Tabela de Cores Aqua

Authorized Distributor:
Color Identification Chart (CIC)

SPECIAL NOTE: The eyeliner and brow colors have been reviewed as of June of 2014
and reassigned Light to Dark (Reference the Light-to-Dark Scale), Temperature Values
(Reference the Color Temperature Scale) and each yellow has been assigned a cool
yellow, more neutral or warm yellow designation in the base section.
In regard to the lip & areola pigments, at this time the lip & areola pigments are
designated as cool, more neutral, or warm. In the future LI will provide the same
organizational detail for the lip & areola pigments as what is given for the eyeliner and
eyebrow pigments. This is a labor intensive project that we will work diligently to
provide to you in the near future.
LI Eyebrow pigments are pre-neutralized. What this means to the artist (technician), is
that minimal mixing is required to attain the desired healed result. LI recommends no
more than two eyebrow colors mixed together to create a third color or one eyebrow
color adjusted with one of the appropriate modifiers to accommodate a particular skin
undertone.
Color
*Temp/**L-D
Base
Suggested Use:
Traditional Eyeliner Colors: Listed Light to Dark

Charcoal (119)
True Charcoal
Cool -4
L-D 4
Black & White

Inorganic
True charcoal.
Great for minimum commitment eyeliner. A good option for male
lash enhancement. Looks great on people with light blue or gray
eyes.
Steel
Gray(122)
Cool -3
L-D 4+
Gray Black
Inorganic
Charcoal with a
Brown Influence
Ebony Brown
(104)
Must-have Rich
Darkest Brown
Add Onyx to darken. Add to Taupe to obtain a darker Taupe or a

soft charcoal eyebrow color.
A charcoal color with a brown influence.
This is a great color; charcoal but with a brown undertone.
Cool -6
L-D 5+
Copyright 2003 LiPigments

Revised: 05/25/2014
Page 1 of 25
Black & Brown

Inorganic
Rich dark brown chocolate eyeliner.
Contains a
small amount
of red which
makes this
color less cool
than Black
Magic, but is
still a cool dark
color.
Appropriate for Fitzpatrick skin types I-V and all eye colors.
Add Onyx to darken as needed. Also a fantastic eyebrow color.
See Ebony Brown in the eyebrow section of the CIC.
Due to variances among monitors and/or printer configurations,

colors shown may vary from actual colors.

Black Magic
(103)
Must-have Rich
Iron Oxide BrownBlack
Cool- 5
L-D 5+
Black
Inorganic
A soft black appearing eyeliner color with subtle brown

undertones.
This eyeliner color is appropriate for most Fitzpatrick skin types
and eye colors.
Add Onyx as needed to darken. Mix in 1/3 Khaki Halo or Forest
Halo for a beautiful tone. Brown-Black.
Onyx (102)
Must-have
Rich Iron Oxide
Black
Ultra Black
(109) Carbon &
Iron Oxide &
Mixed
Cool -6
L-D 6
Black
Inorganic
Beautiful rich black eyeliner and lash enhancement.

Appropriate for all Fitzpatrick skin types. Will offer dramatic
contrast against light eye color.
Cool -6
L-D 6
Black
Organic &
Inorganic
Due to the intensity of the blackness of this pigment, adding a

very small amount of Un-Gray or Caribbean Mod for clients with
very cool eyelid undertones to maintain the blackness of the
pigment in the skin is an option.
A rich black mixture of half carbon black and half black iron
oxides.
Use in the upper lash line avoiding inner and outer cantus areas.
Midnight Black
(115) Carbon
Based. True Black
Cool -6
L-D 6
Black
Organic
For technicians experienced with carbon black. Migration is

possible when using any carbon black if not used by an
experienced technician.
Notice: This product contains carbon black.
Carbon black eyeliner or lash enhancement.
This black-black will offer dramatic contrast against any eye color.
For technicians experienced with carbon black. Migration is
possible when using any carbon black.
Notice: This product is carbon black.
Fashion Eyeliner Colors: Listed Light to Dark

Revised: 05/25/2014
Page 2 of 25


Highliner (420)
Cool -3
L-D 1+
Pink & White

Inorganic
A light, almost white color with a pink undertone.

Use for the French Eyeliner effect above a black eyeliner. Not
popular in the U.S.
Ocean Blue
(803)
Cool -4
L-D 4
Blue
Organic &
Inorganic
Notice: Once the dark eyeliner naturally fades, the white highliner
will remain. Be advised, this could be problematic. Advice the
client accordingly before using this product.
Fashion blue-teal eyeliner.
Intense in color; consider mixing with other pigment colors.
Works well for people with green or blue eyes as an accent
eyeliner above black lash enhancement.
Jade (703)
Green
Cool - 4
L-D 4
Green & Blue

Inorganic
Favorite Combinations: Mix with Jade for deep teal eyeliner. Mix
with Taupe for muted soft color. Mix with Charcoal for a slate blue
smoky effect
Fashion green eyeliner.
Works well for people with green or blue eyes above black lash
enhancement.
Smoky Marine
(827)
Rich Sapphire
(814)
Blue
Amethyst
(825)
Favorite Combinations: Mix with Taupe for a sage color. Mix with
Charcoal for a smoky liner. Deepen with Ebony Brown or Black
Magic.
Fashion blue color smoky eyeliner.
Cool - 4
L-D 4
V Blue
Inorganic
Cool -4
L-D 4
Blue
Contains a
small amount
of violet
Deep blue with subtle violet undertones fashion eyeliner.
Organic &
Inorganic
Use above a black lash enhancement for accent. This is a

beautiful accent color. Wash (dilute with Soft FX) for a stunning
Halo color.
Cool -5
L-D 5
Violet & Blue

Organic &
Inorganic
A deep eggplant purple eyeliner color.

Revised: 05/25/2014
Page 3 of 25
Works well on people with brown or blue eyes. .
This is a beautiful color and looks fabulous against dark eyes on

Fitzpatrick I-IV skin types.


