional cues available
during the playback of movie or music. Measure the distance in feet to your speakers and set each speaker
location setting to this distance. Your processor will electronically move each speaker to maintain correct time
alignment with the listening position. You may also change the units to meters, if you prefer.
1
2
3
4
5
SETUP SPEAKERS
Speaker Size
Speaker Location
Speaker Levels
Crossovers + LFE
Room Equalization
1
2
3
4
5
6
7
8
next item
SEL select
MENU setup system
63($.(5 /2&$7,21
From Remote
/()7 )URQW
Action
1 (PAUSE) or (STOP)
(UP) or (DOWN)
2 SEL or ENTER
(ENTER)
3 (PAUSE) or (STOP)
(UP) or (DOWN)
VOLUME KNOB
(UP) or (DOWN)
move to Center
VOLUME KNOB
(REW) or(FF)
5 (PAUSE) or (STOP)
6
(REW) or(FF)
7 repeat 5-6 for each speaker repeat 5-6 for each speaker
8 MENU
MENU
27
Speaker Levels
Speaker level calibration allows you to equalize the volume levels of each speaker to make up for differences in
speaker characteristics and distances from the listener to the speakers. For best results it is important that you
perform this calibration when you initially install your processor, whenever you change speakers, and whenever
you rearrange your listening area. The following adjustment must be done for proper room calibration to THX
reference level. Sit or place the SPL (Sound Pressure Level) meter in your normal listening spot. Check that you
are in SETUP SPEAKERS and that your remote is in B&K mode. Note that if you have turned a speaker OFF in
the SPEAKER SIZE SETUP menu then you will not be able to select that speaker in the SETUP SPEAKER
LEVELS menu. Set the SPL meter to use 75 dB SPL, C Weighting and SLOW response. Adjust each speakers
level up or down to achieve the desired THX reference level of 75 dB SPL.
Note: if you must do this adjustment with out the aid of an SPL meter, you may do it by ear and adjust each
speaker for equal volume. You may wish to go through the speakers several times to get a reasonable result.
Also note that the VOLUME on the remote will not function in this menu.
1
2
3
4
5
SETUP SPEAKERS
Speaker Size
Speaker Location
Speaker Levels
Crossovers + LFE
Room Equalization
1
2
3
4
5
6
7
8
next item
SEL select
MENU setup system
/()7 )URQW
63($.(5 /(9(/6
From Remote
Action
1 (PAUSE) or (STOP)
(UP) or (DOWN)
2 SEL or ENTER
(ENTER)
3 (PAUSE) or (STOP)
(UP) or (DOWN)
VOLUME KNOB
(UP) or (DOWN)
move to Center
VOLUME KNOB
(REW) or(FF)
5 (PAUSE) or (STOP)
6
(REW) or(FF)
7 repeat 5-6 for each speaker repeat 5-6 for each speaker
8 MENU
MENU
28
Crossovers + LFE
Usually these settings may be left set to the factory defaults. However, your processor allows fine tuning of the
system parameters most useful in setting up a high end audio system.
Set the high and low pass filters crossover frequency - This sets the frequency at which bass tones are
removed from the small main speakers and sent to the subwoofer. If you use very small main speakers you may
wish to raise the crossover above 80 Hz. You may get better results with fairly large speakers by setting them to
small and using a low crossover frequency so only the lowest tones are sent to the subwoofer. THX certified
speakers are specifically designed for use with an 80 Hz crossover setting.
1
2
3
4
5
SETUP SPEAKERS
Speaker Size
Speaker Location
Speaker Levels
Crossovers + LFE
Room Equalization
1
2
3
4
5
6
8
next item
SEL select
MENU setup system
next item
adjust
MENU setup speakers
&526629(5
63($.(5 /(9(/6
From Remote
+=
Action
1 (PAUSE) or (STOP)
(UP) or (DOWN)
2 SEL or ENTER
(ENTER)
3 (PAUSE) or (STOP)
(UP) or (DOWN)
move to Crossover
VOLUME KNOB
(REW) or(FF)
Set the high pass filters slope - A crossover doesnt simply send all content above 81 Hz to the main speakers
and all content below 79 Hz to the sub. Instead there is a gradual transition. The crossover point is the frequency
at which the amount of information in the sub and main speaker is equal. The crossover slope determines how
gradual or abrupt this transition occurs. More gradual slopes generally result in a smoother transition from main to
sub. However, gradual transitions can cause distortion in small main speakers because too much bass is sent to
them. Gradual transitions with higher crossover settings can also cause the perceived location of a sound to move
from the correct main speaker to the subs location. THX speakers are specifically designed to use a 24 dB slope
for the subwoofer and a 12 dB slope for the main speakers.
1
2
3
4
5
6
7
+,*+ 3$66
From Remote
1 (PAUSE) or (STOP)
2
(REW) or(FF)
'%
Action
(UP) or (DOWN)
VOLUME KNOB
29
1
2
3
4
5
6
7
/2 3$66
From Remote
1 (PAUSE) or (STOP)
2
(REW) or(FF)
'%
Action
(UP) or (DOWN)
VOLUME KNOB
Set the peak limiter - The peak limiter is designed to limit the maximum level of bass information. When set to
0.0 dB (default) the limiter is disabled. If your system is being used with a subwoofer not incorporating its own
limiter or have no subwoofer, then the peak limiter may need to be set to allow proper operation.
Warning - the peak limiter test tone may result in extremely high volume levels
Peak limiter level calibration allows you to set the maximum obtainable volume sent to the speakers reproducing
bass information. For best results it is important that you perform this calibration when you initially install your
processor, or whenever you change speakers. You set this parameter by ear using the test tone supplied when
entering the peak limiter. Sit in your normal listening spot. Check that you are in SETUP CROSSOVERS + LFE
and that your remote is in B&K mode. Moving to Peak Limiter and pressing SEL or ENTER activates a noise test
tone which will aid in adjusting the level to the point at which the bass speakers sound like they are having difficulty
reproducing the test tone. Once this level is achieved, reduce the adjustment 1 dB and press the SEL button on
the remote to save the peak limit setting. If the level is increased all the way to 0 dB with no perceived distortion,
then just leave the setting at 0 dB. If the correct values is known, the peak limiter may be set without the use of the
test tone.
1
2
3
4
5
6
7
/,0,7
From Remote
1
2
3
4
5
6
7
'%
/,0,7
'%
Action
1 (PAUSE) or (STOP)
(UP) or (DOWN)
2 SEL or ENTER
(ENTER)
VOLUME KNOB
(ENTER)
(REW) or(FF)
4 SEL or ENTER
30
Set your LFE (.1) channel level - Usually this will be set to 0.0 dB (default). However, if you have no subwoofer
you may wish to reduce the low frequency effects (LFE) channel to lessen its contribution to the bass going to your
remaining large speakers. Or, even with a subwoofer, you may just wish to reduce the overall LFE level, especially
in an apartment situation. Note that this affects only the separate LFE (.1) channel available on Dolby Digital and
DTS material it has no effect on the reproduction of normal bass from the front, center, or surround channels.
1
2
3
4
5
6
7
/)( /9/
From Remote
1 (PAUSE) or (STOP)
2
(REW) or(FF)
'%
Action
(UP) or (DOWN)
VOLUME KNOB
Set DTS LFE (.1) channel mode preference - Usually this will be set to Movie (default). However, some DTS
music material is mixed for a reduced LFE setting and may sound more natural with this set to Music. Note that
this affects only the separate LFE (.1) channel available on DTS material and has no effect on the reproduction of
normal bass from the front, center, or surround channels.
1
2
3
4
5
6
7
'76 /)(
From Remote
1 (PAUSE) or (STOP)
2
(REW) or(FF)
086,&
Action
(UP) or (DOWN)
VOLUME KNOB
31
Set subwoofer phase - In addition to the subwoofer location adjustment (see Speaker Location above), your
processor has an option to invert the phase of the information sent to the subwoofer. This adjustment is
sometimes needed to correct lack of low end problems created with the interaction between the subwoofer and
other large speakers in a listening room. The correct subwoofer phase adjustment is the one which allows the
loudest listening level.
1
2
3
4
5
6
7
From Remote
Action
(UP) or (DOWN)
VOLUME KNOB
3 MENU
MENU
4 MENU
MENU
1 (PAUSE) or (STOP)
2
(REW) or(FF)
32
Room Equalization
Usually these settings may be left set to the factory defaults. However, theses settings allow you to correct or
reduce the various tonal errors that occur during reproduction of audio in a home theater.
The room equalization menu allows for two types of adjustments.
1) A notch filter that allows you to Notch or reduce the accentuated bass created in a room with multiple
speakers (available during THX listening mode) (see Setting up the notch filter).
2) Variable bass and treble controls (not available during THX listening mode) allow you to configure a default
Variable EQ setting that best suits your listening room needs.
1
2
3
4
5
SETUP SPEAKERS
Speaker Size
Speaker Location
Speaker Levels
Crossovers + LFE
Room Equalization
next item
adjust
MENU setup system
next item
SEL select
MENU setup system
5220 (48$/,=(
From Remote
Action
1 (PAUSE) or (STOP)
(UP) or (DOWN)
2 SEL or ENTER
(ENTER)
Using the test tone generator - your processor has a low frequency sine wave generator (20 to 300 Hz) available
as an aid in determining the most offensive frequency to notch. Usually this test tone generator will be used with
the aid of an SPL meter in a similar fashion as that described in Setup Speaker Levels. The tone generator may
also be used to show up any mechanical room vibrations that should be reduced or eliminated. While active, the
generator has adjustable frequency and three selectable output levels.
