Fs OUT ye SaUSTEN (o/s) CESSO OZY A KNIT IT nna atedebbie bliss Fall/Winter 2014 La ° 20 2 28 % 28 104 THE BLISSFUL LIFE New yarns and booklets, a century spanning knitwear ‘exhibition, an intern lands in Bliss HO, reader knit, an code to tweed and more. BOOKS Reading matter that’s sure to get you in a crating mood, ASK ROSY Rosy Tucker untangles your knottiest knitting questions. WHERE | WORK Wendy Baker and Belinda Boaden of True Brit Knit. Interview by Mia Peinovie THE GAWTHORPE HALL COLLECTION The five newest additions to the renowned handcrafts collection By Emma Varna FINDING BLISS \Where and how to find Debbie on the web. By Penny Batchelor DEBBIE BLISS: 25 TIPS. What more than a quarter century asa designer has taught her STOCKISTS 34 a2 4% 52 56 6 70 CABLE VISIONS Bold jewel-toned yams take many twists and tums. SWEET DREAMS Slumber-party staples for the well turnec-out teen. JUST KIDDING AROUND Fair Isles and more for your favorite country kid BOLD + BEAUTIFUL ‘Quick-kritting togs in super-chunky Roma yarns. SWEATER GIRL CClean-lined sweaters in luxurious mohair RAPT IN TWEED Flacked yams knit up into textural stunners. WEEKEND WARMERS ‘Auturmn-hued yarns highlight intricate stitchwork YARNS TO KNIT BY PATTERN INSTRUCTIONSFall/Winter 2014 ae ee ees areata ett Ce eee areas ener ns as Cee are looking for one Pelee eure areca cenonnenrene cone ne cars pores cet Sener coe et ee eer Po is marerersy eri Cnet Cann eens bag and more. a few of my fayorite things(One of the trend shades forthe season is this lovely hase Fahion ap Tenide Vsscris major fll exiton, swear: Chanel to Westwood presents more tha inspirational ktwear pieces from and Cleo Butterfeldon show to the publ forthe first time. Opening September 19. through January 18,2015, the exibition the 20th century. ot fashion re nk BOs 6 construction and late century inovatons by Vverne \Westwood:The Fashion and Texte Museum isthe cry musoum inthe UK dedicated to showcasing deve in contemporary fashion as well as proving inspiration. support and training for thase working in 5 desis by C esffom the 1930s to the industry Foshion and Texte Museum, 83 Bermondsey Sveet, Landen SEV 3XF wovefimlondonorg ie a > i, 19208 hand-nits ey rd ‘Chanel, cirea 1918. crea 1919 Diane Leslie, ‘rea 1970beable Wile Nell’s Kitchen: Syrup Sponge Puddin + 16 hep 259) buear or (25g) superfine granlaced sugar (Uk: caster sg) + 2cups (40g) plus 5 bap. golden syrup (ple ereiele vale in speciay stores inthe US) + 1602 (450 sleising four + Dlage ees 1% cups (200 mi mi ingredients “Ths my ake forte desert Unfortunately fon amen whe ding cutso| he tomate Rreglry Shame (ich makes my een very happy We reerto ace rer fo Ceca rein fue itods best ered ot th cea ee ceam ors of ‘staph chook. Preheat oven to 2754 (140°C) and grease an 820m cake te Combine the bute, soar an 2 cups ofthe golden syrup na large saucepan Gent het occasional se ul mie Set the mitre ase an ool for 10 mites. Meant add rik and eg ote ser flour togeterto form a dough (Once the syrup has cooled add othe dough and mic together uti the battor is smoath and fre of umps (hi may ake afew minutes rig by hand), Pour riot int the ake tn and bk for 90 minutes or until cooked toh The cake should be wel rien but sil vary moist nd sprney. Heat 5 thap.of the golden syrup and pour ver the tp fora decadent and cicousakerdner dessert. Ee Pocket Protector yout like me, forever looking for your tape measure, scissors phone and othe tools youl love ry Kite’ Aid apron | wear mine al he time, but fod par ticulry used when rm working fon project and can stuff al fof te above into the pocket and not ston them The upside ‘down text means you cn easly read any abbrevatons you havent committes to menor shop debbiebissonine.cam Snow Babies etch ye, but adorable as ‘wal Give ths rosy checked retro-ook dolla git or use i asa holiday decoration. Every home should have one. (Love the kitted onesies) ‘wbodiesndoucom, Photograph by Farcis King Siyed by Kanne KengPrem of Palen Const Lurid to ne LE Eat Pes Ye Spring/Summer BOIS martdebbie bls, books foe book ak my fovorile boobs they seins. 18 etbiee Knit Noro 19203 Skeins: 30 Colorful Knits (Sixth&Spring Books; $24.95) ‘The stunning designs in tis book al tke creative advantage of Noro’ ‘arnously vibrant colors and lxurious blends and because youre sng only one (or two or three) skins, you can knit al of your favorites, without breaking the bark The variety of tems—cozy necwear shaw and capes of every shape and sige—are designed for keitters ofl sil leves, rom begner to advanced, so ther’ plenty 0 choose from ‘The Crafter’s Guide to Packaging Handmade Products: Tips and Creative Inspiration for Crafters From Crafters By Viola E. Sutanto (Search Press; £12.99) Ihave avays been fasted by packaging and befoe | launched my ait product ne | researched the mast attractive and practi ways to wrap them you sel|your work online, shops or at craf firs beat packaging can be the dference between a one-time sale and customers ‘who come back for more. This book prowides you witha wealth of reste ideas for sending your products afin style—everything Fom ‘ustomng basic boxes to using recycled materials How to Crochet: Techniques and Projects for the Complete Beginner By Emma Varnam (Guild of Master Craftsman Publications; £7.99) Emma arnam naw adds book author to her long lst of accomplish iments which incude museum curator designer and infer blogger: How to Crochet san essential guide forthe absolute beginner It introduces would be needleworkers tothe basics and guides them ‘through the initial stages ofthe craft each stage accompanied by project so newly acquired shls can quicy be put into practic. ove the modern dein ofthe book and the clear ilustations 3s wel (Read Emmais feaure on the Gawtharpe Hal project on page 24)debbie bliss Ask Rosy th aa a. ys MAY falling, quelions | usually deal with individual pattern queries, but a few general questions have been, cropping up recently and | thought it would be helpful to share them with al of our readers. Q.When a pattern indicates Left Front, is it referring to the left-hand or right-hand side of garment?” [A Many ites are confused bythe terms Right and Left ab they refer to parts ofa garment When we tk about the Left Front we are refer fing othe pact ofthe garment that wil be worn on the left haf of the bay, which, when viewed fat from straight on, wil pear onthe right hand sie. Do not confue this wth the instruction ‘wth right-side facing” which refers tothe differ: cence between the right side and the wrong side of the fabri Q.Why do some patterns have no given tension gauge and some give only the tension ‘gauge over stock- ineite stitch rather than the stiteh pattern(s) used in the garment? A. tis not always necessary to obtain an exact tension/gauge, partial if the project isa seat shav wrap, cowl or other accessory and it’s not ahrays practical to speci it over the sttch pattern, particulary over some lace pattems and rile cable designs. tis usualy the case that ifyou can obtain the recommended terson/gnuge cover stocknete sth, you wil also match the tenson/gauge we ued forthe Eirment when you come to work the given stitch Q.Is there a way of knowing whether the small amount of yarn I have left in the ball is enough'to work a whole row without running out? A. There’ no absolutely foolproof way of knowing baat work on the theory that yarn measuring least three times the width ofthe entre row wil be suficient for working a row of stocknette stich (Other stitches may take more yarn particularly cable patterns Q.Why do some patterns specify ng seams taking onlyahalf stitch each edge into the se A. ind hie especialy help when worn with chunky yarn ae minimizes the bulk inthe Seam. ‘Algo, useful to lose only half stitch from each ledge when joining a seam with knit stitches at each end: Ifyou work matress stitch, which we always recommend, your seam will appear to be a whole ket stich and, if worked correct it wl be iis ble from the right side. Q. Why do some collar patterns have the word “turn” in a row, and what happens to the rest of the stitehes on the needle? A. "Shortenes tuning rvs" is a method of hap ag the piece by working only on some ofthe stitches inthe row turning the work complete and therefore hanging the and that each need 5 held in, Colars—shaw cols, for exape— severly need to be wider atthe back than tthe fFont.to alow for folding back or over. and hs is done by working more rows on the center section than at the edges. For instance f you have picked up I stches to work single bed colar the fst row wil gonecay et the rib and may 37 “Kl 39 times turn’ Wht i wont say (but a sued) is Leave the remaining 33 stches on the lefchand neece, tun the work 0 thatthe needle wth the 78 stitches is now held the fet hand and the one with the 33 unwocked stches is in the righthand The second row wll work back acrosome ofthe 78 stitches and may s5:"Rlo 45,tunYou wil now have worked across the cen s.s0 these 45 sttches pls the 33 stiches unworked from the Ist row wl ow be on one needle, which when tured, wil be held inthe et anche needle now inthe right hand holds the remaining 33 stitches. Now that you have established the’ center 45 stitches atthe back neck (hich wl be the widest part ofthe cola). you need to gradually add stitches ether sie of these center stiches In this example, the 3rd row will row work back across the 45 stitches plus another 3.50 it wil say "Rb 48st, tur the 4th row wil be "Rib SI ts" You wll continue to add 3 more stiches at the end of every row until all the 11 stitches have been warkee: If this method stl seems daunting, try outa swatch using this exam: ple and see how the colar is shaped. Once you Understand the method and the reasoring behind it working with short rows wll be a cinch, A note to our readers: Recently rebuilt the Debbie Bliss website debbieblssonine.com—is now bigger and better than ever Here, youll see that Debbie has launched an online shop were you can purchase beautiful knitting related items and ifs (but you wil sil need to vist your local yarn shop to buy the yarn) My favorit item isthe kritng apron, covered in handy abbre 3, needle-size conversions, care details Se ak me why anyone da keitng apr, | know immed ey have never kt with a fy and more. When peog would ately that yarn Ifyou tend to wear dark-colored clothes, 81 do, wearing an apron wil save you from having to pick off hundreds of stray fibers Fun fact The text an the lower part ofthe apcon e227 t0 read when youre yt ki ching down is upside down: siting We are interested in any comments you may have about the magizine and welcome your techni pater queries Doi foget wel ned to kaow exact whic design you are working whch sue is fom, hich sae you ae king and exact where the ntrucons you are ng trouble Without these deta ve willbe rable to al you rescre Your prot Vist wadebbiebilssonine cm 20 ete bie 1c for patter correctons before contacting me at rosy@debbebssmaganne com wit specie pattem questionsWendy Baker (ft) and Blinds Boaden| Where I Work True Brit Knits Interview by Mia Pejcinovic. Photographs by Carmel King Wendy Baker and Belinda Boaden, fashion kt wear designers have been fiends and colleagues for more than twenty years and share a mutual love of kite Two years ago they jo Brit Knits (ewtruebrititscom), an online tore and blog that celebrate Beith design atts best Describe your studio space for us. ‘Wendy We work may out ofthe tuo in my rouse Ison the lower ground foor at he back 50 is quiet ahough we do lsten to Rac 6 a would deserve i etic calm, ordered, considered and compact Belinda Interns of she, tio reflects our aesthetic We celebrate Beitsh design in