Rich Velvet
(802)
A Rich Violet
Black
Cool -5
L-D 5
Violet & Blue

Organic &
Inorganic
A deep violet-black eyeliner color.

The added violet to black is subtle.
This is a beautiful color and looks fabulous against dark eyes on
Fitzpatrick I-IV skin types.
Eyeliner Halos Subtle colors most often used as

soft, shaded, powder effect above top lid eyeliner.
May also be used as an eyeliner color, however the
end result will be very subtle compared to more
intense standard eyeliner colors. It may also be used
as subtle lower eyeliner.
To use as a halo over a top eyelid eyeliner: Once

you have pigmented the eyeliner, pigment the
selected halo color directly above the lash
enhancement or top lid eyeliner and blend down
onto the liner. For eyelash enhancements, place
the Halo color adjacent to the lash line to enhance
a darker enhancement color.
Colors Listed Light to Dark

Color
Halo Khaki
(725)
*Temp/**L-D
Cool -1
L-D 2+
Base
Suggested Use:
More Neutral Yellow & Green

Inorganic
A subtle khaki color.

Use above black upper lash enhancement, brown or
black eyeliner. May also be used for lower eyeliner
(heals very light).
Use on Fitzpatrick I-V skin types. Beautiful contrast to
hazel or green eyes. Add a small amount of Black
Magic to deepen.
Halo Taupe
(272)
Cool -3
L-D 3
Cool Yellow & Green

Inorganic
Favorite Combinations: Mix in Halo Forrest to deepen

or Halo Taupe to make smokier.
A subtle taupe color.
black eyeliner. May also be used for lower eyeliner.
Use on Fitzpatrick I-III skin types. Beautiful contrast to
all eye colors.
Favorite Combination: Add a small amount of
Charcoal to deepen and make more smoky.

Revised: 05/25/2014
Page 4 of 25


Halo Denim
(120)
Cool -3
L-D 3
Blue & Green

Both Organic & Inorganic
A subtle denim color.

Use above black upper lash enhancement and black
eyeliner. May also be used for lower eyeliner.
Use on Fitzpatrick I-IV skin types. Beautiful contrast
to blue or gray eyes.
Halo Forest
(724)
Cool -2
L-D 3+
Favorite Combinations: Add a small amount of Ocean

Blue to deepen the blue or a drop of Ebony Brown to
darken.
A subtle forest green color.
Green
Inorganic

hazel or green eyes.
Halo Brown
(271)
Cool -2
L-D 3
Warm Yellow & Orange

Both Organic & Inorganic
Favorite Combination: Add a small amount of Black

Magic to darken.
Subtle brown color.
all eye colors.
Favorite Combination: Add a small amount of Black
Magic to deepen.

Revised: 05/25/2014
Page 5 of 25


Color
Temp/L-D
Base
Suggested Use:
Eyebrow Colors: Listed Light to Dark

Notice: From a formulation perspective, the medium to dark eyebrow colors listed below may
also be used as a consideration for top and/or bottom eyeliner, as appropriate based, on the
clients eyeliner color requests.
Slightly Cool to Very Cool Blonde and Brown Brow Colors

Sahara (266)
Very light often used
to lighten other colors
Brve (261)
Darker than Sahara
with some warmth
added
Cool -2
L-D 1+
Cool Yellow & Green

Inorganic & Organic
Very light blonde color.

Appropriate for most Fitzpatrick I-II skin types. May
use to lighten other blondes and medium browns.
Cool -1
L-D 2
Favorite Combinations: Add Brve to darken. Add

Autumn Gold or Auburn for light to medium strawberry
blonde. Add Olive Mod for a beautiful ash blonde.
A well balanced light to medium blonde color for
Fitzpatrick I-III skin types. Brve a slightly warmer
base than Crme Latte.
Warm Yellow & Green

Inorganic & Organic
Lighten with Sahara or Lighten Up. Darken with

Cappuccino, Hazelnut or Mochaccino. For additional
warmth add Grey Vanish, 24 Carat Mod, Blonde or
Autumn Gold.
Crme Latte (262)

Must Have
Cooler and slightly
darker than Brve
Cool -2
L-D 2+
More Neutral Yellow &Green

Inorganic & Organic
Favorite Combinations: Brve and Autumn Gold.

Brve and Hazelnut. Brve and Pecan or Taupe.
Brve and Crme Latte.
A beautiful well balanced neutral to slightly cool blonde
color for Fitzpatrick I-III skin types. Slightly cooler and
darker than Brve. This is one of Lis most popular and
versatile colors.
Lighten with Sahara or Lighten Up. Darken with
Autumn Gold.
Favorite Combinations: Crme Latte and Brve.
Crme Latte and Hazelnut. Crme Latte and Olive
Mod.

Revised: 05/25/2014
Page 6 of 25


Latte (235)
Slightly darker than
Crme Latte
Cool -2
L-D 3
Cool Yellow & Green

Organic & Inorganic
A well balanced medium blonde brow color for

Fitzpatrick I-IV skin types. Slightly darker than Crme
Latte.
Lighten with Sahara, Brve or Lighten Up. Darken with
Autumn Gold.
Cappuccino (212)
Darker than Latte
Cool -2
L-D 3+
Favorite Combinations: Latte and Hazelnut. Latte and

Cappuccino.
A well balanced medium brown. Slightly cooler than
Hazelnut (see the neutral brow color section). Use on
Fitzpatrick IIIV skin types.
Cool Yellow & Green

Inorganic
Lighten with Sahara Brve, Crme Latte or Lighten

Up. Darken with Mochaccino, Navajo Brown or Cocoa.
For additional warmth add Grey Vanish, 24 Carat Mod,
Blonde or Autumn Gold.
Mochaccino
(290)
Darker than Hazelnut
(see the Neutral
Section) Lighter
than Cocoa
Cocoa (204)
Similar coolness and
darkness of Espresso
but does not have the
smoky brown
influence
Cool -2
L-D 3+
.

