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MHIS-231 Project #2 - To Kill A Mockingbird uses music from the film. Cues include: Looking for Boo (0:17-0:41), Pageant Source (0:41-0:59) and Our Longest Journey (0:59-3:01)
MHIS-231 Project #2 - To Kill A Mockingbird uses music from the film. Cues include: Looking for Boo (0:17-0:41), Pageant Source (0:41-0:59) and Our Longest Journey (0:59-3:01)
MHIS-231 Project #2 - To Kill A Mockingbird uses music from the film. Cues include: Looking for Boo (0:17-0:41), Pageant Source (0:41-0:59) and Our Longest Journey (0:59-3:01)
In this scene, we see a young girl (Scout), staring over a fence at a house whilst her adult self narrates. The music is soft and innocent sounding, relating to Scouts emotions. Instrumentation involves woodwinds and piano, the smaller ensemble makes the overall mood seem more intimate and introverted. The music itself is also rhythmically and melodically simple, mainly consisting of a 2-note figure - which has been associated with Boo throughout the film. Whilst the woodwinds play the repeating figure, the piano plays a short melody in D harmonic minor. The natural 7 gives the cue an added uneasy, mysterious element, possibly mirroring the same characteristics associated with the seemingly empty house. The second half of the cue has a more americana feel as the melody played by the winds seems to be pentatonic, and the winds play in parallel. The change in mood helps segue from the concerned feelings of Boo, to the excitement of Halloween. b) Pageant Source (0:41-0:59) In this short scene, Scout is getting escorted to a Halloween pageant. The music in this scene is source music, being played at the pageant. The music seems to be in the style of a typical American march with prominent bombastic brass playing the main melody, fast flute ornamentations dancing around that melody, and snare drum. The music is fairly quiet only because we are hearing the music from outside the building; it is also fairly fast and patriotic sounding (like most marches)The music here adds realism to the scene, and also sets the time and location of the movie. c) Our Longest Journey (0:59-3:01) This cue shows Jem walking with Scout home through the park as she wears her Halloween costume. Whilst walking, Jem hears a noise and pauses walking to see what it is. The beginning of the cue features sustained chords in the winds with arpeggios from the harp - possibly to imply a calm night in a rural area. As the camera moves to a closer shot of Jem, the innocence theme is softly played on the flute over the sustained chords. The calm, gentle feeling of the cue is exemplifying Jems innocence. The notes used are from a major scale, but the order they are in implies pentatonic phrasing - which adds to the Americana feel. As Jem says Where are your shoes? the full orchestra comes in to create a much thicker sound. The high strings are prominently heard
playing the melody at this point. The change in orchestration may be
to help progress the story along. As the camera cuts to them in the park, the winds start playing a countermelody. The thicker sound seems to change the mood from innocence to one illustrate the bond between the two siblings, despite Jem being snappy. When Jem shushes Scout, the music dies down to a quiet sustained chord, with eventually only the flutes playing notes. An E major 7 + 9 arpeggio is played by the harp as Jem looks to see what made the sound. The 2-note figure played by the winds earlier is now played here on the harmonica. Once they continue walking, the innocence theme is played on the piano simultaneously with the harmonica playing the 2-note figure, as well as a pedal being played in the violins and harp. winds chord/harp, flute melody, orchestra melody - strings, winds c.melody, dies down - flutes held, harp arpeggios, harmonica