our work — the sense of humor he wit Our stg he ha modern ca _ with 3 ‘What's your favorite item in the studio? ‘Wendy: halmannequi that we use to grade patterns but also my sketchbooks Belinda: My japanese sttch-pttern bocks and my pens |am obsessed with stationery. ‘What is lacking from your studio? Both: A dog! A bue whips. Belinda: A permanent on-site simple kritter woud be 50 help. as would someone to write al the wveb pages ‘The mood board holds swatches from mohair story Wendy and Blinds are developing We cave wale co see the completed pece # wOnAltt fe Ss Sey iseecaipael merase ook bse hele park lie St oe Does working from home work for you? Wendy: The pros defeitely outweigh the cons but iF wasnt working with someone ee, | couldnt do itl couldrit be at home all day by mysel. Not have ing to commute isa big plus can just stagger down- stars. Belinda cycles across the pak to gt here. | frd that | am much mare productive working fom home. m an eary riser 0 Im able to start work immesdately One ofthe diacvartagesis that tis Semetimes dul o switch off There is aways Something that needs to be done. Describe your typical working day. ‘Wendy: My dy starts at about 65. The Sst hing Io check my eral My husband and cidren leave the house by 75 and then Im inthe studio working On Mondays and Fridays | poston our blog Monday Mood and Friday Favorite The rest ofthe day i taken up with designing tniting watchingWendy’ sketchbooks are works of arin themselves. Every design rmevcuously planned, beining with ‘sketches and a mood board A “The mannequin nthe studio plays one ofthe duo designs The Higlnd Bing This gorgeous cabled sweater features sequins that are ited in, not sewn on aerward For the pattern vl the True Bre Knits website. True Gri edie cases (below) are made from sturdy cotton, but the designers panto introduce alternate fabrics soon Belindas| arve atthe studio at 9 or 9:30. deal with the Tre Brit Kits eral soy frst task o respond i ay and al queries | rite athe patter and rade thor. very fussy about grading It takes ime, but it’s so erportantto gett right I’ the dflerence between something ook old fihioned or realy modern. Wendy and I complement each athe nd give each other tsk ts an equal von of bor What influences your work? What inspires you? Wendy: We lke to reference tings ose fashion, Act and artists are hugely nfuetal Nigel Peake bert Irvin, Barbara Hepworth and ceramics Jessie at are al npiring Places that inspire are the Lake District ‘nd Comal. a find teaching inspirational: being wrth students and Bouncing dese of them hearing “hat they have tony problem sohing with them, Belinda: London never want to leave, We lve Hackney and Bow and its just so interesting Wath ingpeopte Do you find technology a help or a hindrance? ‘Wendy: Defntely a help Skype fantasti Binds edn New Yor for sx months and Siype made working together posse Twas asf she were in the same room We ‘could interact and share desis and ideas soeashy Belinda: ral for techroogy thnk the Intemet isthe most amazing nverion and Instagram is fantastic Ihave just learned how to use InDesign and daw all my carts and Specs on the computer Strangely enough for 4 create, dont se a Mac. aPC forme. ‘Tell us about any new ideas or projects ‘you're currently working on. ‘Wendy: We ae working on an interiors story st the moment—developig dss or bln ats cushion covers etc And we are working, ‘ena mahai story foe which we have a punk themed mood beard Belinda: We'd love to work more wth Debbie-You can tell by the color palette and qualty that 2 designer ‘was inolved inthe creation of her yarns You might fnd forty colorsin other yar nes bt that doesnt help you if the colors are all wrong Attention to de- tall matters alot. & te show ete bes 23debbie bli web Finding Bliss Car 2 get enough of Lb thingy Debbie / Batchelor reports an Debbie's 9 ye ewire By Penny Batchelor ‘Asa deicated reader ofthis publication you know that Debbie Bizz for ema via the box found atthe bottom of each web page You wil rece tang Magazine i an eset resource not ony forts articles and one free pattern with delivery ofthe frst emai patter but ao a place to lear about Debbie's newest yarns and elmer perl aaa Rio ceetumenes) Pye eine or orien a LR a tn SSS ee eee ee ees ae act 62 mee! See Hick eens Ravelry ia biter’ pa dse.a feetojoin socia- reworking ste where users can patterns, photos and ideas ak of other knitters, partepate in mary and varied ket-alongs and more. Ona of Ravers most pops eres al \sers to upload photos of completed projects and workin progress and bookmark cant wat-to it pattems [At the top of Ravers web page isa horizontal naigaton bar Cick on ya and search for Debbie Bis to see al ‘walle yas in her various ranges "pattems" to Search or patter by [Debbie herself and by other despre among kniters to research yams and pt tems oni, Debie relaunched her company website in February gvng i sumptuous new look For each of hee twenty yarns, youl nd an artflly arranged stifle; cick on the photo and Up comes alist of every avaiable color, along with needle and tension (gauge) recommendations and fbermakeuo information, Though you cait purchase yarn directly rom the website, the Distributors button (cick on the triple bar atthe top left of the page fora ste ‘map) wil redirect you to Debbie Bis yar distbutors around the world ‘where youl nda lst of tacts in lang her yarns and on “esgnes" to your area ew Debbie's personal designs ‘The website includes a complete Follow the group Debbie Biss Ka catalog of Debbie's published books— + ack for help with individual parte both older ites and new releases — share your knitting experiences with a: well as aUnevp ofthe thirteen (and fellow devotees and tak about ayth counting) Debbve Biss Knitting Magazine (Debbie-rlated. New to Ravelry? Th covers, Cant remember which sue “Which Debbie Biss project are you your favorite pattern appeared in Cick working on now thread is 2 great fn the cover for a prc ofthat issue's place to get your fet wet. desig themes Take a look a the designs in the free-pattem section too. YOu find seme great accessories to knit using leRover yarn from previous Debbie FACEBOOK (wun facebook comidebbiebisonline) Bliss projects, Join more than 15,000 felow Debbie enthusiasts fr an up-to For information about Debbie Bliss yarns and news ait happens sign up the-mirute insider look into Debbie's world, On the site, Deb 25 eteBier frie kitting photos and design inspiration un fished garment Debbie's Facebook page when the peril oes on he TWITTER (@éebbiebissnews) Hachage @ ets] For the unintted, but you can by 1k Altar Bd ea re-twecs ther people Bp this her flowers wal ove INTEREST (ww pinterestcom/debbiebisnews) ad, Pinterest sal creatures Writers and crocheter toot” vietual bulletin b th rind spit el eed to crete an account ds represent her profesional and private interests Fr rincudes her own designs and others that capture the board sos Smythe teri whom ize as the model ofthe textured red ve pinned, plug Debb idebbieblizsknte) A portmanteau of instant camera’ and "telegram Instagram, launched four years ag isa service that allows you to share and fteen-second videos via Facebook networking and photo-sharing Penny Batchelor i a freelance journalist who specializes in traf Read her blog.a celebration of modern British knitng, at wwrwawoollyarn.couk eS s z Ly 78 : a = ~ Gad Domecr tins Cre ya COMa emenntnyt: itr es tor Cee en ee Uk-€ Ireland: www.designeryarns-uk.com Canadap p. eee Lhhce bls, knitting lessons 25 Ways to Be a Ki ‘When you buy my yarn and tke the time to lst one of my patterns, you do so not knowing whether the garment wil ft you or even suit you. and {you cant send i back or exchange it for another siz if youre unhapoy with the fal product. Because ofthe bind trast nitters place in me, you have my "word that | wil always do my best to make sure your knitting experience a problem fre and pleasurable as posse. Gauge is key Proportion is key tothe way | design. I consider the way the garment lt on an average size body, whether it willbe body slimming or looee ting and where the various pieces wil fal lengthwise lam not ‘one to judge Knit haw you ie! But you want your garment to look ike the one in the picture and to have the same measure. ments, your terson/gauge has to be the same as the one stated in the pattern. Mistakes are part of the process Be kind to yourself Remembers only iting If youire having a particularly fc time, walk away. Put the kettle on, take the dog fora wall reat yourself to some cake. You deserve it QO rertesisss te pon They are the tools of my trade, but embarrasngly nave far too many singles without mates | prefer a sharp point tat does split the yarn an that sips into the stitch easy a lam a fast kite and ike needles that keep up with me. Knitting needles are very persona ‘Ones that dont feel rit when you use ther can sow your kiting and make you disike your projec. (coined o page 30)Abbie bls, knitting lesson: TEXTURE Ose: critical in Fair Isle owing fring up bal of yarn in Deatifl shades and feeling exited abou the palette. However when you ute the colors in Fair le pattern the proportion will not be ‘equal 0 the bance wil be afer ‘entTo avid disappointment, often it up stripes inthe proportions in which they wil be appearing inthe Fai le design to see ithey do indeed work together wel Keep your swatches Isai have swatches | rt many years agothey ae reminders of25 Years of tral and error Many along night I have spent working on Fair les and sometimes what loved 383 Ax, can look prety alin the ol light of day. But even the dsas- ters dont get thrown away. because they can be a useful reminder of what does and does not werk. 20 esi bie Baaiés (las Proportion of design in Arans is key I plan my Aran styles very methodcaly and choose sitch panels that have arelatonstip- <éamond cables and chevron cables, forex umole, or ing shag stches m mes sch ifmass stteh features ina cable. Harmony s everyting i design so Iwill kt up al the panels separately and place them together iftpeed a different itch pattern atogethe: lfm looking for small ving cables wil even knit up a 4th and a 6sich panel ta see which one works best. interest is invaluable Poterest ea Gscinating way to see what inspires other people. butts also invakube as a way of keeping your own ‘mood boards for reference Unt Lam happy wth the sequence or to see ba vv Ue bas UO ‘When designing for babies, ceazy-oneasyoff isthe way to go. When ‘had my frst cll of course | wanted to make iy kits for him to wear But | learned the hard way that babies dont ke being cressed and undressed, especialy fhe parent goes ‘ver the head in my opinion, cardigans and Jackets are most practical Look for sweater pat ters with envelope necks of buttoned shou! ders and crossover balerna styles on acts Join a knitting group 'Not only kiting witha group grt fn, but crafting fence can offer achice o keep your spins up when youre working on a partially ‘ricky projet Tink asa group abou inking up with a charity My Kniting and Prosecco group participates in the Chvstras Jumper Campaign for Save the Chiren Fund every year Start with a sleeve ‘You wil have kt a swatch that measures 615m to be as accurate as posible, but some nites find that their tension/gauge changes ‘over a lrger number of stiches Rather than ket {an entire back piece oly to find that your gauge is of rita sleeve. The wider part wil ve you fairly accurate idea of whether your tension is sill correct, “The frame is just as important as the object it holds ‘When designing 2 garment, remember thatthe borders can be as siicant a the body Think ot as faming apiece of atwerke ‘Yu want the auside to