Inorganic
Favorite Combinations: Cappuccino and Latte.

Cappuccino and Mochaccino.
A well balanced rich medium brown, slightly darker
than Hazelnut and lighter than Cocoa. Use on
Fitzpatrick IIIV skin types. A very popular color.
Lighten with Crme Latte, Latte, Cappuccino or
Lighten Up. Darken with Cocoa, Navajo Brown or Dark
Toffee. For additional warmth add Grey Vanish, 24
Carat Mod, Blonde or Autumn Gold.
Cool -3
L-D 4
Cool Yellow & Green

Inorganic
Favorite Combinations: Mochaccino and Autumn Gold.

Mochaccino and Cocoa.
Medium to dark elegant brown for Fitzpatrick III-V skin
types. Darker and cooler than Mochaccino.
Lighten with Cappuccino, Latte, Hazelnut or Lighten
Up. Darken with Dark Toffee or Ebony Brown. For
additional warmth add Un-Gray or Autumn Gold.
Favorite Combinations: Cocoa and Autumn Gold (an
absolutely stunning combination. Hazelnut and Cocoa.
Cocoa and Blonde.

Revised: 05/25/2014
Page 7 of 25


Navajo Brown
(295)
Must-Have
Darker than Cocoa
Cool -4
L-D 4+
Cool Yellow & Green

Inorganic
Contains a small amount of
red which makes this color
less cool than Espresso, but
is still a cool darker color
A beautiful brown, darker than Cocoa, lighter than

Espresso. This color heals to a dark brown for
Fitzpatrick III-V skin types. Navajo contains a small
amount of red in the base formula however; it is a cool
brow color, but not as cool as Espresso.
Lighten with Cappuccino, Hazelnut or Mochaccino or
Lighten Up. Darken with Dark Toffee or Ebony Brown.
For additional warmth, add Un-Gray or Autumn Gold
or Blonde.
Espresso (203)
Darker and cooler
than Mochaccino
Cool -5
L-D 5
Favorite Combination: Navajo and Autumn Gold.

Dark brown with a hint of charcoal (smoky brown)
eyebrow color. Espresso contains no warmth
additives.
Black & Brown

Inorganic
Good for Fitzpatrick IV-V skin types. Exceptional color

for the Asian client who requests a dark brow without
any warmth.
Lighten Cappuccino or Hazelnut. Darken with Dark
Toffee or Ebony Brown. For additional warmth add UnGray or Autumn Gold.
Dark Toffee
(203-1)
Darker than Navajo
Cool -5
L-D 5
Black & Brown

Organic & Inorganic
yellow/orange which makes
this color less cool than
Ebony Brown, but is still a
cool dark color
Favorite Mixes: Use to darken Hazelnut, Mochaccino

or Cocoa. Hazelnut and Espresso is a beautiful mix.
This is a rich dark brown color. Dark Toffee contains a
small amount yellow-orange in the base formula
however; it is a cool brow color, but not as cool as
Ebony Brown.
Use on Fitzpatrick V-VI skin types.
Lighten with Cappuccino, Hazelnut and Mochaccino.
Darken with Black Magic only when appropriate due to
the darkness of the canvas. For additional warmth add
Un-Gray or Autumn Gold or Blonde
Favorite Combinations: Mixes beautifully with Autumn
Gold, Sandalwood, Cappuccino and Hazelnut.

Revised: 05/25/2014
Page 8 of 25


Ebony Brown
(104)
Must-have
Cooler and darker
than Dark Toffee
Cool -6
L-D 5+
Black & Brown

Inorganic
less cool than Black Magic,
but is still a cool dark color
This is a very dark black-brown color. Ebony Brown

contains a small amount of red in the base formula
however; it is a cool brow color, but not as cool as
Black Magic.
On Fitzpatrick V-VI skin types may heal to the
appearance of a rich black.
Add Black Magic only when appropriate due to the
darkness of the canvas. The darker the eyebrow
canvas, the cooler the canvas and appropriate
amounts of Un-Gray should be considered as an
additive to avoid a too cool healed eyebrow.
For additional warmth add Un-Gray or Autumn Gold.
Use to obtain a beautiful rich dark chocolate eyeliner
as well see Eyeliner section. This is a definite
favorite and there are many ways to use this color.
Favorite Combinations: Ebony Brown may be used to
darken up mid-range brown eyebrow colors. Ebony
Brown is advised to be used in very small quantities.
This is a strong pigment and a little bit goes as long
way. Ebony Brown & Sandalwood or Ebony Brown &
Hazelnut are both stunning mixtures
Taupe/Gray Cool Brow Colors

Pecan (210-1)
Lighter than Taupe
Cool -2
L-D 3

Inorganic
Light taupe brow color with subtle brown undertones.

A stunning light taupe for clients who have white, gray
or salt and pepper scalp hair without the benefit of
substantial amounts of natural eyebrow hair; or for
clients who have white, gray or salt and pepper natural
eyebrow hair.
Pecan is also a good choice for the client with blonde
scalp hair with or without light blonde natural eyebrow
hair who desires an ashy light taupe brow.
Lighten with Sahara or Lighten Up. To darken add
Taupe, Eskimo Gray or Charcoal in small amounts.
Select another color if a warmer pigment or result is
desired. This is quickly becoming an artist favorite and
a beautiful color.
Notice: Less brown undertones will be evident on the
ruddier (reddish and pinkish) skin types.
Favorite Combinations: Mixes well with Brve or
Crme Latte to achieve a light ash blonde.