SETUP ROOM EQUALIZATION
100.0 Hz
Hz
Test Tone 100.0
Off
Notch
100.0 Hz
0.0 dB
Notch Width
97.6 - 102.4 Hz
Bass
100.0 Hz
0.0 dB
Treble
10.0 kHz
0.0 dB
next item
adjust
MENU setup system
7(67
+=
33
From Remote
Action
(UP) or (DOWN)
VOLUME KNOB
(UP) or (DOWN)
VOLUME KNOB
5 repeat 1 - 4
repeat 1 - 4
6 MENU
MENU
1 (PAUSE) or (STOP)
2
(REW) or(FF)
3 (PAUSE) or (STOP)
4
(REW) or(FF)
Setup up the notch filter - your processor may be set to correct accentuated bass information caused by room
size and speaker positioning. The notch filter setup is independent of any other EQ settings and is engaged at all
times, regardless of the EQ selection.
SETUP ROOM EQUALIZATION
Test Tone 100.0 Hz
Off
100.0
Notch
100.0 Hz
0.0 dB
Notch Width
97.6 - 102.4 Hz
Bass
100.0 Hz
0.0 dB
Treble
10.0 kHz
0.0 dB
next item
adjust
MENU setup system
From Remote
Action
(UP) or (DOWN)
VOLUME KNOB
(UP) or (DOWN)
VOLUME KNOB
(UP) or (DOWN)
VOLUME KNOB
7 repeat 1 - 6
repeat 1 - 6
8 MENU
MENU
1 (PAUSE) or (STOP)
2
(REW) or(FF)
3 (PAUSE) or (STOP)
4
(REW) or(FF)
5 (PAUSE) or (STOP)
6
(REW) or(FF)
34
Setup variable EQ 1 - allows you to set default bass and treble settings for use with all input sources. Many
systems allow only adjustment of bass and treble levels at fixed frequency points. Your processor allows you to
adjust level and frequency to aid in adjusting your room for a flat frequency response. Set bass and treble to the
values you would like have restored into the variable EQ 1 whenever your unit comes out of sleep (see Select
variable EQ 1 under OPERATION Equalization).
SETUP ROOM EQUALIZATION
Test Tone 100.0 Hz
Off
Notch
100.0 Hz
0.0 dB
Notch Width
97.6 - 102.4 Hz
Bass
0.0 dB
100.0 Hz
Treble
10.0 kHz
0.0 dB
next item
adjust
MENU setup system
127FK
From Remote
1 (PAUSE) or (STOP)
2
(REW) or(FF)
3 (PAUSE) or (STOP)
4
(REW) or(FF)
5 (PAUSE) or (STOP)
6
(REW) or(FF)
7 (PAUSE) or (STOP)
8
(REW) or(FF)
9 MENU
+=
Action
(UP) or (DOWN)
VOLUME KNOB
(UP) or (DOWN)
VOLUME KNOB
(UP) or (DOWN)
VOLUME KNOB
(UP) or (DOWN)
VOLUME KNOB
MENU
35
Display
This menu allows you to set various aspects of your video and front panel displays. Make sure you are in the
SETUP MENUS and your remote is in B&K mode.
1
2
3
4
5
6
MAIN MENU
Zone 1 Operation
Zone 2 Operation
Zone 1 Favorite Presets
Zone 2 Favorite Presets
System Setup
Memory Backup/Restore
next item
MENU
1
2
3
4
SETUP SYSTEM
Speakers
Displays
Inputs
Presets
SEL select
exit menu system
next item
SEL select
MENU main menu
6<67(0 6(783
From Remote
6(783 ',63/$<6
Action
1 (PAUSE) or (STOP)
(UP) or (DOWN)
move to Displays
2 SEL or ENTER
(ENTER)
1
2
3
4
5
SETUP DISPLAYS
Front Panel
Overlay
Opaque
Backround Color
Z1 Monitor Video
Z1 Monitor Aspect
Bright
Bright
Blue
Manual
4:3
next item
adjust
MENU setup system
',63/$<
From Remote
1 (PAUSE) or (STOP)
2
(REW) or(FF)
%5,*+7
Action
(UP) or (DOWN)
VOLUME KNOB
Set the intensity of on-screen video overlays - Overlays will appear when you change a processor setting or
your processor detects a change in the incoming audio or video information. Transparent mode allows video to be
seen behind the overlay.
36
1
2
3
4
5
SETUP DISPLAYS
Front Panel
Overlay
Opaque
Backround Color
Z1 Monitor Video
Z1 Monitor Aspect
Bright
Bright
Blue
Manual
4:3
next item
adjust
MENU setup system
29(5/$< 23 %5,*+7
From Remote
1 (PAUSE) or (STOP)
2
(REW) or(FF)
Action
(UP) or (DOWN)
move to Overlay
VOLUME KNOB
1
2
3
4
5
SETUP DISPLAYS
Front Panel
Overlay
Opaque
Backround Color
Z1 Monitor Video
Z1 Monitor Aspect
Bright
Bright
Grey
Blue
Manual
4:3
next item
adjust
MENU setup system
',63/$<
From Remote
1 (PAUSE) or (STOP)
2
(REW) or(FF)
*5(<
Action
(UP) or (DOWN)
VOLUME KNOB
Set your Zone 1 (A) monitor video operation - More than likely you have a composite or S-VIDEO monitor
which will be used to view your selected sources video. Your processor has the capability to process BOTH
composite video and S-VIDEO simultaneously. Your processor DOES NOT convert between composite video and
S-VIDEO.
In MANUAL mode your processor will always send both composite video and S-VIDEO to your Zone 1 (A) monitor.
When your processor first detects video on a selected source it checks to see if it is composite or S-VIDEO or
both. It then shows a message which displays the current status as to the incoming video Composite, S-VIDEO
or Both Video, to both video outputs. When no video is available on one of the video formats (composite or
S-VIDEO), it will send its internal background screen to the monitor and then prompt you if there is video available
using the other video format.
In AUTO mode, your processor will look for S-VIDEO on the selected source. If it finds S-VIDEO it will send it to
your Zone 1 (A) monitor. Your processor will also look for composite video on the selected source. If it finds
composite video it will send it to your Zone 1 (A) monitor. If it finds no S-VIDEO on the selected source it will send
no video. Similarly if it finds no composite video on the selected source it will send no video. This allows for the
use of your Monitors auto video detection circuit (if available) to select the proper video format for your viewing.
37
1
2
3
4
5
SETUP DISPLAYS
Front Panel
Overlay
Opaque
Backround Color
Z1 Monitor Video
Z1 Monitor Aspect
Bright
Bright
Blue
Manual
4:3
next item
adjust
MENU setup system
9,'(2
From Remote
1 (PAUSE) or (STOP)
2
(REW) or(FF)
0$18$/
Action
(UP) or (DOWN)
VOLUME KNOB
Set the Zone 1 (A) Monitor Aspect Ratio - During normal operation, your processor will overlay status
information on your video monitor. This information is normally displayed at the bottom of the monitor. However,
if you are viewing letterbox material on a 16:9 (widescreen) monitor, this information will be cut off. Selecting the
16:9 monitor aspect ratio will position the status display within the letterbox viewing area. This setting does NOT
affect setup menus. Your monitor must be set for normal 4:3 viewing in order to display the entire menu page.
1
2
3
4
5
SETUP DISPLAYS
Front Panel
Overlay
Opaque
Backround Color
Z1 Monitor Video
Z1 Monitor Aspect
Bright
Bright
Blue
Manual
4:3
next item
adjust
MENU setup system
$63(&7
From Remote
1 (PAUSE) or (STOP)
2
(REW) or(FF)
3 MENU
Action
(UP) or (DOWN)
VOLUME KNOB
MENU
38
Inputs
Usually these settings may be left set to the factory defaults. However, your processor allows fine tuning how your
processor operates after the selection of an input source. Make sure you are in the SETUP MENUS and your
remote is in B&K mode.
1
2
3
4
5
6
MAIN MENU
Zone 1 Operation
Zone 2 Operation
Zone 1 Favorite Presets
Zone 2 Favorite Presets
System Setup
Memory Backup/Restore
next item
MENU
1
2
3
4
SETUP SYSTEM
Speakers
Displays
Inputs
Presets
SEL select
exit menu system
next item
SEL select
MENU main menu
6<67(0 6(783
From Remote
6(783 ,13876
Action
1 (PAUSE) or (STOP)
(UP) or (DOWN)
move to Inputs
2 SEL or ENTER
(ENTER)
Select input -
1
2
3
4
5
6
'9'
From Remote
Action
(REW) or(FF)
VOLUME KNOB
select source
Set the favorite audio listening mode - Your processor provides for 5 audio listening modes Mono, Stereo,
Surround, THX and DVD Audio (See AUDIO MODES). You may set a default audio mode and speaker selection
(excluding selection 0 Headphone, or selection 9 LtRt) for each of your input sources. When a source is
selected from the remote control or front panel, the audio mode will automatically be set to use this favorite mode
and speaker selection. Note that DVDA mode can only be selected if that input is designated as the DVD audio
input below.
39
1
2
3
4
5
6
From Remote
2 (PAUSE) or (STOP)
3
(REW) or(FF)
02'( 6855
Action
(UP) or (DOWN)
VOLUME KNOB
Set the favorite speakers - Allows you to set a different default number of speakers (excluding selection 0
Headphone, or selection 9 Lt Rt) for each of your input sources. When a source is selected from the remote
control or front panel, audio will be sent to the number of speakers set in favorite speakers. See AUDIO MODES
and the table below.