st the inside. Apply this thought to ns or borers Run a cable into the ribs onan Aran style or edge the bor ders of Farle with the shades sed in the colorwork =) (13 ene esos I youre using a diferent yar from the one quoted in apt tery make sure that the replacement yarn i of asia ber content to ensure youl get the same drape, look and proportions. Buy one bal of yam and swatch the pattern to see fi has the same proper ‘ies asthe orignal before you invest in multiple seisth fresh the reped ed by part of to versed a scarf when kiting nik ns éb-sters Para) Dee criog ent) Novy CEU Yarn $20 Sad : o oem} piece oer tale Sa ingarsebook “ Yarn $30 ean ‘ ean SUL) rE raed oe) Dea nee atl Cee Uy ory Bi als hea ty Pe ee PE ANE aCe Re LaEr)FALL/WINTER 2014 TheRetun of Sweater VWveather When cool winds blow, knitters fear not: They get a special charge out of casting on with the cushiest yarns for the coziest designs. Debbie Bliss has you well covered on both fronts.What's that on your cable needle? Con- * ventional cream? Tame & taupe? Burst out of the earth-tone zone by twist- jj ing up tex- tured treats in electric colors. ie An oversize center pat The cabes are worked fram the borderless hem up another novel feature. iae a em Teg 6« workshop Twists & Turns Cabled and Textured Stitches Cables add eye-catching detail to even the most basic silhouettes. Because cables are all about texture, we recommend that you use smooth solid- color yarns to illuminate the stitch patterns to their fullest.Step | Make 3 st from | ston the wrong M3-—Step 2 Bring yarn to back agnn (between _-M3—Step 3 Purl the next 3 sts together on a eel but donot drop from let needle, bring ‘the needles) and knie once more into the same ‘wrong:side row by inserting che right needle nto front and p| In same st.as shown, but do _stitch,as shown, then drop the stitch from leftnee- through ll 3 sts, wrap the yarn purlwise and draw «drop from left needle. le. There are now 3 sts made on the right needle. through all3 stitches to complete the p3tog, R2—Step 1 With point of right needle, it 3rd Knit che stitch through the back loop (tbl) on lee needle ever Ist and 2nd ss, a5 shown. and put che yo from the previous row by inserting by Inserting the right-hand needle into the next kK the left needle from back ro front into the yo and stitch from behind and complete the knit stich, complete the purl sutch. “This creates a twisted stich AR—Step | Insert the right needle into front CF (dee)—Step | Slip the next 3 stitches (C68 (dec)—Step I Slip the next 3 stitches from the 2nd ston lee needle, wrap the yarn around from left needle onto cable needle and hold these left needle onto cable needle and hod these right needle and complete the knit stitch: do _stiches atthe front ofthe work. as shown. stitches ac the back ofthe work. drop st from lft needle AR—Step 2 Then kit nto front of fst C6F (dec)}—Step 2 Over thenext3stson the CB (dec)—Step 2. Over the next 3 ss on left fpped) son lft needle, as shown. and sip lefe needle, work kl, sek (shown here),then work needle, work kl, K2og, then work the 3 ss from the th sts ofthe lef needle together. ‘the 3st from the cable needle as follows: kl,ssk. cable needle as fllows:2tog (shown here). and klSweet Dreams girls just want to have fun, comfy sleepover must-haves enhance. the convivial mood.Bue Rea. cutty woot alpaca bent boats A bed neck and extra: lage pompoms worked inpin Blue Faces Lecester Aran.On Pant Mabe w Care Opposite, top right: 9 MP poeta eee eae Ee oes Gace tallest slippers, kit tn chunky Roma yan, A three-needlebind.off creates a fat base, Bord Mute Oppose, atom es A Is super simpler iin Boe party Worked in one easy piece in stocknecte with sareersutch edges, ic has a foléover fap and is “ined wich 2 prety pine fabric Kni iin Rialto Chunky merino, Faced Leese ¢ Awob oae et 2 Orerienae o cfs oper vo make - i ory mia socks, / a tube A smalleP stock: © featuring four-siech ‘ables running up the ¥ sides and single-rbbed % cafsare a suitable f challenge for more ad- vanced frters.The sei washable Baby ICashmerino in 3 Beh nett strip is wrapped around the main band, forming the gathered pleats” that create a urban efeee cate pale lilac shade. Moog Vout Kee ggfocknete seh sing the ars method ‘hE mobp/sun cushion cals forfour shades of Aalto Chunky merioo wool. plow perfect yarn thats smooth of and vashableInga Peter Pan coll, back pled and burt efs Iniscene ofa trench coatir cic-s details,Ose Kp at cn ~ 2 Ve vl e eee ee - \ Corer ney enero rn ‘ Cee Coens ‘ pres S ar errr Decor earn = Pam Mee he ho * PEPE OA Dh Anish, Phy. ‘te Bes th ere" sa) nal WE MEE ogg! igh f Meester tee etry of Hf aoe ; vs i: Porcomenrese geo: SY Pesca eee OF 444 e i.ae Sete ee Sees eto ees |Stitch up cole! a Tamale Eten yarn, a chunl blend of wool™ and alpaca in a tempting array of colors.Oe a ee Vee Opps: Chany eran Bey Raed nytt heperrisetinirsg ja bevpitpin eee a Cee eta pee! 20aa oe ers Te oa 22Lee play Long and lea, this demure ple stocknete stich Wen Clean-lined (oka wash es sweaters Soe cof mohair Angel this ocr mcee : with a slightlysrocknete sltch ina tera-cotta shade of Agel held doublet boasts high crew neck ebow-lenath raglan sleeves and single ribbed edgingsLS Weekend Warmersey eable-itch n-The curyy lower ge is shaped by ‘on additonal stitches Ryd SSWeekend MV eTtaatoles} 33 Perensdebbie bliss yarn yarns to knit by cable visions sweet choams swoater olthe yarns The following yarns fom the Debbie Bliss Colleton were used in thsiesue. Yarns are listed inthe order they appear atl. "Numbers following the yam names inci. cate colors used, ‘CABLE VISIONS CCashmerino Azan 75 (pattern #5) Cashmerino Azan 73 (pattem #) Rialto DK 74 pattem #3), Paloma 3 oattern #2) ‘SWEET DREAMS Roma 09 (pattern #8) Rialto Chunky 20 atten #7) Baby Cashmerino 608 (pater #11) ‘Blue Faced Leicester Avan 10 (pattern #12) SWEATER GIRL ‘Angel 35 (patter #28) ‘Angel 05 (pattem #23, #24) ‘Angel 37 (pater #24) JUST KIDDING AROUND Rialto 4-Ply 13 pattern #17) Donegal Luxury Tweed Aran 42 (pattem #14) Baby Cashmerino 84 (pattern #16) Blue Faced Leicester OK 10 (pattern #13) Louisa Harding Luzia 007 (pattern #15) alto Chunky 23 pattern #15) RAPTIN TWEED Fine Donegal 04 pattem #27) Risto 4 Py 22 (pattern #28) WEEKEND WARMERS CCashmerino Aran 27 (pattern #31) CCashmerino Aran 66 pattern #32) Risto DK 10 (pater #33) debbie his yarn knitting abbreviations at aerate loit2sttches to beg beginning) gether, pas sipped cm centimeters) stitch over cont continueting) s2togkpo slip2 dec decrease(ing) stitches together, foll folow)ing) knit 1, pass 2slipped 9 gam) stitches over ings) inches) al slip Ine increase(ing) 8k (s8p) slip, slip, ke keit knit (our fp kritintofront (see glossary) and back of next sts) stitches) stitch Sts stocking! m meters) stockineta stitch mm milimeters) tbl through back mt _make one (see loops) eesti tog together ez ounces) WS wrong sides) P purl yd yards) atts) paters) yf yam foward fem remairising) yo yarn over rep repeat thook orneedte) RS right side(s) ym yarn round skpo slp 1.knit 1, needle ppassslipped stitch ym yarn round over needle 2times to sk2togpo slip 1, make 2 stitches) knitting needles US. Metric oO 2mm f 225mm 2 275mm 3 3.25mm 4 3.5mm 5 3.75mm 6 4mm 7 45mm. 8 Smm 9 5.5mm 10 6mm 10% 6.5mm n 8mm B ‘mm 6 10mm v 12.75mm 1» 15mm 35 19mm glossary CAST ON: Form a foundation row by making specified number of loops on the kitting needle CAST OFF: To finish off an edge and keep stitches from unraveling by lifting the fist stitch over the second, the second over the third, etc CAST OFF IN RIBBING: Maintain the fib patter as you cat off knit the knit stitches; pur the purl stitches) DECREASE: Reduce the number of stitches in arow (2g it 2 together purl 2 together INCREASE: Add to the number of stitches in a row (e.g, knitin front and bback of stitch). KINITWISE: Insertthe needle into the stitch as if you were going to knit. MAKE ONE: With tip of needle, ift strand ‘between last stitch knit and next stitch on left-hand needle, place strand con lefthand needle and kritinto back ofitt increase one stitch, PICK UP AND KNIT (PURL): Knit or pul) into the loops along an edge. PLACE MARKER: Loop a piece of contrasting yam or a purchased stitch marker onto the needle, PURLWISE® Insert the needle into stitch as if you were going to purl it SELVAGE STITCH: Edge stitch that helps make seaming easier. SKIP: Skip spectied number of sitches ofthe previous row and work into next stitch. (U.K miss) SLIP STITCH: In knitting, pass 9 stitch from the left-hand to the righthand needle as fto purl without working it In crochet, insert hook through loop or edge, yarn ‘over and pull through loop on hook (U.K abbreviation —ss ose) SLIP, SLIP, KNIT (PURL): Sip next two sts kritwise (purse), one at a time, to right-hand needle. Insert tip of left-hand ‘needle into fronts ofthese sts from left 1 right and knit (pur them together to decrease one st WORK EVEN or WORK STRAIGHT: Continue in specified pattern without in- ‘creasing or decreasing, ‘YARN OVER: In knitting, make a new stitch by placing the yarn over the righthand needle, (U.K: yd, yon, yrn) In crochet, wind yarn around hook (UK: yoh ory)Lrstructions, about the yarns ‘The fllowing yarns from the Debbie Bliss Collection were used in this itv. Yams are listed in alphabetical order Angel 259/0.Bor each ball approx 200/220) ‘super kid mohair Baby Cashmerino 50g/'¥iox each ball prox 125/137 merino wool/micrfiere/eashmere Blue Faced Lelcester Aran 509/1¥40 each ball appcox 5/82 Britsh wool supeash Blue Faced Leicester DK 509/102 each ball appr T08m/118ye Britsh wool superwesh Cashmerino Aran '509/1¥02 each ball approx 90m/6y ‘extafine merino wooleashmere Donegal Luxury Tweed Aran 509/T¥az each ball approx BBm/ 963 wool/angora Fine Donegal 1003/80 each ball approx 380m/415yc ‘woolleashmere Paloma 503/1¥z each hank approx 65mi/7 yd baby slpaca/merino woo! Rialto 4-ply 50g/1¥402 each ball prox 180/198 ‘extrafine merino wool superwash Rialto Chunky 509/1¥402 each ball approx Gm ‘extrafine merino wool superwash Rialto DK 509/1¥02 each ball approx 105m/116yd fextafine merino wool suparvash Rome 100g/3¥202 each hank approx BOmi/8ye vwoolllpace skill levels for knitting 255 Beginner Ideal fst project. easy Barc etches, minimal shaping and simple finishing, Intermediate. Fr tnttars with some experience. More intricate stiches, shaping and finishing Experienced For knitters able to work patterns with complicated shaping and! fi ishing 1 Cropped Cable Sweater Sized to fit bust 8 (91, 97lem/34 6, 38hn and shown for Sécr/3tin bust on page 34 FINISHED MEASUREMENTS = Bust 89 (94, 97cm (37, 39)n Length o shoulder 50 cm 9 for al ize Sleeve seam Son/17¥in MATERIALS: 14(15, 16 bals Debbie Bs Riato DKin Jado 71 ar each 325mm (US 3, 375mm (US 5) and 4mm US {king newdies OR SIZE TO OBTAIN TENSION TENSION 22sts and 28 rows to IOcrv/4in square over Sts using ‘rm (US 6) reece ‘TAKE TIME TO CHECK TENSION, ‘ABBREVIATIONS CC2AP = slip naxt st onto cable needle and hold at back of work, KI, thea pt fom cable needle. CC2FP = sip next st onto cable needle and hold to front of work, pt, then kitbl for cable neo. CC3BP ~ slip nxt st onto cable needle and hold at back of work k2 then pt from eable needie. CC3FP ~ sip nex 2 sts onto cable needle and hold to font of work pl, then K2 from cable needle, CCaB = slip next 2 sts onto cable needle and hold at back of work, I2, then k2 from cable needle. CAF = sip next 2 sts onto cable needle and hold to ‘ont of work, 12, then k2 from cable needle. C5 = slip noxt 3 sts onto cable needle and hold at back of work, K2 slip the 3rd st from cable needle back onto laf-hand needle and putt then k2 from cable needle (C9 = sip next 5 sts onto cable needle and hold to front of work, kd sip the p st rom cable needle beck ‘onto lefhand needle and putt then kt from cable needle C128 = sip next 8 sts onto cable needle and hold at back of work, kd, slip the last 4 sts from cable needle back onto lefthand needle and k them, then ka from cable needle C12F = sip nex 8 sts onto cable needle and hold to front of work, kd, slip the last 4 sts from eable needle back ota lefthand needle and k them, then ka from cable needle bind 2 = P nxt 2sts tog but do net slp them from nese, pinto frst st agpin, then sip both sts fom needle tog, 3 slip next 2 sts onto cable needle and hold to front of work Ktbl sip the lst st on cable needle back onto lefchand needle and kthis tb, then Kb from cable needle, Algo soe page 8 Note The number oft on Panel A, vary from row to row all ‘te quoted are the orginal number and de not allow for sts mace during the pat. PANEL A (G7 sis—see NOTE) Ast row [P2, ke] 3 tines, pt, 4, p23 times. 