Revised: 05/25/2014
Page 9 of 25


Taupe (224)
Must-have
Darker and cooler
than Pecan
Cool -3
L-D 3+
Green & Cool Yellow

Inorganic
Taupe brow color with brown undertones. Great

performer which can be used alone on moderately
cool skin undertones
Fantastic for clients who have white, gray or salt and
pepper scalp hair without the benefit of natural
eyebrow hair, or a client who has gray or salt and
pepper natural eyebrow hair. This color may be too
dark of a background for clients who have a significant
amount of white bushy natural eyebrow hair. Use
appropriately.
Taupe also works for blondes who want a medium
taupe eyebrow. Best Taupe ever with long stretches
between touchups
.
When used on ruddy skin types (reddish or pinkish
appearance) consider adding Grey Vanish or 24 Carat
Mod to prevent the color healing too cool.
Lighten with Sahara or Lighten Up.
Darken with Espresso, Eskimo Gray or the Charcoal
pigment listed in the CIC eyeliner section. If a warmer
pigment is desired, consider a warmer color.
Notice: Less brown undertones will be evident on the
ruddier (reddish and pinkish) skin types.
Eskimo Gray (106)

Darker and cooler
than Taupe
Cool -4
L-D 4
Black & White

Inorganic
Favorite Combinations: Mixes well with Hazelnut,

Cappuccino, Sahara, Brve and Crme Latte. An
endless range of blondes may be created mixed with
Sahara.
A very dark taupe to charcoal appearing color when
healed. Can be used alone on moderately cool skin
undertones.
Ideal brow color for senior women with more pepper
than salt scalp hair and natural eyebrow hair color
who are accustomed to wearing a darker gray or
charcoal brow pencil.
When used on ruddy skin types (reddish/pinkish
appearance) consider adding Grey Vanish or 24 Carat
Mod to prevent the color healing too cool.
Lighten with Pecan, Taupe or Lighten Up. Darken with
Charcoal eyeliner pigment (see eyeliner section). If a
warmer pigment is desired consider a warmer color.
More Neutral Brow Colors

Revised: 05/25/2014
Page 10 of 25


Sandalwood (260)
Slightly lighter than
Hazelnut because of
the yellow green
influence as opposed
to yellow red
More Neutral 0
L-D 3
More Neutral Yellow &

Green
Organic & Inorganic
This is a medium brown color that may also be

appropriate for darker blonde requests.
A great color recommended for Fitzpatrick III clients
with dark blonde or medium brown hair.
Lighten with Brve or Lighten Up. Darken with Cocoa,
Dark Toffee or Ebony Brown (in small amounts).
Hazelnut (236)
Must-have
More Neutral 0
L-D 3

Green
Inorganic
slightly warmer than
Sandalwood but is still a
more neutral color
Favorite Combinations: Add Auburn as needed for

dark auburn brows. Add Ebony Brown, Cocoa, or
Navajo to darken as needed. Add Olive Mod or
Espresso to cool for Asian brows.
A well balanced universal medium brown color for
most Fitzpatrick III-V skin types. A stand alone; great
right out of the bottle color. A very popular brow
color. Slightly warmer than Sandalwood; but still a
more neutral color.
Lighten with Sahara, Brve, Crme Latte or Lighten
Up. Darken with Cocoa, Navajo or Ebony Brown
(small amounts) For additional warmth add Grey
Vanish, 24 Carat Mod, Blonde or Autumn Gold.
Favorite Combinations: Add Auburn as needed for
dark auburn brows. Add Ebony Brown, Cocoa or
Navajo to darken as needed. Add Olive Mod or
Espresso to cool for Asian brows.
Warm Brown Brow Colors

Blonde (259)
Lighter and less warm
than Autumn Gold
Autumn Gold
(234)
Must-have
Darker and warmer
than Blonde
Warm +2
L-D 3
A lighter warm blonde.

Lighten with Sahara, Brve, Crme Latte or Lighten
Up. Darken slightly with Hazelnut, Autumn Gold. If a
warmer color is desired, consider another color such
as Autumn Gold. A beautiful color that is quickly
becoming a favorite. Very versatile.
Warm +3
L-D 3
Red & Warm Yellow

Organic & Inorganic
Favorite Combinations: Blonde and Hazelnut. Blonde

and Cocoa. Blonde and Navajo.
A medium warm brown color for use on Fitzpatrick IVI skin types. Use on a Fitzpatrick V-VI skin type will
produce a very light soft barely there eyebrow.
Lighten with Sahara, Brve or Lighten Up. For
additional warmth add Auburn. This is a great color.
Favorite Combinations: Autumn Gold and Cocoa is a
beautiful mix. Autumn Gold and Brve. Autumn Gold
and Hazelnut.

Revised: 05/25/2014
Page 11 of 25


Milk Chocolate
(205-1)
Slightly darker than
Autumn Gold
Warm +3
L-D 3+
More Neutral Yellow & Red

Inorganic
A beautiful, warmer, medium to medium dark brown

eyebrow color (depending on the canvas).
May be applied directly on the cooler undertones of
Fitzpatrick IV-VI. May also be a good choice for
Fitzpatrick III if a darker, warmer brow is desired.
Dark Toffee or Ebony Brown (in small amounts). For
additional warmth add Auburn.
Warm Brown
(233)
Slightly darker and
warmer than
Sandalwood
Auburn (223)
Warmer and darker
than Warm Brown
Warm +3
L-D 4
Warm Yellow & Green

Organic & Inorganic
Favorite Combinations: This is a beautiful color alone

or can add to Hazelnut to warm up, or Autumn Gold
to darken.
A soft, natural, warm medium brown color for use on
Fitzpatrick III-IV skin types.
Dark Toffee or Ebony Brown (in small amounts).
Warm +4
L-D 4
Red & Orange

Inorganic
Beautiful Auburn brow color for Fitzpatrick I-III skin

types with cooler to extremely cool skin undertones.
This will age without red/orange residual color.
Lighten with Brve, Blonde or Autumn Gold. Darken
with Cocoa, Dark Toffee or Ebony Brown (in small
amounts).
Favorite Combinations: Mix with Sahara for light
strawberry blonde. Mix with Autumn Gold for medium
strawberry blonde. Mix with Hazelnut for a medium to
dark Auburn. Mix with any brow color to add warmth.