Favorite
Speakers
Notes
Speakers Used
0 (headphone)
L, R
L, C, R
L, R, Sl, Sr
4B
L, R, Sbl, Sbr
L, C, R, Sl, Sr
5B
L, C, R, Sbl, Sbr
8 (direct)
L, R
9 (LtRt)
40
1
2
3
4
5
6
From Remote
4 (PAUSE) or (STOP)
5
(REW) or(FF)
63($.(56
Action
(UP) or (DOWN)
VOLUME KNOB
Set input source level - Allows you to match the levels of your input sources so that there are no large changes
in volume as you change from one source to another. This is for your convenience only and need not be
performed unless you wish to. You may use a SPL meter or your ear to adjust the levels. Note that the levels will
depend not only on this setting but also on the source material being played back. You may wish to use a test disc.
1
2
3
4
5
6
From Remote
6 (PAUSE) or (STOP)
7
(REW) or(FF)
/9/
R '%
Action
(UP) or (DOWN)
move to Level
VOLUME KNOB
41
Set input source name - From the factory, your processor will display source names that match those printed on
the rear of the processor and on the supplied remote. However, your processor allows you to change the
displayed names to match the actual sources used. If you do not want to change the names then skip this step.
Note that the tuner name cannot be changed.
1
2
3
4
5
6
1
2
3
4
5
6
next item
adjust
MENU setup system
'9'
From Remote
1$0( '9'
'9'
1$0( '9'
Action
8 (PAUSE) or (STOP)
(UP) or (DOWN)
move to Name
9 SEL or ENTER
(ENTER)
VOLUME KNOB
(UP) or (DOWN)
VOLUME KNOB
13 repeat 10 - 12
repeat 10 - 12
14 SEL or ENTER
(ENTER)
10
(REW) or(FF)
11 (PAUSE) or (STOP)
12
(REW) or(FF)
Set component video - Allows you to associate one of two component video inputs with each of your input
sources. When you choose that source for viewing, the associated component video input will be routed to the
component video output.
1
2
3
4
5
6
From Remote
15 (PAUSE) or (STOP)
16
(REW) or(FF)
&03 9,'
Action
(UP) or (DOWN)
VOLUME KNOB
42
Set DVD audio input - Allows you to select which ONE input source to dedicate for use with the DVD Audio
inputs. This setting is not necessary if there is no need for a DVD audio or other 5.1 input source When you select
Yes for a particular input, any previously selected DVD Audio input will be automatically reset to No. When you
select Yes for a particular input, the favorite Mode is automatically set to DVD audio mode. Setting a source to
DVD audio mode does not prevent you from using the digital inputs from that source. Simply select one of the
other four listening modes to return to digital processing for the designated DVD audio input.
1
2
3
4
5
6
From Remote
'9'$
12
Action
(UP) or (DOWN)
VOLUME KNOB
19 repeat 1 - 16
repeat 1 - 16
20 MENU
MENU
17 (PAUSE) or (STOP)
18
(REW) or(FF)
Presets
Usually these settings may be left set to the factory defaults. However, your processor allows fine tuning of how
presets operate. Make sure you are in the SETUP MENUS and your remote is in B&K mode.
1
2
3
4
5
6
MAIN MENU
Zone 1 Operation
Zone 2 Operation
Zone 1 Favorite Presets
Zone 2 Favorite Presets
System Setup
Memory Backup/Restore
next item
MENU
1
2
3
4
SEL select
exit menu system
next item
SEL select
MENU main menu
6<67(0 6(783
From Remote
SETUP SYSTEM
Speakers
Displays
Inputs
Presets
6(783 35(6(76
Action
1 (PAUSE) or (STOP)
(UP) or (DOWN)
move to Presets
2 SEL or ENTER
(ENTER)
43
Use volume with presets - Recalling a preset normally recalls the entire system settings that were present when
the preset was saved. However, you may wish to recall presets with the current volume setting, rather than the
volume setting when the preset was saved. If so, then set Volume in Presets to No.
SETUP PRESETS
1 Volume In Presets
Yes
When recalling a preset
volume level changes to
preset level
2 Preset Names
Auto
When saving a preset
system generates a name
next item
adjust
MENU setup system
35(6(7 92/
SETUP PRESETS
1 Volume In Presets
No
When recalling a preset
volume level remains at
current level
2 Preset Names
Auto
When saving a preset
system generates a name
next item
adjust
MENU setup system
<(6
35(6(7 92/
From Remote
Action
(REW) or(FF)
VOLUME KNOB
select Yes or No
12
Generating a name when saving a preset - When you save a preset, your system automatically generates a
simple name for the preset, which you can then change before confirming the preset save. You may wish to defeat
this automatic naming so that any custom names that you have entered will not get erased each time you save a
minor change to a preset. Turning auto naming off means that the name that is already present in the preset will
be re-used when you save a new preset to that location. If you turn off auto naming you must be very careful to
always enter an appropriate name. Otherwise you can end up with a preset that is named DVD, but actually recalls
the V1 input, or is named FM 96.9 but actually recalls AM 1520!
SETUP PRESETS
1 Volume In Presets
Yes
When recalling a preset
volume level changes to
preset level
2 Preset Names
Auto
Auto
When saving a preset
system generates a name
next item
adjust
MENU setup system
SETUP PRESETS
1 Volume In Presets
No
When recalling a preset
volume level remains at
current level
2 Preset Names
Manual
When saving a preset
user enters a name
next item
adjust
MENU setup system
35(6(7 1$0(
0$1
From Remote
Action
(REW) or(FF)
VOLUME KNOB
MENU
2 MENU
44
MEMORY BACKUP
Your processor continually saves any settings you have made even if power is lost. However, you may wish to
save a backup of your settings in case of inadvertent changes to them. To perform a backup follow the procedure
below. To restore backup settings perform the same procedure but select restore instead of backup. If you have
never made a backup, then performing a restore will call back the original factory settings. Make sure you are in
the MAIN MENU and your remote is in B&K mode.
1
2
3
4
5
6
MAIN MENU
Zone 1 Operation
Zone 2 Operation
Zone 1 Favorite Presets
Zone 2 Favorite Presets
System Setup
Memory Backup/Restore
next item
MENU
SEL perform
adjust
MENU main menu
SEL select
exit menu system
%$&.835(6725(
From Remote
0(025< %$&.83
Action
1 (PAUSE) or (STOP)
(UP) or (DOWN)
2 SEL or ENTER
(ENTER)
VOLUME KNOB
4 SEL or ENTER
(ENTER)
5 MENU
MENU
6 MENU
MENU
(REW) or(FF)
45
OPERATION
The following outlines the normal day-to-day operation of your processor from the supplied universal remote or
directly from your processors front panel. The universal remote is also capable of controlling other equipment and
storing sequences of commonly used commands. Refer to the separate remote manual for details on these
functions.
POWER ON/OFF
The main power switch on the front panel of your processor must be on for the processor to operate. When this
switch is off all power is removed from your processor. This prevents turning it back on with the remote control.
You can use the main power switch for normal day to day operation but we suggest you use the sleep function
instead so that the processor can be turned on and off from the remote. After turning on the main power you must
wait a few seconds while your processor restores its internal memory. You may want to turn off the main power
switch when your processor will be idle for extended periods of time or during periods of power line fluctuations.
Your processor will not lose its memory while the main power switch is off.
BK
3/($6( :$,7
From Remote
Action
POWER ON/OFF
SLEEP
Normally you will simply put your processor to sleep (standby) when not in use. Sleep mode keeps a bare
minimum of functions running in order to allow remote control operation and fast start up. Note that the front panel
SLEEP button is lit while your processor is asleep and is off when your processor is operating. Also note that the
remote POWER button is a power toggle and will put your processor in and out of sleep. OFF will always put the
processor into sleep. B&K or AUDIO will always wake up your processor and set the remote to control the
processor
BK Components
Reference 30
Version 2.00
BK Components
* Digital DNA
BK
%. &20321(176
From Remote
1 B&K or POWER
2 OFF or POWER
Action
A SLEEP
A SLEEP
46
CHOOSING A SOURCE
In general, the selected source will appear at the Zone 1 (A) output, the TAPE output, and the V1 output. To
prevent feedback, TAPE input will not appear at TAPE output and V1 input will not appear at V1 output.
DVD Surround 7 EQ Variable
DVD
5.1 48k Both Video
From Remote
'9'
Action
desired source
(press twice)
6855281'
B&K
Note: if your source has separate ON and OFF control like your processor, pressing the source button twice will
also turn on that source. If not, you will have to hit POWER while the remote is still set to the desired source.
TAPE MONITOR - If you have an analog three-head cassette or reel-to-reel analog tape recorder you may wish to
use TAPE MONITOR, which allows you to hear exactly what is on the tape as you are recording.
TAPE Stereo 7 EQ Variable
Analog 2.0 96k Both Video
7$3(
6855281'
From Remote
Action
desired source
(press twice)
TAPE
(press twice)
Note: The tape monitor loop only allows recording of analog inputs. If you simply choose the source you wish to
tape without then selecting TAPE MONITOR then you can make analog recordings of digital inputs as well as
analog inputs.
AM/FM TUNER
TUNER Stereo 7 EQ Variable
FM 102.5 2.0 96k Both Video
From Remote
1 B&K
2 AM or FM
)0 67(5(2
Action
3 TUNE+ or TUNE-
(UP) or (DOWN)
4 SEL or ENTER
(ENTER)
set FM stereo/mono
Note: For a few seconds after performing any tuner operation ( AM, FM, or TUNE+/-) you may directly enter a
frequency from the remote controls numeric keypad. The MONO or ST audio mode buttons on the remote control
and select mono/stereo.
47
Z1 Master Volume
= 92/80(
0.0 dB
From Remote
Action
VOLUME or VOLUME
VOLUME KNOB
adjust volume
MUTE
Note: The front panel VOLUME KNOB is used to control multiple functions and, therefore, cannot always control
the volume. The VOLUME KNOB may control volume in the menu system when not used for parameter
adjustments. During normal operation the VOLUME KNOB may switch to controlling other functions but will return
to MASTER LEVEL after a few seconds. The remotes VOLUME or VOLUME will always change master
volume level except in the SETUP SPEAKER LEVELS and SETUP Source INPUT menus.