2nd row K2, pl 3 ties, Ki, [pt 213 ties 2rd row P2, ki, 22, CAF, p2, bt, pl, ke, 22, CAB, 2 4,2 ‘th row A 2nd row. ‘5th and éth rows As Ist and 2nd rows Tih row P2, kl p2, CAF, p2, C9, p2, C48, 62, Kd, 2 {th row As 2nd row ‘th row F2,* ml, p2] tice, k mt *, pt rep fom to pa 10th row *K3, p12, pice * rep from *to* KB ‘1th row" P3, mi, k,p2tog *, CAF; p2tog, mtr from * 10, CAB, p209, kd mt, 12th row Ki, * Ip, kt] 3 times * kt rop om to *, KS 19th row PA, * mit, K3, spo, Ka, K2tos, 3, mt *, oS rep fom * to", pa ath row KS, p12, K7, p12, 6S 15th row PS, mi, Kl CAF kt nt, 7, nk, CAB, Al mi. p5. oth row Ké, p12, 49, p12, KS Mth row Pb, C128, p9, C12F pb 18th row As Téth row 19th cow Pd, p2t0a, ka, CAF, p09, pS, p2toa Ml CAB, ki, p2t09, pa. 20th row As ath row. 2st row 2, *p2tag, [kd mil twice, Kt, p2t0g, 3% rep from * to" Band row As 12th ow 23ed rom P2, p2t0g ka nt pl CAF ptm, kl, 2k pI, patog, kd nt 1, CAB, pT, mt, b p29, 2 Bath row As {0th row. 25th row PI, p2t09,* kt, p2| twice, KA *, pBtog fom * to, p2t09, pt 26th row At 2nd ro 221th row Aa 7th row. 2ath row As 2nd ro. ‘These 28 rows form Panel A and are repeated PANEL B 6) ‘st row Kitbl fp, kt twice 2nd row Pit k, pil] twice 8rd and dth rows As stand 2nd vows Sth row C2FP kit, CZBP. {th row Ki, [pit] 3 mes, kt 7th row F173, pt th row Ae 6h rom ‘9th row C2BP, kit, C2FP 10th row As 2nd row, {Mth to ath rows Rep Ist and 2nd rows tice “These 14 rows form Pan! B and are repeated. PANEL C (19.3) 4st row P7, C5, 7. 2nd row K7, 2, KE, 62, 7.Po, C3BP, kl, C3FP, pb. 6,22, Kd, pK 92 bb P5, C3. k, pt, kl, C3FP KS, 22k, pt, kl twice, 2, KS. PS, CBP kl, [pt Kl twice, C3FF a 4, 92K, 1, ki] 3 ties, p2, kt. 3, C3BP. kl, [pt Ki] 3 times, C3FP,p3, FW 3,92, kl (pt, kl] 4 times, p21. row P2, C2BP Kp, kl] 4 times, C3FP. 92 ro K2 [pk] 6 mes, p2, row F212, ep] 5 times, 3, 2 row K2 2, [pi kl] 5 times, p3, 2 “rows form Panel C and are repeated. 225mm (US 3) needles, cast on 118 (12, 130) st eight side) K2, [2,2] to end row P22, p2}10 end these 2 rows unt work measures Tem/Sin from on edge, ending with aright side row. ro ib 31,9), rs 4, my] 28 (0,28) mes, ib ord. 147 (153,159 at ge tod (US 4) needles and werk in pat asf! ow (ight side) PO (3,0), * pt, [C2FP 2, C20P]4 times, 1 *, "* work 5 ss a Ist ow of Panel 8, 19 ss as 1s row Panel C, work 5 sts as Ist row 8, work 37st a It row Panel As rep trom ** 3 once, then rep kom * to * ance, pO 3,0, row KO (3,0), * Ka, [pb K2] 8 8,10} tes *, Sts as 2nd row Panel B, work 19st a8 2nd row IC, work 5 sts 38 2nd row Panel B **, work 3 ss 2rd ow Panel A rep from ** to ** once, then work * 10 once, kO(3, 0, row FO 3,0, *p2, [C2FP CZBP, p24 4, §) times * ork Sete ab Sed ro Panel B, work 19 a 3 tow rl C, work 5 sts a8 3rd row Panel 8 **, work 37 ste 3rd row Panel A; rep from ** to ** once, then rep *t0* ance, p03, 0, ow KO (3,0, * 13, bind 2, kf] 33,4 times, bind 137," work at a 4h row Panel B, work 19 sts 35 rom Panel C, work at as Ath ow Pane! 8°, work ts a 4th row Panel A; ep from * to ™ once, then from to * once, KO (3,0, row PO GC), * pz |C2BP, C2FR, p21 4, 5S) ties * wrk st as Sth ow Pane 8, work 19s as Sth row eC, work Sete ae Sth rom Panel B*, work 37 st 5th rom Panel A: rep from 0 ** once, then rep to" ance, (2,0 row KO (,(,*K2 [pith k2] 8 (8, 10) es *, ** 1k ats as th om Panel B, wark 19st a 6th row ane C, work sts as th rom Panel 8 *, work 37 ss th row Panel A; rep from ** to ** once, then rep sm "10 once, 10 (3, 0. row PO(3, 0° pl IC2BP 2, CFP]. (5) ies, 1+, ** work 5 sts a5 7th row Panel B, work 19 sts a5 row Panel C, work Sse 367th rom Panel 8, work fe 88 7th rom Panel A; rep fom ** 0 * once, then from *t2* once, p00) throw KO (3,0), "kt, pb [4 bind 213, 4) mes, 4 pil ki 4, ** wok’S sts as th row Panel B, work ir, work 37st a th row Panel A, rp from “to pce then rp * to * once, KO, 0h 8 rows eat the positon of the Panels and form ‘ep of Tels Pat at each side ping Panel and Telli st correct throughout, cont fi work mesures 29cm/112in from cast on edge, ing witha wrong side ron Shape armholes Keeping pat correct, cast of st at beg of next 2 ros Dec one st at each end of next 6 rows. 123 (129, 135) sts Cont without shaping until work measures approx ‘mately Scm/19%4in for carton edge, ending with 3 10th patt row of Panel A, Shape shoulders Keeping patt correct, cst off 1 (12,18) st at beg of ext 4 ons, then 12 (13,14 sts at beg of next 2 rows save rem sts on a holder for colar FRONT Werk es given for Back unt 14 rows fewer have been wotked than Back to beg of shoulder shaping, so end ing witha 24th row of Panel A Shape neck Noxt row (ight side) Pat 43 (46,4), p1, p2tog,k2and sl these 4750, 53) ts onto a spare needle for left rot, 12, p2tog, [I2tog] twice, p2tog Id, p2t0g, pl. Kt p2kog, I2tog] twice, pzt09, KZ ond sl hese 22 sts onto ’ holder for cll, 2, p2t0g, pl. patt to end, Cont on these 47 (50,58 st for right front neck. Dee one st at neck edge on nent 13 rows. 34 (37 40) ats, Werk 1 rm. Shape should Keeping pattcortect, cast of 11 (12, 13) se at bog of next row and fll wrong side row. Cast off rm 12 (13, 14) With wrong side facing, rejoin yarn to sts on spare needle at neck edge and patt to end, Cont to match fst side, reversing all sheping SLEEVES With 325mm (US 3) neeeles, cast on 58 sts and work ‘emi/3/in in rib a for Back welt, ening with aright side rm Inc row Rib 3, m,n 2 ml 26 tes, ib 3.85 st, tilt (-j a Change to 4mm (US 6) needles and work in pat as follows st row right side) Work 19st a 1st row of Pane! C, work 5 sts a8 Tat row Panel B, work 37 ats as Tat row Panel A, work 5 sts as 1st row Panel B, work 19s a2 ‘et row Panel C 2nd row Work 19 ss 98 2nd row Panel C, work 5 sts 3¢ 2nd rom Panel B, work 37 sts a5 2ndrow Panel A work ‘ss 9% 2nd row Panel B, work 19 sts as 2nd row Panel C. ‘These 2 rows Set the position ofthe panels. Keeping jpanel sts corec throughout, workin ptt, at the same time, inc ona st at each end of next row and every fll {th row, wotking ine st fist into Panel B, then into Tells Patt to match Back unl here re 123s, Cont without shaping until work measures ASemv/17¥in from east on edge, ending wth a wrong side row. Shape top Keeping ott coect, cast ff at beg of next 2 rows. Dec one sat each end of next 10 rows, then every fol ait rom unt 69 sts rom, Cast of 2st at beg of next rows, then 3ts at beg of next 10 rs. Cas off rem ss, working t0g over each cable panel COLLAR Join right shoulder seam. ‘With right side facing ond 375mm (US 3) nels, pick Up and k21 ats evenly down left front neck, k across 22 sts from centre front holder, pickup and k 21s ever Iy upright front neck, hen work across st rom back neck halder as follows: k20, k2tog, KS, K2tog, kl tog, K2, ktog, KS, tag, K20. 122s, Beg with a 2nd rom, work Zemin in rib as for Back welt ‘Change to 375mm (US 9) needles and contin rib until callar mossutes 23cm, Cast off loosely but every in rib TO MAKE UP Jain left shoulder and collar seam, reversing seam on Tenaya of collar, Sew sleeves into armholes, teasing to fi Join side and sleeve eeame. Fold colarin half onto right side, eb thes 712 Cable and Moss St Sweater ‘ied to ft bust 8 (8, 92, 97,102,107, 112em/32 (34 136,38, 40,42, jin and shown fr size 2em/34in bust con page 35, FINISHED MEASUREMENTS Bust 6 (92,9, 106, 12,119, 128/34 (34 39, 4134, 44,47, 4970 * Length to shoulder 52 (3, 54,55, 56, 57, Shem 072 (20.4, 2114, 21%, 22, 22% 229 + Sleeve length Abcm/8n or al s205 MATERIALS. *13(t, 15,18 17,1819 hanks of Debbie Blss Paloma in Fuchs 33 Pai each rm (US 13) and 1mm (US 19 iting nes shes OR SIZE TO OBTAIN TENSION + Cable needle TENSION 12sts ond 18 rows to IDem/4n square over Sts using 107mm (US 15) needles TAKE TIME TO CHECK TENSION. ‘ABBREVIATIONS. CAF = slip next 2 sts onto cable needle and hold to front of work, K2, then k2 from cable needle CAB = slip next 2 sts onto cable needle and hold at back of work, K2, then k2 from cable needle. COF = sip next 5 sts onto cable needle and hold to front of wor, KS, then KS from cable need. C108 = sip next 5 ste onto eable needle and hold at back of werk, KS, then KS from cable needle. Also see page 69, BACK With 10mm (US 15) neal, cast on 63 (67, 71,75, 79, 83,87 sts Ast row (PI, K112 @, 45,6, 7,6) mes, p2, hk, 213 times, 15, [2, ka] 3 times, 22, Kl, pt] 2.4.5.6, 7, 8 times. 2nd row (KI, p1] 23,4 5,6, 7,8) times, K2[p4,K213 times, p15, 12, pA 3 times, K, [ot k11 2,4, 5, 6,7, 8) mes. rd row (KI, p1]2, 4,5, 6,7, 8 times, p2 (CAF, 6213 times, KIS, 92, CAB] 3 ties, 2, [pl K11 2, 45,8 7,8)times ‘th row (PI, k1]2, 4,5, 6 7,8) tines, 2, Ip, k2] 3 tines, p15, 12, pl 3 times, 12, At, p12. 4, 5.6, 7 8 times. 72 date les ‘These 4 rows form the ish moss st with dst cable panels 5th row Patt 24 (2, 28, 30,22, 34, 34), KS, C10B,patt 24 28, 28,30, 32,24, 36) {th com Pat 24 (26, 28,30, 32, 34,36), p15, 24 (26,28, 30,32, 34,28. ‘7h rom Patt 24 (26, 28,30, 32, 34, 36 KIS, 24 (26,28, 30,32, 34,38. {th to 10th rows Rep éth and 7th rows once and the 6th row again 11th row Patt 24 (26, 28, 30,32, 34,36, COR, 5, pat 24 06, 28, 30, 32 34,36 12th ow Patt 2426, 28, 30, 32, 24,36, p15, 2426, 28, 30,32, 34,36. 13th rom Pat 24 (2,28, 30, 32, 34,34), 15,2426, 28, 30,32, 34,34) “1th to 16th rows Rep 6th end 7th rows once and the {throw again ‘These 16 rows form the pat Work further & roms. CChange to Sim (US 13) needles. Work a further 18 roms. Change to 10mm (US 15) needles Work straight untl back measures 31 (31, 32, 2, 3, 33, 3emvI2% (1214, 127% 12%, 13, 13, 131A fom ‘aston edge, ending with wrong side row. ‘Shape armholes Cast off 3 8,4, 4,5, 5,6) sts at beg of next 2 rows. 57 (61,63, 67,69, 73,79 5. 1st row Skpo, pat 10 last2 sts, K2tog 2nd row Pate 0 ond, Rep the last 2 rows once more. 83 (57, 59,63, 65,69, Mss. Work straight uni back measures 52 (53, 54, $5, 56, 57, SBlem/20¥2 (24,211, 21%, 2, 22%, 28 from cast on edge, ending with a wrong side row. Shape shoulders (Cast off 8,9, 9,10, 10,11) 98 at beg of next 2 rows and 8 8,9, 10, 1, 11, 1)sts at beg of fol 2 rows Leave rom 21 (23, 23, 25, 25, 27, 27) sts on a spare needle FRONT Werk exactly as given for Back (including armhole shaping) unt front measures 48 (47,48, 49, 50,51, Szjem/8 (1872, 19, 19%, 19%, 2, 20%2hn from easton edge, ending with a wrong side row Shape neck Next row Patt 1920, 21, 22,23, 24,25), turn and work ‘on these sts only for first side of neck shaping, leave rem stson a spare needle. Next row Patt 19 end [Next row Patt ola 2st, work tog, Rep the lst 2 rows twice more. 16 (17, 18,19, 2,21, 22) st, ‘Werk straight unt front measures the same 3s Back to shoulder ending et armhole ede Shape shoulder Next row Cast of 8 8, 9,9, 10, 10,11) ts, pateto end Next row Patt to end Cast off rom B (9, 9,10, 1,11, 11 sts [With right side facing, sip conte 15 (17, 17,19, 19,21, 21) sts onto a holder, rejoin yarn to rom sts, patt to end. [Next row Patt to ond Next row Sipo,kto end. Rep the lst 2 rows twice more. 16(17, 18, 19,20, 21, 22). ‘Wark straight unt ron measures the same a8 Back to shoulder, ending at armhole ed. Shape shoulder Next row Cast off (9,9, 10, 10,1) ts, ptt oend Next row Pat to en. Cast of rom 89, 9,10, 10,11, 11), SLEEVES ‘With Sm (US 13) needles, cast on 35 (35,39, 39,43 43,47). ‘st row Pkt}, 2,2,3,3,4) tines p2, Mp2 2k 2, p10, 2.2. 