Revised: 05/25/2014
Page 12 of 25


SPECIAL NOTE: The lip pigments are currently arranged in temperature categories. This will be
updated in the near future to reflect the same organizational consistency as depicted for the
eyeliner & eyebrow shades.
Color
Temp/L-D
Base
Suggested Use:
Lips Colors (NOTE: Lip Color Procedures NOT Recommended For Fitzpatrick VI Skin Tones)
NOTE: Although a lip formula may contain warm ingredients, because all lips have a cool undertone
(some more than others), a lip color that is designated as warm will likely heal less warm than the
formulation appears prior to the procedure. Achieving a warm lip is very challenging; the clients lips
must be very pale to achieve this. Warmer ingredients are offered in selected formulations to help
prevent a too cool healed lip appearance, not necessarily to achieve a healed orange appearance. Even
considering a pale lip canvas, the technician nor the client may not see a noticeably orange appearance
when healed.
PINKS
Rose Petal (522)
FOR LIPS ONLY*
Pink (908)
(formerly Areola Pink)
Cool
Semi-Opaque
Cool
Opaque
Red & Warm

Yellow
Organic &
Inorganic
A soft rose lip color.
Orange & Pink

Inorganic
A cool lighter pink used to create a natural

lip line or full lip.
Yields a very soft natural lip color.
Must-have
A very popular color for creating a natural lip
and to enhance natural vermillion lip
borders.
Add to natural lip colors to increase opacity.
Montana Pink
Cool
(921)
Pink Orchid
(588)
(See note of Caution)
FOR LIPS ONLY*

Revised: 05/25/2014
Page 13 of 25
Cool
Pink
Organic &
Inorganic
Red & Pink

Organic &
Inorganic
This is the same formulation as Pink in the

Areola section.
A soft mauve pink lip color.
Add a small amount of Neon Orange Mod
to avoid a too cool healed lip color.
An intense, deep pink with red undertones

lip color.


Strawberries and Cream (520)
FOR LIPS ONLY*
Cool
Semi-Opaque
Pink & Red

Inorganic &
Organic
A bright pink color with red undertones.

This is one of the prettiest stand alone
colors.
Raspberry Crme
Cool
(590)
FOR LIPS ONLY*
Red & Pink

Organic &
Inorganic
A bright pink-red lip color.
Red & Violet

Organic &
Inorganic
A wine lip color. Not recommended on

clients with a natural dark vermillion.
Note of Caution on deep lip colors: Deep lip

colors were developed to meet the needs of
well trained, experienced professionals.
These are powerful colors and not intended
for general use alone upon virgin skin.
Technicians familiar with layering
insurance colors into lip formulas will enjoy
beautiful results. Inexperienced technicians
should seek formula advice and specialized
training in advanced lip procedures before
using deep or dark lip colors.
WINE/PLUM
Burgundy Wine
Cool
(535)
FOR LIPS ONLY*
Soft Plum
(558)
(See note of
Caution)
FOR LIPS ONLY*
Cool
Violet
Organic &
Inorganic

A plum lip color. Do not use alone on virgin
lips. This is a very intense color and may
heal very cool (bluish) if lip color has not
been sufficiently layered with insurance
colors/modifiers etc.
MAUVE
Revised: 05/25/2014
Page 14 of 25


Mauve (529)
(formerly Areola Red)
Must-have
Cool
Opaque
Orange & Cool

Yellow
Inorganic
A true mauve lip color.

Add to Autumn Red or Candy Apple for
brick red lip liner or fill. Add to Indian Earth
with a small amount of Ruby for red-wine lip
color.
Add to reds to increase opacity.
Country Mauve (515)
This is the same formulation as Mauve in

the Areola section.
A medium brown mauve lip color.
Cool
Semi Opaque
Red & Pink

Organic &
Inorganic
Warm
Sheer
Pink & Orange

Organic &
Inorganic
This is a cool coral shade of lip color.
Red & Orange

Both Organic &
Inorganic
A warm brick red lip color.
Warm
Red & Pink

Both Organic &
Inorganic
A mauve lip color. Dont be confused by the

warm appearance in the bottle; this color
heals cooler than it appears.
Cool
Red
Organic &
Inorganic
A reddish pink lip color.
ORANGE/PEACH
Mango (609)
Must-have
FOR LIPS ONLY*
Autumn (formally Autumn Red) (510)
Warm
Must-have
FOR LIPS ONLY*
Darkenalf (516)
FOR LIPS ONLY*
Mixes well with any lip color to brighten.
Add Mango for vibrancy or Ruby Red for

depth. Add Neon Orange Mod as insurance
against the color healing too cool on some
cooler natural lip tones.
REDS
Valentine Kiss
(555)
(See note of
Caution)
FOR LIPS ONLY*

Revised: 05/25/2014
Page 15 of 25


Candy Apple Red (505)
FOR LIPS ONLY*
Warm
Semi Opaque
Red & Warm

Yellow
Organic &
Inorganic
A bright red with some warmth added.

The most popular go to lip color. Beautiful
as a stand-alone color.
Use to warm up any cooler lip color.
Ruby Red (504)

Must-have
FOR LIP ONLY*
Cool
Sheer
Red & Violet

Organic
A sheer red lip color.

Mix with any lip color to add depth. Used
alone, color will be very sheer and pick up
the undertone of the natural lip color.
Mix with Mauve (formerly Areola Red) for a
more opaque red. Mix with Brown (formerly
Areola Brown) for Terra Cotta.
EARTH TONES
Nectar
Cool
Orange
Organic &
Inorganic
Cool
Opaque
Russet & Pink

Organic &
Inorganic
(557)
(See note of
Caution)
Indian Earth (527)

Must-have

Revised: 05/25/2014
Page 16 of 25
Copper Brown Lip color.

