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stones extracted from Libyan (Libyan bank = bank of the Nile). They work
tirelessly in the number of one hundred thousand, change every three
months. Overwhelmed people built the road that the stones were brought in
ten years, and it was a work, with slightly less than the pyramid itself, as
far as it seems. "
Sure there is, however, that Egyptian art for over thirty-three
centuries, that is, as stated by E. Drioton and P. du Bourguet Art Pharaohs
in their study, more than any other in the world. Remarkable thing is that
since she left us the greatest number of testimonies of its height, even more
than the art of Greek-Roman or Babylonian asiro.
But the Egyptians had no concept of art in the sense that we know
today. Their artists, sculptors and painters, is confused with artisans. Only
in Greece century. VI-V BC sculptor and painter gets a special status
among artisans. Most works of art precisely because they are anonymous
Egyptian artist was not considered worthy of special honor. On the other
hand, Egyptian art was an art engaged with specific purposes. It was not
intended to achieve beauty, I would like an Orthodox icon is not striving to
express beauty, but to represent an allegory of good and of virtue.
Regarding the Egyptian concept of beauty is known that this term has the
meaning of "good" (moral and utilitarian) and means "beautiful"
(aesthetic). These trends are visible from the old empire, where the two
meanings coexist. The Greek word "beautiful" - Kalos becomes the
meaning of "good" only in the Christian era.
Egyptian artwork should not be admired for her beauty, but
understood, interpreted by releasing the magical and mythical meaning for
which it was created. Her message should be read and placed in relation to
circumstances, places, characters, deities, mythical episodes or actions
referred to magic. An Egyptian artwork should therefore not admired for
her beauty, but read, understood in the sense that Spinoza writes: "Non
rider flair nec, neque sed intelligere wonders" ("Do not laugh, not cry, nor
to admire but to understand ").
Egyptian art is worth immobility, that no changes in taste, no
external influences could not ever change this art. This immobility
immobility should not be blamed on Egyptian beliefs and religions, but on
the stability and consistency tribute mode of production, which was
maintained until the time of the Byzantine and Arab rule. And prohibitions
have remained unchanged ritual, spells, chants, myths, sacred ceremonies
and magical practices that we call "Egyptian religions." With the decline of
Egypt and the victory of Christianity is developing a different art, different
from the "archaic" Egyptian.
How many essential characters of the Egyptian creation through the
ages such as:
* An Egyptian artwork is very easily recognized among many other
works because it is absolutely specific attributes. Egyptian art is striking
uniqueness of any single scholar by the originality of its constituent
characters.
* An Egyptian artwork is not a free creation, a search of beauty in itself,
but it has a mythical or mystical connection to be searched and identified.
* Immobility Egyptian art and its lack of development are consequences
of immobility tribute mode of production.
* Egyptian art was anonymous and only rarely do not know the names of
painters or sculptors who have completed an opera. This is due to the fact
that a work have collaborated many artisans, as collective artistic creation.
Diodorus of Sicily writes: "Thus, once the creators have agreed among
themselves on the height of the statue, go to each party at home that they
have chosen."
* The Egyptian painting and sculpture artists use a lot of rules about the
proportions of the human body, canon: the human face representation and
face generally follows a convention imposed by the magical and mythical
background of Egyptian art.
* The colors in the paintings, like those that covered the statue, had a
magical effect.
Egyptian art in chronological order to study the criterion is
meaningless for two reasons. The first is due to the immobility of art,
which is the creation of the old empire to be similar to those of the first
millennium BC The second reason is that in the history of Egyptian art
there was a time marked by archaism, the dynasty and websites, when they
began to reproduce similar works of the old empire.
References:
* Daniel, Constantin - spiritual culture of ancient Egypt, Romanian
Publishing House, Bucharest, 1985
* Drimba Ovidiu - History Culture and Civilization, Vol I, Scientific and
Encyclopedic Publishing House, Bucharest, 1984
* Popa, Eugen - Egyptian Journal, Sport-Turism Publishing House,
Bucharest, 1988
* Hitt, Philip K. - History of the Arabs, translation, notes and index: Irina
Vainovski-Mihai, Bucharest, Editura All, ISBN: 973-571-855-8