Z1
From Remote
= &(17(5
Action
REAR or REAR
SUB or SUB
Note: these settings are temporary and will be lost when you put your processor to sleep or turn off the main
power. If you have particular temporary setting that you use often, you may save them in a preset.
48
AUDIO MODES
Your processor is designed to work with 5 audio listening modes. Under normal operation you may simply select
Mono, Stereo, Surround, THX or DVD Audio via the remote control. In addition, you may choose an audio listening
mode immediately followed by a speaker selection. The table below shows how your processor will route audio
with the various audio modes and speaker selection combinations. This table assumes seven full range speakers
plus a subwoofer. If your speaker configuration is different from this make sure you have performed the set up
procedures described previously (see SETUP SPEAKER SIZE). When the setup is correctly performed your
processor will route audio to fewer/smaller speakers with the needed corrections to volume and down mixing
applied automatically.
AUDIO
Speakers
Stereo
Mono
MODE
Surround
THX
DVD Audio
Select 0
Headphone
Select 1
SUB
SUB
SUB
SUB
Select 6
SUB
SUB
SUB
SUB
R
SUB
L
R
Sl S U B Sr
L
R
Sl S U B Sr
L
R
Sl S U B Sr
Sr
Sl
L
C R
Sl S U B Sr
Sr
Sl
L
C R
Sl S U B Sr
Sr
Sl
Sr
L
C R
Sl S U B Sr
Sr
Sl
Sr
L
C R
Sl S U B Sr
L
C R
Sl S U B Sr
L
C R
Sl S U B Sr
Sbl Sbr
Sbl Sbr
Sbl Sbr
L
C R
Sl S U B Sr
L
C R
Sl S U B Sr
L
C R
Sl S U B Sr
SUB
Sl
SUB
R
SUB
SUB
Sl
SUB
M
Select 8
Direct
'Analog'
SUB
R
SUB
M M
M SUB M
Select 7
SUB
M
M SUB M
M
SUB
M
Select 5
Select 5B
L
SUB
M
Select 4
Select 4B
Rt
Lt
SUB
Select 3
SUB
M
Select 2
Sl
Sr
Sl
Sr
Sl
Sr
Lt
Rt
Lt
Rt
Lt
Rt
Lt
Rt
Lt
Rt
Select 9
(Lt Rt)
49
STEREO
Sums the incoming audio information into Left, Right, and Mono channels and routes them to the desired speaker
selection. Useful for purist (STEREO 2) listening and expanding the stereo effect to additional speakers.
SURROUND
Provides Dolby Pro Logic processing for 2 channel analog or digital audio for the desired number of speakers.
Fully decodes Dolby Digital and DTS 5.1 bitstreams and routes to the desired speakers. SURROUND 6 adds
matrix processing of surround and back channels for Dolby Digital and DTS 5.1 bitstreams.
THX
Similar in operation to audio mode SURROUND, but incorporates Lucasfilm Home THX Re-Equalization,
Timbre Matching and Adaptive Decorrelation to correct for the tonal and spatial errors that occur during the
translation from the movie theater environment into the home. Audio mode THX 6, allows THX Surround EX,
which has further Home THX Cinema processing to allow for the precise decoding of Dolby Digital Surround EX
signals. An audio mode other than THX 6 may be used to disable THX Surround EX processing.
DVD Audio
Use this audio mode with the analog outputs of a DVD Audio player or any other 5.1 audio source device (see Set
DVD audio input under SETUP INPUTS). Like all other modes you may choose to rout your DVD audio source to
1 - 7 speakers and even add matrix surround/back processing (DVDA 6). Note that DVD Audio mode can only be
chosen for the input designated as the DVD Audio input in the setup menu. While no DVD Audio input is assigned
(factory default) the DVD Audio mode is inactive.
Special Considerations
After selecting an audio mode, you may enter 0 - 9 to select the desired number of speakers that will be used to
reproduce the processed audio. Three of these selections (0, 8, 9) require extra consideration to fully understand
their capability as they do not relate specifically to the number of speakers in your system.
Speaker selection 0 HEADPHONE - use when the processor is to be used with Headphones and it is desired to
turn off the systems power amplifiers. While in HEADPHONE, the equalizer feature of your unit remains
operational (see EQUALIZATION EQ). Selecting an audio mode for use with speaker selection 0 HEADPHONE
effects all inputs simultaneously. This feature allows the Headphone selection to stay in effect until the unit is put
to SLEEP, or you select an audio mode for use with other than 0 speakers. Note HEADPHONE is not allowed for
use in Favorite Mode setup. Also, Control Out 1 may be turned off (factory default) depending on how your
processor has been set up (see ADVANCED FEATURES), allowing you to turn off any external amplifiers or
powered subwoofers with compatible CONTROL inputs. WARNING: in order to provide full range audio to
your headphones, it is necessary to override the bass management processing in your processor. If you
are using external amplifiers or powered speakers with no CONTROL OUT capability then full range audio
(including LFE for Dolby Digital and DTS) will also be sent to your front left and right speakers. If you have
small front speakers we strongly suggest you manually turn off your external amplifiers or powered
speakers before switching to selecting HEADPHONE operation. Otherwise you may damage your
speakers.
50
Speaker selection 8 DIRECT - allows selection of the analog signals connected to the currently selected input
sources L & R RCA audio inputs overriding the use of optical or coax S/PDIF. No processing is applied to the
audio signals other than level control. Use DIRECT when NO audio processing is desired, This may be desirable
if you use an outboard digtal-to-analog converter or Super Audio CD player. Note, while in DIRECT, the equalizer
feature of your unit is not available and disabled (see EQUALIZATION EQ).
Speaker selection 9 LtRt - Normally, your tape outputs contain the analog L/R inputs from the selected source.
If you wish to make a recording from the digital inputs, select mode 9 (LtRt - Left total, Right total)). Selecting an
audio mode for use with speaker selection 9 LtRt effects all inputs simultaneously. This feature allows LtRt to
stay in effect until the unit is put to SLEEP, or you select an audio mode for use with other than 9 speakers.
Speaker selection 9 LtRt, is not allowed for use in Favorite Mode setup. Your processor will convert the digital
signal to a Dolby Surround compatible 2 channel signal for recording. Upon playback you will get matrix surround
encoded sound, even if the original signal was Dolby Digital or DTS. Note that the LtRt signal also appears at your
front left and right speakers and is full range. If you use small front speakers it is recommended that you turn down
the volume before engaging LtRt mode. Note, while in LtRt, the equalizer feature of your unit is not available and
disabled (see EQUALIZATION EQ).
'9'
B&K
THX
7+; 685
Action
(MODE)
(UP) or (DOWN)
B&K
ST
4 (again)
Stereo 4B EQ Variable
5.1 48k Both Video
'9'
67(5(2
%
Action
(MODE)
(UP) or (DOWN)
51
EQUALIZATION EQ
Selecting an EQ function via the remote control - allows you to override how the audio is currently being
processed. This is where you may set the Dynamic Range to either Normal (default) or Limited for late night
listening while using Dolby Digital bit streams.
Settings made here are intended for occasional adjustments for a particular source material. They affect all inputs
but are temporary. After turning the system off and on, the original parameters from the SETUP menus are
restored. If there are temporary settings you use often, you may wish to store them in a preset for instant recall
See PRESETS.
You may select EQ, Off EQ 0, Variable EQ 1, Loudness EQ 2 or Theater EQ 3.
The table below shows the various audio modes and how the the EQ feature may be used. Under normal usage a
user would select one of these EQs to either correct or enhance their processed audio.
Note, while in DIRECT or LtRt (speaker selections 8 & 9) the equalizer feature of your unit is not available and
disabled (see EQUALIZATION EQ).
EQ Name
Mono
Stereo
Surround
THX
DVD Audio
EQ
Number
Off
bypassed
bypassed
bypassed
* disabled
bypassed
Variable
* disabled
bypassed
Loudness
fixed response
fixed response
fixed response
* disabled
bypassed
Theater
fixed response
fixed response
fixed response
* disabled
bypassed
* Selecting THX Audio mode disables your units equalization feature and sets your unit for use with Home THX
Cinema mode. Re-Equalization is used to restore the correct tonal balance for watching a movie soundtrack in a
small home theater. Timbre Matching is used to filter the information going to the surround speakers so that
they more closely match the tonal characteristics of the sound coming from the front speakers. This ensures
seamless panning from the front to surround speakers. If your processor is used in a THX home theater
environment, best results during movies may be realized using the THX audio listening mode (see AUDIO
MODES, THX).
Select off EQ 0 - disables the use of any preset equalization curves or bass and treble settings. Note the notch
filter settings made under Setup Room Equalization are still in effect.
52
Select variable EQ 1 - to allow separate bass and treble settings for use with all input sources.
Many systems allow only adjustment of bass and treble levels at fixed frequency points. Your processor allows you
to adjust level and frequency so you may fine tune your tone controls to proved either very subtle effects at just the
right frequency extremes, or for more a pronounced effect at higher bass and lower treble frequencies.
A default setting for bass and treble may be set under Setup Room Equalization.
Selecting variable EQ 1 allows you to use the options shown below in VARIABLE EQUALIZATION, and
temporarily override the default settings made to bass and treble in setup room equalization (See Room
Equalization under Setup Speakers).
Adjust LFE Level if you have no subwoofer and you wish to reduce the low frequency effects (LFE) channel to
lessen its contribution to the bass going to your remaining large speakers. Or, even with a subwoofer, you may just
wish to reduce the overall LFE level, especially in an apartment situation. Note that this affects only the separate
LFE (.1) channel available on Dolby Digital and DTS material it has no effect on the reproduction of normal bass
from the front, center, or surround channels.