.
Note of Caution regarding deep lip colors:
Deep lip colors were developed to meet the
needs of well trained, experienced
professionals. This powerful color is not
intended for general use alone. Technicians
familiar with layering insurance colors into
lip formulas will enjoy beautiful results.
Inexperienced technicians should seek
formula advice and specialized training in
advanced lip procedures before using deep
or dark lip colors.
A brownish pink color.
Mix with Darkenalf for a beautiful brownmauve.
Add Mango to brighten.
Add Neon Orange Mod as insurance
against a too cool healed lip.


Color
Temp/L-D
Base
Suggested Use:
Modifier/Correction Colors
Desert Beige
Mod(414)
Cool -3
L-D 1
White & Pink

Inorganic
A light beige color.
Only used with camouflage

Colors
Use to lighten other Areola or Skin Colors.

Never mix with Eyebrow, Eyeliner or Lip Colors to
lighten.
Lighten Up
Mod (273)
Yellow Gold (311)
Cool-1
L-D 1+
(Neutral)

Green
Inorganic
A light beige-brown color.
Warm +3
L-D 2
Warm Yellow
Inorganic
Golden yellow. Use to correct purple/gray brows.
Use to go over a brow that has healed a bit too dark

will lighten a couple of shades. Also use to lighten
any brow color. This is a very useful color.
Can be used for lightening or increasing the

gold/green tones in eyebrow colors.
Corrects purple and gray eyebrows.
NON-Violets (303)
must have
More Neutral 0
L-D 2
More Neutral Yellow

Inorganic
Notice: This yellow contains more white than 24

Carat. Use sparingly.
A more neutral yellow used to neutralize
purple/violet brows.
Add to brow colors as needed to increase the more
neutral yellow and orange in the formulation.
24 Carat Mod (321)
Warm +3
L-D 2
Warm Yellow
Inorganic
Do not use this to correct purple lips; this color is

intended for brows only.
A warm vibrant yellow. Do not use alone; this color
has a warm yellow (orange appearing) base.
Use to warm up blonde and light to medium brown
brow colors. Can add a small amount to brow
formulations to add warmth, golden tones and
avoid a too cool healed result.
Also used to correct (neutralize) faded light gray
eyebrows. Since this color is a mild yellow with a
medium opacity, it will not correct stubborn, dark
gray, and/or charcoal gray eyebrows.
See Un-Gray to correct stubborn dark gray or blue
eyebrows.

Revised: 05/25/2014
Page 17 of 25


Yellow Olive Mod
Mod (YOM) (313)
Cool -3
L-D 2
Cool Yellow
Inorganic
An ochre yellow with green undertone modifier used

use to correct (neutralize) salmon or mauve brows.
Corrects (neutralizes) red, purple, purple-mauves
and salmon-mauve brows
Grey Vanish
Mod (639)
Warm +3
L-D 3

Inorganic
must have
A warm orange formulated specifically for the

correction of light to medium gray and blue
eyebrows to achieve a soft brown on Fitzpatrick I-III
skin types. .
A lighter, golden version of Un-Gray
May also be used to add warmth to lighter to
medium eyebrow colors. (See Breve through
Mochaccino brow colors) or as a precautionary
measure to prevent the same range of eyebrow
pigments healing too cool on the clients with lighter
skin.
UN-Gray
Mod (604)
Warm +4
L-D 3
Corrects soft to medium gray and blue eyebrows on

Fitzpatrick I-III skin types.
A warm dark pumpkin color.
Orange
Inorganic
must have
Formulated specifically for the correction of

stubborn dark gray; charcoal gray; or stubborn
darker blue brows.
May be used alone if the gray or blue is dark and
dense. Use as a 50% additive to target color if the
stubborn gray or blue is sheer in the skin and is not
dark and dense.
Add to any mid range to dark brow colors (See
Cocoa through Ebony Brown eyebrow colors) for
additional warmth. Not recommended as an
additive to blondes or lighter brown shades.
Neon Orange Mod

(NOM) (610) FOR LIPS
Warm +5
L-D 4
ONLY.*
Orange & Warm Yellow

Organic
May add a very small amount of Un-Gray to black

eyeliner colors for clients with very cool eyelid
undertones to maintain the blackness of the
pigment in the skin.
Corrects (neutralizes) blue and purple lips.
Mix into any lip color before tattooing for added
insurance against a lip color healing too cool.
Not to be used for eyebrow or eyeliner correction.

Revised: 05/25/2014
Page 18 of 25


Caribbean Mod (528)
Warm +3
L-D 3+
Red & Warm Orange

Organic & Inorganic
A very deep red-orange color

Corrects (neutralizes) green and blue eyebrows.
Consider Un-Gray for this purpose first.
Use when Un-Gray is not quite enough, especially
as an additive to black eyeliner for clients with very
cool eyelid undertones to maintain the blackness of
the pigment in the skin.
Warm +4
L-D 4
Copper
(209-1)
Warm Yellow & Red

Organic & Inorganic
Use to correct (neutralize) blue or gray eyeliners.

If aged eyeliner has shifted to blue undertones, and
brown is desired, the technician may apply
Caribbean Mod apply Ebony Brown at the same
appointment, however waiting for any correction to
heal first before a target color is considered the best
technique for optimum results.
Dark copper shade.
Used to warm up brow color on cool undertones.
Recommended for darker skin undertones.
An opaque color modifier.
Brow Mod(707)
must have
Cool -3
L-D 2
Green
Inorganic
A light ash-brown color.