3.3.4) mes Endvow Kh 9111 0,22 3 3 e)tmes 2 p12 pi 12, p42, [pt KIN (22,3, 3,4 times, Sed row (KI, pt] 1 (1,2 2,3, 3.4) times, p2, CA, 6 15, p2, C28, p2 fp, ki] 1(1,2,2, 3.3 domes. Aaron PA) 22.3 34 e212. 2, p& 12 fe, ptl1(, 2.2, 3,34 times. Those 4 rows form the rsh moss st with 4st panels Sth row Pott 1 (10, 12, 12,14, 14,16, 5, C10, 40(10, 12.12, 14, 14,10. {throw Pat 10(10, 12,12, 14, 14, 16), p15, pat 10(1 12,12, 14,16, 16 ‘The Sth and ith rows set the 1S able panel. | Keeping pattcorect as set on Back work as follows Change to 10mm (US 15) needles. Pat 2 rows Ine row icin fist st, pat to lst 2s, in in next pat! Work 11 rows. Rep th lst 12 rows 3 times more and the inc again. 45 5,49, 49,53, 53,57 3, Cont steight until sleeve measures Abon/18in ‘aston edge, ending wth wrong side ro. ‘Shape sleeve top Cart off 36,4 45,5, 6 58 at beg of nest 2 rons (09,4, 41, 43,43, 48). 1st row Skpo, pat to lst 2st, L209. 2nd row Pato nd Rep te ast2 rows 5 times more.27 27, 29,2, 31.31 33) st. : [=| Sara aaa m aan ruta Picton tan 2 C]Jf 2st at bog of next 88, 88, 10,10, 10) ows poem 119,13, 13, 11,1, 13) st, D ight shoulder seam, ight side facng and Sram (US 13) nosdles, pick EIS ts down left front neck, k15 (17, 17,1919 ts fom front neck holder, pick up and k 16 sts front neck, 121 (23, 23, 25,25, 7, 27s fom rece holder. 67 (1,71, 75, 75,79, 79) ss. IK}, pt] to end. the lst ow 5 tes more. of ine up le sroulder and nackband seam. Join side and seams. Sow sleeves into aemholes, easing to tra Wide Multi Cable Tunic to bust 81-86 92.97, 102-107}m/32.94 (3638, and shown for 92.97 em/3-3Bin an page 36 {ED MEASUREMENTS lower edge 116(124,132em/5Y2 (8%, 52a te shoulder BRe/27 in fo al szas length 3940, athon 154 (15%, 164m a 30 rows to 1Oemi/in square over St st using US 4 needles. SIME TO CHECK TENSION. sTIONS = ip next 3 sts onto cable needle ond hold at of work, k2, then k3 from cable needle. = sp next 2 sts onto cable needle and hold to of work, K3, then k2 from cable needle. = ip next 3 sts onto cable needle and hold st of work, k3, hen k3 from eable needle. sip next 3 ss onto cable needle and hold to of work, k3, then k3 from eable needle CITB = sip nox 4 s2 onto cable needle and hold at ‘book of werk, then kas tram cable needle, then kcrem 3 from cable needle Also see page 69 INCREASE NOTE Inc rows (right sie) K2,s! 2 sts onto cable needle and hold at back of work, Kt then K, ml, Kl, fom ‘able needle, patt to last 5st, IT stonto cable nee de and hold to front of work, KZ, mt, then kt from cable needle, I 1ST V CABLE PANEL ‘Work th to th rows of Sth V Cable Pane. 2ND V CABLE PANEL ‘Work th to Mth rows of Sth V Cable Pane 43RD V CABLE PANEL ‘Work Sth to th rows of Sth V Cable Panel 44TH V CABLE PANEL, ‘Work ad to th rows of Sth Cable Pane! STH V CABLE PANEL at row C3F, a, C58, 2nd and every fol wrong side row P to ond 8rd row CSF, K37, C58. “ath row P to end, Sth row CSF, K33, C58, bth row Pio end, Tth tow CSF, 129, C58, {th row P to ond ‘9h row CSF, 25, C58, Mth row k2, CSF 121, C5B, 2. 13th row Ki CSF 17, C58, ka 15th row Ké, CSF 13, C58, kb ‘Mth row KB, C5F 19, C58, KB 19th row K10, CF, KS, C38, KIO. Bist row K12, C5, kt, C58, 12 234d row Ki, C178, kta. 25th row K9, 5, K7,p5, 19. 27th row K to end. 29th row KB, 4, K7, pb, 31st row Keo end, 33d row KT, p7, 7B, p7,K7 35th row K to end. ‘37h row Ké, 8, K7, 98, K& 230th row Kto end. ‘st row KS, 99, 1,9, 1S. 43d row K16, C78, kt, ‘4th row P to ond. ‘These 4 rows form the Fifth V Cable Panel BACK CENTRE PANEL With 4mm (US 6) nosdles, cast on 41 (45, 49) sts, Work It V Coble as follows: 1st row (ight side) K3 5,7), work arose 35 sts of Ist row of First Cable Panel, 36,7) 2nd row P to end ‘These 2rows st the position ofthe panel. See INCREASE NOTE and inc one tat each end of 7th ‘ou of pat and every fll throw, 22 times in total, AT ‘THE SAMETIME, when all 38 rows of Fist V Cable have ‘been worked, work 38 rows of 2nd V Cable, then 40 roa of ad V Cable, then 42 rows of th V Cable, then ‘44 roms of Sth V Cable. 85 (89,98 =. Cast off al ste FRONT CENTRE PANEL Work exactly as given for Back uti the 42 rons of ath V.Cable have been worked. 79 (83,87 st. Cont to inc at side edge as set and work a fellows Divide for neck [Next row (right side) K40 (42,48), turn and cont on these ste only eave em ss ona spare needle P row. * Next row Patt to last B sts, K2tog, kd P 1 row Rep the last 2 rows twice mor Next row Patt to lat 8 st, K2t09, CAB Pt row Rap from ** & tes more Next row Patt 0 last Bt, tog, Ks 19 21, 28) ste Pt row Cast of With right side facing, rejoin yarn to 39 (4, 43) st on spare needle, nto ont and back o fis st, ko end, 40 (42, a) sts. Prov ** Next row Kb, skoo, pat to end, Pt row Rep the last 2 rows wice more Next row Cé8,skpo, patt to end. Pt row Rep from *** 4 timas more. Next row Ké,skpo,patt to end. Pt row Cast oft. SIDE PANEL (work 4) [With night side facing and down (US é) needles, pick up and k154 sts evenly along one side edge of Centre Back Panel ‘at row (wrong side) IKI, pt] 7 times, * pI, pth 7 times ep from * 6 es more 2nd row It, K1)7 times, *k, [1 k1}7 times rep fom * btimes more 3rd row [P,K1}7 times, * pf, [pt KI]? times; op from * etimes more. ‘th row IKI, pt] 7 times, * C68, (kt, pl 7 times: rop from * times more. Sth row As Tt rom. fth row As 2nd row, Tth row As 3rd rom {th row KI, pt]7 times, 4 kt, p1]7 times: rop rom times more ‘Those 8 rows form the 6st cable with double moss st at each side and between cables and are repeated Lunt panel measures 20 (21, 2}em/8 (BY, 8}in fom pick up row Cast of, Work side panels on the remaining side edge of Centre Back Panel and on each side edge of Centre Front Panel betes 7Lrstructians, SLEEVES, With 4mm (US €) needles, cast on 50 (54, 58) sts, ‘st row right side) K to end. 2nd row PO (0,2, K2 4 [p24 p12, kd] twice, 62, 1214, 90 0.2, Srd to 6th rows Rep 1st and 2nd rows tice. ‘th ow KB(10, 12, C6B, CAF 10, CBB, CAF KB (10, 12. ‘th row As 2nd row ‘th row As Tet rom 10th row As 2nd rom, ‘These 10 rows eet the postion of the cable penels lwith garter stand rib to wach side and between and are repeated, Keeping patt correct and taking inc st into garter st and nb pat, ne 1st at each end of next row and every fol dt row until there are 98 (102, 10) ss. Cont straight until sleeve messures 39 (40, 4t}em/1514 (15%, 181i rom easton edge, ending wth a wrong side rom. Cat off in pat. NECK EDGING Join both shoulder seams. With shorter 4mm (US 6) ctcular needle, pick up and 103 ts evenly around neck edge. KS rounde Cast off ‘To MAKE UP With conve of cast off edge of sleavos to shoulder seams, sew on sleeves. Join side and sleeve seams. LOWER EDGING With right side facing and longer dm (US 8) eeu reedi, starting at one side seam, pick up and 222 (220, 238) sts evenly around lower edge of back and front, KS rounds Cat off loosely but evenly. Evrrerrey “ataic eile 4 Cabled Shoulder Cape and Ribbed Top ‘Sized to fit bust 81-86 (9297, 102-107|em/32-34 6 38, 0-42)n and shown for 87-Bécm/32-34n bust on age 37 FINISHED MEASUREMENTS Cape ‘Around lower edge 905 67, 108/35 3/4 (38,41 Length a8 0, Semv9 (194, 20720 Ribbed Top Bust Oa/27/in * Length to shoulder 6tem/24in MATERIALS. Cape 180, 10 balls of Debbie Biss Cashmerino Arann Royals? «5mm (US 8) erular rede, 100emv40in long OR SIE TO OBTAIN TENSION Cable needs Ribbed Top * bball of Debbie Bliss Cashmerin Aran in Royal 8? myn (US 8 iting noedles OR SZE TO OBTAIN TENSION TENSION 18 ats and 24 rows over St st ond 23 ss and 28 rows lover unstretched rib, both to TOem/in square using Smm (US 8) needles. TAKE TIME TO CHECK TENSION. ABBREVIATIONS. CAB = slip next 2 sts onto cable needle and hold at back of work, k2, then k2 from eable needle CaF = slip next 2 sts onto cable needle and hold to front of work, k2, then k2 from cable reece. CSB = slip next 3 sts onto cable needle and hold at ‘back of work, k2, thank fram cable neecle, CSB = slip next 2 ss onto cable needle and hold to front of work, I, then K2 from cable needle. ‘Alco see page 69 NoTE Due to the nature ofthe rib, only onesie is given for the Ribbed Top, CAPE With Sem (US 8) circular needle, cast on 208 (224, 240) ss Join to work in a ring, being careful not to twist aston edge and place » marker for the beg of round Sipping marker on avery round, work a follows: Rib round [K2, p20 end, Rep this round 9 times more Now work in atta follows ‘st round [F2, KIO, p2,K2 13 (14,15) times. 2nd to Sth rounds As tt round, {6th round 2, CSF, CSB, 22 42] 13 (14,15) times. ‘The lst 6 rounde form the patt and ae repeated ut cape measuros 35 (37, 3}cm/13H (14%, 15%n canton edgeending with ath pat ound. 7th (dee) round [P2 Ki, skp0, 44, K209, kl, 22,2) fend, 182 (196, 210} st. 8th ound [P2, kB, p2, 2] 13 (1, 15) mes ‘Sth 0 11th rounds As 8th round. 12th round [P2, C48, CAF, 2, KZ} 13 (14, 15) times. 13th 0 17th rounds As Bh ound 18th round As 12th round, 19th (dee) round [P2t09, #8, p20g, 42) 13 (14 times, 156168, 180) st. 20th round [P, K8,p1, K21 13 (14,19 times. 2st to 23ed rounds As 20th round. 24th round [P1, C48, CAF, I, 42] 13 (4,15) times Cont in pat as now set, working cables on every round until work measures 57 (9, lem/22/2 (23 2A Cae off loely but evenly in pate TO FINISH Fold the top dem/3¥2in onto the wrong side and a stitch in place. RIBBED TOP BACK With 5mm (US 8) needles, cast on 82st. ‘at rib row (ight side) K2, [p2, 2] to ond 2nd rip row P2, [2,621 10 end. These 2 rows form rib and ae repeated thraugho a ‘sian 5ib unt work measures 40em/1S¥%in rom cast tending witha wrong side row, armholes 12, 22 1, skpo, rb 10 las 7 st, k2t09, kl 2 K2, p2 nb to las 6 sts, 62, 12, 2. Tas 2 roms times mare, 70 ste ight in rib untl back measures 6tem/24in on edge, ending with a wrong side row. in, cy a5 for Back to *. oft in rib unt front measures Séem/22in jon edge, ending with 2 vrang side row. front nec (ight side) Rib 22, tum and cont on these leave rem sts on a spare needle Bets at beg of next row and 2 sts atbeg of fll ede om. 13 st. ioht until front measures same as Back 10 jedge, ending with a wrong side row. jin i, ht side facing, rejoin yarn to sts on spare nee. off 26 sts, rbto.end. 22s. band cat off 3 sts at beg of next ow and 2 bg of fll right side roms, 13 st, ht ntl font measures same as Back to /2doe, ending with a wrong side om ‘or, up pags, jin shoulder seams feseams. HED MEASUREMENTS. 92107, 12) 2, Bi to shoulder 61 (4, 67em/24 52, 262 length 46 28, Sham 18 (19, 19%} * Pair cach of 375mm (US 9, 450m US7) and Sem US ‘lewting needles OR SZE TO OBTAIN TENSION + 450mm (US 7) and Sm (US 8) cel neste, ‘Demi 32in long See NOTE) = Cable needle TENSION 22 ets and 28 rows to T0cm/4in square over double mass st using Sm (US 8 needles TAKE TIME TO CHECK TENSION, [ABBREVIATIONS C4(6, 8)8 = slip next 2(3, 4 sts onto cable needle and hold at back of work, K2 4), then k23, 4) rom cable noodle, ‘CA (6, BF ~ slip next 2G, 4 sts onto cable needle and hold to font of work, K2 G4, then k23, from cable needle “Tw2R = k into front of 2nd ston neal, then k into front of 1st st on needle, sip both sts of needle together. ‘Also see page 69. NoTe When working with a large numberof sts, you wll ind ‘tensor to ue cicularneedies and work back and for ward in rons. PATTERN PANEL A (worked over 10s) 1st row (wrong side) F2, kp, kl, 02 2nd row THR, pil, CAF pi, TW2R rd row Ae Ist rom 4th row THR, pt kt, pt, TW2R, “These 4 rows form patt panel A and ore repested in positions given inthe instructions, PATTERN PANEL B (worked over 145, dec to 12st, then 10 ss) ‘st, 3rd, Sth and 7th rows (wrong side) 2, K1, 28 i p2. 