Select DTS LFE MODE Music if your DTS material is mixed for a reduced LFE setting and you wish to have a
more natural sound. Note that this affects only the separate LFE (.1) channel available on DTS material and has
no effect on the reproduction of normal bass from the front, center, or surround channels.
Select Dynamic Range Limited for late night listening while using Dolby Digital bit streams and a reduced
dynamic range is desired. When the dynamic range is set to limited, compression is used to raise the average
loudness of the dialog, and the program peaks will be restricted much in the style of conventional television audio.
VARIABLE EQUALIZATION
Frequency
Level
Bass 100.0 Hz
0.0 dB
Treble 10.0 kHz
0.0 dB
LFE Level
0.0 dB
DTS LFE Mode
Movie
Dynamic Range
Normal
adjust
MENU zone operation
next item
%$66
From Remote
+=
Action
1 EQ then 1
not available
2 SEL or ENTER
(ENTER)
3 (PAUSE) or (STOP)
(REW) or(FF)
(UP) or (DOWN)
VOLUME KNOB
3 MENU
MENU
53
Select loudness EQ 2 - sets the equalizer to use preset filter curves designed for use when using low listening
levels. The human ears frequency response varies with volume level. At high levels it has relatively flat response,
while at low levels its sensitivity to high and low frequencies is reduced. The loudness equalizer is designed to
cancel the ears frequency response anomalies to provide consistent tone at all volume levels. Note that you will
hear little difference using the loudness control at high volumes as it has its greatest effect at lower volume levels.
Select theater EQ EQ 3 - sets the equalizer for use with a preset filter curve best suited for small home theaters.
Many soundtracks are mixed for a large movie theater with very absorptive surfaces and speakers firing through
projection screens. If the soundtrack has not been adjusted for home use, it may sound overly bright or harsh.
Theater EQ allows you to apply preset high frequency compensation specifically set for use with this type of
material. If your processor is used in a THX home theater environment, best results during movies may be
realized using the THX audio listening mode (see AUDIO MODES, THX).
ZONE Z
Use the Z (zone) function via the remote control - Your processor comes equipped with a fully independent
2-channel analog pre-amp for use with a second audio zone. The easiest way to control the second Zone is with a
dedicated Z2 remote available from B&K and other universal remote suppliers. You can also control the second
zone from your zone 1 remote via the Z button.
Control Zone 2
+10 0-9 to select zone
From Remote
&21752/ =21(
Action
B&K
Normally, your second zone will be zone 2. However, it is possible to change the zone ID (see Advanced settings).
If the second zone (zone B) ID has been changed, enter its current ID here to get control of the second zone. If the
zone ID is 10 or larger hit +10 followed by the second digit to gain control.
After a few seconds of inactivity, control will automatically revert to zone 1 (A). If you dont wish to wait, just press
Z then 1. You can also control zone 2 (B) from the remote or front panel via the menu system. Refer to ZONE 2
(B) OPERATION.
54
PRESETS
Presets allow you to save your favorite settings and recall them instantly. Your processor can store two banks of
40 presets (0..39) in each of 2 Zones. The saved information includes the selected audio source, selected video
source, volume, the audio mode and number of speakers, the tuner station and band settings, and all of the
temporary settings and overrides described previously. A convenient set of 10 presets come preprogrammed with
your processor.
Recalling a Preset
RECALL PRESET 2
DVD -25 dB
Source DVD
Record DVD
Video DVD
Volume - 25.0
Mode Surround Center
0.0
Spkrs
7
Rear
0.0
Eq 0
Off
Sub
0.0
0..9 +10 preset
SEL confirm
MENU cancel
'9'
From Remote
'%
Action
2 SEL or ENTER
(ENTER)
recall preset
Saving a Preset
SAVE
PRESET 10
'DVD -25 dB '
Source DVD
Record DVD
Video DVD
Volume - 25.0
Mode Surround Center
0.0
Spkrs
7
Rear
0.0
Eq 0
Off
Sub
0.0
character position
0..9 +10 preset SEL confirm
MENU cancel
'9'
From Remote
'%
Action
1 make all settings you wish to save make all settings you wish to save
2 SAVE
SAVE
3 (PAUSE) or (STOP)
(REW) or(FF)
(UP) or (DOWN)
VOLUME KNOB
4 SEL or ENTER
(ENTER)
save preset
55
ZONE 1 (A)
Recalling/Saving Presets via the Menu System
You can also recall, save presets and operate your processor via the menu system from the remote or from the
front panel. If using the remote be sure it is in B&K mode and you are in the MAIN MENUS.
1
2
3
4
5
6
MAIN MENU
Zone 1 Operation
Zone 2 Operation
Zone 1 Favorite Presets
Zone 2 Favorite Presets
System Setup
Memory Backup/Restore
next item
MENU
ZONE 1 OPERATION
Source DVD
Video DVD
Mode Surround
Spkrs
7
Eq 0
Off
character
0..9 +10 recall
MENU
SEL select
exit menu system
= 23(5$7,21
From Remote
Record DVD
Volume - 25.0
Center
0.0
Rear
0.0
Sub
0.0
adjust
SAVE preset
cancel
= 6285&( '9'
Action
1 (PAUSE) or (STOP)
(UP) or (DOWN)
2 SEL or ENTER
(ENTER)
(MODE)
4 MENU
MENU
(SOURCE)
and or
Action
1 MENU
MENU
2 (PAUSE) or (STOP)
(UP) or (DOWN)
3 SEL or ENTER
(ENTER)
5 ENTER
(ENTER)
56
Action
1 (PAUSE) or (STOP)
(UP) or (DOWN)
2 SEL or ENTER
(ENTER)
(MODE)
4 SAVE or ENTER
or select a different preset
number
(SOURCE)
and or
(UP) or (DOWN) (select function)
VOLUME KNOB (adjust parameter)
5 (PAUSE) or (STOP)
(REW) or(FF)
(UP) or (DOWN)
VOLUME KNOB
6 ENTER
(ENTER)
save preset
7 MENU
MENU
8 MENU
MENU
ZONE 2 (B)
As with Zone 1 (A) operation you may also recall, save presets and operate your processors Zone 2 (B) via the
menu system via the remote or from the front panel. If using the remote be sure it is in B&K mode and you are in
the MAIN MENUS.
1
2
3
4
5
6
MAIN MENU
Zone 1 Operation
Zone 2 Operation
Zone 1 Favorite Presets
Zone 2 Favorite Presets
System Setup
Memory Backup/Restore
next item
MENU
ZONE 2 OPERATION
Power Off
Source DVD
Record DVD
Video DVD
Volume - 25.0
SEL select
exit menu system
= 23(5$7,21
From Remote
= 6285&( 2))
Action
1 (PAUSE) or (STOP)
(UP) or (DOWN)
2 SEL or ENTER
(ENTER)
(SOURCE)
and or
MENU
57
Action
1 MENU
MENU
2 (PAUSE) or (STOP)
(UP) or (DOWN)
3 SEL or ENTER
(ENTER)
5 ENTER
(ENTER)
recall preset
Action
1 (PAUSE) or (STOP)
(UP) or (DOWN)
2 SEL or ENTER
(ENTER)
(SOURCE)
and or
5 (PAUSE) or (STOP)
(REW) or(FF)
(UP) or (DOWN)
VOLUME KNOB
6 ENTER
(ENTER)
save preset
7 MENU
MENU
8 MENU
MENU
1
2
3
4
5
6
MAIN MENU
Zone 1 Operation
Zone 2 Operation
Zone 1 Favorite Presets
Zone 2 Favorite Presets
System Setup
Memory Backup/Restore
ZONE 1 FAVORITES
Preset 0 Yes
'TV
-25 dB '
recall SEL
yes/no
MENU main menu
edit name
SEL select
exit menu system
= )$925,7(6
=
58
79
<(6
From Remote
Action
1 (PAUSE) or (STOP)
(UP) or (DOWN)
2 SEL or ENTER
(ENTER)
(REW) or(FF)
VOLUME KNOB
5 (PAUSE) or (STOP)
(UP) or (DOWN)
6 ENTER
(ENTER)
7 repeat 3-6
repeat 3-6
8 MENU
MENU
9 MENU
MENU
1
2
3
4
5
6
MAIN MENU
Zone 1 Operation
Zone 2 Operation
Zone 1 Favorite Presets
Zone 2 Favorite Presets
System Setup
Memory Backup/Restore
ZONE 2 FAVORITES
Preset 0 Yes
'TV
-25 dB '
recall SEL
yes/no
MENU main menu
edit name
SEL select
exit menu system
= )$925,7(6
From Remote
=
79
<(6
Action
1 (PAUSE) or (STOP)
(UP) or (DOWN)
2 SEL or ENTER
(ENTER)
(REW) or(FF)
VOLUME KNOB
5 (PAUSE) or (STOP)
(UP) or (DOWN)
6 ENTER
(ENTER)
7 repeat 3-6
repeat 3-6
8 MENU
MENU
9 MENU
MENU
59
ON SCREEN DISPLAY
Used to indicate current bitstream type is
Dolby Digital and it is not set for use at a
dialog normalization level of -27 dB
The audio/video source
you have chosen
The current EQ
or
THX processing is on
Dialog Normalization = 31
'9'6855281'
The audio/video source
you have chosen
From Remote
Action
SEL or ENTER
(ENTER)
60
ADVANCED FEATURES
WARNING -
The following describes the advanced features of the processor. Since changing some of
these functions may cause severe effects such as no sound or no remote control operation, we suggest you leave
this menu disabled (hidden) for normal operation. If you are unsure of what you are changing DO NOT perform
any advanced operations. These features may be activated by simultaneously pressing the SLEEP, DOWN, and
UP buttons on the front panel of the processor.