As a modifier use to correct (neutralize) red, orange
or pink eyebrows on Fitzpatrick I-III skin types.
Use as an eyebrow color to obtain a light taupe
blonde or light ash brown eyebrow on cool skin
undertones for Fitzpatrick II-III.
On warm undertones (Peaches and Cream), use as
an eyebrow color to obtain a light brown
May mix Brow Mod and Olive Mod together as
needed.
For camouflaging, add a small quantity to equalize
skin tones or obtain a gray/olive base.
Use to modify any pigment which has a red base to
avoid red results.
Use in mixtures to correct (neutralize) eyebrow,
eyeliner and areola procedures that have shifted to
a reddish/pink.

Revised: 05/25/2014
Page 19 of 25


Olive Mod (OM) (706)
must have
Cool -4
L-D 4
Green/ Cool Yellow

Inorganic
A medium ash-brown color. This is a very versatile

color.
Use to correct (neutralize) red, orange or pink
eyebrows on Fitzpatrick II-III skin types.
Use as an eyebrow color to obtain a medium ashbrown eyebrow on cool skin undertones for
Fitzpatrick II-III. On warm undertones (Peaches and
Cream), use as an eyebrow color to obtain a
medium brown. May mix Olive Mod and Brow Mod
together as needed.
Use to modify any pigment which has a red base to
decrease the red influence.
Mix w/ Jade for soft green eyeliner combined with
black upper lash enhancement.
May add a very small amount to adjust black
eyeliner for clients with red-violet eyelid undertones.

Revised: 05/25/2014
Page 20 of 25


Color
Temp/L-D
Base
Suggested Use:
Areola & Skin Colors

Honey (408)
Neutral
Cool Yellow & Orange

Inorganic
Equalizes skin tones and areola applications. Add to Lip

mixtures to lighten and equalize the mixture.
Sand (411)
Cool
Cool Yellow
Inorganic
Pale pink beige areola color. Creates Halo on areolas.
Nude (412)
Cool
Cool Yellow
Inorganic
Pale pink areola color.
Flesh (407)
Neutral
Pink
Inorganic
Soft Medium pink-beige areola color.
Blush (906)
Cool
Cool Yellow
Inorganic
Slightly darker than Flesh but a medium-beige areola color.
(formerly Areola
Blush)
Pink (908)
(formerly Areola
Pink)
must-have
Mauve (529)
Use for light outer areola border zone or to dilute intensity of

darker areola cool colors.
Warm
Opaque
Orange & Pink

Inorganic
Pink areola color. Mid to outer areola zone.

Most popular color for creating a natural lip.
This is the same formulation as Pink in the CIC lip section.
Cool
(formerly Areola
Red)
must-have

Revised: 05/25/2014
Page 21 of 25
Orange& Cool Yellow

Inorganic
Red areola color.

This is the same formulation as Mauve in Mauve in the CIC
lip section.


Berry Ice Tea
(919)
Warm
(Warm with
More Neutral
Bias)
Red
Inorganic
Dark red-pink nipple and areola color.
Add to warm up areola mixtures. Muted pink-Brown mauve

lip color. Can be used for nipple areola either direct or as an
additive to pink- up the target color.
Warm
Orange
Inorganic
Use direct on areola procedures to obtain a pink- beige

areola. Not recommended on Fitzpatrick V-VI skin types.
Rose (904)
Warm
Red & Violet

Inorganic
Medium to dark pink nipple color.
Old Rose (923)
Warm
Red
Inorganic
Dark pink nipple and areola.
Light Salmon
(418)
Add to warm up areola mixtures
Caramel (252)
Neutral
Cool Yellow
Inorganic
Medium brown areola color.

Can be used to create Montgomery Glands.
Pink Sand
Cool
(492)
Cool Yellow
Inorganic
Cool beige areola color. Outer areola zone.

Use to add cool highlights to an areola mixture.
Bisque (421)
Warm
Orange & Cool Yellow

Inorganic
Medium brown-pink areola color.

Can be used to create Montgomery Glands.

Revised: 05/25/2014
Page 22 of 25


Beige (416)
Warm
(formerly Areola
Beige)
Mocha (419)
Orange
Inorganic
Warm beige areola color. Outer areola zone.

Use to add warm highlights to an areola mixture.
Warm
Orange
Inorganic
Use direct on areola procedures to obtain an orange-beige

areola.
Not recommended for warm skin tones.
Medium Brown
Warm
(222)
Cool Yellow & Green

Inorganic
Medium brown areola color.

Use on darker skin.
Brown (238)
Neutral
(formerly Areola
Brown)must-have
Dark Brown
Orange
Inorganic
Dark brown areola color. Inner areola zone and nipple.

Lighten with Desert Beige Mod or Blush.
Warm
(220)
Red & Cool Yellow

Inorganic
Dark brown areola color.

Use on darker skin.

Revised: 05/25/2014
Page 23 of 25


Color Light to Dark (L-D) Scale
* Color Temperature Scale

+1 barely warm
+2 slightly warm
+3 warm
+4 extremely warm
+5 warmest
0 Neutral; more neutral than other brow colors - does not have a strong bias towards warm or cool
-1 barely cool
-2 slightly cool
-3 cool
-4 very cool
-5 extremely cool
-6 coolest
The Color Temperature Scale referenced above refers to the primary base of the pigment leaning toward
cool or warm. Please note that all results are dependant not only on color chosen, but the skin undertone
of the client, the needle configuration used; and the technique employed. Each of those elements all play
a very important role in the outcome of how warm or cool a color appears when healed. As an example,
a color rated as a -3 cool, pigmented into a very cool skin undertone with a single needle, employing the
hairline stroke technique can ultimately heal to appear as a -5 extremely cool.
Neutral signifies no substantial temperature bias. However, all color results are dependent upon skin undertones.
Cool and warm designations indicate the basic temperature bias of the pigment's undertone.
A temperature designation does not necessarily indicate absolute cool or warm properties; rather that the primary bias leans toward
either cool or warm. There are different degrees of cool and warm. Some cool pigments may be only slightly bias to cool or warm,
whereas others may be very cool or warm. Each technician must work with LI Pigments and the client's individual skin undertones
to determine the appropriate temperature bias of the correct pigment selection for each client.
______________________________________________________________________