2nd row TW2R, pt, CBF pt, TW2R. 4th, 6th and 8th rows Ta2R, 1, kB, pl, Tw2R. ‘th to 48th rows Rep. It to Bth ows Stimes more 49th row P2, Kp Kl, 2. ‘50th (dee) row THR pi, el next 4st onto cable nee dle and hold ta font of work, K2 sk, then 2, sk] from cable needle, pt, TW2R. 12st. Sst, 3rd and S5th rows P2, KI, p6, Ki, p2 ‘nd and SAth rows Tw2R, pl. kbp, Tw2R. ‘Séth row Tw2R, pl, CAF, pl TW2R, ‘Sth to 80th rows Rap Sst to Sth rows 4 times more Bist to 85th rows Rop Stet to 55th rows ‘Beth (dec) row TW2R, pI, sl next 3s onto cable nee dle and hold to font of work, KI, ssk, then kt, ss from eable needle, pt, Ta2R. 10 ts. 87th row P2, Kp I, 8th row Tw 2R, pi, kp, THR {89th row P2, KI, pk, pe 90th row Tw2R, pl, CAF pl, TW2R. ‘The last 4 roms are now repeated throughout PATTERN PANEL C (worked over 20ste, dec to 16 ts, then 12s) ‘st, 3rd, Sth and 7th rows (wrong side) KI, p18, Ki. 2nd row PI, C88, TW2R, CBF, pt 4th, 6th and th rome PI, KB, TA2R. 48, pI tht ABth rows Rep Tst 10 Sth rons 5 times more 49th row KI, pI, kt 50th (dee row PI, sInext 4st onto cable needle and hold at back of work, I, K2t09, then (t2t0g, kz from cable needle, T2R, si next sts onto cable needle land hold to front of work, k2, sk, then Ik, sh from cable needle, pt. 16 sts. Sst, Sard and SSth rows K1, p14, ki 52nd and S4th rows Pi, kb, THR kd, 1 Séth row PI, CB, TW2R, Cop ‘57th to 80th rows Rep Sisto Séth rows 4 times more Bist to 85th rows Rep Sts 0 55th rows. ‘6th (dec) ow P, si next 3sts onto cable needle and hold at back of work, 1, K2tog, then [k2t09, kl from Cable needle, Tw2R, sl next 2 sts onto cable needle and hold to front of work, K, sk, then Ik, ss] from cable needle, pt. 12st. 87th row Ki, p10. 8th row PI, k4, THR, Kp {89th row Ki, p10. Ki ‘90th row PI, CAB, THR, CAF; pt The last 4 rows are now repested throughout PATTERN PANEL D (worked over 1 sts, dec to 12ste then 10 st) ‘st, 3rd, Sth and 7th rows (wrong side) P2, kl, p8, isp 2nd row Tw2R, pt, CBB, pl, TW2R, 4th, 6th and 8th rows TW2R, 1, 48, p, TW2R ‘th to 48th rowe Rep Ist to Bth rows 5 times mare, {49% row P21, 8, Kl, 2 50th (dee) row Tw2R, pi sl noxt 4 ss onto cable nes- dle and hold at the back of work, k2, K2t0g, then [k2t0g, k2| from cable needle, pl, TW2R, 12s. ‘Sst, 83d and 55th rows P24, 6, Kp ‘2nd and Sth rows Tw2R, pl. kd pl, THR, ‘Séth row Tw2R, pt, C6B, pl, Tw2R. ‘57th to B0th rows Rep Sisto Sah ows 4 tines moc. Bist to 85th rows Rep Sst to 55th ows {Beth (dec) ow TW2R, pl, sl next 3st onto cable nee dle and hold at the back of work, KI, k2t0g, then [2t0g, ki from cable needle, pt, TW2R. 10s, 87th row P2, KI, 4 I, p2 8th row Tw2R,p1, kp, TW2R 89th row P2, Ko I, p2 90th row Tw2R, 1, CAB, pt, TW2R. “The last 4 rows are now repeated throughout PATTERN PANEL E (worked over 10) ‘st row (wrong side) P2, KI, pk, p2 2nd row TW2R, pl, CAB, pI, Tw2R 5rd ow As it rom ‘th row Tw2R, pi, Ad, pt, TW2R. ‘Those 4 rows form patt panel E and ae repeated in positions given inthe instructions. BACK With 4 Som (US 7) needles or circular needle see NOTE, cast on 144 (140, 176 ss K3 rows Inc row (ight side) K37 45, $3, me, rt) 3 times, 28, mt mt] 7 ties, K28, nk, ni 3 times, 38 (46,58). 160 (176, 192) 55. Change to Smm [US 8) needles and workin pat as fallow: st row (wrong side) IKI, p14 (8,12) times, k2, work ‘strom of patt panel A, 12 pt, ki] 5 times, kt, work ‘strom of patt panel 8,12 [pt, kt] 5 times, kt, work ‘stow of pat panel A, work Ist row of patt panel C, work Ist row of patt panel EK, [pt KI) 5 times, ki, work 1st row of pat panel D,K2 (pi, ki] 5 times, I, otk Ist row of patt panel E42, [pt kl] (8,12 ies. 2nd row IKI, p1] 59,13) mes, work 2nd row of patt panel E, pl, Iki, pt] 8 mes, work 2nd row of pat panel B, pt, (kt, pt] 6 times, work 2nd row of patt panel E, work 2nd row of patt panel C, work 2nd rowcof pat panel A, pt, kt. p16 times, work 2nd row of patt panel 8, pi, [ep] 6 times, work 2nd row of pat panel A pt, ki] 5 ©, 13) times 83rd row (PI, ki] 5 (9, 13) times, werk 3d row of patt panel, ki, jp, KI] 6times, work 3d ow of patt pane! Dkr, (pt, kT 6 times, work 3d row of pate panel E, work 3rd row of patt panel C, work 3 row of pat panel kl, pt KI] 6times, work 3d row of ptt panel B,ki, Ip, kl] 6 tines, work 3rd ow of patt panel A, (ka, p11 $0, 13) times. 4th row P1, kI] 4,12) times, 62, work ath row of pat panel E,p2, kp] 5 times, pl, work throw of pat panel D, 2, [kp] 5 times, pl, work dth row of patt panel E, work Ath row of ptt panel C, work throw of ptt panel A,p2 kl, pi] 5 times, pt, work dth row of patt panel B,p2, (ki, pt] 5 times, pt, work Ath row of patt penel A. 52, kl pt] 4, 12) times, ‘These 4 rows set the position of the pattem panels ‘and form double moss st between each panel and at the and ofeach rv Working corectpatt panel rows, cont in patt a5 set, Until 49th row of ptt panels 8, C and D has been worked, 50th dea) row ight side) [K1,p1] 5, 13) times, work 2nd row of pat pane! E, 62109, pt, kl, pl 4 times, potog, work Soth row of pat panel D, p2teg, pt Ik, il 4times,p2t0g, work 2nd row of ptt panel , work oth row of pat panel C, work 2nd row of patt pane! A, peg, pl. kl, pI] 4 time, p2t0g, work Sth row of ptt panel 8, p2og, pt [Hp] 4 times, p2t0g, work 2nd tow of pate panel A, [p, KI] 59,13) times. 144 (160, 176) st, Stst row [P1, KI} 5 (9,13) times, work 3c row of patt ppanel A, 2, [pt ki] 4 times, k, work Sst row of patt panel 8, K, [pt ki 4 times, ki, work 3c row of patt panel A, work Sist row of ptt panel C, work 3 row of patt pane! E,k2, pt, KI] 4 times, ki, work Sst row ‘of att panel D, 12 [pt kt] 4 times, kt, work 3d row ‘of patt panel E, kt, p11 ©, 13) times. 52nd row [P, kl] 4(, 12) times, p2, work throw of ptt panel E, pk, pl 5 times, work S2nd row of patt pane! D, pi, kt, pS times, work th row of pat panel E, work S2nd row of patt panel C, work throw of patt pane! A, pt, [kp] 5 times, work Sdnd row of patt panel B, pt, I, pt 5 times, work Ath row of ptt panel A, p2, ki, p1}4(8, 12) tines. ‘53rd row [K1, pt] 4(, 12) times, K2, work Tet row of patt panel A, 1, pI} 5 times, k, work 53rd row of patt panel 8,1, pI] Stimes, kl, work Istrow of patt pane! ', wotk 53d row of pat panel C, work Tst ow of patt panel E, [kl pil 5 times, kl, work 531d row of patt ‘panel Dk, pt] 5times, kt, work 1st row of patt panel E12, pt, kil 4, 12) times. ‘4th row [KI, p1)5(, 13) tines, work 2nd ow of patt panel E, pk, pt] 4 times, pt, work Sth row of pat ‘panel D, 92, kl, pt] 4 times, pt work 2nd row of patt ‘panel E, work Séth row of patt panel C, work 2nd row ‘of patt pane! A, p2,[k1, pI} 4times, pt, work Stth row ‘of patt panel B, 2, [kp] 4 times, pI, work 2nd row ‘of patt panel A (pt, k1)5 (9,13) tines. “The last rows maintain the postion ofthe patt pan ls andreaet the double mos st between each panel Working corect patt panel rows, contin patt as set, until 85th row of patt panels B, C and D has been worked, ‘Beth (dee row [KI] 5 9,13) timos, work 2nd ow of patt panel E,p2t0g, ki 1, ki] 3 times, p2tog, work Bath row of patt panel D, p2tog, KI, Ip, kl] 3 times, 76 enti ee 20g, work 2nd ow of pat panel E, work Béth row of ptt panel C, work 2nd row of patt panel A, p2t09, kd, ip1, KI] 3 times, p2tog, work 86th row of pat panel B 12t0g, kl [pk] 3 mes, p2t0g, work 2nd row of pat. panel Apt, Lt], 13) times. 128 (14,160) ts {87th rom (Pi, KI] 5 ©, 13) times, work 3rd row of patt panel E, Kt, [pt, kl] 4 times, work 87eh row of patt panel, Kt, [p1, ki 4 times, work 3rd row of patt panel E, work 87th row of pat panalC, work 3rd row of pate panol Ak, [pt kl] times, work 87th row of ptt pane! 8, KI, pt ki] times, work rd row of patt panel A [el pt} ©, 13) times 8th row [P1, kl] 4 (8, 12) times, p2, work Ath row of ptt pane! E,p2, KI, pt} 3times, pI, work BBth row of att pane D,p2, [kp] 3 times, pt, work Ath row of patt pane E, work 88th row of patt pane C, work 4th row of patt panel A, p2, (kt, pt] 3times, pl, work 86th row of ptt panel 8, p2, ep] 3 times, ot, work ath row of patt panel A 2, [kt pt] 4 (8, 12) times 89th row [KI, pt] 418, 12) times, K2, work Tat row of patt pone! 12, Ip, Kt] 3 times, kl, work 85th row of att panel B,K2 (pt, ki] 3 times, ki, work Ist row of patt panel A, work 8th row of pat panel C, work Ist row of patt panel E, 2, Ip, k1] 3 times, kl, work 8th row of pat panel D, 1, (pt, KI] 3 times, kt, work Ist row of patt panel E12 fot, kt] 4,12) times, 90th row IKI, p1] 5,13) times, work 2nd row of pat panel E,[pt, ki] 4 times, pt, work 90th row of pat panel, (pt, ki] 4 times, pt, work 2nd row of pat panel E, work 90th row of pat panel C, work 2nd row ‘of pat panel A, pt, ki] 4 times, pt, work 90th row of patt pane! 8, [p, kil4tmes, pt, work 2nd row of patt panel, [1 KI] 5, 13) times. ‘Ast row (Pi, kl] 5, 13) times, work 3rd row of pate panel EK Ip, kl] 4 times, work 87th row of patt panel 0, ki, pt, kt] 4 times, work 3rd row of pat panel E, work 87th row of patt panel C, work 3rd row ‘of pat panel A, kl, pt, kt) 4 times, work 87th row of ptt pane Bk, pt, KI] tes, work 3d row of pat panel A, kt, pt] 5, 13) times. ‘nd row [P1, ki] 4 (8, 12) times, p2, work ath row of patt pane E92, [, pt] 3 times, pl, work 8th row of ptt panel D, 2, kt, pl] 3 times, pl, work throw of ptt panel Erk 88th row of patt panel C, work th ‘row of patt panel A, p2, (Kt, pt] 3 times, pl, work 8th rom of patt panel 8, p2, kl, pt] 3 times, pt, work Ath ow of patt panel A, 2, kt, pt] 4 8, 12) times ‘rd row [KI, pt] 418,12) mes, 42, work Ist row of patt panel A. 2, [pt ki] 3 times, kl, werk 8th row of pate panel B,k2, [pt, kl] 3 times, ki, work Ist row of patt panel A, work 8th row of patt panel C, work 1st row of patt panel E, 12, [pt kt] 3tmes, KY, work 8%th row of att panel D, 2, [pt Kl 3 times, kl, work 18 row of patt panel, k2, [ki] 4,12 times. “The last 4 rows (90th to 93rd rows) are repeated 3 106th (dee) row {KI, pt] 5% 13) times, work 2nd row of patt panel E, p2t0g,[pt, kil 2 times, p1, p2t0a, ‘Wotk 90th row of pat panel, p2tog, [pk] 2 times, 1, p2tog, work 2nd row of patt panel E, work 90th row of patt panel C, work 2nd row of patt panel A tog, (pt, ki] 2 times, pl. p2tog, work 90th row of patt panel 8, p2tog, [pt ki] 2 umes, pt, pZt0g, work 2nd row of patt panel A, (pi, ki] 5 @, 13) times, 120, (136,152) st. Keeping patt correct, cont straight until back moas- trot 43 (45, 47}en/17 (17%, 1872, ending with a wrong side row. Shape armholes Cast off sts at beg of next 2 rows 102 (118, 134 sts Change to 4 50mm (US 7) needles. Cont straight in patt unti back measures 59 ‘}em/23%4 (282, 25¥\n fom easton edge, en swith wrong side row. Shape back neck [Next row ight side) Pate 33 40, 47), tum and cont ‘these sts only, leave rem sts ona spare needle Next row Slipping he fst, cast off 5st, patt to. Patt 1 row. [Next row Slipping the Fists, cast off 2 ss, pat fond, 26 (3,40) sts. Patt I row, ‘Shape shoulder Cast off ast, working k2tog in the contre ofeach cable. With right side facing slip 36 38, 40) sts rom ‘needle onto a holder for conte back nec, rein torom 33 (20, 47) ss, hen slipping the frst st, cas St, patt to ond, 28 35,42) ts. Pat 1 ow. Next row (ight side) Slipping the ist st, cast off 2 patt to ond. 2633, 40) ss, Patt 20m. ‘Shape shoulder Cast of all ss, working p2t0g inthe centre of ea stable FRONT ‘Werk exactly as given for Back fom ** 10 7. ‘Change to 450mm (US 7) needles. ‘Cont ersight in patt until back measures St lem/21%4 (22%, 237} rom