Advanced
Usually these settings may be left set to the factory defaults. However, these settings allow additional
modifications to the operation of your processor. Make sure you are in the SETUP SYSTEM MENUS and your
remote is in B&K mode.
1
2
3
4
5
6
MAIN MENU
Zone 1 Operation
Zone 2 Operation
Zone 1 Favorite Presets
Zone 2 Favorite Presets
System Setup
Memory Backup/Restore
next item
MENU
1
2
3
4
5
SETUP SYSTEM
Speakers
Displays
Inputs
Presets
Advanced
SEL select
exit menu system
next item
SEL select
MENU main menu
6<67(0 6(783
From Remote
6(783 $'9$1&('
Action
1 (PAUSE) or (STOP)
(UP) or (DOWN)
move to Advanced
2 SEL or ENTER
(ENTER)
1
2
3
4
5
6
7
1
2
3
4
5
next item
adjust
MENU advanced setup
next item
SEL select
MENU setup system
= 6(783 $
61
From Remote
Action
1 (PAUSE) or (STOP)
(UP) or (DOWN)
2 SEL or ENTER
(ENTER)
Set the maximum level of Zone 1 (A) - Max level allows you to set a maximum volume level for Zone 1 (A). This
is very useful if you are using speakers that cant handle the maximum power output from your processor or if you
simply wish to limit the volume that can be achieved using normal front panel or remote operation.
WARNING - If you set this level too low, the processor may appear broken (no sound).
1
2
3
4
5
next item
adjust
MENU advanced setup
=$ =21( ,'
From Remote
1 (PAUSE) or (STOP)
2
(REW) or(FF)
Action
(UP) or (DOWN)
VOLUME KNOB
Set Zone 1 (A) product ID - Each message transmitted from your remote includes a Product Code, identifying
the manufacturer, and Zone product ID code from 1 to 16. The product ID code allows multiple B&K products to
be controlled from the same remote. Your processor actually uses two product ID codes - one for Zone 1 (A)
(normally set to ID code 1) and the other for Zone 2 (B) (normally set to ID code 2). If you have a system with
multiple B&K products then you may wish to set the Zone product ID codes to other values. Note that you cannot
set the Zone 1 (A) product ID to the same setting as Zone 2 (B) or vice versa. If you need to set Zone 1 (A) to the
current Zone 2 (B) setting then set Zone 2 (B) to some other value first.
WARNING - if you change the Zone product ID code in the processor without making the corresponding
change to the remote then the remote will no longer work. Refer to the separate remote manual for details
on changing the remotes product ID (device code).
1
2
3
4
5
next item
adjust
MENU advanced setup
=$ =21( ,'
62
From Remote
1 (PAUSE) or (STOP)
2
(REW) or(FF)
Action
(UP) or (DOWN)
move to Zone ID
VOLUME KNOB
Set Zone 1 (A) On Screen display usage - During normal operation, when you make a change to a system
setting or your processor detects a change to the incoming audio or video, a message is overlaid along the bottom
of your video screen. You can turn off the overlay display from this menu. This will not affect the on-screen
displays when you enter the menu system.
1
2
3
4
5
next item
adjust
MENU advanced setup
26'
From Remote
1 (PAUSE) or (STOP)
2
(REW) or(FF)
(1$%/('
Action
(UP) or (DOWN)
VOLUME KNOB
Set V1 line output usage - V1 output is normally set up as a tape loop. The V1 and Zone 1 (A) output are the
current source (V2, TV, CD, DVD, etc.) except when the current selection is V1. When V1 is selected as the
source, the Zone 1 (A) output is V1 and the V1 output is off. This prevents feedback when the V1 inputs and
outputs are connected to a tape deck or VCR. Feedback can cause high frequency oscillations which may
damage your speakers. If you dont connect a tape deck to the V1 input and output you can use the V1 output as
an additional line out. In this mode V1 output is always the selected input including V1. Note: The Tape input and
output is always set up as a tape monitor for Zone 1 (A).
1
2
3
4
5
next item
adjust
MENU advanced setup
=$ 9 287
From Remote
1 (PAUSE) or (STOP)
2
(REW) or(FF)
7$3(
=$ 9 287
/,1(
Action
(UP) or (DOWN)
move to V1 Output
VOLUME KNOB
63
Set surround mode operation - Most users will prefer the factory setting - AUTO. In this mode the processor
automatically sets the surround mode to full 7.1 channel operation (or as many as permitted by your speaker
setup) whenever a Dolby Digital or DTS bitstream is detected regardless of what surround mode you have
selected. For example, load your CD changer with a normal PCM CD, a DTS CD, and another normal PCM CD
and select audio mode SURROUND 3 (see AUDIO MODES above). While the PCM CD is playing you will get
sound from the front and center speakers only. When the disc changes to the DTS CD you will get sound from all
front, center, and surround speakers. When the third (PCM) CD starts the processor returns to SURROUND 3.
Note that if a Dolby Digital or DTS source is currently playing and you change the audio mode the processor will
stay in the selected audio mode until you select another input or turn the processor off and on. In MANUAL mode
the chosen audio mode remains set regardless of the bitstream detected. In the above example only the front and
center speakers would be used on all three CDs even though the DTS CD was capable of providing full 5 channel
sound to 7.1 speakers. Note that the surround channel information is not lost. It is simply mixed into the front
speakers.
ADVANCED ZONE A SETTINGS
1 Max Level
+15 dB
2 Zone ID
1
3 On Sreen Display
Enabled
Tape
4 V1 Output
5 Surround Modes
Auto
System will choose surround
mode based on user input and
data from source material
next item
adjust
MENU advanced setup
02'(6
From Remote
1 (PAUSE) or (STOP)
2
(REW) or(FF)
3 MENU
$872
02'(6
0$18$/
Action
(UP) or (DOWN)
VOLUME KNOB
MENU
1
2
3
4
5
6
7
1
2
3
4
5
6
next item
adjust
MENU advanced setup
next item
SEL select
MENU setup system
=% /9/ 9$5,$%/(
= 6(783 %
64
From Remote
Action
1 (PAUSE) or (STOP)
(UP) or (DOWN)
2 SEL or ENTER
(ENTER)
Zone 2 (B) Level Control - You may wish to install an in-wall volume control in your second zone. This can cause
confusion between your processors internal Zone 2 (B) volume controls and your in-wall controls.
WARNING - Setting Zone 2 (B) LEVEL CONTROL to FIXED will cause your processor to immediately send
its maximum Zone 2 (B) volume to your second zone (if Zone 2 (B) is on). Turn down your in-wall volume
controls before making this change.
1
2
3
4
5
6
1
2
3
4
5
6
next item
adjust
MENU advanced setup
next item
adjust
MENU advanced setup
=% /9/ 9$5,$%/(
From Remote
1 (PAUSE) or (STOP)
2
(REW) or(FF)
=% /9/
),;('
Action
(UP) or (DOWN)
VOLUME KNOB
Zone 2 (B) Max (Fixed or Variable) Level - Z2 max level allows you to set a maximum volume level for Zone 2
(B). This is very useful if you are using speakers that cant handle the maximum power output from your external
amplifier or if you simply wish to limit the volume that can be achieved using normal front panel or remote
operation. If you have chosen Zone 2 (B) level control (fixed), then this setting becomes the fixed level for Zone 2
(B). If you have chosen Zone 2 (B) level control (variable) then this setting allows the level for Zone 2 (B) to be
adjusted. However, when adjusting this level it cannot exceed the value set in Zone 2 (B) max level.
WARNING - If you set this level too low, the processor may appear broken (no sound).
1
2
3
4
5
6
1
2
3
4
5
6
next item
adjust
MENU advanced setup
next item
adjust
MENU advanced setup
From Remote
1 (PAUSE) or (STOP)
2
(REW) or(FF)
Action
(UP) or (DOWN)
VOLUME KNOB
65
Set Zone 2 (B) product ID - Each message transmitted from your remote includes a Product Code, identifying
the manufacturer, and Zone product ID code from 1 to 16. The product ID code allows multiple B&K products to
be controlled from the same remote. Your processor actually uses two product ID codes - one for Zone 1 (A)
(normally set to ID code 1) and the other for Zone 2 (B) (normally set to ID code 2). If you have a system with
multiple B&K products then you may wish to set the Zone product ID codes to other values. Note that you cannot
set the Zone 1 (A) product ID to the same setting as Zone 2 (B) or vice versa. If you need to set Zone 1 (A) to the
current Zone 2 (B) setting then set Zone 2 (B) to some other value first.
WARNING - if you change the Zone product ID code in the processor without making the corresponding
change to the remote then the remote will no longer work. Refer to the separate remote manual for details
on changing the remotes product ID (device code).
1
2
3
4
5
6
next item
adjust
MENU advanced setup
=% =21( ,'
From Remote
1 (PAUSE) or (STOP)
2
(REW) or(FF)
Action
(UP) or (DOWN)
move to Zone ID
VOLUME KNOB
Set V2 line output usage - V2 output is normally set up as a tape loop. The V2 and Zone 2 (B) output are the
current source (V1, TV, CD, DVD, etc.) except when the current selection is V2. When V2 is selected as the
source, the Zone 2 (B) output is V2 and the V2 output is the previously selected source. This prevents feedback
when the V2 inputs and outputs are connected to a tape deck or VCR. Feedback can cause high frequency
oscillations which may damage your speakers. If you dont connect a tape deck to the V2 input and output you can
use the V2 output as an additional line out. In this mode V2 output is always the selected input including V2.