Revised: 05/25/2014
Page 24 of 25


FOR LIPS ONLY* - Signifies pigments which contain colorants that are NOT to be used
near the eye or eyebrow area.
For Best Results:
Always shake pigment bottles very well before each use.
Best way to shakeremove cap, place a clean gloved finger or clean paper towel over opening
and shake for at least 30 seconds.
Do not mix different pigment brandscritical to follow this rule.
Always prevent cross-contamination by never dispensing color from bottle into pigment cup at
contaminated workstation. Never handle bottles with contaminated hands.
Securely cap bottles immediately after dispensing color.
Unopened containers of pigments have a shelf life from 5-10 years from the date of manufacturing if
kept in a cool, dry place and not exposed to any extreme temperatures or UV rays. Based on product
ingredients the appropriate expiration date is given. For more information, please contact your Authorized
Distributor of Aqua & Velvet.
Opened Containers should be discarded after one year (12M). This is an international standard that LI
adheres to for all locations. Ref: PAO (Point after opening) symbol (open container) on the product label.
Pigment bottles should be annotated on the date of opening.
FITZPATRICK SCALE
Fitzpatrick I
Highly sun sensitive. Always burns, never tans. Example: Fair Red Heads w/
Freckles. Very cool, and some extremely cool in skin undertone temperature.
Fitzpatrick II
Very sun sensitive. Easily burns, rarely tans. Example: Fair complexion, fair
haired Caucasians. Fitzpatrick II skin types may be warm or cool. Note
although it is possible to have a peaches and cream (warm) Fitzpatrick II client,
99.99% of Fitzpatrick II clients are cool.
Fitzpatrick III
Sun sensitive. May burn, but will turn into golden tan. Example: Dark blonde
to dark brown haired Caucasians and Asians, usually brown eyed. Although
most Fitzpatrick III skin types are more neutral (Asian skin) to cool, some warm
skin undertones do exist. Note although it is possible to have a peaches and
cream (warm) Fitzpatrick II client, 99.99% of Fitzpatrick III clients either more
neutral (Asian skin) or cool.
Fitzpatrick IV
Low sun sensitivity. May burn, but will quickly turn to dark brown tan.
Example: Mediterranean with olive skin tone, some Asians with yellow-green
undertones. Fitzpatrick IV skin types are considered cool.
Fitzpatrick V
Low to no sun sensitivity. Very rarely burns, tans dark quickly. Example:
Hispanics, some Asians, some Blacks. Fitzpatrick V skin types are considered
cool.
Fitzpatrick VI
Will not burn, skin deeply pigmented. Example: Dark black skin. Fitzpatrick VI
is considered to be an extremely cool skin undertone.
Please address any questions or concerns to Your Authorized

Aqua & Velvet Distributor

Revised: 05/25/2014
Page 25 of 25


Tabela de Cores Aqua

Hochgeladen von

Dokumentinformationen

Originalbeschreibung:

Copyright

Verfügbare Formate

Dieses Dokument teilen

Dokument teilen oder einbetten

Freigabeoptionen

Stufen Sie dieses Dokument als nützlich ein?

Sind diese Inhalte unangemessen?

Copyright:

Verfügbare Formate

Tabela de Cores Aqua

Hochgeladen von

Copyright:

Verfügbare Formate

Authorized Distributor:

Color Identification Chart (CIC)

Traditional Eyeliner Colors: Listed Light to Dark

Black & White

Add Onyx to darken. Add to Taupe to obtain a darker Taupe or a

Copyright 2003 LiPigments

Black & Brown

Rich dark brown chocolate eyeliner.

Due to variances among monitors and/or printer configurations,

Color Identification Chart (CIC)

A soft black appearing eyeliner color with subtle brown

Beautiful rich black eyeliner and lash enhancement.

Due to the intensity of the blackness of this pigment, adding a

For technicians experienced with carbon black. Migration is

Fashion Eyeliner Colors: Listed Light to Dark

Copyright 2003 LiPigments

Due to variances among monitors and/or printer configurations,

Color Identification Chart (CIC)

Pink & White

A light, almost white color with a pink undertone.

Green & Blue

Deep blue with subtle violet undertones fashion eyeliner.

Use above a black lash enhancement for accent. This is a

Violet & Blue

A deep eggplant purple eyeliner color.

Copyright 2003 LiPigments

Works well on people with brown or blue eyes. .

This is a beautiful color and looks fabulous against dark eyes on

Due to variances among monitors and/or printer configurations,

Color Identification Chart (CIC)

Violet & Blue

A deep violet-black eyeliner color.

Eyeliner Halos Subtle colors most often used as

To use as a halo over a top eyelid eyeliner: Once

Colors Listed Light to Dark

More Neutral Yellow & Green

A subtle khaki color.

Cool Yellow & Green

Favorite Combinations: Mix in Halo Forrest to deepen

Copyright 2003 LiPigments

Due to variances among monitors and/or printer configurations,

Color Identification Chart (CIC)

Blue & Green

A subtle denim color.

Favorite Combinations: Add a small amount of Ocean

Use above black upper lash enhancement, brown or

Warm Yellow & Orange

Favorite Combination: Add a small amount of Black

Copyright 2003 LiPigments

Due to variances among monitors and/or printer configurations,

Color Identification Chart (CIC)

Eyebrow Colors: Listed Light to Dark

Slightly Cool to Very Cool Blonde and Brown Brow Colors

Cool Yellow & Green

Very light blonde color.

Favorite Combinations: Add Brve to darken. Add

Warm Yellow & Green

Lighten with Sahara or Lighten Up. Darken with

Crme Latte (262)

More Neutral Yellow &Green

Favorite Combinations: Brve and Autumn Gold.

Copyright 2003 LiPigments

Due to variances among monitors and/or printer configurations,