cast on edge, end with a wrong side ron. Shape front neck Next row (ight side) Patt 3542, 49), tun and cont ‘these sts only leave rom sts on a spare needle [Next row Slipping the fist st, cast off sts, pat to Patt trom, Next row Slipping the fstst, cast off ts, pat to Patt trom. [Next row Slipping the fest cast offs, patt to Patt trom, 26 03, 40) sts \Wiork svaight until front measures same at Back shoulder ending at armhole edge. Shape shoulder Cast of al sts, working ssk in the contre of each: cable. [With right sde facing, sip 32 (34, 36) ss from needle onto a holder rjoin yam to rom st, then ping frst t cast of @ partto end Patt Irom. [Next row Slipping the Fists, cast off 3st, pat end. Patt 1 rom [Next row Slipping thefestst, cast offs, pat to Patt trom, 26 03,40) sts Werk sraight unt front measures same as Back shoulder, ending at armhole edge. Shape shoulder Cast of all st, working p2tog tbl inthe centre of Satcabe, SLEEVES With 480mm (US 7) needles, cast on 52 (56, 60) st K 3 rows,ight side) K16(18, 20, mt, 7, mn, k,n, 7, 16 (18, 20, 5 (40, 64) sts 10 Sm (US) needles and workin pat asf: (wrong side) Pt, kt, p11 5, 7) times, kd, p2, Fl 92 Kt, p10, Kt, pK, A, kl, 2, K pt, Times, pi Ke, 5 (6,7) imes, pt, TW2R, pt, CAB, pl, CAB, TW2R, CAF, pt, TW2R, pt, CA: pip, KI] (5, 7) times, k1 PI, fp, KI} 5 (6,7) times, 1, p2, Kp 10,1, p2, Kp kt, 2, ke, 115 7), Pt KI, [p11] 5 (8, 7) imes, pt, TW2R, pI, kt pt, I,Nd, TW2R, kd, pt, TWAR, pike, p, TW2R, pt, 1516, times, ki rows form the cable and twist stitch pat wth je moss sto each side and a single st in tt at and are repested ght side) KI, est, pat os th pat ro) to mk ng st teach endin St stand taking incstsinto moss st, cont in patt and inc as set on every on, unt ther ar 86 (94,102) st. aight in patt until sleove measures 46 (48, 18(19, 19m fom cast on edge, place amark. ach end of last row, then contin pat fora fur ti, ending witha 2nd pat ow. in pat, working pZtog over centre 2 sts of sce facing and 375mm (US 5) needles, pick IB sts evenly down left front neck, work 32(34, 35 sts on front neck holder and dec 8st ck up and KIB sts up ight font neck, 8 sts ight back neck, work arose 36 (8, 40) sts on eck holder and dee 8 sts evenly, then pick up ts up lft back neck. 108 (18, 112} st. 4ssis415)em eisai Ne eA Cast off kritwise on wrong side TO MAKE UP Join left shoulder and neck edging seam. With centre of cast off edge of sleeve to shoulder, saw sleves into ‘armholes, easing tof and with row ends above mark fers sown to sts cast off at underatm. Join sie and sleeve seams. 6 Blackberry Stitch and Cable Sweater Size to fit bust SM IML, LL) 76.86 (92-107, 112. 123}em/30-34 (36-42, 44-88) and shown for 76 ‘bem/30-Hin bust on page 29. FINISHED MEASUREMENTS * Bust 135 (156, 172/537 (612 68) * Length to shoulder 58 (60, 6em/22 (237,28 *Sleove length 43em/7in oral izes MATERIALS 15 (18, 20) of Debbie Bliss Cashmerino Aran in Ceral 73, * Pai each of rm (US 6 and Sr (US 8 kiting nee clas OR SZE TO OBTAIN TENSION *4rnm US 6 rr needle, Ben/24in long TENSION 1B s© and 24 rows to 10em/tin square over double moss st using Smm (US 8) needles. TAKE TIME TO CHECK. TENSION, ‘ABBREVIATIONS. WR = lft the 3rd ston left hand needle over the 1st and 2nd ste and off the needle, ki, yf, kl over the remaining 2s. M3 = ep, kl all into next st. CCAFP = sip next 3st onto cable needle and hold to frontof werk, pi, then Ia fram cable needle, CC4BP = slip next st onto cable needle and hold at ‘Back of wotk,k3, then pt fom eable needle. CC6F = slip next 3 sts onto cable needle and hold to front of work, 3, then 3 fom cable needle, C68 = slip next 3 sts onto cable needle and hold at book of work, k3, then k3 from cable needle ‘Also see page 69 PATT PANEL (worked over 26 sts) 1st row (eight side) P1, CAFP, CABR, 8, CAFR, cape pt 2nd row (rong side) K2, pf, K10,pB, 12 3rd row F2, C6F, p10, CA; 2. 4th row K2, 6, k10, p61. Sth row PI, CABP, CAFP pf, CABP, CAEP, pl 6th row KI, p3,K2, 93,18, 3, 12.3, Tth row CABP, 92, CAFP, pb, CABR 2, CAFP ‘th row P3, kd, 93. Ko kp. ‘Sth row KS, pa, AFP, p, CABR, po, 3 10th row P3, KS, p33, 45, p3. {Mth row CAFP, pa, CAFP. 92, CABP pd, ABP 42th row KI, 3,45, 63,12, KS, 53, kt. 13th row P3, CAFP, pA, CAFP,CABR, p, CABR, p 14th row K2, 3, K5, pS, KS, 63, 2 ‘15th row P2, CAFR, CAB, pd, ABR p2 16th row K3, 3, kf, kb 17th row P3, CAFP,p2, CABP, CAFR, p2, CABP,p3 ‘18th row Ké,(p3, 24 times, K2 19th cow P4, CAFP, CABP p2, CAF, CABP, pt 20th row KS, pK, p45. 2ist row P5, Co; pA, CAF 5. and row KS, pk, pi, KS. 23rd row PA, CABP,CAFP, 62, CABR, CAFP Ath row KA, [p3, K2 4 times, 1 25th row P3, CAEP p2, CAFF, CABP,p2, CAFP. 3. 26th row KS, p3 dp, bt 93, 21th row P2, CABP, pi, C68, pA CAFF, 2 28th row K2, 3, K5, 06, KS, 3, k2 2ath row PI, CABP. pf, CABP, CAFP pA, CAFP, pt 30th row Kt, 3, KS, p3, 12, 3, 15, p3, 31st row CABR pt, CABP p2, CAFP, pd, CAFR, 32nd row P3, KS, p3, kd, p3,k5, p3 33rd row K3, pt, CABR 4 CAFP, p13, ‘34th row P2, I, p3, 15, p3, Kt, 3. ‘35th row CAFP,p2, CABP, po, CAF, p2, CABP ‘36th row KI, 3, K2,p3, KB, 3, k2,p3, kh. ‘These 36 rows form patt pane and are repeated. BACK With 4mm (US 6) needles, cast on 146 (166,178) st Tt size only ‘stb row (ight sie) (P2, 41 tbl, 2 13,62. K3,p2 rth) to last 2 ts, po 2nd rib row [K2, 1,12, p3, 42, p3, 2, pt} to last 2 S85 12. 3rd ib row [P2, kt tbl 2, WR, p2, WR, p2, Kt to let 2 ts 2 “th rib row As 2nd rw. “These 4 rows form rib and ae repeated 2nd size only ‘st ib row right side) P2, [2 K3, p2 Kt, 2, kit 2 Ka) to last 4st, a 2nd rib row K2,{K2, 23, K2, 1, 2, 1, 2, pl to last tb 3rd ib row P2,[p2, WR, p2, kl tl, p2, kt tl, p2 WR} to last 4s, pa 4th ib row As 2nd eb com ‘These 4 rows form rip andl ace repeated 3rd size only ‘str row right side) [P2,K3, p2 KI tl, p2 kt wl p2 ES} to last 2 ts, 92 2nd brow 2, 93,2, 1,2, p42, pols 2s 12 3rd rib row [P2, WR2, 2, 1 tl, p2, Kt tl, 62, WZ] tw last 2 ss, p2 ‘eh ib row As 2nd rb row ‘These rows form nb ond ae repeated Allsizes Cont nib until work messures Sem/3isn ening with ath row Change to 5mm (US 8) needles. oes 7et row (ight side) [P1, ki] 7 (12,11) times, pl KE th 2, KI, pt, work st row of Patt Panel, pt [kt {tl p2} wie, K3, p24 (4, 50}, 1, [2 Kt twice, ‘work 1st row af Patt Panel pt, Kt, p2, KY tbl (pt 117 (12,17) mes, 2nd row (KI, pi) 7 (12,11) ies, kt, pt, KZ, pl kl ‘work 2nd row of Patt Panel, KI, (pt, K2 twice, p3, KN, [p3tog, M3] 8, 12) times, kt, 63,2, pl] twice, KI, wwotk 2nd row of Pat Pore, ki, pi, 42, pI, (kl p17 (12,11) times 23rd row IKI, pt] 7 (12,11) nes, p kt 2, Kd tbl, pt, work 3rd row of Patt Panel, kth, p2,k1 bl, 2, WR2, p34 (24, 50), WR2, 2K tll twice, 1, work 8rd row of Patt Pon, Kl tl, 2, kl tho (p1, kt 7012, 1) times 4th ow [Pk] 7 (12,11) mes, kt pt, 2, pt, Kt work 4th row of Patt Panel, Ki [pt KZ] twice, p3, kt, IMB, ‘30g 8 @, 12) times, kt, p3, 2, pl twice, KI, work “th ow of Patt Pane! Kp, 42, pt, KY Kk, p17 (12, 19) times. “These 4 rows form the pat and set the position ofthe pat panels ‘Werking cortect pat panel rows, contin patt a5 set Until work measures 38emV/13in ending with a wrong side rm. Shape armholes Cast of 2 sts at beg of next 2 rome, 142 (142,174 ts. Wark 4 cows. Dec 1st at each end of next rom, Work 3 rows. Rep the last rows 3 times more. 134 (154,168) ts“, CCont without shaping unti back measures 54 (56, ‘SB)em/21/4 (22, 22¥4\n from east on edge, ending wth a wteng side rom, ‘Shape back neck Next row (ight side) Pat 57 (67, 73) sts, tum and cont ton these ste only leave rem sts ona spare needle, Keeping pat conect, cast of 34, 5) sts at beg of next row and fell wrong side ow, then 2s at beg of next Dinrong side rows 47 (55,59 ss. Werk 2 few rows straight unt back measures 58 40, 62)em/22% (232, 242 fom cast on edge, ending at armhole edge. Shape shoulder Cast off 26 (28,30) ts at beg of next row Patt trom, Cast off mn 23 (27, 29) ss With right side facing, sip 20 sts at centre back neck ‘onto & holder, rejoin yarn to rem 57 (6, 73) sts, patt toend. Patt trom, Keeping pat comect, cast off 34, ss at bog of next row and fll right side row, then 2 sts at beg of next 2 right side rows, 47 (5,59) ts. Work a fw rove straight until back measures 58 (60, ‘2dem/22¥ (237, 24/3 from cast on edge, ending st armhole edge. ‘Shape shoulder (Cast of 24 (28, 30) sts at beg of next row. Patt 0. (Cast of rom 23 (27,29 sts FRONT Week exactly as for Back to *. Work straight until font measures 50 (52, S#em/T9¥% (202, 214m in from cast on edge ending with 3 wrong side row ‘Shape front nec [Next row right sie) Pat 0 (70, 7) ss, tur, 78 dete les Keoping pat corect, cast off 4 sts at beg of noxt ow, 3st at beg of fol wrong side row, 2ts at beg of next 2.0, 4 wrong sie rows, then 1 st at beg of fll 2 ‘arang side rows. 47 (5, 89) ss. Work straight until front matches Back to beg of shoulder shaping, ending at armhole edge, ‘Shape shoulder Cast off 24 28, 30) sts at beg of next rom. Pate 1 rom Cast off rom 23 27, ss With right side facing, slp 14 (16, 14) st at cent front onto a holder, rejoin yarn to rem 60 (70, 74 ss, patt to end. Patt trom, Keeping pat correc, cast off sts at beg of next rom, Sts at beg of fll wong side rom, 2st at bog of next 2. 4 wrong side rows, then 1 st at beg of foll 2 wrong side rons 4 (5,59) sts Work straight until front matches Back to beg of shoulder shaping ending at armhole edge. Shape shoulder Cast off 24 (28, 30) ts at beg of next ow. Pett t row Cast off rom 23 (27,29 ss. SLEEVES With 4mm (US 6) needles cast on 44 (50, 56) sts. ‘et rib row (ight side) [P2, kt] 0 (1, 2) tines, [p2, 3, p2, Kd, p2, kt abl, 2, Kt] tice 2, 43] twice, 12, kt tbl, 210 (1,2 times “and ib ow K2,p1}0(1, 2 Simes, 2, p3, 42, p3,K2, 12, pll twice, 12, p3 wie, K2 [pt K210 (1,2 times. Se rib row [P2, kl to] 0 (1,2 times, 62, WR, 62, WR, 92, bl 2, kt tbl twice, [p2, WR2] twice, 2, Fett, p210(1, 2) times ‘th ib row As 2nd rb row “Those rows form rib and ae repeated Cont in rib unt work measures Téomiin ending swith 2 Src ib row. Ine tow (wrong side) Kt, i, kt) 4 (7 10) ies, 2,93, 13 otk] 18tines,K3, p43, nt kt] 47, 10} ines. 70 2, 9) st Baan, einen “forsee Change to Sm (US 8) needles and work in pat fallows ‘stow Kt, ft, kl] 47 10) times, p23, p2 Kt, et, p2,43,p2, kt, pt] 4, 10 times 2nd row Pk, pt]4 7, 1) times 42, 93,13, fp M3] 9 times, 3, 3, 42 1, kt] 4,10) tines, pl. 2rd row Ki, ki, pt] 4 (7,10) tmes, 62, WR. 62, (p36, kt, WR2,p2, [p,K1} 47, 10) times, kt ‘4th row PI, (pt, 1] 4 (7,10) times, 12,93, 13, tog] 9 tines, 43, p3, 2, kt, pI] 47, 10) times, “These 4 rows form the pater, with T st at each in Stat for ease of sewing together Ine row right side) KI, mt, pat to last stn, kt Taking ine st into double moss st, contin pat and {Vata set, at each end of every fll 2nd then ath [2sets of ines in every 6 rows] 0 106 (116, 128s ‘Work srsght until sleeve measures 43cm/7in, cast on edge, ending with a wrong side row. Shape sleeve top Kooping patt correct, cast off 35,6) sts at beg of 82.4) rows, 0(4, 5) ts at beg of fol 0,6) roms (04,70) 3. Cast of rm ste NECKBAND Jain shoulder seams ‘With right side facing and 4mm (US 4 ereulor pick up and K24 sts down lt front neck, work "i ts fom centre front holder as follows: K tbh 3, 2,13, 62 kl th, pik up and k24 sts upright neck, 15 sts down lft back neck, k across 2 sts back neck holder as follows: Ki, p2. #3, p2, kt tl p2 3, p2 thon pick up and KIS sts up backneck 112 sts Join to werk n the round, place @ marker for be the round, on the Ts st picked up for neck, 1st rib round (right side) [WR2,p2, Kt tbl, p2, Kl 2, WR2, p27 times 2nd and thi rounds [K3, 2, kl, p21, 62. 7 mes, 3rd rib round [K3,p2, Kt th, p2, KI tbl, p21 Rep these 4 rounds for 10emi/in Leave sts on ecular needle. TO MAKE UP Fold neckband in half to inside and catch le