1
2
3
4
5
6
next item
adjust
MENU advanced setup
=% 9 287
From Remote
1 (PAUSE) or (STOP)
2
(REW) or(FF)
7$3(
=% 9 287
/,1(
Action
(UP) or (DOWN)
move to V2 Output
VOLUME KNOB
66
Link Zone 2 (B) input to Zone 1 (A) input selection - Zone 2 (B) input source selection may be linked with Zone
1 (A) source selections. In operation, whenever a source selection is detected (remote, front panel or RS-232) on
Zone 1 (A), source linkage will cause the source to be selected on both zones. Independent source selection is
still available with Zone 2 (B) remote control, but any Zone 1 (A) source selection supersedes the previous Zone 2
(B) selection.
1
2
3
4
5
6
next item
adjust
MENU advanced setup
=% /,1. 65&
From Remote
1 (PAUSE) or (STOP)
2
(REW) or(FF)
12
Action
(UP) or (DOWN)
VOLUME KNOB
set to Yes or No
Link Zone 2 (B) power to Zone 1 (A) power - Zone 2 (B) power On/Off may be linked to Zone 1 (A). In operation,
whenever power is set to On in Zone 1 (A) the power linkage feature will cause power to be set accordingly on
Zone 2 (B). Zone 2 (B) Independent power on/off is still operational with the Zone 2 (B) remote control, but any
Zone 1 (A) power command supersedes the previous Zone 2 (B) power on/off.
1
2
3
4
5
6
next item
adjust
MENU advanced setup
=% /,1. 3:5
From Remote
1 (PAUSE) or (STOP)
2
(REW) or(FF)
3 MENU
12
Action
(UP) or (DOWN)
VOLUME KNOB
set to Yes or No
MENU
67
Power On Titles
When you turn your processor on it displays two lines of text. You can change this text to a personalized message.
Make sure you are in the ADVANCED SYSTEM SETUP menu and the remote is in B&K mode.
1
2
3
4
5
6
7
POWER ON TITLES
1 Power On Line 1
' BK Components '
2 Power On Line 2
'
' * Digital DNA
next item
SEL
edit
MENU advanced setup
next item
SEL select
MENU setup system
32:(5 21 /,1(
32:(5 21 7,7/(6
From Remote
Action
1 (PAUSE) or (STOP)
(UP) or (DOWN)
2 SEL or ENTER
(ENTER)
3 (PAUSE) or (STOP)
(UP) or (DOWN)
4 SEL or ENTER
(ENTER)
activate Line 1
5 (PAUSE) or (STOP)
(UP) or (DOWN)
VOLUME KNOB
7 repeat 5 - 6
repeat 5 - 6
8 SEL or ENTER
(ENTER)
9 (PAUSE) or (STOP)
(UP) or (DOWN)
10 repeat 4 - 8
repeat 4 - 8
edit Line 2
11 MENU
MENU
(REW) or(FF)
Control Outputs
Your processors control outputs allow you to control up to 4 external devices such as power amplifiers, projection
screens, etc. Each control output can be programmed on (a source of 12VDC @ 50 mA) or off (0 VDC) depending
on which source is selected. They may also be set to headphone listening, remote repeater or RS-232 (see
BKC-DIP documentation). Make sure you are in the ADVANCED SYSTEM SETUP menu and the remote is in
B&K mode.
1
2
3
4
5
6
7
next item
SEL select
MENU setup system
&21752/
Control
Control
Control
Control
Out
Out
Out
Out
1
2
3
4
next item
SEL select
MENU advanced setup
&21752/ 287
287
68
From Remote
Action
1 (PAUSE) or (STOP)
(UP) or (DOWN)
2 SEL or ENTER
(ENTER)
Control
Control
Control
Control
Out
Out
Out
Out
1
2
3
4
5
6
7
8
1
2
3
4
next item
SEL select
MENU advanced setup
&21752/ 287
From Remote
Action
1 (PAUSE) or (STOP)
(UP) or (DOWN)
2 SEL or ENTER
(ENTER)
3 (PAUSE) or (STOP)
(UP) or (DOWN)
VOLUME KNOB
5 repeat 3 - 4
repeat 3 - 4
6 MENU
MENU
(REW) or(FF)
Control Out 2, 3, and 4 - Control out 2, 3, and 4 can be used in either zone. For each source they can be
programmed to be on when that source is selected in Zone 1 (A), Zone 2 (B), or both zones. If the source is
selected in neither zone the control out will be off. Control outs 2, 3, and 4 can also be set to REMOTE. In
REMOTE mode your processor acts like a remote repeater - IR remote signals detected by your processor are
repeated on the control out. Select the RS-232 option when a Control out is to be set using BKC-DIP.
Control
Control
Control
Control
Out
Out
Out
Out
1
2
3
4
5
6
7
8
1
2
3
4
next item
SEL select
MENU advanced setup
&21752/ 287
69
From Remote
Action
1 (PAUSE) or (STOP)
(UP) or (DOWN)
2 SEL or ENTER
(ENTER)
3 (PAUSE) or (STOP)
(UP) or (DOWN)
VOLUME KNOB
5 repeat 3 - 4
repeat 3 - 4
6 MENU
MENU
(REW) or(FF)
Control
Control
Control
Control
Out
Out
Out
Out
1
2
3
4
5
6
7
8
1
2
3
4
next item
SEL select
MENU advanced setup
&21752/ 287
From Remote
Action
1 (PAUSE) or (STOP)
(UP) or (DOWN)
2 SEL or ENTER
(ENTER)
3 (PAUSE) or (STOP)
(UP) or (DOWN)
VOLUME KNOB
5 repeat 3 - 4
repeat 3 - 4
6 MENU
MENU
(REW) or(FF)
Control
Control
Control
Control
Out
Out
Out
Out
1
2
3
4
5
6
7
8
1
2
3
4
next item
SEL select
MENU advanced setup
&21752/ 287
70
From Remote
Action
1 (PAUSE) or (STOP)
(UP) or (DOWN)
2 SEL or ENTER
(ENTER)
3 (PAUSE) or (STOP)
(UP) or (DOWN)
VOLUME KNOB
5 repeat 3 - 4
repeat 3 - 4
6 MENU
MENU
7 MENU
MENU
(REW) or(FF)
Security Options
Advanced Security options allow you to hide the ADVANCED SYSTEM SETUP menu to prevent inadvertent
changes to advanced system settings. This menu also allows you to lock your preset and system setup settings to
prevent inadvertent reprogramming.
Advanced Menu Visibility - If you select Advanced Menu Visible then you can return to this menu directly by
entering MAIN MENU and selecting System Setup and then Advanced (refer to SETUP). Advanced Systems
Settings will appear as line 6 in SETUP MENUS. Make sure your processor is on and the remote is in B&K mode.
1
2
3
4
5
6
7
SECURITY OPTIONS
1
2
3
4
Advanced Menu
Memory Locked
Front
Locked
IR
Locked
next item
SEL select
MENU advanced setup
next item
SEL select
MENU setup system
=
From Remote
Visible
No
No
No
$'9$1&(' 9,6,%/(
6(783 $
Action
2 (PAUSE) or (STOP)
(UP) or (DOWN)
VOLUME KNOB
(REW) or(FF)
Memory Locked - Locking memory will prevent changing of your presets or system settings.
SECURITY OPTIONS
1
2
3
4
Advanced Menu
Memory Locked
Front
Locked
IR
Locked
Visible
No
No
No
next item
SEL select
MENU advanced setup
0(025< /2&.
71
12
From Remote
1 (PAUSE) or (STOP)
2
(REW) or(FF)
Action
(UP) or (DOWN)
VOLUME KNOB
Front Panel Locked - Locking the front panel will only allow operation of your processor with a B&K remote or
RS-232 computer interface. Note if you inadvertently lock the front panel, simultaneously pressing SLEEP, UP and
DOWN on the front panel will always enter the advanced security options to allow changing these settings.
SECURITY OPTIONS
1
2
3
4
Advanced Menu
Memory Locked
Front
Locked
IR
Locked
Visible
No
No
No
next item
SEL select
MENU advanced setup
)5217 /2&.
From Remote
1 (PAUSE) or (STOP)
2
(REW) or(FF)
12
Action
(UP) or (DOWN)
VOLUME KNOB
IR Locked - Locking the IR remote control will only allow operation of your processor from the front panel or
RS-232 computer interface. Note if you inadvertently lock IR, simultaneously pressing SLEEP, UP and DOWN on
the front panel will always enter the advanced security options to allow changing these settings.
SECURITY OPTIONS
1
2
3
4
Advanced Menu
Memory Locked
Front
Locked
IR
Locked
Visible
No
No
No
next item
SEL select
MENU advanced setup
,5 /2&.
From Remote
1 (PAUSE) or (STOP)
2
(REW) or(FF)
3 MENU
12
Action
(UP) or (DOWN)
move to IR Locked
VOLUME KNOB
MENU
72
DSP Usage
Allows displaying the current DSP usage in MIPS.
1
2
3
4
5
6
7
DSP USAGE
1 Utilized DSP
Processing Power
XXX MIPS
next item
SEL select
MENU setup system
'63 86$*(
From Remote
Action
1 (PAUSE) or (STOP)
(UP) or (DOWN)
2 SEL or ENTER
(ENTER)
3 (PAUSE) or (STOP)
(UP) or (DOWN)
1
2
3
4
5
6
7
1
2
3
4
5
6
next item
SEL select
MENU advanced setup
next item
SEL select
MENU setup system
3257
56 3257
From Remote
(1$%/('
Action
1 (PAUSE) or (STOP)
(UP) or (DOWN)
2 SEL or ENTER
(ENTER)
3 (PAUSE) or (STOP)
(UP) or (DOWN)
move to Port
VOLUME KNOB
(REW) or(FF)
73
1
2
3
4
5
6
next item
SEL select
MENU advanced setup
From Remote
1 (PAUSE) or (STOP)
2
(REW) or(FF)
Action
(UP) or (DOWN)
VOLUME KNOB
RS-232 echo -
1
2
3
4
5
6
next item
SEL select
MENU advanced setup
(&+2
From Remote
1 (PAUSE) or (STOP)
2
(REW) or(FF)
(1$%/('
Action
(UP) or (DOWN)
move to Echo
VOLUME KNOB
RS-232 update -
1
2
3
4
5
6
next item
SEL select
MENU advanced setup
83'$7(
74
(1$%/('
From Remote
1 (PAUSE) or (STOP)
2
(REW) or(FF)
Action
(UP) or (DOWN)
move to Update
VOLUME KNOB
RS-232 receive ID -
1
2
3
4
5
6
next item
SEL select
MENU advanced setup
5(&(,9( ,'
From Remote
1 (PAUSE) or (STOP)
2
(REW) or(FF)
Action
(UP) or (DOWN)
move to Receive ID
VOLUME KNOB
RS-232 transmit ID -
1
2
3
4
5
6
75$160,7 ,'
From Remote
Action
(UP) or (DOWN)
move to Transmit ID
VOLUME KNOB
3 MENU
MENU
4 MENU
MENU
5 MENU
MENU
1 (PAUSE) or (STOP)
2
(REW) or(FF)
After completing all of your advanced settings you may wish to backup the settings. Refer to Memory
Backup/Restore under the MAIN MENU or see the Setup section of this manual
FACTORY RESET
Should you ever need to completely reset the processor to the original factory settings from the front panel press
the SLEEP, DOWN, and MENU buttons simultaneously. The processor will perform a complete reset and
erase all user programmed presets, menu settings, and the memory backup if you have performed one.
75
TROUBLESHOOTING
PROBLEM
POSSIBLE CAUSE
POSSIBLE SOLUTION
No sound, display
will not light
No sound, display
on.
1. Processor in mute
2. Volume control to minimum.
3. Wrong source selected.
4. Line stage to amp. cables loose or
faulty.
5. Source to line stage cables loose
or faulty.
1. Unmute processor.
2. Increase volume.
3. Select source.
4. Tighten, repair, or replace cable.
1. Batteries missing.
2. Batteries dead.
3. Batteries inserted wrong.
4. Remote signal blocked.
5. Lens requires cleaning.
6. Wrong programming.
Video is in Black
and White
One or more
channels sound
bad
* Note:
If unit continues to blow power inlet fuses, replace only with fuses of same type and rating.
76
Audio Specifications
20 Hz - 10 MHz 3dB
Frequency Response:
5 Hz - 20 kHz, +0/0.5dB
Input Sensitivity:
Maximum Output Level:
98 dB CCIR 2 k Weighted
Input Impedance:
50 k Ohms
Input Impedance:
75 Ohms
Output Impedance:
221 Ohms
Output Impedance:
75 Ohms
46 mV
Surround Outputs
5.1 format
6/5
Frequency Response:
2 V P-P
2 V P-P
6 or 12 dB/Oct
6, 12 or 24 dB/Oct
Tuner Specifications
FM Section
Tuner Specifications
AM section
520 - 1670 kHz
Frequency Range:
Frequency Range:
Frequency Response
20 Hz - 15 kHz, +1/ -3 dB
Sensitivity:
28 dBf
Capture Ratio:
2 dB
12 dBf
Mono/Stereo Sensitivity:
15 / 35 dBf
Sensitivity:
28 dBf
Selectivity:
30 dB
70 dB, A Weighted
75 Ohms
Processor Specifications
Miscellaneous
A/D Conversion
24 Bit 48/96kHz
Line voltage:
120/220/240 VAC
D/A Conversion
24 Bit 32/44.1/48/96kHz
Power consumption:
30 watts max
Replacement fuses:
Dimensions:
17"(w)x10"(d)x3.50"(h)
Weight:
10 pounds
Warranty:
See Limited Warranty
5 years processor
1 year remote
Upgradability:
77
Limited Warranty
B&K Components Ltd., referred to herein as B&K, warrants your B&K equipment against all defects in material
and workmanship for a period of five years from the date of purchase. This warranty applies only to the original
purchaser and only to equipment in normal residential use and service. Defective equipment must be returned to
B&K, prepaid, accompanied by sufficient payment to cover the cost of return shipping and handling, and will be
repaired or replaced at the discretion of B&K whose decision as to the method of reparation will be final.
This warranty shall not apply to any equipment which is found to have been improperly installed, incorrectly fused,
misused, abused, or subjected to harmful elements, used in any way not in accordance with instructions supplied
with the unit, or to have been modified, repaired or altered in any way without the expressed, written consent of
B&K. This warranty does not apply to the cabinet, the remote controller, or appearance items such as the
faceplate, control buttons, or display lenses, nor does it cover any expenses incurred in shipping the unit to and
from the manufacturers service depot.
No warranty, implied or otherwise created by State law shall extend beyond the terms of this warranty and B&K
shall not be liable for any incidental or consequential damage arising out of a defect in material or workmanship of
the unit during the terms of this warranty or thereafter. Some States do not allow the exclusion or limitation of
incidental or consequential damages and the foregoing exclusions may not apply to you.
This warranty gives you specific legal rights. Your may also have other rights which vary from State to State.
No agent, representative, dealer or employee of B&K has the authority to increase or alter the obligations or terms
of this warranty.
Warranty on Remote control is 1 year parts and labor. Customer is responsible for
shipping to and from the factory
RETURNING EQUIPMENT
No equipment may be returned to B&K Components Ltd. without a RETURN AUTHORIZATION. Should you find
it necessary to return equipment to B&K, for any reason, a RETURN AUTHORIZATION (RA) number must be
issued by B&K in respect of the equipment being returned. You may request an RA number by calling B&K at the
numbers below. We will need the following information to issue your RA number. Please have it ready before you
call.
1.
2.
3.
4.
Your call will be referred to a Technical Service Representative who will work with you to resolve the problem. If it
is determined that the unit must be returned for repair, an RA number will be issued.
B&K Components Ltd. 2100 Old Union Road, Buffalo New York 14227
1-800-543-5252 or 1-716-656-0026
78
79
1
2
3
4
5
6
next item
SEL select
MENU exit menu system
MAIN MENU
Zone 1 Operation
Zone 2 Operation
Zone 1 Favorite Presets
Zone 2 Favorite Presets
System Setup
Memory Backup/Restore
adjust
SAVE preset
SEL edit EQ
adjust
SAVE preset
SEL edit EQ
80
next item
SEL select
MENU main menu
SETUP SYSTEM
Speakers
Displays
Inputs
Presets
Advanced
adjust
SEL preform
1
2
3
4
5
0. . 9 +10 Preset
recall SEL
edit name
yes/no
MENU main menu
Preset 0 Yes
'TV
-25 dB '
ZONE 2 FAVORITES
0. . 9 +10 Preset
recall SEL
edit name
yes/no
MENU main menu
Preset 0 Yes
'TV
-25 dB '
ZONE 1 FAVORITES
next item
0. . 9 +10 recall
MENU main menu
ZONE 2 OPERATION
Power O N
Source DVD
Record DVD
Video
DVD
Volume -25.0
next item
0. .9 +10 recall
MENU main menu
Record DVD
Volume -25.0
Center
0.0
Rear
0.0
Sub
0.0
ZONE 1 OPERATION
Source DVD
Video
DVD
Mode Surround
Spkrs
7
Eq 1
Variable
next item
adjust
MENU setup system
SETUP DVD
INPUT
Favorite Mode
Surround
Favorite Speakers
7
Level
0.0 dB
Name
DVD
Component Video
2
DVD Audio Input
No
next item
adjust
MENU setup system
SETUP DISPLAYS
Front Panel
Bright
Overlay
Opaque Bright
Background Color
Grey
Z1 Monitor Video
Auto
Z1 Monitor Aspect
4:3
next item
SEL select
MENU setup system
SETUP SPEAKERS
Speaker Size
Speaker Location
Speaker Levels
Crossovers + LFE
Room Equalization
next item
adjust
MENU setup system
SETUP PRESETS
1 Volume in Presets
Yes
When recalling a preset
volume level changes to
Preset Level
2 Preset Names
Auto
When saving a preset
system generates a name
1
2
3
4
5
6
1
2
3
4
5
1
2
3
4
5
next item
adjust
MENU setup system
VARIABLE EQUALIZATION
Frequency
Level
Bass
100.0
Hz
0.0 dB
Treble
10.0
kHz
0.0 dB
LFE Level
0.0 dB
DTS LFE Mode
Movie
Dynamic Range
Normal
dB
dB
dB
dB
dB
dB
dB
dB
next item
adjust
MENU setup speakers
SPEAKER LOCATION
feet
Left Front
10.0
Center
10.0
Right Front
10.0
Right Surround
5.0
Right Surr Back
5.0
Left Surr Back
10.0
Left Surround
10.0
Subwoofer
10.0
next item
adjust
MENU setup speakers
next item
adjust
MENU setup speakers
1
2
3
4
5
6
7
next item
SEL select
MENU setup system
next item
adjust
MENU setup system
1
2
3
4
5
6
7
1
2
3
4
5
6
7
8
1
2
3
4
5
6
7
8
1
2
3
4
5
1
2
3
4
Visible
No
No
No
DSP USAGE
next item
adjust
MENU advanced setup
Advaned Menu
Memory Locked
Front
Locked
IR
Locked
SECURITY OPTIONS
next item
SEL select
MENU advanced setup
Out
Out
Out
Out
1
2
3
4
5
6
Enable
9600
Enable
Enable
0
0
next item
adjust
MENU advanced setup
1
2
3
4
1
2
3
4
next item
SEL select
MENU advanced setup
1 Power On Line 1
' BK Components '
2 Power On Line 2
' Pwrd by Motorola '
POWER ON TITLES
1
2
3
4
5
81