Das könnte Ihnen auch gefallen

• The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life

  

  Von Everand

  The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life

  Mark Manson

  Bewertung: 4 von 5 Sternen

  4/5 (5794)
• The Gifts of Imperfection: Let Go of Who You Think You're Supposed to Be and Embrace Who You Are

  

  Von Everand

  The Gifts of Imperfection: Let Go of Who You Think You're Supposed to Be and Embrace Who You Are

  Brene Brown

  Bewertung: 4 von 5 Sternen

  4/5 (1090)
• Never Split the Difference: Negotiating As If Your Life Depended On It

  

  Von Everand

  Never Split the Difference: Negotiating As If Your Life Depended On It

  Chris Voss

  Bewertung: 4.5 von 5 Sternen

  4.5/5 (838)
• • Zeitschriften
  • Podcasts
  • Noten
• Principles: Life and Work

  

  Von Everand

  Principles: Life and Work

  Ray Dalio

  Bewertung: 4 von 5 Sternen

  4/5 (599)
• The Glass Castle: A Memoir

  

  Von Everand

  The Glass Castle: A Memoir

  Jeannette Walls

  Bewertung: 4.5 von 5 Sternen

  4.5/5 (1711)
• Sing, Unburied, Sing: A Novel

  

  Von Everand

  Sing, Unburied, Sing: A Novel

  Jesmyn Ward

  Bewertung: 4 von 5 Sternen

  4/5 (1103)
• Hidden Figures: The American Dream and the Untold Story of the Black Women Mathematicians Who Helped Win the Space Race

  

  Von Everand

  Hidden Figures: The American Dream and the Untold Story of the Black Women Mathematicians Who Helped Win the Space Race

  Margot Lee Shetterly

  Bewertung: 4 von 5 Sternen

  4/5 (890)
• Grit: The Power of Passion and Perseverance

  

  Von Everand

  Grit: The Power of Passion and Perseverance

  Angela Duckworth

  Bewertung: 4 von 5 Sternen

  4/5 (587)
• Shoe Dog: A Memoir by the Creator of Nike

  

  Von Everand

  Shoe Dog: A Memoir by the Creator of Nike

  Phil Knight

  Bewertung: 4.5 von 5 Sternen

  4.5/5 (537)
• The Perks of Being a Wallflower

  

  Von Everand

  The Perks of Being a Wallflower

  Stephen Chbosky

  Bewertung: 4.5 von 5 Sternen

  4.5/5 (2099)
• Elon Musk: Tesla, SpaceX, and the Quest for a Fantastic Future

  

  Von Everand

  Elon Musk: Tesla, SpaceX, and the Quest for a Fantastic Future

  Ashlee Vance

  Bewertung: 4.5 von 5 Sternen

  4.5/5 (474)
• The Hard Thing About Hard Things: Building a Business When There Are No Easy Answers

  

  Von Everand

  The Hard Thing About Hard Things: Building a Business When There Are No Easy Answers

  Ben Horowitz

  Bewertung: 4.5 von 5 Sternen

  4.5/5 (344)
• Bad Feminist: Essays

  

  Von Everand

  Bad Feminist: Essays

  Roxane Gay

  Bewertung: 4 von 5 Sternen

  4/5 (1015)
• The Outsider: A Novel

  

  Von Everand

  The Outsider: A Novel

  Stephen King

  Bewertung: 4 von 5 Sternen

  4/5 (1839)
• Her Body and Other Parties: Stories

  

  Von Everand

  Her Body and Other Parties: Stories

  Carmen Maria Machado

  Bewertung: 4 von 5 Sternen

  4/5 (821)
• The Sympathizer: A Novel (Pulitzer Prize for Fiction)

  

  Von Everand

  The Sympathizer: A Novel (Pulitzer Prize for Fiction)

  Viet Thanh Nguyen

  Bewertung: 4.5 von 5 Sternen

  4.5/5 (119)
• The Emperor of All Maladies: A Biography of Cancer

  

  Von Everand

  The Emperor of All Maladies: A Biography of Cancer

  Siddhartha Mukherjee

  Bewertung: 4.5 von 5 Sternen

  4.5/5 (271)
• Angela's Ashes: A Memoir

  

  Von Everand

  Angela's Ashes: A Memoir

  Frank McCourt

  Bewertung: 4.5 von 5 Sternen

  4.5/5 (440)
• The Little Book of Hygge: Danish Secrets to Happy Living

  

  Von Everand

  The Little Book of Hygge: Danish Secrets to Happy Living

  Meik Wiking

  Bewertung: 3.5 von 5 Sternen

  3.5/5 (399)
• The World Is Flat 3.0: A Brief History of the Twenty-first Century

  

  Von Everand

  The World Is Flat 3.0: A Brief History of the Twenty-first Century

  Thomas L. Friedman

  Bewertung: 3.5 von 5 Sternen

  3.5/5 (2219)
• A Man Called Ove: A Novel

  

  Von Everand

  A Man Called Ove: A Novel

  Fredrik Backman

  Bewertung: 4.5 von 5 Sternen

  4.5/5 (4609)
• The Yellow House: A Memoir (2019 National Book Award Winner)

  

  Von Everand

  The Yellow House: A Memoir (2019 National Book Award Winner)

  Sarah M. Broom

  Bewertung: 4 von 5 Sternen

  4/5 (98)
• Brooklyn: A Novel

  

  Von Everand

  Brooklyn: A Novel

  Colm Toibin

  Bewertung: 3.5 von 5 Sternen

  3.5/5 (1937)
• The Art of Racing in the Rain: A Novel

  

  Von Everand

  The Art of Racing in the Rain: A Novel

  Garth Stein

  Bewertung: 4 von 5 Sternen

  4/5 (4200)
• A Tree Grows in Brooklyn

  

  Von Everand

  A Tree Grows in Brooklyn

  Betty Smith

  Bewertung: 4.5 von 5 Sternen

  4.5/5 (1929)
• Devil in the Grove: Thurgood Marshall, the Groveland Boys, and the Dawn of a New America

  

  Von Everand

  Devil in the Grove: Thurgood Marshall, the Groveland Boys, and the Dawn of a New America

  Gilbert King

  Bewertung: 4.5 von 5 Sternen

  4.5/5 (265)
• Steve Jobs

  

  Von Everand

  Steve Jobs

  Walter Isaacson

  Bewertung: 4.5 von 5 Sternen

  4.5/5 (806)
• The Woman in Cabin 10

  

  Von Everand

  The Woman in Cabin 10

  Ruth Ware

  Bewertung: 3.5 von 5 Sternen

  3.5/5 (2322)
• Yes Please

  

  Von Everand

  Yes Please

  Amy Poehler

  Bewertung: 4 von 5 Sternen

  4/5 (1891)
• A Heartbreaking Work Of Staggering Genius: A Memoir Based on a True Story

  

  Von Everand

  A Heartbreaking Work Of Staggering Genius: A Memoir Based on a True Story

  Dave Eggers

  Bewertung: 3.5 von 5 Sternen

  3.5/5 (231)
• Team of Rivals: The Political Genius of Abraham Lincoln

  

  Von Everand

  Team of Rivals: The Political Genius of Abraham Lincoln

  Doris Kearns Goodwin

  Bewertung: 4.5 von 5 Sternen

  4.5/5 (234)
• Fear: Trump in the White House

  

  Von Everand

  Fear: Trump in the White House

  Bob Woodward

  Bewertung: 3.5 von 5 Sternen

  3.5/5 (738)
• John Adams

  

  Von Everand

  John Adams

  David McCullough

  Bewertung: 4.5 von 5 Sternen

  4.5/5 (2409)
• Wolf Hall: A Novel

  

  Von Everand

  Wolf Hall: A Novel

  Hilary Mantel

  Bewertung: 4 von 5 Sternen

  4/5 (3811)
• On Fire: The (Burning) Case for a Green New Deal

  

  Von Everand

  On Fire: The (Burning) Case for a Green New Deal

  Naomi Klein

  Bewertung: 4 von 5 Sternen

  4/5 (73)
• The Light Between Oceans: A Novel

  

  Von Everand

  The Light Between Oceans: A Novel

  M.L. Stedman

  Bewertung: 4.5 von 5 Sternen

  4.5/5 (789)
• The Unwinding: An Inner History of the New America

  

  Von Everand

  The Unwinding: An Inner History of the New America

  George Packer

  Bewertung: 4 von 5 Sternen

  4/5 (45)
• Manhattan Beach: A Novel

  

  Von Everand

  Manhattan Beach: A Novel

  Jennifer Egan

  Bewertung: 3.5 von 5 Sternen

  3.5/5 (792)
• The Constant Gardener: A Novel

  

  Von Everand

  The Constant Gardener: A Novel

  John le Carre

  Bewertung: 3.5 von 5 Sternen

  3.5/5 (104)
• Grace Doll - Julia Litvin - Workroom Julia Litvin

  

  Dokument13 Seiten

  Grace Doll - Julia Litvin - Workroom Julia Litvin

  RdeS

  83% (6)
• Rise of ISIS: A Threat We Can't Ignore

  

  Von Everand

  Rise of ISIS: A Threat We Can't Ignore

  Jay Sekulow

  Bewertung: 3.5 von 5 Sternen

  3.5/5 (137)
• Little Women

  

  Von Everand

  Little Women

  Louisa May Alcott

  Bewertung: 4 von 5 Sternen

  4/5 (104)
• Care Label Instructions Explained

  

  Dokument37 Seiten

  Care Label Instructions Explained

  Mard Geer

  Noch keine Bewertungen
• Grade 10 Tle

  

  Dokument9 Seiten

  Grade 10 Tle

  Israel Marquez

  50% (2)
• Perform Basic Maintenance

  

  Dokument60 Seiten

  Perform Basic Maintenance

  Jexylon Tenedero

  Noch keine Bewertungen
• Compact Survival Kit

  

  Dokument10 Seiten

  Compact Survival Kit

  Sherry

  100% (1)
• Department of Education: Care of Sewing Machine

  

  Dokument6 Seiten

  Department of Education: Care of Sewing Machine

  Lorily B. Abad

  Noch keine Bewertungen
• Doc31027779 588030430

  

  Dokument7 Seiten

  Doc31027779 588030430

  Brittany Ramirez

  100% (1)
• In Color Order - The Art of Choosing - Building A Color Scheme Around A Single Fabric

  

  Dokument8 Seiten

  In Color Order - The Art of Choosing - Building A Color Scheme Around A Single Fabric

  russellveronicaa

  Noch keine Bewertungen
• Merchandising Flow Chart

  

  Dokument1 Seite

  Merchandising Flow Chart

  shahinreza

  Noch keine Bewertungen
• Sewing Technology

  

  Dokument67 Seiten

  Sewing Technology

  Sharan Shetty

  100% (1)
• XL Valentine Cutout Top

  

  Dokument11 Seiten

  XL Valentine Cutout Top

  Alejandra Escobar

  Noch keine Bewertungen
• Embroidery Lesson on Basic Stitches

  

  Dokument16 Seiten

  Embroidery Lesson on Basic Stitches

  Markus Amevill

  100% (5)
• Crochet Pumpkin Cat Amigurumi Free Pattern

  

  Dokument4 Seiten

  Crochet Pumpkin Cat Amigurumi Free Pattern

  Leidiane

  100% (3)
• Pe 400 Dom 01 en

  

  Dokument112 Seiten

  Pe 400 Dom 01 en

  Dani Perry (Dinara)

  Noch keine Bewertungen
• Cocmpetitive Engtrance Examination Into HTTTC Bambili: 1 Year of The 2 Cycle

  

  Dokument56 Seiten

  Cocmpetitive Engtrance Examination Into HTTTC Bambili: 1 Year of The 2 Cycle

  lyns

  100% (1)
• DRESSMAKING 7 Module 8

  

  Dokument22 Seiten

  DRESSMAKING 7 Module 8

  joebert agraviador

  100% (2)
• Apparel

  

  Dokument2 Seiten

  Apparel

  Yethesham Ul Haq

  Noch keine Bewertungen
• Resource Jute - Handicrafts Kolkata

  

  Dokument14 Seiten

  Resource Jute - Handicrafts Kolkata

  Durgesh Tripathi

  Noch keine Bewertungen
• Baby RJ

  

  Dokument9 Seiten

  Baby RJ

  ff

  100% (1)
• Basic Terminologies For Fabric Knitting

  

  Dokument3 Seiten

  Basic Terminologies For Fabric Knitting

  Vasant Kothari

  100% (2)
• Ridge Installation Guide

  

  Dokument1 Seite

  Ridge Installation Guide

  Georgios P

  Noch keine Bewertungen
• (Materiales) Productos CNF

  

  Dokument18 Seiten

  (Materiales) Productos CNF

  Nicolás Felipe Reyes Cerda

  Noch keine Bewertungen
• All Well - FULL MOON BAG - Instructions PDF

  

  Dokument40 Seiten

  All Well - FULL MOON BAG - Instructions PDF

  elaine

  100% (2)
• DLP Sewing Machine

  

  Dokument4 Seiten

  DLP Sewing Machine

  YvonneGraceArnaiz-NavaresNavarro

  Noch keine Bewertungen
• Textile Fibers and Their Properties: Prepared By: Rhanney L. Gonzales

  

  Dokument19 Seiten

  Textile Fibers and Their Properties: Prepared By: Rhanney L. Gonzales

  Dimple Castañeto Callo

  Noch keine Bewertungen
• Pablo Panda Pattern

  

  Dokument5 Seiten

  Pablo Panda Pattern

  Elly CakesandBakery

  100% (2)
• ACL Reconstruction Using 4-Strand Semitendinosus Graft

  

  Dokument5 Seiten

  ACL Reconstruction Using 4-Strand Semitendinosus Graft

  Evans John

  Noch keine Bewertungen
• Gato - Vendula Maderska

  

  Dokument13 Seiten

  Gato - Vendula Maderska

  Maika Pardo

  100% (1)
• Restoration and Conservation of Textiles

  

  Dokument78 Seiten

  Restoration and Conservation of Textiles

  Crisencio M. Paner

  Noch keine Bewertungen
• Internship Document

  

  Dokument116 Seiten

  Internship Document

  urvi mishra

  Noch keine Bewertungen